2/4/2023 0 Comments CANE by Jean Toomer
Cane is a 1923 novel by noted Harlem Renaissance author Jean Toomer. The novel is structured as a series of vignettes revolving around the origins and experiences of African Americans in the United States. The vignettes alternate in structure between narrative prose, poetry, and play-like passages of dialogue.
KARINTHA
Her skin is like dusk on the eastern horizon,
O cant you see it, O cant you see it,
Her skin is like dusk on the eastern horizon
... When the sun goes down.
MEN had always wanted her, this Karintha, even as a child, Karintha carrying beauty, perfect as dusk when the sun goes down. Old men rode her hobby-horse upon their knees. Young men danced with her at frolics when they should have been dancing with their grown-up girls. God grant us youth, secretly prayed the old men. The young fellows counted the time to pass before she would be old enough to mate with them. This interest of the male, who wishes to ripen a growing thing too soon, could mean no good to her. Karintha, at twelve, was a wild flash that told the other folks just what it was to live. At sunset, when there was no wind, and the pine-smoke 2from over by the sawmill hugged the earth, and you couldnt see more than a few feet in front, her sudden darting past you was a bit of vivid color, like a black bird that flashes in light. With the other children one could hear, some distance off, their feet flopping in the two-inch dust. Karintha’s running was a whir. It had the sound of the red dust that sometimes makes a spiral in the road. At dusk, during the hush just after the sawmill had closed down, and before any of the women had started their supper-getting-ready songs, her voice, high-pitched, shrill, would put one’s ears to itching. But no one ever thought to make her stop because of it. She stoned the cows, and beat her dog, and fought the other children... Even the preacher, who caught her at mischief, told himself that she was as innocently lovely as a November cotton flower. Already, rumors were out about her. Homes in Georgia are most often built on the two-room plan. In one, you cook and eat, in the other you sleep, and there love goes on. Karintha had seen or heard, perhaps she had felt her parents loving. One could but imitate one’s parents, for to follow them was the3 way of God. She played “home” with a small boy who was not afraid to do her bidding. That started the whole thing. Old men could no longer ride her hobby-horse upon their knees. But young men counted faster.
Her skin is like dusk,
O cant you see it,
Her skin is like dusk,
When the sun goes down.
Karintha is a woman. She who carries beauty, perfect as dusk when the sun goes down. She has been married many times. Old men remind her that a few years back they rode her hobby-horse upon their knees. Karintha smiles, and indulges them when she is in the mood for it. She has contempt for them. Karintha is a woman. Young men run stills to make her money. Young men go to the big cities and run on the road. Young men go away to college. They all want to bring her money. These are the young men who thought that all they had to4 do was to count time. But Karintha is a woman, and she has had a child. A child fell out of her womb onto a bed of pine-needles in the forest. Pine-needles are smooth and sweet. They are elastic to the feet of rabbits... A sawmill was nearby. Its pyramidal sawdust pile smouldered. It is a year before one completely burns. Meanwhile, the smoke curls up and hangs in odd wraiths about the trees, curls up, and spreads itself out over the valley... Weeks after Karintha returned home the smoke was so heavy you tasted it in water. Some one made a song:
Smoke is on the hills. Rise up.
Smoke is on the hills, O rise
And take my soul to Jesus.
Karintha is a woman. Men do not know that the soul of her was a growing thing ripened too soon. They will bring their money; they will die not having found it out... Karintha at5 twenty, carrying beauty, perfect as dusk when the sun goes down. Karintha...
Her skin is like dusk on the eastern horizon,
O cant you see it, O cant you see it,
Her skin is like dusk on the eastern horizon
... When the sun goes down.
Goes down...
6
REAPERS
Black reapers with the sound of steel on stones
Are sharpening scythes. I see them place the hones
In their hip-pockets as a thing that’s done,
And start their silent swinging, one by one.
Black horses drive a mower through the weeds,
And there, a field rat, startled, squealing bleeds,
His belly close to ground. I see the blade,
Blood-stained, continue cutting weeds and shade.
7
NOVEMBER COTTON FLOWER
Boll-weevil’s coming, and the winter’s cold,
Made cotton-stalks look rusty, seasons old,
And cotton, scarce as any southern snow,
Was vanishing; the branch, so pinched and slow,
Failed in its function as the autumn rake;
Drouth fighting soil had caused the soil to take
All water from the streams; dead birds were found
In wells a hundred feet below the ground—
Such was the season when the flower bloomed.
Old folks were startled, and it soon assumed
Significance. Superstition saw
Something it had never seen before:
Brown eyes that loved without a trace of fear,
Beauty so sudden for that time of year.
8
BECKY
BECKY had one Negro son. Who gave it to her? Damn buck nigger, said the white folks’ mouths. She wouldnt tell. Common, God-forsaken, insane white shameless wench, said the white folks’ mouths. Her eyes were sunken, her neck stringy, her breasts fallen, till then. Taking their words, they filled her, like a bubble rising—then she broke. Mouth setting in a twist that held her eyes, harsh, vacant, staring... Who gave it to her? Low-down nigger with no self-respect, said the black folks’ mouths. She wouldnt tell. Poor Catholic poor-white crazy woman, said the black folks’ mouths. White folks and black folks built her cabin, fed her and her growing baby, prayed secretly to God who’d put His cross upon her and cast her out. 9 When the first was born, the white folks said they’d have no more to do with her. And black folks, they too joined hands to cast her out... The pines whispered to Jesus.. The railroad boss said not to say he said it, but she could live, if she wanted to, on the narrow strip of land between the railroad and the road. John Stone, who owned the lumber and the bricks, would have shot the man who told he gave the stuff to Lonnie Deacon, who stole out there at night and built the cabin. A single room held down to earth... O fly away to Jesus ... by a leaning chimney... Six trains each day rumbled past and shook the ground under her cabin. Fords, and horse- and mule-drawn buggies went back and forth along the road. No one ever saw her. Trainmen, and passengers who’d heard about her, threw out papers and food. Threw out little crumpled slips of paper scribbled with prayers, as they passed her eye-shaped piece of sandy ground. Ground islandized between the road and railroad track. Pushed up where a blue-sheen God with listless eyes could look at it.10 Folks from the town took turns, unknown, of course, to each other, in bringing corn and meat and sweet potatoes. Even sometimes snuff... O thank y Jesus... Old David Georgia, grinding cane and boiling syrup, never went her way without some sugar sap. No one ever saw her. The boy grew up and ran around. When he was five years old as folks reckoned it, Hugh Jourdon saw him carrying a baby. “Becky has another son,” was what the whole town knew. But nothing was said, for the part of man that says things to the likes of that had told itself that if there was a Becky, that Becky now was dead. The two boys grew. Sullen and cunning... O pines, whisper to Jesus; tell Him to come and press sweet Jesus-lips against their lips and eyes... It seemed as though with those two big fellows there, there could be no room for Becky. The part that prayed wondered if perhaps she’d really died, and they had buried her. No one dared ask. They’d beat and cut a man who meant nothing at all in mentioning that they lived along the road. White or colored?11 No one knew, and least of all themselves. They drifted around from job to job. We, who had cast out their mother because of them, could we take them in? They answered black and white folks by shooting up two men and leaving town. “Godam the white folks; godam the niggers,” they shouted as they left town. Becky? Smoke curled up from her chimney; she must be there. Trains passing shook the ground. The ground shook the leaning chimney. Nobody noticed it. A creepy feeling came over all who saw that thin wraith of smoke and felt the trembling of the ground. Folks began to take her food again. They quit it soon because they had a fear. Becky if dead might be a hant, and if alive—it took some nerve even to mention it... O pines, whisper to Jesus... It was Sunday. Our congregation had been visiting at Pulverton, and were coming home. There was no wind. The autumn sun, the bell from Ebenezer Church, listless and heavy. Even the pines were stale, sticky, like the smell of food that makes you sick. Before we turned the bend of the road that would show us the Becky cabin,12 the horses stopped stock-still, pushed back their ears, and nervously whinnied. We urged, then whipped them on. Quarter of a mile away thin smoke curled up from the leaning chimney... O pines, whisper to Jesus... Goose-flesh came on my skin though there still was neither chill nor wind. Eyes left their sockets for the cabin. Ears burned and throbbed. Uncanny eclipse! fear closed my mind. We were just about to pass... Pines shout to Jesus!.. the ground trembled as a ghost train rumbled by. The chimney fell into the cabin. Its thud was like a hollow report, ages having passed since it went off. Barlo and I were pulled out of our seats. Dragged to the door that had swung open. Through the dust we saw the bricks in a mound upon the floor. Becky, if she was there, lay under them. I thought I heard a groan. Barlo, mumbling something, threw his Bible on the pile. (No one has ever touched it.) Somehow we got away. My buggy was still on the road. The last thing that I remember was whipping old Dan like fury; I remember nothing after that—that is, until I reached town and13 folks crowded round to get the true word of it.
14
FACE
Hair—
silver-gray,
like streams of stars,
Brows—
recurved canoes
quivered by the ripples blown by pain,
Her eyes—
mist of tears
condensing on the flesh below
And her channeled muscles
are cluster grapes of sorrow
purple in the evening sun
nearly ripe for worms.
15
COTTON SONG
Come, brother, come. Lets lift it;
Come now, hewit! roll away!
Shackles fall upon the Judgment Day
But lets not wait for it.
God’s body’s got a soul,
Bodies like to roll the soul,
Cant blame God if we dont roll,
Come, brother, roll, roll!
Cotton bales are the fleecy way
Weary sinner’s bare feet trod,
Softly, softly to the throne of God,
“We aint agwine t wait until th Judgment Day!
Nassur; nassur,
Hump.
Eoho, eoho, roll away!
We aint agwine t wait until th Judgment Day!”
God’s body’s got a soul,
Bodies like to roll the soul,
Cant blame God if we dont roll,
Come, brother, roll, roll!
16
CARMA
Wind is in the cane. Come along.
Cane leaves swaying, rusty with talk,
Scratching choruses above the guinea’s squawk,
Wind is in the cane. Come along.
CARMA, in overalls, and strong as any man, stands behind the old brown mule, driving the wagon home. It bumps, and groans, and shakes as it crosses the railroad track. She, riding it easy. I leave the men around the stove to follow her with my eyes down the red dust road. Nigger woman driving a Georgia chariot down an old dust road. Dixie Pike is what they call it. Maybe she feels my gaze, perhaps she expects it. Anyway, she turns. The sun, which has been slanting over her shoulder, shoots primitive rockets into her mangrove-gloomed, yellow flower face. Hi! Yip! God has left the Moses-people for the nigger. “Gedap.” Using reins to slap the mule, she disappears in a cloudy rumble at some indefinite point along the road. 17 (The sun is hammered to a band of gold. Pine-needles, like mazda, are brilliantly aglow. No rain has come to take the rustle from the falling sweet-gum leaves. Over in the forest, across the swamp, a sawmill blows its closing whistle. Smoke curls up. Marvelous web spun by the spider sawdust pile. Curls up and spreads itself pine-high above the branch, a single silver band along the eastern valley. A black boy ... you are the most sleepiest man I ever seed, Sleeping Beauty ... cradled on a gray mule, guided by the hollow sound of cow-bells, heads for them through a rusty cotton field. From down the railroad track, the chug-chug of a gas engine announces that the repair gang is coming home. A girl in the yard of a whitewashed shack not much larger than the stack of worn ties piled before it, sings. Her voice is loud. Echoes, like rain, sweep the valley. Dusk takes the polish from the rails. Lights twinkle in scattered houses. From far away, a sad strong song. Pungent and composite, the smell of farmyards is the fragrance of the woman. She does not sing; her body is a song. She is in the forest, dancing. Torches18 flare .. juju men, greegree, witch-doctors .. torches go out... The Dixie Pike has grown from a goat path in Africa. Night. Foxie, the bitch, slicks back her ears and barks at the rising moon.)
Wind is in the corn. Come along.
Corn leaves swaying, rusty with talk,
Scratching choruses above the guinea’s squawk,
Wind is in the corn. Come along.
Carma’s tale is the crudest melodrama. Her husband’s in the gang. And its her fault he got there. Working with a contractor, he was away most of the time. She had others. No one blames her for that. He returned one day and hung around the town where he picked up week-old boasts and rumors... Bane accused her. She denied. He couldnt see that she was becoming hysterical. He would have liked to take his fists and beat her. Who was strong as a man. Stronger. Words, like corkscrews, wormed to her strength. It fizzled out. Grabbing a gun, she rushed from the house and plunged across19 the road into a cane-brake.. There, in quarter heaven shone the crescent moon... Bane was afraid to follow till he heard the gun go off. Then he wasted half an hour gathering the neighbor men. They met in the road where lamp-light showed tracks dissolving in the loose earth about the cane. The search began. Moths flickered the lamps. They put them out. Really, because she still might be live enough to shoot. Time and space have no meaning in a canefield. No more than the interminable stalks... Some one stumbled over her. A cry went up. From the road, one would have thought that they were cornering a rabbit or a skunk... It is difficult carrying dead weight through cane. They placed her on the sofa. A curious, nosey somebody looked for the wound. This fussing with her clothes aroused her. Her eyes were weak and pitiable for so strong a woman. Slowly, then like a flash, Bane came to know that the shot she fired, with averted head, was aimed to whistle like a dying hornet through the cane. Twice deceived, and one deception proved the other. His head went off. Slashed one of the men who’d helped, the man20 who’d stumbled over her. Now he’s in the gang. Who was her husband. Should she not take others, this Carma, strong as a man, whose tale as I have told it is the crudest melodrama?
Wind is in the cane. Come along.
Cane leaves swaying, rusty with talk,
Scratching choruses above the guinea’s squawk,
Wind is in the cane. Come along.
21
SONG OF THE SON
Pour O pour that parting soul in song,
O pour it in the sawdust glow of night,
Into the velvet pine-smoke air to-night,
And let the valley carry it along.
And let the valley carry it along.
O land and soil, red soil and sweet-gum tree,
So scant of grass, so profligate of pines,
Now just before an epoch’s sun declines
Thy son, in time, I have returned to thee,
Thy son, I have in time returned to thee.
In time, for though the sun is setting on
A song-lit race of slaves, it has not set;
Though late, O soil, it is not too late yet
To catch thy plaintive soul, leaving, soon gone,
Leaving, to catch thy plaintive soul soon gone.
O Negro slaves, dark purple ripened plums,
Squeezed, and bursting in the pine-wood air,
Passing, before they stripped the old tree bare
One plum was saved for me, one seed becomes
An everlasting song, a singing tree,
Caroling softly souls of slavery,
What they were, and what they are to me,
Caroling softly souls of slavery.
22
GEORGIA DUSK
The sky, lazily disdaining to pursue
The setting sun, too indolent to hold
A lengthened tournament for flashing gold,
Passively darkens for night’s barbecue,
A feast of moon and men and barking hounds,
An orgy for some genius of the South
With blood-hot eyes and cane-lipped scented mouth,
Surprised in making folk-songs from soul sounds.
The sawmill blows its whistle, buzz-saws stop,
And silence breaks the bud of knoll and hill,
Soft settling pollen where plowed lands fulfill
Their early promise of a bumper crop.
Smoke from the pyramidal sawdust pile
Curls up, blue ghosts of trees, tarrying low
Where only chips and stumps are left to show
The solid proof of former domicile.
Meanwhile, the men, with vestiges of pomp,
Race memories of king and caravan,
High-priests, an ostrich, and a juju-man,
Go singing through the footpaths of the swamp.
23
Their voices rise ... the pine trees are guitars,
Strumming, pine-needles fall like sheets of rain...
Their voices rise ... the chorus of the cane
Is caroling a vesper to the stars...
O singers, resinous and soft your songs
Above the sacred whisper of the pines,
Give virgin lips to cornfield concubines,
Bring dreams of Christ to dusky cane-lipped throngs.
24
FERNFACE flowed into her eyes. Flowed in soft cream foam and plaintive ripples, in such a way that wherever your glance may momentarily have rested, it immediately thereafter wavered in the direction of her eyes. The soft suggestion of down slightly darkened, like the shadow of a bird’s wing might, the creamy brown color of her upper lip. Why, after noticing it, you sought her eyes, I cannot tell you. Her nose was aquiline, Semitic. If you have heard a Jewish cantor sing, if he has touched you and made your own sorrow seem trivial when compared with his, you will know my feeling when I follow the curves of her profile, like mobile rivers, to their common delta. They were strange eyes. In this, that they sought nothing—that is, nothing that was obvious and tangible and that one could see, and they gave the impression that nothing was to be denied. When a woman seeks, you will have observed, her eyes deny. Fern’s eyes desired nothing that you25 could give her; there was no reason why they should withhold. Men saw her eyes and fooled themselves. Fern’s eyes said to them that she was easy. When she was young, a few men took her, but got no joy from it. And then, once done, they felt bound to her (quite unlike their hit and run with other girls), felt as though it would take them a lifetime to fulfill an obligation which they could find no name for. They became attached to her, and hungered after finding the barest trace of what she might desire. As she grew up, new men who came to town felt as almost everyone did who ever saw her: that they would not be denied. Men were everlastingly bringing her their bodies. Something inside of her got tired of them, I guess, for I am certain that for the life of her she could not tell why or how she began to turn them off. A man in fever is no trifling thing to send away. They began to leave her, baffled and ashamed, yet vowing to themselves that some day they would do some fine thing for her: send her candy every week and not let her know whom it came from, watch out for her wedding-day and give her a magnificent something with no name on it, buy26 a house and deed it to her, rescue her from some unworthy fellow who had tricked her into marrying him. As you know, men are apt to idolize or fear that which they cannot understand, especially if it be a woman. She did not deny them, yet the fact was that they were denied. A sort of superstition crept into their consciousness of her being somehow above them. Being above them meant that she was not to be approached by anyone. She became a virgin. Now a virgin in a small southern town is by no means the usual thing, if you will believe me. That the sexes were made to mate is the practice of the South. Particularly, black folks were made to mate. And it is black folks whom I have been talking about thus far. What white men thought of Fern I can arrive at only by analogy. They let her alone. Anyone, of course, could see her, could see her eyes. If you walked up the Dixie Pike most any time of day, you’d be most like to see her resting listless-like on the railing of her porch, back propped against a post, head tilted a little forward because there was a nail in the porch27 post just where her head came which for some reason or other she never took the trouble to pull out. Her eyes, if it were sunset, rested idly where the sun, molten and glorious, was pouring down between the fringe of pines. Or maybe they gazed at the gray cabin on the knoll from which an evening folk-song was coming. Perhaps they followed a cow that had been turned loose to roam and feed on cotton-stalks and corn leaves. Like as not they’d settle on some vague spot above the horizon, though hardly a trace of wistfulness would come to them. If it were dusk, then they’d wait for the search-light of the evening train which you could see miles up the track before it flared across the Dixie Pike, close to her home. Wherever they looked, you’d follow them and then waver back. Like her face, the whole countryside seemed to flow into her eyes. Flowed into them with the soft listless cadence of Georgia’s South. A young Negro, once, was looking at her, spellbound, from the road. A white man passing in a buggy had to flick him with his whip if he was to get by without running him over. I first saw her on her porch. I was passing with a fellow whose crusty numbness 28(I was from the North and suspected of being prejudiced and stuck-up) was melting as he found me warm. I asked him who she was. “That’s Fern,” was all that I could get from him. Some folks already thought that I was given to nosing around; I let it go at that, so far as questions were concerned. But at first sight of her I felt as if I heard a Jewish cantor sing. As if his singing rose above the unheard chorus of a folk-song. And I felt bound to her. I too had my dreams: something I would do for her. I have knocked about from town to town too much not to know the futility of mere change of place. Besides, picture if you can, this cream-colored solitary girl sitting at a tenement window looking down on the indifferent throngs of Harlem. Better that she listen to folk-songs at dusk in Georgia, you would say, and so would I. Or, suppose she came up North and married. Even a doctor or a lawyer, say, one who would be sure to get along—that is, make money. You and I know, who have had experience in such things, that love is not a thing like prejudice which can be bettered by changes of town. Could men in Washington, Chicago, or New York,29 more than the men of Georgia, bring her something left vacant by the bestowal of their bodies? You and I who know men in these cities will have to say, they could not. See her out and out a prostitute along State Street in Chicago. See her move into a southern town where white men are more aggressive. See her become a white man’s concubine... Something I must do for her. There was myself. What could I do for her? Talk, of course. Push back the fringe of pines upon new horizons. To what purpose? and what for? Her? Myself? Men in her case seem to lose their selfishness. I lost mine before I touched her. I ask you, friend (it makes no difference if you sit in the Pullman or the Jim Crow as the train crosses her road), what thoughts would come to you—that is, after you’d finished with the thoughts that leap into men’s minds at the sight of a pretty woman who will not deny them; what thoughts would come to you, had you seen her in a quick flash, keen and intuitively, as she sat there on her porch when your train thundered by? Would you have got off at the next station and come back for her to take her where? Would you have30 completely forgotten her as soon as you reached Macon, Atlanta, Augusta, Pasadena, Madison, Chicago, Boston, or New Orleans? Would you tell your wife or sweetheart about a girl you saw? Your thoughts can help me, and I would like to know. Something I would do for her... One evening I walked up the Pike on purpose, and stopped to say hello. Some of her family were about, but they moved away to make room for me. Damn if I knew how to begin. Would you? Mr. and Miss So-and-So, people, the weather, the crops, the new preacher, the frolic, the church benefit, rabbit and possum hunting, the new soft drink they had at old Pap’s store, the schedule of the trains, what kind of town Macon was, Negro’s migration north, boll-weevils, syrup, the Bible—to all these things she gave a yassur or nassur, without further comment. I began to wonder if perhaps my own emotional sensibility had played one of its tricks on me. “Lets take a walk,” I at last ventured. The suggestion, coming after so long an isolation, was novel enough, I guess, to surprise. But it wasnt that. Something told me that men31 before me had said just that as a prelude to the offering of their bodies. I tried to tell her with my eyes. I think she understood. The thing from her that made my throat catch, vanished. Its passing left her visible in a way I’d thought, but never seen. We walked down the Pike with people on all the porches gaping at us. “Doesnt it make you mad?” She meant the row of petty gossiping people. She meant the world. Through a canebrake that was ripe for cutting, the branch was reached. Under a sweet-gum tree, and where reddish leaves had dammed the creek a little, we sat down. Dusk, suggesting the almost imperceptible procession of giant trees, settled with a purple haze about the cane. I felt strange, as I always do in Georgia, particularly at dusk. I felt that things unseen to men were tangibly immediate. It would not have surprised me had I had vision. People have them in Georgia more often than you would suppose. A black woman once saw the mother of Christ and drew her in charcoal on the courthouse wall... When one is on the soil of one’s ancestors, most anything can come to one... From force of habit, I suppose, I held Fern in32 my arms—that is, without at first noticing it. Then my mind came back to her. Her eyes, unusually weird and open, held me. Held God. He flowed in as I’ve seen the countryside flow in. Seen men. I must have done something—what, I dont know, in the confusion of my emotion. She sprang up. Rushed some distance from me. Fell to her knees, and began swaying, swaying. Her body was tortured with something it could not let out. Like boiling sap it flooded arms and fingers till she shook them as if they burned her. It found her throat, and spattered inarticulately in plaintive, convulsive sounds, mingled with calls to Christ Jesus. And then she sang, brokenly. A Jewish cantor singing with a broken voice. A child’s voice, uncertain, or an old man’s. Dusk hid her; I could hear only her song. It seemed to me as though she were pounding her head in anguish upon the ground. I rushed to her. She fainted in my arms. There was talk about her fainting with me in the canefield. And I got one or two ugly looks from town men who’d set themselves up to protect 33her. In fact, there was talk of making me leave town. But they never did. They kept a watch-out for me, though. Shortly after, I came back North. From the train window I saw her as I crossed her road. Saw her on her porch, head tilted a little forward where the nail was, eyes vaguely focused on the sunset. Saw her face flow into them, the countryside and something that I call God, flowing into them... Nothing ever really happened. Nothing ever came to Fern, not even I. Something I would do for her. Some fine unnamed thing... And, friend, you? She is still living, I have reason to know. Her name, against the chance that you might happen down that way, is Fernie May Rosen.
34
NULLO
A spray of pine-needles,
Dipped in western horizon gold,
Fell onto a path.
Dry moulds of cow-hoofs.
In the forest.
Rabbits knew not of their falling,
Nor did the forest catch aflame.
35
EVENING SONG
Full moon rising on the waters of my heart,
Lakes and moon and fires,
Cloine tires,
Holding her lips apart.
Promises of slumber leaving shore to charm the moon,
Miracle made vesper-keeps,
Cloine sleeps,
And I’ll be sleeping soon.
Cloine, curled like the sleepy waters where the moon-waves start,
Radiant, resplendently she gleams,
Cloine dreams,
Lips pressed against my heart.
36
ESTHER1Nine. ESTHER’S hair falls in soft curls about her high-cheek-boned chalk-white face. Esther’s hair would be beautiful if there were more gloss to it. And if her face were not prematurely serious, one would call it pretty. Her cheeks are too flat and dead for a girl of nine. Esther looks like a little white child, starched, frilled, as she walks slowly from her home towards her father’s grocery store. She is about to turn in Broad from Maple Street. White and black men loafing on the corner hold no interest for her. Then a strange thing happens. A clean-muscled, magnificent, black-skinned Negro, whom she had heard her father mention as King Barlo, suddenly drops to his knees on a spot called the Spittoon. White men, unaware of him, continue squirting tobacco juice in his direction. The saffron fluid splashes on his37 face. His smooth black face begins to glisten and to shine. Soon, people notice him, and gather round. His eyes are rapturous upon the heavens. Lips and nostrils quiver. Barlo is in a religious trance. Town folks know it. They are not startled. They are not afraid. They gather round. Some beg boxes from the grocery stores. From old McGregor’s notion shop. A coffin-case is pressed into use. Folks line the curb-stones. Business men close shop. And Banker Warply parks his car close by. Silently, all await the prophet’s voice. The sheriff, a great florid fellow whose leggings never meet around his bulging calves, swears in three deputies. “Wall, y cant never tell what a nigger like King Barlo might be up t.” Soda bottles, five fingers full of shine, are passed to those who want them. A couple of stray dogs start a fight. Old Goodlow’s cow comes flopping up the street. Barlo, still as an Indian fakir, has not moved. The town bell strikes six. The sun slips in behind a heavy mass of horizon cloud. The crowd is hushed and expectant. Barlo’s under jaw relaxes, and his lips begin to move. 38 “Jesus has been awhisperin strange words deep down, O way down deep, deep in my ears.” Hums of awe and of excitement. “He called me to His side an said, 'Git down on your knees beside me, son, Ise gwine t whisper in your ears.’” An old sister cries, “Ah, Lord.” “'Ise agwine t whisper in your ears,’ he said, an I replied, 'Thy will be done on earth as it is in heaven.’” “Ah, Lord. Amen. Amen.” “An Lord Jesus whispered strange good words deep down, O way down deep, deep in my ears. An He said, 'Tell em till you feel your throat on fire.’ I saw a vision. I saw a man arise, an he was big an black an powerful—” Some one yells, “Preach it, preacher, preach it!” “—but his head was caught up in th clouds. An while he was agazin at th heavens, heart filled up with th Lord, some little white-ant biddies came an tied his feet to chains. They led him t th coast, they led him t th sea, they led him across th ocean an they didnt set him free. The old coast didnt miss him, an th new39 coast wasnt free, he left the old-coast brothers, t give birth t you an me. O Lord, great God Almighty, t give birth t you an me.” Barlo pauses. Old gray mothers are in tears. Fragments of melodies are being hummed. White folks are touched and curiously awed. Off to themselves, white and black preachers confer as to how best to rid themselves of the vagrant, usurping fellow. Barlo looks as though he is struggling to continue. People are hushed. One can hear weevils work. Dusk is falling rapidly, and the customary store lights fail to throw their feeble glow across the gray dust and flagging of the Georgia town. Barlo rises to his full height. He is immense. To the people he assumes the outlines of his visioned African. In a mighty voice he bellows: “Brothers an sisters, turn your faces t th sweet face of the Lord, an fill your hearts with glory. Open your eyes an see th dawnin of th mornin light. Open your ears—” Years afterwards Esther was told that at that very moment a great, heavy, rumbling voice actually was heard. That hosts of angels and of demons paraded up and down the streets all40 night. That King Barlo rode out of town astride a pitch-black bull that had a glowing gold ring in its nose. And that old Limp Underwood, who hated niggers, woke up next morning to find that he held a black man in his arms. This much is certain: an inspired Negress, of wide reputation for being sanctified, drew a portrait of a black madonna on the court-house wall. And King Barlo left town. He left his image indelibly upon the mind of Esther. He became the starting point of the only living patterns that her mind was to know. 2Sixteen. Esther begins to dream. The low evening sun sets the windows of McGregor’s notion shop aflame. Esther makes believe that they really are aflame. The town fire department rushes madly down the road. It ruthlessly shoves black and white idlers to one side. It whoops. It clangs. It rescues from the second-story window a dimpled infant which she claims for her own. How had she come by it? She thinks of41 it immaculately. It is a sin to think of it immaculately. She must dream no more. She must repent her sin. Another dream comes. There is no fire department. There are no heroic men. The fire starts. The loafers on the corner form a circle, chew their tobacco faster, and squirt juice just as fast as they can chew. Gallons on top of gallons they squirt upon the flames. The air reeks with the stench of scorched tobacco juice. Women, fat chunky Negro women, lean scrawny white women, pull their skirts up above their heads and display the most ludicrous underclothes. The women scoot in all directions from the danger zone. She alone is left to take the baby in her arms. But what a baby! Black, singed, woolly, tobacco-juice baby—ugly as sin. Once held to her breast, miraculous thing: its breath is sweet and its lips can nibble. She loves it frantically. Her joy in it changes the town folks’ jeers to harmless jealousy, and she is left alone. Twenty-two. Esther’s schooling is over. She works behind42 the counter of her father’s grocery store. “To keep the money in the family,” so he said. She is learning to make distinctions between the business and the social worlds. “Good business comes from remembering that the white folks dont divide the niggers, Esther. Be just as black as any man who has a silver dollar.” Esther listlessly forgets that she is near white, and that her father is the richest colored man in town. Black folk who drift in to buy lard and snuff and flour of her, call her a sweet-natured, accommodating girl. She learns their names. She forgets them. She thinks about men. “I dont appeal to them. I wonder why.” She recalls an affair she had with a little fair boy while still in school. It had ended in her shame when he as much as told her that for sweetness he preferred a lollipop. She remembers the salesman from the North who wanted to take her to the movies that first night he was in town. She refused, of course. And he never came back, having found out who she was. She thinks of Barlo. Barlo’s image gives her a slightly stale thrill. She spices it by telling herself his glories. Black. Magnetically so. Best cotton picker in43 the county, in the state, in the whole world for that matter. Best man with his fists, best man with dice, with a razor. Promoter of church benefits. Of colored fairs. Vagrant preacher. Lover of all the women for miles and miles around. Esther decides that she loves him. And with a vague sense of life slipping by, she resolves that she will tell him so, whatever people say, the next time he comes to town. After the making of this resolution which becomes a sort of wedding cake for her to tuck beneath her pillow and go to sleep upon, she sees nothing of Barlo for five years. Her hair thins. It looks like the dull silk on puny corn ears. Her face pales until it is the color of the gray dust that dances with dead cotton leaves... 3Esther is twenty-seven. Esther sells lard and snuff and flour to vague black faces that drift in her store to ask for them. Her eyes hardly see the people to whom she gives change. Her body is lean and44 beaten. She rests listlessly against the counter, too weary to sit down. From the street some one shouts, “King Barlo has come back to town.” He passes her window, driving a large new car. Cut-out open. He veers to the curb, and steps out. Barlo has made money on cotton during the war. He is as rich as anyone. Esther suddenly is animate. She goes to her door. She sees him at a distance, the center of a group of credulous men. She hears the deep-bass rumble of his talk. The sun swings low. McGregor’s windows are aflame again. Pale flame. A sharply dressed white girl passes by. For a moment Esther wishes that she might be like her. Not white; she has no need for being that. But sharp, sporty, with get-up about her. Barlo is connected with that wish. She mustnt wish. Wishes only make you restless. Emptiness is a thing that grows by being moved. “I’ll not think. Not wish. Just set my mind against it.” Then the thought comes to her that those purposeless, easy-going men will possess him, if she doesnt. Purpose is not dead in her, now that she comes to think of it. That loose women will have their arms around him at Nat Bowle’s45 place to-night. As if her veins are full of fired sun-bleached southern shanties, a swift heat sweeps them. Dead dreams, and a forgotten resolution are carried upward by the flames. Pale flames. “They shant have him. Oh, they shall not. Not if it kills me they shant have him.” Jerky, aflutter, she closes the store and starts home. Folks lazing on store window-sills wonder what on earth can be the matter with Jim Crane’s gal, as she passes them. “Come to remember, she always was a little off, a little crazy, I reckon.” Esther seeks her own room, and locks the door. Her mind is a pink mesh-bag filled with baby toes. Using the noise of the town clock striking twelve to cover the creaks of her departure, Esther slips into the quiet road. The town, her parents, most everyone is sound asleep. This fact is a stable thing that comforts her. After sundown a chill wind came up from the west. It is still blowing, but to her it is a steady, settled thing like the cold. She wants her mind to be like that. Solid, contained, and blank as a sheet of darkened ice. She will not permit herself to46 notice the peculiar phosphorescent glitter of the sweet-gum leaves. Their movement would excite her. Exciting too, the recession of the dull familiar homes she knows so well. She doesnt know them at all. She closes her eyes, and holds them tightly. Wont do. Her being aware that they are closed recalls her purpose. She does not want to think of it. She opens them. She turns now into the deserted business street. The corrugated iron canopies and mule- and horse-gnawed hitching posts bring her a strange composure. Ghosts of the commonplaces of her daily life take stride with her and become her companions. And the echoes of her heels upon the flagging are rhythmically monotonous and soothing. Crossing the street at the corner of McGregor’s notion shop, she thinks that the windows are a dull flame. Only a fancy. She walks faster. Then runs. A turn into a side street brings her abruptly to Nat Bowle’s place. The house is squat and dark. It is always dark. Barlo is within. Quietly she opens the outside door and steps in. She passes through a small room. Pauses before a flight of stairs down which people’s voices, muffled, come. The air47 is heavy with fresh tobacco smoke. It makes her sick. She wants to turn back. She goes up the steps. As if she were mounting to some great height, her head spins. She is violently dizzy. Blackness rushes to her eyes. And then she finds that she is in a large room. Barlo is before her. “Well, I’m sholy damned—skuse me, but what, what brought you here, lil milk-white gal?” “You.” Her voice sounds like a frightened child’s that calls homeward from some point miles away. “Me?” “Yes, you Barlo.” “This aint th place fer y. This aint th place fer y.” “I know. I know. But I’ve come for you.” “For me for what?” She manages to look deep and straight into his eyes. He is slow at understanding. Guffaws and giggles break out from all around the room. A coarse woman’s voice remarks, “So thats how th dictie niggers does it.” Laughs. “Mus give em credit fo their gall.” 48 Esther doesnt hear. Barlo does. His faculties are jogged. She sees a smile, ugly and repulsive to her, working upward through thick licker fumes. Barlo seems hideous. The thought comes suddenly, that conception with a drunken man must be a mighty sin. She draws away, frozen. Like a somnambulist she wheels around and walks stiffly to the stairs. Down them. Jeers and hoots pelter bluntly upon her back. She steps out. There is no air, no street, and the town has completely disappeared.
49
CONVERSION
African Guardian of Souls,
Drunk with rum,
Feasting on a strange cassava,
Yielding to new words and a weak palabra
Of a white-faced sardonic god—
Grins, cries
Amen,
Shouts hosanna.
50
PORTRAIT IN GEORGIA
Hair—braided chestnut, coiled like a lyncher’s rope,
Eyes—fagots,
Lips—old scars, or the first red blisters,
Breath—the last sweet scent of cane,
And her slim body, white as the ash of black flesh after flame.
51
BLOOD-BURNING MOON1UP from the skeleton stone walls, up from the rotting floor boards and the solid hand-hewn beams of oak of the pre-war cotton factory, dusk came. Up from the dusk the full moon came. Glowing like a fired pine-knot, it illumined the great door and soft showered the Negro shanties aligned along the single street of factory town. The full moon in the great door was an omen. Negro women improvised songs against its spell. Louisa sang as she came over the crest of the hill from the white folks’ kitchen. Her skin was the color of oak leaves on young trees in fall. Her breasts, firm and up-pointed like ripe acorns. And her singing had the low murmur of winds in fig trees. Bob Stone, younger son of the people she worked for, loved her. By the way the world reckons things, he had won her. By measure of that warm glow which came into her mind at thought of him, he had won her.52 Tom Burwell, whom the whole town called Big Boy, also loved her. But working in the fields all day, and far away from her, gave him no chance to show it. Though often enough of evenings he had tried to. Somehow, he never got along. Strong as he was with hands upon the ax or plow, he found it difficult to hold her. Or so he thought. But the fact was that he held her to factory town more firmly than he thought for. His black balanced, and pulled against, the white of Stone, when she thought of them. And her mind was vaguely upon them as she came over the crest of the hill, coming from the white folks’ kitchen. As she sang softly at the evil face of the full moon. A strange stir was in her. Indolently, she tried to fix upon Bob or Tom as the cause of it. To meet Bob in the canebrake, as she was going to do an hour or so later, was nothing new. And Tom’s proposal which she felt on its way to her could be indefinitely put off. Separately, there was no unusual significance to either one. But for some reason, they jumbled when her eyes gazed vacantly at the rising moon. And from the jumble came the stir that was strangely within 53her. Her lips trembled. The slow rhythm of her song grew agitant and restless. Rusty black and tan spotted hounds, lying in the dark corners of porches or prowling around back yards, put their noses in the air and caught its tremor. They began plaintively to yelp and howl. Chickens woke up and cackled. Intermittently, all over the countryside dogs barked and roosters crowed as if heralding a weird dawn or some ungodly awakening. The women sang lustily. Their songs were cotton-wads to stop their ears. Louisa came down into factory town and sank wearily upon the step before her home. The moon was rising towards a thick cloud-bank which soon would hide it.
Red nigger moon. Sinner!
Blood-burning moon. Sinner!
Come out that fact’ry door.
2Up from the deep dusk of a cleared spot on the edge of the forest a mellow glow arose and spread fan-wise into the low-hanging heavens. And all around the air was heavy with the scent54 of boiling cane. A large pile of cane-stalks lay like ribboned shadows upon the ground. A mule, harnessed to a pole, trudged lazily round and round the pivot of the grinder. Beneath a swaying oil lamp, a Negro alternately whipped out at the mule, and fed cane-stalks to the grinder. A fat boy waddled pails of fresh ground juice between the grinder and the boiling stove. Steam came from the copper boiling pan. The scent of cane came from the copper pan and drenched the forest and the hill that sloped to factory town, beneath its fragrance. It drenched the men in circle seated around the stove. Some of them chewed at the white pulp of stalks, but there was no need for them to, if all they wanted was to taste the cane. One tasted it in factory town. And from factory town one could see the soft haze thrown by the glowing stove upon the low-hanging heavens. Old David Georgia stirred the thickening syrup with a long ladle, and ever so often drew it off. Old David Georgia tended his stove and told tales about the white folks, about moonshining and cotton picking, and about sweet nigger gals, to the men who sat there about his55 stove to listen to him. Tom Burwell chewed cane-stalk and laughed with the others till someone mentioned Louisa. Till some one said something about Louisa and Bob Stone, about the silk stockings she must have gotten from him. Blood ran up Tom’s neck hotter than the glow that flooded from the stove. He sprang up. Glared at the men and said, “She’s my gal.” Will Manning laughed. Tom strode over to him. Yanked him up and knocked him to the ground. Several of Manning’s friends got up to fight for him. Tom whipped out a long knife and would have cut them to shreds if they hadnt ducked into the woods. Tom had had enough. He nodded to Old David Georgia and swung down the path to factory town. Just then, the dogs started barking and the roosters began to crow. Tom felt funny. Away from the fight, away from the stove, chill got to him. He shivered. He shuddered when he saw the full moon rising towards the cloud-bank. He who didnt give a godam for the fears of old women. He forced his mind to fasten on Louisa. Bob Stone. Better not be. He turned into the street and saw Louisa sitting before her home. He went56 towards her, ambling, touched the brim of a marvelously shaped, spotted, felt hat, said he wanted to say something to her, and then found that he didnt know what he had to say, or if he did, that he couldnt say it. He shoved his big fists in his overalls, grinned, and started to move off. “Youall want me, Tom?” “Thats what us wants, sho, Louisa.” “Well, here I am—” “An here I is, but that aint ahelpin none, all th same.” “You wanted to say something?..” “I did that, sho. But words is like th spots on dice: no matter how y fumbles em, there’s times when they jes wont come. I dunno why. Seems like th love I feels fo yo done stole m tongue. I got it now. Whee! Louisa, honey, I oughtnt tell y, I feel I oughtnt cause yo is young an goes t church an I has had other gals, but Louisa I sho do love y. Lil gal, Ise watched y from them first days when youall sat right here befo yo door befo th well an sang sometimes in a way that like t broke m heart. Ise carried y with me into th fields, day after day, an after that, an I57 sho can plow when yo is there, an I can pick cotton. Yassur! Come near beatin Barlo yesterday. I sho did. Yassur! An next year if ole Stone’ll trust me, I’ll have a farm. My own. My bales will buy yo what y gets from white folks now. Silk stockings an purple dresses—course I dont believe what some folks been whisperin as t how y gets them things now. White folks always did do for niggers what they likes. An they jes cant help alikin yo, Louisa. Bob Stone likes y. Course he does. But not th way folks is awhisperin. Does he, hon?” “I dont know what you mean, Tom.” “Course y dont. Ise already cut two niggers. Had t hon, t tell em so. Niggers always tryin t make somethin out a nothin. An then besides, white folks aint up t them tricks so much nowadays. Godam better not be. Leastawise not with yo. Cause I wouldnt stand f it. Nassur.” “What would you do, Tom?” “Cut him jes like I cut a nigger.” “No, Tom—” “I said I would an there aint no mo to it. But that aint th talk f now. Sing, honey Louisa,58 an while I’m listenin t y I’ll be makin love.” Tom took her hand in his. Against the tough thickness of his own, hers felt soft and small. His huge body slipped down to the step beside her. The full moon sank upward into the deep purple of the cloud-bank. An old woman brought a lighted lamp and hung it on the common well whose bulky shadow squatted in the middle of the road, opposite Tom and Louisa. The old woman lifted the well-lid, took hold the chain, and began drawing up the heavy bucket. As she did so, she sang. Figures shifted, restless-like, between lamp and window in the front rooms of the shanties. Shadows of the figures fought each other on the gray dust of the road. Figures raised the windows and joined the old woman in song. Louisa and Tom, the whole street, singing:
Red nigger moon. Sinner!
Blood-burning moon. Sinner!
Come out that fact’ry door.
3Bob Stone sauntered from his veranda out into59 the gloom of fir trees and magnolias. The clear white of his skin paled, and the flush of his cheeks turned purple. As if to balance this outer change, his mind became consciously a white man’s. He passed the house with its huge open hearth which, in the days of slavery, was the plantation cookery. He saw Louisa bent over that hearth. He went in as a master should and took her. Direct, honest, bold. None of this sneaking that he had to go through now. The contrast was repulsive to him. His family had lost ground. Hell no, his family still owned the niggers, practically. Damned if they did, or he wouldnt have to duck around so. What would they think if they knew? His mother? His sister? He shouldnt mention them, shouldnt think of them in this connection. There in the dusk he blushed at doing so. Fellows about town were all right, but how about his friends up North? He could see them incredible, repulsed. They didnt know. The thought first made him laugh. Then, with their eyes still upon him, he began to feel embarrassed. He felt the need of explaining things to them. Explain hell. They wouldnt understand, and moreover, who ever60 heard of a Southerner getting on his knees to any Yankee, or anyone. No sir. He was going to see Louisa to-night, and love her. She was lovely—in her way. Nigger way. What way was that? Damned if he knew. Must know. He’d known her long enough to know. Was there something about niggers that you couldnt know? Listening to them at church didnt tell you anything. Looking at them didnt tell you anything. Talking to them didnt tell you anything—unless it was gossip, unless they wanted to talk. Of course, about farming, and licker, and craps—but those werent nigger. Nigger was something more. How much more? Something to be afraid of, more? Hell no. Who ever heard of being afraid of a nigger? Tom Burwell. Cartwell had told him that Tom went with Louisa after she reached home. No sir. No nigger had ever been with his girl. He’d like to see one try. Some position for him to be in. Him, Bob Stone, of the old Stone family, in a scrap with a nigger over a nigger girl. In the good old days... Ha! Those were the days. His family had lost ground. Not so much, though. Enough for him to have to cut through61 old Lemon’s canefield by way of the woods, that he might meet her. She was worth it. Beautiful nigger gal. Why nigger? Why not, just gal? No, it was because she was nigger that he went to her. Sweet... The scent of boiling cane came to him. Then he saw the rich glow of the stove. He heard the voices of the men circled around it. He was about to skirt the clearing when he heard his own name mentioned. He stopped. Quivering. Leaning against a tree, he listened. “Bad nigger. Yassur, he sho is one bad nigger when he gets started.” “Tom Burwell’s been on th gang three times fo cuttin men.” “What y think he’s agwine t do t Bob Stone?” “Dunno yet. He aint found out. When he does— Baby!” “Aint no tellin.” “Young Stone aint no quitter an I ken tell y that. Blood of th old uns in his veins.” “Thats right. He’ll scrap, sho.” “Be gettin too hot f niggers round this away.” “Shut up, nigger. Y dont know what y talkin bout.” Bob Stone’s ears burned as though he had62 been holding them over the stove. Sizzling heat welled up within him. His feet felt as if they rested on red-hot coals. They stung him to quick movement. He circled the fringe of the glowing. Not a twig cracked beneath his feet. He reached the path that led to factory town. Plunged furiously down it. Halfway along, a blindness within him veered him aside. He crashed into the bordering canebrake. Cane leaves cut his face and lips. He tasted blood. He threw himself down and dug his fingers in the ground. The earth was cool. Cane-roots took the fever from his hands. After a long while, or so it seemed to him, the thought came to him that it must be time to see Louisa. He got to his feet and walked calmly to their meeting place. No Louisa. Tom Burwell had her. Veins in his forehead bulged and distended. Saliva moistened the dried blood on his lips. He bit down on his lips. He tasted blood. Not his own blood; Tom Burwell’s blood. Bob drove through the cane and out again upon the road. A hound swung down the path before him towards factory town. Bob couldnt see it. The dog loped aside to let him pass. Bob’s blind63 rushing made him stumble over it. He fell with a thud that dazed him. The hound yelped. Answering yelps came from all over the countryside. Chickens cackled. Roosters crowed, heralding the bloodshot eyes of southern awakening. Singers in the town were silenced. They shut their windows down. Palpitant between the rooster crows, a chill hush settled upon the huddled forms of Tom and Louisa. A figure rushed from the shadow and stood before them. Tom popped to his feet. “Whats y want?” “I’m Bob Stone.” “Yassur—an I’m Tom Burwell. Whats y want?” Bob lunged at him. Tom side-stepped, caught him by the shoulder, and flung him to the ground. Straddled him. “Let me up.” “Yassur—but watch yo doins, Bob Stone.” A few dark figures, drawn by the sound of scuffle stood about them. Bob sprang to his feet. “Fight like a man, Tom Burwell, an I’ll lick y.” 64 Again he lunged. Tom side-stepped and flung him to the ground. Straddled him. “Get off me, you godam nigger you.” “Yo sho has started somethin now. Get up.” Tom yanked him up and began hammering at him. Each blow sounded as if it smashed into a precious, irreplaceable soft something. Beneath them, Bob staggered back. He reached in his pocket and whipped out a knife. “Thats my game, sho.” Blue flash, a steel blade slashed across Bob Stone’s throat. He had a sweetish sick feeling. Blood began to flow. Then he felt a sharp twitch of pain. He let his knife drop. He slapped one hand against his neck. He pressed the other on top of his head as if to hold it down. He groaned. He turned, and staggered towards the crest of the hill in the direction of white town. Negroes who had seen the fight slunk into their homes and blew the lamps out. Louisa, dazed, hysterical, refused to go indoors. She slipped, crumbled, her body loosely propped against the woodwork of the well. Tom Burwell leaned against it. He seemed rooted there. 65 Bob reached Broad Street. White men rushed up to him. He collapsed in their arms. “Tom Burwell....” White men like ants upon a forage rushed about. Except for the taut hum of their moving, all was silent. Shotguns, revolvers, rope, kerosene, torches. Two high-powered cars with glaring search-lights. They came together. The taut hum rose to a low roar. Then nothing could be heard but the flop of their feet in the thick dust of the road. The moving body of their silence preceded them over the crest of the hill into factory town. It flattened the Negroes beneath it. It rolled to the wall of the factory, where it stopped. Tom knew that they were coming. He couldnt move. And then he saw the search-lights of the two cars glaring down on him. A quick shock went through him. He stiffened. He started to run. A yell went up from the mob. Tom wheeled about and faced them. They poured down on him. They swarmed. A large man with dead-white face and flabby cheeks came to him and almost jabbed a gun-barrel through his guts. “Hands behind y, nigger.” 66 Tom’s wrist were bound. The big man shoved him to the well. Burn him over it, and when the woodwork caved in, his body would drop to the bottom. Two deaths for a godam nigger. Louisa was driven back. The mob pushed in. Its pressure, its momentum was too great. Drag him to the factory. Wood and stakes already there. Tom moved in the direction indicated. But they had to drag him. They reached the great door. Too many to get in there. The mob divided and flowed around the walls to either side. The big man shoved him through the door. The mob pressed in from the sides. Taut humming. No words. A stake was sunk into the ground. Rotting floor boards piled around it. Kerosene poured on the rotting floor boards. Tom bound to the stake. His breast was bare. Nails scratches let little lines of blood trickle down and mat into the hair. His face, his eyes were set and stony. Except for irregular breathing, one would have thought him already dead. Torches were flung onto the pile. A great flare muffled in black smoke shot upward. The mob yelled. The mob was silent. Now Tom could be seen within the flames. Only his head, erect,67 lean, like a blackened stone. Stench of burning flesh soaked the air. Tom’s eyes popped. His head settled downward. The mob yelled. Its yell echoed against the skeleton stone walls and sounded like a hundred yells. Like a hundred mobs yelling. Its yell thudded against the thick front wall and fell back. Ghost of a yell slipped through the flames and out the great door of the factory. It fluttered like a dying thing down the single street of factory town. Louisa, upon the step before her home, did not hear it, but her eyes opened slowly. They saw the full moon glowing in the great door. The full moon, an evil thing, an omen, soft showering the homes of folks she knew. Where were they, these people? She’d sing, and perhaps they’d come out and join her. Perhaps Tom Burwell would come. At any rate, the full moon in the great door was an omen which she must sing to:
Red nigger moon. Sinner!
Blood-burning moon. Sinner!
Come out that fact’ry door.
71
SEVENTH STREET
Money burns the pocket, pocket hurts,
Bootleggers in silken shirts,
Ballooned, zooming Cadillacs,
Whizzing, whizzing down the street-car tracks.
SEVENTH STREET is a bastard of Prohibition and the War. A crude-boned, soft-skinned wedge of nigger life breathing its loafer air, jazz songs and love, thrusting unconscious rhythms, black reddish blood into the white and whitewashed wood of Washington. Stale soggy wood of Washington. Wedges rust in soggy wood... Split it! In two! Again! Shred it! .. the sun. Wedges are brilliant in the sun; ribbons of wet wood dry and blow away. Black reddish blood. Pouring for crude-boned soft-skinned life, who set you flowing? Blood suckers of the War would spin in a frenzy of dizziness if they drank your blood. Prohibition would put a stop to it. Who set you flowing? White and whitewash disappear in blood. Who set you flowing? Flowing down the smooth asphalt of Seventh Street, in shanties, brick72 office buildings, theaters, drug stores, restaurants, and cabarets? Eddying on the corners? Swirling like a blood-red smoke up where the buzzards fly in heaven? God would not dare to suck black red blood. A Nigger God! He would duck his head in shame and call for the Judgment Day. Who set you flowing?
Money burns the pocket, pocket hurts,
Bootleggers in silken shirts,
Ballooned, zooming Cadillacs,
Whizzing, whizzing down the street-car tracks.
73
RHOBERTRHOBERT wears a house, like a monstrous diver’s helmet, on his head. His legs are banty-bowed and shaky because as a child he had rickets. He is way down. Rods of the house like antennæ of a dead thing, stuffed, prop up in the air. He is way down. He is sinking. His house is a dead thing that weights him down. He is sinking as a diver would sink in mud should the water be drawn off. Life is a murky, wiggling, microscopic water that compresses him. Compresses his helmet and would crush it the minute that he pulled his head out. He has to keep it in. Life is water that is being drawn off.
Brother, life is water that is being drawn off.
Brother, life is water that is being drawn off.
The dead house is stuffed. The stuffing is alive. It is sinful to draw one’s head out of live stuffing in a dead house. The propped-up antennæ would cave in and the stuffing be strewn .. shredded life-pulp .. in the water. It is sinful to have one’s own head crushed.74 Rhobert is an upright man whose legs are banty-bowed and shaky because as a child he had rickets. The earth is round. Heaven is a sphere that surrounds it. Sink where you will. God is a Red Cross man with a dredge and a respiration-pump who’s waiting for you at the opposite periphery. God built the house. He blew His breath into its stuffing. It is good to die obeying Him who can do these things. A futile something like the dead house wraps the live stuffing of the question: how long before the water will be drawn off? Rhobert does not care. Like most men who wear monstrous helmets, the pressure it exerts is enough to convince him of its practical infinity. And he cares not two straws as to whether or not he will ever see his wife and children again. Many a time he’s seen them drown in his dreams and has kicked about joyously in the mud for days after. One thing about him goes straight to the heart. He has an Adam’s-apple which strains sometimes as if he were painfully gulping great globules of air .. air floating shredded life-pulp. It is a sad thing to see a banty-bowed, shaky, ricket-legged man straining the raw insides of his throat against smooth air. Holding furtive thoughts about the glory of pulp-heads75 strewn in water... He is way down. Down. Mud, coming to his banty knees, almost hides them. Soon people will be looking at him and calling him a strong man. No doubt he is for one who has had rickets. Lets give it to him. Lets call him great when the water shall have been all drawn off. Lets build a monument and set it in the ooze where he goes down. A monument of hewn oak, carved in nigger-heads. Lets open our throats, brother, and sing “Deep River” when he goes down.
Brother, Rhobert is sinking.
Lets open our throats, brother,
Lets sing Deep River when he goes down.
76
AVEYFOR a long while she was nothing more to me than one of those skirted beings whom boys at a certain age disdain to play with. Just how I came to love her, timidly, and with secret blushes, I do not know. But that I did was brought home to me one night, the first night that Ned wore his long pants. Us fellers were seated on the curb before an apartment house where she had gone in. The young trees had not outgrown their boxes then. V Street was lined with them. When our legs grew cramped and stiff from the cold of the stone, we’d stand around a box and whittle it. I like to think now that there was a hidden purpose in the way we hacked them with our knives. I like to feel that something deep in me responded to the trees, the young trees that whinnied like colts impatient to be let free... On the particular night I have in mind, we were waiting for the top-floor light to go out. We wanted to see Avey leave the flat. This night she stayed longer than usual and gave77 us a chance to complete the plans of how we were going to stone and beat that feller on the top floor out of town. Ned especially had it in for him. He was about to throw a brick up at the window when at last the room went dark. Some minutes passed. Then Avey, as unconcerned as if she had been paying an old-maid aunt a visit, came out. I don’t remember what she had on, and all that sort of thing. But I do know that I turned hot as bare pavements in the summertime at Ned’s boast: “Hell, bet I could get her too if you little niggers weren’t always spying and crabbing everything.” I didnt say a word to him. It wasnt my way then. I just stood there like the others, and something like a fuse burned up inside of me. She never noticed us, but swung along lazy and easy as anything. We sauntered to the corner and watched her till her door banged to. Ned repeated what he’d said. I didnt seem to care. Sitting around old Mush-Head’s bread box, the discussion began. “Hang if I can see how she gets away with it,” Doc started. Ned knew, of course. There was nothing he didnt know when it came to women. He dilated on the emotional needs of girls. Said78 they werent much different from men in that respect. And concluded with the solemn avowal: “It does em good.” None of us liked Ned much. We all talked dirt; but it was the way he said it. And then too, a couple of the fellers had sisters and had caught Ned playing with them. But there was no disputing the superiority of his smutty wisdom. Bubs Sanborn, whose mother was friendly with Avey’s, had overheard the old ladies talking. “Avey’s mother’s ont her,” he said. We thought that only natural and began to guess at what would happen. Some one said she’d marry that feller on the top floor. Ned called that a lie because Avey was going to marry nobody but him. We had our doubts about that, but we did agree that she’d soon leave school and marry some one. The gang broke up, and I went home, picturing myself as married. Nothing I did seemed able to change Avey’s indifference to me. I played basket-ball, and when I’d make a long clean shot she’d clap with the others, louder than they, I thought. I’d meet her on the street, and there’d be no difference79 in the way she said hello. She never took the trouble to call me by my name. On the days for drill, I’d let my voice down a tone and call for a complicated maneuver when I saw her coming. She’d smile appreciation, but it was an impersonal smile, never for me. It was on a summer excursion down to Riverview that she first seemed to take me into account. The day had been spent riding merry-go-rounds, scenic-railways, and shoot-the-chutes. We had been in swimming and we had danced. I was a crack swimmer then. She didnt know how. I held her up and showed her how to kick her legs and draw her arms. Of course she didnt learn in one day, but she thanked me for bothering with her. I was also somewhat of a dancer. And I had already noticed that love can start on a dance floor. We danced. But though I held her tightly in my arms, she was way away. That college feller who lived on the top floor was somewhere making money for the next year. I imagined that she was thinking, wishing for him. Ned was along. He treated her until his money gave out. She went with another feller. Ned got sore. One by one the boys’ money gave80 out. She left them. And they got sore. Every one of them but me got sore. This is the reason, I guess, why I had her to myself on the top deck of the Jane Mosely that night as we puffed up the Potomac, coming home. The moon was brilliant. The air was sweet like clover. And every now and then, a salt tang, a stale drift of sea-weed. It was not my mind’s fault if it went romancing. I should have taken her in my arms the minute we were stowed in that old lifeboat. I dallied, dreaming. She took me in hers. And I could feel by the touch of it that it wasnt a man-to-woman love. It made me restless. I felt chagrined. I didnt know what it was, but I did know that I couldnt handle it. She ran her fingers through my hair and kissed my forehead. I itched to break through her tenderness to passion. I wanted her to take me in her arms as I knew she had that college feller. I wanted her to love me passionately as she did him. I gave her one burning kiss. Then she laid me in her lap as if I were a child. Helpless. I got sore when she started to hum a lullaby. She wouldnt let me go. I talked. I knew damned well that I could beat her at that. Her81 eyes were soft and misty, the curves of her lips were wistful, and her smile seemed indulgent of the irrelevance of my remarks. I gave up at last and let her love me, silently, in her own way. The moon was brilliant. The air was sweet like clover, and every now and then, a salt tang, a stale drift of sea-weed... The next time I came close to her was the following summer at Harpers Ferry. We were sitting on a flat projecting rock they give the name of Lover’s Leap. Some one is supposed to have jumped off it. The river is about six hundred feet beneath. A railroad track runs up the valley and curves out of sight where part of the mountain rock had to be blasted away to make room for it. The engines of this valley have a whistle, the echoes of which sound like iterated gasps and sobs. I always think of them as crude music from the soul of Avey. We sat there holding hands. Our palms were soft and warm against each other. Our fingers were not tight. She would not let them be. She would not let me twist them. I wanted to talk. To explain what I meant to her. Avey was as silent as those great trees whose tops we looked down82 upon. She has always been like that. At least, to me. I had the notion that if I really wanted to, I could do with her just what I pleased. Like one can strip a tree. I did kiss her. I even let my hands cup her breasts. When I was through, she’d seek my hand and hold it till my pulse cooled down. Evening after evening we sat there. I tried to get her to talk about that college feller. She never would. There was no set time to go home. None of my family had come down. And as for hers, she didnt give a hang about them. The general gossips could hardly say more than they had. The boarding-house porch was always deserted when we returned. No one saw us enter, so the time was set conveniently for scandal. This worried me a little, for I thought it might keep Avey from getting an appointment in the schools. She didnt care. She had finished normal school. They could give her a job if they wanted to. As time went on, her indifference to things began to pique me; I was ambitious. I left the Ferry earlier than she did. I was going off to college. The more I thought of it, the more I resented, yes, hell, thats what it was, her downright laziness. Sloppy83 indolence. There was no excuse for a healthy girl taking life so easy. Hell! she was no better than a cow. I was certain that she was a cow when I felt an udder in a Wisconsin stock-judging class. Among those energetic Swedes, or whatever they are, I decided to forget her. For two years I thought I did. When I’d come home for the summer she’d be away. And before she returned, I’d be gone. We never wrote; she was too damned lazy for that. But what a bluff I put up about forgetting her. The girls up that way, at least the ones I knew, havent got the stuff: they dont know how to love. Giving themselves completely was tame beside just the holding of Avey’s hand. One day I received a note from her. The writing, I decided, was slovenly. She wrote on a torn bit of note-book paper. The envelope had a faint perfume that I remembered. A single line told me she had lost her school and was going away. I comforted myself with the reflection that shame held no pain for one so indolent as she. Nevertheless, I left Wisconsin that year for good. Washington had seemingly forgotten her. I hunted Ned. Between curses, I caught his opinion of84 her. She was no better than a whore. I saw her mother on the street. The same old pinch-beck, jerky-gaited creature that I’d always known. Perhaps five years passed. The business of hunting a job or something or other had bruised my vanity so that I could recognize it. I felt old. Avey and my real relation to her, I thought I came to know. I wanted to see her. I had been told that she was in New York. As I had no money, I hiked and bummed my way there. I got work in a ship-yard and walked the streets at night, hoping to meet her. Failing in this, I saved enough to pay my fare back home. One evening in early June, just at the time when dusk is most lovely on the eastern horizon, I saw Avey, indolent as ever, leaning on the arm of a man, strolling under the recently lit arc-lights of U Street. She had almost passed before she recognized me. She showed no surprise. The puff over her eyes had grown heavier. The eyes themselves were still sleepy-large, and beautiful. I had almost concluded—indifferent. “You look older,” was what she said. I wanted to convince 85her that I was, so I asked her to walk with me. The man whom she was with, and whom she never took the trouble to introduce, at a nod from her, hailed a taxi, and drove away. That gave me a notion of what she had been used to. Her dress was of some fine, costly stuff. I suggested the park, and then added that the grass might stain her skirt. Let it get stained, she said, for where it came from there are others. I have a spot in Soldier’s Home to which I always go when I want the simple beauty of another’s soul. Robins spring about the lawn all day. They leave their footprints in the grass. I imagine that the grass at night smells sweet and fresh because of them. The ground is high. Washington lies below. Its light spreads like a blush against the darkened sky. Against the soft dusk sky of Washington. And when the wind is from the South, soil of my homeland falls like a fertile shower upon the lean streets of the city. Upon my hill in Soldier’s Home. I know the policeman who watches the place of nights. When I go there alone, I talk to him. I tell him I come there to find the truth that people86 bury in their hearts. I tell him that I do not come there with a girl to do the thing he’s paid to watch out for. I look deep in his eyes when I say these things, and he believes me. He comes over to see who it is on the grass. I say hello to him. He greets me in the same way and goes off searching for other black splotches upon the lawn. Avey and I went there. A band in one of the buildings a fair distance off was playing a march. I wished they would stop. Their playing was like a tin spoon in one’s mouth. I wanted the Howard Glee Club to sing “Deep River,” from the road. To sing “Deep River, Deep River,” from the road... Other than the first comments, Avey had been silent. I started to hum a folk-tune. She slipped her hand in mine. Pillowed her head as best she could upon my arm. Kissed the hand that she was holding and listened, or so I thought, to what I had to say. I traced my development from the early days up to the present time, the phase in which I could understand her. I described her own nature and temperament. Told how they needed a larger life for their expression. How incapable Washington was of understanding 87that need. How it could not meet it. I pointed out that in lieu of proper channels, her emotions had overflowed into paths that dissipated them. I talked, beautifully I thought, about an art that would be born, an art that would open the way for women the likes of her. I asked her to hope, and build up an inner life against the coming of that day. I recited some of my own things to her. I sang, with a strange quiver in my voice, a promise-song. And then I began to wonder why her hand had not once returned a single pressure. My old-time feeling about her laziness came back. I spoke sharply. My policeman friend passed by. I said hello to him. As he went away, I began to visualize certain possibilities. An immediate and urgent passion swept over me. Then I looked at Avey. Her heavy eyes were closed. Her breathing was as faint and regular as a child’s in slumber. My passion died. I was afraid to move lest I disturb her. Hours and hours, I guess it was, she lay there. My body grew numb. I shivered. I coughed. I wanted to get up and whittle at the boxes of young trees. I withdrew my hand. I raised her head to waken her. She88 did not stir. I got up and walked around. I found my policeman friend and talked to him. We both came up, and bent over her. He said it would be all right for her to stay there just so long as she got away before the workmen came at dawn. A blanket was borrowed from a neighbor house. I sat beside her through the night. I saw the dawn steal over Washington. The Capitol dome looked like a gray ghost ship drifting in from sea. Avey’s face was pale, and her eyes were heavy. She did not have the gray crimson-splashed beauty of the dawn. I hated to wake her. Orphan-woman...
89
BEEHIVE
Within this black hive to-night
There swarm a million bees;
Bees passing in and out the moon,
Bees escaping out the moon,
Bees returning through the moon,
Silver bees intently buzzing,
Silver honey dripping from the swarm of bees
Earth is a waxen cell of the world comb,
And I, a drone,
Lying on my back,
Lipping honey,
Getting drunk with silver honey,
Wish that I might fly out past the moon
And curl forever in some far-off farmyard flower.
90
STORM ENDING
Thunder blossoms gorgeously above our heads,
Great, hollow, bell-like flowers,
Rumbling in the wind,
Stretching clappers to strike our ears ..
Full-lipped flowers
Bitten by the sun
Bleeding rain
Dripping rain like golden honey—
And the sweet earth flying from the thunder.
91
THEATERLIFE of nigger alleys, of pool rooms and restaurants and near-beer saloons soaks into the walls of Howard Theater and sets them throbbing jazz songs. Black-skinned, they dance and shout above the tick and trill of white-walled buildings. At night, they open doors to people who come in to stamp their feet and shout. At night, road-shows volley songs into the mass-heart of black people. Songs soak the walls and seep out to the nigger life of alleys and near-beer saloons, of the Poodle Dog and Black Bear cabarets. Afternoons, the house is dark, and the walls are sleeping singers until rehearsal begins. Or until John comes within them. Then they start throbbing to a subtle syncopation. And the space-dark air grows softly luminous. John is the manager’s brother. He is seated at the center of the theater, just before rehearsal. Light streaks down upon him from a window high above. One half his face is orange in it. One half his face is in shadow. The soft glow92 of the house rushes to, and compacts about, the shaft of light. John’s mind coincides with the shaft of light. Thoughts rush to, and compact about it. Life of the house and of the slowly awakening stage swirls to the body of John, and thrills it. John’s body is separate from the thoughts that pack his mind. Stage-lights, soft, as if they shine through clear pink fingers. Beneath them, hid by the shadow of a set, Dorris. Other chorus girls drift in. John feels them in the mass. And as if his own body were the mass-heart of a black audience listening to them singing, he wants to stamp his feet and shout. His mind, contained above desires of his body, singles the girls out, and tries to trace origins and plot destinies. A pianist slips into the pit and improvises jazz. The walls awake. Arms of the girls, and their limbs, which .. jazz, jazz .. by lifting up their tight street skirts they set free, jab the air and clog the floor in rhythm to the music. (Lift your skirts, Baby, and talk t papa!) Crude, individualized, and yet .. monotonous... John: Soon the director will herd you, my93 full-lipped, distant beauties, and tame you, and blunt your sharp thrusts in loosely suggestive movements, appropriate to Broadway. (O dance!) Soon the audience will paint your dusk faces white, and call you beautiful. (O dance!) Soon I... (O dance!) I’d like... Girls laugh and shout. Sing discordant snatches of other jazz songs. Whirl with loose passion into the arms of passing show-men. John: Too thick. Too easy. Too monotonous. Her whom I’d love I’d leave before she knew that I was with her. Her? Which? (O dance!) I’d like to... Girls dance and sing. Men clap. The walls sing and press inward. They press the men and girls, they press John towards a center of physical ecstasy. Go to it, Baby! Fan yourself, and feed your papa! Put .. nobody lied .. and take .. when they said I cried over you. No lie! The glitter and color of stacked scenes, the gilt and brass and crimson of the house, converge towards a center of physical ecstasy. John’s feet and torso and his blood press in. He wills thought to rid his mind of passion. 94 “All right, girls. Alaska. Miss Reynolds, please.” The director wants to get the rehearsal through with. The girls line up. John sees the front row: dancing ponies. The rest are in shadow. The leading lady fits loosely in the front. Lack-life, monotonous. “One, two, three—” Music starts. The song is somewhere where it will not strain the leading lady’s throat. The dance is somewhere where it will not strain the girls. Above the staleness, one dancer throws herself into it. Dorris. John sees her. Her hair, crisp-curled, is bobbed. Bushy, black hair bobbing about her lemon-colored face. Her lips are curiously full, and very red. Her limbs in silk purple stockings are lovely. John feels them. Desires her. Holds off. John: Stage-door johnny; chorus-girl. No, that would be all right. Dictie, educated, stuck-up; show-girl. Yep. Her suspicion would be stronger than her passion. It wouldnt work. Keep her loveliness. Let her go. Dorris sees John and knows that he is looking at her. Her own glowing is too rich a thing to95 let her feel the slimness of his diluted passion. “Who’s that?” she asks her dancing partner. “Th manager’s brother. Dictie. Nothin doin, hon.” Dorris tosses her head and dances for him until she feels she has him. Then, withdrawing disdainfully, she flirts with the director. Dorris: Nothin doin? How come? Aint I as good as him? Couldnt I have got an education if I’d wanted one? Dont I know respectable folks, lots of em, in Philadelphia and New York and Chicago? Aint I had men as good as him? Better. Doctors an lawyers. Whats a manager’s brother, anyhow? Two steps back, and two steps front. “Say, Mame, where do you get that stuff?” “Whatshmean, Dorris?” “If you two girls cant listen to what I’m telling you, I know where I can get some who can. Now listen.” Mame: Go to hell, you black bastard. Dorris: Whats eatin at him, anyway? “Now follow me in this, you girls. Its three96 counts to the right, three counts to the left, and then you shimmy—” John: —and then you shimmy. I’ll bet she can. Some good cabaret, with rooms upstairs. And what in hell do you think you’d get from it? Youre going wrong. Here’s right: get her to herself—(Christ, but how she’d bore you after the first five minutes)—not if you get her right she wouldnt. Touch her, I mean. To herself—in some room perhaps. Some cheap, dingy bedroom. Hell no. Cant be done. But the point is, brother John, it can be done. Get her to herself somewhere, anywhere. Go down in yourself—and she’d be calling you all sorts of asses while you were in the process of going down. Hold em, bud. Cant be done. Let her go. (Dance and I’ll love you!) And keep her loveliness. “All right now, Chicken Chaser. Dorris and girls. Where’s Dorris? I told you to stay on the stage, didnt I? Well? Now thats enough. All right. All right there, Professor? All right. One, two, three—” Dorris swings to the front. The line of girls, four deep, blurs within the shadow of suspended 97scenes. Dorris wants to dance. The director feels that and steps to one side. He smiles, and picks her for a leading lady, one of these days. Odd ends of stage-men emerge from the wings, and stare and clap. A crap game in the alley suddenly ends. Black faces crowd the rear stage doors. The girls, catching joy from Dorris, whip up within the footlights’ glow. They forget set steps; they find their own. The director forgets to bawl them out. Dorris dances. John: Her head bobs to Broadway. Dance from yourself. Dance! O just a little more. Dorris’ eyes burn across the space of seats to him. Dorris: I bet he can love. Hell, he cant love. He’s too skinny. His lips are too skinny. He wouldnt love me anyway, only for that. But I’d get a pair of silk stockings out of it. Red silk. I got purple. Cut it, kid. You cant win him to respect you that away. He wouldnt anyway. Maybe he would. Maybe he’d love. I’ve heard em say that men who look like him (what does he look like?) will marry if they love. O will you love me? And give me kids, and a98 home, and everything? (I’d like to make your nest, and honest, hon, I wouldnt run out on you.) You will if I make you. Just watch me. Dorris dances. She forgets her tricks. She dances. Glorious songs are the muscles of her limbs. And her singing is of canebrake loves and mangrove feastings. The walls press in, singing. Flesh of a throbbing body, they press close to John and Dorris. They close them in. John’s heart beats tensely against her dancing body. Walls press his mind within his heart. And then, the shaft of light goes out the window high above him. John’s mind sweeps up to follow it. Mind pulls him upward into dream. Dorris dances...
Dorris dances. The pianist crashes a bumper chord. The whole stage claps. Dorris, flushed, looks quick at John. His whole face is in shadow. She seeks for her dance in it. She finds it a dead thing in the shadow which is his dream. She rushes from100 the stage. Falls down the steps into her dressing-room. Pulls her hair. Her eyes, over a floor of tears, stare at the whitewashed ceiling. (Smell of dry paste, and paint, and soiled clothing.) Her pal comes in. Dorris flings herself into the old safe arms, and cries bitterly. “I told you nothin doin,” is what Mame says to comfort her.
101
HER LIPS ARE COPPER WIRE
whisper of yellow globes
gleaming on lamp-posts that sway
like bootleg licker drinkers in the fog
and let your breath be moist against me
like bright beads on yellow globes
telephone the power-house
that the main wires are insulate
(her words play softly up and down
dewy corridors of billboards)
then with your tongue remove the tape
and press your lips to mine
till they are incandescent
102
CALLING JESUSHER soul is like a little thrust-tailed dog that follows her, whimpering. She is large enough, I know, to find a warm spot for it. But each night when she comes home and closes the big outside storm door, the little dog is left in the vestibule, filled with chills till morning. Some one ... eoho Jesus ... soft as a cotton boll brushed against the milk-pod cheek of Christ, will steal in and cover it that it need not shiver, and carry it to her where she sleeps upon clean hay cut in her dreams. When you meet her in the daytime on the streets, the little dog keeps coming. Nothing happens at first, and then, when she has forgotten the streets and alleys, and the large house where she goes to bed of nights, a soft thing like fur begins to rub your limbs, and you hear a low, scared voice, lonely, calling, and you know that a cool something nozzles moisture in your palms. Sensitive things like nostrils, quiver. Her breath comes sweet as honeysuckle whose pistils bear the life of coming song. And her eyes carry103 to where builders find no need for vestibules, for swinging on iron hinges, storm doors. Her soul is like a little thrust-tailed dog, that follows her, whimpering. I’ve seen it tagging on behind her, up streets where chestnut trees flowered, where dusty asphalt had been freshly sprinkled with clean water. Up alleys where niggers sat on low door-steps before tumbled shanties and sang and loved. At night, when she comes home, the little dog is left in the vestibule, nosing the crack beneath the big storm door, filled with chills till morning. Some one ... eoho Jesus ... soft as the bare feet of Christ moving across bales of southern cotton, will steal in and cover it that it need not shiver, and carry it to her where she sleeps: cradled in dream-fluted cane.
104
BOX SEAT1HOUSES are shy girls whose eyes shine reticently upon the dusk body of the street. Upon the gleaming limbs and asphalt torso of a dreaming nigger. Shake your curled wool-blossoms, nigger. Open your liver lips to the lean, white spring. Stir the root-life of a withered people. Call them from their houses, and teach them to dream. Dark swaying forms of Negroes are street songs that woo virginal houses. Dan Moore walks southward on Thirteenth Street. The low limbs of budding chestnut trees recede above his head. Chestnut buds and blossoms are wool he walks upon. The eyes of houses faintly touch him as he passes them. Soft girl-eyes, they set him singing. Girl-eyes within him widen upward to promised faces. Floating away, they dally wistfully over the dusk body of the street. Come on, Dan Moore, come on. Dan sings. His voice is a little hoarse.105 It cracks. He strains to produce tones in keeping with the houses’ loveliness. Cant be done. He whistles. His notes are shrill. They hurt him. Negroes open gates, and go indoors, perfectly. Dan thinks of the house he’s going to. Of the girl. Lips, flesh-notes of a forgotten song, plead with him... Dan turns into a side-street, opens an iron gate, bangs it to. Mounts the steps, and searches for the bell. Funny, he cant find it. He fumbles around. The thought comes to him that some one passing by might see him, and not understand. Might think that he is trying to sneak, to break in. Dan: Break in. Get an ax and smash in. Smash in their faces. I’ll show em. Break into an engine-house, steal a thousand horse-power fire truck. Smash in with the truck. I’ll show em. Grab an ax and brain em. Cut em up. Jack the Ripper. Baboon from the zoo. And then the cops come. “No, I aint a baboon. I aint Jack the Ripper. I’m a poor man out of work. Take your hands off me, you bull-necked bears. Look into my eyes. I am Dan Moore. I was born in a canefield. The hands of Jesus106 touched me. I am come to a sick world to heal it. Only the other day, a dope fiend brushed against me— Dont laugh, you mighty, juicy, meat-hook men. Give me your fingers and I will peel them as if they were ripe bananas.” Some one might think he is trying to break in. He’d better knock. His knuckles are raw bone against the thick glass door. He waits. No one comes. Perhaps they havent heard him. He raps again. This time, harder. He waits. No one comes. Some one is surely in. He fancies that he sees their shadows on the glass. Shadows of gorillas. Perhaps they saw him coming and dont want to let him in. He knocks. The tension of his arms makes the glass rattle. Hurried steps come towards him. The door opens. “Please, you might break the glass—the bell—oh, Mr. Moore! I thought it must be some stranger. How do you do? Come in, wont you? Muriel? Yes. I’ll call her. Take your things off, wont you? And have a seat in the parlor. Muriel will be right down. Muriel! Oh Muriel! Mr. Moore to see you. She’ll be right down. You’ll pardon me, wont you? So glad to see you.” 107 Her eyes are weak. They are bluish and watery from reading newspapers. The blue is steel. It gimlets Dan while her mouth flaps amiably to him. Dan: Nothing for you to see, old mussel-head. Dare I show you? If I did, delirium would furnish you headlines for a month. Now look here. Thats enough. Go long, woman. Say some nasty thing and I’ll kill you. Huh. Better damned sight not. Ta-ta, Mrs. Pribby. Mrs. Pribby retreats to the rear of the house. She takes up a newspaper. There is a sharp click as she fits into her chair and draws it to the table. The click is metallic like the sound of a bolt being shot into place. Dan’s eyes sting. Sinking into a soft couch, he closes them. The house contracts about him. It is a sharp-edged, massed, metallic house. Bolted. About Mrs. Pribby. Bolted to the endless rows of metal houses. Mrs. Pribby’s house. The rows of houses belong to other Mrs. Pribbys. No wonder he couldn’t sing to them. Dan: What’s Muriel doing here? God, what a place for her. Whats she doing? Putting her stockings on? In the bathroom. Come108 out of there, Dan Moore. People must have their privacy. Peeping-toms. I’ll never peep. I’ll listen. I like to listen. Dan goes to the wall and places his ear against it. A passing street car and something vibrant from the earth sends a rumble to him. That rumble comes from the earth’s deep core. It is the mutter of powerful underground races. Dan has a picture of all the people rushing to put their ears against walls, to listen to it. The next world-savior is coming up that way. Coming up. A continent sinks down. The new-world Christ will need consummate skill to walk upon the waters where huge bubbles burst... Thuds of Muriel coming down. Dan turns to the piano and glances through a stack of jazz music sheets. “Ji-ji-bo, JI-JI-BO!” .. “Hello, Dan, stranger, what brought you here?” Muriel comes in, shakes hands, and then clicks into a high-armed seat under the orange glow of a floor-lamp. Her face is fleshy. It would tend to coarseness but for the fresh fragrant something which is the life of it. Her hair like an Indian’s. But more curly and bushed109 and vagrant. Her nostrils flare. The flushed ginger of her cheeks is touched orange by the shower of color from the lamp. “Well, you havent told me, you havent answered my question, stranger. What brought you here?” Dan feels the pressure of the house, of the rear room, of the rows of houses, shift to Muriel. He is light. He loves her. He is doubly heavy. “Dont know, Muriel—wanted to see you—wanted to talk to you—to see you and tell you that I know what you’ve been through—what pain the last few months must have been—” “Lets dont mention that.” “But why not, Muriel? I—” “Please.” “But Muriel, life is full of things like that. One grows strong and beautiful in facing them. What else is life?” “I dont know, Dan. And I dont believe I care. Whats the use? Lets talk about something else. I hear there’s a good show at the Lincoln this week.” “Yes, so Harry was telling me. Going?” “To-night.” 110 Dan starts to rise. “I didnt know. I dont want to keep you.” “Its all right. You dont have to go till Bernice comes. And she wont be here till eight. I’m all dressed. I’ll let you know.” “Thanks.” Silence. The rustle of a newspaper being turned comes from the rear room. Muriel: Shame about Dan. Something awfully good and fine about him. But he don’t fit in. In where? Me? Dan, I could love you if I tried. I dont have to try. I do. O Dan, dont you know I do? Timid lover, brave talker that you are. Whats the good of all you know if you dont know that? I wont let myself. I? Mrs. Pribby who reads newspapers all night wont. What has she got to do with me? She is me, somehow. No she’s not. Yes she is. She is the town, and the town wont let me love you, Dan. Dont you know? You could make it let me if you would. Why wont you? Youre selfish. I’m not strong enough to buck it. Youre too selfish to buck it, for me. I wish you’d go. You irritate me. Dan, please go. “What are you doing now, Dan?” 111 “Same old thing, Muriel. Nothing, as the world would have it. Living, as I look at things. Living as much as I can without—” “But you cant live without money, Dan. Why dont you get a good job and settle down?” Dan: Same old line. Shoot it at me, sister. Hell of a note, this loving business. For ten minutes of it youve got to stand the torture of an intolerable heaviness and a hundred platitudes. Well, damit, shoot on. “To what? my dear. Rustling newspapers?” “You mustnt say that, Dan. It isnt right. Mrs. Pribby has been awfully good to me.” “Dare say she has. Whats that got to do with it?” “Oh, Dan, youre so unconsiderate and selfish. All you think of is yourself.” “I think of you.” “Too much—I mean, you ought to work more and think less. Thats the best way to get along.” “Mussel-heads get along, Muriel. There is more to you than that—” “Sometimes I think there is, Dan. But I dont know. I’ve tried. I’ve tried to do something 112with myself. Something real and beautiful, I mean. But whats the good of trying? I’ve tried to make people, every one I come in contact with, happy—” Dan looks at her, directly. Her animalism, still unconquered by zoo-restrictions and keeper-taboos, stirs him. Passion tilts upward, bringing with it the elements of an old desire. Muriel’s lips become the flesh-notes of a futile, plaintive longing. Dan’s impulse to direct her is its fresh life. “Happy, Muriel? No, not happy. Your aim is wrong. There is no such thing as happiness. Life bends joy and pain, beauty and ugliness, in such a way that no one may isolate them. No one should want to. Perfect joy, or perfect pain, with no contrasting element to define them, would mean a monotony of consciousness, would mean death. Not happy, Muriel. Say that you have tried to make them create. Say that you have used your own capacity for life to cradle them. To start them upward-flowing. Or if you cant say that you have, then say that you will. My talking to you will make you aware of your113 power to do so. Say that you will love, that you will give yourself in love—” “To you, Dan?” Dan’s consciousness crudely swerves into his passions. They flare up in his eyes. They set up quivers in his abdomen. He is suddenly over-tense and nervous. “Muriel—” The newspaper rustles in the rear room. “Muriel—” Dan rises. His arms stretch towards her. His fingers and his palms, pink in the lamp-light, are glowing irons. Muriel’s chair is close and stiff about her. The house, the rows of houses locked about her chair. Dan’s fingers and arms are fire to melt and bars to wrench and force and pry. Her arms hang loose. Her hands are hot and moist. Dan takes them. He slips to his knees before her. “Dan, you mustnt.” “Muriel—” “Dan, really you mustnt. No, Dan. No.” “Oh, come, Muriel. Must I—” “Shhh. Dan, please get up. Please. Mrs. Pribby is right in the next room. She’ll hear114 you. She may come in. Dont, Dan. She’ll see you—” “Well then, lets go out.” “I cant. Let go, Dan. Oh, wont you please let go.” Muriel tries to pull her hands away. Dan tightens his grip. He feels the strength of his fingers. His muscles are tight and strong. He stands up. Thrusts out his chest. Muriel shrinks from him. Dan becomes aware of his crude absurdity. His lips curl. His passion chills. He has an obstinate desire to possess her. “Muriel, I love you. I want you, whatever the world of Pribby says. Damn your Pribby. Who is she to dictate my love? I’ve stood enough of her. Enough of you. Come here.” Muriel’s mouth works in and out. Her eyes flash and waggle. She wrenches her hands loose and forces them against his breast to keep him off. Dan grabs her wrists. Wedges in between her arms. Her face is close to him. It is hot and blue and moist. Ugly. “Come here now.” “Dont, Dan. Oh, dont. What are you killing?” 115 “Whats weak in both of us and a whole litter of Pribbys. For once in your life youre going to face whats real, by God—” A sharp rap on the newspaper in the rear room cuts between them. The rap is like cool thick glass between them. Dan is hot on one side. Muriel, hot on the other. They straighten. Gaze fearfully at one another. Neither moves. A clock in the rear room, in the rear room, the rear room, strikes eight. Eight slow, cool sounds. Bernice. Muriel fastens on her image. She smooths her dress. She adjusts her skirt. She becomes prim and cool. Rising, she skirts Dan as if to keep the glass between them. Dan, gyrating nervously above the easy swing of his limbs, follows her to the parlor door. Muriel retreats before him till she reaches the landing of the steps that lead upstairs. She smiles at him. Dan sees his face in the hall mirror. He runs his fingers through his hair. Reaches for his hat and coat and puts them on. He moves towards Muriel. Muriel steps backward up one step. Dan’s jaw shoots out. Muriel jerks her arm in warning of Mrs. Pribby. She gasps and turns and starts to run. Noise of a116 chair scraping as Mrs. Pribby rises from it, ratchets down the hall. Dan stops. He makes a wry face, wheels round, goes out, and slams the door. 2People come in slowly ... mutter, laughs, flutter, whishadwash, “I’ve changed my work-clothes—” ... and fill vacant seats of Lincoln Theater. Muriel, leading Bernice who is a cross between a washerwoman and a blue-blood lady, a washer-blue, a washer-lady, wanders down the right aisle to the lower front box. Muriel has on an orange dress. Its color would clash with the crimson box-draperies, its color would contradict the sweet rose smile her face is bathed in, should she take her coat off. She’ll keep it on. Pale purple shadows rest on the planes of her cheeks. Deep purple comes from her thick-shocked hair. Orange of the dress goes well with these. Muriel presses her coat down from around her shoulders. Teachers are not supposed to have bobbed hair. She’ll keep her hat on. She takes the first chair, and indicates that117 Bernice is to take the one directly behind her. Seated thus, her eyes are level with, and near to, the face of an imaginary man upon the stage. To speak to Berny she must turn. When she does, the audience is square upon her. People come in slowly ... “—for my Sunday-go-to-meeting dress. O glory God! O shout Amen!” ... and fill vacant seats of Lincoln Theater. Each one is a bolt that shoots into a slot, and is locked there. Suppose the Lord should ask, where was Moses when the light went out? Suppose Gabriel should blow his trumpet! The seats are slots. The seats are bolted houses. The mass grows denser. Its weight at first is impalpable upon the box. Then Muriel begins to feel it. She props her arm against the brass box-rail, to ward it off. Silly. These people are friends of hers: a parent of a child she teaches, an old school friend. She smiles at them. They return her courtesy, and she is free to chat with Berny. Berny’s tongue, started, runs on, and on. O washer-blue! O washer-lady! Muriel: Never see Dan again. He makes me feel queer. Starts things he doesnt finish.118 Upsets me. I am not upset. I am perfectly calm. I am going to enjoy the show. Good show. I’ve had some show! This damn tame thing. O Dan. Wont see Dan again. Not alone. Have Mrs. Pribby come in. She was in. Keep Dan out. If I love him, can I keep him out? Well then, I dont love him. Now he’s out. Who is that coming in? Blind as a bat. Ding-bat. Looks like Dan. He mustnt see me. Silly. He cant reach me. He wont dare come in here. He’d put his head down like a goring bull and charge me. He’d trample them. He’d gore. He’d rape! Berny! He won’t dare come in here. “Berny, who was that who just came in? I havent my glasses.” “A friend of yours, a good friend so I hear. Mr. Daniel Moore, Lord.” “Oh. He’s no friend of mine.” “No? I hear he is.” “Well, he isnt.” Dan is ushered down the aisle. He has to squeeze past the knees of seated people to reach his own seat. He treads on a man’s corns. The man grumbles, and shoves him off. He shrivels119 close beside a portly Negress whose huge rolls of flesh meet about the bones of seat-arms. A soil-soaked fragrance comes from her. Through the cement floor her strong roots sink down. They spread under the asphalt streets. Dreaming, the streets roll over on their bellies, and suck their glossy health from them. Her strong roots sink down and spread under the river and disappear in blood-lines that waver south. Her roots shoot down. Dan’s hands follow them. Roots throb. Dan’s heart beats violently. He places his palms upon the earth to cool them. Earth throbs. Dan’s heart beats violently. He sees all the people in the house rush to the walls to listen to the rumble. A new-world Christ is coming up. Dan comes up. He is startled. The eyes of the woman dont belong to her. They look at him unpleasantly. From either aisle, bolted masses press in. He doesnt fit. The mass grows agitant. For an instant, Dan’s and Muriel’s eyes meet. His weight there slides the weight on her. She braces an arm against the brass rail, and turns her head away. Muriel: Damn fool; dear Dan, what did you want to follow me here for? Oh cant you120 ever do anything right? Must you always pain me, and make me hate you? I do hate you. I wish some one would come in with a horse-whip and lash you out. I wish some one would drag you up a back alley and brain you with the whip-butt. Muriel glances at her wrist-watch. “Quarter of nine. Berny, what time have you?” “Eight-forty. Time to begin. Oh, look Muriel, that woman with the plume; doesnt she look good! They say she’s going with, oh, whats his name. You know. Too much powder. I can see it from here. Here’s the orchestra now. O fine! Jim Clem at the piano!” The men fill the pit. Instruments run the scale and tune. The saxophone moans and throws a fit. Jim Clem, poised over the piano, is ready to begin. His head nods forward. Opening crash. The house snaps dark. The curtain recedes upward from the blush of the footlights. Jazz overture is over. The first act is on. Dan: Old stuff. Muriel—bored. Must be. But she’ll smile and she’ll clap. Do what youre121 bid, you she-slave. Look at her. Sweet, tame woman in a brass box seat. Clap, smile, fawn, clap. Do what youre bid. Drag me in with you. Dirty me. Prop me in your brass box seat. I’m there, am I not? because of you. He-slave. Slave of a woman who is a slave. I’m a damned sight worse than you are. I sing your praises, Beauty! I exalt thee, O Muriel! A slave, thou art greater than all Freedom because I love thee. Dan fidgets, and disturbs his neighbors. His neighbors glare at him. He glares back without seeing them. The man whose corns have been trod upon speaks to him. “Keep quiet, cant you, mister. Other people have paid their money besides yourself to see the show.” The man’s face is a blur about two sullen liquid things that are his eyes. The eyes dissolve in the surrounding vagueness. Dan suddenly feels that the man is an enemy whom he has long been looking for. Dan bristles. Glares furiously at the man. “All right. All right then. Look at the show. I’m not stopping you.” 122 “Shhh,” from some one in the rear. Dan turns around. “Its that man there who started everything. I didnt say a thing to him until he tried to start something. What have I got to do with whether he has paid his money or not? Thats the manager’s business. Do I look like the manager?” “Shhhh. Youre right. Shhhh.” “Dont tell me to shhh. Tell him. That man there. He started everything. If what he wanted was to start a fight, why didnt he say so?” The man leans forward. “Better be quiet, sonny. I aint said a thing about fight, yet.” “Its a good thing you havent.” “Shhhh.” Dan grips himself. Another act is on. Dwarfs, dressed like prize-fighters, foreheads bulging like boxing gloves, are led upon the stage. They are going to fight for the heavyweight championship. Gruesome. Dan glances at Muriel. He imagines that she shudders. His mind curves back into himself, and picks up tail-ends of experiences. His eyes are open,123 mechanically. The dwarfs pound and bruise and bleed each other, on his eyeballs. Dan: Ah, but she was some baby! And not vulgar either. Funny how some women can do those things. Muriel dancing like that! Hell. She rolled and wabbled. Her buttocks rocked. She pulled up her dress and showed her pink drawers. Baby! And then she caught my eyes. Dont know what my eyes had in them. Yes I do. God, dont I though! Sometimes I think, Dan Moore, that your eyes could burn clean ... burn clean ... BURN CLEAN!.. The gong rings. The dwarfs set to. They spar grotesquely, playfully, until one lands a stiff blow. This makes the other sore. He commences slugging. A real scrap is on. Time! The dwarfs go to their corners and are sponged and fanned off. Gloves bulge from their wrists. Their wrists are necks for the tight-faced gloves. The fellow to the right lets his eyes roam over the audience. He sights Muriel. He grins. Dan: Those silly women arguing feminism. Here’s what I should have said to them. “It124 should be clear to you women, that the proposition must be stated thus:
Me, horizontally above her.
Action: perfect strokes downward oblique.
Hence, man dominates because of limitation.
Or, so it shall be until women learn their stuff.
So framed, the proposition is a mental-filler, Dentist, I want gold teeth. It should become cherished of the technical intellect. I hereby offer it to posterity as one of the important machine-age designs. P. S. It should be noted, that because it is an achievement of this age, its growth and hence its causes, up to the point of maturity, antedate machinery. Ery...” The gong rings. No fooling this time. The dwarfs set to. They clinch. The referee parts them. One swings a cruel upper-cut and knocks the other down. A huge head hits the floor. Pop! The house roars. The fighter, groggy, scrambles up. The referee whispers to the contenders not to fight so hard. They ignore him. They charge. Their heads jab like boxing-gloves. They kick and spit and bite. They pound each other furiously. Muriel pounds.125 The house pounds. Cut lips. Bloody noses. The referee asks for the gong. Time! The house roars. The dwarfs bow, are made to bow. The house wants more. The dwarfs are led from the stage. Dan: Strange I never really noticed him before. Been sitting there for years. Born a slave. Slavery not so long ago. He’ll die in his chair. Swing low, sweet chariot. Jesus will come and roll him down the river Jordan. Oh, come along, Moses, you’ll get lost; stretch out your rod and come across. LET MY PEOPLE GO! Old man. Knows everyone who passes the corners. Saw the first horse-cars. The first Oldsmobile. And he was born in slavery. I did see his eyes. Never miss eyes. But they were bloodshot and watery. It hurt to look at them. It hurts to look in most people’s eyes. He saw Grant and Lincoln. He saw Walt—old man, did you see Walt Whitman? Did you see Walt Whitman! Strange force that drew me to him. And I went up to see. The woman thought I saw crazy. I told him to look into the heavens. He did, and smiled. I asked him if he knew what that rumbling is that comes up from the ground. Christ,126 what a stroke that was. And the jabbering idiots crowding around. And the crossing-cop leaving his job to come over and wheel him away... The house applauds. The house wants more. The dwarfs are led back. But no encore. Must give the house something. The attendant comes out and announces that Mr. Barry, the champion, will sing one of his own songs, “for your approval.” Mr. Barry grins at Muriel as he wabbles from the wing. He holds a fresh white rose, and a small mirror. He wipes blood from his nose. He signals Jim Clem. The orchestra starts. A sentimental love song, Mr. Barry sings, first to one girl, and then another in the audience. He holds the mirror in such a way that it flashes in the face of each one he sings to. The light swings around. Dan: I am going to reach up and grab the girders of this building and pull them down. The crash will be a signal. Hid by the smoke and dust Dan Moore will arise. In his right hand will be a dynamo. In his left, a god’s face that will flash white light from ebony. I’ll grab a girder and swing it like a walking-stick.127 Lightning will flash. I’ll grab its black knob and swing it like a crippled cane. Lightning... Some one’s flashing ... some one’s flashing... Who in hell is flashing that mirror? Take it off me, godam you. Dan’s eyes are half blinded. He moves his head. The light follows. He hears the audience laugh. He hears the orchestra. A man with a high-pitched, sentimental voice is singing. Dan sees the dwarf. Along the mirror flash the song comes. Dan ducks his head. The audience roars. The light swings around to Muriel. Dan looks. Muriel is too close. Mr. Barry covers his mirror. He sings to her. She shrinks away. Nausea. She clutches the brass box-rail. She moves to face away. The audience is square upon her. Its eyes smile. Its hands itch to clap. Muriel turns to the dwarf and forces a smile at him. With a showy blare of orchestration, the song comes to its close. Mr. Barry bows. He offers Muriel the rose, first having kissed it. Blood of his battered lips is a vivid stain upon its petals. Mr. Barry offers Muriel the rose. The house applauds. Muriel flinches back. The dwarf steps forward, diffident;128 threatening. Hate pops from his eyes and crackles like a brittle heat about the box. The thick hide of his face is drawn in tortured wrinkles. Above his eyes, the bulging, tight-skinned brow. Dan looks at it. It grows calm and massive. It grows profound. It is a thing of wisdom and tenderness, of suffering and beauty. Dan looks down. The eyes are calm and luminous. Words come from them... Arms of the audience reach out, grab Muriel, and hold her there. Claps are steel fingers that manacle her wrists and move them forward to acceptance. Berny leans forward and whispers: “Its all right. Go on—take it.” Words form in the eyes of the dwarf:
Do not shrink. Do not be afraid of me.
Jesus
See how my eyes look at you.
the Son of God
I too was made in His image.
was once—
I give you the rose.
Muriel, tight in her revulsion, sees black, and daintily reaches for the offering. As her hand129 touches it, Dan springs up in his seat and shouts: “JESUS WAS ONCE A LEPER!” Dan steps down. He is as cool as a green stem that has just shed its flower. Rows of gaping faces strain towards him. They are distant, beneath him, impalpable. Squeezing out, Dan again treads upon the corn-foot man. The man shoves him. “Watch where youre going, mister. Crazy or no, you aint going to walk over me. Watch where youre going there.” Dan turns, and serenely tweaks the fellow’s nose. The man jumps up. Dan is jammed against a seat-back. A slight swift anger flicks him. His fist hooks the other’s jaw. “Now you have started something. Aint no man living can hit me and get away with it. Come on on the outside.” The house, tumultuously stirring, grabs its wraps and follows the men. The man leads Dan up a black alley. The alley-air is thick and moist with smells of garbage 130and wet trash. In the morning, singing niggers will drive by and ring their gongs... Heavy with the scent of rancid flowers and with the scent of fight. The crowd, pressing forward, is a hollow roar. Eyes of houses, soft girl-eyes, glow reticently upon the hubbub and blink out. The man stops. Takes off his hat and coat. Dan, having forgotten him, keeps going on.
131
PRAYER
My body is opaque to the soul.
Driven of the spirit, long have I sought to temper it unto the spirit’s longing,
But my mind, too, is opaque to the soul.
A closed lid is my soul’s flesh-eye.
O Spirits of whom my soul is but a little finger,
Direct it to the lid of its flesh-eye.
I am weak with much giving.
I am weak with the desire to give more.
(How strong a thing is the little finger!)
So weak that I have confused the body with the soul,
And the body with its little finger.
(How frail is the little finger.)
My voice could not carry to you did you dwell in stars,
O Spirits of whom my soul is but a little finger...
132
HARVEST SONGI am a reaper whose muscles set at sundown. All my oats are cradled. But I am too chilled, and too fatigued to bind them. And I hunger.
I crack a grain between my teeth. I do not taste it. I have been in the fields all day. My throat is dry. I hunger.
My eyes are caked with dust of oatfields at harvest- time. I am a blind man who stares across the hills, seeking stack’d fields of other harvesters.
It would be good to see them ... crook’d, split, and iron-ring’d handles of the scythes. It would be good to see them, dust-caked and blind. I hunger.
(Dusk is a strange fear’d sheath their blades are dull’d in.) My throat is dry. And should I call, a cracked grain like the oats ... eoho--
I fear to call. What should they hear me, and offer me their grain, oats, or wheat, or corn? I have been in the fields all day. I fear I could not taste it. I fear knowledge of my hunger.
133My ears are caked with dust of oatfields at harvest-time. I am a deaf man who strains to hear the calls of other harvesters whose throats are also dry.
It would be good to hear their songs .. reapers of the sweet-stalk’d cane, cutters of the corn .. even though their throats cracked and the strangeness of their voices deafened me.
I hunger. My throat is dry. Now that the sun has set and I am chilled, I fear to call. (Eoho, my brothers!)
I am a reaper. (Eoho!) All my oats are cradled. But I am too fatigued to bind them. And I hunger. I crack a grain. It has no taste to it. My throat is dry...
O my brothers, I beat my palms, still soft, against the stubble of my harvesting. (You beat your soft palms, too.) My pain is sweet. Sweeter than the oats or wheat or corn. It will not bring me knowledge of my hunger.
134
BONA AND PAUL1ON the school gymnasium floor, young men and women are drilling. They are going to be teachers, and go out into the world .. thud, thud .. and give precision to the movements of sick people who all their lives have been drilling. One man is out of step. In step. The teacher glares at him. A girl in bloomers, seated on a mat in the corner because she has told the director that she is sick, sees that the footfalls of the men are rhythmical and syncopated. The dance of his blue-trousered limbs thrills her. Bona: He is a candle that dances in a grove swung with pale balloons. Columns of the drillers thud towards her. He is in the front row. He is in no row at all. Bona can look close at him. His red-brown face-- Bona: He is a harvest moon. He is an autumn leaf. He is a nigger. Bona! But dont all the dorm girls say so? And dont you, when135 you are sane, say so? Thats why I love—Oh, nonsense. You have never loved a man who didnt first love you. Besides-- Columns thud away from her. Come to a halt in line formation. Rigid. The period bell rings, and the teacher dismisses them. A group collects around Paul. They are choosing sides for basket-ball. Girls against boys. Paul has his. He is limbering up beneath the basket. Bona runs to the girl captain and asks to be chosen. The girls fuss. The director comes to quiet them. He hears what Bona wants. “But, Miss Hale, you were excused—” “So I was, Mr. Boynton, but—” “—you can play basket-ball, but you are too sick to drill.” “If you wish to put it that way.” She swings away from him to the girl captain. “Helen, I want to play, and you must let me. This is the first time I’ve asked and I dont see why—” “Thats just it, Bona. We have our team.” “Well, team or no team, I want to play and thats all there is to it.” 136 She snatches the ball from Helen’s hands, and charges down the floor. Helen shrugs. One of the weaker girls says that she’ll drop out. Helen accepts this. The team is formed. The whistle blows. The game starts. Bona, in center, is jumping against Paul. He plays with her. Out-jumps her, makes a quick pass, gets a quick return, and shoots a goal from the middle of the floor. Bona burns crimson. She fights, and tries to guard him. One of her team-mates advises her not to play so hard. Paul shoots his second goal. Bona begins to feel a little dizzy and all in. She drives on. Almost hugs Paul to guard him. Near the basket, he attempts to shoot, and Bona lunges into his body and tries to beat his arms. His elbow, going up, gives her a sharp crack on the jaw. She whirls. He catches her. Her body stiffens. Then becomes strangely vibrant, and bursts to a swift life within her anger. He is about to give way before her hatred when a new passion flares at him and makes his stomach fall. Bona squeezes him. He suddenly feels stifled, and wonders why in hell the ring of silly gaping faces that’s caked about him doesnt make way137 and give him air. He has a swift illusion that it is himself who has been struck. He looks at Bona. Whir. Whir. They seem to be human distortions spinning tensely in a fog. Spinning .. dizzy .. spinning... Bona jerks herself free, flushes a startling crimson, breaks through the bewildered teams, and rushes from the hall. 2Paul is in his room of two windows. Outside, the South-Side L track cuts them in two. Bona is one window. One window, Paul. Hurtling Loop-jammed L trains throw them in swift shadow. Paul goes to his. Gray slanting roofs of houses are tinted lavender in the setting sun. Paul follows the sun, over the stock-yards where a fresh stench is just arising, across wheat lands that are still waving above their stubble, into the sun. Paul follows the sun to a pine-matted hillock in Georgia. He sees the slanting roofs of gray unpainted cabins tinted lavender. A138 Negress chants a lullaby beneath the mate-eyes of a southern planter. Her breasts are ample for the suckling of a song. She weans it, and sends it, curiously weaving, among lush melodies of cane and corn. Paul follows the sun into himself in Chicago. He is at Bona’s window. With his own glow he looks through a dark pane. Paul’s room-mate comes in. “Say, Paul, I’ve got a date for you. Come on. Shake a leg, will you?” His blonde hair is combed slick. His vest is snug about him. He is like the electric light which he snaps on. “Whatdoysay, Paul? Get a wiggle on. Come on. We havent got much time by the time we eat and dress and everything.” His bustling concentrates on the brushing of his hair. Art: What in hell’s getting into Paul of late, anyway? Christ, but he’s getting moony. Its his blood. Dark blood: moony. Doesnt get139 anywhere unless you boost it. You’ve got to keep it going-- “Say, Paul!” —or it’ll go to sleep on you. Dark blood; nigger? Thats what those jealous she-hens say. Not Bona though, or she ... from the South ... wouldnt want me to fix a date for him and her. Hell of a thing, that Paul’s dark: you’ve got to always be answering questions. “Say, Paul, for Christ’s sake leave that window, cant you?” “Whats it, Art?” “Hell, I’ve told you about fifty times. Got a date for you. Come on.” “With who?” Art: He didnt use to ask; now he does. Getting up in the air. Getting funny. “Heres your hat. Want a smoke? Paul! Here. I’ve got a match. Now come on and I’ll tell you all about it on the way to supper.” Paul: He’s going to Life this time. No doubt of that. Quit your kidding. Some day, dear Art, I’m going to kick the living slats out of you, and you wont know what I’ve done it for. And your slats will bring forth Life .. beautiful woman... 140 Pure Food Restaurant. “Bring me some soup with a lot of crackers, understand? And then a roast-beef dinner. Same for you, eh, Paul? Now as I was saying, you’ve got a swell chance with her. And she’s game. Best proof: she dont give a damn what the dorm girls say about you and her in the gym, or about the funny looks that Boynton gives her, or about what they say about, well, hell, you know, Paul. And say, Paul, she’s a sweetheart. Tall, not puffy and pretty, more serious and deep—the kind you like these days. And they say she’s got a car. And say, she’s on fire. But you know all about that. She got Helen to fix it up with me. The four of us—remember the last party? Crimson Gardens! Boy!” Paul’s eyes take on a light that Art can settle in. 3Art has on his patent-leather pumps and fancy vest. A loose fall coat is swung across his arm. His face has been massaged, and over a close shave, powdered. It is a healthy pink the blue141 of evening tints a purple pallor. Art is happy and confident in the good looks that his mirror gave him. Bubbling over with a joy he must spend now if the night is to contain it all. His bubbles, too, are curiously tinted purple as Paul watches them. Paul, contrary to what he had thought he would be like, is cool like the dusk, and like the dusk, detached. His dark face is a floating shade in evening’s shadow. He sees Art, curiously. Art is a purple fluid, carbon-charged, that effervesces besides him. He loves Art. But is it not queer, this pale purple facsimile of a red-blooded Norwegian friend of his? Perhaps for some reason, white skins are not supposed to live at night. Surely, enough nights would transform them fantastically, or kill them. And their red passion? Night paled that too, and made it moony. Moony. Thats what Art thought of him. Bona didnt, even in the daytime. Bona, would she be pale? Impossible. Not that red glow. But the conviction did not set his emotion flowing. “Come right in, wont you? The young ladies will be right down. Oh, Mr. Carlstrom, do play something for us while you are waiting. We just142 love to listen to your music. You play so well.” Houses, and dorm sitting-rooms are places where white faces seclude themselves at night. There is a reason... Art sat on the piano and simply tore it down. Jazz. The picture of Our Poets hung perilously. Paul: I’ve got to get the kid to play that stuff for me in the daytime. Might be different. More himself. More nigger. Different? There is. Curious, though. The girls come in. Art stops playing, and almost immediately takes up a petty quarrel, where he had last left it, with Helen. Bona, black-hair curled staccato, sharply contrasting with Helen’s puffy yellow, holds Paul’s hand. She squeezes it. Her own emotion supplements the return pressure. And then, for no tangible reason, her spirits drop. Without them, she is nervous, and slightly afraid. She resents this. Paul’s eyes are critical. She resents Paul. She flares at him. She flares to poise and security. “Shall we be on our way?” “Yes, Bona, certainly.” The Boulevard is sleek in asphalt, and, with143 arc-lights and limousines, aglow. Dry leaves scamper behind the whir of cars. The scent of exploded gasoline that mingles with them is faintly sweet. Mellow stone mansions over-shadow clapboard homes which now resemble Negro shanties in some southern alley. Bona and Paul, and Art and Helen, move along an island-like, far-stretching strip of leaf-soft ground. Above them, worlds of shadow-planes and solids, silently moving. As if on one of these, Paul looks down on Bona. No doubt of it: her face is pale. She is talking. Her words have no feel to them. One sees them. They are pink petals that fall upon velvet cloth. Bona is soft, and pale, and beautiful. “Paul, tell me something about yourself—or would you rather wait?” “I’ll tell you anything you’d like to know.” “Not what I want to know, Paul; what you want to tell me.” “You have the beauty of a gem fathoms under sea.” “I feel that, but I dont want to be. I want to be near you. Perhaps I will be if I tell you something. Paul, I love you.” 144 The sea casts up its jewel into his hands, and burns them furiously. To tuck her arm under his and hold her hand will ease the burn. “What can I say to you, brave dear woman—I cant talk love. Love is a dry grain in my mouth unless it is wet with kisses.” “You would dare? right here on the Boulevard? before Arthur and Helen?” “Before myself? I dare.” “Here then.” Bona, in the slim shadow of a tree trunk, pulls Paul to her. Suddenly she stiffens. Stops. “But you have not said you love me.” “I cant—yet—Bona.” “Ach, you never will. Youre cold. Cold.” Bona: Colored; cold. Wrong somewhere. She hurries and catches up with Art and Helen. 4Crimson Gardens. Hurrah! So one feels. People ... University of Chicago students, members of the stock exchange, a large Negro in crimson uniform who guards the door .. had145 watched them enter. Had leaned towards each other over ash-smeared tablecloths and highballs and whispered: What is he, a Spaniard, an Indian, an Italian, a Mexican, a Hindu, or a Japanese? Art had at first fidgeted under their stares .. what are you looking at, you godam pack of owl-eyed hyenas? .. but soon settled into his fuss with Helen, and forgot them. A strange thing happened to Paul. Suddenly he knew that he was apart from the people around him. Apart from the pain which they had unconsciously caused. Suddenly he knew that people saw, not attractiveness in his dark skin, but difference. Their stares, giving him to himself, filled something long empty within him, and were like green blades sprouting in his consciousness. There was fullness, and strength and peace about it all. He saw himself, cloudy, but real. He saw the faces of the people at the tables round him. White lights, or as now, the pink lights of the Crimson Gardens gave a glow and immediacy to white faces. The pleasure of it, equal to that of love or dream, of seeing this. Art and Bona and Helen? He’d look. They were wonderfully flushed and beautiful. Not146 for himself; because they were. Distantly. Who were they, anyway? God, if he knew them. He’d come in with them. Of that he was sure. Come where? Into life? Yes. No. Into the Crimson Gardens. A part of life. A carbon bubble. Would it look purple if he went out into the night and looked at it? His sudden starting to rise almost upset the table. “What in hell—pardon—whats the matter, Paul?” “I forgot my cigarettes—” “Youre smoking one.” “So I am. Pardon me.” The waiter straightens them out. Takes their order. Art: What in hell’s eating Paul? Moony aint the word for it. From bad to worse. And those godam people staring so. Paul’s a queer fish. Doesnt seem to mind... He’s my pal, let me tell you, you horn-rimmed owl-eyed hyena at that table, and a lot better than you whoever you are... Queer about him. I could stick up for him if he’d only come out, one way or the other, and tell a feller. Besides, a room-mate has a right to know. Thinks I wont understand. 147Said so. He’s got a swell head when it comes to brains, all right. God, he’s a good straight feller, though. Only, moony. Nut. Nuttish. Nuttery. Nutmeg... “What’d you say, Helen?” “I was talking to Bona, thank you.” “Well, its nothing to get spiffy about.” “What? Oh, of course not. Please lets dont start some silly argument all over again.” “Well.” “Well.” “Now thats enough. Say, waiter, whats the matter with our order? Make it snappy, will you?” Crimson Gardens. Hurrah! So one feels. The drinks come. Four highballs. Art passes cigarettes. A girl dressed like a bare-back rider in flaming pink, makes her way through tables to the dance floor. All lights are dimmed till they seem a lush afterglow of crimson. Spotlights the girl. She sings. “Liza, Little Liza Jane.” Paul is rosy before his window. He moves, slightly, towards Bona. With his own glow, he seeks to penetrate a dark pane. 148 Paul: From the South. What does that mean, precisely, except that you’ll love or hate a nigger? Thats a lot. What does it mean except that in Chicago you’ll have the courage to neither love or hate. A priori. But it would seem that you have. Queer words, arent these, for a man who wears blue pants on a gym floor in the daytime. Well, never matter. You matter. I’d like to know you whom I look at. Know, not love. Not that knowing is a greater pleasure; but that I have just found the joy of it. You came just a month too late. Even this afternoon I dreamed. To-night, along the Boulevard, you found me cold. Paul Johnson, cold! Thats a good one, eh, Art, you fine old stupid fellow, you! But I feel good! The color and the music and the song... A Negress chants a lullaby beneath the mate-eyes of a southern planter. O song!.. And those flushed faces. Eager brilliant eyes. Hard to imagine them as unawakened. Your own. Oh, they’re awake all right. “And you know it too, dont you Bona?” “What, Paul?” “The truth of what I was thinking.” 149 “I’d like to know I know—something of you.” “You will—before the evening’s over. I promise it.” Crimson Gardens. Hurrah! So one feels. The bare-back rider balances agilely on the applause which is the tail of her song. Orchestral instruments warm up for jazz. The flute is a cat that ripples its fur against the deep-purring saxophone. The drum throws sticks. The cat jumps on the piano keyboard. Hi diddle, hi diddle, the cat and the fiddle. Crimson Gardens .. hurrah! .. jumps over the moon. Crimson Gardens! Helen .. O Eliza .. rabbit-eyes sparkling, plays up to, and tries to placate what she considers to be Paul’s contempt. She always does that .. Little Liza Jane... Once home, she burns with the thought of what she’s done. She says all manner of snidy things about him, and swears that she’ll never go out again when he is along. She tries to get Art to break with him, saying, that if Paul, whom the whole dormitory calls a nigger, is more to him than she is, well, she’s through. She does not break with Art. She goes out as often as she can with Art and Paul. She explains this to herself150 by a piece of information which a friend of hers had given her: men like him (Paul) can fascinate. One is not responsible for fascination. Not one girl had really loved Paul; he fascinated them. Bona didnt; only thought she did. Time would tell. And of course, she didnt. Liza... She plays up to, and tries to placate, Paul. “Paul is so deep these days, and I’m so glad he’s found some one to interest him.” “I dont believe I do.” The thought escapes from Bona just a moment before her anger at having said it. Bona: You little puffy cat, I do. I do! Dont I, Paul? her eyes ask. Her answer is a crash of jazz from the palm-hidden orchestra. Crimson Gardens is a body whose blood flows to a clot upon the dance floor. Art and Helen clot. Soon, Bona and Paul. Paul finds her a little stiff, and his mind, wandering to Helen (silly little kid who wants every highball spoon her hands touch, for a souvenir), supple, perfect little dancer, wishes for the next dance when he and Art will exchange. Bona knows that she must win him to herself. “Since when have men like you grown cold?” 151 “The first philosopher.” “I thought you were a poet—or a gym director.” “Hence, your failure to make love.” Bona’s eyes flare. Water. Grow red about the rims. She would like to tear away from him and dash across the clotted floor. “What do you mean?” “Mental concepts rule you. If they were flush with mine—good. I dont believe they are.” “How do you know, Mr. Philosopher?” “Mostly a priori.” “You talk well for a gym director.” “And you—” “I hate you. Ou!” She presses away. Paul, conscious of the convention in it, pulls her to him. Her body close. Her head still strains away. He nearly crushes her. She tries to pinch him. Then sees people staring, and lets her arms fall. Their eyes meet. Both, contemptuous. The dance takes blood from their minds and packs it, tingling, in the torsos of their swaying bodies. Passionate blood leaps back into their eyes. They are a dizzy blood clot on a gyrating floor. 152 They know that the pink-faced people have no part in what they feel. Their instinct leads them away from Art and Helen, and towards the big uniformed black man who opens and closes the gilded exit door. The cloak-room girl is tolerant of their impatience over such trivial things as wraps. And slightly superior. As the black man swings the door for them, his eyes are knowing. Too many couples have passed out, flushed and fidgety, for him not to know. The chill air is a shock to Paul. A strange thing happens. He sees the Gardens purple, as if he were way off. And a spot is in the purple. The spot comes furiously towards him. Face of the black man. It leers. It smiles sweetly like a child’s. Paul leaves Bona and darts back so quickly that he doesnt give the door-man a chance to open. He swings in. Stops. Before the huge bulk of the Negro. “Youre wrong.” “Yassur.” “Brother, youre wrong.” “I came back to tell you, to shake your hand, and tell you that you are wrong. That something beautiful is going to happen. That the 153Gardens are purple like a bed of roses would be at dusk. That I came into the Gardens, into life in the Gardens with one whom I did not know. That I danced with her, and did not know her. That I felt passion, contempt and passion for her whom I did not know. That I thought of her. That my thoughts were matches thrown into a dark window. And all the while the Gardens were purple like a bed of roses would be at dusk. I came back to tell you, brother, that white faces are petals of roses. That dark faces are petals of dusk. That I am going out and gather petals. That I am going out and know her whom I brought here with me to these Gardens which are purple like a bed of roses would be at dusk.” Paul and the black man shook hands. When he reached the spot where they had been standing, Bona was gone. to Waldo Frank.
153
KABNIS1RALPH KABNIS, propped in his bed, tries to read. To read himself to sleep. An oil lamp on a chair near his elbow burns unsteadily. The cabin room is spaced fantastically about it. Whitewashed hearth and chimney, black with sooty saw-teeth. Ceiling, patterned by the fringed globe of the lamp. The walls, unpainted, are seasoned a rosin yellow. And cracks between the boards are black. These cracks are the lips the night winds use for whispering. Night winds in Georgia are vagrant poets, whispering. Kabnis, against his will, lets his book slip down, and listens to them. The warm whiteness of his bed, the lamp-light, do not protect him from the weird chill of their song:
White-man’s land.
Niggers, sing.
Burn, bear black children
Till poor rivers bring
Rest, and sweet glory
In Camp Ground.
158 Kabnis’ thin hair is streaked on the pillow. His hand strokes the slim silk of his mustache. His thumb, pressed under his chin, seems to be trying to give squareness and projection to it. Brown eyes stare from a lemon face. Moisture gathers beneath his arm-pits. He slides down beneath the cover, seeking release. Kabnis: Near me. Now. Whoever you are, my warm glowing sweetheart, do not think that the face that rests beside you is the real Kabnis. Ralph Kabnis is a dream. And dreams are faces with large eyes and weak chins and broad brows that get smashed by the fists of square faces. The body of the world is bull-necked. A dream is a soft face that fits uncertainly upon it... God, if I could develop that in words. Give what I know a bull-neck and a heaving body, all would go well with me, wouldnt it, sweetheart? If I could feel that I came to the South to face it. If I, the dream (not what is weak and afraid in me) could become the face of the South. How my lips would sing for it, my songs being the lips of its soul. Soul. Soul hell. There aint no such thing. What in hell was that? 159 A rat had run across the thin boards of the ceiling. Kabnis thrusts his head out from the covers. Through the cracks, a powdery faded red dust sprays down on him. Dust of slave-fields, dried, scattered... No use to read. Christ, if he only could drink himself to sleep. Something as sure as fate was going to happen. He couldnt stand this thing much longer. A hen, perched on a shelf in the adjoining room begins to tread. Her nails scrape the soft wood. Her feathers ruffle. “Get out of that, you egg-laying bitch.” Kabnis hurls a slipper against the wall. The hen flies from her perch and cackles as if a skunk were after her. “Now cut out that racket or I’ll wring your neck for you.” Answering cackles arise in the chicken yard. “Why in Christ’s hell cant you leave me alone? Damn it, I wish your cackle would choke you. Choke every mother’s son of them in this God-forsaken hole. Go away. By God I’ll wring your neck for you if you dont. Hell of a mess I’ve got in: even the poultry is hostile. Go way. Go way. By God, I’ll...” 160 Kabnis jumps from his bed. His eyes are wild. He makes for the door. Bursts through it. The hen, driving blindly at the window-pane, screams. Then flies and flops around trying to elude him. Kabnis catches her. “Got you now, you she-bitch.” With his fingers about her neck, he thrusts open the outside door and steps out into the serene loveliness of Georgian autumn moonlight. Some distance off, down in the valley, a band of pine-smoke, silvered gauze, drifts steadily. The half-moon is a white child that sleeps upon the tree-tops of the forest. White winds croon its sleep-song:
rock a-by baby..
Black mother sways, holding a white child on her bosom.
when the bough bends..
Her breath hums through pine-cones.
cradle will fall..
Teat moon-children at your breasts,
down will come baby..
Black mother.
Kabnis whirls the chicken by its neck, and throws the head away. Picks up the hopping161 body, warm, sticky, and hides it in a clump of bushes. He wipes blood from his hands onto the coarse scant grass. Kabnis: Thats done. Old Chromo in the big house there will wonder whats become of her pet hen. Well, it’ll teach her a lesson: not to make a hen-coop of my quarters. Quarters. Hell of a fine quarters, I’ve got. Five years ago; look at me now. Earth’s child. The earth my mother. God is a profligate red-nosed man about town. Bastardy; me. A bastard son has got a right to curse his maker. God... Kabnis is about to shake his fists heaven-ward. He looks up, and the night’s beauty strikes him dumb. He falls to his knees. Sharp stones cut through his thin pajamas. The shock sends a shiver over him. He quivers. Tears mist his eyes. He writhes. “God Almighty, dear God, dear Jesus, do not torture me with beauty. Take it away. Give me an ugly world. Ha, ugly. Stinking like unwashed niggers. Dear Jesus, do not chain me to myself and set these hills and valleys, heaving with folk-songs, so close to me that I cannot reach them. There is a radiant beauty in the162 night that touches and ... tortures me. Ugh. Hell. Get up, you damn fool. Look around. Whats beautiful there? Hog pens and chicken yards. Dirty red mud. Stinking outhouse. Whats beauty anyway but ugliness if it hurts you? God, he doesnt exist, but nevertheless He is ugly. Hence, what comes from Him is ugly. Lynchers and business men, and that cockroach Hanby, especially. How come that he gets to be principal of a school? Of the school I’m driven to teach in? God’s handiwork, doubtless. God and Hanby, they belong together. Two godam moral-spouters. Oh, no, I wont let that emotion come up in me. Stay down. Stay down, I tell you. O Jesus, Thou art beautiful... Come, Ralph, pull yourself together. Curses and adoration dont come from what is sane. This loneliness, dumbness, awful, intangible oppression is enough to drive a man insane. Miles from nowhere. A speck on a Georgia hillside. Jesus, can you imagine it—an atom of dust in agony on a hillside? Thats a spectacle for you. Come, Ralph, old man, pull yourself together.” Kabnis has stiffened. He is conscious now of163 the night wind, and of how it chills him. He rises. He totters as a man would who for the first time uses artificial limbs. As a completely artificial man would. The large frame house, squatting on brick pillars, where the principal of the school, his wife, and the boarding girls sleep, seems a curious shadow of his mind. He tries, but cannot convince himself of its reality. His gaze drifts down into the vale, across the swamp, up over the solid dusk bank of pines, and rests, bewildered-like, on the court-house tower. It is dull silver in the moonlight. White child that sleeps upon the top of pines. Kabnis’ mind clears. He sees himself yanked beneath that tower. He sees white minds, with indolent assumption, juggle justice and a nigger... Somewhere, far off in the straight line of his sight, is Augusta. Christ, how cut off from everything he is. And hours, hours north, why not say a lifetime north? Washington sleeps. Its still, peaceful streets, how desirable they are. Its people whom he had always halfway despised. New York? Impossible. It was a fiction. He had dreamed it. An impotent nostalgia grips him. It becomes intolerable. He forces himself 164to narrow to a cabin silhouetted on a knoll about a mile away. Peace. Negroes within it are content. They farm. They sing. They love. They sleep. Kabnis wonders if perhaps they can feel him. If perhaps he gives them bad dreams. Things are so immediate in Georgia. Thinking that now he can go to sleep, he re-enters his room. He builds a fire in the open hearth. The room dances to the tongues of flames, and sings to the crackling and spurting of the logs. Wind comes up between the floor boards, through the black cracks of the walls. Kabnis: Cant sleep. Light a cigarette. If that old bastard comes over here and smells smoke, I’m done for. Hell of a note, cant even smoke. The stillness of it: where they burn and hang men, you cant smoke. Cant take a swig of licker. What do they think this is, anyway, some sort of temperance school? How did I ever land in such a hole? Ugh. One might just as well be in his grave. Still as a grave. Jesus, how still everything is. Does the world know how still it is? People make noise. They are afraid of silence. Of what lives, and God, of what dies in silence. There must be many dead165 things moving in silence. They come here to touch me. I swear I feel their fingers... Come, Ralph, pull yourself together. What in hell was that? Only the rustle of leaves, I guess. You know, Ralph, old man, it wouldnt surprise me at all to see a ghost. People dont think there are such things. They rationalize their fear, and call their cowardice science. Fine bunch, they are. Damit, that was a noise. And not the wind either. A chicken maybe. Hell, chickens dont wander around this time of night. What in hell is it? A scraping sound, like a piece of wood dragging over the ground, is coming near. “Ha, ha. The ghosts down this way havent got any chains to rattle, so they drag trees along with them. Thats a good one. But no joke, something is outside this house, as sure as hell. Whatever it is, it can get a good look at me and I cant see it. Jesus Christ!” Kabnis pours water on the flames and blows his lamp out. He picks up a poker and stealthily approaches the outside door. Swings it open, and lurches into the night. A calf, carrying a yoke of wood, bolts away from him and scampers down the road. 166 “Well, I’m damned. This godam place is sure getting the best of me. Come, Ralph, old man, pull yourself together. Nights cant last forever. Thank God for that. Its Sunday already. First time in my life I’ve ever wanted Sunday to come. Hell of a day. And down here there’s no such thing as ducking church. Well, I’ll see Halsey and Layman, and get a good square meal. Thats something. And Halsey’s a damn good feller. Cant talk to him, though. Who in Christ’s world can I talk to? A hen. God. Myself... I’m going bats, no doubt of that. Come now, Ralph, go in and make yourself go to sleep. Come now .. in the door .. thats right. Put the poker down. There. All right. Slip under the sheets. Close your eyes. Think nothing .. a long time .. nothing, nothing. Dont even think nothing. Blank. Not even blank. Count. No, mustnt count Nothing .. blank .. nothing .. blank .. space without stars in it. No, nothing .. nothing.. Kabnis sleeps. The winds, like soft-voiced vagrant poets sing: 167
White-man’s land.
Niggers, sing.
Burn, bear black children
Till poor rivers bring
Rest, and sweet glory
In Camp Ground.
2The parlor of Fred Halsey’s home. There is a seediness about it. It seems as though the fittings have given a frugal service to at least seven generations of middle-class shop-owners. An open grate burns cheerily in contrast to the gray cold changed autumn weather. An old-fashioned mantelpiece supports a family clock (not running), a figure or two in imitation bronze, and two small group pictures. Directly above it, in a heavy oak frame, the portrait of a bearded man. Black hair, thick and curly, intensifies the pallor of the high forehead. The eyes are daring. The nose, sharp and regular. The poise suggests a tendency to adventure checked by the necessities of absolute command. The portrait is that of an English gentleman who has retained much of his culture, in that168 money has enabled him to escape being drawn through a land-grubbing pioneer life. His nature and features, modified by marriage and circumstances, have been transmitted to his great-grandson, Fred. To the left of this picture, spaced on the wall, is a smaller portrait of the great-grandmother. That here there is a Negro strain, no one would doubt. But it is difficult to say in precisely what feature it lies. On close inspection, her mouth is seen to be wistfully twisted. The expression of her face seems to shift before one’s gaze—now ugly, repulsive; now sad, and somehow beautiful in its pain. A tin wood-box rests on the floor below. To the right of the great-grandfather’s portrait hangs a family group: the father, mother, two brothers, and one sister of Fred. It includes himself some thirty years ago when his face was an olive white, and his hair luxuriant and dark and wavy. The father is a rich brown. The mother, practically white. Of the children, the girl, quite young, is like Fred; the two brothers, darker. The walls of the room are plastered and painted green. An old upright piano is tucked into the corner near the window. The window looks out169 on a forlorn, box-like, whitewashed frame church. Negroes are gathering, on foot, driving questionable gray and brown mules, and in an occasional Ford, for afternoon service. Beyond, Georgia hills roll off into the distance, their dreary aspect heightened by the gray spots of unpainted one- and two-room shanties. Clumps of pine trees here and there are the dark points the whole landscape is approaching. The church bell tolls. Above its squat tower, a great spiral of buzzards reaches far into the heavens. An ironic comment upon the path that leads into the Christian land... Three rocking chairs are grouped around the grate. Sunday papers scattered on the floor indicate a recent usage. Halsey, a well-built, stocky fellow, hair cropped close, enters the room. His Sunday clothes smell of wood and glue, for it is his habit to potter around his wagon-shop even on the Lord’s day. He is followed by Professor Layman, tall, heavy, loose-jointed Georgia Negro, by turns teacher and preacher, who has traveled in almost every nook and corner of the state and hence knows more than would be good for anyone other than a silent man. Kabnis, trying to170 force through a gathering heaviness, trails in behind them. They slip into chairs before the fire. Layman: Sholy fine, Mr. Halsey, sholy fine. This town’s right good at feedin folks, better’n most towns in th state, even for preachers, but I ken say this beats um all. Yassur. Now aint that right, Professor Kabnis? Kabnis: Yes sir, this beats them all, all right—best I’ve had, and thats a fact, though my comparison doesnt carry far, y’know. Layman: Hows that, Professor? Kabnis: Well, this is my first time out-- Layman: For a fact. Aint seed you round so much. Whats th trouble? Dont like our folks down this away? Halsey: Aint that, Layman. He aint like most northern niggers that way. Aint a thing stuck up about him. He likes us, you an me, maybe all—its that red mud over yonder—gets stuck in it an cant get out. (Laughs.) An then he loves th fire so, warm as its been. Coldest Yankee I’ve ever seen. But I’m goin t get him out now in a jiffy, eh, Kabnis? Kabnis: Sure, I should say so, sure. Dont think its because I dont like folks down this way.171 Just the opposite, in fact. Theres more hospitality and everything. Its diff—that is, theres lots of northern exaggeration about the South. Its not half the terror they picture it. Things are not half bad, as one could easily figure out for himself without ever crossing the Mason and Dixie line: all these people wouldnt stay down here, especially the rich, the ones that could easily leave, if conditions were so mighty bad. And then too, sometime back, my family were southerners y’know. From Georgia, in fact-- Layman: Nothin t feel proud about, Professor. Neither your folks nor mine. Halsey (in a mock religious tone): Amen t that, brother Layman. Amen (turning to Kabnis, half playful, yet somehow dead in earnest). An Mr. Kabnis, kindly remember youre in th land of cotton—hell of a land. Th white folks get th boll; th niggers get th stalk. An dont you dare touch th boll, or even look at it. They’ll swing y sho. (Laughs.) Kabnis: But they wouldnt touch a gentleman—fellows, men like us three here-- Layman: Nigger’s a nigger down this away, Professor. An only two dividins: good an bad.172 An even they aint permanent categories. They sometimes mixes um up when it comes t lynchin. I’ve seen um do it. Halsey: Dont let th fear int y, though, Kabnis. This county’s a good un. Aint been a stringin up I can remember. (Laughs.) Layman: This is a good town an a good county. But theres some that makes up fer it. Kabnis: Things are better now though since that stir about those peonage cases, arent they? Layman: Ever hear tell of a single shot killin moren one rabbit, Professor? Kabnis: No, of course not, that is, but then-- Halsey: Now I know you werent born yesterday, sprung up so rapid like you aint heard of th brick thrown in th hornets’ nest. (Laughs.) Kabnis: Hardly, hardly, I know-- Halsey: Course y do. (To Layman) See, northern niggers aint as dumb as they make out t be. Kabnis (overlooking the remark): Just stirs them up to sting. Halsey: T perfection. An put just like a professor should put it. 173 Kabnis: Thats what actually did happen? Layman: Well, if it aint sos only because th stingers already movin jes as fast as they ken go. An been goin ever since I ken remember, an then some mo. Though I dont usually make mention of it. Halsey: Damn sight better not. Say, Layman, you come from where theyre always swarmin, dont y? Layman: Yassur. I do that, sho. Dont want t mention it, but its a fact. I’ve seed th time when there werent no use t even stretch out flat upon th ground. Seen um shoot an cut a man t pieces who had died th night befo. Yassur. An they didnt stop when they found out he was dead—jes went on ahackin at him anyway. Kabnis: What did you do? What did you say to them, Professor? Layman: Thems th things you neither does a thing or talks about if y want t stay around this away, Professor. Halsey: Listen t what he’s tellin y, Kabnis. May come in handy some day. Kabnis: Cant something be done? But of174 course not. This preacher-ridden race. Pray and shout. Theyre in the preacher’s hands. Thats what it is. And the preacher’s hands are in the white man’s pockets. Halsey: Present company always excepted. Kabnis: The Professor knows I wasnt referring to him. Layman: Preacher’s a preacher anywheres you turn. No use exceptin. Kabnis: Well, of course, if you look at it that way. I didnt mean— But cant something be done? Layman: Sho. Yassur. An done first rate an well. Jes like Sam Raymon done it. Kabnis: Hows that? What did he do? Layman: Th white folks (reckon I oughtnt tell it) had jes knocked two others like you kill a cow—brained um with an ax, when they caught Sam Raymon by a stream. They was about t do fer him when he up an says, “White folks, I gotter die, I knows that. But wont y let me die in my own way?” Some was fer gettin after him, but th boss held um back an says, “Jes so longs th nigger dies—” An Sam fell down ont his knees an prayed, “O Lord, Ise175 comin to y,” an he up an jumps int th stream. Singing from the church becomes audible. Above it, rising and falling in a plaintive moan, a woman’s voice swells to shouting. Kabnis hears it. His face gives way to an expression of mingled fear, contempt, and pity. Layman takes no notice of it. Halsey grins at Kabnis. He feels like having a little sport with him. Halsey: Lets go t church, eh, Kabnis? Kabnis (seeking control): All right—no sir, not by a damn sight. Once a days enough for me. Christ, but that stuff gets to me. Meaning no reflection on you, Professor. Halsey: Course not. Say, Kabnis, noticed y this morning. What’d y get up for an go out? Kabnis: Couldnt stand the shouting, and thats a fact. We dont have that sort of thing up North. We do, but, that is, some one should see to it that they are stopped or put out when they get so bad the preacher has to stop his sermon for them. Halsey: Is that th way youall sit on sisters up North? Kabnis: In the church I used to go to no one ever shouted-- 176 Halsey: Lungs weak? Kabnis: Hardly, that is-- Halsey: Yankees are right up t th minute in tellin folk how t turn a trick. They always were good at talkin. Kabnis: Well, anyway, they should be stopped. Layman: Thats right. Thats true. An its th worst ones in th community that comes int th church t shout. I’ve sort a made a study of it. You take a man what drinks, th biggest licker-head around will come int th church an yell th loudest. An th sister whats done wrong, an is always doin wrong, will sit down in th Amen corner an swing her arms an shout her head off. Seems as if they cant control themselves out in th world; they cant control themselves in church. Now dont that sound logical, Professor? Halsey: Reckon its as good as any. But I heard that queer cuss over yonder—y know him, dont y, Kabnis? Well, y ought t. He had a run-in with your boss th other day—same as you’ll have if you dont walk th chalk-line. An th quicker th better. I hate that Hanby. Ornery bastard. I’ll mash his mouth in one of177 these days. Well, as I was sayin, that feller, Lewis’s name, I heard him sayin somethin about a stream whats dammed has got t cut loose somewheres. An that sounds good. I know th feelin myself. He strikes me as knowin a bucketful bout most things, that feller does. Seems like he doesnt want t talk, an does, sometimes, like Layman here. Damn queer feller, him. Layman: Cant make heads or tails of him, an I’ve seen lots o queer possums in my day. Everybody’s wonderin about him. White folks too. He’ll have t leave here soon, thats sho. Always askin questions. An I aint seed his lips move once. Pokin round an notin somethin. Noted what I said th other day, an that werent fer notin down. Kabnis: What was that? Layman: Oh, a lynchin that took place bout a year ago. Th worst I know of round these parts. Halsey: Bill Burnam? Layman: Na. Mame Lamkins. Halsey grunts, but says nothing. The preacher’s voice rolls from the church in an insistent chanting monotone. At regular intervals 178it rises to a crescendo note. The sister begins to shout. Her voice, high-pitched and hysterical, is almost perfectly attuned to the nervous key of Kabnis. Halsey notices his distress, and is amused by it. Layman’s face is expressionless. Kabnis wants to hear the story of Mame Lamkins. He does not want to hear it. It can be no worse than the shouting. Kabnis (his chair rocking faster): What about Mame Lamkins? Halsey: Tell him, Layman. The preacher momentarily stops. The choir, together with the entire congregation, sings an old spiritual. The music seems to quiet the shouter. Her heavy breathing has the sound of evening winds that blow through pinecones. Layman’s voice is uniformly low and soothing. A canebrake, murmuring the tale to its neighbor-road would be more passionate. Layman: White folks know that niggers talk, an they dont mind jes so long as nothing comes of it, so here goes. She was in th family-way, Mame Lamkins was. They killed her in th street, an some white man seein th risin in her stomach as she lay there soppy in her blood like179 any cow, took an ripped her belly open, an th kid fell out. It was living; but a nigger baby aint supposed t live. So he jabbed his knife in it an stuck it t a tree. An then they all went away. Kabnis: Christ no! What had she done? Layman: Tried t hide her husband when they was after him. A shriek pierces the room. The bronze pieces on the mantel hum. The sister cries frantically: “Jesus, Jesus, I’ve found Jesus. O Lord, glory t God, one mo sinner is acomin home.” At the height of this, a stone, wrapped round with paper, crashes through the window. Kabnis springs to his feet, terror-stricken. Layman is worried. Halsey picks up the stone. Takes off the wrapper, smooths it out, and reads: “You northern nigger, its time fer y t leave. Git along now.” Kabnis knows that the command is meant for him. Fear squeezes him. Caves him in. As a violent external pressure would. Fear flows inside him. It fills him up. He bloats. He saves himself from bursting by dashing wildly from the room. Halsey and Layman stare stupidly at each other. The stone, the180 crumpled paper are things, huge things that weight them. Their thoughts are vaguely concerned with the texture of the stone, with the color of the paper. Then they remember the words, and begin to shift them about in sentences. Layman even construes them grammatically. Suddenly the sense of them comes back to Halsey. He grips Layman by the arm and they both follow after Kabnis. A false dusk has come early. The countryside is ashen, chill. Cabins and roads and canebrakes whisper. The church choir, dipping into a long silence, sings:
My Lord, what a mourning,
My Lord, what a mourning,
My Lord, what a mourning,
When the stars begin to fall.
Softly luminous over the hills and valleys, the faint spray of a scattered star... 3A splotchy figure drives forward along the cane- and corn-stalk hemmed-in road. A181 scarecrow replica of Kabnis, awkwardly animate. Fantastically plastered with red Georgia mud. It skirts the big house whose windows shine like mellow lanterns in the dusk. Its shoulder jogs against a sweet-gum tree. The figure caroms off against the cabin door, and lunges in. It slams the door as if to prevent some one entering after it. “God Almighty, theyre here. After me. On me. All along the road I saw their eyes flaring from the cane. Hounds. Shouts. What in God’s name did I run here for? A mud-hole trap. I stumbled on a rope. O God, a rope. Their clammy hands were like the love of death playing up and down my spine. Trying to trip my legs. To trip my spine. Up and down my spine. My spine... My legs... Why in hell didn’t they catch me?” Kabnis wheels around, half defiant, half numbed with a more immediate fear. “Wanted to trap me here. Get out o there. I see you.” He grabs a broom from beside the chimney and violently pokes it under the bed. The broom182 strikes a tin wash-tub. The noise bewilders. He recovers. “Not there. In the closet.” He throws the broom aside and grips the poker. Starts towards the closet door, towards somewhere in the perfect blackness behind the chimney. “I’ll brain you.” He stops short. The barks of hounds, evidently in pursuit, reach him. A voice, liquid in distance, yells, “Hi! Hi!” “O God, theyre after me. Holy Father, Mother of Christ—hell, this aint no time for prayer—” Voices, just outside the door: “Reckon he’s here.” “Dont see no light though.” The door is flung open. Kabnis: Get back or I’ll kill you. He braces himself, brandishing the poker. Halsey (coming in): Aint as bad as all that. Put that thing down. Layman: Its only us, Professor. Nobody else after y. Kabnis: Halsey. Layman. Close that door.183 Dont light that light. For godsake get away from there. Halsey: Nobody’s after y, Kabnis, I’m tellin y. Put that thing down an get yourself together. Kabnis: I tell you they are. I saw them. I heard the hounds. Halsey: These aint th days of hounds an Uncle Tom’s Cabin, feller. White folks aint in fer all them theatrics these days. Theys more direct than that. If what they wanted was t get y, theyd have just marched right in an took y where y sat. Somebodys down by th branch chasin rabbits an atreein possums. A shot is heard. Halsey: Got him, I reckon. Saw Tom goin out with his gun. Tom’s pretty lucky most times. He goes to the bureau and lights the lamp. The circular fringe is patterned on the ceiling. The moving shadows of the men are huge against the bare wall boards. Halsey walks up to Kabnis, takes the poker from his grip, and without more ado pushes him into a chair before the dark hearth. 184 Halsey: Youre a mess. Here, Layman. Get some trash an start a fire. Layman fumbles around, finds some newspapers and old bags, puts them in the hearth, arranges the wood, and kindles the fire. Halsey sets a black iron kettle where it soon will be boiling. Then takes from his hip-pocket a bottle of corn licker which he passes to Kabnis. Halsey: Here. This’ll straighten y out a bit. Kabnis nervously draws the cork and gulps the licker down. Kabnis: Ha. Good stuff. Thanks. Thank y, Halsey. Halsey: Good stuff! Youre damn right. Hanby there dont think so. Wonder he doesnt come over t find out whos burnin his oil. Miserly bastard, him. Th boys what made this stuff—are y listenin t me, Kabnis? th boys what made this stuff have got th art down like I heard you say youd like t be with words. Eh? Have some, Layman? Layman: Dont think I care for none, thank y jes th same, Mr. Halsey. Halsey: Care hell. Course y care. Everybody cares around these parts. Preachers an185 school teachers an everybody. Here. Here, take it. Dont try that line on me. Layman limbers up a little, but he cannot quite forget that he is on school ground. Layman: Thats right. Thats true, sho. Shinin is th only business what pays in these hard times. He takes a nip, and passes the bottle to Kabnis. Kabnis is in the middle of a long swig when a rap sounds on the door. He almost spills the bottle, but manages to pass it to Halsey just as the door swings open and Hanby enters. He is a well-dressed, smooth, rich, black-skinned Negro who thinks there is no one quite so suave and polished as himself. To members of his own race, he affects the manners of a wealthy white planter. Or, when he is up North, he lets it be known that his ideas are those of the best New England tradition. To white men he bows, without ever completely humbling himself. Tradesmen in the town tolerate him because he spends his money with them. He delivers his words with a full consciousness of his moral superiority. Hanby: Hum. Erer, Professor Kabnis, to186 come straight to the point: the progress of the Negro race is jeopardized whenever the personal habits and examples set by its guides and mentors fall below the acknowledged and hard-won standard of its average member. This institution, of which I am the humble president, was founded, and has been maintained at a cost of great labor and untold sacrifice. Its purpose is to teach our youth to live better, cleaner, more noble lives. To prove to the world that the Negro race can be just like any other race. It hopes to attain this aim partly by the salutary examples set by its instructors. I cannot hinder the progress of a race simply to indulge a single member. I have thought the matter out beforehand, I can assure you. Therefore, if I find your resignation on my desk by to-morrow morning, Mr. Kabnis, I shall not feel obliged to call in the sheriff. Otherwise...” Kabnis: A fellow can take a drink in his own room if he wants to, in the privacy of his own room. Hanby: His room, but not the institution’s room, Mr. Kabnis. Kabnis: This is my room while I’m in it. 187 Hanby: Mr. Clayborn (the sheriff) can inform you as to that. Kabnis: Oh, well, what do I care—glad to get out of this mud-hole. Hanby: I should think so from your looks. Kabnis: You neednt get sarcastic about it. Hanby: No, that is true. And I neednt wait for your resignation either, Mr. Kabnis. Kabnis: Oh, you’ll get that all right. Dont worry. Hanby: And I should like to have the room thoroughly aired and cleaned and ready for your successor by to-morrow noon, Professor. Kabnis (trying to rise): You can have your godam room right away. I dont want it. Hanby: But I wont have your cursing. Halsey pushes Kabnis back into his chair. Halsey: Sit down, Kabnis, till I wash y. Hanby (to Halsey): I would rather not have drinking men on the premises, Mr. Halsey. You will oblige me-- Halsey: I’ll oblige you by stayin right on this spot, this spot, get me? till I get damned ready t leave. 188 He approaches Hanby. Hanby retreats, but manages to hold his dignity. Halsey: Let me get you told right now, Mr. Samuel Hanby. Now listen t me. I aint no slick an span slave youve hired, an dont y think it for a minute. Youve bullied enough about this town. An besides, wheres that bill youve been owin me? Listen t me. If I dont get it paid in by tmorrer noon, Mr. Hanby (he mockingly assumes Hanby’s tone and manner), I shall feel obliged t call th sheriff. An that sheriff’ll be myself who’ll catch y in th road an pull y out your buggy an rightly attend t y. You heard me. Now leave him alone. I’m takin him home with me. I got it fixed. Before you came in. He’s goin t work with me. Shapin shafts and buildin wagons’ll make a man of him what nobody, y get me? what nobody can take advantage of. Thats all... Halsey burrs off into vague and incoherent comment. Pause. Disagreeable. Layman’s eyes are glazed on the spurting fire. Kabnis wants to rise and put both Halsey and Hanby in their places. He vaguely knows that189 he must do this, else the power of direction will completely slip from him to those outside. The conviction is just strong enough to torture him. To bring a feverish, quick-passing flare into his eyes. To mutter words soggy in hot saliva. To jerk his arms upward in futile protest. Halsey, noticing his gestures, thinks it is water that he desires. He brings a glass to him. Kabnis slings it to the floor. Heat of the conviction dies. His arms crumple. His upper lip, his mustache, quiver. Rap! rap, on the door. The sounds slap Kabnis. They bring a hectic color to his cheeks. Like huge cold finger tips they touch his skin and goose-flesh it. Hanby strikes a commanding pose. He moves toward Layman. Layman’s face is innocently immobile. Halsey: Whos there? Voice: Lewis. Halsey: Come in, Lewis. Come on in. Lewis enters. He is the queer fellow who has been referred to. A tall wiry copper-colored man, thirty perhaps. His mouth and eyes suggest purpose guided by an adequate intelligence. He is what a stronger Kabnis might have been, and in an odd faint way resembles him. As he190 steps towards the others, he seems to be issuing sharply from a vivid dream. Lewis shakes hands with Halsey. Nods perfunctorily to Hanby, who has stiffened to meet him. Smiles rapidly at Layman, and settles with real interest on Kabnis. Lewis: Kabnis passed me on the road. Had a piece of business of my own, and couldnt get here any sooner. Thought I might be able to help in some way or other. Halsey: A good baths bout all he needs now. An somethin t put his mind t rest. Lewis: I think I can give him that. That note was meant for me. Some Negroes have grown uncomfortable at my being here-- Kabnis: You mean, Mr. Lewis, some colored folks threw it? Christ Amighty! Halsey: Thats what he means. An just as I told y. White folks more direct than that. Kabnis: What are they after you for? Lewis: Its a long story, Kabnis. Too long for now. And it might involve present company. (He laughs pleasantly and gestures vaguely in the direction of Hanby.) Tell you about it later on perhaps. 191 Kabnis: Youre not going? Lewis: Not till my month’s up. Halsey: Hows that? Lewis: I’m on a sort of contract with myself. (Is about to leave.) Well, glad its nothing serious-- Halsey: Come round t th shop sometime why dont y, Lewis? I’ve asked y enough. I’d like t have a talk with y. I aint as dumb as I look. Kabnis an me’ll be in most any time. Not much work these days. Wish t hell there was. This burg gets to me when there aint. (In answer to Lewis’ question.) He’s goin t work with me. Ya. Night air this side th branch aint good fer him. (Looks at Hanby. Laughs.) Lewis: I see... His eyes turn to Kabnis. In the instant of their shifting, a vision of the life they are to meet. Kabnis, a promise of a soil-soaked beauty; uprooted, thinning out. Suspended a few feet above the soil whose touch would resurrect him. Arm’s length removed from him whose will to help... There is a swift intuitive interchange of consciousness. Kabnis has a sudden need to rush into the arms of this man. His eyes call,192 “Brother.” And then a savage, cynical twist-about within him mocks his impulse and strengthens him to repulse Lewis. His lips curl cruelly. His eyes laugh. They are glittering needles, stitching. With a throbbing ache they draw Lewis to. Lewis brusquely wheels on Hanby. Lewis: I’d like to see you, sir, a moment, if you dont mind. Hanby’s tight collar and vest effectively preserve him. Hanby: Yes, erer, Mr. Lewis. Right away. Lewis: See you later, Halsey. Halsey: So long—thanks—sho hope so, Lewis. As he opens the door and Hanby passes out, a woman, miles down the valley, begins to sing. Her song is a spark that travels swiftly to the near-by cabins. Like purple tallow flames, songs jet up. They spread a ruddy haze over the heavens. The haze swings low. Now the whole countryside is a soft chorus. Lord. O Lord... Lewis closes the door behind him. A flame jets out... The kettle is boiling. Halsey notices it. He193 pulls the wash-tub from beneath the bed. He arranges for the bath before the fire. Halsey: Told y them theatrics didnt fit a white man. Th niggers, just like I told y. An after him. Aint surprisin though. He aint bowed t none of them. Nassur. T nairy a one of them nairy an inch nairy a time. An only mixed when he was good an ready-- Kabnis: That song, Halsey, do you hear it? Halsey: Thats a man. Hear me, Kabnis? A man-- Kabnis: Jesus, do you hear it. Halsey: Hear it? Hear what? Course I hear it. Listen t what I’m tellin y. A man, get me? They’ll get him yet if he dont watch out. Kabnis is jolted into his fear. Kabnis: Get him? What do you mean? How? Not lynch him? Halsey: Na. Take a shotgun an shoot his eyes clear out. Well, anyway, it wasnt fer you, just like I told y. You’ll stay over at th house an work with me, eh, boy? Good t get away from his nobs, eh? Damn big stiff though, him. An youre not th first an I can tell y. (Laughs.) He bustles and fusses about Kabnis as if he194 were a child. Kabnis submits, wearily. He has no will to resist him. Layman (his voice is like a deep hollow echo): Thats right. Thats true, sho. Everybody’s been expectin that th bust up was comin. Surprised um all y held on as long as y did. Teachin in th South aint th thing fer y. Nassur. You ought t be way back up North where sometimes I wish I was. But I’ve hung on down this away so long-- Halsey: An there’ll never be no leavin time fer y. 4A month has passed. Halsey’s workshop. It is an old building just off the main street of Sempter. The walls to within a few feet of the ground are of an age-worn cement mixture. On the outside they are considerably crumbled and peppered with what looks like musket-shot. Inside, the plaster has fallen away in great chunks, leaving the laths, grayed and cobwebbed, exposed. A sort of loft above the shop proper serves as a break-water195 for the rain and sunshine which otherwise would have free entry to the main floor. The shop is filled with old wheels and parts of wheels, broken shafts, and wooden litter. A double door, midway the street wall. To the left of this, a work-bench that holds a vise and a variety of wood-work tools. A window with as many panes broken as whole, throws light on the bench. Opposite, in the rear wall, a second window looks out upon the back yard. In the left wall, a rickety smoke-blackened chimney, and hearth with fire blazing. Smooth-worn chairs grouped about the hearth suggest the village meeting-place. Several large wooden blocks, chipped and cut and sawed on their upper surfaces are in the middle of the floor. They are the supports used in almost any sort of wagon-work. Their idleness means that Halsey has no worth-while job on foot. To the right of the central door is a junk heap, and directly behind this, stairs that lead down into the cellar. The cellar is known as “The Hole.” Besides being the home of a very old man, it is used by Halsey on those occasions when he spices up the life of the small town. 196 Halsey, wonderfully himself in his work overalls, stands in the doorway and gazes up the street, expectantly. Then his eyes grow listless. He slouches against the smooth-rubbed frame. He lights a cigarette. Shifts his position. Braces an arm against the door. Kabnis passes the window and stoops to get in under Halsey’s arm. He is awkward and ludicrous, like a schoolboy in his big brother’s new overalls. He skirts the large blocks on the floor, and drops into a chair before the fire. Halsey saunters towards him. Kabnis: Time f lunch. Halsey: Ya. He stands by the hearth, rocking backward and forward. He stretches his hands out to the fire. He washes them in the warm glow of the flames. They never get cold, but he warms them. Kabnis: Saw Lewis up th street. Said he’d be down. Halsey’s eyes brighten. He looks at Kabnis. Turns away. Says nothing. Kabnis fidgets. Twists his thin blue cloth-covered limbs. Pulls closer to the fire till the heat stings his shins. Pushes back. Pokes the burned logs. Puts on197 several fresh ones. Fidgets. The town bell strikes twelve. Kabnis: Fix it up f tnight? Halsey: Leave it t me. Kabnis: Get Lewis in? Halsey: Tryin t. The air is heavy with the smell of pine and resin. Green logs spurt and sizzle. Sap trickles from an old pine-knot into the flames. Layman enters. He carries a lunch-pail. Kabnis, for the moment, thinks that he is a day laborer. Layman: Evenin, gen’lemun. Both: Whats say, Layman. Layman squares a chair to the fire and droops into it. Several town fellows, silent unfathomable men for the most part, saunter in. Overalls. Thick tan shoes. Felt hats marvelously shaped and twisted. One asks Halsey for a cigarette. He gets it. The blacksmith, a tremendous black man, comes in from the forge. Not even a nod from him. He picks up an axle and goes out. Lewis enters. The town men look curiously at him. Suspicion and an open liking contest for possession of their faces. They are uncomfortable. One by one they drift into the street. 198 Layman: Heard y was leavin, Mr. Lewis. Kabnis: Months up, eh? Hell of a month I’ve got. Halsey: Sorry y goin, Lewis. Just getting acquainted like. Lewis: Sorry myself, Halsey, in a way-- Layman: Gettin t like our town, Mr. Lewis? Lewis: I’m afraid its on a different basis, Professor. Halsey: An I’ve yet t hear about that basis. Been waitin long enough, God knows. Seems t me like youd take pity a feller if nothin more. Kabnis: Somethin that old black cockroach over yonder doesnt like, whatever it is. Layman: Thats right. Thats right, sho. Halsey: A feller dropped in here tother day an said he knew what you was about. Said you had queer opinions. Well, I could have told him you was a queer one, myself. But not th way he was driftin. Didnt mean anything by it, but just let drop he thought you was a little wrong up here—crazy, y’know. (Laughs.) Kabnis: Y mean old Blodson? Hell, he’s bats himself. 199 Lewis: I remember him. We had a talk. But what he found queer, I think, was not my opinions, but my lack of them. In half an hour he had settled everything: boll weevils, God, the World War. Weevils and wars are the pests that God sends against the sinful. People are too weak to correct themselves: the Redeemer is coming back. Get ready, ye sinners, for the advent of Our Lord. Interesting, eh, Kabnis? but not exactly what we want. Halsey: Y could have come t me. I’ve sho been after y enough. Most every time I’ve seen y. Kabnis (sarcastically): Hows it y never came t us professors? Lewis: I did—to one. Kabnis: Y mean t say y got somethin from that celluloid-collar-eraser-cleaned old codger over in th mud hole? Halsey: Rough on th old boy, aint he? (Laughs.) Lewis: Something, yes. Layman here could have given me quite a deal, but the incentive to his keeping quiet is so much greater than anything I could have offered him to open up, that I crossed him off my mind. And you-- 200 Kabnis: What about me? Halsey: Tell him, Lewis, for godsake tell him. I’ve told him. But its somethin else he wants so bad I’ve heard him downstairs mumblin with th old man. Lewis: The old man? Kabnis: What about me? Come on now, you know so much. Halsey: Tell him, Lewis. Tell it t him. Lewis: Life has already told him more than he is capable of knowing. It has given him in excess of what he can receive. I have been offered. Stuff in his stomach curdled, and he vomited me. Kabnis’ face twitches. His body writhes. Kabnis: You know a lot, you do. How about Halsey? Lewis: Yes... Halsey? Fits here. Belongs here. An artist in your way, arent you, Halsey? Halsey: Reckon I am, Lewis. Give me th work and fair pay an I aint askin nothin better. Went over-seas an saw France; an I come back. Been up North; an I come back. Went t school; but there aint no books whats got th feel t them201 of them there tools. Nassur. An I’m atellin y. A shriveled, bony white man passes the window and enters the shop. He carries a broken hatchet-handle and the severed head. He speaks with a flat, drawn voice to Halsey, who comes forward to meet him. Mr. Ramsay: Can y fix this fer me, Halsey? Halsey (looking it over): Reckon so, Mr. Ramsay. Here, Kabnis. A little practice fer y. Halsey directs Kabnis, showing him how to place the handle in the vise, and cut it down. The knife hangs. Kabnis thinks that it must be dull. He jerks it hard. The tool goes deep and shaves too much off. Mr. Ramsay smiles brokenly at him. Mr. Ramsay (to Halsey): Still breakin in the new hand, eh, Halsey? Seems like a likely enough faller once he gets th hang of it. He gives a tight laugh at his own good humor. Kabnis burns red. The back of his neck stings him beneath his collar. He feels stifled. Through Ramsay, the whole white South weighs down upon him. The pressure is terrific. He sweats under the arms. Chill beads run down his body. His brows concentrate upon the handle 202as though his own life was staked upon the perfect shaving of it. He begins to out and out botch the job. Halsey smiles. Halsey: He’ll make a good un some of these days, Mr. Ramsay. Mr. Ramsay: Y ought t know. Yer daddy was a good un before y. Runs in th family, seems like t me. Halsey: Thats right, Mr. Ramsay. Kabnis is hopeless. Halsey takes the handle from him. With a few deft strokes he shaves it. Fits it. Gives it to Ramsay. Mr. Ramsay: How much on this? Halsey: No charge, Mr. Ramsay. Mr. Ramsay (going out): All right, Halsey. Come down an take it out in trade. Shoe-strings or something. Halsey: Yassur, Mr. Ramsay. Halsey rejoins Lewis and Layman. Kabnis, hangdog-fashion, follows him. Halsey: They like y if y work fer them. Layman: Thats right, Mr. Halsey. Thats right, sho. The group is about to resume its talk when203 Hanby enters. He is all energy, bustle, and business. He goes direct to Kabnis. Hanby: An axle is out in the buggy which I would like to have shaped into a crow-bar. You will see that it is fixed for me. Without waiting for an answer, and knowing that Kabnis will follow, he passes out. Kabnis, scowling, silent, trudges after him. Hanby (from the outside): Have that ready for me by three o’clock, young man. I shall call for it. Kabnis (under his breath as he comes in): Th hell you say, you old black swamp-gut. He slings the axle on the floor. Halsey: Wheeee! Layman, lunch finished long ago, rises, heavily. He shakes hands with Lewis. Layman: Might not see y again befo y leave, Mr. Lewis. I enjoys t hear y talk. Y might have been a preacher. Maybe a bishop some day. Sho do hope t see y back this away again sometime, Mr. Lewis. Lewis: Thanks, Professor. Hope I’ll see you. Layman waves a long arm loosely to the204 others, and leaves. Kabnis goes to the door. His eyes, sullen, gaze up the street. Kabnis: Carrie K.’s comin with th lunch. Bout time. She passes the window. Her red girl’s-cap, catching the sun, flashes vividly. With a stiff, awkward little movement she crosses the door-sill and gives Kabnis one of the two baskets which she is carrying. There is a slight stoop to her shoulders. The curves of her body blend with this to a soft rounded charm. Her gestures are stiffly variant. Black bangs curl over the forehead of her oval-olive face. Her expression is dazed, but on provocation it can melt into a wistful smile. Adolescent. She is easily the sister of Fred Halsey. Carrie K.: Mother says excuse her, brother Fred an Ralph, fer bein late. Kabnis: Everythings all right an O.K., Carrie Kate. O.K. an all right. The two men settle on their lunch. Carrie, with hardly a glance in the direction of the hearth, as is her habit, is about to take the second basket down to the old man, when Lewis rises. In doing so he draws her unwitting attention.205 Their meeting is a swift sun-burst. Lewis impulsively moves towards her. His mind flashes images of her life in the southern town. He sees the nascent woman, her flesh already stiffening to cartilage, drying to bone. Her spirit-bloom, even now touched sullen, bitter. Her rich beauty fading... He wants to— He stretches forth his hands to hers. He takes them. They feel like warm cheeks against his palms. The sun-burst from her eyes floods up and haloes him. Christ-eyes, his eyes look to her. Fearlessly she loves into them. And then something happens. Her face blanches. Awkwardly she draws away. The sin-bogies of respectable southern colored folks clamor at her: “Look out! Be a good girl. A good girl. Look out!” She gropes for her basket that has fallen to the floor. Finds it, and marches with a rigid gravity to her task of feeding the old man. Like the glowing white ash of burned paper, Lewis’ eyelids, wavering, settle down. He stirs in the direction of the rear window. From the back yard, mules tethered to odd trees and posts blink dumbly at him. They too seem burdened with an impotent pain. Kabnis and Halsey are still busy with206 their lunch. They havent noticed him. After a while he turns to them. Lewis: Your sister, Halsey, whats to become of her? What are you going to do for her? Halsey: Who? What? What am I goin t do?.. Lewis: What I mean is, what does she do down there? Halsey: Oh. Feeds th old man. Had lunch, Lewis? Lewis: Thanks, yes. You have never felt her, have you, Halsey? Well, no, I guess not. I dont suppose you can. Nor can she... Old man? Halsey, some one lives down there? I’ve never heard of him. Tell me-- Kabnis takes time from his meal to answer with some emphasis: Kabnis: Theres lots of things you aint heard of. Lewis: Dare say. I’d like to see him. Kabnis: You’ll get all th chance you want tnight. Halsey: Fixin a little somethin up fer tnight, Lewis. Th three of us an some girls. Come round bout ten-thirty. 207 Lewis: Glad to. But what under the sun does he do down there? Halsey: Ask Kabnis. He blows off t him every chance he gets. Kabnis gives a grunting laugh. His mouth twists. Carrie returns from the cellar. Avoiding Lewis, she speaks to her brother. Carrie K.: Brother Fred, father hasnt eaten now goin on th second week, but mumbles an talks funny, or tries t talk when I put his hands ont th food. He frightens me, an I dunno what t do. An oh, I came near fergettin, brother, but Mr. Marmon—he was eatin lunch when I saw him—told me t tell y that th lumber wagon busted down an he wanted y t fix it fer him. Said he reckoned he could get it t y after he ate. Halsey chucks a half-eaten sandwich in the fire. Gets up. Arranges his blocks. Goes to the door and looks anxiously up the street. The wind whirls a small spiral in the gray dust road. Halsey: Why didnt y tell me sooner, little sister? Carrie K.: I fergot t, an just remembered it now, brother. Her soft rolled words are fresh pain to Lewis.208 He wants to take her North with him. What for? He wonders what Kabnis could do for her. What she could do for him. Mother him. Carrie gathers the lunch things, silently, and in her pinched manner, curtsies, and departs. Kabnis lights his after-lunch cigarette. Lewis, who has sensed a change, becomes aware that he is not included in it. He starts to ask again about the old man. Decides not to. Rises to go. Lewis: Think I’ll run along, Halsey. Halsey: Sure. Glad t see y any time. Kabnis: Dont forget tnight. Lewis: Dont worry. I wont. So long. Kabnis: So long. We’ll be expectin y. Lewis passes Halsey at the door. Halsey’s cheeks form a vacant smile. His eyes are wide awake, watching for the wagon to turn from Broad Street into his road. Halsey: So long. His words reach Lewis halfway to the corner. 5Night, soft belly of a pregnant Negress, throbs evenly against the torso of the South. Night throbs a womb-song to the South. Cane- and209 cotton-fields, pine forests, cypress swamps, sawmills, and factories are fecund at her touch. Night’s womb-song sets them singing. Night winds are the breathing of the unborn child whose calm throbbing in the belly of a Negress sets them somnolently singing. Hear their song.
White-man’s land.
Niggers, sing.
Burn, bear black children
Till poor rivers bring
Rest, and sweet glory
In Camp Ground.
Sempter’s streets are vacant and still. White paint on the wealthier houses has the chill blue glitter of distant stars. Negro cabins are a purple blur. Broad Street is deserted. Winds stir beneath the corrugated iron canopies and dangle odd bits of rope tied to horse- and mule-gnawed hitching-posts. One store window has a light in it. Chesterfield cigarette and Chero-Cola cardboard advertisements are stacked in it. From a side door two men come out. Pause, for a last word and then say good night. Soon they melt in shadows thicker than they. Way off down the street four figures sway beneath iron210 awnings which form a sort of corridor that imperfectly echoes and jumbles what they say. A fifth form joins them. They turn into the road that leads to Halsey’s workshop. The old building is phosphorescent above deep shade. The figures pass through the double door. Night winds whisper in the eaves. Sing weirdly in the ceiling cracks. Stir curls of shavings on the floor. Halsey lights a candle. A good-sized lumber wagon, wheels off, rests upon the blocks. Kabnis makes a face at it. An unearthly hush is upon the place. No one seems to want to talk. To move, lest the scraping of their feet.. Halsey: Come on down this way, folks. He leads the way. Stella follows. And close after her, Cora, Lewis, and Kabnis. They descend into the Hole. It seems huge, limitless in the candle light. The walls are of stone, wonderfully fitted. They have no openings save a small iron-barred window toward the top of each. They are dry and warm. The ground slopes away to the rear of the building and thus leaves the south wall exposed to the sun. The blacksmith’s shop is plumb against the right wall. The floor is clay. Shavings have at odd211 times been matted into it. In the right-hand corner, under the stairs, two good-sized pine mattresses, resting on cardboard, are on either side of a wooden table. On this are several half-burned candles and an oil lamp. Behind the table, an irregular piece of mirror hangs on the wall. A loose something that looks to be a gaudy ball costume dangles from a near-by hook. To the front, a second table holds a lamp and several whiskey glasses. Six rickety chairs are near this table. Two old wagon wheels rest on the floor. To the left, sitting in a high-backed chair which stands upon a low platform, the old man. He is like a bust in black walnut. Gray-bearded. Gray-haired. Prophetic. Immobile. Lewis’ eyes are sunk in him. The others, unconcerned, are about to pass on to the front table when Lewis grips Halsey and so turns him that the candle flame shines obliquely on the old man’s features. Lewis: And he rules over-- Kabnis: Th smoke an fire of th forge. Lewis: Black Vulcan? I wouldnt say so. That forehead. Great woolly beard. Those eyes. A mute John the Baptist of a new religion—or a tongue-tied shadow of an old. 212 Kabnis: His tongue is tied all right, an I can vouch f that. Lewis: Has he never talked to you? Halsey: Kabnis wont give him a chance. He laughs. The girls laugh. Kabnis winces. Lewis: What do you call him? Halsey: Father. Lewis: Good. Father what? Kabnis: Father of hell. Halsey: Father’s th only name we have fer him. Come on. Lets sit down an get t th pleasure of the evenin. Lewis: Father John it is from now on... Slave boy whom some Christian mistress taught to read the Bible. Black man who saw Jesus in the ricefields, and began preaching to his people. Moses- and Christ-words used for songs. Dead blind father of a muted folk who feel their way upward to a life that crushes or absorbs them. (Speak, Father!) Suppose your eyes could see, old man. (The years hold hands. O Sing!) Suppose your lips... Halsey, does he never talk? Halsey: Na. But sometimes. Only seldom. Mumbles. Sis says he talks-- 213 Kabnis: I’ve heard him talk. Halsey: First I’ve ever heard of it. You dont give him a chance. Sis says she’s made out several words, mostly one—an like as not cause it was “sin.” Kabnis: All those old fogies stutter about sin. Cora laughs in a loose sort of way. She is a tall, thin, mulatto woman. Her eyes are deep-set behind a pointed nose. Her hair is coarse and bushy. Seeing that Stella also is restless, she takes her arm and the two women move towards the table. They slip into chairs. Halsey follows and lights the lamp. He lays out a pack of cards. Stella sorts them as if telling fortunes. She is a beautifully proportioned, large-eyed, brown-skin girl. Except for the twisted line of her mouth when she smiles or laughs, there is about her no suggestion of the life she’s been through. Kabnis, with great mock-solemnity, goes to the corner, takes down the robe, and dons it. He is a curious spectacle, acting a part, yet very real. He joins the others at the table. They are used to him. Lewis is surprised. He laughs. Kabnis shrinks and214 then glares at him with a furtive hatred. Halsey, bringing out a bottle of corn licker, pours drinks. Halsey: Come on, Lewis. Come on, you fellers. Heres lookin at y. Then, as if suddenly recalling something, he jerks away from the table and starts towards the steps. Kabnis: Where y goin, Halsey? Halsey: Where? Where y think? That oak beam in th wagon-- Kabnis: Come ere. Come ere. Sit down. What in hell’s wrong with you fellers? You with your wagon. Lewis with his Father John. This aint th time fer foolin with wagons. Daytime’s bad enough f that. Ere, sit down. Ere, Lewis, you too sit down. Have a drink. Thats right. Drink corn licker, love th girls, an listen t th old man mumblin sin. There seems to be no good-time spirit to the party. Something in the air is too tense and deep for that. Lewis, seated now so that his eyes rest upon the old man, merges with his source and lets the pain and beauty of the South meet him there. White faces, pain-pollen, settle downward through a cane-sweet mist and touch the215 ovaries of yellow flowers. Cotton-bolls bloom, droop. Black roots twist in a parched red soil beneath a blazing sky. Magnolias, fragrant, a trifle futile, lovely, far off... His eyelids close. A force begins to heave and rise... Stella is serious, reminiscent. Stella: Usall is brought up t hate sin worse than death-- Kabnis: An then before you have y eyes half open, youre made t love it if y want t live. Stella: Us never-- Kabnis: Oh, I know your story: that old prim bastard over yonder, an then old Calvert’s office-- Stella: It wasnt them-- Kabnis: I know. They put y out of church, an then I guess th preacher came around an asked f some. But thats your body. Now me-- Halsey (passing him the bottle): All right, kid, we believe y. Here, take another. Wheres Clover, Stel? Stella: You know how Jim is when he’s just out th swamp. Done up in shine an wouldnt let her come. Said he’d bust her head open if she went out. 216 Kabnis: Dont see why he doesnt stay over with Laura, where he belongs. Stella: Ask him, an I reckon he’ll tell y. More than you want. Halsey: Th nigger hates th sight of a black woman worse than death. Sorry t mix y up this way, Lewis. But y see how tis. Lewis’ skin is tight and glowing over the fine bones of his face. His lips tremble. His nostrils quiver. The others notice this and smile knowingly at each other. Drinks and smokes are passed around. They pay no neverminds to him. A real party is being worked up. Then Lewis opens his eyes and looks at them. Their smiles disperse in hot-cold tremors. Kabnis chokes his laugh. It sputters, gurgles. His eyes flicker and turn away. He tries to pass the thing off by taking a long drink which he makes considerable fuss over. He is drawn back to Lewis. Seeing Lewis’ gaze still upon him, he scowls. Kabnis: Whatsha lookin at me for? Y want t know who I am? Well, I’m Ralph Kabnis—lot of good its goin t do y. Well? Whatsha keep lookin for? I’m Ralph Kabnis. Aint that217 enough f y? Want th whole family history? Its none of your godam business, anyway. Keep off me. Do y hear? Keep off me. Look at Cora. Aint she pretty enough t look at? Look at Halsey, or Stella. Clover ought t be here an you could look at her. An love her. Thats what you need. I know-- Lewis: Ralph Kabnis gets satisfied that way? Kabnis: Satisfied? Say, quit your kiddin. Here, look at that old man there. See him? He’s satisfied. Do I look like him? When I’m dead I dont expect t be satisfied. Is that enough f y, with your godam nosin, or do you want more? Well, y wont get it, understand? Lewis: The old man as symbol, flesh, and spirit of the past, what do think he would say if he could see you? You look at him, Kabnis. Kabnis: Just like any done-up preacher is what he looks t me. Jam some false teeth in his mouth and crank him, an youd have God Almighty spit in torrents all around th floor. Oh, hell, an he reminds me of that black cockroach over yonder. An besides, he aint my past. My ancestors were Southern blue-bloods-- 218 Lewis: And black. Kabnis: Aint much difference between blue an black. Lewis: Enough to draw a denial from you. Cant hold them, can you? Master; slave. Soil; and the overarching heavens. Dusk; dawn. They fight and bastardize you. The sun tint of your cheeks, flame of the great season’s multi-colored leaves, tarnished, burned. Split, shredded: easily burned. No use... His gaze shifts to Stella. Stella’s face draws back, her breasts come towards him. Stella: I aint got nothin f y, mister. Taint no use t look at me. Halsey: Youre a queer feller, Lewis, I swear y are. Told y so, didnt I, girls? Just take him easy though, an he’ll be ridin just th same as any Georgia mule, eh, Lewis? (Laughs.) Stella: I’m goin t tell y somethin, mister. It aint t you, t th Mister Lewis what noses about. Its t somethin different, I dunno what. That old man there—maybe its him—is like m father used t look. He used t sing. An when he could sing no mo, they’d allus come f him an carry him t church an there he’d sit, befo th pulpit, aswayin219 an aleadin every song. A white man took m mother an it broke th old man’s heart. He died; an then I didnt care what become of me, an I dont now. I dont care now. Dont get it in y head I’m some sentimental Susie askin for yo sop. Nassur. But theres somethin t yo th others aint got. Boars an kids an fools—thats all I’ve known. Boars when their fever’s up. When their fever’s up they come t me. Halsey asks me over when he’s off th job. Kabnis—it ud be a sin t play with him. He takes it out in talk. Halsey knows that he has trifled with her. At odd things he has been inwardly penitent before her tasking him. But now he wants to hurt her. He turns to Lewis. Halsey: Lewis, I got a little licker in me, an thats true. True’s what I said. True. But th stuff just seems t wake me up an make my mind a man of me. Listen. You know a lot, queer as hell as y are, an I want t ask y some questions. Theyre too high fer them, Stella an Cora an Kabnis, so we’ll just excuse em. A chat between ourselves. (Turns to the others.) Youall cant listen in on this. Twont interest y. So220 just leave th table t this gen’lemun an myself. Go long now. Kabnis gets up, pompous in his robe, grotesquely so, and makes as if to go through a grand march with Stella. She shoves him off, roughly, and in a mood swings her body to the steps. Kabnis grabs Cora and parades around, passing the old man, to whom he bows in mock-curtsy. He sweeps by the table, snatches the licker bottle, and then he and Cora sprawl on the mattresses. She meets his weak approaches after the manner she thinks Stella would use. Halsey contemptuously watches them until he is sure that they are settled. Halsey: This aint th sort o thing f me, Lewis, when I got work upstairs. Nassur. You an me has got things t do. Wastin time on common low-down women—say, Lewis, look at her now—Stella—aint she a picture? Common wench—na she aint, Lewis. You know she aint. I’m only tryin t fool y. I used t love that girl. Yassur. An sometimes when th moon is thick an I hear dogs up th valley barkin an some old woman fetches out her song, an th winds seem like th Lord made them fer t fetch an carry th221 smell o pine an cane, an there aint no big job on foot, I sometimes get t thinkin that I still do. But I want t talk t y, Lewis, queer as y are. Y know, Lewis, I went t school once. Ya. In Augusta. But it wasnt a regular school. Na. It was a pussy Sunday-school masqueradin under a regular name. Some goody-goody teachers from th North had come down t teach th niggers. If you was nearly white, they liked y. If you was black, they didnt. But it wasnt that—I was all right, y see. I couldnt stand em messin an pawin over m business like I was a child. So I cussed em out an left. Kabnis there ought t have cussed out th old duck over yonder an left. He’d a been a better man tday. But as I was sayin, I couldnt stand their ways. So I left an came here an worked with my father. An been here ever since. He died. I set in f myself. An its always been; give me a good job an sure pay an I aint far from being satisfied, so far as satisfaction goes. Prejudice is everywheres about this country. An a nigger aint in much standin anywheres. But when it comes t pottin round an doin nothing, with nothin bigger’n an ax-handle t hold a feller down, like it was a while back222 befo I got this job—that beam ought t be—but tmorrow mornin early’s time enough f that. As I was sayin, I gets t thinkin. Play dumb naturally t white folks. I gets t thinkin. I used to subscribe t th Literary Digest an that helped along a bit. But there werent nothing I could sink m teeth int. Theres lots I want t ask y, Lewis. Been askin y t come around. Couldnt get y. Cant get in much tnight. (He glances at the others. His mind fastens on Kabnis.) Say, tell me this, whats on your mind t say on that feller there? Kabnis’ name. One queer bird ought t know another, seems like t me. Licker has released conflicts in Kabnis and set them flowing. He pricks his ears, intuitively feels that the talk is about him, leaves Cora, and approaches the table. His eyes are watery, heavy with passion. He stoops. He is a ridiculous pathetic figure in his showy robe. Kabnis: Talkin bout me. I know. I’m th topic of conversation everywhere theres talk about this town. Girls an fellers. White folks as well. An if its me youre talkin bout, guess I got a right t listen in. Whats sayin? Whats sayin bout his royal guts, the Duke? Whats sayin, eh? 223 Halsey (to Lewis): We’ll take it up another time. Kabnis: No nother time bout it. Now. I’m here now an talkin’s just begun. I was born an bred in a family of orators, thats what I was. Halsey: Preachers. Kabnis: Na. Preachers hell. I didnt say wind-busters. Y misapprehended me. Y understand what that means, dont y? All right then, y misapprehended me. I didnt say preachers. I said orators. ORATORS. Born one an I’ll die one. You understand me, Lewis. (He turns to Halsey and begins shaking his finger in his face.) An as f you, youre all right f choppin things from blocks of wood. I was good at that th day I ducked th cradle. An since then, I’ve been shapin words after a design that branded here. Know whats here? M soul. Ever heard o that? Th hell y have. Been shapin words t fit m soul. Never told y that before, did I? Thought I couldnt talk. I’ll tell y. I’ve been shapin words; ah, but sometimes theyre beautiful an golden an have a taste that makes them fine t roll over with y tongue. Your tongue aint fit f nothin but t roll an lick hog-meat. 224 Stella and Cora come up to the table. Halsey: Give him a shove there, will y, Stel? Stella jams Kabnis in a chair. Kabnis springs up. Kabnis: Cant keep a good man down. Those words I was tellin y about, they wont fit int th mold thats branded on m soul. Rhyme, y see? Poet, too. Bad rhyme. Bad poet. Somethin else youve learned tnight. Lewis dont know it all, an I’m atellin y. Ugh. Th form thats burned int my soul is some twisted awful thing that crept in from a dream, a godam nightmare, an wont stay still unless I feed it. An it lives on words. Not beautiful words. God Almighty no. Misshapen, split-gut, tortured, twisted words. Layman was feedin it back there that day you thought I ran out fearin things. White folks feed it cause their looks are words. Niggers, black niggers feed it cause theyre evil an their looks are words. Yallar niggers feed it. This whole damn bloated purple country feeds it cause its goin down t hell in a holy avalanche of words. I want t feed th soul—I know what that is; th preachers dont—but I’ve got t feed it. I wish t God some lynchin white man ud225 stick his knife through it an pin it to a tree. An pin it to a tree. You hear me? Thats a wish f y, you little snot-nosed pups who’ve been makin fun of me, an fakin that I’m weak. Me, Ralph Kabnis weak. Ha. Halsey: Thats right, old man. There, there. Here, so much exertion merits a fittin reward. Help him t be seated, Cora. Halsey gives him a swig of shine. Cora glides up, seats him, and then plumps herself down on his lap, squeezing his head into her breasts. Kabnis mutters. Tries to break loose. Curses. Cora almost stifles him. He goes limp and gives up. Cora toys with him. Ruffles his hair. Braids it. Parts it in the middle. Stella smiles contemptuously. And then a sudden anger sweeps her. She would like to lash Cora from the place. She’d like to take Kabnis to some distant pine grove and nurse and mother him. Her eyes flash. A quick tensioning throws her breasts and neck into a poised strain. She starts towards them. Halsey grabs her arm and pulls her to him. She struggles. Halsey pins her arms and kisses her. She settles, spurting like a pine-knot afire. 226 Lewis finds himself completely cut out. The glowing within him subsides. It is followed by a dead chill. Kabnis, Carrie, Stella, Halsey, Cora, the old man, the cellar, and the work-shop, the southern town descend upon him. Their pain is too intense. He cannot stand it. He bolts from the table. Leaps up the stairs. Plunges through the work-shop and out into the night. 6 The cellar swims in a pale phosphorescence. The table, the chairs, the figure of the old man are amœba-like shadows which move about and float in it. In the corner under the steps, close to the floor, a solid blackness. A sound comes from it. A forcible yawn. Part of the blackness detaches itself so that it may be seen against the grayness of the wall. It moves forward and then seems to be clothing itself in odd dangling bits of shadow. The voice of Halsey, vibrant and deepened, calls. Halsey: Kabnis. Cora. Stella. He gets no response. He wants to get them up,227 to get on the job. He is intolerant of their sleepiness. Halsey: Kabnis! Stella! Cora! Gutturals, jerky and impeded, tell that he is shaking them. Halsey: Come now, up with you. Kabnis (sleepily and still more or less intoxicated): Whats th big idea? What in hell-- Halsey: Work. But never you mind about that. Up with you. Cora: Oooooo! Look here, mister, I aint used t bein thrown int th street befo day. Stella: Any bunk whats worked is worth in wages moren this. But come on. Taint no use t arger. Kabnis: I’ll arger. Its preposterous-- The girls interrupt him with none too pleasant laughs. Kabnis: Thats what I said. Know what it means, dont y? All right, then. I said its preposterous t root an artist out o bed at this ungodly hour, when there aint no use t it. You can start your damned old work. Nobody’s stoppin y. But what we got t get up for? Fraid228 somebody’ll see th girls leavin? Some sport, you are. I hand it t y. Halsey: Up you get, all th same. Kabnis: Oh, th hell you say. Halsey: Well, son, seeing that I’m th kind-hearted father, I’ll give y chance t open your eyes. But up y get when I come down. He mounts the steps to the work-shop and starts a fire in the hearth. In the yard he finds some chunks of coal which he brings in and throws on the fire. He puts a kettle on to boil. The wagon draws him. He lifts an oak-beam, fingers it, and becomes abstracted. Then comes to himself and places the beam upon the work-bench. He looks over some newly cut wooden spokes. He goes to the fire and pokes it. The coals are red-hot. With a pair of long prongs he picks them up and places them in a thick iron bucket. This he carries downstairs. Outside, darkness has given way to the impalpable grayness of dawn. This early morning light, seeping through the four barred cellar windows, is the color of the stony walls. It seems to be an emanation from them. Halsey’s coals throw out229 a rich warm glow. He sets them on the floor, a safe distance from the beds. Halsey: No foolin now. Come. Up with you. Other than a soft rustling, there is no sound as the girls slip into their clothes. Kabnis still lies in bed. Stella (to Halsey): Reckon y could spare us a light? Halsey strikes a match, lights a cigarette, and then bends over and touches flame to the two candles on the table between the beds. Kabnis asks for a cigarette. Halsey hands him his and takes a fresh one for himself. The girls, before the mirror, are doing up their hair. It is bushy hair that has gone through some straightening process. Character, however, has not all been ironed out. As they kneel there, heavy-eyed and dusky, and throwing grotesque moving shadows on the wall, they are two princesses in Africa going through the early-morning ablutions of their pagan prayers. Finished, they come forward to stretch their hands and warm them over the glowing coals. Red dusk of a Georgia sun230set, their heavy, coal-lit faces... Kabnis suddenly recalls something. Kabnis: Th old man talked last night. Stella: An so did you. Halsey: In your dreams. Kabnis: I tell y, he did. I know what I’m talkin about. I’ll tell y what he said. Wait now, lemme see. Halsey: Look out, brother, th old man’ll be getting int you by way o dreams. Come, Stel, ready? Cora? Coffee an eggs f both of you. Halsey goes upstairs. Stella: Gettin generous, aint he? She blows the candles out. Says nothing to Kabnis. Then she and Cora follow after Halsey. Kabnis, left to himself, tries to rise. He has slept in his robe. His robe trips him. Finally, he manages to stand up. He starts across the floor. Half-way to the old man, he falls and lies quite still. Perhaps an hour passes. Light of a new sun is about to filter through the windows. Kabnis slowly rises to support upon his elbows. He looks hard, and internally gathers himself together. The side face of Father John is in the direct line of his eyes. He scowls at231 him. No one is around. Words gush from Kabnis. Kabnis: You sit there like a black hound spiked to an ivory pedestal. An all night long I heard you murmurin that devilish word. They thought I didnt hear y, but I did. Mumblin, feedin that ornery thing thats livin on my insides. Father John. Father of Satan, more likely. What does it mean t you? Youre dead already. Death. What does it mean t you? To you who died way back there in th 'sixties. What are y throwin it in my throat for? Whats it goin t get y? A good smashin in th mouth, thats what. My fist’ll sink int y black mush face clear t y guts—if y got any. Dont believe y have. Never seen signs of none. Death. Death. Sin an Death. All night long y mumbled death. (He forgets the old man as his mind begins to play with the word and its associations.) Death ... these clammy floors ... just like th place they used t stow away th worn-out, no-count niggers in th days of slavery ... that was long ago; not so long ago ... no windows (he rises higher on his elbows to verify this assertion. He looks around, and, seeing no one232 but the old man, calls.) Halsey! Halsey! Gone an left me. Just like a nigger. I thought he was a nigger all th time. Now I know it. Ditch y when it comes right down t it. Damn him anyway. Godam him. (He looks and re-sees the old man.) Eh, you? T hell with you too. What do I care whether you can see or hear? You know what hell is cause youve been there. Its a feelin an its ragin in my soul in a way that’ll pop out of me an run you through, an scorch y, an burn an rip your soul. Your soul. Ha. Nigger soul. A gin soul that gets drunk on a preacher’s words. An screams. An shouts. God Almighty, how I hate that shoutin. Where’s th beauty in that? Gives a buzzard a windpipe an I’ll bet a dollar t a dime th buzzard ud beat y to it. Aint surprisin th white folks hate y so. When you had eyes, did you ever see th beauty of th world? Tell me that. Th hell y did. Now dont tell me. I know y didnt. You couldnt have. Oh, I’m drunk an just as good as dead, but no eyes that have seen beauty ever lose their sight. You aint got no sight. If you had, drunk as I am, I hope Christ will kill me if I couldnt see it. Your eyes are dull and watery, like fish233 eyes. Fish eyes are dead eyes. Youre an old man, a dead fish man, an black at that. Theyve put y here t die, damn fool y are not t know it. Do y know how many feet youre under ground? I’ll tell y. Twenty. An do y think you’ll ever see th light of day again, even if you wasnt blind? Do y think youre out of slavery? Huh? Youre where they used t throw th worked-out, no-count slaves. On a damp clammy floor of a dark scum-hole. An they called that an infirmary. Th sons-a.... Why I can already see you toppled off that stool an stretched out on th floor beside me—not beside me, damn you, by yourself, with th flies buzzin an lickin God knows what they’d find on a dirty, black, foul-breathed mouth like yours... Some one is coming down the stairs. Carrie, bringing food for the old man. She is lovely in her fresh energy of the morning, in the calm untested confidence and nascent maternity which rise from the purpose of her present mission. She walks to within a few paces of Kabnis. Carrie K.: Brother says come up now, brother Ralph. 234 Kabnis: Brother doesnt know what he’s talkin bout. Carrie K.: Yes he does, Ralph. He needs you on th wagon. Kabnis: He wants me on th wagon, eh? Does he think some wooden thing can lift me up? Ask him that. Carrie K.: He told me t help y. Kabnis: An how would you help me, child, dear sweet little sister? She moves forward as if to aid him. Carrie K.: I’m not a child, as I’ve more than once told you, brother Ralph, an as I’ll show you now. Kabnis: Wait, Carrie. No, thats right. Youre not a child. But twont do t lift me bodily. You dont understand. But its th soul of me that needs th risin. Carrie K: Youre a bad brother an just wont listen t me when I’m tellin y t go t church. Kabnis doesnt hear her. He breaks down and talks to himself. Kabnis: Great God Almighty, a soul like mine cant pin itself onto a wagon wheel an satisfy itself in spinnin round. Iron prongs an235 hickory sticks, an God knows what all ... all right for Halsey ... use him. Me? I get my life down in this scum-hole. Th old man an me-- Carrie K.: Has he been talkin? Kabnis: Huh? Who? Him? No. Dont need to. I talk. An when I really talk, it pays th best of them t listen. Th old man is a good listener. He’s deaf; but he’s a good listener. An I can talk t him. Tell him anything. Carrie K.: He’s deaf an blind, but I reckon he hears, an sees too, from th things I’ve heard. Kabnis: No. Cant. Cant I tell you. How’s he do it? Carrie K.: Dunno, except I’ve heard that th souls of old folks have a way of seein things. Kabnis: An I’ve heard them call that superstition. The old man begins to shake his head slowly. Carrie and Kabnis watch him, anxiously. He mumbles. With a grave motion his head nods up and down. And then, on one of the down-swings-- Father John (remarkably clear and with great conviction): Sin. 236 He repeats this word several times, always the downward nodding. Surprised, indignant, Kabnis forgets that Carrie is with him. Kabnis: Sin! Shut up. What do you know about sin, you old black bastard. Shut up, an stop that swayin an noddin your head. Father John: Sin. Kabnis tries to get up. Kabnis: Didnt I tell y t shut up? Carrie steps forward to help him. Kabnis is violently shocked at her touch. He springs back. Kabnis: Carrie! What .. how .. Baby, you shouldnt be down here. Ralph says things. Doesnt mean to. But Carrie, he doesnt know what he’s talkin about. Couldnt know. It was only a preacher’s sin they knew in those old days, an that wasnt sin at all. Mind me, th only sin is whats done against th soul. Th whole world is a conspiracy t sin, especially in America, an against me. I’m th victim of their sin. I’m what sin is. Does he look like me? Have you ever heard him say th things youve heard me say? He couldnt if he had th Holy Ghost t237 help him. Dont look shocked, little sweetheart, you hurt me. Father John: Sin. Kabnis: Aw, shut up, old man. Carrie K.: Leave him be. He wants t say somethin. (She turns to the old man.) What is it, Father? Kabnis: Whatsha talkin t that old deaf man for? Come away from him. Carrie K.: What is it, Father? The old man’s lips begin to work. Words are formed incoherently. Finally, he manages to articulate-- Father John: Th sin whats fixed... (Hesitates.) Carrie K. (restraining a comment from Kabnis): Go on, Father. Father John: ... upon th white folks-- Kabnis: Suppose youre talkin about that bastard race thats roamin round th country. It looks like sin, if thats what y mean. Give us somethin new an up t date. Father John:—f tellin Jesus—lies. O th sin th white folks 'mitted when they made th Bible lie. 238 Boom. Boom. BOOM! Thuds on the floor above. The old man sinks back into his stony silence. Carrie is wet-eyed. Kabnis, contemptuous. Kabnis: So thats your sin. All these years t tell us that th white folks made th Bible lie. Well, I’ll be damned. Lewis ought t have been here. You old black fakir-- Carrie K.: Brother Ralph, is that your best Amen? She turns him to her and takes his hot cheeks in her firm cool hands. Her palms draw the fever out. With its passing, Kabnis crumples. He sinks to his knees before her, ashamed, exhausted. His eyes squeeze tight. Carrie presses his face tenderly against her. The suffocation of her fresh starched dress feels good to him. Carrie is about to lift her hands in prayer, when Halsey, at the head of the stairs, calls down. Halsey: Well, well. Whats up? Aint you ever comin? Come on. Whats up down there? Take you all mornin t sleep off a pint? Youre weakenin, man, youre weakenin. Th axle an th beam’s all ready waitin f y. Come on. Kabnis rises and is going doggedly towards239 the steps. Carrie notices his robe. She catches up to him, points to it, and helps him take it off. He hangs it, with an exaggerated ceremony, on its nail in the corner. He looks down on the tousled beds. His lips curl bitterly. Turning, he stumbles over the bucket of dead coals. He savagely jerks it from the floor. And then, seeing Carrie’s eyes upon him, he swings the pail carelessly and with eyes downcast and swollen, trudges upstairs to the work-shop. Carrie’s gaze follows him till he is gone. Then she goes to the old man and slips to her knees before him. Her lips murmur, “Jesus, come.” Light streaks through the iron-barred cellar window. Within its soft circle, the figures of Carrie and Father John. Outside, the sun arises from its cradle in the tree-tops of the forest. Shadows of pines are dreams the sun shakes from its eyes. The sun arises. Gold-glowing child, it steps into the sky and sends a birth-song slanting down gray dust streets and sleepy windows of the southern town. the end
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2/4/2023 0 Comments Plum by JESSIE REDMON FAUSET
About Plum Bun
After the death of her parents, Angela moves to New York to escape the racism she believes is her only obstacle to opportunity. What she soon discovers is that being a woman has its own burdens that don't fade with the color of one's skin, and that love and marriage might not offer her salvation.
CHAPTER I OPAL STREET, as streets go, is no jewel of the first water. It is merely an imitation, and none too good at that. Narrow, unsparkling, uninviting, it stretches meekly off from dull Jefferson Street to the dingy, drab market which forms the north side of Oxford Street. It has no mystery, no allure, either of exclusiveness or of downright depravity ; its usages are plainly significant, an unpretentious little street lined with unpretentious little houses, inhabited for the most part by unpretentious little people. The dwellings are three stories high, and contain six boxes called by courtesy, rooms a "parlour", a midget of a dining-room, a larger kitchen and, above, a front bedroom seemingly large only because it extends for the full width of the house, a mere shadow of a bathroom, and another back bedroom with windows whose possibilities are spoiled by their outlook on sad and diminutive back-yards. And above these two, still two others built in similar wise. In one of these houses dwelt a father, a mother and two daughters. Here, as often happens in a home sheltering two generations, opposite, un evenly matched emotions faced each other. In the houses of the rich the satisfied ambition of the older generation is faced by the overwhelming am bition of the younger. Or the elders may find themselves brought in opposition to the blank ii BUNHHHHHHHHHf~H* indifference and ennui of youth engendered by the realization that there remain no more worlds to conquer; their fathers having already taken all, In houses on Opal Street these niceties of distinction are hardly to be found; there is a more direct and concrete contrast. The satisfied ambition of maturity is a foil for the restless despair of youth, Affairs in the Murray household were advancing towards this stage; yet not a soul in that family of four could have foretold its coming. To Junius and Mattie Murray, who had known poverty and homelessness, the little house on Opal Street repre sented the ne plus ultra of ambition; to their daughter Angela it seemed the dingiest, drabbest chrysalis that had ever fettered the wings of a brilliant butterfly. The stories which Junius and Mattie told of difficulties overcome, of the arduous learning of trades, of the pitiful scraping together of infinitesimal savings, would have made a latter- day Iliad, but to Angela they were merely a description of a life which she at any cost would avoid living. Somewhere in the world were paths which lead to broad thoroughfares, large, bright houses, delicate niceties of existence. Those paths Angela meant to find and frequent. At a very early age she had observed that the good things of life are unevenly distributed; merit is not always rewarded; hard labour does not necessarily entail adequate recompense. Certain fortuitous endow ments, great physical beauty, unusual strength, a certain unswerving singleness of mind, gifts bestowed quite blindly and disproportionately by the forces which control life, these were the quali ties which contributed toward a glowing and pleasant existence. 12 Angela had no high purpose in life; unlike her sister Virginia, who meant some day to invent a marvellous method for teaching the pianoforte, Angela felt no impulse to discover, or to perfect. True she thought she might become eventually a distinguished painter, but that was because she felt within herself an ability to depict which as far as it went was correct and promising. Her eye for line and for expression was already good and she had a nice feeling for colour. Moreover she possessed the instinct for self-appraisal which taught her that she had much to learn. And she was sure that the knowledge once gained would flower in her case to perfection. But her gift was not for her the end of existence ; rather it was an adjunct to a life which was to know light, pleasure, gaiety and freedom. Freedom! That was the note which Angela heard oftenest in the melody of living which was to be hers. With a wildness that fell just short of unreasonableness she hated restraint. Her father's earlier days as coachman in a private family, his later successful, independent years as boss car penter, her mother's youth spent as maid to a famous actress, all this was to Angela a manifesta tion of the sort of thing which happens to those enchained it might be by duty, by poverty, by weakness or by colour. Colour or rather the lack of it seemed to the child the one absolute prerequisite to the life of which she was always dreaming. One might break loose from a too hampering sense of duty; poverty could be overcome; physicians conquered weak ness; but colour, the mere possession of a black or a white skin, that was clearly one of those w BUN-?' * * * * -HHHHS* fortuitous endowments of the gods. Gratitude was no strong ingredient in this girl's nature, yet very often early she began thanking Fate for the chance which in that household of four had bestowed on her the heritage of her mother's fair skin. She might so easily have been, like her father, black, or have received the melange which had resulted in Virginia's rosy bronzeness and her deeply waving black hair. But Angela had received not only her mother's creamy complexion and her soft cloudy, chestnut hair, but she had taken from Junius the aquiline nose, the gift of some remote Indian ancestor which gave to his face and his eldest daughter's that touch of chiselled immobility. It was from her mother that Angela learned the possibilities for joy and freedom which seemed to her inherent in mere whiteness. No one would have been more amazed than that same mother if she could have guessed how her daughter inter preted her actions. Certainly Mrs. Murray did not attribute what she considered her happy, busy, sheltered life on tiny Opal Street to the accident of her colour; she attributed it to her black husband whom she had been glad and proud to marry. It is equally certain that that white skin of hers had not saved her from occasional contumely and insult. The famous actress for whom she had worked was aware of Mattie's mixed blood and, boasting tem perament rather than refinement, had often dubbed her " white nigger ". Angela's mother employed her colour very much as she practised certain winning usages of smile 14 HHHHHHHHHHhPLUM BUNHHHHHHHHHHH? and voice to obtain indulgences which meant much to her and which took nothing from anyone else. Then, too, she was possessed of a keener sense of humour than her daughter; it amused her when by herself to take lunch at an exclusive restaurant whose patrons would have been panic-stricken if they had divined the presence of a " coloured " woman no matter how little her appearance differed from theirs. It was with no idea of disclaiming her own that she sat in orchestra seats which Phila delphia denied to coloured patrons. But when Junius or indeed any other dark friend accom panied her she was the first to announce that she liked to sit in the balcony or gallery, as indeed she did; her infrequent occupation of orchestr^ seats was due merely to a mischievous determination to flout a silly and unjust law. Her years with the actress had left their mark, a perfectly harmless and rather charming one. At least so it seemed to Junius, whose weakness was for the qualities known as " essentially fem inine ". Mrs. Murray loved pretty clothes, she liked shops devoted to the service of women; she enjoyed being even on the fringe of a fashionable gathering. A satisfaction that was almost ecstatic seized her when she drank tea in the midst of modishly gowned women in a stylish tea-room. It pleased her to stand in the foyer of a great hotel or of the Academy of Music and to be part of the whirling, humming, palpitating gaiety. She had no desire to be of these people, but she liked to look on; it amused and thrilled and kept alive some un quenchable instinct for life which thrived within her. To walk through Wanamaker's on Saturday, to stroll from Fifteenth to Ninth Street on Chestnut, *HHHHHHHh***PLUM BUNHHHHHMHHHH** to have her tea in the Bellevue Stratford, to stand in the lobby of the St. James 5 fitting on immaculate gloves; all innocent, childish pleasures pursued without malice or envy contrived to cast a glamour over Monday's washing and Tuesday's ironing, the scrubbing of kitchen and bathroom and the fashioning of children's clothes. She was endowed with a humorous and pungent method of presenta tion ; Junius, who had had the wit not to interfere with these little excursions and the sympathy to take them at their face value, preferred one of his wife's sparkling accounts of a Saturday's adventure in " passing " to all the tall stories told by cronies at his lodge. Much of this pleasure, harmless and charming though it was, would have been impossible with a dark skin. In these first years of marriage, Mattie, busied with the house and the two babies had given up those excursions. Later, when the children had grown and Junius had reached the stage where he could afford to give himself a half-holiday on Saturdays, the two parents inaugurated a plan of action which eventually became a fixed programme. Each took a child, and Junius went off to a beloved but long since suspended pastime of exploring old Philadelphia, whereas Mattie embarked once more on her social adventures. It is true that Mattie accompanied by brown Virginia could not move quite as freely as when with Angela. But her maternal instincts were sound; her children, their feelings and their faith in her meant much more than the pleasure which she would have been first to call unnecessary and silly. As it happened the children themselves quite unconsciously solved the 16 BUNHHHHHHHHHHH5- dilemma; Virginia found shopping tiring and stupid, Angela returned from her father's adventur ing worn and bored. Gradually the rule was formed that Angela accompanied her mother and Virginia her father. On such fortuities does life depend. Little Angela Murray, hurrying through Saturday morn ing's scrubbing of steps in order that she might have her bath at one and be with her mother on Chestnut Street at two, never realized that her mother took her pleasure among all these pale people because it was there that she happened to find it. It never occurred to her that the delight which her mother obviously showed in meeting friends on Sunday morning when the whole united Murray family came out of church was the same as she showed on Chestnut Street the previous Saturday, because she was finding the qualities which her heart craved, bustle, excitement and fashion. The daughter could not guess that if the economic status or the racial genius of coloured people had permitted them to run modish hotels or vast and popular department stores her mother would have been there. She drew for herself certain clearly formed conclusions which her subconscious mind thus codified : First, that the great rewards of life riches, glamour, pleasure, are for white-skinned people only. Secondly, that Junius and Virginia were denied these privileges because they were dark; here her reasoning bore at least an element of verisimilitude but she missed the essential fact that her father and sister did not care for this 4HHHHKHHHHHf-PLUM BUNHHHHHHHHHMH5* type of pleasure. The effect of her fallaciousness was to cause her to feel a faint pity for her unfor tunate relatives and also to feel that coloured people were to be considered fortunate only in the propor tion in which they measured up to the physical standards of white people. One Saturday excursion left a far-reaching impression. Mrs. Murray and Angela had spent a successful and interesting afternoon. They had browsed among the contents of the small exclusive shops in Walnut Street; they had had soda at Adams' on Broad Street and they were standing finally in the portico of the Walton Hotel deciding with fashionable and idle elegance what they should do next. A thin stream of people con stantly passing threw an occasional glance at the quietly modish pair, the well-dressed, assured woman and the refined and no less assured daughter. The door-man knew them; it was one of Mrs. Murray's pleasures to proffer him a small tip, much appreciated since it was uncalled for. This was the atmosphere which she loved. Angela had put on her gloves and was waiting for her mother, who was drawing on her own with great care, when she glimpsed in the laughing, hurrying Saturday throng the figures of her father and of Virginia. They were close enough for her mother, who saw them too, to touch them by merely des cending a few steps and stretching out her arm. In a second the pair had vanished. Angela saw her mother's face change with trepidation she thought. She remarked: " It's a good thing Papa didn't see us, you'd have had to speak to him, wouldn't you? " But her mother, giving her a distracted glance, made no reply. 18 BUNHHHHHHHHHHH5* That night, after the girls were in bed, Mattie, perched on the arm of her husband's chair, told him about it. "I was at my old game of play acting again to-day, June, passing you know, and darling, you and Virginia went by within arm's reach and we never spoke to you. I'm so ashamed." But Junius consoled her. Long before their marriage he had known of his Mattie's weakness and its essential harmlessness. " My dear girl, I told you long ago that where no principle was involved, your passing means nothing to me. It's just a little joke ; I don't think you'd be ashamed to acknowledge your old husband anywhere if it were necessary." " I'd do that if people were mistaking me for a queen," she assured him fondly. But she was silent, not quite satisfied. " After all," she said with her charming frankness, " it isn't you, dear, who make me feel guilty. I really am ashamed to think that I let Virginia pass by without a word. I think I should feel very badly if she were to know it. I don't believe I'll ever let myself be quite as silly as that again." But of this determination Angela, dreaming excitedly of Saturdays spent in turning her small olive face firmly away from peering black counten ances was, unhappily, unaware. CHAPTER II SATURDAY came to be the day of the week for Angela, but her sister Virginia preferred Sundays. She loved the atmosphere of golden sanctity which seemed to hover with a sweet glory about the stodgy, shabby little dwelling. Usually she came downstairs first so as to enjoy by herself the blessed " Sunday feeling " which, she used to declare, would have made it possible for her to recognize the day if she had awakened to it even in China. She was only twelve at this time, yet she had already developed a singular aptitude and liking for the care of the home, and this her mother gratefully fostered. Gradually the custom was formed of turning over to her small hands all the duties of Sunday morning; they were to her a ritual. First the kettle must be started boiling, then the pave ment swept. Her father's paper must be carried up and left outside his door. Virginia found a nameless and sweet satisfaction in performing these services. She prepared the Sunday breakfast which was always the same, bacon and eggs, strong coffee with good cream for Junius, chocolate for the other three and muffins. After the kettle had boiled and the muffins were mixed it took exactly half an hour to complete preparations. Virginia always went about these matters in the same way. She set the 20 ^HHHHHHHHHhPLUM muffins in the oven, pursing her lips and frowning a little just as she had seen her mother do; then she went to the foot of the narrow, enclosed staircase and called " hoo-hoo " with a soft rising inflection, " last call to dinner," her father termed it. And finally, just for those last few minutes before the family descended she went into the box of a parlour and played hymns, old-fashioned and stately tunes, " How firm a foundation ", " The spacious firmament on high ", " Am I a soldier of the Cross ". Her father's inflexible bass, booming down the stairs, her mother's faint alto in thirds mingled with her own sweet treble; a shaft of sunlight, faint and watery in winter, strong and golden in summer, shimmering through the room in the morning dusk completed for the little girl a sensation of happiness which lay perilously near tears. After breakfast came the bustle of preparing for church. Junius of course had come down in complete readiness; but the others must change their dresses; Virginia had mislaid her Sunday hair-ribbon again; Angela had discovered a rip in her best gloves and could not be induced to go down until it had been mended. " Wait for me just a minute, Jinny dear, I can't go out looking like this, can I? " She did not like going to church, at least not to their church, but she did care about her appearance and she liked the luxuriousness of being " dressed up " on two successive days. At last the little procession filed out, Mattie hoping that they would not be late, she did hate it so; Angela thinking that this was a stupid way to spend 21 HHHH^HHHHHKPLUM BUN-HHHHHHHHHH* Sunday and wondering at just what period of one's life existence began to shape itself as you wanted it. Her father's thoughts were inchoate; expressed they would have revealed a patriarchal aspect almost biblical. He had been a poor boy, homeless, a nobody, yet somehow he had contrived in his mid-forties to attain to the status of a respect able citizen, house-owner, a good provider. He possessed a charming wife and two fine daughters, and as was befitting he was accompanying them to the house of the Lord. As for Virginia, no one to see her in her little red hat and her mother's cut-over blue coat could have divined how near she was to bursting with happiness. Father, mother and children, well-dressed, well-fed, united, going to church on a beautiful Sunday morning; there was an immense cosmic rightness about all this which she sensed rather than realized. She envied no one the incident of finer clothes or a larger home; this unity was the core of happiness, all other satisfactions must radiate from this one; greater happiness could be only a matter of degree but never of essence. When she grew up she meant to live the same kind of life; she would marry a man exactly like her father and she would conduct her home exactly as did her mother. Only she would pray very hard every day for five children, two boys and two girls and then a last little one, it was hard for her to decide whether this should be a boy or a girl, which should stay small for a long, long time. And on Sundays they would all go to church. Intent on her dreaming she rarely heard the sermon. It was different with the hymns, for they constituted the main part of the service for her 22 HHHHHHHHHH-PLUM BUNHHHHHHHHHHH* father, and she meant to play them again for him later in the happy, golden afternoon or the grey dusk of early evening. But first there were acquaintances to greet, friends of her parents who called them by their first names and who, in speak ing of Virginia and Angela still said: " And these are the babies; my, how they grow! It doesn't seem as though it could be you, Mattie Ford, grown up and with children ! " On Communion Sundays the service was very late, and Angela would grow restless and twist about in her seat, but the younger girl loved the sudden, mystic hush which seemed to descend on the congre gation. Her mother's sweetly merry face took on a certain childish solemnity, her father's stern profile softened into beatific expectancy. In the exquisite diction of the sacramental service there were certain words, certain phrases that almost made the child faint; the minister had a faint burr in his voice and somehow this lent a peculiar underlying resonance to his intonation ; he half spoke, half chanted and when, picking up the wafer he began " For in the night " and then broke it, Virginia could have cried out with the ecstasy which filled her. She felt that those who partook of the bread and wine were somehow transfigured; her mother and father wore an expression of ineffable content as they returned to their seats and there was one woman, a middle-aged, mischief-making person, who re turned from taking the sacrament, walking down the aisle, her hands clasped loosely in front of her and her face so absolutely uplifted that Virginia used to hasten to get within earshot of her after the church was dismissed, sure that her first words must savour of something mystic 23 BUN***** fr and holy. But her assumption proved always to be ill-founded. The afternoon and the evening repeated the morning's charm but in a different key. Usually a few acquaintances dropped in; the parlour and dining-room were full for an hour or more of pleasant, harmless chatter. Mr. Henson, the policeman, a tall, yellow man with freckles on his nose and red " bad hair " would clap Mr. Murray on the back and exclaim " I tell you what, June," which always seemed to Virginia a remarkably daring way in which to address her tall, dignified father. Matthew Henson, a boy of sixteen, would inevitably be hovering about Angela who found him insufferably boresome and made no effort to hide her ennui. Mrs. Murray passed around rather hard cookies and delicious currant wine, talking stitches and patterns meanwhile with two or three friends of her youth with a frequent injec tion of " Mame, do you remember ! " Presently the house, emptied of all but the family, grew still again, dusk and the lamp light across the street alternately panelling the walls. Mrs. Murray murmured something about fixing a bite to eat, " I'll leave it in the kitchen if any body wants it ". Angela reflected aloud that she had still to get her Algebra or History or French as the case might be, but nobody moved. What they were really waiting for was for Virginia to start to play and finally she would cross the narrow absurdity of a room and stretching out her slim, brown hands would begin her version, a glorified one, of the hymns which they had sung in church 24 that morning, and then the old favourites which she had played before breakfast. Even Angela, somewhat remote and difficult at first, fell into this evening mood and asked for a special tune or a repetition: " I like the way you play that, Jinny ". For an hour or more they were as close and united as it is possible for a family to be. At eight o'clock or thereabouts Junius said exactly as though it had not been in his thoughts all even ing: "Play the 'Dying Christian', daughter". And Virginia, her treble sounding very childish and shrill against her father's deep, unyielding bass, began Pope's masterpiece on the death of a true believer. The magnificently solemn words: " Vital spark of heavenly flame ", the strangely appropriate minor music filled the little house with an awesome beauty which was almost palp able. It affected Angela so that in sheer self- defence she would go out in the kitchen and eat her share of the cold supper set by her mother. But Mattie, although she never sang this piece, remained while her husband and daughter sang on. Death triumphant and mighty had no fears for her. It was inevitable, she knew, but she would never have to face it alone. When her husband died, she would die too, she was sure of it; and if death came to her first it would be only a little while before Junius would be there stretching out his hand and guiding her through all the rough, strange places just as years ago, when he had been a coachman to the actress for whom she worked, he had stretched out his good, honest hand and had saved her from a dangerous and equivocal position. She wiped away happy and grateful tears. 25 *'M !< -8 $* PLUM ' The world recedes, it disappears," sang Virginia. But it made no difference how far it drifted away as long as the four of them were together; and they would always be together, her father and mother and she and Angela. With her visual mind she saw them proceeding endlessly through space; there were her parents, arm in arm, and she and but to-night and other nights she could not see Angela; it grieved her to lose sight thus of her sister, she knew she must be there, but grope as she might she could not find her. And then quite suddenly Angela was there again, but a different Angela, not quite the same as in the beginning of the picture. And suddenly she realized that she was doing four things at once and each of them with all the intent- ness which she could muster; she was singing, she was playing, she was searching for Angela and she was grieving because Angela as she knew her was lost forever. " Oh Death, oh Death, where is thy sting! " the hymn ended triumphantly, she and the piano as usual came out a little ahead of Junius which was always funny. She said, " Where's Angela? " and knew what the answer would be. " I'm tired, mummy! I guess I'll go to bed." c You ought to, you got up so early and you've been going all day." Kissing her parents good-night she mounted the stairs languidly, her whole being pervaded with the fervid yet delicate rapture of the day. 26 CHAPTER III MONDAY morning brought the return of the busy, happy week. It meant wash-day for Mattie, for she and Junius had never been able to raise their menage to the status either of a maid or of putting out the wash. But this lack meant nothing to her, she had been married fifteen years and still had the ability to enjoy the satisfaction of having a home in which she had full sway instead of being at the beck and call of others. She was old enough to remember a day when poverty for a coloured girl connoted one of three things : going out to service, working as ladies' maid, or taking a genteel but poorly paid position as seamstress with one of the families of the rich and great on Rittenhouse Square, out West Walnut Street or in one of the numerous impeccable, aristocratic suburbs of Philadelphia. She had tried her hand at all three of these possibilities, had known what it meant to rise at five o'clock, start the laundry work for a patronizing indifferent family of people who spoke of her in her hearing as " the girl " or remarked of her in a slightly lower but still audible tone as being rather better than the usual run of niggers, " She never steals, I'd trust her with anything and she isn't what you'd call lazy either." For this family she had prepared breakfast, gone back to her 27 HHHh^-HHHHhPLUM BUN*HHHHHHHHf~K* washing, served lunch, had taken down the clothes, sprinkled and folded them, had gone upstairs and made three beds, not including her own and then had returned to the kitchen to prepare dinner. At night she nodded over the dishes and finally stumbling up to the third floor fell into her unmade bed, sometimes not even fully undressed. And Tuesday morning she would begin on the long and tedious strain of ironing. For this she received four dollars a week with the privilege of every other Sunday and every Thursday off. But she could have no callers. As a seamstress, life had been a little more en durable but more precarious. The wages were better while they lasted, she had a small but comfortable room; her meals were brought up to her on a tray and the young girls of the house holds in which she was employed treated her with a careless kindness which while it still had its element of patronage was not offensive. But such families had a disconcerting habit of closing their households and departing for months at a time, and there was Mattie stranded and peril ously trying to make ends meet by taking in sewing. But her clientele was composed of girls as poor as she, who either did their own dressmaking or could afford to pay only the merest trifle for her really exquisite and meticulous work. The situation with the actress had really been the best in many, in almost all, respects. But it presented its pitfalls. Mattie was young, pretty and innocent; the actress was young, beautiful and sophisticated. She had been married twice 28 HHHHHHHHHHKPLUM BUN-HHHHHHHH*** and had been the heroine of many affairs; maidenly modesty, virtue for its own sake, were qualities long since forgotten; high ideals and personal self-respect were too abstract for her slightly coarsened mind to visualize, and at any rate they were incomprehensible and even absurd in a servant, and in a coloured servant to boot. She knew that in spite of Mattie's white skin there was black blood in her veins; in fact she would not have taken the girl on had she not been coloured; all her servants must be coloured, for hers was a carelessly conducted household, and she felt dimly that all coloured people are thickly streaked with immorality. They were naturally loose, she reasoned, when she thought about it at all. " Look at the number of mixed bloods among them; look at Mattie herself for that matter, a perfectly white nigger if ever there was one. I'll bet her mother wasn't any better than she should be." When the girl had come to her with tears in her eyes and begged her not to send her as mes senger to the house of a certain Haynes Brokinaw, politician and well-known man about town, Madame had laughed out loud. " How ridicu lous ! He'll treat you all right. I should like to know what a girl like you expects. And anyway, if I don't care, why should you? Now run along with the note and don't bother me about this again. I hire you to do what I want, not to do as you want." She was not even jealous, of a coloured working girl! And anyway, constancy was no virtue in her eyes; she did not possess it herself and she valued it little in others, "9 BUN-fr-H*-HHHHHH* Mattie was in despair. She was receiving twenty-five dollars a month, her board, and a comfortable, pleasant room. She was seeing something of the world and learning of its amen ities. It was during this period that she learned how very pleasant indeed life could be for a person possessing only a very little extra money and a white skin. But the special attraction which her present position held for her was that every day she had a certain amount of time to call her own, for she was Madame's personal servant; in no wise was she connected with the routine of keeping the house. If Madame elected to spend the whole day away from home, Mattie, once she had arranged for the evening toilette, was free to act and to go where she pleased. And now here was this impasse looming up with Brokinaw. More than once Mattie had felt his covetous eyes on her; she had dreaded going to his rooms from the very beginning. She had even told his butler, " I'll be back in half an hour for the answer"; and she would not wait in the great square hall as he had indicated for there she was sure that danger lurked. But the third time Brokinaw was standing in the hall. "Just come into my study," he told her, " while I read this and write the answer." And he had looked at her with his cold, green eyes and had asked her why she was so out of breath. " There's no need to rush so, child; stay here and rest. I'm in no hurry, I assure you. Are you really coloured? You know, I've seen lots of white girls not as pretty as you. Sit here and tell me all about your mother, and your father. Do do you 30 * * * *HHHHHHPLUM BUNHHHHHHHHHHHK remember him? " His whole bearing reeked with intention. Within a week Madame was sending her again and she had suggested fearfully the new coach man. " No," said Madame. " It's Wednesday, his night off, and I wouldn't send him anyway; coachmen are too hard to keep nowadays ; you're all getting so independent." Mattie had come down from her room and walked slowly, slowly to the corner where the new coachman, tall and black and grave, was just hailing a car. She ran to him and jerked down the arm which he had just lifted to seize the railing. " Oh, Mr. Murray," she stammered. He had been so astonished and so kind. Her halting explanation done, he took the note in silence and delivered it, and the next night and for many nights thereafter they walked through the silent, beautiful square, and Junius had told her haltingly and with fear that he loved her. She threw her arms about his neck: " And I love you too." ' You don't mind my being so dark then? Lots of coloured girls I know wouldn't look at a black man." But it was partly on account of his colour that she loved him; in her eyes his colour meant safety. " Why should I mind? " she asked with one of her rare outbursts of bitterness, " my own colour has never brought me anything but insult and trouble." The other servants, it appeared, had told him that sometimes she he hesitated " passed ". ' Yes, yes, of course I do," she explained it eagerly, " but never to them. And anyway when I am alone what can I do? I can't label myself, 3 1 And if Fm hungry or tired and I'm near a place where they don't want coloured people, why should I observe their silly old rules, rules that are un natural and unjust, because the world was made for everybody, wasn't it, Junius? " She had told him then how hard and joyless her girlhood life had been, she had known such dreadful poverty and she had been hard put to it to keep herself together. But since she had come to live with Madame Sylvio she had glimpsed, thanks to her mistress's careless kindness, some thing of the life of comparative ease and beauty and refinement which one could easily taste if he possessed just a modicum of extra money and the prerequisite of a white skin. " I've only done it for fun but I won't do it any more if it displeases you. I'd much rather live in the smallest house in the world with you, Junius, than be wandering around as I have so often, lonely and unknown in hotels and restaur ants." Her sweetness disarmed him. There was no reason in the world why she should give up her harmless pleasure unless, he added rather sternly, some genuine principle were involved. It was the happiest moment of her life when Junius had gone to Madame and told her that both he and Mattie were leaving. " We are going to be married," he announced proudly. The actress had been sorry to lose her, and wanted to give her a hundred dollars, but the tall, black coachman would not let his wife accept it. " She is to have only what she earned," he said in stern refusal. He hated Madame Sylvio for having thrown the girl in the way of Haynes Brokinaw, 4HHHHHHHWHHKPLUM BUNfrfrfrfr-fr-fr-fr -fr-fr* They had married and gone straight into the little house on Opal Street which later was to become their own. Mattie her husband considered a perfect woman, sweet, industrious, affectionate and illogical. But to her he was God. When Angela and Virginia were little children and their mother used to read them fairy tales she would add to the ending, " And so they lived happily ever after, just like your father and me." All this was passing happily through her mind on this Monday morning. Junius was working some where in the neighbourhood; his shop was down on Bainbridge Street, but he tried to devote Mondays and Tuesdays to work up town so that he could run in and help \Mattie on these trying days. Before the advent of the washing machine he used to dart in and out two or three times in the course of a morning to lend a hand to the heavy sheets and the bed-spreads. Now those articles were taken care of in the laundry, but Junius still kept up the pleasant fiction. Virginia attended school just around the corner, and presently she would come in too, not so much to get her own lunch as to prepare it for her mother. She possessed her father's attitude toward Mattie as someone who must be helped, indulged and protected. Moreover she had an unusually keen sense of gratitude toward her father and mother for their kindness and their unselfish ambitions for their children. Jinny never tired of hearing of the difficult childhood of her parents. She knew of no story quite so thrilling as the account of their early trials and difficulties. She thought it wonderfully sweet of them to plan, as? they constantly did, better things for their daughters. c 33 HHHHHK- > * > * PLUM " My girls shall never come through my experi ences," Mattie would say fimly. They were both to be school-teachers and independent. It is true that neither of them felt any special leaning toward this calling. Angela frankly despised it, but she supposed she must make her living some way. The salary was fairly good in fact, very good for a poor girl and there would be the long summer vacation. At fourteen she knew already how much money she would save during those first two or three years and how she would spend those summer vacations. But although she proffered this much information to her family she kept her plans to herself. Mattie often pondered on this lack of openness in her older daughter. Virginia was absolutely transparent. She did not think she would care for teaching either, that is, not for teaching in the ordinary sense. But she realized that for the present that was the best profession which her parents could have chosen for them. She would spend her summers learning all she could about methods of teaching music. " And a lot of good it will do you," Angela scoffed. " You know perfectly well that there are no coloured teachers of music in the public schools here in Philadelphia." But Jinny thought it possible that there might be. " When Mamma was coming along there were very few coloured teachers at all, and now it looks as though there'd be plenty of chance for us. And anyway you never know your luck." By four o'clock the day's work was over and Mattie free to do as she pleased. This was her idle hour. The girls would get dinner, a Monday version of whatever the main course had been the 34 HHHHHHHHHMhPLUM BUNHHHHHHH!~HHH^ day before. Their mother was on no account to be disturbed or importuned. To-day as usual she sat in the Morris chair in the dining-room, dividing her time between the Sunday paper and the girls' chatter. It was one of her most cherished ex periences, this sense of a day's hard labour far behind her, the happy voices of her girls, her joyous expectation of her husband's home-coming. Usually the children made a game of their pre parations, recalling some nonsense of their early childhood days when it had been their delight to dress up as ladies. Virginia would approach Angela: " Pardon me, is this Mrs. Henrietta Jones? " And Angela, drawing herself up haughtily would reply: " Er, really you have the advantage of me." Then Virginia : "Oh pardon! I thought you were Mrs. Jones and I had heard my friend Mrs, Smith speak of you so often and since you were in the neighbourhood and passing, I was going to ask you in to have some ice-cream ". The game of course being that Angela should immediately drop her haughtiness and proceed for the sake of the goodies to ingratiate herself into her neighbour's esteem. It was a poor joke, long since worn thin, but the two girls still used the greeting and for some reason it had become part of the Monday ritual of preparing the supper. But to-night Angela's response lacked spon taneity. She was absorbed and reserved, even a little sulky. Deftly and swiftly she moved about her work, however, and no one who had not attended regularly on those Monday evening prep arations could have guessed that there was anything on her mind other than complete absorption in the 35 BUNHHHHHHHHHHHf* problem of cutting the bread or garnishing the warmed over roast beef. But Mattie was aware of the quality of brooding in her intense con centration. She had seen it before in her daughter but to-night, though to her practised eye it was more apparent than ever, she could not put her hand on it. Angela's response, if asked what was the matter, would be " Oh, nothing ". It came to her suddenly that her older daughter was growing up; in a couple of months she would be fifteen. Children were often absorbed and moody when they were in their teens, too engaged in finding themselves to care about their e fleet on others. She must see to it that the girl had plenty of rest; perhaps school had been too strenuous for her to-day; she thought the high school programme very badly arranged, five hours one right after the other were much too long. " Angela, child, I think you'd better not be long out of bed to-night; you look very tired to me." Angela nodded. But her father came in then and in the little hubbub that arose about his home-coming and the final preparations for supper her listlessness went without further remark. CHAPTER IV THE third storey front was Angela's bed-room. She was glad of its loneliness and security to-night, even if her mother had not suggested her going to bed early she would have sought its shelter immediately after supper. Study for its own sake held no attractions for her; she did not care for any of her subjects really except Drawing and French. And when she was drawing she did not consider that she was studying, it was too natur ally a means of self-expression. As for French, she did have to study that with great care, for languages did not come to her with any great readiness, but there was an element of fine lady-ism about the beautiful, logical tongue that made her in accordance with some secret subconscious ambition resolve to make it her own. The other subjects, History, English, and Physi cal Geography, were not drudgery, for she had a fair enough mind; but then they were not attractive either, and she was lacking in Virginia's dogged resignation to unwelcome duties. Even when Jinny was a little girl she had been known to say manfully in the face of an uncongenial task: " Well I dotta det it done ". Angela was not like that. But to-night she was concentrating with all her power on her work. During the day she had been badly hurt; she had received a wound 37 BUNHHHHHHf-HHHHH- whose depth and violence she would not reveal even to her parents, because, and this only in creased the pain, young as she was she knew that there was nothing they could do about it. There was nothing to be done but to get over it. Only she was not developed enough to state this stoicism to herself. She was like a little pet cat that had once formed part of their household; its leg had been badly torn by a passing dog and the poor thing had dragged itself into the house and lain on its cushion patiently, waiting stolidly for this unfamiliar agony to subside. So Angela waited for the hurt in her mind to cease. But across the history dates on the printed page and through the stately lines of Lycidas she kept seeing Mary Hastings' accusing face, hearing Mary Hastings' accusing voice: " Coloured ! Angela, you never told me that you were coloured ! " And then her own voice in tragic but proud be wilderment. " Tell you that I was coloured ! Why of course I never told you that I was coloured. Why should I?" She had been so proud of Mary Hastings' friend ship. In the dark and tortured spaces of her difficult life it had been a lovely, hidden refuge. It had been an experience so rarely sweet that she had hardly spoken of it even to Virginia. The other girls in her classes had meant nothing to her. At least she had schooled herself to have them mean nothing. Some of them she had known since early childhood; they had lived in her neigh- 38 * * PLUM bourhood and had gone to the graded schools with her. They had known that she was coloured, for they had seen her with Virginia, and sometimes her tall, black father had come to fetch her home on a rainy day. There had been pleasant enough contacts and intimacies; in the quiet of Jefferson Street they had played " The Farmer in the Dell ", and "Here come three jolly, jolly sailor-boys"; dark retreats of the old market had afforded endless satisfaction for " Hide and Go Seek ". She and those other children had gone shopping arm in arm for school supplies, threading their way in and out of the bustle and confusion that were Columbia Avenue. As she grew older many of these intimacies lessened, in some cases ceased altogether. But she was never conscious of being left completely alone; there was always some one with whom to eat lunch or who was going her way after school. It was not until she reached the high school that she began to realize how solitary her life was becoming. There were no other coloured girls in her class but there had been only two or three during her school-life, and if there had been any she would not necessarily have confined herself to them; that this might be a good thing to do in sheer self-defence would hardly have occurred to her. But this problem did not confront her; what did confront her was that the very girls with whom she had grown up were evading her; when she went to the Assembly none of them sat next to her unless no other seat were vacant; little groups toward which she drifted during lunch, inexplicably dissolved to re-form in another portion of the room. Sometimes a 39 PLUM girl in this new group threw her a backward glance charged either with a mean amusement or with annoyance. Angela was proud; she did not need such a hint more than once, but she was bewildered and hurt. She took stories to school to read at recess, or wan dered into the drawing laboratory and touched up her designs. Miss Barrington thought her an unusually industrious student. And then in the middle of the term Mary Hast ings had come, a slender, well-bred girl of fifteen. She was rather stupid in her work, in fact she shone in nothing but French and good manners. Undeniably she had an air, and her accent was remarkable. The other pupils, giggling, produced certain uncouth and unheard of sounds, but Mary said in French: " No, I have lent my knife to the brother-in-law of the gardener but here is my cane," quite as though the idiotic phrase were part of an imaginary conversation which she was conducting and appreciating. " She really knows what she's talking about," little Esther Bayliss commented, and added that Mary's family had lost some money and they had had to send her to public school. But it was some time before this knowledge, dis pensed by Esther with mysterious yet absolute authenticity, became generally known. Mean while Mary was left to her own devices while the class with complete but tacit unanimity " tried her out ". Mary, unaware of this, looked with her near-sighted, slightly supercilious gaze about the room at recess and seeing only one girl, and that girl Angela, who approached in dress, manner and deportment her own rather set ideas, had taken her lunch over to the other pupil's desk and said : 40 BUNHHHHHHHH^HH^HH- " Come on, let's eat together while you tell me who everybody is." Angela took the invitation as simply as the other had offered. " That little girl in the purplish dress is Esther Bayliss and the tall one in the thick glasses " Mary, sitting with her back to the feeding groups, never troubled to look around. " I don't mean the girls. I expect I'll know them soon enough when I get around to it. I mean the teachers. Do you have to dig for them? " She liked Angela and she showed it plainly and directly. Her home was in some remote fastness of West Philadelphia which she could reach with comparative swiftness by taking the car at Spring Garden Street. Instead she walked half way home with her new friend, up Seventeenth Street as far as Girard Avenue where, after a final exchange of school matters and fare wells, she took the car, leaving Angela to her happy, satisfied thoughts. And presently she began to know more than happiness and satisfaction, she was knowing the extreme gratification of being the chosen companion of a popular and important girl, for Mary, although not quick at her studies, was a power in everything else. She dressed well, she had plenty of pocket money, she could play the latest marches in the gymnasium, she received a certain indefinable but flattering attention from the teachers, and she could make things " go ". The school paper was moribund and Mary knew how to resuscitate it; she brought in advertisements from her father's business friends; she made her married sisters obtain subscriptions. Without being obtrusive or over-bearing, without conde scension and without toadying she was the leader BUNHHHHHHHHHHE** of her class. And with it all she stuck to Angela. She accepted popularity because it was thrust upon her, but she was friendly with Angela because the latter suited her. Angela was happy. She had a friend and the friendship brought her unexpected advantages. She was no longer left out of groups because there could be no class plans without Mary and Mary would remain nowhere for any length of time with out Angela. So to save time and argument, and also to avoid offending the regent, Angela was always included. Not that she cared much about this, but she did like Mary; as is the way of a " fidus Achates ", she gave her friendship whole-heartedly. And it was gratifying to be in the midst of things. In April the school magazine announced a new departure. Henceforth the editorial staff was to be composed of two representatives from each class ; of these one was to be the chief representative chosen by vote of the class, the other was to be assistant, selected by the chief. The chief represen tative, said the announcement pompously, would sit in at executive meetings and have a voice in the policy of the paper. The assistant would solicit and collect subscriptions, collect fees, re ceive and report complaints and in brief, said Esther Bayliss, " do all the dirty work ". But she coveted the position and title for all that. Angela's class held a brief meeting after school and elected Mary Hastings as representative with out a dissenting vote. " No," said Angela holding up a last rather grimy bit of paper. " Here is 42 BUNHH?" * * * * fr frHHS one for Esther Bayliss." Two or three of the girls giggled; everyone knew that she must have voted for herself; indeed it had been she who had insisted on taking a ballot rather than a vote by acclaim. Mary was already on her feet. She had been sure of the result of the election, would have been astonished indeed had it turned out any other way. " Well, girls," she began in her rather high, refined voice, " I wish to thank you for the er confidence you have bestowed, that is, placed in me and I'm sure you all know I'll do my best to keep the old paper going. And while I'm about it I might just as well announce that I'm choosing Angela Murray for my assistant." There was a moment's silence. The girls who had thought about it at all had known that if Mary were elected, as assuredly she would be, this meant also the election of Angela. And those who had taken no thought saw no reason to object to her appointment. And anyway there was nothing to be done. But Esther Bayliss pushed forward: " I don't know how it is with the rest of you, but I should have to think twice before I'd trust my subscription money to a coloured girl." Mary said in utter astonishment: " Coloured, why what are you talking about? Who's col oured? " " Angela, Angela Murray, that's who's coloured. At least she used to be when we all went to school at Eighteenth and Oxford." Mary said again: "Coloured!" And then, " Angela, you never told me you were coloured ! " Angela's voice was as amazed as her own: " Tell you that I was coloured ! Why of course I never told you that I was coloured! Why should I? " 43 HHHHHHH-HH-PLUM BUNHHHHHHHHHHH5- ;c There," said Esther, " see she never told Mary that she was coloured. What wouldn't she have done with our money ! " Angela had picked up her books and strolled out the door. But she flew down the north stair case and out the Brandywine Street entrance and so to Sixteenth Street where she would meet no one she knew, especially at this belated hour. At home there would be work to do, her lessons to get and the long, long hours of the night must pass before she would have to face again the hurt and humiliation of the classroom; before she would have to steel her heart and her nerves to drop Mary Hastings before Mary Hastings could drop her. No one, no one, Mary least of all, should guess how completely she had been wounded. Mary and her shrinking bewilder ment! Mary and her exclamation: " Coloured! " This was a curious business, this colour. It was the one god apparently to whom you could sacri fice everything. On account of it her mother had neglected to greet her own husband on the street. Mary Hastings could let it come between her and her friend. In the morning she was at school early; the girls should all see her there and their individual attitude should be her attitude. She would remem ber each one's greetings, would store it away for future guidance. Some of the girls were especially careful to speak to her, one or two gave her a meaning smile, or so she took it, and turned away. Some did not speak at all. When Mary Hastings 44 HHHHHHHHHHhPLUM RUNHHHHHHHHHHH^ came in Angela rose and sauntered unseeing and unheeding deliberately past her through the doorway, across the hall to Miss Barrington's laboratory. As she returned she passed Mary's desk, and the girl lifted troubled but not un friendly eyes to meet her own; Angela met the glance fully but without recognition. She thought to herself: " Coloured ! If they had said to me Mary Hastings is a voodoo, I'd have answered, ' What of.it? She's my friend.' " Before June Mary Hastings came up to her and asked her to wait after school. Angela who had been neither avoiding nor seeking her gave a cool nod. They walked out of the French class room together. When they reached the corner Mary spoke: " Oh, Angela, let's be friends again. It doesn't really make any difference. See, I don't care any more." " But that's what I don't understand. Why should it have made any difference in the first place? I'm just the same as I was before you knew I was coloured and just the same afterwards. Why should it ever have made any difference at all? " " I don't know, I'm sure. I was just surprised. It was all so unexpected." " What was unexpected? " " Oh, I don't know. I can't explain it. But let's be friends." " Well," said Angela slowly, " I'm willing, but I don't think it will ever be the same again." 45 PLUM BUNf HK fr fr HHHHHS* It wasn't. Some element, spontaneity, trustful ness was lacking. Mary, who had never thought of speaking of colour, was suddenly conscious that here was a subject which she must not dis cuss. She was less frank, at times even restrained. Angela, too young to define her thoughts, yet felt vaguely: " She failed me once, I was her friend, yet she failed me for something with which I had nothing to do. She's just as likely to do it again. It's in her." Definitely she said to herself, " Mary with drew herself not because I was coloured but because she didn't know I was coloured. There fore if she had never known I was coloured she would always have been my friend. We would have kept on having our good times together." And she began to wonder which was the more important, a patent insistence on the fact of colour or an acceptance of the good things of life which could come to you in America if either you were not coloured or the fact of your racial connections was not made known. During the summer Mary Hastings' family, it appeared, recovered their fallen fortunes. At any rate she did not return to school in the fall and Angela never saw her again. CHAPTER V VIRGINIA came rushing in. " Angela, where's Mummy? " " Out. What's all the excitement? " " I've been appointed. Isn't it great? Won't Mother and Dad be delighted! Right at the beginning of the year too, so I won't have to wait. The official notice isn't out yet but I know it's all right. Miss Herren wants me to report to morrow. Isn't it perfectly marvellous! Here I graduate from the Normal in June and in the second week of school in September I've got my perfectly good job. Darling child, it's very much better, as you may have heard me observe before, to be born lucky than rich. But I am lucky and I'll be rich too. Think of that salary for my very own ! With both of us working, Mummy won't have to want for a thing, nor Father either. Mummy won't have to do a lick of work if she doesn't want to. Well, what have you got to say about it, old Rain-in-the-Face? Or perhaps this isn't Mrs. Henrietta Jones whom I'm addressing of?" Angela giggled, then raised an imaginary lorgnette. " Er, really I think you have the advantage of me. Well, I was thinking how fortunate you were to get your appointment right off the bat and how you'll hate it now that you have got it." 47 *HHHHHHHH~HhPLUM BUN^HHHHHHHHHHf* She herself, appointed two years previously, had had no such luck. Strictly speaking there are no coloured schools as such in Philadelphia. Yet, by an unwritten law, although coloured children may be taught by white teachers, white children must never receive knowledge at the hands of coloured instructors. As the number of coloured Normal School graduates is steadily increasing, the city gets around this difficulty by manning a school in a district thickly populated by Negroes, with a coloured principal and a coloured teaching force. Coloured children living in that district must thereupon attend that school. But no attention is paid to the white children who leave this same district for the next nearest white or " mixed " school. Angela had been sixth on the list of coloured graduates. Five had been appointed, but there was no vacancy for her, and for several months she was idle with here and there a day, perhaps a week of substituting. She could not be appointed in any but a coloured school, and she was not supposed to substitute in any but this kind of classroom. Then her father discovered that a young white woman was teaching in a coloured school. He made some searching inquiries and was met with the complacent rejoinder that as soon as a vacancy occurred in a white school, Miss Mc- Sweeney would be transferred there and his daughter could have her place. Just as she had anticipated, Angela did not want the job after she received it. She had expected to loathe teaching little children and her expecta tion, it turned out, was perfectly well grounded. Perhaps she might like to teach drawing to grown- * * * * -3- * * * '3- * PLUM BUN frfrfr frfrH-M-H> ups; she would certainly like to have a try at it. Meanwhile it was nice to be independent, to be holding a lady-like, respectable position so different from her mother's early days, to be able to have pretty clothes and to help with the house, in brief to be drawing an appreciably adequate and steady salary. For one thing it made it possible for her to take up work at the Philadelphia Academy of Fine Arts at Broad and Cherry. Jinny was in excellent spirits at dinner. " Now, Mummy darling, you really shall walk in silk attire and siller hae to spare." Angela's appoint ment had done away with the drudgery of washday. " We'll get Hettie Daniels to come in Saturdays and clean up. I won't have to scrub the front steps any more and everything will be feasting and fun." Pushing aside her plate she rushed over to her father, climbed on his knee and flung her lovely bronze arms around his neck. She still adored him, still thought him the finest man in the world; she still wanted her husband to be just exactly like him; he would not be so tall nor would he be quite as dark. Matthew Henson was of only medium height and was a sort of reddish yellow and he distinctly was not as handsome as her father. Indeed Virginia thought, with a pang of shame at her disloyalty, that it would have been a fine thing if he could exchange his lighter skin for her father's colour if in so doing it he might have gained her father's thick, coarsely grained but beautifully curling, open black hair. Matthew had inherited his father's D 49 HHHHHHHHHHhPLUM BUNHHHHHHHHH5~H* thick, tight, " bad " hair. Only, thank heaven, it was darker. Junius tucked his slender daughter back in the hollow of his arm. ' Well, baby, you want something off my plate? " As a child Virginia had been a notorious beggar. " Darling ! I was thinking that now you could buy Mr. Hallowell's car. He's got his eye on a Cadillac, Kate says, and he'd be willing to let Henry Ford go for a song." Junius was pleased, but he thought he ought to protest. " Do I look as old as all that? I might be able to buy the actual car, now that my girls are getting so monied, but the upkeep, I under stand, is pretty steep." " Oh, nonsense," said Mattie. " Go on and get it, June. Think how nice it will be riding out North Broad Street in the evenings." And Angela added kindly: " I think you owe it to yourself to get it, Dad. Jinny and I'll carry the house till you get it paid for." " Well, there's no reason of course why I " he corrected himself, " why we shouldn't have a car if we want it." He saw himself spending happy moments digging in the little car's inmost mysteries. He would buy new parts, change the engine perhaps, paint it and overhaul her gener ally. And he might just as well indulge himself. The little house was long since paid for; he was well insured, and his two daughters were grown up and taking care of themselves. He slid Jinny off his knee. " I believe I'll run over to the Hallowells now and see what Tom'll take for that car. Catch him before he goes down town in it." 50 Virginia called after him. " Just think ! May be this time next week you'll be going down town n t." She was very happy. Life was turning out just right. She was young, she was twenty, she was about to earn her own living, " to be about to live " she said, happily quoting a Latin con struction which had always intrigued her. Her mother would never have to work again; her father would have a Henry Ford ; she herself would get a new, good music teacher and would also take up the study of methods at the University of Pennsylvania. Angela could hear her downstairs talking to Matthew Henson whose ring she had just answered. " Only think, Matt, I've been appointed." " Great ! " said Matthew. " Is Angela in? Do you think she'd like to go to the movies with me to-night? She was too tired last time. Run up and ask her, there's a good girl." Angela sighed. She didn't want to go out with Matthew; he wearied her so. And besides people always looked at her so strangely. She wished he would take it into his head to come and see Jinny. Sunday was still a happy day. Already an air of prosperity, of having arrived beyond the striv ing point, had settled over the family. Mr. Murray's negotiations with Tom Hallowell had been most successful. The Ford, a little four seater coupe, compact and sturdy, had changed -HHHHHHHHHHhPLUM BUN-HHHHHHHHHH5* hands. Its former owner came around on Sunday to give Junius a lesson. The entire household piled in, for both girls were possessed of the modern slenderness. They rode out Jefferson Street and far, far out Ridge Avenue to the Wissahickon and on to Chestnut Hill. From time to time, when the traffic was thin, Junius took the wheel, anticipating Tom's instructions with the readiness of the born mechanic. They came back laughing and happy and pardonably proud. The dense, tender glow of the late afternoon September sun flooded the little parlour, the dining-room was dusky and the kitchen was redolent of scents of ginger bread and spiced preserves. After supper there were no lessons to get. " It'll be years before I forget all that stuff I learned in practice school," said Jinny gaily. Later on some boys came in; Matthew Henson inevitably, peering dissatisfied through the autumn gloom for Angela and immediately content when he saw her; Arthur Sawyer, who had just entered the School of Pedagogy and was a little ashamed of it, for he considered teaching work fit only for women. " But I've got to make a living somehow, ain't I? And I won't go into that post-office! " " What's the matter with the post-office? " Henson asked indignantly. He had just been appointed. In reality he did not fancy the work himself, but he did not want it decried before Angela. " Tell me what better or surer job is there for a 'coloured man in Philadelphia? " " Nothing," said Sawyer promptly, " not a thing in the world except school teaching. But that's just what I object to. I'm sick of planning my 52 W-H-H-HHHH-PLUM BUN^HHMHMMHHHf** life with regard to being coloured. I'm not a bit ashamed of my race. I don't mind in the least that once we were slaves. Every race in the world has at some time occupied a servile position. But I do mind having to take it into consideration every time I want to eat outside of my home, every time I enter a theatre, every time I think of a profession. " But you do have to take it into consideration," said Jinny softly. " At present it's one of the facts of our living, just as lameness or near-sightedness might be for a white man." The inevitable race discussion was on. " Ah, but there you're all off, Miss Virginia." A tall, lanky, rather supercilious youth spoke up from the corner. He had been known to them all their lives as Franky Porter, but he had taken lately to publishing poems in the Philadelphia Tribunal which he signed F. Seymour Porter. " Really you're all off, for you speak as though colour itself were a deformity. Whereas, as Miss Angela being an artist knows, colour may really be a very beautiful thing, mayn't it? " " Oh don't drag me into your old discussion," Angela answered crossly. "I'm sick of this whole race business if you ask me. And don't call me Miss Angela. Call me Angela as you've all done all our lives or else call me Miss Murray. No, I don't think being coloured in America is a beautiful thing. I think it's nothing short of a curse." " Well," said Porter slowly, " I think its being or not being a curse rests with you. You've got to decide whether or not you're going to let it interfere with personal development and to that extent it may be harmful or it may be an incentive, 53 BUN******HHHHH5 I take it that Sawyer here, who even when we were all kids always wanted to be an engineer, will transmute his colour either into a bane or a blessing according to whether he lets it make him hide his natural tendencies under the bushel of school- teaching or become an inspiration toward making him the very best kind of engineer that there ever was so that people will just have to take him for what he is and overlook the fact of colour." " That's it," said Jinny. " You know, being coloured often does spur you on." " And that's what I object to," Angela answered perversely. "I'm sick of this business of always being below or above a certain norm. Doesn't anyone think that we have a right to be happy simply, naturally? " Gradually they drifted into music. Virginia played a few popular songs and presently the old beautiful airs of all time, " Drink to me only with thine eyes " and " Sweet and Low ". Arthur Sawyer had a soft, melting tenor and Angela a rather good alto; Virginia and the other boys carried the air while Junius boomed his deep, unyielding bass. The lovely melodies and the peace of the happy, tranquil household crept over them, and presently they exchanged farewells and the young men passed wearied and contented out into the dark confines of Opal Street. Angela and Mattie went upstairs, but Viginia and her father stayed below and sang very softly so as not to disturb the sleeping street; a few hymns and finally the majestic strains of " The Dying Christian " 54 ^HHHHHHHHHhPLUM BUN*********** floated up. Mrs. Murray had complained of feeling [tired. " I think I'll just lie a moment on your bed, Angela, until your father comes up." But her daughter noticed that she had not relaxed, instead she was straining forward a little and Angela realized that she was trying to catch every note of her husband's virile, hearty voice. She said, " You heard what we were all talking about before the boys left. You and father don't ever bother to discuss such matters, do you? " Her mother seemed to strain past the sound of her voice. " Not any more; oh, of course we used to talk about such things, but you get so taken up with the problem of living, just life itself you know, that by and by being coloured or not is just one thing more or less that you have to contend with. But of course there have been times when colour was the starting point of our discussions. I remem ber how when you and Jinny were little things and she was always running to the piano and you were scribbling all over the walls, many's the time I've slapped your little fingers for that, Angela, we used to spend half the night talking about you, your father and I. I wanted you to be great artists but Junius said: ' No, we'll give them a good, plain education and set them in the way of earning a sure and honest living; then if they've got it in them to travel over all the rocks that'll be in their way as coloured girls, they'll manage, never you fear.' And he was right." The music downstairs ceased and she lay back, relaxed and drowsy. " Your father's always right." Much of this was news to Angela, and she would have liked to learn more about those early 55 BUNHHHHHHHHHHH5* nocturnal discussions. But she only said, smiling, " You're still crazy about father, aren't you, darling? " Her mother was wide awake in an instant. "Crazy! I'd give my life for him!" The Saturday excursions were long since a thing of the past; Henry Ford had changed that. Also the extra work which the girls had taken upon themselves in addition to their teaching, Angela at the Academy, Virginia at the University, made Saturday afternoon a too sorely needed period of relaxation to be spent in the old familiar fashion. Still there were times when Angela in search of a new frock or intent on the exploration of a picture gallery asked her mother to accompany her. And at such times the two indulged in their former custom of having tea and a comfortable hour's chat in the luxurious comfort of some exclusive tea room or hotel. Mattie, older and not quite so lightly stepping in these days of comparative ease as in those other times when a week's arduous duties lay behind her, still responded joyously to the call of fashion and grooming, the air of " good living " which pervaded these places. Moreover she herself was able to contribute to this atmos phere. Her daughters insisted on presenting her with the graceful and dainty clothes which she loved, and they were equally insistent on her wearing them. " No use hanging them in a closet," said Jinny blithely. All her prophecies had come true her mother had the services of a maid whenever she needed them, she went clad 56 BUNHHHHHH^-HMHH* for the most part " in silk attire ", and she had " siller to spare " and to spend. She was down town spending it now. The Ladies' Auxiliary of her church was to give a recep tion after Lent, and Mattie meant to hold her own with the best of them. " We're getting to be old ladies," she said a bit wistfully, " but we'll make you young ones look at us once or twice just the same." Angela replied that she was sure of that. " And I know one or two little secrets for the complexion that will make it impossible for you to call yourself old." But those her mother knew already. However she expressed a willingness to accept Angela's offer. She loved to be fussed over, and of late Angela had shown a tendency to rival even Jinny in this particular. The older girl was beginning to lose some of her restlessness. Life was pretty hum-drum, but it was comfortable and pleasant; her family life was ideal and her time at the art school delightful. The instructor was interested in her progress, and one or two of the girls had shown a desire for real intimacy. These intima tions she had not followed up very closely, but she was seeing enough of a larger, freer world to make her chafe less at the restrictions which somehow seemed to bind in her own group. As a result of even this slight satisfaction of her cravings, she was indulging less and less in brooding and intro spection, although at no time was she able to adapt herself to living with the complete spontaneity so characteristic of Jinny. But she was young, and life would somehow twist and shape itself to her subsconscious yearnings, just as it had done for her mother, she thought, 57 HHHHHHHHHHhPLUM BUN*********** following Mattie in and out of shops, delivering opinions and lending herself to all the exigencies which shopping imposed. It was not an occupation which she particularly enjoyed, but, like her mother, she adored the atmosphere and its accom paniment of well-dressed and luxuriously stationed women. No one could tell, no one would have thought for a moment that she and her mother had come from tiny Opal Street; no one could have dreamed of their racial connections. " And if Jinny were here," she thought, slowly selecting another cake, " she really would be just as capable of fitting into all this as mother and I ; but they wouldn't let her light." And again she let herself dwell on the fallaciousness of a social system which stretched appearance so far beyond being. From the tea-room they emerged into the damp grey ness of the March afternoon. The streets were slushy and slimy; the sky above sodden and dull. Mattie shivered and thought of the Morris chair in the minute but cosy dining-room of her home. She wanted to go to the " Y " on Catherine Street and there were two calls to make far down Fifteenth. But at last all this was accom plished. " Now we'll get the next car and before you know it you'll be home." c You look tired, Mother," said Angela. " I am tired," she acknowledged, and, suddenly sagging against her daughter, lost consciousness. About them a small crowd formed, and a man passing in an automobile kindly drove the two women to a hospital in Broad Street two blocks away. It was a hospital to which no coloured woman would ever have been admitted except to char, but there was no such question to be raised 58 BUNHHHMHHHHHHH' in the case of this patient. " She'll be all right presently," the interne announced, "just a little fainting spell brought on by over-exertion. Was that your car you came in? It would be nice if you could have one to get her home in." " Oh, but I can," and in a moment Angela had rushed to the telephone forgetting everything except that her father was in his shop to-day and therefore almost within reach and so was the car. Not long after he came striding into the hospital, tall and black and rather shabby in his working clothes. He was greeted by the clerk with a rather hostile, " Yes, and what do you want? " Angela, hastening across the lobby to him, halted at the intonation. Junius was equal to the moment's demands. " I'm Mrs. Murray's chauffeur," he announced, hating the deception, but he would not have his wife bundled out too soon. " Is she very badly off, Miss Angela? " His daughter hastened to reassure him. " No, she'll be down in a few minutes now." " And meanwhile you can wait outside," said the attendant icily. She did not believe that black people were exactly human; there was no place for them in the scheme of life so far as she could see. Junius withdrew, and in a half hour's time the young interne and the nurse came out supporting his wan wife. He sprang to the pavement: "Lean on me, Mrs. Murray." But sobbing, she threw her arms about his neck. " Oh Junius, Junius ! " He lifted her then, drew back for Angela and mounting himself, drove away. The interne 59 **HHHHHHHHHhPLUM BUNHHHHHHH5--HHH!* stepped back into the hospital raging about these damn white women and their nigger servants. Such women ought to be placed in a psycho-pathic ward and the niggers burned. The girls got Mrs. Murray into the Morris chair and ran upstairs for pillows and wraps. When they returned Junius was in the chair and Mrs. Murray in his arms. " Oh, June, dear June, such a service of love." " Do you suppose she's going to die? " whispered Jinny, stricken. What, she wondered, would become of her father. But in a few days Mattie was fully recovered and more happy than ever in the reflorescence of love and tenderness which had sprung up between herself and Junius. Only Junius was not so well. He had had a slight touch of grippe during the winter and the half hour's loitering in the treach erous March weather, before the hospital, had not served to improve it. He was hoarse and feverish, though this he did not immediately admit. But a tearing pain in his chest compelled him one morning to suggest the doctor. In a panic Mattie sent for him. Junius really ill ! She had never seen him in anything but the pink of condition. The doctor reluctantly admitted pneumonia " a severe case but I think we can pull him through." He suffered terribly Mattie suffered with him, never leaving his bedside. On the fifth day he was delirious. His wife thought, " Surely God isn't going to let him die without speaking to me again." 60 -HHHHHhPLUM Toward evening he opened his eyes and saw her tender, stricken face. He smiled. " Dear Mattie," and then, "Jinny, I'd like to hear some music, 'Vital spark '- So his daughter went down to the little parlour and played and sang " The Dying Christian ". Angela thought, " Oh, isn't this terrible ! Oh how can she? " Presently she called softly, "Jinny, Jinny come up." Junius' hand was groping for Mattie's. She placed it in his. " Dear Mattie," he said, " Heaven opens on my eyes, -- " The house was still with the awful stillness that follows a funeral. All the bustle and hurry were over; the end, the fulfilment toward which the family had been striving for the last three days was accomplished. The baked funeral meats had been removed; Virginia had seen to that. Angela was up in her room, staring dry-eyed before her; she loved her father, but not even for him could she endure this aching, formless pain of bereavement. She kept saying to herself fiercely : " I must get over this, I can't stand this. I'll go away." Mrs. Murray sat in the old Morris chair in the dining-room. She stroked its arms with her plump, worn fingers; she laid her face again and again on its shabby back. One knew that she was remembering a dark, loved cheek. Jinny said, " Come upstairs and let me put you to bed, darling. You're going to sleep with me, you know. You're going to comfort your little girl, aren't you, 61 BUNHHHHHHHHHHMK Mummy? " Then as there was no response, " Darling, you'll make yourself ill." Her mother sat up suddenly. " Yes, that's what I want to do. Oh, Jinny, do you think I can make myself ill enough to follow him soon? My daughter, try to forgive me, but I must go to him. I can't live without him. I don't deserve a daughter like you, but, don't let them hold me back. I want to die, I must die. Say you for give me, -- " " Darling," and it was as though her husband rather than her daughter spoke, " whatever you want is what I want." By a supreme effort she held back her tears, but it was years before she forgot the picture of her mother sitting back in the old Morris chair, composing herself for death. 62 CHAPTER VI AT the Academy matters progressed smoothly without the flawing of a ripple. Angela looked forward to the hours which she spent there and honestly regretted their passage. Her fellow students and the instructors were more than cordial, there was an actual sense of camaraderie among them. She had not mentioned the fact of her Negro strain, indeed she had no occasion to, but she did not believe that this fact if known would cause any change in attitude. Artists were noted for their broad-mindedness. They were the first persons in the world to judge a person for his worth rather than by any hall-mark. It is true that Miss Henderson, a young lady of undeniable colour, was not received with the same cordiality and attention which Angela was receiving, and this, too, despite the fact that the former's work showed undeniable talent, even originality. Angela thought that something in the young lady's personality precluded an approach to friendship; she seemed to be wary, almost offen sively stand-offish. Certainly she never spoke unless spoken to; she had been known to spend a whole session without even glancing at a [fellow student. Angela herself had not arrived at any genuine intimacies. Two of the girls had asked her to their 63 *HHHHHHh**HHhPLUM homes but she had always refused; such invitations would have to be returned with similar ones and the presence of Jinny would entail explanations. The invitation of Mr. Shields, the instructor, to have tea at his wife's at home was another matter and of this she gladly availed herself. She could not tell to just what end she was striving. She did not like teaching and longed to give it up. On the other hand she must make her living. Mr. Shields had suggested that she might be able to increase both her earning capacity and her enjoyments through a more practical application of her art. There were directorships of drawing in the public schools, positions in art schools and colleges, or, since Angela frankly acknowledged her unwill ingness to instruct, there was such a thing as being buyer for the art section of a department store. " And anyway," said Mrs. Shields, " you never know what may be in store for you if you just have preparation." She and her husband were both attracted to the pleasant-spoken, talented girl. Angela possessed an undeniable air, and she dressed well, even superlatively. Her parents' death had meant the possession of half the house and half of three thousand dollars' worth of insur ance. Her salary was adequate, her expenses light. Indeed even her present mode of living gave her little cause for complaint except that her racial affiliations narrowed her confines. But she was restlessly conscious of a desire for broader horizons. She confided something like this to her new friends. " Perfectly natural," they agreed. " There's no telling where your tastes and talents will lead you, 64 'HHHMHHHHHHhPLUM BUNHHHHHHHHHHH5* to Europe perhaps and surely to the formation of new and interesting friendships. You'll find artistic folk the broadest, most liberal people in the world." " There are possibilities of scholarships, too," Mr. Shields concluded more practically. The Academy offered a few in competition. But there were others more liberally endowed and practically without restriction. Sundays on Opal Street bore still their aspect of something different and special. Jinny sometimes went to church, sometimes packed the car with a group of laughing girls of her age and played at her father's old game of exploring. Angela preferred to stay in the house. She liked to sleep late, get up for a leisurely bath and a meticulous toilet. Afterwards she would turn over her wardrobe, sorting and discarding; read the week's forecast of theatres, concerts and exhibits. And finally she would begin sketching, usually ending up with a new view of Hetty Daniels' head. Hetty, who lived with them now in the triple capacity, as she saw it, of housekeeper, companion, and chaperone, loved to pose. It satisfied some unquenchable vanity in her unloved, empty exist ence. She could not conceive of being sketched because she was, in the artist's jargon, " interest ing", "paintable", or "difficult". Models, as she understood it, were chosen for their beauty. Square and upright she sat, regaling Angela with tales of the romantic adventures of some remote HHHHHHHHHHKPLUM BUNHHHHHHHHHHH* period which was her youth. She could not be very old, the young girl thought; indeed, from some of her dates she must have been at least twelve years younger than her mother. Yet Mrs. Murray had carried with her to the end some irrefragable quality of girlishness which would keep her memory forever young. Miss Daniels' great fetish was sex morality. " Them young fellers was always 'round me thick ez bees; wasn't any night they wasn't more fellows in my kitchen then you an' Jinny ever has in yore parlour. But I never listened to none of the' talk, jist held out agin 'em and kept my pearl of great price untarnished. I aimed then and I'm continual to aim to be a verjous woman." Her unslaked yearnings gleamed suddenly out of her eyes, transforming her usually rather expres sionless face into something wild and avid. The dark brown immobile mask of her skin made an excellent foil for the vividness of an emotion which was so apparent, so palpable that it seemed like something superimposed upon the background of her countenance. " If I could just get that look for Mr. Shields," Angela said half aloud to herself, " I bet I could get any of their old scholarships. ... So you had lots more beaux than we have, Hetty? Well you wouldn't have to go far to outdo us there." The same half dozen young men still visited the Murray household on Sundays. None of them except Matthew Henson came as a suitor; the others looked in partly from habit, partly, Jinny used to say, for the sake of Hetty Daniels' good 66 ginger bread, but more than for any other reason for the sake of having a comfortable place in which to argue and someone with whom to conduct the argument. "They certainly do argue;" Angela grumbled a little, but she didn't care. Matthew was usually the leader in their illimitable discussions, but she much preferred him at this than at his clumsy and distasteful love-making. Of course she could go out, but there was no place for her to visit and no companions for her to visit with. If she made calls there would be merely a replica of what she was finding in her own household. It was true that in the ultra-modern set Sunday dancing was being taken up. But she and Virginia did not fit in here any too well. Her fancy envisaged a comfortable drawing-room (there were folks who used that term), peopled with distinguished men and women who did things, wrote and painted and acted, people with a broad, cultural background behind them, or, lacking that, with the originality of thought and speech which comes from failing, deliberately failing, to conform to the pattern. Somewhere, she supposed, there must be coloured people like that. But she didn't know any of them. She knew there were people right in Philadelphia who had left far, far behind them the economic class to which her father and mother had belonged. But their thoughts, their actions were still cramped and confined; they were sitting in their new, even luxurious quarters, still mental parvenus, still dis cussing the eternal race question even as these boys here. To-night they were hard at it again with/a new phase which Angela, who usually sat only half BUNHHHHHHHHHHK' attentive in their midst, did not remember ever having heard touched before. Seymour Porter had started the ball by forcing their attention to one of his poems. It was not a bad poem; as modern verse goes it possessed a touch distinctly above the mediocre. " Why don't you stop that stuff and get down to brass tacks, Porter? " Matthew snarled. " You'll be of much more service to your race as a good dentist than as a half-baked poet." Henson happened to know that the amount of study which the young poet did at the Univer sity kept him just barely registered in the dental college. Porter ran his hand over his beautifully groomed hair. He had worn a stocking cap in his room all the early part of the day to enable him to perform this gesture without disaster. " There you go, Henson, service to the race and all the rest of it. Doesn't it ever occur to you that the race is made up of individuals and you can't conserve the good of the whole unless you establish that of each part? Is it better for me to be a first rate dentist and be a cabined and confined personality or a half-baked poet, as you'd call it, and be myself? " Henson reasoned that a coloured American must take into account that he is usually living in a hostile community. " If you're only a half-baked poet they'll think that you're a representative of your race and that we're all equally no account. But if you're a fine dentist, they won't think, it's true, that we're all as skilled as you, but they will respect you and concede that probably there're a few more like 68 BUNHHHHHHHHHHH?* you. Inconsistent, but that's the way they argue." Arthur Sawyer objected to this constant yield ing to an invisible censorship. " If you're coloured you've just got to straddle a bit; you've got to consider both racial and individual integrity. I've got to be sure of a living right now. So in order not to bring the charge of vagrancy against my family I'm going to teach until I've saved enough money to study engineering in comfort." " And when you get through? " Matthew asked politely. " When I get through, if this city has come to its senses, I'll get a big job with Baldwin. If not I'll go to South America and take out naturaliza tion papers." " But you can't do that," cried Jinny, " we'd need you more than ever if you had all that train ing. You know what I think? We've all of us got to make up our minds to the sacrifice of some thing. I mean something more than just the ordin ary sacrifices in life, not so much for the sake of the next generation as for the sake of some prin ciple, for the sake of some immaterial quality like pride or intense self-respect or even a saving com placency; a spiritual tonic which the race needs perhaps just as much as the body might need iron or whatever it does need to give the proper kind of resistance. There are some things which an individual might want, but which he'd just have to give up forever for the sake of the more im portant whole." " It beats me," said Sawyer indulgently, " how a little thing like you can catch hold of such a 69 BUNHHHHHHHHHi'-H* big thought. I don't know about a man's giving up his heart's desire forever, though, just because he's coloured. That seems to me a pretty large order." " Large order or not," Henson caught him up, " she comes mighty near being right. What do you think, Angela? " "Just the same as I've always thought. I don't see any sense in living unless you're going to be happy." Angela took the sketch of Hetty Daniels to school. " What an interesting type ! " said Ger trude Quale, the girl next to her. " Such cosmic and tragic unhappiness in that face. What is she, not an American? " " Oh yes she is. She's an old coloured woman who's worked in our family for years and she was born right here in Philadelphia." " Oh coloured ! Well, of course I suppose you would call her an American though I never think of darkies as Americans. Coloured, yes that would account for that unhappi ness in her face. I suppose they all mind it awfully." It was the afternoon for the life class. The model came in, a short, rather slender young woman with a faintly pretty, shrewish face full of a certain dark, mean character. Angela glanced at her thoughtfully, full of pleasant anticipation. She liked to work for character, preferred it even to beauty. The model caught her eye, looked away and again turned her full gaze upon her with 70 BUN-HHHHHHHHHH?- an insistent, slightly incredulous stare. It was Esther Bayliss who had once been in the High School with Angela. She had left not long after Mary Hastings' return .to her boarding school. Angela saw no reason why she should speak to her and presently, engrossed in the portrayal of the round, yet pointed little face, forgot the girl's identity. But Esther kept her eyes fixed on her former school-mate with a sort of intense, angry brooding so absorbing that she forgot her pose and Mr. Shield spoke to her two or three times. On the third occasion he said not un kindly, " You'll have to hold your pose better than this, Miss Bayliss, or we won't be able to keep you on." " I don't want you to keep me on." She spoke with an amazing vindictiveness. " I haven't got to the point yet where I'm going to lower myself to pose for a coloured girl." He looked around the room in amazement; no, Miss Henderson wasn't there, she never came to this class he remembered. " Well after that we couldn't keep you anyway. We're not taking orders from our models. But there's no coloured girl here." " Oh yes there is, unless she's changed her name." She laughed spitefully. " Isn't that An gela Murray over there next to that Jew girl? " In spite of himself, Shields nodded. " Well, she's coloured though she wouldn't let you know. But I know. I went to school with her in North Philadelphia. And I tell you I wouldn't stay to pose for her not if you were to pay me ten times what I'm getting. Sitting there drawing 71 from me just as though she were as good as a white girl ! " Astonished and disconcerted, he told his wife about it. " But I can't think she's really coloured, Mabel. Why she looks and acts just like a white girl. She dresses in better taste than anybody in the room. But that little wretch of a model insisted that she was coloured." " Well she just can't be. Do you suppose I don't know a coloured woman when I see one? I can tell 'em a mile off." It seemed to him a vital and yet such a dis graceful matter. " If she is coloured she should have told me. I'd certainly like to know, but hang it all, I can't ask her, for suppose she should be white in spite of what that little beast of a model said? " He found her address in the registry and overcome one afternoon with shamed curiosity drove up to Opal Street and slowly past her house. Jinny was coming in from school and Hetty Daniels on her way to market greeted her on the lower step. Then Virginia put the key in the lock and passed inside. " She is coloured," he told his wife, " for no white girl in her senses would be rooming with coloured people." " I should say not ! Coloured, is she? Well, she shan't come here again, Henry." Angela approached him after class on Satur day. " How is Mrs. Shields? I can't get out to see her this week but I'll be sure to run in next." He blurted out miserably, " But, Miss Murray, you never told me that you were coloured." She felt as though she were rehearsing a well-known part in a play. " Coloured ! Of 72 BUN-HHHHMMHHHHS* course I never told you that I was coloured. Why should I?" But apparently there was some reason why she should tell it; she sat in her room in utter dejection trying to reason it out. Just as in the old days she had not discussed the matter with Jinny, for what could the latter do? She wondered if her mother had ever met with any such experi ences. Was there something inherently wrong in "passing"? Her mother had never seemed to consider it as anything but a lark. And on the one occasion, that terrible day in the hospital when passing or not passing might have meant the difference between good will and unpleasantness, her mother had deliberately given the whole show away. But her mother, she had long since begun to realize, had not considered this business of colour or the lack of it as pertaining intimately to her personal happiness. She was perfectly satisfied, absolutely content whether she was part of that white world with Angela or up on little Opal Street with her dark family and friends. Where as it seemed to Angela that all the things which she most wanted were wrapped up with white people. All the good things were theirs. Not, some coldly reasoning instinct within was say ing, because they were white. But because for the present they had power and the badge of that power was whiteness, very like the colours on the escutcheon of a powerful house. She possessed the badge, and unless there was 73 BUN^HHHHHHHHHH* someone to tell she could possess the power for which it stood. Hetty Daniels shrilled up: " Mr. Henson's down here to see you." Tiresome though his presence was, she almost welcomed him to-night, and even accepted his eager invitation to go to see a picture. " It's in a little gem of a theatre, Angela. You'll like the surroundings almost as much as the picture, and that's very good. Sawyer and I saw it about two weeks ago. I thought then that I'd like to take you." She knew that this was his indirect method of telling her that they would meet with no difficulty in the matter of admission ; a comforting assurance, for Philadelphia theatres, as Angela knew, could be very unpleasant to would-be coloured patrons. Henson offered to telephone for a taxi while she was getting on her street clothes, and she permitted the unnecessary extravagance, for she hated the conjectures on the faces of passengers in the street cars; conjectures, she felt in her sensitiveness, which she could only set right by being unusually kind and friendly in her manner to Henson. And this produced undesirable effects on him. She had gone out with him more often in the Ford, which permitted a modicum of privacy. But Jinny was off in the little car to-night. At Broad and Ridge Avenue the taxi was held up ; it was twenty-five minutes after eight when they reached the theatre. Matthew gave Angela a bill. " Do you mind getting the tickets while I settle for the cab? " he asked nervously. He did not want her to miss even the advertisements. This, he almost prayed, would be a perfect night. 74 H-H-HHHHHW-PLUM BUNHHHHHHHHHH^ Cramming the change into his pocket, he rushed into the lobby and joined Angela who, almost as excited as he, for she liked a good picture, handed the tickets to the attendant. He returned the stubs. " All right, good seats there to your left." The theatre was only one storey. He glanced at Matthew. " Here, here, where do you think you're going? " Matthew answered unsuspecting: " It's all right. The young lady gave you the tickets." " Yes, but not for you; she can go in, but you can't." He handed him the torn ticket, turned and took one of the stubs from Angela, and thrust that in the young man's unwilling hand. " Go over there and get your refund." " But," said Matthew and Angela could feel his very manhood sickening under the silly humiliation of the moment, " there must be some mistake; I sat in this same theatre less than three weeks ago." ' Well, you won't sit in there to-night; the management's changed hands since then, and we're not selling tickets to coloured people." He glanced at Angela a little uncertainly. " The young lady can come in " Angela threw her ticket on the floor. " Oh, come Matthew, come." Outside he said stiffly, " I'll get a taxi, we'll go somewhere else." " No, no ! We wouldn't enjoy it. Let's go home and we don't need a taxi. We can get the Sixteenth Street car right at the 75 BUNHHHHHHHHHHHf* She was very kind to him in the car; she was so sorry for him, suddenly conscious of the pain which must be his at being stripped before the girl he loved of his masculine right to protect, to appear the hero. She let him open the two doors for her but stopped him in the box of a hall. " I think I'll say good-night now, Matthew; I'm more tired than I realized. But, but it was an adventure, wasn't it? " His eyes adored her, his hand caught hers: " Angela, I'd have given all I hope to possess to have been able to prevent it; you know I never dreamed of letting you in for such humiliation. Oh how are we ever going to get this thing straight? " ' Well, it wasn't your fault." Unexpectedly she lifted her delicate face to his, so stricken and freckled and woebegone, and kissed him; lifted her hand and actually stroked his reddish, stiff, " bad " hair. Like a man in a dream he walked down the street wondering how long it would be before they married. Angela, waking in the middle of the night and reviewing to herself the events of the day, said aloud: "This is the end," and fell asleep again. The little back room was still Jinny's, but Angela, in order to give the third storey front to Hetty Daniels, had moved into the room which had once been her mother's. She and Virginia BUNHHH?*HHHHHHHH5' had placed the respective head-boards of their narrow, virginal beds against the dividing wall so that they could lie in bed and talk to each other through the communicating door-way, their voices making a circuit from speaker to listener in what Jinny called a hair pin curve. Angela called in as soon as she heard her sister moving, "Jinny, listen. I'm going away." Her sister, still half asleep, lay intensely quiet for another second, trying to pick up the con tinuity of this dream. Then her senses came to her. " What'd you say, Angela? " " I said I was going away. I'm going to leave Philadelphia, give up school teaching, break away from our loving friends and acquaintances, and bust up the whole shooting match." " Haven't gone crazy, have you? " " No, I think I'm just beginning to come to my senses. I'm sick, sick, sick of seeing what I want dangled right before my eyes and then of having it snatched away from me and all of it through no fault of my own." " Darling, you know I haven't the faintest idea of what you're driving at." " Well, I'll tell you." Out came the whole story, an accumulation of the slights, real and fancied, which her colour had engendered through out her lifetime; though even then she did not tell of that first hurt through Mary Hastings. That would always linger in some remote, impene trable fastness of her mind, for wounded trust was there as well as wounded pride and love. " And these two last happenings with Matthew and Mr. 77 Shields are just too much; besides they've shown me the way." " Shown you what way? " Virginia had arisen and thrown an old rose kimono around her. She had inherited her father's thick and rather coarsely waving black hair, enhanced by her mother's softness. She was slender, yet rounded; her cheeks were flushed with sleep and excitement. Her eyes shone. As she sat in the brilliant wrap, cross-legged at the foot of her sister's narrow bed, she made the latter think of a strikingly dainty, colourful robin. " Well you see as long as the Shields thought I was white they were willing to help me to all the glories of the promised land. And the doorman last night, he couldn't tell what I was, but he could tell about Matthew, so he put him out; just as the Shields are getting ready in another way to put me out. But as long as they didn't know it didn't matter. Which means it isn't being coloured that makes the difference, it's letting it be known. Do you see? " So I've thought and thought. I guess really I've had it in my mind for a long time, but last night it seemed to stand right out in my con sciousness. Why should I shut myself off from all the things I want most, clever people, people who do things, Art, " her voice spelt it with a capital, " travel and a lot of things which are in the world for everybody really but which only white people, as far as I can see, get their hands on. I mean scholarships and special funds, patronage. Oh Jinny, you don't know, I don't think you can understand the things I want to see and know. You're not like me ". 78 H^HHHH-HHHhPLUM BUNHHH^HHHHHHHHl' " I don't know why I'm not," said Jinny looking more like a robin than ever. Her bright eyes dwelt on her sister. " After all, the same blood flows in my veins and in the same propor tion. Sure you're not laying too much stress on something only temporarily inconvenient? " " But it isn't temporarily inconvenient; it's happening to me every day. And it isn't as though it were something that I could help. Look how Mr. Shields stressed the fact that I hadn't told him I was coloured. And see how it changed his attitude toward me; you can't think how different his manner was. Yet as long as he didn't know, there was nothing he wasn't willing and glad, glad to do for me. Now he might be willing but he'll not be glad though I need his assistance more than some white girl who will find a dozen people to help her just because she is white." Some faint disapproval in her sister's face halted her for a moment. " What's the matter? You certainly don't think I ought to say first thing: ' I'm Angela Murray. I know I look white but I'm coloured and expect to be treated accordingly ! ' Now do you? " " No," said Jinny, " of course that's absurd. Only I don't think you ought to mind quite so hard when they do find out the facts. It seems sort of an insult to yourself. And then, too, it makes you lose a good chance to do something for for all of us who can't look like you but who really have the same combination of blood that you have." " Oh that's some more of your and Matthew Henson's philosophy. Now be practical, Jinny; 79 BUN-HHHHHHHHf*** after all I am both white and Negro and look white. Why shouldn't I declare for the one that will bring me the greatest happiness, prosperity and respect? " " No reason in the world except that since in this country public opinion is against any infusion of black blood it would seem an awfully decent thing to put yourself, even in the face of appear ances, on the side of black blood and say: " Look here, this is what a mixture of black and white really means ! " Angela was silent and Virginia, feeling suddenly very young, almost childish in the presence of this issue, took a turn about the room. She halted beside her sister. "Just what is it you want to do, Angela? Evidently you have some plan." She had. Her idea was to sell the house and to divide the proceeds. With her share of this and her half of the insurance she would go to New York or to Chicago, certainly to some place where she could by no chance be known, and launch out " into a freer, fuller life ". " And leave me ! " said Jinny astonished. Some how it had not dawned on her that the two would actually separate. She did not know what she had thought, but certainly not that. The tears ran down her cheeks. Angela, unable to endure either her own pain or the sight of it in others, had all of a man's dislike for tears. " Don't be absurd, Jinny ! How could I live the way I want to if you're with me. We'd keep on loving each other and seeing one another from 80 HHHHHHHHHH-PLUM time to time, but we might just as well face the facts. Some of those girls in the art school used to ask me to their homes; it would have meant opportunity, a broader outlook, but I never dared accept because I knew I couldn't return the invitation." Under that Jinny winced a little, but she spoke with spirit. " After that, Angela dear, I'm beginning to think that you have more white blood in your veins than I, and it was that extra amount which made it possible for you to make that remark." She trailed back to her room and when Hetty Daniels announced breakfast she found that a bad headache required a longer stay in bed. For many years the memory of those next few weeks lingered in Virginia's mind beside that other tragic memory of her mother's deliberate submission to death. But Angela was almost tremulous with happiness and anticipation. Al most as though by magic her affairs were arranging themselves. She was to have the three thousand dollars and Jinny was to be the sole possessor of the house. Junius had paid far less than this sum for it, but it had undoubtedly increased in value. " It's a fair enough investment for you, Miss Virginia," Mr. Hallowell remarked gruffly. He had disapproved heartily of this summary division, would have disapproved more thoroughly and openly if he had had any idea of the reasons behind it. But the girls had told no one, not even him, of their plans. " Some sisters' quarrel ? I suppose," he commented to his wife. " I've never seen any coloured people yet, relatives that is, who could stand the joint possession of a little money." A late Easter was casting its charm over the city when Angela trim, even elegant, in her con ventional tailored suit, stood in the dining-room of the little house waiting for her taxi. She had burned her bridges behind her, had resigned from school, severed her connection with the Academy, and had permitted an impression to spread that she was going West to visit indefinitely a distant cousin of her mother's. In reality she was going to New York. She had covered her tracks very well, she thought ; none of her friends was to see her off; indeed, none of them knew the exact hour of her departure. She was even leaving from the North Philadelphia station so that none of the porters of the main depot, friends perhaps of the boys who came to her house, and, through some far flung communal instinct familiar to coloured people, acquainted with her by sight, would be able to tell of her going. Jinny, until she heard of this, had meant to accompany her to the station, but Angela's precaution palpably scotched this idea; she made no comment when Virginia announced that it would be impossible for her to see her sister off. An indefinable steeliness was creeping upon them. Yet when the taxi stood rumbling and snorting outside, Angela, her heart suddenly mounting to her throat, her eyes smarting, put her arm tightly about her sister who clung to her frankly crying. But she only said: " Now, Jinny, there's nothing to cry about. You'll be coming to New York 88 BUN-HHH-HHHHHHf- soon. First thing I know you'll be walking up to me: 'Pardon me! Isn't this Mrs. Henrietta Jones? ' " Virginia tried to laugh, " And you'll be saying : ( Really you have the advantage of me.' Oh, Angela, don't leave me ! " The cabby was honking impatiently. " I must, darling. Good-bye, Virginia. You'll hear from me right away." She ran down the steps, glanced happily back. But her sister had already closed the door. MARKET CHAPTER I FIFTH AVENUE is a canyon; its towering buildings dwarf the importance of the people hurrying through its narrow confines. But Fourteenth Street is a river, impersonally flowing, broad- bosomed, with strange and devious craft covering its expanse. To Angela the famous avenue seemed but one manifestation of living, but Fourteenth Street was the rendezvous of life itself. Here for those first few weeks after her arrival in New York she wandered, almost prowled, intent upon the jostling shops, the hurrying, pushing people, above all intent upon the faces of those people with their showings of grief, pride, gaiety, greed, joy, am bition, content. There was little enough of this last. These men and women were living at a sharper pitch of intensity than those she had ob served in Philadelphia. The few coloured people whom she saw were different too; they possessed an independence of carriage, a purposefulness, an assurance in their manner that pleased her. But she could not see that any of these people, black or white, were any happier than those whom she had observed all her life. But she was happier; she was living on the crest of a wave of excitement and satisfaction which would never wane, never break, never be spent. She was seeing the world, she was getting acquainted 87 HHHHHHh-HHHhPLUM BUNHHHMHMHHHHH^ with life in her own way without restrictions or restraint; she was young, she was temporarily independent, she was intelligent, she was white. She remembered an expression " free, white and twenty-one ", this was what it meant then, this sense of owning the world, this realization that other things being equal, all things were possible. " If I were a man," she said, " I could be presi dent ", and laughed at herself for the "if" itself proclaimed a limitation. But that inconsistency bothered her little; she did not want to be a man. Power, greatness, authority, these were fitting and proper for men ; but there were sweeter, more beautiful gifts for women, and power of a certain kind too. Such a power she would like to exert in this glittering new world, so full of mys teries and promise. If she could aiford it she would have a salon, a drawing-room where men and women, not necessarily great, but real, alive, free and untrammelled in manner and thought, should come and pour themselves out to her sym pathy and magnetism. To accomplish this she must have money and influence; indeed since she was so young she would need even protection; perhaps it would be better to marry ... a white man. The thought came to her suddenly out of the void; she had never thought of this possi bility before. If she were to do this, do it suitably, then all that richness, all that fullness of life which she so ardently craved would be doubly hers. She knew that men had a better time of it than women, coloured men than coloured women, white men than white women. Not that she envied them. Only it would be fun, great fun to capture power and protection in addition to the freedom and 88 BUNHHHHHHHMHMH' independence which she had so long coveted and which now lay in her hand. But, she smiled to herself, she had no way of approaching these ends. She knew no one in New York; she could conceive of no manner in which she was likely to form desirable acquaint ances; at present her home consisted of the four walls of the smallest room in Union Square Hotel She had gone there the second day after her arrival, having spent an expensive twenty-four hours at the Astor. Later she came to realize that there were infinitely cheaper habitations to be had, but she could not tear herself away from Fourteenth Street. It was Spring, and the Square was full of rusty specimens of mankind who sat on the benches, as did Angela herself, for hours at a stretch, as though they thought the invigorat ing air and the mellow sun would work some magical burgeoning on their garments such as was worked on the trees. But though these latter changed, the garments changed not nor did their owners. They remained the same, drooping, discouraged down and outers. " I am seeing life," thought Angela, " this is the way people live," and never realized that some of these people looking curiously, speculatively at her wondered what had been her portion to bring her thus early to this unsavoury company. "A great picture!" she thought. "I'll make a great picture of these people some day and call them * Fourteenth Street types '." And suddenly a vast sadness invaded her; she wondered if there were people more alive, more sentient to the jy> the adventure of living, even than she, to whom she would also be a " type ". But she 89 *HHHHhHHHHHhPLUM BUN-HHHHHHHMHHS* could not believe this. She was at once almost irreconcilably too concentrated and too objective. Her living during these days was so intense, so almost solidified, as though her desire to live as she did and she herself were so one and the same thing that it would have been practically im possible for another onlooker like herself to insert the point of his discrimination into her firm panoply of satisfaction. So she continued to browse along her chosen thoroughfare, stopping most often in the Square or before a piano store on the same street. There was in this shop a player-piano which was usually in action, and as the front glass had been removed the increased clearness of the strains brought a steady, patient, apparently insatiable group of listeners to a stand still. They were mostly men, and as they were far less given, Angela observed, to concealing their feelings than women, it was easy to follow their emotional gamut. Jazz made them smile but with a certain wistfulness if only they had time for dancing now, just now when the mood was on them ! The young woman looking at the gathering of shabby pedestrians, worn business men and ruminative errand boys felt for them a pity not untinged with satisfaction. She had taken what she wanted while the mood was on her. Love songs, particularly those of the sorrowful ballad variety brought to these unmindful faces a strained regret. But there was one expression which Angela could only half interpret. It drifted on to those listening countenances usually at the playing of old Irish and Scottish tunes. She noticed then an acuter attitude of attention, the eyes took on a look of inwardness of utter remote- 90 HHHHHHHHHHHPLUM BUNHHHHHHHHHHM^ ness. A passer-by engrossed in thought caught a strain and at once his gait and expression fell under the spell. The listeners might be as varied as fifteen people may be, yet for the moment they would be caught in a common, almost cosmic nostalgia. If the next piece were jazz that particular crowd would disperse, its members going on their meditative ways, blessed or cursed with heaven knew what memories which must not be disturbed by the strident jangling of the latest popular song. " Homesick," Angela used to say to herself. And she would feel so, too, though she hardly knew for what, certainly not for Philadelphia and that other life which now seemed so removed as to have been impossible. And she made notes in her sketch book to enable her some day to make a great picture of these " types " too. Of course she was being unconscionably idle; but as her days were filled to overflowing with the impact of new impressions, this signified nothing. She could not guess what life would bring her. For the moment it seemed to her both wise and amusing to sit with idle hands and see what would happen. By a not inexplicable turn of mind she took to going very frequently to the cinema where most things did happen. She found herself studying the screen with a strained and ardent intensity, losing the slight patronizing scepticism which had once been hers with regard to the adventures of these shadowy heroes and 9' **HHHHHHHHH-PLUM BUNHHHHHMHHHS*** heroines; so utterly unforeseen a turn had her own experiences taken. This time last year she had never dreamed of, had^hardly dared to long for a life as free and as full as hers was now and^was promising to be. Yet here she was on the thresh- hold of a career totally different from anything that a scenario writer could envisage. Oh yes, she knew that hundreds, indeed thousands of white coloured people " went over to the other side ", but that was just the point, she knew the fact without knowing hitherto any of the possi bilities of the adventure. Already Philadelphia and her trials were receding into the distance. Would these people, she wondered, glancing about her in the soft gloom of the beautiful theatre, begrudge her, if they knew, her cherished freedom and sense of unrestraint? If she were to say to this next woman for instance, "I'm coloured," would she show the occasional dog-in-the-manger attitude of certain white Americans and refuse to sit by her or make a complaint to the usher? But she had no intention of making such an announce ment. So she spent many happy, irresponsible, amused hours in the marvellous houses on Broad way or in the dark commonplaceness of her beloved Fourteenth Street. There was a theatre, too, on Seventh Avenue just at the edge of the Village, which she came to frequent, not so much for the sake of the plays, which were the same as elsewhere, as for the sake of the audience, a curiously intimate sort of audience made of numerous still more intimate groups. Their members seemed both purposeful and leisurely, When she came here her loneliness palled on her, however. All unaware her lace took 92 on the wistfulness of the men gazing in the music store. She wished she knew some of these pleasant people. It came to her that she was neglecting her Art. " And it was for that that I broke away from every thing and came to New York. I must hunt up some classes." This she felt was not quite true, then the real cause rushed up to the surface of her mind : " And perhaps I'll meet some people.'* She enrolled in one of the art classes in Cooper Union. This, after all, she felt would be the real beginning of her adventure. For here she must make acquaintances and one of them, perhaps several, must produce some effect on her life, per haps alter its whole tenor. And for the first time she would be seen, would be met against her new background or rather, against no background. No boyish stowaway on a ship had a greater exuberance in going forth to meet the unknown than had Angela as she entered her class that first after noon. In the room were five people, working steadily and chatting in an extremely desultory way. The instructor, one of the five, motioned her to a seat whose position made her one of the group. He set up her easel and as she arranged her material she glanced shyly but keenly about her. For the first time she realized how lonely she had been. She thought with a joy which surprised her self: " Within a week I'll be chatting with them too; perhaps going to lunch or to tea with one of them," She arranged herself for a better view, 93 HH~HHHHHHHhPLUM BUNHHHHHHHHHHHf- The young woman nearest her, the possessor of a great mop of tawny hair and smiling clear, slate- grey eyes glanced up at her and nodded, " Am I in your way? " Except for her hair and eyes she was nondescript. A little beyond sat a coloured girl of medium height and build, very dark, very clean, very reserved. Angela, studying her with inner secret knowledge, could feel her constantly withdrawn from her companions. Her refinement was conspicuous but her reserve more so; when asked she passed and received erasers and other articles but she herself did no borrowing nor did she initiate any conversation. Her squarish head capped with a mass of unnaturally straight and unnaturally burnished hair possessed a kind of ugly beauty. Angela could not tell whether her features were good but blurred and blunted by the soft night of her skin or really ugly with an ugliness lost and plunged in that skin's deep con cealment. Two students were still slightly behind her. She wondered how she could best contrive to see them. Someone said: "Hi, there! Miss New One, havejyow got a decent eraser? all mine are on the blink." Not so sure whether or not the term applied to herself she turned to meet the singularly intent gaze of a slender girl with blue eyes, light chestnut hair and cheeks fairly blazing with some unguessed excitement. Angela smiled and offered her eraser. " It ought to be decent, it's new." c Yes, it's a very good one; many thanks. I'll try not to trouble you again. My name's Paulette Lister, what's yours? " " Angele Mory." She had changed it thus 94 *H"HHHHHHHHhPLUM slightly when she came to New York. Some troubling sense of loyalty to her father and mother had made it impossible for her to do away with it altogether. " Mory," said a young man who had been working just beyond Paulette; " that's Spanish. Are you by any chance? " " I don't think so." " He is," said Paulette. " His name is Anthony Cruz isn't that a lovely name? But he changed it to Cross because no American would ever pronounce the z right, and he didn't want to be taken for a widow's cruse." " That's a shameful joke," said Cross, " but since I made it up, I think you might give me a chance to spring it, Miss Lister. A poor thing but mine own. You might have a heart." " Get even with her, why don't you, by intro ducing her as Miss Blister? " asked Angela, highly diverted by the foolish talk. Several people came in then, and she discovered that she had been half an hour too early, the class was just beginning. She glanced about at the newcomers, a beautiful Jewess with a pearly skin and a head positively foaming with curls, a tall Scandinavian, an obvious German, several more Americans. Not one of them made the photograph on her mind equal to those made by the coloured girl whose name, she learned, was Rachel Powell, the slate-eyed Martha Burden, Paulette Lister and Anthony Cross. Her prediction came true. With in a week she was on jestingly intimate terms with every one of them except Miss Powell, who lent her belongings, borrowed nothing, and spoke only when she was spoken to. At the end of ten days 95 BUNHHHHHHHHHHHf* Miss Burden asked Angela to come and have lunch " at the same place where I go ". On an exquisite afternoon she went to Harlem. At One Hundred and Thirty-fifth Street she left the 'bus and walked through from Seventh Avenue to Lenox, then up to One Hundred and Forty- seventh Street and back down Seventh Avenue to One Hundred and Thirty-ninth Street, through this to Eighth Avenue and then weaving back and forth between the two Avenues through Thirty- eighth, Thirty-seventh down to One Hundred and Thirty-fifth Street to Eighth Avenue where she took the Elevated and went back to the New York which she knew. But she was amazed and impressed at this bust ling, frolicking, busy, laughing great city within a greater one. She had never seen coloured life so thick, so varied, so complete. Moreover, just as this city reproduced in microcosm all the important features of any metropolis, so undoubtedly life up here was just the same, she thought dimly, as life anywhere else. Not all these people, she realized, glancing keenly at the throngs of black and brown, yellow and white faces about her were servants or underlings or end men. She saw a beautiful woman all brown and red dressed as exquisitely as anyone she had seen on Fifth Avenue. A man's sharp, high-bred face etched itself on her memory, the face of a professional man perhaps, it might be an artist. She doubted that; he might of course be a musician, but it was unlikely that he would be her kind of an artist, for how could he 96 HHHHh* * * '>*HIPLUM BUNHH^HHHHHHHHf** exist? Ah, there lay the great difference. In all material, even in all practical things these two worlds were alike, but in the production, the foster ing of those ultimate manifestations, this world was lacking, for its people were without the means or the leisure to support them and enjoy. And these were the manifestations which she craved, together with the freedom to enjoy them. No, she was not sorry that she had chosen as she had, even though she could now realize that life viewed from the angle of Opal and Jefferson Streets in Phila delphia and that same life viewed from One Hundred and Thirty-fifth Street and Seventh Avenue in New York might present bewilderingly different facets. Unquestionably there was something very fascin ating, even terrible, about this stream of life, it seemed to her to run thicker, more turgidly than that safe, sublimated existence in which her new friends had their being. It was deeper, more mightily moving even than the torrent of Four teenth Street. Undoubtedly just as these people, for she already saw them objectively, doubly so, once with her natural remoteness and once with the remoteness of her new estate, just as these people could suffer more than others, just so they could enjoy themselves more. She watched the moiling groups on Lenox Avenue; the amazingly well-dressed and good-looking throngs of young men on Seventh Avenue at One Hundred and Thirty-seventh and Thirty-fifth Streets. They were gossiping, laughing, dickering, chaffing, com bining the customs of the small town with the astonishing cosmopolitanism of their clothes and manners. Nowhere down town did she see life G 97 -HHHh-iHHh**HH-PLUM BUN-fr********** like this. Oh, all this was fuller, richer, not finer but richer with the difference in quality that there is between velvet and silk. Harlem was a great city, but after all it was a city within a city, and she was glad, as she strained for last glimpses out of the lurching " L " train, that she had cast in her lot with the dwellers outside its dark and serried tents. CHAPTER II " WHERE do you live? " asked Paulette, " when you're not here at school? " Angela blushed as she told her. " In a hotel? In Union Square? Child, are you a millionaire? Where did you come from? Don't you care anything about the delights of home? Mr. Cross, come closer. Here is this poor child living benightedly in a hotel when she might have two rooms at least in the Village for almost the same price." Mr. Cross came closer but without saying any thing. He was really, Angela thought, a very serious, almost sad young man. He had never continued long the bantering line with which he had first made her acquaintance. She explained that she had not known where to go. " Often I've thought of moving, and of course I'm spending too much money for what I get out of it, I've the littlest room." Paulette opened her eyes very wide which gave an onlooker the e fleet of seeing suddenly the blue sky very close at hand. Her cheeks took on a flaming tint. She was really a beautiful, even fascinating girl or woman, Angela never learned which, for she never knew her age. But her fascina tion did not rest on her looks, or at least it did not arise from that source; it was more the result of 99 her manner. She was so alive, so intense, so inter ested, if she were interested, that all her nerves, her emotions even were enlisted to accomplish the end which she might have in view. And withal she possessed the simplicity of a child. There was an unsuspected strength about her also that was oddly at variance with the rather striking fragility of her appearance, the trustingness of her gaze, the limpid unaflectedness of her manner. Mr. Gross, Angela thought negligently, must be in love with her; he was usually at her side when they sketched. But later she came to see that there was nothing at all between these two except a certain friendly appreciation tempered by a wary kind ness on the part of Mr. Gross and a negligent generosity on the part of Paulette. She displayed no negligence of generosity in her desire and eagerness to find Angela a suitable apartment. She did hold out, however, with amazing frankness for one " not too near me but also not too far away ". But this pleased the girl, for she had been afraid that Paulette would insist on offering to share her own apart ment and she would not have known how to refuse. She had the complete egoist's desire for solitude. Paulette lived on Bank Street; she found for her new friend " a duck, just a duck, no other word will describe it, of an apartment " on Jayne Street, two rooms, bath and kitchenette. There was also a tiny balcony giving on a mews. It was more than Angela should have afforded, but the ease with which her affairs were working out gave her an assurance, almost an arrogance of confidence. Besides she planned 100 to save by getting her own meals. The place was already furnished, its former occupant was preparing to go to London for two or more years. " Two years," Angela said gaily, " everything in the world can happen to me in that time. Oh I wonder what will have happened; what I will be like ! " And she prepared to move in her slender store of possessions. Anthony, prompted, she suspected by Paulette, offered rather shyly to help her. It was a rainy day, there were several boxes after all, and taxis were scarce, though finally he captured one for her and came riding back in triumph with the driver. After wards a few books had to be arranged, pictures must be hung. She had an inspiration. " You tend to all this and I'll get you the best dinner you ever tasted in your life." Memories of Monday night dinners on Opal Street flooded her memory. She served homely, filling dishes, " fit for a drayman," she teased him. There were corn-beef hash, roasted sweet potatoes, corn pudding, and, regardless of the hour, muffins. After supper she refused to let him help her with the dishes but had him rest in the big chair in the living-room while she laughed and talked with him from the kitchenette at a distance of two yards. Gradually, as he sat there smoking, the sadness and strain faded out of his thin, dark face, he laughed and jested like any other normal young man. When he bade her good-bye he let his slow dark gaze rest in hers for a long silent moment. She closed the door and stood laughing, arranging her hair before the mirror. 101 BUNHHHHHHHHHH^ " Of course he's loads better looking, but some thing about him makes me think of Matthew Henson. But nothing doing, young-fellow-me-lad. Spanish and I suppose terribly proud. I wonder what he'd say if he really knew? " She was to go to Paulette's to dinner. "Just we two," stipulated Miss Lister. " Of course, I could have a gang of men, but I think it will be fun for us to get acquainted." Angela was pleased; she was very fond of Paulette, she liked her for her generous, capable self. And she was not quite ready for meeting men. She must know something more about these people with whom she was spending her life. Anthony Cross had been affable enough, but she was not sure that he, with his curious sadness, his half-proud, half-sensitive tendency to withdrawal, were a fair enough type. However, in spite of Paulette's protestations, there were three young men standing in her large, dark living-room when Angela arrived. " But you've got to go at once," said Paulette, laughing but firm; " here is my friend, isn't she beautiful? We've too many things to discuss without being bothered by you." " Paulette has these fits of cruelty," said one of the three, a short, stocky fellow with an ugly, sensitive face. " She'd have made a good Nero. But anyway I'm glad I stayed long enough to see you. Don't let her hide you from us altogether." Another man made a civil remark; the third one standing back in the gloomy room said nothing, but the girl caught the impression of tallness 102 BUNHHHHHHHHHHHS' and blondness and of a pair of blue eyes which stared at her intently. She felt awkward and showed it. " See, you've made her shy," said Paulette accusingly. " I won't bother introducing them, Angele, you'll meet them all too soon." Laugh ing, protesting, the men filed out, and their un willing hostess closed the door on them with sincere lack of regret. " Men," she mused can didly. " Of course we can't get along without them any more than they can without us, but I get tired of them, they're nearly all animals. I'd rather have a good woman friend any day." She sighed with genuine sincerity. " Yet my place is always full of men. Would you rather have your chops rare or well done? I like mine cooked to a cinder." Angela preferred hers well done. " Stay here and look around; see if I have anything to amuse you." Catching up an apron she vanished into some smaller and darker retreat which she called her kitchen. The apartment consisted of the whole floor of a house on Bank Street, dark and constantly within the sound of the opening front door and the noises of the street. " But you don't have the damned stairs when you come in late at night," Paulette explained. The front room was, Angela supposed, the bedroom, though the only reason for this supposition was the appearance of a dressing-table and a wide, flat divan about one foot and a half from the floor, covered with black or purple velvet. The dressing table was a good piece of mahogany, but the chairs were indifferently of the kitchen variety and of the sort which, magazines affirm, may be made out of 103 BUNHHHHMHHHHMS'* a large packing box. In the living room, where the little table was set, the same anomaly pre vailed; the china was fine, even dainty, but the glasses were thick and the plating had begun to wear off the silver ware. On the other hand the pictures were unusual, none of the stereotyped things; instead Angela remarked a good copy of Breughel's " Peasant Wedding ", the head of Bernini and two etchings whose authors she did not know. The bookcase held two paper bound volumes of the poems of Beranger and Villon and a little black worn copy of Heine. But the other books were high-brow to the point of austerity: Ely, Shaw and Strindberg. " Perhaps you'd like to wash your hands? " called Paulette. " There's a bathroom down the corridor there, you can't miss it. You may have some of my favourite lotion if you want it up there on the shelf." Angela washed her hands and looked up for the lotion. Her eyes opened wide in amazement. Beside the bottle stood a man's shaving mug and brush and a case of razors. The meal, " for you can't call it a dinner," the cook remarked candidly, was a success. The chops were tender though smoky; there were spinach, potatoes, tomato and lettuce salad, rolls, coffee and cheese. Its rugged quality surprised Angela not a little; it was more a meal for a work ing man than for a woman, above all, a woman of the faery quality of Paulette. " I get so tired," she said, lifting a huge mouthful, " if I don't eat heartily; besides it ruins my temper to go hungry." Her whole attitude toward the meal was so masculine and her appearance so daintily 104 feminine that Angela burst out laughing, ex plaining with much amusement the cause of her merriment. " I hope you don't mind," she ended, " for of course you are conspicuously feminine. There's nothing of the man about you." To her surprise Paulette resented this last statement. " There is a great deal of the man about me. I've learned that a woman is a fool who lets her femininity stand in the way of what she wants. I've made a philosophy of it. I see what I want; I use my wiles as a woman to get it, and I employ the qualities of men, tenacity and ruthlessness, to keep it. And when I'm through with it, I throw it away just as they do. Consequently I have no regrets and no encumbrances." A packet of cigarettes lay open on the table and she motioned to her friend to have one. Angela refused, and sat watching her inhale in deep respirations; she had never seen a woman more completely at ease, more assuredly mistress of herself and of her fate. When they had begun eating Paulette had poured out two cocktails, tossing hers off immediately and finishing Angela's, too, when the latter, finding it too much like machine oil for her taste, had set it down scarcely diminished. " You'll get used to them if you go about with these men. You'll be drinking along with the rest of us." She had practically no curiosity and on the other hand no reticences. And she had met with every conceivable experience, had visited France, Ger many and Sweden; she was now contemplating a trip to Italy and might go to Russia; she would 105 go now, in fact, if it were not that a friend of hers, Jack Hudson, was about to go there, too, and as she was on the verge of having an affair with him she thought she'd better wait. She didn't relish the prospect of such an event in a foreign land, it put you too much at the man's mercy. An affair, if you were going to have one, was much better conducted on your own pied a terre. " An affair? " gasped Angela. " Yes, why, haven't you ever had a lover? " " A lover? " " Goodness me, are you a poll parrot? Why yes, a lover. I've had " she hesitated before the other's complete amazement, " I've had more than one, I can tell you." " And you've no intention of marrying? " " Oh I don't say that; but what's the use of tying yourself up now while you're young? And then, too, this way you don't always have them around your feet; you can always leave them or they'll leave you. But it's better for you to leave them first. It insures your pride." With her babyish face and her sweet, high voice she was like a child babbling precociously. Yet she seemed bathed in intensity. But later she began to talk of her books and of her pictures, of her work and on all these subjects she spoke with the same sub dued excitement; her eye\ flashed, her cheeks grew scarlet, all experience meant life to her in various manifestations. She had been on a news paper, one of the New York dailies; she had done press-agenting. At present she was illustrating for a fashion magazine. There was no end to her versatilities. 106 BUN^HHHHHHHf^HHi* Angela said she must go. " But you'll come again soon, won't you, Angele? " A wistfulness crept into her voice. "I do so want a woman friend. When a woman really is your friend she's so dependable and she's not expecting anything in return." She saw her guest to the door. " We could have some wonderful times. Good-night, Angele." Like a child she lifted her face to be kissed. Angela's first thought as she walked down the dark street was for the unfamiliar name by which Paulette had called her. For though she had signed herself very often as Angele, no one as yet used it. Her old familiar formula came to her: " I wonder what she would think if she knew." But of one thing she was sure : if Paulette had been in her place she would have acted in exactly the same way. " She would have seen what she wanted and would have taken it," she murmured and fell to thinking of the various confidences which Paulette had bestowed upon her, though so frank and unreserved were her remarks that " confidences " was hardly the name to apply to them. Certainly, Angela thought, she was in a new world and with new people. Beyond question some of the coloured people of her acquaintance must have lived in a manner which would not bear inspection, but she could not think of one who would thus have discussed it calmly with either friend or stranger. Wondering what it would be like to conduct oneself absolutely accord ing to one's own laws, she turned into the dark little vestibule on Jayne Street. As usual the Jewish girl who lived above her was standing blurred in the 107 thick blackness of the hall, and as usual Angela did not realize this until, touching the button and turning on the light, she caught sight of Miss Salting straining her face upwards to receive her lover's kiss. 108 CHAPTER III FROM the pinnacle of her satisfaction in her studies, in her new friends and in the joke which she was having upon custom and tradition she looked across the class-room at Miss Powell who pre served her attitude of dignified reserve. Angela thought she would try to break it down; on Wed nesday she asked the coloured girl to have lunch with her and was pleased to have the invitation accepted. She had no intention of taking the girl up as a matter either of patronage or of loyalty. But she thought it would be nice to offer her the ordinary amenities which their common student life made natural and possible. Miss Powell it appeared ate generally in an Automat or in a cafeteria, but Angela knew of a nice tea-room. "It's rather arty, but they do serve a good meal and it's cheap." Unfortunately on Wednesday she had to leave before noon; she told Miss Powell to meet her at the little restaurant. " Go in and get a table and wait for me, but I'm sure I'll be there as soon as you will." After all she was late, but, what was worse, she found to her dismay that Miss Powell, instead of entering the tea-room, had been awaiting her across the street. There were no tables and the two had to wait almost fifteen minutes before being served, !'}'$-}* -3 4-8 *"MPLUM BUNS- "Why cm earth didn't you go in?" asked Angela a trifle impatiently, "you could have held the table." Miss Powell answered imper- turbably: "Because I didn't know how they would receive me if I went in by myself." Angela could not pretend to misunderstand her. " Oh, I think they would have been all right," she murmured, blushing at her stupidity. How quickly she had forgotten those fears and uncer tainties. She had never experienced this sort of difficulty herselfj but she certainly knew of them from Virginia and others. The lunch was not a particularly pleasant one. Either Miss Powell was actually dull or she had made a resolve never to let herself go in the presence of white people; perhaps she feared being misunderstood, perhaps she saw in such encounters a lurking attempt at sociological in vestigations; she would lend herself to no such procedure, that much was plain. Angela could feel her effort to charm, to invite confidence, glance upon and fall back from this impenetrable armour. She had been amazed to find both Paulette and Martha Burden already gaining their living by their sketches. Miss Burden indeed was a caricaturist of no mean local reputation; Anthony Cross was frankly a commercial artist, though he hoped some day to be a recognised painter of portraits. She was curious to learn of Miss Powell's pros pects. Inquiry revealed that the young lady had one secret aspiration; to win or earn enough money to go to France and then after that, she said with sudden ardour, " anything could happen ". To this end she had worked, saved, scraped, gone without pleasures and clothes. Her no > *} -Ml '3 -3 ?** PLUM BUNHK***HHHHHH work was creditable, indeed above the average, but not sufficiently imbued, Angela thought, with the divine promise to warrant this sublimation of normal desires. Miss Powell seemed to read her thought. " And then it gives me a chance to show America that one of us can stick ; that we have some idea above the ordinary humdrum of existence." She made no attempt to return the luncheon but she sent Angela one day a bunch of beautiful jonquils, and made no further attempt at friend ship. To one versed in the psychology of this proud, sensitive people the reason was perfectly plain. " You've been awfully nice to me and I appreciate it but don't think Pm going to thrust myself upon you. Your ways and mine lie along different paths." Such contacts, such interpretations and inves tigations were making up her life, a life that for her was interesting and absorbing, but which had its perils and uncertainties. She had no purpose, for it was absurd for her, even with her ability, to consider Art an end. She was using it now deliber ately, as she had always used it vaguely, to get in touch with interesting people and with a more attractive atmosphere. And she was spending money too fast; she had been in New York eight months, and she had already spent a thousand dollars. At this rate her little fortune which had seemed at first inexhaustible would last her less than two years; at best, eighteen months more. Then she must face, what? Teaching again? in BUNHHHHHHHHHHHf* Never, she'd had enough of that. Perhaps she could earn her living with her brush, doing menu cards, Christmas and birthday greetings, flowers, Pierrots and Pierrettes on satin pillow tops. She did not relish that. True there were the specialities of Paulette and of Martha Burden, but she lacked the deft sureness of the one and the slightly mordant philosophy underlying the work of the other. Her own speciality she felt sure lay along the line of reproducing, of interpreting on a face the emotion which lay back of that expression. She thought of her Fourteenth Street " types ", that would be the sort of work which she would really enjoy, that and the depicting of the countenance of a purse-proud but lonely man, of the silken inanity of a society girl, of the smiling despair of a harlot. Even in her own mind she hesi tated before the use of that terrible word, but association was teaching her to call a spade a spade. Yes, she might do worse than follow the example of Mr. Cross and become a portrait painter. But somehow she did not want to have to do this; necessity would, she was sure, spoil her touch; besides, she hated the idea of the position in which she would be placed, fearfully placating and flatter ing possible patrons, hurrying through with an order because she needed the cheque, accepting patronage and condescension. No, she hoped to be sought after, to have the circumstances which would permit her to pick and choose, to refuse if the whim pleased her. It should mean something to be painted by " Mory ". People would say, "I'm going to have my portrait done by ' Mory ' ". But all this would call for position, power, wealth, BUNHHHHHHHHHH-f And again she said to herself . . . " I might marry a white man. Marriage is the easiest way for a woman to get those things, and white men have them." But she knew only one white man, Anthony Gross, and he would never have those qualities, at least not by his deliberate seeking. They might come eventually but only after long years. Long, long years of struggle with realities. There was a simple, genuine stead fastness in him that made her realize that he would seek for the expression of truth and of himself even at the cost of the trimmings of life. And she was ashamed, for she knew that for the vanities and gewgaws of a leisurely and irresponsible existence she would sacrifice her own talent, the integrity of her ability to interpret life, to write down a history with her brush. Martha Burden was as strong and as pronounced a personage as Paulette; even stronger perhaps because she had the great gift of silence. Paulette, as Angela soon realized, lived in a state of con stant defiance. " I don't care what people think," was her slogan; men and women appealed to her in proportion to the opposition which they, too, proclaimed for the established thing. Angela was surprised that she clung as persistently as she did to a friendship with a person as conventional and reactionary as herself. But Martha Burden was not like that. One could not tell whether or not she was thinking about other people's opinions. It was probable that the other people and their attitude never entered her mind. She was cool H 113 and slightly aloof, with the coolness and aloofness of her slaty eyes and her thick, tawny hair. Neither the slatiness nor the tawniness proclaimed warmth only depth, depth and again depth. It was impossible to realize what she would be like if im passioned or deeply stirred to anger. There would probably be something implacable, god-like about her; she would be capable of a long, slow, steady burning of passion. Few men would love Martha though many might admire her. But a man once enchanted might easily die for her. Angela liked her house with its simple elegance, its fine, soft curtains and steady, shaded glow of light that stood somehow for home. She liked her husband, Ladislas Starr, whom Martha produced without a shade of consciousness that this was the first intimation she had given of being married. They were strong individualists, molten and blended in a design which failed to obscure their emphatic personalities. Their apartment in the Village was large and neat and sunny; it bore no trace of palpable wealth, yet nothing conducing to comfort was lacking. Book-cases in the dining- room and living-room spilled over; the Nation, the Mercury, the Crisis, a magazine of the darker races, left on the broad arm of an easy chair, mutely invited; it was late autumn, almost winter, but there were jars of fresh flowers. The bedroom where Angela went to remove her wrap was dainty and restful. The little gathering to which Martha had in vited her was made up of members as strongly individual as the host and hostess. They were all specialists in their way, and specialists for the most part in some offshoot of a calling or movement HHHHHHHHHHhPLUM BUNHHHHHHHHMHH^ which was itself already highly specialized. Martha presented a psychiatrist, a war correspondent, " I'm that only when there is a war of course," he explained to Angela's openly respectful gaze, a dramatist, a corporation lawyer, a white-faced, conspicuously beautiful poet with a long evasive Russian name, two press agents, a theatrical manager, an actress who played only Shakespeare roles, a teacher of defective children and a medical student who had been a conscientious objector and had served a long time at Leavenworth. He lapsed constantly into a rapt self-communing from whch he only roused himself to utter fiery tirades against the evils of society. In spite of their highly specialised interests they were all possessed of a common ground of knowledge in which such subjects as Russia, Consumers' Leagues, and the coming presidential election figured most largely. There was much laughter and chaffing but no airiness, no per siflage. One of the press agents, Mrs. Cecil, entered upon a long discussion with the corpora tion lawyer on a Bill pending before Congress; she knew as much as he about the matter and held her own in a long and almost bitter argu ment which only the coming of refreshments broke up. Just before the close of the argument two other young men had come in, but Angela never learned their vocation. Furthermore she was interested in observing the young teacher of defective children. She was coloured; small and well-built, exquisitely dressed, and of a beautiful tint, all bronze and soft red, " like Jinny " thought Angela, a little aston ished to observe how the warmth of her appearance ^HHHHHHHHhPLUM overshadowed or rather overshone everyone else in the room. The tawniness even of Miss Burden's hair went dead beside her. The only thing to cope with her richness was the classical beauty of the Russian poet's features. He seemed unable to keep his eyes away from her; was punctiliously attentive to her wants and leaned forward several times during the long political discussion to whisper low spoken and apparently amusing comments. The young woman, perfectly at ease in her deep chair, received his attentions with a slightly detached, amused objectivity; an objectivity which she had for everyone in the room including Angela at whom she had glanced once rather sharply. But the detachment of her manner was totally different from Miss Powell's sensitive dignity. Totally without self-consciousness she let her warm dark eyes travel from one face to another. She might have been saying: " How far you are away from the things that really matter, birth and death and hard, hard work ! " The Russian poet must have realized this, for once Angela heard him say, leaning forward, " Tou think all this is futile, don't you? " Martha motioned for her to wait a moment until most of the other guests had gone, then she came forward with one of the two young men who had come in without introduction. " This is Roger Fielding, he'll see you home." He was tall and blond with deeply blue eyes which smiled on her as he said: " Would you like to walk or ride? It's raining a little." Angela said she preferred to walk. 116 " All right then. Here, Starr, come across with that umbrella I lent you." They went out into the thin, tingling rain of late Autumn. " I was surprised," said Roger, " to see you there with the high-brows. I didn't think you looked that way when I met you at Paulette's." " We've met before? I'm I'm sorry, but I don't seem to remember you." " No I don't suppose you would. Well, we didn't exactly meet; I saw you one day at Paul ette's. That's why I came this evening, because I heard you'd be here and I'd get a chance to see you again; but I was surprised because you didn't seem like that mouthy bunch. They make me tired taking life so plaguey seriously. Martha and her old high-brows ! " he ended ungratefully. Angela, a little taken back with the frankness of his desire to meet her, said she hadn't thought they were serious. "Not think them serious? Great Scott! what kind of talk are you used to? You look as though you'd just come out of a Sunday-school ! Do you prefer bible texts? " But she could not explain to him the picture which she saw in her mind of men and women at her father's home in Opal Street, the men talking painfully of rents, of lynchings, of building and loan associations; the women of child-bearing and the sacrifices which must be made to put Gertie through school, to educate Howard. " I don't mean for any of my children to go through what I did." And in later years in her own first maturity, young Henson and Sawyer and the 117 BUNHMMHHHHHHHf-* others in the tiny parlour talking of ideals and in evitable sacrifices for the race; the burnt-offering of individualism for some dimly glimpsed racial whole. This was seriousness, even sombreness, with a great sickening vital upthrust of reality. But these other topics, peaks of civilization superimposed upon peaks, she found, even though interesting, utterly futile. They had reached the little hall now. " We must talk loud," she whispered. " Why? " he asked, speaking obediently very loud indeed. " Wait a minute; no, she's not there. The girl above me meets her young man here at night and just as sure as I forget her and come in quietly there they are in the midst of a kiss. I suspect she hates me." In his young male sophistication he thought at first that this was a lead, but her air was so gay and so childishly guileless that he changed his opinion. " Though no girl in this day and time could be as simple and innocent as she looks." But aloud he said, " Of course she doesn't hate you, nobody could do that. I assure you I don't." She thought his gallantries very amusing. " Well, it relieves me to hear you say so; that'll keep me from worrying for one night at least." And withdrawing her hand from his retaining grasp, she ran upstairs. A letter from Virginia lay inside the door, Getting ready for bed she read it in bits. 118 *HHHH~HHHHHhPLUM BUNHHHHMMHHHMM^ " Angela darling, wouldn't it be fun if I were to come to New York too? Of course you'd keep on living in your Village and I'd live in famous Harlem, but we'd both be in the same city, which is where two only sisters ought to be, dumb I calls it to live apart the way we do. The man out at the U. of P. is crazy to have me take an exam, in music; it would be easy enough and much better pay than I get here. So there are two perfectly good reasons why I should come. He thinks I'll do him credit and I want to get away from this town." Then between the lines the real reason betrayed itself : " I do have such awful luck. Edna Brown had a party out in Merion not long ago and Matthew took me. And you know what riding in a train can do for me, well that night of all nights I had to become car-sick. Matthew had been so nice. He came to see me the next morning, but, child, he's never been near me from that day to this. I suppose a man can't get over a girl's being such a sight as I was that night. Can't things be too hateful ! " Angela couldn't help murmuring: " Imagine anyone wanting old Matthew so badly that she's willing to break up her home to get over him. Now why couldn't he have liked her instead of me?" And pondering on such mysteries she crept into bed. But she fell to thinking again about the evening she had spent with Martha and the people whom she had met. And again it seemed to her that they represented an almost alarmingly un necessary class. If any great social cataclysm were to happen they would surely be the first to be swept out of the running. Only the real people could survive. Even Paulette's mode of living, it seemed to her, had something more forthright and vital. 120 CHAPTER IV IN the morning she was awakened by the ringing of the telephone. The instrument was an extrava gance, for, save for Anthony's, she received few calls and made practically none. But the woman from whom she had taken the apartment had per suaded her into keeping it. Still, as she had never indicted the change in ownership, its value was small. She lay there for a moment blinking drowsily in the thin but intensely gold sunshine of December thinking that her ears were deceiving her. Finally she reached out a rosy arm, curled it about the edge of the door jamb and, reaching the little table that stood in the other room just on the other side of the door, set the instrument up in her bed. The apartment was so small that almost everything was within arm's reach. " Hello," she murmured sleepily. " Oh, I thought you must be there; I said to myself: ' She couldn't have left home this early '. What time do you go to that famous drawing class of yours anyway? J> " I beg your pardon ! Who is this speaking, please? " " Why, Roger, of course, Roger Fielding. Don't say you've forgotten me already. This is Angele, isn't it? " 121 BUNHHHHHHHHHHHi' " Yes this is Angele Mory speaking, Mr. Field ing." " Did I o fiend your Highness, Miss Mory? Will you have lunch with me to-day and let me tell you how sorry I am? " But she was lunching with Anthony. " I have an engagement." " Of course you have. Well, will you have tea, dinner, supper to-day, breakfast and all the other meals to-morrow and so on for a week? You might just as well say ' yes ' because I'll pester you till you do." "I'm engaged for tea, too, but I'm not really as popular as I sound. That's my last engagement for this week; I'll be glad to have dinner with you." " Right-oh ! Now don't go back and finish up that beauty sleep, for if you're any more charm ing than you were last night I won't answer for myself. I'll be there at eight." Inexperienced as she was, she was still able to recognize his method as a bit florid; she preferred, on the whole, Anthony's manner at lunch when he leaned forward and touching her hand very lightly said: "Isn't it great for us to be here! I'm so content, Angele. Promise me you'll have lunch with me every day this week. I've had a streak of luck with my drawings." She promised him, a little thrilled herself with his evident sincerity and with the niceness of the smile which so transfigured his dark, thin face, robbing it of its tenseness and strain. Still something, some vanity, some vague pre monition of adventure, led her to linger over her 122 BUN^HHHHHHHHHH^ dressing for the dinner with Roger. There was never very much colour in her cheeks, but her skin was warm and white; there was vitality beneath her pallor; her hair was warm, too, long and thick and yet so fine that it gave her little head the e fleet of being surrounded by a nimbus of light; rather wayward, glancing, shifting light for there were little tendrils and wisps and curls in front and about the temples which no amount of coaxing could subdue. She touched up her mouth a little, not so much to redden it as to give a hint of the mondaine to her appearance. Her dress was flame-colour Paulette had induced her to buy it, of a plain, rather heavy beautiful glowing silk. The neck was high in back and girlishly modest in front. She had a string of good arti ficial pearls and two heavy silver bracelets. Thus she gave the e fleet of a flame herself; intense and opaque at the heart where her dress gleamed and shone, transparent and fragile where her white warm neck and face rose into the tenuous shadow of her hair. Her appearance excited herself. Roger found her delightful. As to women he considered himself a connoisseur. This girl pleased him in many respects. She was young; she was, when lighted from within by some indescribable mechanism, even beautiful; she had charm and, what was for him even more important, she was puzzling. In repose, he noticed, studying her closely, her quiet look took on the resemblance of an arrested movement, a composure on tip-toe so to speak, as though she had been stopped in the swift transition from one mood to another. And back of that momentary cessation of action 123 HHf^HHHHHHhPLUM one could see a mind darting, quick, restless, indefatigable, observing, tabulating perhaps even mocking. She had for him the quality of the foreigner, but she gave this quality an objectivity as though he were the stranger and she the well- known established personage taking note of his peculiarities and apparently boundlessly diverted by them. But of all this Angela was absolutely unaware. No wonder she was puzzling to Roger, for, in addition to the excitement which she a young woman in the high tide of her youth, her health, and her beauty would be feeling at receiving in the proper setting the devotion and attention which all women crave, she was swimming in the flood of excitement created by her unique position. Stolen waters are the sweetest. And Angela never forgot that they were stolen. She thought: " Here I am having everything that a girl ought to have just because I had sense enough to suit my actions to my appearance." The realization, the secret fun bubbling back in some hidden recess of her heart, brought colour to her cheeks, a certain temerity to her manner. Roger pondered on this quality. If she were reckless ! The dinner was perfect; it was served with elegance and beauty. Indeed she was surprised at the surroundings, the grandeur even of the hotel to which he had brought her. She had no idea of his means, but had supposed that his circumstances were about those of her other new friends; probably he was better off than Anthony, whose poverty she instinctively sensed, and she judged that his income, whatever it might be, 124 BUN* was not so perilous as Paulette's. But she would have put him on the same footing as the Starrs. This sort of expenditure, however, meant money, " unless he really does like me and is splurging this time just for me ". The idea appealed to her vanity and gave her a sense of power; she looked at Roger with a warm smile. At once his intent, considering gaze filmed; he was already leaning toward her but he bent even farther across the perfect little table and asked in a low, eager tone: " Shall we stay here and dance or go to your house and talk and smoke a bit? " " Oh we'll stay and dance; it would be so late by the time we get home that we'd only have a few minutes." Presently the golden evening was over and they were in the vestibule at Jayne Street. Roger said very loudly: " Where's that push button? " Then lower: " Well, your young lovers aren't here to-night either. I'm beginning to think you made that story up, Angele." She assured him, laughing, that she had told the truth. " You come here some time and you'll see them for yourself." But she wished she could think of something more ordinary to say. His hands held hers very tightly; they were very strong and for the first time she noticed that the veins stood up on them like cords. She tried to pull her own away and he released them and, taking her key, turned the lock in the inner door, then stood looking down at her. " Well I'm glad they're not here to-night to take their revenge." And as he handed her back the key he kissed her on the lips. His knowledge 125 of women based on many, many such experiences, told him that her swift retreat was absolutely unfeigned. As on a former occasion she stood, after she had gained her room, considering herself in the glass. She had been kissed only once before, by Matthew Henson, and that kiss had been neither as casual nor as disturbing as this. She was thrilled, excited, and vaguely displeased. " He is fresh, I'll say that for him." And subsiding into the easy chair she thought for a long time of Anthony Cross and his deep respectful ardour. In the morning there were flowers. From the class-room she went with Paulette to deliver the latter's sketches. " Have tea to-day with me; we'll blow ourselves at the Ritz. This is the only time in the month that I have any money, so we'll make the best of it." Angela looked about the warm, luxurious room at the serene, luxurious women, the super-groomed, super-deferential, tremendously confident men. She sighed. " I love all this, love it." Paulette, busy blowing smoke-rings, nodded. " I blew sixteen that time. Watch me do it again. There's nothing really to this kind of life, you know." " Oh don't blow smoke-rings ! It's the only thing in the world that can spoil your looks. What do you mean there's nothing to it?" 126 " Well for a day-in-and-day-out existence, it just doesn't do. It's too boring. It's fun for you and me to drift in here twice a year when we've just had a nice, fat cheque which we've got to spend. But there's nothing to it for every day; it's too much like reaching the harbour where you would be. The tumult and the shout ing are all over. I'd rather live just above the danger line down on little old Bank Street, and think up a way to make five hundred dollars so I could go to the French Riviera second class and bum around those little towns, Villefranche, Beaulieu, Cagnes, you must see them, Angele and have a spanking affair with a real man with honest to God blood in his veins than to sit here and drink tea and listen to the nothings of all these tame tigers, trying you out, seeing how much it will take to buy you." Angela was bewildered by this outburst. " I thought you said you didn't like affairs unless you could conduct them on your own pied d terre." " Did I? Well that was another time not to-day. By the way, what would you say if I were to tell you that I'm going to Russia? " She glanced at her friend with the bright shame- lessness of a child, for she knew that Angela had heard of Jack Hudson's acceptance as newspaper correspondent in Moscow. " I wouldn't say anything except that I'd much rather be here in the warmth and cleanliness of the Ritz than be in Moscow where I'm sure it will be cold and dirty." c That's because you've never wanted anyone." Her face for a moment was all desire. Beautiful 127 but terrible too. " She actually looks like Hetty Daniels," thought Angela in astonishment. Only, alas, there was no longer any beauty in Hetty's face. " When you've set your heart on anybody or on anything there'll be no telling what you'll do, Angele. For all your innocence you're as deep, you'll be as desperate as Martha Burden once you're started. I know your kind. Well, if you must play around in the Ritz, etcet., etcet., I'll tell Roger Fielding. He's a good squire and he can afford it." " Why? Is he so rich? " " Rich ! If all the wealth that he no, not he, but his father if all the wealth that old man Field ing possesses were to be converted into silver dollars there wouldn't be space enough in this room, big as it is, to hold it." Angela tried to envisage it. " And Roger, what does he do? " " Spend it. What is there for him to do? Nothing except have a good time and keep in his father's good graces. His father's some kind of a personage and all that, you know, crazy about his name and his posterity. Roger doesn't dare get drunk and lie in the gutter and he mustn't make a misalliance. Outside of that the world's his oyster and he eats it every day. There's a boy who gets everything he wants." " What do you mean by a misalliance? He's not royalty." " Spoken like a good American. No, he's not. But he mustn't marry outside certain limits. No chorus girl romances for his father. The old man BUN** ********** wouldn't care a rap about money but he would insist on blue blood and the Mayflower. The funny thing is that Roger, for all his appearing so democratic, is that way too. But of course he's been so run after the marvel is that he's as unspoiled as he is. But it's the one thing I can't stick in him. I don't mind a man's not marrying me; but I can't forgive him if he thinks I'm not good enough to marry him. Any woman is better than the best of men." Her face took on its intense, burning expression; one would have said she was consumed with excitement. Angela nodded, only half-listening. Roger a multi-millionaire ! Roger who only two nights ago had kissed and mumbled her fingers, his eyes avid and yet so humble and beseeching! " One thing, if you do start playing around with Roger be careful. He's a good bit of a rotter, and he doesn't care what he says or spends to gain his ends." She laughed at the inquiry in her friend's eyes. " No, I've never given Roger five minutes' thought. But I know his kind. They're dangerous. It's wrong for men to have both money and power; they're bound to make some woman suffer. Come on up the Avenue with me and I'll buy a hat. I can't wear this whang any longer. It's too small, looks like a peanut on a barrel." Angela was visual minded. She saw the days of the week, the months of the year in little narrow divisions of space. She saw the past years of her 129 HHHHHHHh**HhPLUM BUN-HHHHHHHHHK* life falling into separate, uneven compartments whose ensemble made up her existence. Whenever she looked back on this period from Christmas to Easter she saw a bluish haze beginning in a white mist and flaming into something red and terrible; and across the bluish haze stretched the name: Roger. Roger! She had never seen anyone like him: so gay, so beautiful, like a blond, glorious god, so overwhelming, so persistent. She had not liked him so much at first except as one likes the sun or the sky or a singing bird, anything jolly and free. There had been no touching points for their minds. He knew nothing of life except what was pleasurable; it is true his idea of the pleasurable did not always coincide with hers. He had no fears, no restraints, no worries. Yes, he had one; he did not want to offend his father. He wanted ardently and unswervingly his father's money, he did not begrudge his senior a day, an hour, a moment of life; about this he had a queer, unselfish sincerity. The old financial war horse had made his fortune by hard labour and pitiless fighting. He had given Roger his being, the entree into a wonderful existence. Already he bestowed upon him an annual sum which would have kept several families in comfort. If Roger had cared to save for two years he need never have asked his father for another cent. With any kind of luck he could have built up for himself a second colossal fortune. But he did not care to do this. He did not wish his father one instant's loss of life or of its enjoyment. But he did want final possession of those millions. Angela liked him best when he talked about 130 " my dad " ; he never mentioned the vastness of his wealth, but by now she could not have helped guessing even without Paulette's aid that he was a wealthy man. She would not take jewellery from him, but there was a steady stream of flowers, fruit, candy, books, fine copies of the old masters. She was afraid and ashamed to express a longing in his presence. And with all this his steady, constant attendance. And an odd watchfulness which she felt but could not explain. " He must love me," she said to herself, think ing of his caresses. She had been unable to keep him from kissing her. Her uneasiness had amused and charmed him: he laughed at her Puritanism, succeeded in shaming her out of it. " Child, where have you lived? Why there's nothing in a kiss. If I didn't kiss you I couldn't come to see you. And I have to see you, Angele ! " His voice grew deep; the expression in his eyes made her own falter. Yet he did not ask her to marry him. " But I suppose it's because he can see I don't love him yet." And she wondered what it would be like to love. Even Jinny knew more about this than she, for she had felt, perhaps still did feel, a strong affection for Matthew Henson. Well, anyway, if they married she would pro bably come to love him; most women learned to love their husbands. At first after her con versation with Paulette about Roger she had rather expected a diminution at any time of his attentions, for after all she was unknown ; from Roger's angle she would be more than outside the pale. But she was sure now that he loved and HHHHHHHHHHKPLUM BUNHHHHHHHHHHH' would want to marry her, for it never occurred to her that men bestowed attentions such as these on a passing fancy. She saw her life rounding out like a fairy tale. Poor, coloured coloured in America; unknown, a nobody! And here at her hand was the forward thrust shadow of love and of great wealth. She would do lots of good among coloured people; she would see that Miss Powell, for instance, had her scholarship. Oh she would hunt out girls and men like Seymour Porter, she had almost forgotten his name, or was it Arthur Sawyer? and give them a taste of life in its fullness and beauty such as they had never dreamed of. To-night she was to go out with Roger. She wore her flame-coloured dress again ; a pretty green one was also hanging up in her closet, but she wore the flame one because it lighted her up from within lighted not only her lovely, fine body but her mind too. Her satisfaction with her appearance let loose some inexplicable spring of gaiety and merriment and simplicity so that she seemed almost daring. Roger, sitting opposite, tried to probe her mood, tried to gauge the invitation of her manner and its possibilities. She touched him once or twice, familiarly; he thought almost possessively. She seemed to be within reach now if along with that accessibility she had recklessness. It was this attribute which for the first time to-night he thought to divine within her. If in addition to her insatiable interest in life for she was always asking him about people and places, she possessed this recklessness, then indeed he might put to her a proposal which had been hanging on his lips for 132 weeks and months. Something innocent, pathetic ally untouched about her had hitherto kept him back. But if she had the requisite daring ! They were dining in East Tenth Street in a small cafe small contrasted with the Park Avenue Hotel to which he had first taken her. But about them stretched the glitter and perfection of crystal and silver, of marvellous napery and of obsequious service. Everything, Angela thought, looking about her, was translated. The slight odour of food was, she told Fielding, really an aroma: the mineral water which he was drinking be cause he could not help it and she because she could not learn to like wine, was nectar; the bread, the fish, the courses were ambrosia. The food, too, in general was to be spoken of as viands. " Vittles, translated," she said laughing. " And you, you, too, are translated. Angele, you are wonderful, you are charming," his lips answered but his senses beat and hammered. Intoxicated with the magic of the moment and the surroundings, she turned her smiling countenance a little nearer, and saw his face change, darken. A cloud over the sun. " Excuse me," he said and walked hastily across the room back of her. In astonishment she turned and looked after him. At a table behind her three coloured people (under the direction of a puzzled and troubled waiter,) were about to take a table. Roger went up and spoke to the head- waiter authoritatively, even angrily. The latter glanced about the room, nodded obsequiously and crossing, addressed the little group. There was a hasty, slightly acrid discussion. Then the 133 three filled out, past Angela's table this time, their heads high. She turned back to her plate, her heart sick. For her the evening was ended. Roger came back, his face flushed, triumphant, " Well I put a spoke in the wheel of those ' coons ' ! They forget themselves so quickly, coming in here spoiling white people's appetites. I told the manager if they brought one of their damned suits I'd be responsible. I wasn't going to have them here with you, Angele. I could tell that night at Martha Burden's by the way you looked at that girl that you had no time for darkies. I'll bet you'd never been that near to one before in your life, had you? Wonder where Martha picked that one up." She was silent, lifeless. He went on recounting instances of how effectively he had " spoked the wheel " of various coloured people. He had black balled Negroes in Harvard, aspirants for small literary or honour societies. " I'd send 'em all back to Africa if I could. There's been a darkey up in Harlem's got the right idea, I understand; though he must be a low brute to cave in on his race that way; of course it's merely a matter of money with him. He'd betray them all for a few thousands. Gosh, if he could really pull it through I don't know but what I'd be willing to finance it." To this tirade there were economic reasons to oppose, tenets of justice, high ideals of humanity. But she could think of none of them. Speechless, she listened to him, her appetite fled. ' What's the matter, Angele? Did it make you sick to see them? " 134 BUNHHHMMHHMHHHS* " No, no not that. I I don't mind them; you're mistaken about me and that girl at Martha Burden's. It's you, you're so violent. I didn't know you were that way ! " " And I've made you afraid of me? Oh, I don't want to do that." But he was flattered to think that he had affected her. " See here, let's get some air. I'll take you for a spin around the Park and then run you home." But she did not want to go to the Park; she wanted to go home immediately. His little blue car was outside; in fifteen minutes they were at Jayne Street. She would not permit him to come inside, not even in the vestibule; she barely gave him her hand. " But Angele, you can't leave me like this; why what have I done? Did it frighten you be cause I swore a little? But I'd never swear at you. Don't go like this." She was gone, leaving him staring and non plussed on the sidewalk. Lighting a cigarette, he climbed back in her car. " Now what the devil ! " He shifted his gears. " But she likes me. I'd have sworn she liked me to-night. Those damn niggers ! I bet she's thinking about me this He would have lost his bet. She was thinking about the coloured people. She could visualize them all so plainly; she could interpret their changing expressions as com pletely as though those changes lay before her in a book. There were a girl and two men, one 135 young, the other the father perhaps of either of the other two. The fatherly-looking person, for so her mind docketed him, bore an expression of readiness for any outcome whatever. She knew and understood the type. His experiences of surprises engendered by this thing called prejudice had been too vast for them to appear to him as surprises. If they were served this was a lucky day; if not he would refuse to let the incident shake his stout spirit. It was to the young man and the girl that her interest went winging. In the mirror behind Roger she had seen them entering the room and she had thought: " Oh, here are some of them fighting it out again. O God ! please let them be served, please don't let their evening be spoiled." She was so happy herself and she knew that the reception of fifty other maitres d'hotel could not atone for a rebuff at the beginning of the game. The young fellow was nervous, his face tense, thus might he have looked going to meet the enemy's charge in the recent Great War; but there the odds were even; here the cards were already stacked against him. Presently his ex pression would change for one of grimness, determination and despair. Talk of a lawsuit would follow; apparently did follow; still a law suit at best is a poor substitute for an evening's fun. But the girl, the girl in whose shoes she herself might so easily have been ! She was so clearly a nice girl, with all that the phrase implies. To Angela watching her intently and yet with the in difference of safety she recalled Virginia, so slender, so appealing she was and so brave. So 136 very brave! Ah, that courage! It affected at first a gay hardihood: " Oh I know it isn't cus tomary for people like us to come into this cafe, but everything is going to be all right." It met Angela's gaze with a steadiness before which her own quailed, for she thought: " Oh, poor thing! perhaps she thinks that I don't want her either." And when the blow had fallen the courage had had to be translated anew into a comforting assurance. " Don't worry about me, Jimmy," the watching guest could just hear her. " Indeed, indeed it won't spoil the evening, I should say not; there're plenty of places where they'd be all right. We just happened to pick a lemon." The three had filed out, their heads high, their gaze poised and level. But the net result of the evening's adventure would be an increased cyni cism in the elderly man, a growing bitterness for the young fellow, and a new timidity in the girl, who, even after they had passed into the street, could not relieve her feelings, for she must comfort her baffled and goaded escort. Angela wondered if she had been half as con soling to Matthew Henson, was it just a short year ago? And suddenly, sitting immobile in her arm-chair, her evening cloak slipping unnoticed to the floor, triumph began to mount in her. Life could never cheat her as it had cheated that coloured girl this evening, as it had once cheated her in Philadephia with Matthew. She was free, free to taste life in all its fullness and sweetness, in all its minutest details. By exercising sufficient courage to employ the unique weapon which an accident of heredity had placed in her grasp she 137 HHhHHMHhHHhPLUM BUNHHHHHHMMHHh* was able to master life. How she blessed her mother for showing her the way ! In a country where colour or the lack of it meant the difference between freedom and fetters how lucky she was ! But, she told herself, she was through with Roger Fielding. 138 CHAPTER V Now it was Spring, Spring in New York. Wash ington Square was a riot of greens that showed up bravely against the great red brick houses on its north side. The Arch viewed from Fifth Avenue seemed a gateway to Paradise. The long deep streets running the length of the city invited an exploration to the ends where pots of gold doubt less gleamed. On the short crosswise streets the April sun streamed in splendid banners of deep golden light. In two weeks Angela had seen Roger only once. He telephoned every day, pleading, beseeching, entreating. On the one occasion when she did permit him to call there were almost tears in his eyes. " But, darling, what did I do? If you'd only tell me that. Perhaps I could explain away whatever it is that's come between us." But there was nothing to explain she told him gravely, it was just that he was harder, more cruel than she had expected; no, it wasn't the coloured people, she lied and felt her soul blushing, it was that now she knew him when he was angry or displeased, and she could see how ruthless, how determined he was to have things his way. His willingness to pay the costs of the possible lawsuit had filled her with a sharp fear. What could one do against a man, against a group of men such as he and his 139 BUN* * kind represented who would spend time and money to maintain a prejudice based on a silly, time-worn tradition? Yet she found she did not want to lose sight of him completely. The care, the attention, the flattery with which he had surrounded her were beginning to produce their effect. In the beautiful but slightly wearying balminess of the Spring she missed the blue car which had been constantly at her call; eating a good but homely meal in her little living room with the cooking odours fairly overwhelming her from the kitchenette, she found herself longing unconsciously for the dainty food, the fresh Spring delicacies which she knew he would be only too glad to procure for her. Shamefacedly she had to acknowledge that the separation which she was so rigidly enforcing meant a difference in her tiny exchequer, for it had now been many months since she had regularly taken her main meal by herself and at her own expense. To-day she was especially conscious of her dependence upon him, for she was to spend the afternoon in Van Cortlandt Park with Anthony. There had been talk of subways and the Elevated. Roger would have had the blue car at the door and she would have driven out of Jayne Street in state. Now it transpired that Anthony was to deliver some drawings to a man, a tricky customer, whom it was best to waylay if possible on Saturday afternoon. Much as he regretted it he would probably be a little late. Angela, therefore, to save time must meet him at Seventy-second Street. Roger would never have made a request like that; he would have brought his lawyer or his business 140 BUNHHHHHHHHHHH^ man along in the car with him and, dismissing him with a curt " Well I'll see if I can finish this to-morrow," would have hastened to her with his best Walter Raleigh manner, and would have pro duced the cloak, too, if she would but say so. Per haps she'd have to take him back. Doubtless later on she could manage his prejudices if only he would speak. But how was she to accomplish that? Still it was lovely being here with Anthony in the park, so green and fresh, so new with the recurring newness of Spring. Anthony touched her hand and said as he had once before, " I'm so content to be with you, Angel. I may call you Angel, mayn't I? You are that to me, you know. Oh if you only knew how happy it makes me to be content, to be satisfied like this. I could get down on my knees and thank God for it like a little boy." He looked like a little boy as he said it. " Happiness is a hard thing to find and harder still to keep." She asked him idly, " Haven't you always been happy? " His face underwent a startling change. Not only did the old sadness and strain come back on it, but a great bitterness such as she had never before seen. " No," he said slowly as though thinking through long years of his life. " I haven't been happy for years, not since I was a little boy. Never once have I been happy nor even at ease until I met you." But she did not want him to find his happiness in her. That way would only lead to greater un- happiness for him. So she said, to change the subject: " Could you tell me about it? " 141 BUN-HHHHHHHHH-* But there was nothing to tell, he assured her, his face growing darker, grimmer. " Only my father was killed when I was a little boy, killed by his enemies. I've hated them ever since; I never stopped hating them until I met you." But this was just as dangerous a road as the other plus the possibilities of re-opening old wounds. So she only shivered and said vaguely, " Oh, that was terrible ! Too terrible to talk about. I'm sorry, Anthony ! " And then as a last desperate topic: "Are you ever going back to Brazil?" For she knew that he had come to the United States from Rio de Janeiro. He had spent Christ mas at her house, and had shown her pictures of the great, beautiful city and of his mother, a slender, dark-eyed woman with a perpetual sad ness in her eyes. The conversation languished. She thought: " It must be terrible to be a man and to have these secret hates and horrors back of one." Some Spanish feud, a matter of hot blood and ready knives, a sudden stroke, and then this deadly memory for him. " No," he said after a long pause. "I'm never going back to Brazil. I couldn't." He turned to her suddenly. " Tell me, Angel, what kind of girl are you, what do you think worth while? Could you, for the sake of love, for the sake of being loyal to the purposes and vows of someone you loved, bring yourself to endure privation and hardship and misunderstanding, hardship that would be none the less hard because it really could be avoided? " She thought of her mother who had loved her father so dearly, and of the wash-days which she 142 BUNHHHH^HHHHHHHf- had endured for him, the long years of household routine before she and Jinny had been old enough to help her first with their hands and then with their earnings. She thought of the little, dark, shabby house, of the made-over dresses and turned coats. And then she saw Roger and his wealth and his golden recklessness, his golden keys which could open the doors to beauty and ease and decency ! Oh, it wasn't decent for women to have to scrub and work and slave and bear children and sacrifice their looks and their pretty hands, she saw her mother's hands as they had always looked on wash day, they had a white, boiled appearance. No, she would not fool herself nor Anthony. She was no sentimentalist. It was not likely that she, a girl who had left her little sister and her home to go out to seek life and happiness would throw it over for poverty, hardship. If a man loved a woman how could he ask her that? So she told him gently: " No, Anthony, I couldn't," and watched the blood drain from his face and the old look of unhappiness drift into his eyes. He answered inadequately. " No, of course you couldn't." And turning over, he had been sitting on the grass at her feet he lay face downward on the scented turf. Presently he sat up and giving her a singularly sweet but wistful smile, said: " I almost touched happiness, Angele. Did you by any chance ever happen to read Browning's ( Two in the Roman Campagna '? " But she had read very little poetry except what had been required in her High School work, and certainly not Browning. \ BUN-HH5* He began to interpret the fragile, difficult beauty of the poem with its light but sure touch on evanescent, indefinable feeling. He quoted: " How is it under our control To love or not to love? " And again: " Infinite yearning and the pang Of finite hearts that yearn." They were silent for a long time. And again she wondered how it would feel to love. He watched the sun drop suddenly below some tree tops and rose to his feet shivering a little as though its disappearance had made him immediately cold. " ' So the good moment goes.' Come, Angel, we'll have to hasten. It's getting dark and it's a long walk to the subway." The memory of the afternoon stayed by her, shrouding her thoughts, clinging to them like a tenuous, adhering mantle. But she said to herself: " There's no use thinking about that. I'm not going to live that kind of life." And she knew she wanted Roger and what he could give her and the light and gladness which he always radiated. She wanted none of Anthony's poverty and priva tion and secret vows, he meant, she supposed, some promise to devote himself to REAL ART, her visual mind saw it in capitals. Well, she was sick of tragedy, she belonged to a tragic race. 144 " God knows it's time for one member of it to be having a little fun." " Yes," she thought all through her class, paint ing furiously for she had taken up her work in earnest since Christmas " yes, I'll just make up my mind to it. I'll take Roger back and get mar ried and settle down to a pleasant, safe, beautiful life." And useful. It should be very useful. Perhaps she'd win Roger around to helping coloured people. She'd look up all sorts of down- and-outers and give them a hand. And she'd help Anthony, at least she'd offer to help him; she didn't believe he would permit her. Coming out of the building a thought occurred to her: "Take Roger back, but back to what? To his old status of admiring, familiar, generous friend? Just that and no more? " Here was her old problem again. She stopped short to con sider it. Martha Burden overtook her. " Planning the great masterpiece of the ages, Angele? Better come along and work it out by my fireside. I can give you some tea. Are you coming? " " Yes," said Angela, still absorbed. " Well," said Martha after they had reached the house. " I've never seen any study as deep as that. Come out of it Angele, you'll drown. You're not by any chance in love, are you? " " No," she replied, " at least I don't know. But tell me, Martha, suppose suppose I were in love with one of them, what do you do about it, how do you get them to propose? " Martha lay back and laughed. " Such candour have I not met, no, not in all Flapperdom. Angele^ K 145 if I could answer that I'd be turning women away from my door and handing out my knowledge to the ones I did admit at a hundred dollars a throw." " But there must be some way. Oh, of course, I know lots of them propose, but how do you get a proposal from the ones you want, the, the interesting ones? " " You really want to know? The only answer I can give you is Humpty Dumpty's dictum to Alice about verbs and adjectives: ' It depends on which is the stronger.' ' She interpreted for her young guest was clearly mystified. " It depends on (A) whether you are strong enough to make him like you more than you like him; (B) whether if you really do like him more than he does you you can conceal it. In other words, so far as liking is concerned you must always be ahead of the game, you must always like or appear to like him a little less than he does you. And you must make him want you. But you mustn't give. Oh yes, I know that men are always wanting women to give, but they don't want the women to want to give. They want to take, or at any rate to compel the giving." " It sounds very complicated, like some subtle game." A deep febrile light came into Martha's eyes. " It is a game, and the hardest game in the world for a woman, but the most fascinating; the hardest in which to strike a happy medium. You see, you have to be careful not to withhold too much and yet to give very little. If we don't give enough we lose them. If we give too much we lose our selves. Oh, Angele, God doesn't like women." BUNHHHHHHHS-HHf~H* " But," said Angela thinking of her own mother, " there are some women who give all and men like them the better for it." " Oh, yes, that's true. Those are the blessed among women. They ought to get down on their knees every 'day and thank God for permitting them to be their normal selves and not having to play a game." For a moment her still, proud face broke into deeps of pain. " Oh, Angele, think of loving and never, never being able to show it until you're asked for it; think of living a game every hour of your life ! " Her face quivered back to its normal immobility. Angela walked home through the purple twi light musing no longer on her own case but on this unexpected revelation. " Well," she said, "I certainly shouldn't like to love like that." She thought of Anthony : " A woman could be her true self with him." But she had given him up. If the thing to do were to play a game she would play one. Indeed she rather enjoyed the prospect. She was playing a game now, a game against public tradition on the one hand and family instinct on the other; the stakes were happiness and excitement, and almost anyone looking at the tricks which she had already taken would prophesy that she would be the winner. She decided to follow all the rules as laid down by Martha Burden and to add any workable ideas of her own. When Roger called again she was still unable to see him, but her voice was a shade less curt over the telephone; she did not cut him 147 H-* * * > * *HHHhPLUM BUNHHHH--HMMHHH5* off so abruptly. " I must not withhold too much," she reminded herself. He was quick to note the subtle change in intonation. " But you're going to let me come to see you soon, Angele," he pleaded. " You wouldn't hold out this way against me forever. Say when I may come." " Oh, one of these days; I must go now, Roger. Good-bye." After the third call she let him come to spend Friday evening. She heard the blue car rumbling in the street and a few minutes later he came literally staggering into the living-room so laden was he with packages. Flowers, heaps of spring posies had come earlier in the day, lilacs, jonquils, narcissi. Now this evening there were books and candy, handkerchiefs, " they were so dainty and they looked just like you," he said fearfully, for she had never taken an article of dress from him, two pictures, a palette and some fine brushes and last a hamper of all sorts of delicacies. " I thought if you didn't mind we'd have supper here; it would be fun with just us two." How much he pleased her he could not divine; it was the first time he had ever given a hint of any desire for sheer domesticity. Anthony had sought nothing better than to sit and smoke and watch her flitting about in her absurd red or violet apron. Matthew Henson had been speech less with ecstasy when on a winter night she had allowed him to come into the kitchen while she prepared for him a cup of cocoa. But Roger's palate had been so flattered by the concoctions of chefs famous in London, Paris and New York that he had set no store by her simple cooking. 148 Indeed his inevitable comment had been: " Here, what do you want to get yourself all tired out for? Let's go to a restaurant. It's heaps less bother." But to-night he, too, watched her with humble, delighted eyes. She realized that he was con scious of her every movement; once he tried to embrace her, but she whirled out of his reach without reproach but with decision. He subsided, too thankful to be once more in her presence to take any risks. And when he left he had kissed her hand. She began going about with him again, but with condescension, with kindness. And with the new vision gained from her talk with Martha she could see his passion mounting. " Make him want you," that was the second rule. It was clear that he did, no man could be as persevering as this other wise. Still he did not speak. They were to meet that afternoon in front of the school to go " any where you want, dear, Pm yours to command ". It was the first time that he had called for her at the building, and she came out a litttle early, for she did not want any of the three, Martha, Paulette, nor Anthony, to see whom she was meeting. It would be better to walk to the corner, she thought, they'd be just that much less likely to recognize him. She heard footsteps hurrying behind her, heard her name and turned to see Miss Powell, pleased and excited. She laid her hand on Angela's arm but the latter shook her off. Roger must not see her on familiar terms like this with a coloured girl for she felt that the afternoon portended something and she wanted no side issues. The coloured girl gave her a penetrating BUNHMHHHMHMHHHi* glance; then her habitual reserve settled down blotting out the eagerness, leaving her face blurred and heavy. " I beg your pardon, Miss Mory, I'm sure," she murmured and stepped out into the tempestuous traffic of Fourth Avenue. Angela was sorry; she would make it up to-morrow, she thought, but she had not dismissed her a moment too soon for Roger came rushing up, his car resplendent and resplendent himself in a grey suit, soft grey hat and blue tie. Angela looked at him approvingly. " You look just like the men in the advertising pages of the Saturday Evening Post," she said, and the fact that he did not wince under the compliment proved the depth of his devotion, for every one of his outer garments, hat, shoes, and suit, had been made to measure. They went to Coney Island. " The ocean will be there, but very few people and only a very few amusements," said Roger. They had a delightful time; they were like school children, easily and frankly amused; they entered all the booths that were open, ate pop-corn and hot dogs and other local dainties. And presently they were flying home under the double line of trees on Ocean Parkway and entering the bosky loveli ness of Prospect Park. Roger slowed down a little. "Oh," said Angela. "I love this car." He bent toward her instantly. " Does it please you? Did you miss it when you made me stay away from you? " She was afraid she had made a mistake: " Yes, but that's not why I let you come back." " I know that. But you do like it, don't you, comfort and beauty and dainty surroundings? " 150 BUN* " Yes," she said solemnly, " I love them all." He was silent then for a long, long time, his face a little set, a worried line on his forehead. " Well now what's he thinking about? " she asked herself, watching his hands and their clever manipulation of the steering wheel though his thoughts, she knew, were not on that. He turned to her with an air of having made up his mind. " Angele, I want you to promise to spend a day out riding with me pretty soon. I I have something I want to say to you." He was a worldly young man about town but he was actually mopping his brow. " I've got to go south for a week for my father, he owns some timber down there with which he used to supply saw mills but since the damned niggers have started running north it's been something of a weight on his hands. He wants me to go down and see whether it's worth his while to hold on to it any longer. It's so rarely that he asks anything of me along a business line that I'd hate to refuse him. But I'll be back the morning of the twenty-sixth. I'll have to spend the afternoon and evening with him out on Long Island but on the twenty-seventh could you go out with me? " She said as though all this preamble portended nothing: " I couldn't give you the whole day, but I'd go in the afternoon." " Oh," his face fell a little. " Well, the after noon then. Only of course we won't be able to go far out. Perhaps you'd like me to arrange a lunch and we'd go to one of the Parks, Central or the Bronx, or Van Cortlandt, - " " No, not Van Cortlandt," she told him. That park was sacred to Anthony Cross. M-H-W-H-HHKPLUM BUNHHHHHHMMHHf-* " Well, wherever you say. We can settle it even that day. The main thing is that you'll go." She said to herself. "Aren't men funny! He could have asked me five times over while he was making all these arrangements." But she was immensely relieved, even happy. She felt very kindly toward him; perhaps she was in love after all, only she was not the demonstrative kind. It was too late for him to come in, but they sat in the car in the dark security of Jayne Street and she let him take her in his arms and kiss her again again. For the first time she returned his kisses. Weary but triumphant she mounted the stairs almost stumbling from a sudden, overwhelming fatigue. She had been under a strain ! But it was all over now; she had conquered, she had been the stronger. She had secured not only him but an assured future, wealth, protection, influence, even power. She herself was power, like the women one reads about, like Cleopatra, Cleo patra's African origin intrigued her, it was a fitting comparison. Smiling, she took the last steep stairs lightly, springily, suddenly rein vigor ated. As she opened the door a little heap of letters struck her foot. Switching on the light she sat in the easy chair and incuriously turned them over. They were bills for the most part, she had had to dress to keep herself dainty and desirable for Roger. At the bottom of the heap was a letter from Virginia. When she became Mrs. Roger Fielding she would never have to worry about a bill again; how she would laugh when she remembered the small amounts for which these called! Never again would she feel the slight quake of dismay which always overtook her when she saw she words : " Miss Angele Mory in account with, " Out side of the regular monthly statement for gas she had never seen a bill in her father's house. Well, she'd have no difficulty in getting over her squeamish training. Finally she opened Jinny's letter. Her sister had written: " Angela I'm coming up for an exam, on the twenty-eighth. I'll arrive on the twenty-sixth or I could come the day before. You'll meet me, won't you? I know where I'm going to stay," she gave an address on isgth Street " but I don't know how to get there; I don't know your school hours, write and tell me so I can arrive when you're free. There's no reason why I should put you out." So Virginia was really coming to try her luck in New York. It would be nice to have her so near. " Though I don't suppose we'll be seeing so much of each other," she thought, absently reaching for her schedule. " Less than ever now, for I suppose Roger and I will live in Long Island; yes, that would be much wiser. I'll wear a veil when I go to meet her, for those coloured porters stare at you so and they never forget you." The twenty-seventh came on Thursday; she had classes in the morning ; well, Jinny would be coming in the afternoon anyway, and after twelve she had, Oh heavens that was the day, the day she was to 153 go out with Roger, the day that he would put the great question. And she wrote to Virginia: " Come the twenty-sixth. Honey, any time after four. I couldn't possibly meet you on the twenty- seventh. But the twenty-sixth is all right. Let me know when your train comes in and I'll be there. And welcome to our city." 154 CHAPTER VI THE week was one of tumult, almost of agony. After all, matters were not completely settled, you never could tell. She would be glad when the twenty-seventh had come and gone, for then, then she would be rooted, fixed. She and Roger would marry immediately. But now he was so far away, in Georgia ; she missed him and evidently he missed her for the first two days brought her long tele grams almost letters. " I can think of nothing but next Thursday, are you thinking of it too? " The third day brought a letter which said practically the same thing, adding, " Oh, Angele, I wonder what you will say ! " " But he could ask me and find out," she said to herself and suddenly felt assured and triumphant. Every day thereafter brought her a letter reiterat ing this strain. " And I know how he hates to write ! " The letter on Wednesday read, " Darling, when you get this I'll actually be in New York; if I can I'll call you up but I'll have to rush like mad so as to be free for Thursday, so perhaps I can't manage." She made up her mind not to answer the tele phone even if it did ring, she would strike one last note of indifference though only she herself would be aware of it. 155 BUNHHMHHHMHHHM5* It was the day on which Jinny was to arrive. It would be fun to see her, talk to her, hear all the news about the queer, staid people whom she had left so far behind. Farther now than ever. Matthew Henson was still in the post-office, she knew. Arthur Sawyer was teaching at Sixteenth and Fitzwater; she could imagine the sick distaste that mantled his face every time he looked at the hideous, discoloured building. Porter had taken his degree in dentistry but he was not prac tising, on the contrary he was editing a small weekly, getting deeper, more and more hopelessly into debt she was sure. ... It would be fun some day to send him a whopping cheque; after all, he had taken a chance just as she had; she recognized his revolt as akin to her own, only he had not had her luck. She must ask Jinny about all this. It was too bad that she had to meet her sister, but she must. Just as likely as not she'd be car sick and then New York was terrifying for the first time to the stranger, she had known an instant's sick dread herself that first day when she had stood alone and ignorant in the great rotunda of the station. But she was different from Jinny; nothing about life ever made her really afraid; she might hurt herself, suffer, meet disappointment, but life could not alarm her; she loved to come to grips with it, to force it to a standstill, to yield up its treasures. But Jinny although brave, had secret fears, she was really only a baby. Her little sister ! For the first time in months she thought of her with a great surge of sisterly tenderness. It was time to go. She wore her most un- 156 BUN^HHHHHHHHHH^ obtrusive clothes, a dark blue suit, a plain white silk shirt, a dark blue, bell-shaped hat a cloche small and fitting down close over her eyes. She pulled it down even farther and settled her modish veil well over the tip of her nose. It was one thing to walk about the Village with Miss Powell. There were practically no coloured people there. But this was different. Those curious porters should never be able to recognize her. Seymour Porter had worked among them one summer at Broad Street station in Philadel phia. He used to say : " They aren't really curious, you know, but their job makes them sick; so they're always hunting for the romance, for the adventure which for a day at least will take the curse off the monotonous obsequiousness of their lives." She was sorry for them, but she could not permit them to remedy their existence at her expense. In her last letter she had explained to Jinny about those two troublesome staircases which lead from the train level of the New York Pennsyl vania Railroad ^station to] the street level. ;< There's no use my trying to tell you which one to take in order to bring you up to the right hand or to the left hand side of the elevator because I never know myself. So all I can say, dear, is when you do get up to the elevator just stick to it and eventually I'll see you or you'll see me as I revolve around it. Don't you move, for it might turn out that we were both going in the same direction." BUNHHHHHHH--HMH' True to her own instructions, she was stationed between the two staircases, jerking her neck now toward one staircase, now toward the other, stopping short to look at the elevator itself. She thrust up her veil to see better. A man sprinted by in desperate haste, brush ing so closely by her that the corner of his suit-case struck sharply on the thin inner curve of her knee. " My goodness ! " she exclaimed involuntarily. For all his haste he was a gentleman, for he pulled off his hat, threw her a quick backward glance and began: "I beg your why darling, darling, you don't mean to say you came to meet me ! " " Meet you ! I thought you came in this morning." It was Roger, Roger and the sight of him made her stupid with fear. He stooped and kissed her, tenderly, possess ively. " I did, oh Angela you are a beauty ! Only a beauty can wear plain things like that. I did come in this morning but I'm trying to catch Kirby, my father's lawyer, he ought to be coming in from Newark just now and I thought I'd take him down to Long Island with me for the night. I've got a lot of documents for him here in this suitcase that Georgia business was most complicated that way I won't have to hunt him up in the morning and I'll have more time to to arrange for our trip in the afternoon. What are you doing here? " What was she doing there? Waiting for her sister Jinny who was coloured and who showed it. And Roger hated Negroes. She was lost, ruined, unless she could get rid of him. She told the first lie that came into her mind, 158 *HHH~HHHH"H-PLUM BUN* * * * -HHHHHS* " I'm waiting for Paulette." All this could be fixed up with Paulette later. Miss Lister would think as little of deceiving a man, any man, as she would of squashing a mosquito. They were fair game and she would ask no questions. His face clouded. " Can't say I'm so wild about your waiting for Paulette. Well we can wait together is she coming up from Philadelphia? That train's bringing my man too from Newark." He had the male's terrible clarity of under standing for train connections. ' What time does your train go to Long Island? I thought you wanted to get the next one." " Well, I'd like to but they're only half an hour apart. I can wait. Better the loss of an hour to-day than all of to-morrow morning. We can wait together; see the people are beginning to come up. I wish I could take you home but the minute he shows up I'll have to sprint with him." " Now God be on my side," she prayed. Sometimes these trains were very long. If Mr. Kirby were in the first car and Jinny toward the end that would make all of ten minutes' difference. If only she hadn't given those explicit directions ! There was Jinny, her head suddenly emerging into view above the stairs. She saw Angela, waved her hand. In another moment she would be flinging her arms about her sister's neck; she would be kissing her and saying, " Oh, Angela, Angela darling ! " And Roger, who was no fool, would notice the name Angela Angele; he would know no Coloured girl would make a mistake like this. 159 BUNHHHHHHHHHHH* She closed her eyes in a momentary faintness, opened them again. " What's the matter? " said Roger sharply, " are you sick? " Jinny was beside her. Now, now the bolt would fall. She heard the gay, childish voice saying laughingly, assuredly: " I beg your pardon, but isn't this Mrs. Hen rietta Jones? " Oh, God was good ! Here was one chance if only Jinny would understand ! In his astonish ment Roger had turned from her to face the speaker. Angela, her eyes beseeching her sister's from under her close hat brim, could only stammer the old formula: " Really you have the advantage of me. No, I'm not Mrs. Jones." Roger said rudely, " Of course she isn't Mrs. Jones. Come, Angle." Putting his arm through hers he stooped for the suitcase. But Jinny, after a second's bewildered but incredulous stare, was quicker even than they. Her slight figure, her head high, preceded them; vanished into a telephone booth. ^fRoger glared after her. " Well of all the damned cheek ! " For the first time in the pursuit of her chosen ends she began to waver. Surely no ambition, no pinnacle of safety was supposed to call fpr the sacrifice of a sister. She might be selfish, oh, undoubtedly she had been selfish all these months to leave Jinny completely to herself but she had never meant to be cruel. She tried to picture the 1 60 BUNHHHHHHHHHHH^ tumult of emotions in her sister's mind, there must have been amazement, oh she had seen it all on her face, the utter bewilderment, the incredu lity and then the settling down on that face of a veil of dignity and pride like a baby trying to harden its mobile features. She was in her apart ment again now, pacing the floor, wondering what to do. Already she had called up the house in 1 39th Street, it had taken her a half-hour to get the number for she did not know the householder's name and " Information " had been coy, but Miss Murray had not arrived yet. Were they expecting her? Yes, Miss Murray had written to say that she would be there between six and seven ; it was seven-thirty now and she had not appeared. Was there any message? " No, no! " Angela ex plained she would call again. But where was Jinny? She couldn't be lost, after all she was grown-up and no fool, she could ask directions. Perhaps she had taken a cab and in the evening traffic had been delayed, or had met with an accident. This thought sent Angela to the telephone again. There was no Miss Murray as yet. In her wanderings back and forth across the room she caught sight of herself in the mirror. Her face was flushed, her eyes shining with remorse and anxiety. Her vanity reminded her: " If Roger could just see me now ". Roger and to-morrow ! He would have to speak words of gold to atone for this breach which for his sake she had made in her sister's trust and aflecton. At the end of an hour she called again. Yes, Miss Murray had come in. So great was her relief that her knees sagged under her. Yes of L 161 HHHHHHHHHHhPLUM BUNHHHHHHHHHHH* course they would ask her to come to the telephone. After a long silence the voice rang again over the wire. " I didn't see her go out but she must have for she's not in her room." " Oh all right," said Angela, " the main thing was to know that she was there." But she was astonished. Jinny's first night in New York and she was out already ! She could not go to see her Thursday because of the engagement with Roger, but she'd make good the next day; she'd be there the first thing, Friday morning. Snatching up a sheet of note-paper she began a long letter full of apologies and excuses. " And I can't come to-morrow, darling, because as I told you I have a very important engagement, an engagement that means very much to me. Oh you'll under stand when I tell you about it." She put a special delivery stamp on the letter. Her relief at learning that Jinny was safe did not ease her guilty conscience. In a calmer mood she tried now to find excuses for herself, extenuat ing circumstances. As soon as Jinny understood all that was involved she would overlook it. After all, Jinny would want her to be happy. " And anyway," she thought to herself sulkily j " Mamma didn't speak to Papa that day that we were stand ing on the steps of the Hotel Walton." But she knew that the cases were not analogous; no prin ciple was involved, her mother's silence had not exposed her husband to insult or con tumely, whereas Roger's attitude to Virginia had been distinctly offensive. " And moreover," her thoughts continued with merciless clarity, " when a principle was at stake your mother never hesi tated a moment to let those hospital attendants 162 **HHHKHHHHHhPLUM BUNHHHHHHHHHHHf* know of the true status of affairs. In fact she was not aware that she was taking any particular stand. Her husband was her husband and she was glad to acknowledge that relationship." A sick distaste for her action, for her daily decep tion, for Roger and his prejudices arose within her. But with it came a dark anger against a country and a society which could create such an issue. And she thought: " If I had spoken to Jinny, had acknowledged her, what good would it have done me or her either? After it was all over she would have been exactly where she was before and I would have lost everything. And I do so want to be happy, to have a good time. At this very hour to-morrow I'll probably be one of the most envied girls in New York. And afterwards I can atone for it all. I'll be good to all sorts of people; I'll really help humanity, lots of coloured folks will be much better off on account of me. And if I had spoken to Jinny I could never have helped them at all." Once she murmured: "I'll help Jinny too, the darling ! She shall have everything in the world she wants." But in her heart she knew already that Jinny would want nothing. 163 CHAPTER VII THURSDAY came and Thursday sped as Thursdays will. For a long time Angela saw it as a little separate entity of time shut away in some hidden compartment of her mind, a compartment whose door she dreaded to open. On Friday she called up her sister early in the morning. " Is that you, Jinny? Did you get my letter? Is it all right for me to come up?" " Yes," said Jinny noncomittally, to all questions, then laconically: "But you'd better come right away if you want to catch me. I take the exam ination to-day and haven't much time." Something in the matter-of-factness of her reply disconcerted Angela. Yet there certainly was no reason why her sister should show any enthusiasm over seeing her. Only she did want to see her, to talk to some one of her very own to-day. She would like to burrow her head in Virginia's shoulder and cry! But a mood such as Jinny's voice indicated did not invite confidences. A stout brown-skinned bustling woman suggest ing immense assurance and ability opened the door. " Miss Murray told me that she was expecting some one. You're to go right on up. Her's is the room right next to the third storey front." 164 " She was expecting someone." Evidently Virginia had been discreet. This unexpected, unsought for carefulness carried a sting with it. " Hello/' said Jinny, casually thrusting a dishev elled but picturesque head out of the door. " Can you find your way in? This room's larger than any two we ever had at home, yet already it looks like a ship at sea." She glanced about the dis ordered place. " I wonder if this is what they mean by s shipshape '. Here I'll hang up this suit, then you can sit down. Isn't it a sweetie? Got it at Snellenburg's." She had neither kissed nor offered to shake hands with her sister, yet her manner was friendly enough, even cordial. " See I've bobbed my hair," she went on. " Like it? I'm wild about it even if it does take me forever to fix it." Stand ing before a mirror she began shaping the ends under with a curling iron. Angela thought she had never seen any one so pretty and so colourful. Jinny had always shown a preference for high colours; to-day she was revelling in them; her slippers were high heeled small red mules; a deep green dressing-gown hung gracefully from her slim shoulders and from its open collar flamed the rose and gold of her smooth skin. Her eyes were bright and dancing. Her hair, black, alive and curling, ended in a thick velvety straightness like cut plush. Angela said stiffly, " I hope I didn't get you up, telephoning so early." Virginia smiled, flushing a little more deeply under the dark gold of her skin. " Oh dear no ! I'd already had an earlier call than that this morn- ing." 165 BUNHHHHHHHHHHHS* " You had ! " exclaimed Angela, astonished. " I didn't know you knew anyone in New York." She remembered her sister's mysterious disap pearance the first night of her arrival. " And see here, Jinny, Pm awfully sorry about what hap pened the other night. I wouldn't have had it happen for a great deal. I wish I could explain to you about it." How confidently she had counted on having marvellous news to tell Vir ginia and now how could she drag to the light yesterday's sorry memory? "But I called you up again and again and you hadn't arrived and then when they finally did tell me that you had come, it appeared that you had gone out. Where on earth did you go? " Jinny began to laugh, to giggle in fact. For a moment she was the Virginia of her school days, rejoicing in some innocent mischief, full of it. "I wasn't out. There's a wash-room down the hall and I went there to wash my face, -- " it clouded a moment. " And when I came back I walked as I thought into my room. Instead of that I had walked into the room of another lodger. And there he sat -- " " Oh," said Angela inattentively. " I'm glad you weren't out. I was quite worried. Listen, Virginia," she began desperately, " I know you think that what I did in the station the other day was unspeakable; it seems almost impossible for me to explain it to you. But that man with me was a very special friend, -- " " He must have been indeed," Jinny inter rupted drily, " to make you cut your own sister." She was still apparently fooling with her hair, her head perched on one side, her eyes glued to the 1 66 HHHHHHHHHHhPLUM BUNHMMHHHHHHHH^ mirror. But she was not making much progress and her lips were trembling. Angela proceeded unheeding, afraid to stop. " A special friend, and we had come to a very crucial point in our relationship. It was with him that I had the engagement yesterday.'* " Well, what about it? Were you expecting him to ask you to marry him? Did he? " " No," said Angela very low, " that's just what he didn't do though he, he asked everything else." Virginia, dropping the hair-brush, swung about sharply. " And you let him talk like that? " " I couldn't help it once he had begun, I was so taken by surprise, and, besides, I think that his ultimate intentions are all right." " His ultimate intentions ! Why, Angela what are you talking about? You know perfectly well what his ultimate intentions are. Isn't he a white man? Well, what kind of intentions would he have toward a coloured woman? " " Simple ! He doesn't know I'm coloured. And besides some of them are decent. You must remember that I know something about these people and you don't, you couldn't, living that humdrum little life of yours at home." " I know enough about them and about men in general to recognize an insult when I hear one. Some men bear their character stamped right on their faces. Now this man into whose room t walked last night by mistake, " " I don't see how you can do very much talking walking into strange men's rooms at ten o'clock at night." 167 BUNHMHHHHHHHHMf- The triviality of the retort left Jinny dumb. It was their first quarrel. They sat in silence for a few minutes, for several minutes. Virginia, apparently completely com posed, was letting the tendrils of her mind reach far, far out to the ultimate possibilities of this impasse in relationship between herself and her sister. She thought: " I really have lost her, she's really gone out of my ken just as I used to lose her years ago when father and I would be singing 'The Dying Christian '. I'm twenty-three years old and I'm really all alone in the world." Up to this time she had always felt she had Angela's greater age and supposedly greater wisdom to fall back on, but she banished this conjecture forever. " Because if she could cut me when she hadn't seen me for a year for the sake of a man who she must have known meant to insult her, she certainly has no intention of openly acknowledging me again. And I don't believe I want to be a sister in secret. I hate this hole and corner busi ness." She saw again the scene in the station, herself at first so serene, so self-assured, Angela's confused coldness, Roger's insolence. Something hardened, grew cold within her. Even his arrogance had failed to bring Angela to her senses, and suddenly she remembered that it had been possible in slavery times for white men and women to mistreat their mulatto relations, their own flesh and blood, selling them into deeper slavery in the far South or stand ing by watching them beaten, almost, if not com- 168 pletely, to death. Perhaps there was something fundamentally different between white and coloured blood after all. Aloud she said : " You know before you went away that Sunday morning you said that you and I were different. Perhaps you're right, Angela; perhaps there is an extra infusion of white blood in your veins which lets you see life at another angle. If that's the case I have no right to judge you. You must forgive my ignorant comments." She began slipping into a ratine dress of old blue trimmed with narrow collars and cuffs and a tiny belt of old rose. Above the soft shades the bronze and black of her head etched themselves sharply; she might have been a dainty bird of Paradise cast in a new arrangement of colours but her tender face was set in strange and implacable lines. Angela looked at her miserably. She had not known just what, in her wounded pride and humiliation, she had expected to gain from her sister, but certainly she had hoped for some balm. And in any event not this cool aloofness. She had forgotten that her sister might be suffering from a wound as poignant as her own. The year had made a greater breach than she had anticipated; she had never been as outspoken, as frank with Virginia as the latter had been with her, but there had always been a common ground between them, a meeting place. In the household Jinny had had something of a reputation for her willingness to hear all sides of a story, to find an excuse or make one. An old aphorism of Hetty Daniels returned to her. " He who would have friends must show himself friendly." And she had done anything 169 BUN-HHHH^-HHHHH^ but that; she had neglected Jinny, had failed to answer her letters, had even planned, was it only day before yesterday ! to see very little of her in what she had dreamed would be her new sur roundings. Oh she had been shameful ! But she would make it up to Jinny now and then she could come to her at this, this crisis in her life which so frightened and attracted her. She was the more frightened because she felt that attraction. She would make her sister understand the desires and longings which had come to her in this strange, dear, free world, and then together they would map out a plan of action. Jinny might be a baby but she had strength. So much strength, said something within her, that just as likely as not she would say: " Let the whole thing go, Angela, Angela! You don't want to be even on the out skirts of a thing like this." Before she could begin her overtures Jinny was speaking. " Listen, Angela, I've got to be going. I don't know when we'll be seeing each other again, and after what happened Wednesday you can hardly expect me to be looking you up, and as you doubtless are very busy you'd hardly be coming 'way up here. But there are one or two things I want to talk to you about. First about the house." " About the house? Why it's yours. I've nothing more to do with it." " I know, but I'm thinking of selling it. There is such a shortage of houses in Philadel phia just now; Mr. Hallowell says I can get at least twice as much as father paid for it. And in that case you've some more money coming to you." 170 If only she had known of this, when? twenty- four hours earlier, how differently she might have received Roger's proposition. If she had met Vir ginia Wednesday and had had the talk for which she had planned! " Well of course it would be awfully nice to have some more money. But what I don't understand is how are you going to live? What are you going to do? " " If I pass this examination I'm coming over here, my appointment would be only a matter of a few months. I'm sure of that. This is May and I'd only have to wait until September. Well, I wouldn't be working this summer anyway. And there's no way in the world which I could fail to pass. In fact I'm really thinking of taking a chance and coming over here to substitute. Mr. Holloster, the University of Pennsylvania man, has been investigating and he says there's plenty of work. And I guess I'm due to have a change; New York rather appeals to me. And there cer tainly is something about Harlem ! " In spite of her careless manner Angela knew she was thinking about Matthew Henson. She stretched out her hand, pulled Jinny's head down on her shoulder. " Oh darling, don't worry about him. Matthew really wasn't the man for you." " Well," said Virginia, " as long as I think he was, the fact that he wasn't doesn't make any real difference, does it? At least not at first. But I certainly shan't worry about it." " No don't, I, " It was on the tip of her tongue to say " I know two or three nice young men whom you can play around with. I'll intro duce you to them." But could she? Jinny 171 understood her silence; smiled and nodded. " It's all right, honey, you can't do anything; you would if you could. We've just got to face the fact that you and I are two separate people and we've got to live our lives apart, not like the Siamese twins. And each of us will have to go her chosen way. After all each of us is seeking to get all she can out of life ! and if you can get more out of it by being white, as you undoubtedly can, why, why shouldn't you? Only it seems to me that there are certain things in living that are more fundamental even than colour, but I don't know. I'm all mixed up. But evidently you don't feel that way, and you're just as likely to be right as me." "Jinny!" " My dear, I'm not trying to reproach you. I'm trying to look at things without sentiment. After all, in a negative way, merely by saying nothing, you're disclaiming your black blood in a country where it is an inconvenience, oh ! there's not a doubt about that. You may be proud of it, you may be perfectly satisfied with it I am but it certainly can shut you out of things. So why shouldn't you disclaim a living manifestation of that blood? " Before this cool logic Angela was silent. Virginia looked at her sister, a maternal look oddly apparent on her young face. When she was middle-aged she would be the embodiment of motherhood. How her children would love her ! " Angela, you'll be careful ! " " Yes, darling. Oh if only I could make you understand what it's all about." ' Yes, well, perhaps another time. I've got to 172 BUNHH^HHHHHHHHH- fly now." She hesitated, took Angela by the arms and gazed into her eyes. " About this grand white party that you were in the station with. Are you awfully in love with him? " " Fm not in love with him at all." " Oh, pshaw ! " said innocent Virginia, " you've got nothing to worry about! Why, what's all the shooting for? " 173 PLUM BUN CHAPTER I ANGELA wanted to ride downtown with her sister. " Perhaps I might bring you luck." But on this theme Jinny was adamant. " You'd be much more likely to bring yourself bad luck. No, there's no sense in taking a chance. I'll take the elevated; my landlady said it would drop me very near the school where I'm taking the exam ination. You go some other way." Down in the hall Mrs. Gloucester was busy dusting, her short bustling figure alive with housewifely ardour. Virginia paused near her and held out her hand to Angela. " Good-bye, Miss Mory," she said wickedly, " it was very kind of you to give me so much time. If you can ever tear yourself away from your beloved Village, come up and I'll try to show you Harlem. I don't think it's going to take me long to learn it." Obediently Angela let her go her way and walk ing over to Seventh Avenue mounted the 'bus, smarting a little under Jinny's generous pre cautions. But presently she began to realize their value, for at One Hundred and Fourteenth Street Anthony Cross entered. He sat down beside her. " I never expected to see you in my neighbour hood." " Oh is this where you live? I've often won dered." ^*HHHHHHHH-PLUM BUNHHHHHHHHHHH5* " As it happens I've just come here, but I've lived practically all over New York." He was thin, restless, unhappy. His eyes dwelt cease lessly on her face. She said a little nervously: " It seems to me I hardly ever see you any more. What do you do with yourself? " " Nothing that you would be interested in." She did not dare make the obvious reply and after all, though she did like him very much, she was not interested in his actions. For a long moment she sought for some phrase which would express just the right combination of friendliness and indifference. " It's been a long time since we've had lunch together; come and have it to-day with me. You be my guest." She thought of Jinny and the possible sale of the house. " I've just found out that I'm going to get a rather decent amount of money, certainly enough to stand us for lunch." " Thank you, I have an engagement; besides I don't want to lunch with you in public." This was dangerous ground. Flurried, she replied unwisely: " All right, come in some time for tea; every once in a while I make a batch of cookies ; I made some a week ago. Next time I feel the mood coming on me I'll send you a card and you can come and eat them, hot and hot." " You know you've no intention of doing any such thing. Besides you don't know my address." " An inconvenience which can certainly be rectified," she laughed at him. But he was in no laughing mood. " I've no cards with me, but they wouldn't have the address anyway." He tore a piece of paper out of his BUN-HHHHHHHHH-* notebook, scribbled on it. " Here it is. I have to get off now." He gave her a last despairing look. " Oh, Angel, you know you're never going to send for me ! " The bit of paper clutched firmly in one hand, she arrived finally at her little apartment. Natur ally of an orderlv turn of mind she looked about for her address book in which to write the street and number. But some unexplained impulse led her to smooth the paper out and place it in a corner of her desk. That done she took off her hat and gloves, sat down in the comfortable chair and prepared to face her thoughts. Yesterday ! Even now at a distance of twenty- four hours she had not recovered her equilibrium. She was still stunned, still unable to realize the happening of the day. Only she knew that she had reached a milestone in her life; a possible turning point. If she did not withdraw from her acquaintanceship with Roger now, even though she committed no overt act she would never be the same ; she could never again face herself with the old, unshaken pride and self-confidence. She would never be the same to herself. If she with drew, then indeed, indeed she would be the same old Angela Murray, the same girl save for a little sophistication that she had been before she left Philadelphia, only she would have started on an adventure and would not have seen it to its finish, she would have come to grips with life and would have laid down her arms at the first onslaught. Would she be a coward or a wise, wise woman? 179 ^HHHHHHHHHhPLUM BUNHHHHHHHHHHHS' She thought of two poems that she had read in " Hart's Glass-Book ", an old, old book of her father's, one of them ran: 'He either fears his fate too much Or his deserts are small, Who dares not put it to the touch For fear of losing all.' The other was an odd mixture of shrewdness and cowardice: 'He who fights and runs away Shall live to fight another day But he who is in battle slain Has fallen ne'er to rise again.' Were her deserts small or should she run away and come back to fight another day when she was older, more experienced? More experienced! How was she to get that experience? Already she was infinitely wiser, she would, if occasion required it, exercise infinitely more wariness than she had yesterday with Roger. Yet it was precisely be cause of that experience that she would know how to meet, would even know when to expect similar conditions. She thought that she knew which verse she would follow if she were Jinny, but, back once more in the assurance of her own rooms, she knew that she did not want to be Jinny, that she and Jinny were two vastly different persons. " But," she said to herself, " if Jinny were as fair as I and yet herself and placed in the same conditions as those in which I am placed her colour would save 1 80 BUNHHHMMHHMHHH' her. It's a safeguard for Jinny; it's always been a curse for me." Roger had come for her in the blue car. There were a hamper and two folding chairs and a rug stored away in it. It was a gorgeous day. " If we can," he said, " we'll picnic." He was ex tremely handsome and extremely nervous. Angela was nervous too, though she did not show it except in the loss of her colour. She was rather plain to-day; to be so near the completion of her goal and yet to have to wait these last few agonizing moments, perhaps hours, was deadly. They were rather silent for a while, Roger intent on his driv ing. Traffic in New York is a desperate strain at all hours, at eleven in the morning it is deadly; the huge leviathan of a city is breaking into the last of its stride. For a few hours it will proceed at a measured though never leisurely pace and then burst again into the mad rush of the home ward bound. But at last they were out of the city limits and could talk. For the first time since she had known him he began to speak of his possessions. " Any thing, anything that money can buy, Angele, I can get and I can give." His voice was charged with intention. They were going in the direction of Forest Hills ; he had a cottage out there, perhaps she would like to see it. And there was a grove not far away. " We'll picnic there," he said, " and and talk." He certainly was nervous, Angela thought, and liked him the better for it. 181 BUNHHHHHHHHHHH The cottage or rather the house in Forest Hills was beautiful, absolutely a gem. And it was completely furnished with taste and marked dainti ness. " What do you keep it furnished for? " asked Angela wondering. Roger murmured that it had been empty for a long time but he had seen this equipment and it had struck him that it was just the thing for this house so he had bought it; thereby insensibly reminding his com panion again that he could afford to gratify any whim. They drove away from the exquisite little place in silence. Angela was inclined to be amused; surely no one could have asked for a better opening than that afforded by the house. What would make him talk, she wondered, and what, oh what would he say? Something far, far more romantic than poor Matthew Henson could ever have dreamed of, yes and far, far less romantic, something subconscious prompted her, than Anthony Gross had said. Anthony with his poverty and honour and desperate vows ! They had reached the grove, they had spread the rug and a tablecloth; Roger had covered it with dainties. He would not let her lift a finger, she was the guest and he her humble servant. She looked at him smiling, still forming vague con trasts with him and Matthew and Anthony. Roger dropped his sandwich, came and sat behind her. He put his arm around her and shifted his shoulder so that her head lay against it. " Don't look at me that way Angele, Angele ! I can't stand it." So it was actually coming. " How do you want me to look at you? " 182 * *} * * * * * * * * * PLUM BUNHHHMHMHHHHHf* He bent his head down to hers and kissed her. " Like this, like this ! Oh Angele, did you like the house? " " Like it? I loved it." " Darling, I had it done for you, you know. I thought you'd like it. 35 It seemed a strange thing to have done without consulting her, and anyway she did not want to live in a suburb. Opal Street had been suburb enough for her. She wanted, required, the noise and tumult of cities. " I don't care for suburbs, Roger." How strange for him to talk about a place to live in and never a word of love ! " My dear girl, you don't have to live in a suburb if you don't want to. I've got a place, an apartment in Seventy-second Street, seven rooms; that would be enough for you and your maid, wouldn't it? I could have this furniture moved over there, or if you think it too cottagey, you could have new stuff altogether." Seven rooms for three people ! Why she wanted a drawing-room and a studio and where would he put his things? This sudden stinginess was quite inexplicable. " But Roger, seven rooms wouldn't be big enough." He laughed indulgently, his face radiant with relief and triumph. " So she wants a palace, does she? Well, she shall have it. A whole menage if you want it, a place on Riverside Drive, servants and a car. Only somehow I hadn't thought of you as caring about that kind of thing. After that little hole in the wall you've been living in on Jayne Street I'd have expected you to find 183 BUN-HHHHHMHHHMf' the place in Seventy-second Street as large as you'd care for." A little hurt, she replied: "But I was think ing of you too. There wouldn't be room for your things. And I thought you'd want to go on living in the style you'd been used to." A sudden wel come explanation dawned on her rising fear. " Are you keeping this a secret from your father? Is that what's the trouble? " Under his thin, bright skin he flushed. " Keep ing what a secret from my father? What are you talking about, Angele? " She countered with his own question. " What are you talking about, Roger? " He tightened his arms about her, his voice stam mered, his eyes were bright and watchful. " I'm asking you to live in my house, to live for me; to be my girl ; to keep a love-nest where I and only I may come." He smiled shamefacedly over the cheap current phrase. She pushed him away from her; her jaw fallen and slack but her figure taut. Yet under her stunned bewilderment her mind was racing. So this was her castle, her fortress of protection, her refuge. And what answer should she make? Should she strike him across his eager, half-shamed face, should she get up and walk away, forbidding him to follow? Or should she stay and hear it out? Stay and find out what this man was really like; what depths were in him and, she supposed, in other men. But especially in this man with his boy ish, gallant air and his face as guileless and as inno cent apparently as her own. 184 That was what she hated in herself, she told that self fiercely , shut up with her own thoughts the next afternoon in her room. She hated herself for stay ing and listening. It had given him courage to talk and talk. But what she most hated had been the shrewdness, the practicality which lay beneath that resolve to hear it out. She had thought of those bills ; she had thought of her poverty, of her helplessness, and she had thought too of Martha Burden's dictum: "You must make him want you." Well here was a way to make him want her and to turn that wanting to account. " Don't," Martha said, " withhold too much. Give a little." Suppose she gave him just the encouragement of listening to him, of showing him that she did like him a little; while he meanwhile went on wanting, wanting men paid a big price for their desires. Her price would be marriage. It was a game, she knew, which women played all over the world although it had never occurred to her to play it; a dangerous game at which some women burned their fingers. " Don't give too much," said Martha, " for then you lose yourself." Well, she would give nothing and she would not burn her fingers. Oh, it would be a great game. Another element entered too. He had wounded her pride and he should salve it. And the only unguent possible would be a proposal of marriage. Oh if only she could be a girl in a book and when he finally did ask her for her hand, she would be able to tell him that she was going to marry some one else, someone twice as eligible, twice as hand some, twice as wealthy. 185 Through all these racing thoughts penetrated the sound of Roger's voice, pleading, persuasive, seductive. She was amazed to find a certain shamefaced timidity creeping over her;, yet it was he who should have shown the shame. And she could not understand either why she was unable to say plainly: " You say you care for me, long for me so much, why don't you ask me to come to you in the ordinary way? " But some pride either unusually false or unusually fierce prevented her from doing this. Undoubtedly Roger with his wealth, his looks and his family connections had already been much sought after. He knew he was an " eligible ". Poor, unknown, stigmatized, if he but knew it, as a member of the country's least recognized group she could not bring her self to belong even in appearance to that band of young women who so obviously seek a " good match ". When he had paused a moment for breath she told him sadly: " But, Roger, people don't do that kind of thing, not decent people." " Angele, you are such a child ! This is exactly the kind of thing people do do. And why not? Why must the world be let in on the relationships of men and women? Some of the sweetest unions in history have been of this kind." " For others perhaps, but not for me. Relation ships of the kind you describe don't exist among the people I know." She was thinking of her parents, of the Hallowells, of the Hensons whose lives were indeed like open books. He looked at her curiously, " The people you know! Don't tell me you haven't guessed about Paulette!" 1 86 BUNHMHHHHHHHH^ She had forgotten about Paulette ! " Yes I know about her. She told me herself. I like her, she's been a mighty fine friend, but, Roger, you surely don't want me to be like her." " Of course I don't. It was precisely because you weren't like her that I became interested. You were such a babe in the woods. Anyone could see you'd had no experience with men." This obvious lack of logic was too bewildering. She looked at him like the child which, in these matters, she really was. " But, but Roger, mightn't that be a beginning of a life like Paul- ette's? What would become of me after we, you and I, had separated? Very often these things last only for a short time, don't they? " " Not necessarily; certainly not between you and me. And I'd always take care of you, you'd be provided for." He could feel her gathering resentment. In desperation he played a cunning last card: "And besides who knows, something permanent may grow out of this. I'm not entirely my own master, Angele." Undoubtedly he was referring to his father whom he could not afford to offend. It never occurred to her that he might be lying, for why should he? To all his arguments, all his half-promises and implications she returned a steady negative. As twilight came on she expressed a desire to go home ; with the sunset her strength failed her; she felt beaten and weary. Her unsettled future, her hurt pride, her sudden set-to with the realities of the society in which she had been moving, bewildered and frightened her. Resentful, puzzled, intro spective, she had no further words for Roger; it was impossible for him to persuade her to agree or to disagree with his arguments. During the long ride home she was resolutely mute. Yet on the instant of entering Jayne Street she felt she could not endure spending the long even ing hours by herself and she did not want to be alone with Roger. She communicated this distaste to him. While not dishevelled they were not presentable enough to invade the hotels farther uptown. But, anxious to please her, he told her they could go easily enough to one of the small cabarets in the Village. A few turns and windings and they were before a house in a dark side street knocking on its absurdly barred door, entering its black, myterious portals. In a room with a highly polished floor, a few tables and chairs, some rather bizarre curtains, five or six couples were sitting, among them Paulette, Jack Hudson, a tall, rather big, extremely blonde girl whose name Angela learned was Garlotta Parks, and a slender, black- avised man whose name she failed to catch. Paul ette hailed him uproariously; the blonde girl rose and precipitately threw her arms about Fielding's neck. "Roger!" " Don't," he said rather crossly. " Hello, Jack." He nodded to the dark man whom he seemed to know indifferently well. " What have they got to eat here, you fellows? Miss Mory and I are tired and hungry. We've been following the pike all day." Miss Parks turned and gave Angela a long, considering look. " Sit here," said Paulette, " there's plenty of 1 88 **HHHHHHHHHhPLUM BUN-HHHHHHHHHH5' room. Jack, you order for them, the same things we've been having. You get good cooking here." She was radiant with happiness and content. Under the influence of the good, stimulating food Angela began to recover, to look around her. Jack Hudson, a powerfully built bronze figure of a man, beamed on Paulette, saying nothing and in his silence saying everything. The dark man kept his eyes on Carlotta, who was oblivious to everyone but Roger, clearly her friend of long standing. She sat clasping one of his hands, her head almost upon his shoulder. " Roger it's so good to see you again ! I've thought of you so often ! I've been meaning to write to you ; we're having a big house party this summer. You must come ! Dad's asking up half of Washington ; attaches, ( Prinzessen, Counte?sen and serene Eng lish Altessen'; he'll come up for week-ends." A member of the haut monde, evidently she was well-connected, powerful, even rich. A girl of Roger's own set amusing herself in this curious company. Angela felt her heart contract with a sort of helpless jealousy. The dark man, despairing of recapturing Car lo tta's attention, suddenly asked Angele if she would care to dance. He was a superb partner and for a moment or two, reinvigorated by the food and the snappy musk, she became absorbed in the smooth, gliding motion and in her partner's pleasant con versation. Glancing over her shoulder she noted Carlotta still talking to Roger. The latter, how ever, was plainly paying the girl no attention. His eyes fixed on Angela, he was moodily following her every motion, almost straining, she thought, to catch her words. His eyes met hers and a long, 189 HHHHHHHHHHhPLUM BUNHHHHHHHHHHH?* long look passed between them so fraught, it seemed to her, with a secret understanding and sympathy, that her heart shook with a moment's secret wavering. Her partner escorted her back to the table. Paulette, flushed and radiant, with the mien of a dishevelled baby, was holding forth while Hudson listened delightedly. As a raconteuse she had a faint, delicious malice which usually made any recital of her adventures absolutely irresistible. " Her name," she was saying loudly, regardless of possible listeners, " was Antoinette Spewer, and it seems she had it in for me from the very first. She told Sloane Corby she wanted to meet me and he invited both of us to lunch. When we got to the restaurant she was waiting for me in the lobby ; Sloane introduced us and she pulled a lorgnette on me, a lorgnette on me \ " She said it very much as a Westerner might speak of someone " pull ing " a revolver. " But I fixed that. There were three or four people passing near us. I drew back until they were well within hearing range, and then I said to her: ' I beg pardon but what did you say your last name was? ' Well, when a person's named Spewer she can't shout it across a hotel lobby ! Oh, she came climbing down off her high horse; she respects me to this day, I tell you." Roger rose. " We must be going; I can't let Miss Mory get too tired." He was all attention and courtesy. Miss Parks looked at her again, nar rowing her eyes. In the car Roger put his arm about her. " An- gele, when you were dancing with that fellow I couldn't stand it ! And then you looked at me, 190 BUNHHHHHHHHHHHf- oh such a look! You were thinking about me, I felt it, I knew it." Some treacherous barrier gave way within her. " Yes, and I could tell you were thinking about me." " Of course you could ! And without a word ! Oh, darling, darling, can't you see that's the way it would be? If you'd only take happiness with me there we would be with a secret bond, an invisible bond, existing for us alone and no one else in the world the wiser. But we should know and it would be all the sweeter for that secrecy." Unwittingly he struck a responsive chord within her, stolen waters were the sweetest, she of all people knew that. Aloud she said: " Here we are, Roger. Some of the day has been wonderful; thank you for that." " You can't go like this ! You're going to let me see you again? " She knew she should have refused him, but again some treacherous impulse made her assent. He drove away, and, turning, she climbed the long, steep flights of stairs, bemused, thrilled, frightened, curious, the sense of adventure strong upon her. To-morrow she would see Jinny, her own sister, her own flesh and blood, one of her own people. To gether they would thresh this thing out. 19* CHAPTER II A CURIOUS period of duelling ensued. Roger was young, rich and idle. Nearly every wish he had ever known had been born within him only to be satisfied. He could not believe that he would fail in the pursuit of this baffling creature who had awakened within him an ardour and sincerity of feeling which surprised himself. The thought occurred to him more than once that it would have been a fine thing if this girl had been endowed with the name and standing and comparative wealth of say Carlotta Parks, but it never occurred to him to thwart in this matter the wishes of his father who would, he knew, insist immediately on a certified account of the pedigree, training and general fitness of any strange aspirant for his son's hand. Angela had had the good sense to be frank ; she did not want to become immeshed in a tissue of lies whose relationship, whose sequence and inter dependence she would be likely to forget. To Roger's few questions she had said quite truly that she was the daughter of " poor but proud parents " ; they had laughed at the hackneyed phrase, that her father had been a boss carpenter and that she had been educated in the ordinary public schools and for a time had been a school teacher. No one would ever try to substantiate these statements, for clearly the person to whom they applied would not 192 BUN*********** be falsifying such a simple account. There would be no point in so doing. Her little deceits had all been negative, she had merely neglected to say that she had a brown sister and that her father had been black. Roger found her unfathomable. His was the careless, unreasoned cynicism of the modern, worldly young man. He had truly, as he acknow ledged, been attracted to Angela because of a certain incurious innocence of hers apparent in her observations and in her manner. He saw no reason why he should cherish that innocence. If questioned he would have answered : " She's got to learn about the world in which she lives some time; she might just as well learn of it through me. And I'd always look out for her." In the back of his mind, for all his unassuming even simple attitude toward his wealth and power, lurked the conviction that that same wealth and power could heal any wound, atone for any loss. Still there were times when even he experienced a faint, inner qualm, when Angela would ask him: " But after wards, what would become of me, Roger? " It was the only question he could not meet. Out of all his hosts of precedents from historical Antony and Cleopatra down to notorious affinities discovered through blatant newspaper " stories " he could find for this only a stammered " There's no need to worry about an afterwards, Angele, for you and I would always be friends." Their frequent meetings now were little more than a trial of strength. Young will and deter mination were pitted against young will and determination. On both the excitement of the chase was strong, but each was pursuing a different N 193 HHHHHH-HHH-PLUM quarry. To all his protestations, arguments and demands, Angela returned an insistent: " What you are asking is impossible." Yet she either could not or would not drive him away, and gradually, though she had no intention of yielding to his wishes, her first attitude of shocked horror began to change. For three months the conflict persisted. Roger interposed the discussion into every talk, on every occasion. Gradually it came to be the raison d'etre of their constant comradeship. His argu ments were varied and specious. " My dearest girl, think of a friendship in which two people would have every claim in the world upon each other and yet no claim. Think of giving all, not because you say to a minister ' I will ', but from the generosity of a powerful affection. That is the very essence of free love. I give you my word that the happiest couples in the world are those who love without visible bonds. Such people are bound by the most durable ties. Theirs is a state of the closest because the freest, most elastic union in the world." A singularly sweet and curious intimacy was growing up between them. Roger told Angela many anecdotes about his father and about his dead mother, whom he still loved, and for whom he even grieved in a pathetically boyish way. " She was so sweet to me, she loved me so. I'll never forget her. It's for her sake that I try to please my father, though Dad's some pumpkins on his own account." In turn she was falling into the habit of relating to him the little happenings of her every-day life, a life which she was beginning to realize must, in his eyes, mean the last word in 194 ^HHHHHHHHHhPLUM the humdrum and the monotonous. And yet how full of adventure, of promise, even of mystery did it seem compared with Jinny's ! Roger had much intimate knowledge of people and told her many and dangerous secrets. " See how I trust you, Angele; you might trust me a little ! " If his stories were true, certainly she might just as well trust him a great deal, for all her little world, judging it by the standards by which she was used to measuring people, was tumbling in ruins at her feet. If this were the way people lived then what availed any ideals? The world was made to take pleasure in; one gained nothing by exercising simple virtue, it was after all an extension of the old formula which she had thought out for herself many years ago. Roger spent most of his time with her, it seemed. Anything which she undertook to do delighted him. She would accept no money, no valuable presents. " And I can't keep going out with you to dinners and luncheons forever, Roger. It would be different if, if we really meant anything to each other." He deliberately misunderstood her. " But nothing would give me more pleasure than for us to mean the world to one another." He sent her large hampers of fruit and even the more ordinary edibles; then he would tease her about being selfish. In order to get rid of the food she had asked him to lunch, to dinner, since nothing that she could say would make him desist from sending it. Nothing gave her greater joy really than this playful housekeeping. She was very lonely; Jinny had her own happy interests; Anthony H-H-HHHHH-m-UM BUNHHHHHHHHHHHf* never came near her nor did she invite him to come; Martha Burden seemed engrossed in her own affairs, she was undergoing some secret strain that made her appear more remote, more strongly self-sufficient, more mysterious than ever. Paulette, making overt preparations to go to Russia with Hudson, was impossibly, hurtingly happy. Miss Powell, but she could not get near her; the young coloured girl showed her the finest kind of courtesy, but it had about it a remote and frozen quality, unbreakable. However, Angela for the moment did not desire to break it; she must run no more risks with Roger, still she put Miss Powell on the list of those people whom she would some day aid, when everything had turned out all right. The result of this feeling of loneliness was, of course, to turn her more closely to Roger. He paid her the subtle compliment of appearing abso lutely at home in her little apartment; he grew to like her plain, good cooking and the experi ments which sometimes she made frankly for him. And afterwards as the fall closed in there were long, pleasant evenings before an open fire, or two or three last hours after a brisk spin in the park in the blue car. And gradually she had grown to accept and even inwardly to welcome his caresses. She perched with an air of great unconsciousness on the arm of the big chair in which he was sitting but the transition became constantly easier from the arm of the chair to his knee, to the steely embrace of his arm, to the sound of the hard beat ing of his heart, to his murmured: " This is where you belong, Angele, Angele." He seemed an anchor for her frail, insecure bark of life. 196 HHHHHHHHH^PLUM BUN-Hf'-HMMHHHMHS' It was at moments like these that he told her amazing things about their few common acquaint ances. There was not much to say about Paulette. " I think," said Roger judicially, " that tempera mentally she is a romantic adventurer. Something in her is constantly seeking a change but she will never be satisfied. She's a good sport, she takes as she gives, asking nothing permanent and promising nothing permanent." Angela thought it rather sad. But Roger dismissed the theme with the rather airy comment that there were women as there were men " like that ". She wondered if he might not be a trifle callous. More than once they had spoken of Martha Burden; Angela confessed herself tremendously intrigued by the latter, by that tense, brooding personality. She learned that Martha, made of the stuff which dies for causes, was constantly being torn between theory and practice. " She's full," said Roger, " of the most high- falutin, advanced ideas. Oh I've known old Martha all my life, we were brought up together, it's through her really that I began to know the people in this part of town. She's always been a sort of sister. More than once I've had to yank her by the shoulders out of difficulties which she herself created. I made her marry Starr." " Made her marry him, didn't she want him? " " Yes, she wanted him all right, but she doesn't believe in marriage. She's got the courage of her convictions, that girl. Why actually she lived with Starr two years while I was away doing Europe. When I came back and found out what had happened I told Starr I'd beat 197 HHHHHH-H-H-PLUM BUNHHHHHHHHK-HH' him into pulp if he didn't turn around and make good." " But why the violence? Didn't he want to? " " Yes, only," he remembered suddenly his own hopes, " not every man is capable of appreciating a woman who breaks through the conventions for him. Some men mistake it for cheapness but others see it for what it is and love more deeply and gratefully." Softly, lingeringly he touched the soft hair shadowing her averted cheek. " I'm one of those others, Angele." She wanted to say: "But why shouldn't we marry? Why not make me safe as well as Martha? " But again her pride intervened. Instead she remarked that Martha did not seem always happy. " No, well that's because she's got this fool idea of hers that now that they are bound the spontaneity is lacking. She wants to give without being obliged to give; to take because she chooses and not because she's supposed to. Oh she's as true as steel and the best fighter in a cause, but I've no doubt but that she leads old Starr a life with her temperament." Angela thought that there were probably two sides to this possibility. A little breathlessly she asked Roger if he knew Anthony Cross. "Cross, Cross! A sallow, rather thin fellow? I think I saw him once or twice at Paulette's. No, I don't really know him. A sullen, brooding sort of chap I should say. Frightfully self- absorbed and all that." For some reason a little resentment sprang up in her. Anthony might brood, but his life had been lived on dark, troublesome lines that in- 198 BUN*********** vited brooding; he had never known the broad, golden highway of Roger's existence. And any way she did not believe, if Martha Burden had been Anthony's lifelong friend, almost his sister, that he would have told his sweetheart or his wife either of those difficult passages in her life. Well, she would have to teach Roger many things. Aloud she spoke of Garlotta Parks. " She's an interesting type. Tell me about her." But Roger said rather shortly that there was nothing to tell. "Just a good-hearted, high- spirited kid, that's all, who lets the whole world know her feelings." According to Paulette there was more than|this to be told about Miss Parks. " i don't 'know her myself, not being a member of that crowd. But I've always heard that she and Roger were child hood sweethearts, only they've just not pulled it off. Carlotta's family is as old as his. Her people have always been statesmen, her father's in the Senate. I don't think they have much money now. But the main thing is she pleases old man Fielding. Nothing would give him more pleasure than to see Garlotta Roger's wife. I may be mistaken, but I think nothing would give Carlotta more pleasure either." " Doesn't he care for her? " Queer how her heart tightened, listening for the answer. ;< Yes, but she likes him too much and shows it. So he thinks he doesn't want her. Roger will never want any woman who comes at his first 199 BUN-f-HHHHHHHM** call. Don't you hate that sort of man? They are really the easiest to catch; all you've got to do provided they're attracted at all, is to give one inviting glance and then keep steadily retreating. And they'll come like Bo Peep's sheep. But I don't want a man like that; he'd cramp my style. His impudence, expecting a woman to re press or evoke her emotions just as he wants them ! Hasn't a woman as much right to feel as a man and to feel first? Never mind, some woman is going to ' get ' Roger yet. He doesn't think it possible because he has wealth and position. He'll be glad to come running to Carlo tta then. I don't care very much for her, she's a little too loud for me," objected the demure and conserva tive Miss Lister, " but I do think she likes Roger for himself and not for what he can give her ! " Undoubtedly this bit of knowledge lent a new aspect; the adventure began to take on fresh interest. Everything seemed to be playing into her hands. Roger's interest and longing were certainly undiminished. Martha Burden's advice, confirmed by Paulette's disclosure, was bound to bring results. She had only to " keep retreating ". But there was one enemy with whom she had never thought to reckon, she had never counted on the treachery of the forces of nature ; she had never dreamed of the unaccountable weakening of those forces within. Her weapons were those fur nished by the conventions but her fight was against conditions; impulses, yearnings which antedated both those weapons and the conventions, which 200 BUNHHHMHHHHHf~H* furnished them. Insensibly she began to see in Roger something more than a golden way out of her material difficulties; he was becoming more than a means through which she should be ad mitted to the elect of the world for whom all things are made. Before her eyes he was chang ing to the one individual who was kindest, most thoughtful of her, the one whose presence brought warmth and assurance. Furthermore, his constant attention, flatteries and caresses were pro ducing their inevitable e fleet. She was naturally cold; unlike Paulette, she was a woman who would experience the grand passion only once, perhaps twice, in her life and she would always have to be kindled from without; in the last analysis her purity was a matter not of morals, nor of religion, nor of racial pride ; it was a matter of fastidiousness. Bit by bit Roger had forced his way closer and closer into the affairs of her life, and his proximity had not offended that fastidiousness. Gradually his demands seemed to her to represent a very natural and beautiful im pulse; his arguments and illustrations began to bear fruit; the conventions instead of showing in her eyes as the codified wisdom based on the experiences of countless generations of men and women, seemed to her prudish and unnecessary. Finally her attitude reduced itself to this: she would have none of the relationship which Roger urged so insistently, not because according to all the training which she had ever received, it was unlawful, but because viewed in the light of the great battle which she was wag ing for pleasure, protection and power, it was inexpedient. 201 BUNHHHHHHHHHHH^ The summer and the early fall had passed. A cold, rainy autumn was closing in; the disagree able weather made motoring almost impossible, There were always the theatres and the cabarets, but Roger professed himself as happy nowhere else but at her fireside. And she loved to have him there, tall and strong and beautiful, some times radiant with hope, at others sulking with the assurance of defeat. He came in one day ostensibly to have tea with her; he had an im portant engagement for the evening but he could not let the day pass without seeing her. Angela was tired and a little dispirited. Jinny had sold the house and had sent her twelve hundred dollars as her share, but the original three thousand was almost dissipated. She must not touch this new gift from heaven; her goal was no nearer; the unwelcome possibility of teaching, on the con trary, was constantly before her. Moreover, she was at last realising the danger of this constant proximity, she was appalled by her thoughts and longings. Upon her a great fear was creeping not only of Roger but of herself. Always watchful, he quickly divined her dis trait mood, resolved to try its possibilities for himself. In a tense silence they drank their tea and sat gazing at the leaping, golden flames. The sullen night closed in. Angela reminded him presently that he must go but on he sat and on. At eight o'clock she reminded him again; he took out his watch and looked at it indifferently. " It's too late for me to keep it now, besides I don't want to go. Angele be kind, don't send me away." " But you've had no dinner." 202 " Nor you either. I'm like the beasts of the field keeping you like this. Shall we go out some where? " But she was languid; she did not want to stir from the warm hearth out into the chilly night. " No, I don't want to go. But you go, Roger. I can find something here in the house for myself, but there's not a thing for you. I hate to be so inhospitable." " Tell you what, suppose I go around to one of these delicatessens and get something. Too tired to fix up a picnic lunch? " In half an hour he returned, soaked. " It's raining in torrents! Why I never saw such a night!" He shook himself, spattering rain-drops all over the tiny apartment. " Roger ! You'll have to take off your coat ! " He sat in his shirt-sleeves before the fire, his hair curling and damp, his head on his hand. He looked so like a little boy that her heart shook within her. Turning he caught the expression in her eyes, sprang towards her. " Angele you know, you know you like me a little ! " " I like you a very great deal." He put his arm about her, kissed her; her very bones turned to water. She freed herself, finding an excuse to go into the kitchenette. But he came and stood towering over her in the doorway, his eyes on her every motion. They ate the meal, a good one, almost as silently as they had drunk the tea; a terrible awareness of each other's presence was upon them, the air was charged with passion. Outside the rain and wind beat and screamed. " It's a terrible night," she said, but he made no reply. She said again, " Roger, it's getting late ? 203 HHHHHHHhHH-PLUM you must go home." Very reluctantly then, his eyes still on hers, he rose to his feet, got into his overcoat and, hat in hand, stooped to kiss her good-night. His arm stole about her, holding her close against him. She could feel him trembling, she was trembling herself. Another second and the door had closed behind him. Alone, she sat looking at the fire and thinking: " This is awful. I don't believe anything is going to come of this. I believe I'll send him a note to-morrow and tell him not to come any more." Someone tapped on the door; astonished that a caller should appear at such an hour, but not afraid, she opened it. It was Roger. He came striding into the room, flinging off his wet coat, and yet almost simultaneously catching her up in his arms. " It's such a terrible night, Angele; you can't send me out in it. Why should I go when the fire is here and you, so warm and soft and sweet ! " All her strength left her; she could not even struggle, could not speak. He swept her up in his arms, cradling her in them like a baby with her face beneath his own. " You know that we were meant for each other, that we belong to each other!" A terrible lassitude enveloped her out of which she heard herself panting: " Roger, Roger let me go! Oh, Roger, must it be like this? Can't it be any other way? " And from a great distance she heard his voice breaking, pleading, promising: " Everything will be all right, darling, darling. I swear it. Only trust me, trust me ! " 204 BUNHHHHHHHHHHHf* Life rushed by on a great, surging tide. She could not tell whether she was utterly happy or utterly miserable. All that she could do was to feel ; feel that she was Roger's totally. Her whole being turned toward him as a flower to the sun. Without him life meant nothing; with him it was everything. For the time being she was nothing but emotion ; he was amazed himself at the depth of feeling which he had aroused in her. Now for the first time she felt possessive; she found herself deeply interested in Roger's welfare because, she thought, he was hers and she could not endure having a possession whose qualities were unknown. She was not curious about his money nor his business affairs but she thirsted to know how his time away from her was spent, whom he saw, what other places he frequented. Not that she begrudged him a moment away from her side, but she must be able to account for that moment. Yet if she felt possessive of him her feeling also recognized his complete absorption of her, so com pletely, so exhaustively did his life seem to envelop hers. For a while his wishes, his pleasure were the end and aim of her existence ; she told herself with a slight tendency toward self-mockery that this was the explanation of being, of her being; that men had other aims, other uses but that the sole excuse for being a woman was to be just that, a woman. Forgotten were her ideals about her Art; her ambition to hold a salon; her desire to help other people ; even her intention of marrying in order to secure her future. Only something quite outside herself, something watchful, proud, remote from the passion and rapture which flamed 205 within her, kept her free and independent. She would not accept money, she would not move to the apartment on Seventy-second Street; she still refused gifts so ornate that they were practically bribes. She made no explanations to Roger, but he knew and she knew too that her surrender was made out of the lavish fullness and generosity of her heart; there was no calculation back of it; if this were free love the freedom was the quality to be stressed rather than the emotion. Sometimes, in her inchoate, wordless intensity of feeling which she took for happiness, she paused to take stock of that other life, those other lives which once she had known; that life which had been hers when she had first come to New York before she had gone to Cooper Union, in those days when she had patrolled Fourteenth Street and had sauntered through Union Square. And that other life which she knew in Opal Street, aeons ago, almost in another existence. She passed easily over those first few months in New York because even then she had been approaching a threshold, getting ready to enter on a new, undreamed of phase of being. But sometimes at night she lay for hours thinking over her restless, yearning child hood, her fruitless days at the Academy, the abor tive wooing of Matthew Henson. The Hensons, the Hallowells, Hetty Daniels, Jinny ! How far now she was beyond their pale! Before her rose the eager, starved face of Hetty Daniels ; now she herself was cognizant of phases of life for which Hetty longed but so contemned. Angela could imagine the envy back of the tone in which Hetty, had she but known it, would have expressed her disapproval of her former charge's manner of 206 ^HHKHHHHHHhPLUM living. " Mattie Murray's girl, Angela, has gone straight to the bad ; she's living a life of sin with some man in New York." And then the final, blasting indictment. " He's a white man, too. Can you beat that? " 207 CHAPTER III ROGER'S father, it appeared, had been greatly pleased with his son's management of the saw-mills in Georgia; as a result he was making more and more demands on his time. And the younger man half through pride, half through that steady determination never to offend his father, was always ready to do his bidding. Angela liked and appreciated her lover's filial attitude, but even in the period of her warmest interest she resented, secretly despised, this tendency to dependence. He was young, superbly trained; he had the gift of forming friendships whose strength rested on his own personality, yet he distrusted too much his own powers or else he was lazy Angela could never determine which. During this phase of their acquaintanceship she was never sure that she loved him, but she was positive that if at this time he had been willing to fling aside his obsequious deference to his father's money and had said to her: " Angele, if you'll help me, we'll build up a life, a fortune of our own," she would have adored him. Her strong, independent nature, buffeted and sickened and strengthened by the constant attri tion of colour prejudice, was unable to visualise or to pardon the frame of mind which kept Roger from joining battle with life when the odds were 208 HHHh*HHHHHh*PLUM BUNHHHHHHHHHHH* already so overwhelmingly in his favour. Alone, possessed of a handicap which if guessed at would have been as disabling as a game leg or an atro phied body, she had dared enter the lists. And she was well on the way to winning a victory. It was to cost her, she was beginning to realize, more than she had anticipated. But having entered she was not one to draw back, unless indeed she changed her goal. Hers was a curious mixture of materialism and hedonism, and at this moment the latter quality was uppermost in her life. But she supposed that in some vague future she and Roger would marry. His ardour rendered her com placent. But she was not conscious of any of these inner conflicts and criticisms; she was too happy. Now she was adopting a curious detachment toward life tempered by a faint cynicism, a detachment which enabled her to say to herself: " Rules are for ordinary people but not for me." She remem bered a verse from a poet, a coloured woman about whom she had often wondered. The lines ran: "The strong demand, contend, prevail. The beggar is a fool!" She would never be a beggar. She would ask no further counsel nor advice of anyone. She had been lucky thus far in seeking advice only from Paulette and Martha Burden, two people of markedly independent methods of thought and action. They had never held her back. Now she would no longer consult even them. She would live her life as an individualist, to suit herself without regard for the conventions and established o 209 BUN-HHHHHHHHHH5* ways of life. Her native fastidiousness, she was sure, would keep her from becoming an offence in her own eyes. In spite of her increasing self-confidence and self-sufficiency Roger's frequent absences left her lonely. Almost then, without any conscious plan ning on her part, she began to work at her art with growing vigour and interest. She was gaining in assurance; her technique showed an increased mastery; above all she had gained in the power to compose, a certain sympathy, a breadth of comprehension, the manifestation of that ability to interpret which she had long sus pected lay within her, lent themselves to her hand. Mr. Paget, the instructor, spoke of her paintings with increased respect; the attention of visitors was directed thereto. Martha Burden and even Paulette, in the intervals of her ecstatic prepara tions, admitted her to the freemasonry of their own assured standing. Anthony Cross reminded her of the possibilities for American students at Fontainebleau. But she only smiled wisely; she would have no need of such study, but she hoped with all her heart that Miss Powell would be the recipient of a prize which would enable her to attend there. " If she isn't," she promised herself, " I'll make Roger give her her expenses. I'd be willing to take the money from him for that." To her great surprise her other interest besides her painting lay in visiting Jinny. If anyone had asked her if she were satisfied with her own life, her reply would have been an instant affirmative. But she did not want such a life for her sister. For Virginia there must be no risks, no secrets, no 210 BUNHHHHHHHHHHH- irregularities. Her efforts to find out how her sister spent her free hours amazed herself; their fruitlessness filled her with a constant irritation which Virginia showed no inclination to allay. The younger girl had passed her examination and had been appointed; she was a successful and enthu siastic teacher; this much Angela knew, but beyond this nothing. She gathered that Virginia spent a good deal of time with a happy, intelligent, rather independent group of young coloured men and women; there was talk occasionally of the theatre, of a dance, of small clubs, of hikes, of classes at Columbia or at New York City College. Angela even met a gay, laughing party, consisting of Virginia and her friends en route to Brooklyn, she had been later informed briefly. The girls were bright birds of paradise, the men, her artist's eye noted, were gay, vital fauns. In the subway beside the laughing, happy groups, white faces showed pale and bloodless, other coloured faces loomed dull and hopeless. Angela began tardily to recognize that her sister had made her way into that curious, limited, yet shifting class of the "best" coloured people; the old Philadelphia phrase came drifting back to her, " people that you know." She was amazed at some of the names which Virginia let drop from her lips in her infrequent and laconic descriptions of certain evenings which she had spent in the home of Van Meier, a great coloured American, a litterateur, a fearless and dauntless apostle of the rights of man ; his name was known, Martha Burden had assured her, on both sides of the water. Such information she picked up as best she might for Virginia vouchsafed nothing; nor did 211 HHHHHHHHHH-PLUM BUNHHHHHHHHHHS** she, on the infrequent occasions on which she ran across her sister, even appear to know her. This, Angela pointed out, was silly. " You might just as well speak," she told Jinny petulantly, remem bering uncomfortably the occasion when she her self had cut her sister, an absolute stranger in New York. " Plenty of white and coloured people are getting to know each other and they always acknowledge the acquaintanceship. Why shouldn't we? No harm could come of it." But in Virginia's cool opinion no good could come of it either. Usually the younger girl preserved a discreet silence; whatever resolves she might have made with regard to the rupture between herself and her sister, she was certainly able to keep her own counsel. It was impossible to glean from her per fect, slightly distrait manner any glimpse of her inner life and her intentions. Frequently she showed an intense preoccupation from which she awakened to let fall a remark which revealed to Angela a young girl's normal reactions to the life about her, pleasant, uneventful and tinged with a cool, serene happiness totally different from the hot, heady, turgid rapture which at present was Angela's life. The Jewish girl, Rachel Salting, who lived on the floor above, took to calling on Angela. " We're young and here by ourselves," she said smiling, " it's stupid for us not to get acquainted, don't you think so? " Hers was a charming smile and a charming manner. Indeed she was a very pretty girl, Angela thought critically. Her skin 212 H-HHHHHHHHhPLUM BUN4HHHHHHHMHHS* was very, very pale, almost pearly, her hair jet black and curling, her eyes large and almond- shaped. Her figure was straight and slender but bore none the less some faint hint of an exotic voluptuousness. Her interests, she informed her new friend, were all with the stage, her ideal being Raquel Meller. Angela welcomed her friendliness. A strange apathy, an unusual experience for her, had in vaded her being; her painting claimed, it is true, a great deal of time and concentration; her hours with Virginia, while not always satisfactory, were at least absorbing; but for the first time in her knowledge, her whole life was hanging on the words, the moods, the actions of some one else Roger. Without him she was quite lost; not only was she unable to order her days without him in mind, she was even unable to go in quest of new adventures in living as was once her wont. Con sequently she received with outstretched arms anything beyond the ordinary which might break the threatening monotony of her life. Rachel Salting was like a fresh breeze, a curious mixture of Jewish conservatism and modernity. Hers was a keen, clear mind, well trained in the New York schools and colleges with many branch ing interests. She spoke of psychiatry, housing problems, Zionism, child welfare, with a know ledge and zest which astounded Angela, whose training had been rather superficial and who had begun to adopt Paulette's cleverness and Martha Burden's slightly professional, didactic attitude toward things in general as norms for herself. Rachel, except when dwelling on the Jewish problem, seemed to have no particular views to 213 set forth. Her discussions, based on her wide reading, were purely academic, she had no desire to proselyte, she was no reformer. She was merely a " nice ", rather jolly, healthy young woman, an onlooker at life which she had to get through with and which she was finding for the moment at any rate, extremely pleasant. She was very happy; happy like Virginia with a happiness vastly different from what Angela was calling by that name; a breathless, constant, smiling happiness, palpable, transparent, for all the world to see. Within a few weeks after their acquaintanceship had started, Rachel with smiles and blushes revealed her great secret. She was going to be married. " To the very best man in the world, Angele." "Yes, I'm sure of it." " He's very good-looking, tall, " " As though I didn't know that." " How could you know? " " Darling child, haven't I seen him, at least the outline of him, often enough in the hall when I'd come in and turn on that wretched light ? I didn't think you'd ever forgive me for it. It did seem as though I were doing it on purpose." " Oh, I knew you weren't. Then you have seen him? " " Yes, he's tall and blond. Quite a nice foil for your darkness. See, I'm always the artist." "Yes," Rachel said slowly, "he is blond." Angela thought she detected a faint undertone of worry in her hitherto triumphant voice but decided that that was unlikely. But Rachel confirmed this impression by her next words: " If only everything will turn out all right." 214 frfrfrfrfr.frfr.fr.fr.fr.fr PLUM BUNHHHHHHHMMHHS' Angel's rather material mind prompted her to ask: " What's the matter, is he very poor? " Rachel stared. " Poor? As though that mat tered. Yes, he's poor, but I don't care about that." " Well, if you don't care about that, what's the trouble then ? He's free, white and twenty-one, isn't he? " " Yes, yes, it's only oh you wouldn't under stand, you lucky girl ! It's nothing you'd ever have to bother about. You see we've got to get our parents' consent first. We haven't spoken of it yet. When we do, I'm afraid there'll be a row." Some ritual inherent in her racial connections, Angela decided, and asked no further questions. Indeed, she had small chance, for Rachel, once launched, had begun to expound her gospel of marriage. It was an old, old story. Angela could have closed her eyes and imagined her own mother rhapsodizing over her future with Junius. They would be poor, very poor at first but only at first, and they would not mind poverty a bit. It would be fun together. There were little frame houses in the Bronx that rented comparatively cheap. Perhaps Angela knew of them. Angela shuddering inwardly, acknowledged that she had seen them, dull brown, high-shouldered affairs, perched perilously on stoops. The rooms would be small, square, ugly, Rachel would help her John in every way. They would economize. " I won't wash and iron, for that is heart-breaking work, and I want to keep myself dainty and pretty for him, so that when we do become better off he won't have to be ashamed of me. And all the time even in our hardest days 215 I'll be trying my luck at play- writing." She spoke with the unquenchable ambition which was her racial dowry. "I'll be attending lectures and sitting up in the galleries of theatres where they have the most successful plays. And some day I'll land." Her fanciful imagination carried her years ahead. " On our First Night, Angela, you must be in our box and I'll have an ermine coat. Won't it be wonderful? But nothing will be more wonderful than those first few years when we'll be absolutely dependent on each other; I on what he makes, he on the way I run the home. That will be heaven." Confidences such as these left Angela unmoved but considerably shaken. There must be some thing in the life of sacrifice, even drudgery which Rachel had depicted. Else why should so many otherwise sensible girls take the risk? But there, it was silly for her to dwell on such pictures and scenes. Such a life would never come to her. It was impossible to conceive of such a life with Roger. Yet there were times in her lonely room when she pondered long and deeply, drawing pictures. The time would be summer; she would be wearing a white dress, would be standing in the doorway of a house in the suburbs very, very near New York. There'd be the best possible dinner on the table. She did love to cook. And a tall, strong figure would be hurrying up the walk: " I had the best luck to-day, Angele, and I brought you a present." And presently after dinner she would take him upstairs to her little work-room and she'd draw aside the curtain and show him a portrait of a well-known society woman. " She's so pleased with it; and she's going to get me lots 216 *HHHHHHHHHh*PLUM BUNHHHHMHMHHMH^ of orders, " Somehow she was absolutely sure that the fanciful figure was not Roger. Her lover, back from a three weeks' trip to Chicago, dissipated that sureness. He was glad, overwhelmingly glad to be back and to see Angele. He came to her apartment directly from the train, not stopping even to report to his father. " I can see him to-morrow. To-night is absolutely yours. What shall we do, Angele? We can go out to dinner and the theatre or run out to the Country Club or stay here. What do you say? " " We'll have to stay here, Roger; I'll fix up a gorgeous dinner, better than anything you've had to eat in any of your old hotels. But directly after, I'll have to cut and run because I promised Martha Burden faithfully to go to a lecture with her to night." " I never knew you to be interested in a lecture before." She was worried and showed it. " But this is a different sort of lecture. You know how crazy Martha is about race and social movements. Well, Van Meier is to speak to-night and Martha is determined that a lot of her friends shall hear him. I'm to go with her and Ladislas." " What's to keep me from going? " " Nothing, only he's coloured, you know." " Well, I suppose it won't rub off. I've heard of him. They say he really has brains. I've never seen a nigger with any yet; so this bids fair to be interesting. And, anyway, you don't think I'm going to let my girl run off from me the 217 ^HHHHHHHHHHhPLUM BUN-HMHHHHHHHHt very moment I come home, do you? Suppose I have Reynolds bring the big car here and we'll take Martha and Ladislas along and anyone else she chooses to brins." The lecture was held in Harlem in East One Hundred and Thirty-fifth Street. The hall was packed, teeming with suppressed excitement and a certain surcharged atmosphere. Angela radiant, calmed with the nearness and devotion of Roger, looked about her with keen, observing eyes. And again she sensed that fullness, richness, even thick ness of life which she had felt on her first visit to Harlem. The stream of living ran almost molten ; little waves of feeling played out from groups within the audience and beat against her consciousness and against that of her friends, only the latter were without her secret powers of interpretation. The occasion was clearly one of moment. "I'd come any distance to hear Van Meier speak," said a thin-faced dark young man behind them. " He always has something to say and he doesn't talk down to you. To hear him is like reading a classic, clear and beautiful and true." Angela, revelling in types and marshalling bits of information which she had got from Virginia, was able to divide the groups. There sat the most advanced coloured Americans, beautifully dressed, beautifully trained, whimsical, humorous, bitter, impatiently responsible, yet still responsible. In one section loomed the dark, eager faces of West Indians, the formation of their features so markedly different from that of the ordinary American as to give them a wild, slightly feral aspect. These had come not because they were disciples of Van Meier but because they were earnest seekers after 218 BUN4HMHHHHHHHH* truth. But unfortunately their earnestness was slightly married by a stubbornness and an un willingness to admit conviction. Three or four coloured Americans, tall, dark, sleek young men sat within earshot, speaking with a curious didactic precision. " They're quoting all the sociologists in the world," Ladislas Starr told his little group in astonishment. Martha, with her usual thoroughness, knew all about them. They were the editors of a small magazine whose chief bid to fame lay in the articles which they directed monthly against Van Meier; articles written occasionally in a spirit of mean jealousy but usually in an effort to gain a sort of inverted glory by carrying that great name on its pages. Here and there a sprinkling of white faces showed up plainly, startlingly distinct patterns against a back-ground of patient, softly stolid black faces; faces beaten and fashioned by life into a mold of steady, rock-like endurance, of unshakable, unconquered faith. Angela had seen such faces before in the churches in Philadelphia; they brought back old pictures to her mind. " There he is ! " exclaimed Martha triumphantly. " That's Van Meier ! Isn't he wonderful? " Angela saw a man, bronze, not very tall but built with a beautiful symmetrical completeness, cross the plat form and sit in the tall, deep chair next to the table of the presiding officer. He sat with a curious immobility, gazing straight before him like a statue of an East Indian idol. And indeed there was about him some strange quality which made one think of the East; a completeness, a superb lack 219 of self-consciousness, an odd, arresting beauty wrought by the perfection of his fine, straight nose and his broad, scholarly forehead. One look, however casual, gave the beholder the assurance that here indeed was a man, fearless, dauntless, the captain of his fate. He began to speak on a clear, deep, bell-like note. Angela thought she had never heard its equal for beauty, for resonance, for culture. And ar- the young man had said, he did not talk down. His English was the carefully sifted language of the savant, his periods polished, almost poetical. He was noted on two continents for his sociological and economic contributions, but his subject was racial sacrifice. He urged the deliberate intro duction of beauty and pleasure into the difficult life of the American Negro. These objects should be theirs both as racial heritage and as compensa tion. Yet for a time, for a long time, there would have to be sacrifices, many sacrifices made for the good of the whole. " Our case is unique," the beautiful, cultured voice intoned; " those of us who have forged forward, who have gained the front ranks in money and training, will not, are not able as yet to go our separate ways apart from the unwashed, untutored herd. We must still look back and render service to our less fortu nate, weaker brethren. And the first step toward making this a workable attitude is the acquisition not so much of a racial love as a racial pride. A pride that enables us to find our own beautiful and praiseworthy, an intense chauvinism that is content with its own types, that finds completeness within its own group; that loves its own as the French love their country, because it is their own. 220 BUNHHHHHHHHHHHf- Such a pride can accomplish the impossible." He quoted: " It is not courage, no, nor hate That lets us do the things we do; It's pride that bids the heart be great, " He sat down to a surge of applause that shook the building. Dark, drooping faces took on an expression of ecstatic uplift, it was as though they suddenly saw themselves, transformed by racial pride as princes in a strange land in temporary serfdom, princes whose children would know freedom. Martha Burden and Ladislas went up to speak to him ; they were old friends. Angela, with Roger, visibly impressed, stood on one side and waited. Paulette and Hudson came pushing through the crowd, the former flushed and excited. Little groups of coloured people stood about, some deeply content with a sort of vicarious pride, some arguing; Angela caught sight of Virginia standing with three young men and two girls. They were for the most part gesticulating, lost in a great excitement. But Jinny seemed listless and aloof; her childish face looked thin and more forlornly young than ever. Anthony Cross and a tall man of undeniably Spanish type passed the little party and spoke to one of the men, received introductions. Presently Cross, swinging about, caught sight of Angela and Roger. He bowed hastily, flushing; caught his companion's arm and walked hurriedly from the hall, his head very straight, his slender figure always so upright, so lance y more erect than ever. Presently Martha's party was all out on the side walk; Roger in fine spirits invited Paulette and 221 HHHHHHHHHHhPLUM BUNfrfr Hudson to ride down town in his car. Paulette was bubbling over with excited admiration of Van Meier. " He isn't a man, he's a god," she proclaimed. " Did you ever see such a superb personality? He's not a magnificent coloured man, he's not ' just as good as a white man ' ; he is a man, just that; colour, race, conditions in his case are pure accidents, he over-rides them all with his ego. Made me feel like a worm too; I gave him my prettiest smile, grand white lady making up to an ' exceptional Negro ' and he simply didn't see me; took my hand, I did my best to make my grasp a clinging one and he passed me right along disengaging himself as cool as a cucumber and making room for a lady of colour." She finished reflectively, " I wonder what he would be like alone." " None of your nonsense, Paulette," said Roger frowning. Hudson smiled. " Paulette's a mighty attrac tive little piece, I'll admit, but I'd back Van Meier against her every time; she'd present no temptation to him; the man's not only a prophet and the son of a prophet; he's pride incarnate." Roger said meditatively, " I wonder what proportion of white blood he has in his veins. Of course that's where he gets his ability." " You make me tired," said Martha. " Of course he doesn't get it from his white blood; he gets it from all his bloods. It's the mixture that makes him what he is. Otherwise all white people would be gods. It's the mixture and the endur ance which he has learned from being coloured in America and the determination to see life without bitterness, -- " 222 BUNHHHHHHHHHHHf* " Oh help, help," exclaimed Roger. " No more lectures to-night. Look, you're boring Angele to death." " Nothing of the kind," said Angela, " on the contrary I never was more interested in my life." And reaching back she gave Martha's hand a hearty squeeze. Sometimes as on that first day at the art class, the five of them, Miss Powell, Paulette, Gross, Martha and Angela met before hours. Miss Powell as always was silent she came solely for her work but the others enjoyed a little preliminary chat. A week or so after the Van Meier lecture all but Paulette were gathered thus on an afternoon when she too came rushing in, starry eyed, flushed, consumed with laughter. " I've played the biggest joke on myself," she announced, " I've been to see Van Meier." Martha was instant attention. " A joke on Van Meier? " " No, on myself, I tell you." It appeared that she had got Miss Powell to introduce her to one of the clerks in the great leader's office. Paulettte then with deliberate inten tion had asked the girl to lunch and afterwards had returned with her to the office expressing a desire to meet her employer. Van Meier had received her cordially enough but with the warning that he was very busy. " So I told him that I wouldn't sit down, think ing of course he'd urge me to. But he just raised his eyebrows in the most quizzical way and said, 'Well'?" 223 BUN4HHMHHHHHHHf " Of course I couldn't let matters rest like that so I sat down and began talking to him, nothing much you know, just telling him how wonderful he was and letting him see that I'd be glad to know him better. You should have seen him looking at me and not saying a word. Presently he reached out his hand and touched a bell and Miss Thing-um-bob came in, your friend, you know, Miss Powell. He looked at her and nodding toward me said: * Take her away '. I never felt such small potatoes in my life. I tell you he's a personage. Wasn't it great? " Martha replied crossly that the whole thing seemed to her in dreadfully poor taste, while Miss Powell, after one incredulous stare at the first speaker, applied herself more sedulously to her work. Even Anthony, shocked out of his habitual moroseness pronounced the proceedings " a bit thick, Miss Lister ". Angela conscious of a swell ing pride, stowed the incident away as a tit-bit for Virginia. 224 CHAPTER IV LIFE had somehow come to a standstill ; gone was its quality of high adventure and yet with the sense of tameness came no compensating note of assur ance, of permanence. Angela pondered much about this; with her usual instinct for clarity, for a complete understanding of her own emotional life, she took to probing her inner consciousness. The fault, she decided, was bound up in her relationship with Roger. At present in a certain sense she might be said to be living for him; at least his was the figure about which her life resolved, revolved. Yet she no longer had the old, heady desire to feel herself completely his, to claim him as completely hers, neither for his wealth nor for the sense of security which he could afford nor for himself. For some reason he had lost his charm for her, much, she suspected, in the same way in which girls in the position which was hers, often lost their charm for their lovers. And this realization instead of bringing to her a sense of relief, brought a certain real if some what fantastic shame. If there was to be no permanence in the relationship, if laying aside the question of marriage, it was to lack the dignity, the graciousness of an affair of long standing, of sym pathy, of mutual need, then indeed according to the code of her childhood, according to every p 225 BUN^HHHMHHHH^-K* code of every phase of her development, she had allowed herself to drift into an inexcusably vulgar predicament. Even when her material safety and security were at stake and she had dreamed vaguely of yielding to Roger's entreaties to ensure that safety and security, there might have been some excuse. Life, she considered, came before creed or code or convention. Or if she had loved and there had been no other way she might have argued for this as the supreme experience of her life. But she was no longer conscious of striving for marriage with Roger; and as for love she had known a feeling of gratitude, intense interest, even intense possessiveness for him but she did not believe she had ever known love. But because of this mingling of shame and re proach she found herself consciously striving to keep their relations on the highest plane possible in the circumstances. She wished now not so much that she had never left Jinny and the security of their common home-life, as that the necessity for it had never arisen. Now suddenly she found herself lonely, she had been in New York nearly three years but not even yet had she struck down deep into the lode of genuine friendship. Paulette was kind and generous; she desired, she said, a close woman friend but Paulette was still the adventuress. She was as likely to change her voca tion and her place of dwelling as she was to change her lover. Martha Burden, at once more stable and more comprehending in the conduct of a friendship once she had elected for it, was, on the other hand, much more conservative in the expenditure of that friendliness; besides she was by her very nature as reserved as Paulette was 226 expansive, and her native intenseness made it difficult for her to dwell very long on the needs of anyone whose problems did not centre around her own extremely fixed ideas and principles. As for Anthony Cross, by some curious, utterly inexplicable revulsion of feeling, Angela could not bring herself to dwell long on the possibilities of a friendship with him. Somehow it seemed to her sacrilegious in her present condition to bring the memory of that far-off day in Van Gortlandt Park back to mind. As soon as his image arose she dismissed it, though there were moments when it was impossible for his vision to come before her without its instantly bringing to mind Rachel Salting's notions of love and self-sacrifice. Well, such dreams were not for her, she told herself im patiently. For her own soul's integrity she must make the most of this state in which she now found herself. Either she must effect through it a mar riage whose excuse should be that of safety, assurance and a resulting usefulness; or she must resolve it by patience, steadfastness and affection into a very apotheosis of " free love." Of all possible affaires du coeur this must in semblance at any rate, be the ultimate desideratum, the finest flower of chivalry and devotion. To this end she began then devoting herself again to the renewal of that sense of possessiveness in Roger and his affairs which had once been so spontaneous within her. But to this Roger pre sented unexpected barriers; he grew restive under such manifestations; he who had once fought so 227 BUN*********** bitterly against her indifference resented with equal bitterness any showing of possessive interest. He wanted no claims upon him, he acknowledged none. Gradually his absences, which at first were due to the business interests of his father, occurred for other reasons or for none at all. Angela could not grasp this all at once; it was impossible for her to conceive that kindness should create indiffer ence; in spite of confirmatory stories which she had heard, of books which she had read, she could not make herself believe that devotion might sometimes beget ingratitude, loss of appre ciation. For if that were so then a successful relationship between the sexes must depend wholly on the marriage tie without reference to com patibility of taste, training or ideals. This she could scarcely credit. In some way she must be at fault. No young wife in the first ardour of marriage could have striven more than she to please Roger. She sought by reading and outside questions to inform herself along the lines of Roger's training he was a mining engineer. His fondness for his father prompted her to numerous inquiries about the interest and pursuits of the older Fielding; she made suggestions for Roger's leisure hours. But no matter how disinterested her attitude and tone his response to all this was an increased sullen- ness, remoteness, wariness. Roger was experienced in the wiles of women; such interest could mean only one thing, marriage. Well, Angela might just as well learn that he had no thought, had never had any thought, of marrying her or any other woman so far removed from his father's ideas and requirements. 228 Still Angela, intent on her ideals, could not comprehend. Things were not going well between them; affairs of this kind were often short-lived, that had been one of her first objections to the arrangement, but she had not dreamed that one withdrew when the other had committed no overt offence. She was as charming, as attractive, as pretty as she had ever been and far, far more kind and thoughtful. She had not changed, how could it be possible that he should be different? A week had gone by and he had not dropped in to see her. Loneliness settled over her like a pall, frightening her seriously because she was realizing that this time she was not missing Roger so much as that a person for whom she had let slip the ideals engendered by her mother's early teaching, a man for whom she had betrayed and estranged her sister, was passing out of her ken. She had rarely called him on the telephone but suddenly she started to do so. For three days the suave voice of his man, Reynolds, told her that Mr. Fielding was " out, m'm." " But did you give him my message? Did you ask him to call me as soon as he came in? " " Yes, m'm." " And did he? " " That I couldn't tell you, m'm." She could not carry on such a conversation with a servant. On the fifth day Roger appeared. She sprang toward him. " Oh Roger, I'm so glad to see you. Did Reynolds tell you I called? Why have you been so long coming? " " I'd have been still longer if you hadn't stopped 'phoning. Now see here, Angele, this has got to 229 stop. I can't have women calling me up all hours of the day, making me ridiculous in the eyes of my servants. I don't like it, it's got to stop. Do you understand me? " Surprised, bewildered, she could only stammer: " But you call me whenever you feel like it." " Of course I do, that's different. I'm a man." He added a cruel afterword. " Perhaps you notice that I don't call you up as often as I used." Her pride was in arms. More than once she thought of writing him a brief note telling him that so far as she was concerned their " affair " was ended. But a great stubbornness possessed her; she was curious to see how this sort of thing could terminate ; she was eager to learn if all the advice which older women pour into the ears of grow ing girls could be as true as it was trite. Was it a fact that the conventions were more important than the fundamental impulses of life, than generosity, kindness, unselfishness? For whatever her original motives, her actual relationship with Fielding had called out the most unselfish qualities in her. And she began to see the conventions, the rules that govern life, in a new light; she realized suddenly that for all their granite-like coldness and precision they also represented fundamental facts; a sort of concentrated compendium of the art of living and therefore as much to be observed and re spected as warm, vital impulses. Towards Roger she felt no rancour, only an apathy incapable of being dispersed. The conversation 230 HHHHHHE- * * *H-PLUM about the telephone left an effect all out of pro portion to its actual importance; it represented for her the apparently unbridgeable difference between the sexes; everything was for men, but even the slightest privilege was to be denied to a woman unless the man chose to grant it. At least there were men who felt like that; not all men, she felt sure, could tolerate such an obviously unjust status. Without intent to punish, with no set purpose in her mind, simply because she was no longer interested, she began to neglect Roger. She no longer let other engagements go for him; she made no attempt to be punctual in keeping such engagements as they had already made; in his presence she was often absorbed, absent- minded, lost in thought. She ceased asking him questions about his affairs. Long before their quarrel they had accepted an invitation from Martha Burden to a small party. Angela was surprised that Roger should remember the occasion, but clearly he did; he was on hand at the correct date and hour and the two of them fared forth. During the brief journey he was courteous, even politely cordial, but the differ ence between his attitude and that of former days was very apparent. The party was of a more frivolous type than Martha usually sponsored, she was giving it for a young, fun-loving cousin of Ladislas; there was no general conversation, some singing, much dancing, much pairing off in couples. Carlotta Parks was present with Ralph Ashley, the slender, dark man who had appeared with Carlotta when Angela first met her. As soon as Roger appeared Carlotta came rushing toward him. 231 BUN*********** " I've been waiting for you ! " She dragged at his hand and not unwillingly he suffered himself to be led to a small sofa. They chatted a few minutes; then danced; Roger simply must look at Martha's new etchings. The pair was insepar able for the evening. Try as she might Angela could discover no feeling of jealousy but her dignity was hurt. She could not have received less attention from her former lover if they had never met. At first she thought she would make up to Ashley but something malicious in Car- lotta's glance deterred her. No, she was sick of men and their babyish, faithless ways; she did not care enough about Roger to play a game for him. So she sat quietly in a deep chair, smoking, dipping into the scattered piles of books which lent the apartment its air of cheerful disorder. Occasionally she chatted; Ladislas Starr perched on the arm of her chair and beguiled her with gay tales of his university days in pre-war Vienna. But she would never endure such an indignity again. On the way home she was silent. Roger glanced at her curiously, raised his eyebrows when she asked him to come in. She began quietly: " Roger I'll never endure again the treatment -- " But he was ready, even eager for a quarrel. " It looks to me as though you were willing to endure anything. No woman with an ounce of pride would have stood for what you've been standing lately." She said evenly: "You mean this is the end? We're through? 55 " Well, what do you think about it? You cer tainly didn't expect it to last for ever." 232 -HHHHHHHHHHHPLUM BUNHH^-HHHHHHHHf* His tone was unbelievably insulting. Eyeing him speculatively she replied : " No, of course I didn't expect it to last for ever, but I didn't think it would end like this. I don't see yet why it should." The knowledge of his unpardonable manner lay heavy upon him, drove him to fresh indignity. " I suppose you thought some day I'd kiss your hand and say e You've been very nice to me ; I'll always remember you with affection and grati tude. Good-bye.' " " Well, why shouldn't you have said that? Cer tainly I'd expected that much sooner than a scene of this sort. I never dreamed of letting myself in for this kind of thing." Some ugly devil held him in its grasp. " You knew perfectly well what you were letting yourself in for. Any woman would know it." She could only stare at him, his words echoing in her ears: "You knew perfectly well what you were letting yourself in for." The phrase had the quality of a cosmic echo; perhaps men had been saying it to women since the beginning of time. Doubtless their biblical equivalent were the last words uttered by Abra ham to Hagar before she fared forth into the wilderness. 233 CHAPTER V LONG after Roger had left her she sat staring into the dark shadows of the room. For a long time the end, she knew, had been imminent; she had been curious to see how it would arrive, but the thought had never crossed her mind that it would come with harsh words and with vulgarity. The departure of Roger himself she shut her hand and opened it meant nothing; she had never loved, never felt for him one-tenth of the devotion which her mother had known for her father, of the spontaneous affection which Virginia had offered Matthew Henson. Even in these latter weeks when she had consciously striven to show him every possible kindness and attention she had done so for the selfish preservation of her ideals. Now she looked back on those first days of delight when his emotions and her own had met at full tide; when she dreamed that she alone of all people in the world was exempt from ordinary law. How, she wondered futilely, could she ever have suffered herself to be persuaded to tamper with the sacred mysteries of life? If she had held in her hand the golden key, love! But to throw aside the fundamental laws of civilization for passion, for the hot-headed wilfulness of youth and to have it end like this, drably, vulgarly, almost in a brawl! How could she endure her- 234 BUNHHHHHHHHHHH' self ? And Roger and his promises of esteem and golden memories! For a moment she hated him for his fine words and phrases, hated him for tricking her. No matter what she had said, how she had acted, he should have let her go. Better a wound to her passion than later this terrible gash in her proud assurance, this hurt in the core of herself " God ! " she said, raging in her tiny apartment as a tiger in a menagerie rages in its inadequate cage, " God, isn't there any place where man's re sponsibility to woman begins ? " But she had grown too much into the habit of deliberately ordering her life, of hewing her own path, of removing the difficulties that beset that path, to let herself be sickened, utterly prostrated by what had befallen her. Roger, her com panion, had gone; she had been caught up in an inexcusably needless affair without the pretext of love. Thank God she had taken nothing from Roger; she had not sold herself, only bestowed that self foolishly, unworthily. However upset and harassed her mind might be it could not dwell too long on this loss of a lover. There were other problems to consider; for Roger's passing meant the vanishing of the last hope of the suc cessful marriage which once she had so greatly craved. And even though she had not actively considered this for some time, yet as a remote possibility it had afforded a sense of security. Now that mirage was dispelled; she was brought with a sudden shock back to reality. No longer was it 235 HHHH-H-H-HhPLUM BUNHHHHHHHHHHHf* enough for her to plan how she could win to a pleasant and happy means of existence, she must be on the gui vive for the maintenance of that very existence itself. New York had literally swallowed her original three thousand dollars; part of Vir ginia's gift was also dissipated. Less than a thou sand dollars stood between her and absolute penury. She could not envisage turning to Jinny; life which had seemed so promising, so golden, had failed to supply her with a single friend to whom she could turn in an hour of extremity. Such thoughts as these left her panic-stricken, cold with ' fear. The spectre of possible want rilled her dreams, haunted her waking hours, thrust aside the devastating shame of her affair with Roger to replace it with dread and apprehension. In her despair she turned more ardently than ever to her painting; already she was capable of ^doing outstanding work in portraiture, but she lacked cachet; she was absolutely unknown. This condition of her mind affected her appear ance; she began to husband her clothes, sadly conscious that she could not tell where others would come from. Her face lost its roundness, the white warmness of her skin remained but there were violet shadows under her eyes; her forehead showed faint lines; she was slightly shabby. Gradually the triumphant vividness so characteristic of Angele Mory left her, she was like any one of a thousand other pitiful, frightened girls thronging New York. Miss Powell glanced at her and thought: "she looks unhappy, but how can she be when she has a chance at 236 HHHHHHHHHHM>LUM everything in the world just because she's white? " Anthony marked her fading brightness; he would have liked to question her, comfort her, but where this girl was concerned the role of comforter was not for him. Only the instructor, Mr. Paget guessed at her extremity. He had seen too many students not to recognize the signs of poverty, of disaster in love, of despair at the tardy flowering of dexterity that had been mistaken for talent. Once after class he stopped Angela and asked her if she knew of anyone willing to furnish designs for a well-known journal of fashion. " Not very stimulating work, but the pay is good and the firm reliable. Their last artist was with them eight years. If you know of any one, -- " She interrupted: " I know of myself. Do you think they'd take me on? " " I could recommend you. They applied to me, you see. Doubtless they'd take my suggestions into account." He was very kind; made all the necessary arrangements. The firm received Angela gladly, offering her a fair salary for work that was a trifle narrow, a bit stultifying. But it opened up possi bilities; there were new people to be met; perhaps she would make new friends, form ties which might be lasting. "Oh/ 5 she said hopefully to herself, "life is wonderful! It's giving me a new deal and I'll begin all over again. I'm young and now I'm sophisticated; the world is wide, somewhere there's happiness and peace and a place for me. I'll find it." 237 BUN-HHMHHMHHMM* But her hope, her sanguineness, were a little forced, her superb self-confidence perceptibly diminished. The radiance which once had so bathed every moment of her existence was fading gently, inexorably into the " light of common day ". 238 HOME AGAIN CHAPTER I NEW YORK, it appeared, had two visages. It could offer an aspect radiant with promise or a counten ance lowering and forbidding. With its flattering possibilities it could elevate to the seventh heaven, or lower to the depths of hell with its crushing nega tions. And loneliness ! Loneliness such as that offered by the great, noisy city could never be imagined. To realize it one would have to experience it. Coming home from work Angela used to study the people on the trains, trying to divine what cause had engraved a given expression on their faces, particularly on the faces of young women. She picked out for hersejf four types, the happy, the indifferent, the preoccupied, the lonely. Doubtless her classification was imperfect, but she never failed, she thought, to recognize the signs of loneliness, a vacancy of expression, a listlessness, a faintly pervading despair. She remembered the people in Union Square on whom she had spied so blithely when she had first come to New York. Then she had thought of them as being " down and out ", mere idlers, good for nothing. It had not occurred to her that their chief disaster might be loneliness. Her office was on Twenty-third Street and often at the noon-hour she walked down to the dingy Square and looked again on the sprawling, half-recumbent, dejected figures. And between Q 241 HHHHHHHHHHf^PLUM BUNHMHHMHHHHf*** them and herself she was able to detect a terrifying relationship. She still carried her note book, made sketches, sitting watching them and jotting down a line now and then when their vacant, staring eyes were not fixed upon her. Once she would not have cared if they had caught her; she would have said with a shrug: " Oh they wouldn't mind, they're too far gone for that." But since then her sympathy and knowledge had waxed. How fiercely she would have rebelled had anyone from a superior social plane taken her for copy ! In the evenings she worked at the idea of a pic ture which she intended for a masterpiece. It was summer and the classes at Cooper Union had been suspended. But she meant to return in the fall, perhaps she would enter the scholarship contest and if successful, go abroad. But the urge to wander was no longer in the ascendant. The prospect of Europe did not seem as alluring now as the prospect of New York had appeared when she lived in Philadelphia. It would be nice to stay put, rooted; to have friends, experiences, memories. Paulette, triumphant to the last, had left with Hudson for Russia. Martha and Ladislas were spending the summer with Martha's people on Long Island. Roger had dropped into the void, but she could not make herself miss him; to her he was the symbol of all that was most futile in her existence, she could forgive neither him nor herself for their year of madness. If the experience, she 242 BUN-HH^-HHHHHH?-* told herself, had ended so-beit everything ends. If it had faded into a golden glow with a wealth of memories, the promise of a friendship, she would have had no qualms; but as matters had turned out it was an offence in her nostrils, a great blot on the escutcheon of her fastidiousness. She wished that Martha had asked her to spend week-ends with her but the idea had apparently never crossed the latter's mind. " Good-bye until fall," she had said gaily, " do you know, I'm awfully glad to go home this time. I always have my old room; it's like begining life all over again. Of course I wouldn't give up New York but life seems so much more real and durable down there. After all it's where my roots are." Her roots! Angela echoed the expression to herself on a note that was wholly envious. How marvellous to go back to parents, relatives, friends with whom one had never lost touch ! The peace, the security, the companionableness of it! This was a relationship which she had forfeited with everyone, even with Jinny. And as for her other acquaintances in Philadelphia, Henson, Butler, Kate and Agnes Hallowell, so completely, so casu ally, without even a ripple had she dropped out of their lives that it would have been impossible for her to re-establish their old, easy footing even had she so desired. Virginia, without making an effort, seemed over whelmed, almost swamped by friendships, pleasant intimacies, a thousand charming interests. She and Sara Penton, another teacher, had taken an apartment together, a three room affair on the top floor of a house on i3Qth Street, in " Striver's Row ", explained Jinny . Whether or not the nick- 243 BUNHHHHHHHHHHH!* name was deserved, it seemed to Angela well worth an effort to live in this beautiful block with its tree-bordered pavements, its spacious houses, its gracious neighbourliness. A doctor and his wife occupied the first two floors; they were elderly, rather lonely people, for their two children had married and gone to other cities. They had prac tically adopted Virginia and Sara; nursing them when they had colds, indulgently advising them as to their callers. Mrs. Bradley, the doctor's wife, occasionally pressed a dress for them; on stormy days the doctor drove them in his car around to " Public School 89 " where they both taught. Already the two girls were as full of intimacies, joyous reminiscences, common plans as though they had lived together for years. Secrets, nick names, allusions, filled the atmosphere. Angela grew sick of the phrases: " Of course you don't understand that; just some nonsense and it would take too long to explain it. Besides you wouldn't know any of the people." Even so, unwelcome as the expression was, she did not hear it very often, for Jinny did not encourage her visits to the apart ment even as much as to the boarding house. " Sara will think it strange if you come too often." " We might tell her," Angela rejoined, " and ask her to keep it a secret." But Jinny opined coolly that that would never do; it was bad to entrust people with one's secrets. " If you can't keep them yourself, why should they? " she asked sagely. Her attitude showed no malice, only the complete acceptance of the stand which her sister had adopted years ago. 244 BUNHHHHHHHHHHH- In her sequestered rooms in the Village lying in the summer heat unkempt and shorn of its glamour Angela pondered long and often on her present mode of living. Her life, she was pretty sure, could not go on indefinitely as it did now. Even if she herself made no effort it was unlikely that the loneliness could persist. Jinny, she shrewdly sus pected, had known something of this horrible condition when she, the older sister had left her so ruthlessly to go off and play at adventure. This loneliness and her unfortunate affair with Henson had doubtless proved too much for her, and she had deliberately sought change and distraction elsewhere. There were depths upon depths of strength in Jinny and as much purpose and resource as one might require. Now here she was estab lished in New York with friends, occupation, security, leading an utterly open life, no secrets, no subterfuges, no goals to be reached by devious ways. Jinny had changed her life and been successful. Angela had changed hers and had found pain and unhappiness. Where did the fault lie? Not, cer tainly, in her determination to pass from one race to another. Her native good sense assured her that it would have been silly for her to keep on living as she had in Philadelphia, constantly, through no fault of her own, being placed in impossible positions, eternally being accused and hounded because she had failed to placard herself, forfeiting old friendships, driven fearfully to the establishing of new ones. No, the fault was not there. Perhaps it lay in her attitude toward her friends. Had she been too coldly deliberate in her use of them? Certainly she had planned to utilize 245 her connection with Roger, but on this point she had no qualms; he had been paid in full for any advantages which she had meant to gain. She had not always been kind to Miss Powell, " but," she murmured to herself, " I was always as kind to her as I dared be in the circumstances and far, far more attentive than any of the others." As for Anthony, Paulette, and Martha, her slate was clear on their score. She was struck at this point to realize that during her stay of nearly three years these five were the only people to whom she could apply the term friends. Of these Roger had dropped out; Miss Powell was negative; Paulette had gone to Russia. There remained only Martha and Anthony. Martha was too intensely interested in the conduct of her own life in connection with Ladislas to make a friend, a satisfying, comfortable, intimate friend such as Sara Penton seemed to be with Virginia. There remained then only Anthony yes, and her new acquaintance, Rachel Salting. She began then in her loneliness to approach Rachel seeking for nothing other than those almost sisterly intimacies which spring up between solitary women cut off in big cities from their homes and from all the natural resources which add so much to the beauty and graciousness of young woman hood. " If anything comes out of this friendship to advance me in any way," she told herself sol emnly, " it will happen just because it happens but I shall go into this with clean hands and a pure heart merely because I like Rachel." 246 HHHHHf^HHHhPLUM BUN4HHHHHHHHH-* After the fever and fret of her acquaintanceship with Roger, the slight unwholesomeness attendant on Paulette, the didactic quality lurking in Martha's household, it was charming, even delicious to enter on a friendship with this simple, intelligent, enthusi astic girl. Rachel, for all her native endowment, her wide reading and her broad scholastic contacts, had the straightforward utter sincerity and sim plicity of a child ; at times Angela felt quite sophisti cated, even blase beside her. But in reality they were two children together; Angela's brief episode with Roger had left no trace on her moral nature; she was ashamed now of the affair with a healthy shame at its unworthiness ; but beyond that she suffered from no morbidness. Her sum total of the knowledge of life had been increased ; she saw men with a different eye, was able to differentiate between the attitudes underlying the pleasantries of the half dozen young men in her office ; listening, laughing, weighing all their attentions, accepting none. In truth she had lost to a degree her taste for the current type of flirtations. She might marry some day but all that was still in the dim future. Meanwhile the present beckoned; materi ally she was once more secure, her itching ambition was temporarily lulled; she had a friend. It was just as well to let time slide by for a while. The two girls spent their evenings together. Rachel's fiance, John Adams, was a travelling sales man and nearly always out of town. When he was home Angela was careful to have an engagement, though Rachel assured her, laughing and sparkling, that the two were already so used to each other that a third person need not feel de trop. Occasionally the three of them went during the hot summer 247 BUNHHHHHHHHHHH^ nights to Coney Island or Far Rockaway. But this jaunt took on the proportions more of an ordeal than a pleasure trip; so packed were the cars \vith helpless humanity, so crowded the beaches, so night marish the trip home. Fortunately Angela came face to face one day with Ralph Ashley, Carlotta's former friend. Low-spirited, lonely, distrait, he asked Angela eagerly to allow him to call occa sionally. He seemed a rather bookish, serious young man who had failed to discover the possi bilities of his inner resources. Without an acquaintance or a book he was helpless. Angela's self-reliance and cleverness seemed to offer a tem porary harbour. Apparently with Carlotta out of town, he was at loose ends. By some tacit understanding he was taken into the little group and as he possessed a car which he was willing and eager to share the arrangement was a very happy one. These were pleasant days. Long afterwards, Angela, looking back recalled them as among the happiest she had known in New York. In particu lar she liked the hours when she and Rachel were together busied with domestic, homely affairs. They advised each other on the subject of dress; Angela tried out new recipes. In the late even ings she worked on the sketches, recalling them from her note-book while Rachel, sitting sidewise in the big chair, her legs dangling comfortably over its arm, offered comments and suggestions. She had had " courses in art ", and on a trip to France and Italy at the age of eighteen had visited the Louvre, the Pitti and Uffizi Galleries. All this 248 BUN*-HHHHHHHHH* lent a certain pithiness and authority to the criti cisms which she poured forth for her friend's edifica tion; her remarks rarely produced any effect on Angela, but both girls felt that Rachel's knowledge gave a certain effect of " atmosphere ". Usually Rachel's talk was on John and their approaching marriage, their unparalleled court ship. Many years later Angela could have related all the details of that simple, almost sylvan wooing, the growing awareness of the two lovers, their mutual fears and hopes, their questionings, assur ances and their blissful engagement. She knew to a penny what John made each week, how much he put by, the amount which thrifty Rachel felt must be in hand before they could marry. Once this recital, so unvarying, so persistent, would have bored her, but she was more sympathetic in these days; sometimes she found herself making sug gestions, saving the house-wifely clippings culled from newspapers, proposing decorations for the interior of one of the ugly little houses on which Rachel had so inexplicably set her heart. She was a little older than her friend, she had had experi ence in keeping house and in shopping with her mother in those far-off days; she ventured occa sionally to advise Rachel in her rare purchases very much as though the latter were her own sister instead of a chance acquaintance whom she had known less than a year. It was a placid, almost ideal existence. Only one thread of worry ran through its fabric, the thought that Rachel and John would soon be marrying and again Angela would be left on the search for a new friend. With one of them in the Bronx and the other in Greenwich Village, frequent 249 communication would be physically impossible. But, curiously enough, whenever Angela lamented over this to her friend, a deep sombreness would descend on the latter; she would remark gloomily: " Time enough to worry about that; after all we might not get married. You never can tell." This was too enigmatic for Angela and finally she grew to look on it as a jest, a rather poor one but still a jest. 250 CHAPTER II INTO the midst of this serenity came a bolt from the blue. Rachel, a librarian, was offered the position of head librarian in a far suburb of Brooklyn. Further more a wealthy woman from Butte, Montana, desiring to stay in New York for a few months and taking a fancy to the dinginess of Jayne Street and to the inconveniences of Rachel's apartment found she must live there and not otherwhere. No other location in the whole great city would do; she was willing to sublet at any figure. Unwillingly Rachel named a price which she secretly considered in the nature of highway robbery, but none of this mat tered to Mrs. Denver, who was used to paying for what she wanted. And Rachel could not refuse, for both offers meant a substantial increase in the nest-egg which was to furnish the little brown house in the Bronx. In reality it meant to her extraordinary, unhoped for luck whose only flaw consisted in the enforced separation from her new friend. But to Angela it brought the awfulness of a catastrophe, though not for one moment would she let her deep dismay be suspected. After her first involuntary exclamation of consternation she never faltered in her com plete acquiesence in the plan. But at heart she was sick. 251 The sudden flitting entailed much work and bustle. Rachel was as untidy as Angela was neat; everything she possessed had to be collected separ ately; there were no stacks of carefully folded clothing to be lifted wholesale and placed in gaping trunks. To begin with the trunks themselves were filled with dubious odds and ends which required to be sorted, given or even thrown away. There was no question of abandoning the debris, for the apartment must be left habitable for Mrs. Denver. A nightmare then of feverish packing ensued; hasty meals, general house-cleaning. In order to assuage the sinking of her heart Angela plunged into it with great ardour. But at night, weary as she would be from the extra activity of the day, she could not fight off the sick dismay which over flowed her in great, submerging waves. It seemed to her she could not again endure loneliness; she could never summon the strength to seek out new friends, to establish fresh intimacies. She was twenty-six years old and the fact that after having lived all those years she was still solitary appalled her. Perhaps some curse such as one reads of in mediaeval legends had fallen upon her. " Perhaps I'm not meant to have friends," she told herself lying face downwards in her pillows on the sweltering June nights. And a great nostalgia for some thing real and permanent swept upon her; she wished she were either very, very young, safe and contented once more in the protection of her father's household or failing that, very, very old. 252 *HHHHHHHh*-HhPLUM BUNHHHHHHHHHH?** A nature as strong, as self-reliant as hers could not remain long submerged ; she had seen too many bad beginnings convert themselves into good endings. One of her most valuable native en dowments lay in her ability to set herself and her difficulties objectively before her own eyes; in this way she had solved more than one problem. On the long ride in the subway back from Brooklyn whither she had accompanied Rachel on the night of the latter's departure she resolved to pursue this course that very night. Mercifully the terrible heat had abated, a little breeze came sifting in her open windows, moving the white sash curtains, even agitating some papers on the table. Soberly she set about the business of getting supper. Once she thought of running up to Rachel's former apartment and proffering some hospitality to Mrs. Denver. Even if the rich new tenant should not accept she'd be pleased doubtless; sooner or later she would be offering a return of courtesies, a new friendship would spring up. Again there would be possibilities. But something in her rebelled against such a procedure; these intimacies based on the sliding foundation of chance sickened her; she would not lend herself to them not ever again. From this day on she'd devote herself to the establishing of permanencies. Supper over, the dishes cleared away, she sat down and prepared to think. Callers were un likely; indeed there was no one to call, since Ashley was out of town for the week-end, but the pathos of this fact left her untouched. To-night she courted loneliness. An oft heard remark of her mother's kept running through her mind : " You get so taken up with the 253 BUNHHHHHHHHHH** problem of living, with just life itself, that by and by being coloured or not is just one thing more or less that you have to contend with." It had been a long time since she had thought about colour; at one time it had seemed to complicate her life immensely, now it seemed to her that it might be of very little importance. But her thoughts skirted the subject warily for she knew how immensely difficult living could be made by this matter of race. But that should take a secondary place; at present life, a method of living was the main thing, she must get that problem adjusted and first she must see what she wanted. Companionship was her chief demand. No more loneliness, not even if that were the road that led to the fulfilment of vast ambition, to the realization of the loftiest hopes. And for this she was willing to make sacrifices, let go if need be of her cherished independence, lead a double life, move among two sets of acquaint ances. For deep in her heart she realized the longing to cast in her lot once more with Virginia, her little sister whom she should never have left. Virginia, it is true, showed no particular longing for her; indeed she seemed hardly cognizant of her exist ence; but this attitude might be a forced one. She thought, " I didn't want her, the darling, and so she just made herself put me out of her life." Angela was well aware of the pluck, the indomit- ableness that lay beneath Jinny's babyish exterior, but there was a still deeper stratum of tenderness and love and loyalty which was the real Virginia. To this Angela would make her appeal; she would acknowledge her foolishness, her selfishness; she would bare her heart and crave her sister's forgive- 254 BUN-HHHHHHHHHHf* ness. And then they would live together, Jinny and she and Sara Penton if need be ; what a joke it would all be on Sara ! And once again she would know the bliss and happiness of a home and the stabilities of friendships culled from a certain definite class of people, not friendships resulting from mere chance. There would be blessed Sun day mornings and breakfasts, long walks; lovely evenings in the autumn to be filled with reminis cences drawn from these days of separation. How Virginia would open her eyes at her tales of Paulette and Martha! She would never mention Roger. And as for colour; when it seemed best to be coloured she would be coloured; when it was best to be white she would be that. The main thing was, she would know once more the joys of ordinary living, home, companionship, loyalty, security, the bliss of possessing and being possessed. And to think it was all possible and waiting for her; it was only a matter of a few hours, a few miles. A great sense of peace, of exaltation descended upon her. Almost she could have said: " I will arise and go unto my father ". On Sunday accordingly she betook herself to her sister's apartment in isgth Street. Miss Penton, she thought, would be out; she had gathered from the girls' conversation many pointed references to Sara's great fondness, of late, for church, exceeded only by her interest in the choir. This interest in the choir was ardently encouraged by a member of that body who occasionally walked 255 HHHHHHhHHK-PLUM BUNHHHHHHHHHHH* home with Sara in order more fully to discuss the art of music. Virginia no longer went to church; Sunday had become her " pick-up day ", the one period in the week which she devoted to her cor respondence, her clothes and to such mysterious rites of beautifying and revitalizing as lay back of her healthy, blooming exquisiteness. This would be the first time in many months that the sisters would have been alone together and it was with high hopes that Angela, mounting the brown stone steps and ringing the bell, asked for Virginia. Her sister was in, but so was Sara, so was a third girl, a Miss Louise Andrews. The room was full of the atmosphere of the lightness, of the badinage, of the laughter which belong to the condition either of youth or of extreme happiness. In the middle of the room stood a large trunk from whose yawning interior Jinny lifted a glowing, smiling face. Angela was almost startled at the bright ecstasy which radiated from it. Sara Penton was engaged rather negligently in folding clothes; Miss Andrews perched in magnificent ease on the daybed, struck an occasional tune from a ukelele and issued commands which nobody heeded. " Hello," said Virginia carelessly. " Can you get in? I was thinking of writing to you." " Oh," Angela's hopes fluttered, felt, perished. " You're not going away? " Her heart echoed Jinny's old cry: "And leave me when I'm all ready to come back to you, when I need you so terribly ! " But of all this Virginia was, of course, unaware. "Nothing different," she said briskly. "I'm going away this very afternoon to Philadelphia, 256 HHHN-* * * * **PLUM BUNHHHHHHHHHHH* Merion, points south and west, going to stay with Eda Brown." Angela was aghast. " I wanted to see you about something rather important, Virginia at least," she added humbly, " important to me." Rather impatiently she glanced at the two girls hoping they would take the hint and leave them, but they had not even heard her, so engrossed were they in dis cussing the relative merits of one- and two-piece sports clothes. Her sister was kind but not curious. " Unless it's got something to do with your soul's salvation I'm afraid it'll have to wait a bit," she said gaily. " I'm getting a two o'clock train and I must finish this trunk Sara's such a poor packer or I'd leave it for her. As it is she's going to send it after me. Aren't you, darling? " Already Angela's request was forgotten. " After I finish this," the gay voice went on, " I've got some 'phoning to do and oh a million things." " Let me help you," said Angela suddenly inspired, " then we'll call a taxi and we can go down to the station together and we'll have a long talk so I can explain things." Virginia was only half-attentive. " Miss Mory wants to go to the station with me," she said throw ing a droll look at her friends. " Shall I take her along? " She vanished into the bedroom, Louise Andrews at her heels, both of them over whelmed with laughter bubbling from some secret spring. Cut and humiliated, Angela stood silent. Sara Penton who had been looking after the vanishing figures turned and caught her expression. " Don't mind her craziness. She's not responsible to-day." 257 She came closer. " For heaven's sake don't let on I told you; she's engaged." This was news. "Engaged? To whom?" " Oh somebody she's always been crazy about." The inevitable phrase followed: "You wouldn't know who he was." Not know who he was, not know Matthew! She began to say " Why I knew him before Virginia," but remembering her role, a stupid and silly one now, caught herself, stood expect antly. " So you see," Sara went on mysteriously, one eye on the bedroom, " you mustn't insist on going to the station with her; he's going to take her down." " Why, is he here? " " Came yesterday. We've been threatening all morning to butt in. That's the reason she spoke as she did about your going down. She expressed herself to us, you bet, but she probably wouldn't feel like doing that to you." " Probably not," said Angela, her heart cold. Her little sister was engaged and she was learning of it from strangers. It was all she could do to hold back the tears. " But you've only yourself to blame," she reminded herself valiantly. The two girls came back; Virginia still laugh ing but underneath the merriment Angela was able to detect a flurry of nervousness. After all, Jinny was just a child. And she was so happy, it would never do to mar that happiness by the introduction of the slightest gloom or discom fort. Her caller rose to her feet. " I guess^Fll be going." 258 *-HHHHHHHH-*PLUM BUNHHHHHHHMHHH* Virginia made no effort to detain her, but the glance which she turned on her sister was sud denly very sweet and friendly. " Here, I'll run down to the door with you. Sara, be a darling and pick out the best of those stockings for me, put in lots. You know how hard I am on them." Out in the hall she flung an impulsive arm about her sister. " Oh, Angela, I'm so happy, so happy. I'm going to write you about it right away, you'll be so surprised." Astonishingly she gave the older girl a great hug, kissed her again and again. " Oh," said Angela, the tears welling from her eyes, " Oh Jinny, you do forgive me, you do, you do? I'm so sorry about it all. I've been wretched for a long time. I thought I had lost you, Virginia." " I know," said Jinny, " I'm a hard-hearted little wretch." She giggled through her own tears, wiped them away with the back of her childish bronze hand. " I was just putting you through; I knew you'd get sick of Miss Anne's folks and come back to me. Oh Angela, I've wanted you so. But it's all right now. I won't be back for ten weeks, but then we will talk! I've got the most marvellous plans for both of us for all of us." She looked like a wise baby. " You'll get a letter from me in a few days telling you all about it. Angela, I'm so happy, but I must fly. Good-bye, darling." They clung for a moment in the cool, dim depths of the wide hall. 259 BUNHHHHHHHHHHH* Angela could have danced in the street. As it was she walked gaily down Seventh Avenue to noth Street and into the bosky reaches of the park. Jinny had forgiven her. Jinny longed for her, needed her; she had known all along that Angela was suffering, had deliberately pun ished her. Well, she was right, everything was right this glorious memorable day. She was to have a sister again, some one of her own, she would know the joy of sharing her little triumphs, her petty woes. Wise Jinny, wonderful Jinny ! And beautiful Jinny, too, she thought. How lovely, how dainty, how fresh and innocent her little sister seemed. This brought her mind to Matthew and his great good fortune. " I'd like to see him again," she mused, smiling mischiev ously. " Doubtless he's forgotten me. It would be great fun to make him remember." Only, of course, now he was Jinny's and she would never get in the way of that darling. " Not even if he were some one I really wanted with all my heart and soul. But I'd never want Matthew." It would be fun, she thought, to see him again. He would make a nice brother, so sturdy and kind and reliable. She must be careful never to pre sume on that old youthful admiration of his. Smiling and happy she reached her house, actually skipped up the steps to her rooms. Her apartment no longer seemed lonely; it was not beautiful and bright like Jinny's but it was snug and dainty. It would be fun to have Virginia and Sara down; yes, and that new girl, that Miss Andrews, too. She didn't care what the other people in the house thought. And the girls themselves, how aston- 260 BUNHHHHHHHHHHH6* ished they would be to learn the true state of affairs ! Suddenly remembering Mrs. Denver, she ran up to see her; that lady, in spite of her wealth and means for self-indulgence, was palpably lonely. Angela cheered her up with mirthful accounts of her own first days in New York; she'd been lonely too, she assured her despondent hostess, sparkling and fascinating. " I don't see how anybody with a disposition like yours could ever be lonely," said Mrs. Denver enviously. She'd been perilously near tears all day. Gone, gone was all the awful melancholy, the blueness that had hung about her like a palpable cloud. She was young, fascinating; she was going to be happy, again. Again! She caught her breath at that. Oh, God was good ! This feeling of lightness, of exaltation had been unknown to her so long; not since the days when she had first begun to go about with Roger had she felt so free, bird-like. In the evening Ralph Ashley came with his car and drove her halfway across Long Island, or so it seemed. They stopped at a gorgeous hotel and had a marvellous supper. Ashley was swept off his feet by her gay vitalness. In the doorway of the Jayne Street house she gave him her hand and a bewitching smile. ' You can't imagine how much I've enjoyed myself. I'll always remember it." And she spoke sincerely, for soon this sort of thing would be far behind her. " You're a witch," said Ashley, his voice shaking a little. " You can have this sort of thing whenever you want it and you know it. Be kind to me, Angele. I'm not a bad fellow." 261 *HHHHHHHHHHHPLUM BUNHHHHHHHHHHH* Frightened, she pushed him away, ran in and slammed the door. No, no, no, her heart pounded. Roger had taught her an unforgettable lesson. Soon she'd be with Jinny and Matthew, safe, sheltered. 262 CHAPTER III IN the middle of the night she found herself sitting up in bed. A moment before she had been asleep, but a sudden thought had pierced her conscious ness so sharply that the effect was that of an icy hand laid suddenly on her shoulder. Jinny and Matthew marry why, that meant why, of course it meant that they would have to live in Phila delphia. How stupid she had been! And she couldn't go back there never, never. Not be cause of the difficulties which she had experienced as a child; she was perfectly willing to cast in her lot again with coloured people in New York. But that was different; there were signal injustices here, too oh, many, many of them but there were also signal opportunities. But Philadelphia with its traditions of liberty and its actual economic and social slavery, its iniquitous school system, its prejudiced theatres, its limited offering of occu pation! A great, searing hatred arose in her for the huge, slumbering leviathan of a city which had hardly moved a muscle in the last fifty years. So hide-bound were its habits that deliberate insult could be offered to coloured people without causing the smallest ripple of condemnation or even consternation in the complacent common wealth. Virginia in one of her expansive moments had told her of a letter received from Agnes 263 ? '3 >*> -M*-M -3 PLUM BUNfr********** Hallowell, now a graduate of the Women's Medi cal College. Agnes was as fair as Angela, but she had talked frankly, even with pride, of her racial connections. " I had nothing to be ashamed of," Angela could imagine her saying, her cheeks flushing, her black eyes snapping. On her gradua tion she had applied for an interneship at a great hospital for the insane; a position greatly craved by ardent medical graduates because of the un usually large turnover of pathological cases. But the man in charge of such appointments, looking Agnes hard in the eye told her suavely that such a position would never be given to her " not if you passed ahead of a thousand white candidates." As for Angela, here was the old problem of possible loneliness back on her hands. Virginia, it was true, would hardly marry at once, perhaps they would have a few happy months together. But afterwards. . . . She lay there, wide awake now, very still, very straight in her narrow bed, watching the thick blackness grow thinner, less opaque. And suddenly as on a former occasion, she thought of marriage. Well, why not? She had thought of it once before as a source of relief from poverty, as a final barrier between herself and the wolves of prejudice; why not now as a means of avoiding loneliness? " I must look around me," her thoughts sped on, and she blushed and smiled in the darkness at the cold-bloodedness of such an idea. But, after all, that was what men said and did. How often had she heard the expression " he's ready to settle down, so he's looking around for a wife ". If that were the procedure of men it should certainly be much more so the procedure of women since their fate was so 264 much more deeply involved. The room was growing lighter; she could see the pictures a deeper blur against the faint blur of the walL Her passing shame suddenly spent itself, for, after all, she knew practically no men. There was Ashley but she was through with men of his type. The men in her office were nearly all impos sible, but there were three, she told herself, coldly, unenthusiastic, who were not such terrible pills. " But no," she said out loud. " I'd rather stay single and lonely, too, all my life than worry along with one of them. There must be someone else." And at once she thought of Anthony Cross. Of course there was Anthony. " I believe I've always had him in the back of my mind," she spoke again to the glimmering greyness. And turning on her pillow she fell, smiling, asleep. Monday was a busy day; copy must be pre pared for the engraver; proofs of the current edition of the magazine had to be checked up; some important French fashion plates for which she was responsible had temporarily disappeared and must be unearthed. At four- thirty she was free to take tea with Mrs. Denver, who imme diately thereafter bore her off to a " movie " and dinner. Not until nine o'clock was she able to pursue her new train of thought. And even when she was at liberty to indulge in her habit of intro spection she found herself experiencing a certain reluctance, an unexpected shyness. Time was needed to brood on this secret with its promise of happiness; this means of salvation from the 265 BUNHHHHHHHHHHHK problems of loneliness and weakness which beset her. For since the departure of Roger she fre quently felt herself less assured; it would be a relief to have some one on whom to lean; some one who would be glad to shield and advise her, and love her ! This last thought seemed to her marvellous. She said to herself again and again : " Anthony loves me, I know it. Think of it, he loves me ! " Her face and neck were covered with blushes; she was like a young girl on the eve of falling in love, and indeed she herself was entering on that experience for the first time. From the very beginning she had liked Anthony, liked him as she had never liked Roger for himself, for his sincerity, for his fierce pride, for his poverty, for his honest, frantic love. " And now," she said solemnly, " I believe I'm going to love him; I believe I love him already." There were many things to be considered. His poverty, but she no longer cared about that; in sensibly her association with Rachel Salting, her knowledge of Rachel's plans and her high flouting of poverty had worked their influence. It would be fun, fun to begin at the beginning, to save and scrape and mend. Like Rachel she would do no washing and ironing, she would keep herself dainty and unworn, but everything else, every thing else she would do. Cook and she could cook; she had her blessed mother to thank for that. For a moment she was home again on Opal Street, getting Monday dinner, laughing with Virginia about Mrs. Henrietta Jones. There they were at the table, her pretty mother, her father with his fine, black face his black face, she had forgotten that. 266 Colour, here the old problem came up again. Restlessly she paced the room, a smouldering cigar ette in her fingers. She rarely smoked but some times the insensate little cylinder gave her a sense of companionship. Colour, colour, she had for gotten it. Now what should she do, tell Anthony? He was Spanish, she remembered, or no, since he came from Brazil he was probably Portuguese, a member of a race devoid, notoriously devoid of prejudice against black blood. But Anthony had lived in America long enough to become inocu lated; had he ever spoken about coloured people, had the subject ever come up? Wait a minute, there was Miss Powell; she remembered now that his conduct towards the young coloured woman had always been conspicuously correct; he had placed chairs for her, opened doors, set up easels; once the three of them had walked out of Cooper Union together and Anthony had carefully helped Miss Powell on a car, removing his hat with that slightly foreign gesture which she admired so much. And so far as she knew he had never used any of Roger's cruelly slighting ex pressions; the terms "coon", "nigger", "darky" had never crossed his lips. Clearly he had no conscious feeling against her people " my people " she repeated, smiling, and wondered herself which people she meant, for she belonged to two races, and to one far more conspicuously than the other. Why, Anthony had even attended the Van Meier lecture. And she wondered what Van Meier would say if she presented her problem to him. He had no brief, she knew, against intermarriage, though, because of the high social forfeit levied, he did not advocate its practice in America. 267 For a moment she considered going to him and asking his advice. But she was afraid that he would speak to her about racial pride and she did not want to think of that. Life, life was what she was struggling for, the right to live and be happy. And once more her mother's dictum flashed into her mind. " Life is more important than colour." This, she told herself, was an omen, her mother was watching over her, guiding her. And, burying her face in her hands, she fell on her knees and wept and prayed. Virginia sent a gay missive: " As soon as you left that wretch of a Sara told me that she had let you in on the great news. I wish I'd known it, I'd have spoken to you about it there in the hall; only there was so much to explain. But now you know the main facts, and I can wait until I see you to tell you the rest. But isn't it all wonderful? Angela, I do believe I'm almost the happiest girl alive ! " It's too lovely here. Edna is very kind and you know I always did like Pennsylvania country. Matthew is out almost every day. He tells me it renews his youth to come and talk about old times, anyone to hear us reminiscing, starting every other sentence with ' do you remember ? ' would think that we averaged at least ninety years apiece. It won't pique your vanity, will it, if I tell you that he seems to have recovered entirely from his old crush on you? Maybe he was just in love with the family and didn't know it. 268 BUN*** ******** " We go into Philadelphia every day or two. The city has changed amazingly. But after the hit or miss method of New York society there is something very restful and safe about this tight organization of * old Philadelphians '. In the short time I've been here I've met loads of first families, people whose names we only knew when we were children. But they all seem to remember father and mother; they all begin: ' My dear, I remem ber when Junius Murray ' I meet all these people, old and young, through Matthew, who seems to have become quite the beau here and goes everywhere. He really is different. Even his hair in some mysterious way is changed. Not that I ever minded; only he's so awfully nice that I just would like all the nice things of the world added unto him. We were talking the other day about the wedding, and I was thinking what a really distinguished appearance he would make. Dear old Matt, I'm glad I put off marriage until he could cut a fine figure. Write me, darling, if you feel like it, but don't expect to hear much from me. I'm so happy I can't keep still long enough to write. The minute I get back to New York though we'll have such a talk as never Mrs. Denver was growing happier; New York was redeeming itself and revealing all the riches which she had suspected lay hidden in its ware houses. Through one letter of introduction forced into her unwilling hands by an officious acquaint ance on her departure from Butte she had gained an entree into that kindest and happiest of HHHH- * * * **HhPLUM BUNH* New York's varied groups, the band of writers, columnists, publishers and critics. The lady from the middle West had no literary pretensions her self, but she liked people who had them and lived up to them; she kept abreast of literary gossip, read Vanity Fair, the New Yorker, and Mercury. As she was fairly young, dainty, wealthy and generous and no grinder of axes, she was caught up and whirled right along into the glaxy of teas, luncheons, theatre parties and " barbecues " which formed the relaxations of this joyous crowd. Soon she was overwhelmed, with more invitations than she could accept; to those which she did consider she always couched her acceptance in the same terms. " Yes I'll come if I may bring my young friend, Angele Mory, along with me. She's a painter whom you'll all be glad to know some day." Angela's chance kindness to her in her days of loneliness and boredom had not fallen on barren ground. Now indeed Angela was far removed from the atmosphere which she had known in Greenwich Village; the slight bohemianism which she had there encountered was here replaced by a somewhat bourgeois but satisfying sophistication. These people saw the " Village " for what it was, a network of badly laid off streets with, for the most part, uncomfortable, not to say inconvenient dwellings inhabited by a handful of artists in the midst of a thousand poseurs. Her new friends were frankly interested in the goods of this world. They found money an imperative, the pre-eminent, concomitant of life; once obtained, they spent it on fine apartments, beautiful raiment, delicate viands, and trips to Paris and Vienna. Conver- 270 > * * ***^-HHHPLUM BUNHHW ******** sation with them was something more than an exchange of words; "quips and jests" passed among them, and, though flavoured with allusions to stage and book, so that Angela was at times hard put to it to follow the trend of the talk, she half suspected that she was in this company assist ing more nearly at the restoration of a lost art than in any other circles in the world save in the corres ponding society of London. Once again her free hours could be rilled to overflowing with attention, with gaiety, with intel lectual excitement; it came to her one day that this was the atmosphere of which she once had dreamed. But she was not quite happy, her economic condi tion interfered here. Constantly she was receiving every conceivable manifestation of an uncalculat- ing generosity at the hands not only of Mrs. Denver but of her new acquaintances. And she could make no adequate return ; her little apartment had turned too shabby for her to have guests of this calibre, even in to tea. Her rich friend, making short shrift of such furniture as Rachel Salting had left behind, had transformed her dwelling into a marvel of luxury and elegance; tiny but beautiful. Mrs. Denver was the soul of real and delicate kindness but Angela could not accept favours indefinitely; besides she was afraid to become too used to this constant tide from a horn of plenty on which she had absolutely no claim. If there were any one thing which the harsh experiences of these last three years had taught her it was the impermanence of relationships ; she must, she felt, lay down and follow a method of living for herself which could never betray her when the attention of the rich and great should be withdrawn. Gradu- 271 * * * * HHHHHHhPLUM BUNHHHHHHHHHHH5* ally she ceased accepting Mrs. Denver's invitations; she pleaded the necessity of outside work along the lines of her employment ; she was busy, too, on the portrait of her mother, stimulating her vivid memory with an old faded photograph. Her inten tion was to have it as a surprise for Virginia upon the latter's return. But before withdrawing completely she made the acquaintance of a young married woman and her husband, a couple so gifted, so genuine and sincere that she was unable to keep to the letter her spartan promise of cutting herself entirely adrift from this fascinating cross-section of New York society. The husband, Walter Sandburg, was a playwright; his name was a household word ; the title of one or another of his dramas glittered on Broadway every night. His wife, Elizabeth, reviewed books for one of the great New York weeklies. Their charm ing apartment in Fifty-fifth Street was the centre for many clever and captivating people. Between these two and Angela something of a real friendship awakened; she was not ashamed to have them see the shabbiness of her apartment. The luncheons to which she treated Elizabeth in the Village tea rooms and in apartment stores brought as great satisfaction as the more elaborate meals at the Algonquin, the favourite rendezvous of many of these busy, happy, contented workers. Ashley, too, had returned to a town still devoid of Carlotta, and in his loneliness was again con stantly seeking Angela. His attitude was perfect; never by word or look did he revive the unpleasant impression which he had once made; indeed, in a sober, disillusioned sort of way, she was growing to like him very much. He was shy, sensitive, 272 BUNHHHHHHHHHHH sympathetic and miserably lonely. It was not likely that his possessions were as fabulously great as Roger's but it was certain that he belonged to Roger's social group with all that such a ranking implies. But in spite of this he was curiously diffident; lacking in pep, the girls in his " set " coldly classified him, and let him alone. Outside his group ambitious Amazons daubed him " easy " and made a mad rush for him and his fabled millions. The two verdicts left him ashamed and frightened; annually he withdrew farther and farther into his shell, emerging only in response to Carlotta's careless and occasional beckoning or to Angela's genuine and pre-occupied indifference. But this was not her world; for years she had craved such a milieu, only to find herself, when once launched into it, outwardly perfectly at ease, inwardly perturbed and dismayed. Although she rarely thought of colour still she was conscious of living in an atmosphere of falseness, of tangled implications. She spoke often of Martha Burden and her husband; Walter Sandburg the play wright, knew Ladislas Starr; Elizabeth had met Paulette Lister in some field of newspaper activity, and Ashley of course had seen Roger in Angela's company. Behind these three or four names and the background which familiarity with them implied, she did not dare venture and in her gayest moments she was aware of the constant stirring within of a longing for someone real and per manent with whom she could share her life. She would, of course make up with Jinny, but Jinny was going to live in Philadelphia, where she herself would never sojourn again. That aftermath was the real consideration. s 273 * * * HHHHHH-PLUM BUNHHMHHHHHHHH Her thoughts went constantly winging to Anthony; her determination became static. Sav ing only this invisible mixture of dark blood in her veins they, too, could meet on a par. They were both young, both gifted, ambitious, blessedly poor. Together they would climb to happier, sunnier heights. To be poor with Anthony; to struggle with him; to help him keep his secret vow; to win his surprised and generous approba tion ; finally to reach the point where she, too, could open her home to poor, unknown, struggling geniuses, life could hold nothing more pleasing than these possibilities. And how kind she would be to these strangers ! How much she hoped that among them there would be some girl struggling past the limitations of her heritage even as she her self had done. Through some secret, subtle bond of sympathy she would, she was sure, be able to recognize such a girl; and how she would help her and spur her on ! To her communings she said humbly, " I am sure that this course will work out all right for me for see, I am planning chiefly for Anthony and for helpless, harassed people; hardly anything for myself but protection and love. I am willing to work for success and happiness." And even as she spoke she knew that the summit of her bliss would be reached in the days while she and Anthony were still poor and struggling and when she would be giving of her best to make things so. Elizabeth Sandburg reminiscing about the early married days of herself and Walter gave a fillip to her thought. Said Elizabeth: " Walt and I were just as poor as we could be, we only made twenty dollars a week, and half of that went for a room in 274 BUNHHHHHHHHHMM5- a cheap hotel. Meals even at the punkest places were awfully expensive, and half the time I used to cook things over the gas-jet. I didn't know much about cooking, and I imagine the stuff was atrocious, but we didn't mind. There were we with no one to interfere with us ; we had each other and we didn't give a damn." Smiling, glowing, she gave Angela a com mission to paint hers and her Walter's portraits. " We'll leave the price to you and if you really put the job over I'll get you a lot of other sitters. No, don't thank me. What are friends for? That's what I always say." 275 CHAPTER IV SOMETIMES this thought confronted her: " Per haps Anthony no longer needs me; has forgotten me." And at the bare idea her heart would con tract with an actual, palpable movement. For by now he was representing not only surcease from loneliness but peace and security ; a place not merely in society but in the world at large. Marriage appeared, too, in a different light. Until she had met Roger she had not thought much about the institution except as an adventure in romance or as a means to an end; in her case the method of achieving the kind of existence which once had been her ideal. But now she saw it as an end in itself; for women certainly; the only, the most desirable and natural end. From this state a gifted, an ambitious woman might reach forth and acquit herself well in any activity. But marriage must be there first, the foundation, the substratum. Of course there were undoubtedly women who, like men, took love and marriage as the sauce of exist ence and their intellectual interests as the main dish. Witness for instance, Paulette. Now that she came to think of it, Paulette might vary her lovers but she never varied in the manifestation of her restless, clever mental energy. At no time did she allow her " love-life ", as the psycho-analyst termed it, to interfere with her mental interests, 276 Indeed she made no scruple of furthering these same interests by her unusual and pervasive sex charm. But this was Paulette, a remarkable per sonage, a woman apart. But for most women there must be the safety, the assurance of relation ship that marriage affords. Indeed, most women must be able to say as did men, " You are mine," not merely, " I am yours." A certain scorching humility thrust itself upon her. In all her manifestations of human relation ships, how selfish she had been ! She had left Virginia, she had taken up with Roger to further her own interests. For a brief interval she had perhaps loved Roger with the tumultuous, heady passion of hot, untried youth. But again when, this subsiding, she had tried to introduce a note of idealism, it had been with the thought of saving her own soul. She thought of her day in the park with Anthony, his uncomplaining acceptance of her verdict; his wistfully grateful: "I almost touched happiness ". How easily she might have made him happy if she had turned her thoughts to his needs. But she had never thought of that; she had been too intent always on happiness for herself. Her father, her mother and Jinny had always given and she had always taken. Why was that? Jinny had sighed: "Perhaps you have more white blood than Negro in your veins." Perhaps this selfishness was what the possession of white blood meant; the ultimate definition of Nordic Supremacy. Then she remembered that Anthony was white and, bewildered ; she ceased trying to cogitate, to unravel, decipher, evaluate. She was lonely, she loved. She meant to find a companion ; she meant to be beloved. 277 HHHHHHHHHHhPLUM She must act. None of her new friends was acquainted with Anthony. Ralph Ashley in response to a tentative question could not recall ever having seen him. The time was August, consequently he could not be at the school. Telephone books revealed nothing. " Lost in a great city ! " she told herself and smiled at the cheap novel flavour of the phrase. She sent her thoughts fluttering back to the last time she had really seen Anthony, to their last intimate conversation. They had met that day after she had cut Jinny; she remembered, smiling now in her superior knowledge, the slight panic which she had experienced at his finding her in a 'bus in Harlem. There had been some chaffing about tea and he had given her his address and she had put it, where? It was not in her address book. A feverish search through her little desk revealed it in the pages of her prayer book, the one which she had used as a child. This she considered a good omen. The bit of paper was crinkled and blurred but she was able to make out an address on One Hundred and Fourteenth Street. Suppose he were no longer there ! She could not brook the thought of another night of uncertainty; it was ten o'clock but she mounted a 'bus, rode up to One Hundred and Fourteenth and Seventh Avenue. Her heart beat so loudly as she turned the corner, it seemed as though the inhabitants of the rather shabby block hearing that human dynamo would throng their windows. The street, like many others in New York, possessed the pseudo elegance and impressiveness which comes from an equip ment of brown stone houses with their massive fronts, their ostentatious regularity and simplicity, 278 HHHHHHHHHHhPLUM BUNHHHHHHS**-H but a second glance revealed its down-at-heel condition; gaping windows disclosed the pitiful smallness of the rooms that crouched behind the pretentious outsides. There was something faintly humorous, ironical, about being cooped up in these deceptive palaces; according to one's tem perament one might laugh or weep at the thought of how these structures, the product of human energy could yet cramp, imprison, even ruin the very activity which had created them. Angela found her number, mounted the steps, sought in the dim, square hall feverishly among the names in the bells. Sullivan, Brown, Hend- rickson, Sanchez, and underneath the name of Sanchez on the same card, five small, neat char acters in Anthony's inimitably clear printing Cross. She almost fainted with the relief of it. Her fingers stole to the bell, perhaps her one time fellow-student was up in his room now, how strange that this bit of gutta percha and its attendant wires should bridge all the extent of time and space that had so long lain between them! But she could not push it; Anthony, she was sure, was real enough, close enough to the heart of living to refuse to be shocked by any mere breach of the conventionalities. Even so, however, to seek at eleven o'clock at night and without pre liminary warning admission to the rooms of a man whom one has not noticed for a year, was, as he himself would have put it, " a bit thick ". The little note which she sent was a model of demureness and propriety. " Dear Anthony," it read, " Do you remember my promising to ask you in for tea the next time I made a batch of 279 BUN^HHHHHHHHHH* cookies? Well, to-morrow at 5.30 will be the next time. Do come ! " He had changed ; her interested, searching eyes descried it in a moment. Always grave, always austere, always responsible, there was now in his manner an imponderable yet perceptible increment of each quality. But this was not all; his old familiar tortured look had left him; a peace, a quality of poise hovered about him, the composure which is achieved either by the attainment or by the relinquishment of the heart's desire. There is really very little difference, since each implies the cessation of effort. All this passed rapidly through Angela's mind. Aloud she said : " How do, Anthony? you're really looking awfully well. It's nice to see you again." " It's nice to see you," he replied. Certainly there was nothing remarkable about their con versation. After the bantering, the jests and allusions which she had been used to hearing at the Sandburgs, compared with the snappy jargon of Mrs. Denver's "crowd" this was trivial, not to say banal. She burst out laughing. Anthony raised his eyebrows. " What's so funny? Is it a secret joke? " " No, only I've been thinking hard about you for a long time." She made a daring stroke. " Presumably you've thought occasionally about me. Yet when we meet we sit up like a dandy and a dowager with white kid gloves on and exchange comments on our appearances. I sup pose the next step in order would be to talk about the weather. Have you had much rain up in One Hundred and Fourteenth Street, Mr Gross? " 280 BUNHHMHHHMHS'-HMS' Some of his poise forsook him. The pervasive peacefulness that sat so palpably upon him deserted him like a rended veil. " You've been thinking about me for a long time? Just how long? " " I couldn't tell you when it began." She ven tured another bold stroke. " But you've been in the back of my mind, oh for ages, ages." The poise, the composure, the peace were all fled now. Hastily, recklessly he set down his glass of tea, came and towered over her. She bit her lips to hide their trembling. Oh he was dear, dearer than she had ever imagined, so transparent, so honest. Who was she to deserve him? His face quivered. He should never have come near this girl ! As suddenly as he had left his chair he returned to it, settled himself com fortably and picked up his glass. " I've been away from you so long I had forgotten." " Forgotten what? " " Forgotten how dangerous you are. For gotten how a woman like you plays with poor fools like me. Why did you send for me? To set me dancing once more to your tune? " His bitterness surprised and frightened her. " Anthony, Anthony don't talk like that ! I sent for you because I wanted to see you, wanted to talk to my old friend." Appeased, he lounged back in the famous and unique easy chair, lit a cigarette. She brought out some of her sketches, displayed her note-book. He was especially interested in the " Fourteenth Street Types ", was pleased with the portrait of her mother. " She doesn't look like you, though I can see you probably have her hair and that pearly tint of her skin. But you must have got 281 your nose from your father. You know all the rest of your face," he dwelt on her features dreamily, " your lips, your eyes, your curly lashes are so deliciously feminine. But that straight nose of yours betokens strength." The faded, yet striking photograph lay within reach. He picked it up, studying it thoughtfully. " What a beautiful woman; all woman I should say. Did she have much effect on your life? " " N-no, I can't say she did." She remembered those Saturday excursions and their adventures in " passing ", so harmless, yet so far-reaching. " Oh yes, in one respect she influenced me greatly, changed my whole life." He nodded, gazing moodily at the picture. " My mother certainly affected me." Angela started to say glibly; " She made you what you are to-day"; but a glance at his brooding countenance made her think better of it. " What's this? " He had turned again to the sketch book and was poring upon a mass of lightly indicated figures passing apparently in review before the tall, cloaked form of a woman, thin to emaciation, her hands on her bony hips, slightly bent forward, laughing uproariously yet with a certain chilling malevolence. " I can't make it out." With something shamefaced in her manner she took it from him. "I'm not sure yet whether I'll develop it. I, it's an idea that has slowly taken possession of me since I've been in New York. The tall woman is Life and the idea is that she laughs at us; laughs at the poor people who fall into the traps which she sets for us." 282 BUNHHHHHHHHHH-* Sorrow set its seal on his face as perceptibly as though it had been stamped there. He came closer. " You've found that out too? If I could have managed it you would never have known it. I wanted so to keep it from you." His manner suddenly changed. " I must go. This afternoon has been perfect; I can't thank you enough, but I'm not coming again." " Not coming again ! What nonsense ! Why, why ever not? Now, Anthony, don't begin that vow business. To-day has been perfect, marvel lous. You don't suppose I'm going to let my friend go when I'm really just discovering him ! " Weakly he murmured that it was foolish for them to take up each other's time; he was going away. " All the more reason, then, why we should be seeing each other." His glance fell on the formless sketch. " If I could only get one laugh on life. . . . When are you going to let me see you again? I'm my own man just now; my time is at your disposal." The next afternoon they met outside her office building and dined together. On Friday they sailed to the Atlantic Highlands. Saturday, Sun day, Monday, Tuesday flashed by, meaning nothing to either except for the few hours which they spent in each other's company. Thursday was a slack day; she arranged her work so as to be free for the afternoon, and they passed the hurrying, glamorous hours in Van Cortlandt Park, laughing, jesting, relating old dreams, relapsing into silences more intimate than talk, blissfully aware of each other's presence, still more throbbingly aware of a con versation held in this very Park years ago Back 283 HHMMHHHHHHKPLUM again in the little hall on Jayne Street he took her in his arms and kissed her slowly, with rapture, with adoration and she returned his kisses. For a long time he held her close against his pounding heart; she opened her languid eyes to meet his burning gaze which she could feel rather than see. Slowly he took her arms from his neck, let them drop. " Angel, Angel, I shall love you always. Life cannot rob me of that. Good-bye, my sweetest." He was lost in the shadowy night. The next day passed and the next. A week sped. Absolute silence. No sign of him by either word or line. At the end of ten days, on a never to be forgotten Sunday afternoon, she went to see him. Without conscious volition on her part she was one moment in her apartment on Jayne Street; and at the end of an hour she was pressing a button above the name Cross in a hall on One Hundred and Four teenth Street, hearing the door click, mounting the black well of a stair-way, tapping on a door bearing the legend " Studio ". A listless voice said " Come in." Presently the rather tall, slender young man sitting in his shirt sleeves, his back toward her, staring dejectedly but earnestly at a picture on the table before him asked: " What can I do for you? " The long and narrow room boasted a rather good parquet floor and a clean plain wall paper covered with unframed pictures and sketches. In one corner stood an easel; the furniture for the 284 BUNHMHHH^HHHHH' most part was plain but serviceable and com fortable, with the exception of an old-fashioned horse-hair sofa which Angela thought she had never seen equalled for its black shininess and its promise of stark discomfort. On entering the apartment she had felt per turbed, but as soon as she saw Anthony and realized that the picture at which he was gazing was an unfinished sketch of herself, her worry fled. He had asked his question without turning, so she addressed his back: " You can tell me where you found that terrible sofa; I had no idea there were any in existence. Thought they had died out with the Dodo." The sound of her voice brought him to her side. " Angele, tell me what are you doing here? " She tried to keep the light touch: "Not until you have told me about the sofa." But his dark, tormented face and the strain under *which she had been suffering for the past week broke down her defence. Swaying, she caught at his hand. " Anthony, Anthony, how could you?" He put his arm about her and led her to the despised sofa; looked at her moodily. " Why did you come to see me, Angele? " Ordinarily she would have fenced, indulged in some fancy skirmishing; but this was no ordinary occasion; indeed in ordinary circumstances she would not have been here. She spoke gravely and proudly. " Because I love you. Because I think you love me." A sudden terrible fear assailed her. " Oh, Anthony, don't tell me you were only playing ! " " With you? So little was I playing that the moment I began to suspect you cared, and I 285 *HHHHHHHHhH>LUM BUNHHH^HHHHHHHK* never dreamed of it until that last day in the park, I ran away from you. I knew you had so many resources; men will always adore you, want you, that I thought you'd soon forget; turn to someone else just as you had turned for a sudden whim to me from God knows how many admirers." She shook her head, but she was frightened; some nameless fear knocking at her heart. " I turned to you from no one, Anthony. I've had only one ' admirer ' as you call it in New York and I had long, long since ceased thinking of him. No, Anthony, I came to you because I needed you ; you of all men in New York. I think in the world. And I thought you needed me." They sat in silence on the terrible sofa. He seized her hand and covered it with kisses; started to take her in his arms, then let them fall in a hope less gesture. " It's no good, Angel; there's no use trying to buck fate. Life has caught us again. What you're talking about is absolutely impossible." " What do you mean, impossible? " The little mute fear that had lain within her for a long time as a result of an earlier confidence of his bestirred itself, spoke. " Anthony, those men, those enemies that killed your father, did you kill one of them? " She had her arms about him. " You know it's nothing to me. Don't even tell me about it. Your past belongs to you; it's your future I'm interested in, that I want." He pushed her from him, finally, even roughly. " No, I've never killed a man. Though I've wanted to. But I was a little boy when it all happened and afterwards I wouldn't go back 286 BUNHHH-* * * -HHHH5* because of my mother." He went over to a drawer and took out a revolver, " I've half a mind to kill myself now, now before I go mad thinking how I've broken my promise, broken it after all these years." He looked at her wistfully, yet implacably. " I wish that I had died long before it was given to me to see that beautiful, loving look on your face change into one of hatred and dread and anger." She thought he must be raving; she tried to sooth him. " Never mind, Anthony; I don't care a rap about what you've done. Only tell me why do you say everything's impossible for us? Why can't we mean everything to each other, be married -- " " Because I'm coloured." In her bewildered relief she fell away from him. " Yes, that's right, you damned American ! I'm not fit for you to touch now, am I? It was all right as long as you thought I was a murderer, a card sharp, a criminal, but the black blood in me is a bit too much, isn't it?" Beside himself he rushed to the windows, looked on the placid Sunday groups festooning the front steps of the brown stone houses. " What are you going to do, alarm the neighbourhood? Well, let me tell you, my girl, before they can get up here I'll be dead." His glance strayed to the revolver. " They'll never catch me as they did my father." It was on the point of her tongue to tell him her great secret. Her heart within her bubbled with laughter to think how quickly she could put an end to this hysteria, how she could calm this black madness which so seethed within him, poisoning the very spring of his life. But his last 287 ? > * * * ***HHHhPLUM BUNH5--HHHHHHHHH* words turned her thoughts to something else, to another need. How he must have suffered, loving a girl who he felt sure would betray him ; yet scorn ing to keep up the subterfuge. She said to him gently: "Anthony, did you think I would do that? " His answer revealed the unspeakable depths of his acquaintance with prejudice; his incurable cynicism. " You're a white American. I know there's nothing too dastardly for them to attempt where colour is involved." A fantastic notion seized her. Of course she would tell him that she was coloured, that she was willing to live with coloured people. And if he needed assurance of her love, how much more fully would he believe in her when he realized that not even for the sake of the conveniences to be had by passing would she keep her association with white people secret from him. But first she must try to restore his faith in human good ness. She said to him gently: " Tell me about it, Anthony." And sitting there in the ugly, tidy room in the sunshot duskiness of the early summer evening, the half-subdued noises of the street mounting up to them, he told her his story. An old story it was, but in its new setting, coupled with the fact that Angela for years had closed her mind to the penalty which men sometimes pay for being " different ", it sounded like some unbelievable tale from the Inquisition. His father, John Hall, of Georgia, had been a sailor and rover, but John's father was a well- known and capable farmer who had stayed in his little town and slowly amassed what seemed a 288 BUN^HHHHHHHHHH^ fortune to the poor and mostly ignorant whites by whom he was surrounded. In the course of John's wanderings he had landed at Rio de Janeiro and he had met Maria Cruz, a Brazilian with the blood of many races in her veins. She herself was apparently white, but she looked with favour on the brown, stalwart sailor, thinking nothing of his colour, which was very much the same as that of her own father. The two married and went to many countries. But finally John, wearying of his aimless life, returned to his father, arriving a month before it was time to receive the old man's blessing and his property. Thence all his troubles. Certain white men in the neighbour hood had had their eyes turned greedily on old Anthony Hall's possessions. His son had been a wanderer for many years; doubtless he was dead. Certainly it was not expected that he would return after all these years to his native soil; most niggers leaving the South left for ever. They knew better than to return with their uppity ways. Added to the signal injustice of John Hall's return and the disappointment caused thereby, was the iniquity of his marriage to a beautiful and apparently white wife. Little Anthony could remember his father's constant admonition to her never to leave the house; the latter had, in his sudden zeal for home, forgotten what a sojourn in Georgia could mean. But his memory was soon refreshed and he was already making every effort to dispose of his new possessions without total loss. This required time and patience, but he hoped that only a few months need elapse before they might shake off the dust of this cursed hole for ever. T 289 BUNHHHHHHHHHHHK "Just a little patience, Maria," he told his lovely wife. But she could not understand. True, she never ventured into the town, but an infrequent visit to the little store was imperative and she did not mind an occasional admiring glance. Indeed she attributed her husband's admonitions to his not unwelcome jealousy. Anthony, always a grave child, constituted himself her constant guardian; his father, he knew, had to be away in neigh bouring townships where he was trying to put through his deal, so the little boy accompanied his silly trusting mother everywhere. When they passed a group of staring, mouthing men he con trived to hurt his finger or stub his toe so as to divert his mother's attention. In spite of his childish subterfuges, indeed because of them, his mother attracted the notice of Tom Haley, son of the magistrate. Anthony apparently had injured his hand and his beautiful mother, bending over it with great solicitude, made a picture too charm ing, too challenging to be overlooked. Haley stepped forward, actually touched his cap. " Can I do anything to help you, ma'am? " She looked at him with her lovely, melting eyes, spoke in her foreign liquid voice. He was sure he had made a conquest. Afterwards, chagrined by the gibes of the bystanders who jeered at him for his courtesy to a nigger wench " for that's all she is, John Hall's wife ", he ground his heel in the red dust; he would show her a thing or two. In the hot afternoon, awakened from her siesta by a sudden knock, she came to the door, greeted her admirer of the early morning. She was not quite pleased with the look in his eyes, but 290 HHh^HHHHHHHhPLUM BUNHHHHHHHHH5~H* she could not suspect evil. Haley, who had done some wandering on his own account and had picked up a few words of Spanish, let fall an insulting phrase or two. Amazed and angry she struck him across his face. The boy, Anthony, uneasily watching, screamed; there was a sudden tumult of voices and Haley fled, forgetting for the moment that these were Negro voices and so need not be dreaded. An old coloured man, mumbling and groaning " Gawd forgive you, Honey; we'se done fer now " guided the child and the panic-stricken mother into the swamp And lying there hidden at night they could see the sparks and flames rising from the house and buildings, which represented the labour of Anthony Hall's sixty years. In a sudden lull they caught the sounds of the pistol shots which riddled John Hall's body. " Someone warned my father," said Anthony Cross wearily, " but he would go home. Besides, once back in town he would have been taken anyway, perhaps mobbed and burned in the public square. They let him get into his house; he washed and dressed himself for death. Before nightfall the mob came to teach this man their opinion of a nigger who hadn't taught his wife her duty toward white men. First they set fire to the house, then called him to the window. He stepped out on a little veranda; Haley opened fire. The body fell over the railing, dead before it could touch the ground, murdered by the bullets from twenty pistols. Souvenir hunters cut off fingers, toes, his ears, a friend of my grandfather found the body at night and buried it. They said it was unlike anything they had ever seen before, 291 BUNHHHHHHHHHH-* totally dehumanized. After I heard that story I was unable to sleep for nights on end. As for my mother, -- '" Angela pressed his head close against her shoulder. There were no words for a thing like this, only warm human contact. He went on wanly. " As for my mother, she was like a madwoman. She has gone all the rest of her life haunted by a terrible fear." " Of white people," Angela supplemented softly. " Yes, I can see how she would." He glanced at her sombrely. " No, of coloured people. She believes that we, particularly the dark ones, are cursed, otherwise why should we be so abused, so hounded. Two years after my father's death she married a white man, not an American that was spared me, but a German who, I believe, treats her very kindly. I was still a little boy but I begged and pleaded with her to leave the whole race alone; I told her she owed it to the memory of my father. But she only said women were poor, weak creatures; they must take protection where they could get it." Horrified, mute with the tragedy of it all, she could only stare at him white-lipped. " Don't ask me how I came up. Angele, for a time I was nothing, worthless,, only I have never denied my colour; I have always taken up with coloured causes. When I've had a special point to make I've allowed the world to think of me as it would but always before severing my connections I told of the black blood that was in my veins. And then it came to me that for my father's sake I would try to make something of myself. So I sloughed off my evil ways, they had been assumed 292 HHHHHHHHH^PLUM BUNHHHHHHHHHH5-* only in bravado, and came to New York where I've been living quietly, I hope usefully, keeping my bitterness within myself where it could harm no one but me. " I made one vow and kept it, never by any chance to allow myself to become entangled with white people; never to listen to their blandish ments; always to hate them with a perfect hate. Then I met you and loved you and somehow healing began. I thought, if she loves me she'll be willing to hear me through. And if after she hears me she is willing to take me, black blood and all, but mind," he interrupted himself fiercely, " I'm not ashamed of my blood. Some times I think it's the leaven that will purify this Nordic people of their cruelty and their savage lust of power." She ignored this. " So you were always going to tell me." " Tell you? Of course I would have told you. Oh, I'm a man, Angel, with a man's record. When I was a sailor, there' re some pages in my life I couldn't let your fingers touch. But that I'd have told you, it was too vital, too important. Not that I think it really means anything, this mixture of blood, as life goes, as God meant the world to go. But here in America it could make or mar life. Of course I'd have told you." Here was honour, here was a man ! So would her father have been. Having found this com parison her mind sought no further. A deep silence descended upon them; in his case the silence of exhaustion. But Angela was thinking of his tragic life and of how completely, how surprisingly she could change it. Smiling, 293 *HHHHHHHHHHhPLUM BUNHHHHHHHHHH?~&* she spoke to him of happiness, of the glorious future. " I've something amazing to tell you, but I won't spring it on you all at once. Can't we go out to Van Cortlandt Park to-morrow evening? " He caught her hand. " No matter what in the goodness of your heart you may be planning, there is no future, none, none, Angel, for you and me. Don't deceive yourself, nor me. When I'm with you I forget sometimes. But this afternoon has brought it all back to me. I'll never forget myself and my vow again." A bell shrilled three, four times. He looked about frowning. "That's Sanchez; he's forgotten his key again. My dear girl, my Angel, you must go, and you must not, must not come back. Hurry, hurry ! I don't want him to see you here." He guided her towards the door, stemming her protestations. " I'll write you at once, but you must go. God bless and keep you." In another moment she was out in the dim hall, passing a dark, hurrying figure on the stairs. The heavy door swung silently behind her, thrusting her inexorably out into the engulfing summer night; the shabby pretentious house was again between her and Anthony with his tragic, searing past. 294 CHAPTER V ALL the next day and the next she dwelt on Anthony's story; she tried to put herself in his place, to force herself into a dim realization of the dark chamber of torture in which his mind and thoughts had dwelt for so many years. And she had added her modicum of pain, had been so unsympathetic, so unyielding; in the midst of the dull suffering, the sickness of life to which perhaps his nerves had become accustomed she had managed to inject an extra pinprick of poignancy. Oh, she would reward him for that; she would brim his loveless, cheated existence with joy and sweet ness; she would cajole him into forgetting that terrible past. Some day he should say to her: " You have brought me not merely new life, but life itself." Those former years should mean no more to him than its pre-natal existence means to a baby. Her fancy dwelt on, toyed with all the sweet offices of love; the delicate bondage that could knit together two persons absolutely en rapport. At the cost of every ambition which she had ever known she would make him happy. After the manner of most men his work would probably be the greatest thing in the world to him. And he should be the greatest thing in the world to her. He should be her task, her "job ", the fulfilment 295 BUNHHHMHHMH^*** of her ambition. A phrase from the writings of Anatole France came drifting into her mind. " There is a technique of love." She would dis cover it, employ it, not go drifting haphazardly, carelessly into this relationship. And suddenly she saw her affair with Roger in a new light; she could forgive him, she could forgive herself for that hitherto unpardonable union if through it she had come one iota nearer to the understanding and the need of Anthony. His silence for although the middle of the week had passed she had received no letter, worried her not one whit. In the course of time he would come to her, remembering her perfect sympathy of the Sunday before and thinking that this woman was the atonement for what he considered her race. And then she would surprise him, she would tell him the truth, she would make herself inexpressibly dearer and nearer to him when he came to know that her sympathy and her tender ness were real, fixed and lasting, because they were based and rooted in the same blood, the same experiences, the same comprehension of this far-reaching, stupid, terrible race problem. How inexpressibly happy, relieved and over whelmed he would be ! She would live with him in Harlem, in Africa, anywhere, any place. She would label herself, if he asked it; she would tell every member of her little coterie of white friends about her mixed blood; she would help him keep his vow and would glory in that keeping. No sacrifice of the comforts which came to her from " passing ", of the assurance, even of the safety which the mere physical fact of whiteness in America brings, would be too great for her. She 296 *HHHHHhH~HhPLUM BUNHHHHHMH^-HHHS* would withdraw where he withdrew, hate where he hated. His letter which came on Thursday interrupted her thoughts, her fine dreams of self-immolation which women so adore. It was brief and stern, and read: " Angele, don't think for one moment that I do not thank you for Sunday. . . . My heart is at your feet for what you revealed to me then. But you and I have nothing in common, have never had, and now can never have. More than race divides us. I think I shall go away. Meanwhile you are to forget me; amuse your self, beautiful, charming, magnetic Angel with the men of your own race and leave me to my own. " ANTHONY." It was such a strange letter; its coldness and finality struck a chill to her heart. She looked at the lonely signature, " Anthony ", just that, no word of love or affection. And the phrase: " More than race divides us." Its hidden signifi cance held a menace. The letter was awaiting her on her return from work. She had come in all glowing with the promise of the future as she conceived it. And then here were these cold words killing her high hopes as an icy blast kills the too trusting blossoms of early spring. . . . Holding the letter she let her supper go untasted, unregarded, while she evolved some plan whereby she could see Anthony, 297 talk to him. The tone of his letter did not sound as though he would yield to ordinary persuasion. And again in the midst of her bewilderment and suffering she was struck afresh with the difficulties inherent in womanhood in conducting the most ordinary and most vital affairs of life. She was still a little bruised in spirit that she had taken it upon herself to go to Anthony's rooms Sunday; it was a step she felt conventionally, whose justi fication lay only in its success. As long as she had considered it successful, she had been able to relegate it to the uttermost limbo of her self- consciousness. But now that it seemed to avail nothing it loomed up before her in all its social significance. She was that creature whom men, in their selfish fear, have contrived to paint as the least attractive of human kind, " a girl who runs after men." It seemed to her that she could not stand the application of the phrase, no matter how unjustly, how inaptly used in her own case. Looking for a word of encouragement she re-read the note. The expression " My heart is at your feet" brought some reassurance; she remem bered, too, his very real emotion of Sunday, only a few days before. Men, real men, men like Anthony, do not change. No, she could not let him go without one last effort. She would go to Harlem once more to his house, she would see him, reassure him, allay his fears, quench his silly apprehensions of non-compatability. As soon as he knew that they were both coloured, he'd succumb. Now he was overwrought. It had never occurred to her before that she might be glad to be coloured. . . . She put on her hat, walked slowly out the door, said to herself with 298 a strange foreboding: " When I see this room again, I'll either be very happy, or very, very sad. ..." Her courage rose, braced her, but she was sick of being courageous, she wanted to be a beloved woman, dependent, fragile, sought for, feminine; after this last ordeal she would be " womanly " to the point of ineptitude. . . . During the long ride her spirits rose a little. After all, his attitude was almost inevitable. He thought she belonged to a race which to him stood for treachery and cruelty; he had seen her with Roger, Roger, the rich, the gay; he saw her as caring only for wealth and pleasure. Of course in his eyes she was separated from him by race and by more than race. For long years she was unable to reconstruct that scene; her mind was always too tired, too sore to re-enact it. As in a dream she saw Anthony's set, stern face, heard his firm, stern voice: "Angel-girl, Angele I told you not to come back. I told you it was all impossible." She found herself clutching at his arm, blurt ing out the truth, forgetting all her elaborate plans, her carefully pre-concerted drama. " But, Anthony, Anthony, listen, everything's all right. I'm coloured; I've suffered too; nothing has to come between us." For a moment off his guard he wavered. " An gele, I didn't think you'd lie to me." She was in tears, desperate. " I'm not lying, Anthony. It's perfectly true." " I saw that picture of your mother, a white woman if I ever saw one, " 299 4HHHHHHHHHHfPLUM BUNHHHHHHHHHHf-* " Yes, but a white coloured woman. My father was black, perfectly black and I have a sister, she's brown. My mother and I used to ' pass ' some times just for the fun of it; she didn't mind being coloured. But I minded it terribly, until very recently. So I left my home, in Philadelphia, and came here to live, oh, going for white makes life so much easier. You know it, Anthony." His face wan and terrible frightened her. " It doesn't make you angry, does it ? You've passed yourself, you told me you had. Oh Anthony, Anthony, don't look at me like that! What is it?" She caught at his hand, following him as he withdrew to the shiny couch where they both sat breathless for a moment. " God ! " he said sud denly; he raised his arms, beating the void like a madman. " You in your foolishness, I in my carelessness, c passing, passing ' and life sitting back laughing, splitting her sides at the joke of it. Oh, it was all right for you, but I didn't care whether people thought I was white or coloured, if we'd only known, " " What on earth are you talking about? It's all right now." " It isn't all right; it's worse than ever." He caught her wrist. " Angel, you're sure you're not fooling me? " " Of course I'm not. I have proof, I've a sister right here in New York; she's away just now. But when she comes back, I'll have you meet her. She is brown and lovely, you'll want to paint her . . . don't you believe me, Anthony? " " Oh yes, I believe you," he raised his arms again in a beautiful, fluid gesture, let them fall. " Oh, 300 BUNHHHHHHHHH-HH^ damn life, damn it, I say . . . isn't there any end to pain ! " Frightened, she got on her knees beside him. " Anthony, what's the matter? Everything's going to be all right; we're going to be happy." " You may be. I'll never be happy. You were the woman I wanted, I thought you were white. For my father's sake I couldn't marry a white girl. So I gave you up." " And I wouldn't stay given up. See, here I am back again. You'll never be able to send me away." Laughing but shamefaced, she tried to thrust herself into his arms. " No, Angel, no ! You don't understand There's, there's somebody else -- " She couldn't take it in. " Somebody else. You mean, you're married? Oh Anthony, you don't mean you're married ! " " No, of course not, of course not ! But I'm engaged." " Engaged, engaged and not to me, to another girl? And you kissed me, went around with me? I knew other men did that, but I never thought that of you ! I thought you were like my father ! " And she began to cry like a little girl. Shame-faced, he looked on, jamming his hands tightly into his pockets. " I never meant to harm you; I never thought until that day in the park that you would care. And I cared so terribly! Think, I had given you up, Angele, I suppose that isn't your name really, is it? and all of a sudden, you came walking back into my life and I said, ' I'll have the laugh on this damned mess after all. I'll spend a few days with her, love her a little, just a little. She'll never know, and I'll 301 BUNHHHHHMHHHHH5' have a golden memory! Oh, I had it coming to me, Angel! But the minute I saw you were beginning to care I broke off short." A line from an old text was running through her head, rendering her speechless, inattentive. She was a little girl back in the church again in Philadelphia; the minister was intoning " All we like sheep have gone astray". He used to put the emphasis on the first word and Jinny and she would look at each other and exchange meaning smiles; he was a West Indian and West Indians had a way of misplacing the emphasis. The line sounded so funny: " All we like sheep, -- " but perhaps it wasn't so funny after all; perhaps he had read it like that not because he was a West Indian but because he knew life and human nature. Certainly she had gone astray, with Roger. And now here was Anthony, Anthony who had always loved her so well. Yet in his background there was a girl and he was engaged. This brought her to a consideration of the un known fiancee, her rival. Deliberately she chose the word, for she was not through yet. This unknown, unguessed at woman who had stolen in like a thief in the night. . . . " Have you known her long? " she asked him sharply. " Who? Oh my, my friend. No, not as long as I've known you." A newcomer, an upstart. Well at least she, Angela, had the advantage of precedence. " She's coloured, of course? " "Of course." They sat in a weary silence. Suddenly he caught her in his arms and buried his head in her neck. 302 HHHHHHHKHHhPLUM BUNHHHHHHHHHHHK A quick pang penetrated to the very core of her being. He must have been an adorable baby. . . . Anthony and babies ! " Now God, Life, whatever it is that has power, this time you must help me ! " cried her heart. She spoke to him gently. " Anthony, you know I love you. Do you still love me? " " Always, always, Angel." " Do you Oh, Anthony, I don't deserve it, but do you by any chance worship me? " " Yes, that's it, that's just it, I worship you. I adore you. You are God to me. Oh, Angele, if you'd only let me know. But it's too late now." " No, no don't say that, perhaps it isn't too late. It all depends on this. Do you worship her, Anthony? " He lifted his haggard face. "No but she worships me. I'm God to her do you see? If I fail her she won't say anything, she'll just fall back like a little weak kitten, like a lost sheep, like a baby. She'll die." He said as though unaware of his listener. " She's such a little thing. And sweet." Angela said gently: "Tell me about her. Isn't it all very sudden? You said you hadn't known her long." He began obediently. " It was not long after I I lost you. She came to me out of nowhere, came walking to me into my room by mistake; she didn't see me. And she put her head down on her hands and began to cry terribly. I had been crying too in my heart, you understand, and for a moment I thought she might be the echo of that cry, might be the cry itself. You see, 303 BUN-HHHHHHHHHH5* I'd been drinking a little, you were so far removed, white and all that sort of thing. I couldn't marry a white woman, you know, not a white American. I owed that to my father. " But at last I saw it was a girl, a real girl and I went over to her and put my hand on her shoulder and said: { Little girl, what's the matter? ' " And she lifted her head, still hidden in the crook of her arm, you know the way a child does and said : ' I've lost my sister '. At first I thought she meant lost in the street and I said ' Well, come with me to the police station, I'll go with you, we'll give them a description and you'll find her again. People don't stay lost in this day and time '. I got her head on my shoulder, I almost took her on my knee, Angele, she was so simple and forlorn. And presently she said : ' No, I don't mean lost that way; I mean she's left me, she doesn't want me any more. She wants other people '. And I've never been able to get anything else out of her. The next morning I called her up and some how I got to seeing her, for her sake, you know. But afterwards when she grew happier, she was so blithe, so lovely, so healing and blessed like the sun or a flower, then I saw she was getting fond of me and I stayed away. " Well, I ran across you and that Fielding fellow that night at the Van Meier lecture. And you were so happy and radiant, and Fielding so pos sessive, damn him ! damn him ! he you didn't let him hurt you, Angele? " As though anything that had ever happened in her life could hurt her like this! She had never known what pain was before. White-lipped, she shook her head. " No, he didn't hurt me." 304 BUNHHHMHHMHHHH* " Well, I went to see her the next day. She came into the room like a shadow, I realized she was getting thin. She was kind and sweet and far-off; impalpable, tenuous and yet there. I could see she was dying for me. And all of a sudden it came to me how wonderful it would be to have someone care like that. I went to her; I took her in my arms and I said: 'Child, child, I'm not bringing you a whole heart but could you love me? ' You see I couldn't let her go after that." " No," Angela's voice was dull, lifeless. " You couldn't. She'd die." " Yes, that's it; that's just it. And I know you won't die, Angel." " No, you're quite right. I won't die." An icy hand was on her heart. At his first words: * e She came walking into my room, -- " an icy echo stirred a memory deep, deep within her inner consciousness. She heard Jinny saying : " I went walking into his room, -- " Something stricken, mortally stricken in her face fixed his attention. " Don't look like that, my girl, my dear Angel. . . . There are three of us in this terrible plight, if I had only known. ... I don't deserve the love of either of you but if one of you two must suffer it might as well be she as you. Come, we'll go away; even unhappiness, even remorse will mean something to us as long as we're together." She shook her head. " No, that's impossible, if it were someone else, I don't know, perhaps I'm so sick of unhappiness, maybe I'd take a chance. But in her case it's impossible." He looked at her curiously. " What do you mean 'in her case'?" u 305 H~HHHh*HHHHhPLUM BUN-HHHHHHHHHH5* :< Isn't her name Virginia Murray? " " Yes, yes ! How did you guess it? Do you know her? " " She's my sister. Angele Mory, Angela Mur ray, don't you see. It's the same name. And it's all my fault. I pushed her, sent her deliberately into your arms." He could only stare. " I'm the unkind sister who didn't want her. Oh, can't you understand? That night she came walking into your room by mistake it was because I had gone to the station to meet her and Roger Fielding came along. I didn't want him to know that I was coloured and I, I didn't acknowledge her, I cut her." " Oh," he said surprised and inadequate. " I don't see how you could have done that to a little girl like Virginia. Did she know New York? " " No." She drooped visibly. Even the loss of him was nothing compared to this rebuke. There seemed nothing further to be said. Presently he put his arm about her. " Poor Angele. As though you could foresee ! It's what life does to us, leads us into pitfalls apparently so shallow, so harmless and when we turn around there we are, caught, fettered, " Her miserable eyes sought his. " I was sorry right away, Anthony. I tried my best to get in touch with her that very evening. But I couldn't find her, already you see, life was getting even with me, she had strayed into your room." He nodded. " Yes, I remember it all so plainly. I was getting ready to go out, was all prepared as a matter of fact. Indeed I moved that very night. But I loitered on and on, thinking of you. 306 " The worst of it is I'll always be thinking of you. Oh Angele, what does it matter, what does any thing matter if we just have each other? This damned business of colour, is it going to ruin all chances of happiness? I've known trouble, pain, terrible devastating pain all my life. You've suffered too. Together perhaps we could find peace. We'd go to your sister and explain. She is kind and sweet; surely she'd understand." He put his arms about her and the two clung to each other, solemnly, desperately, like children. " I'm sick of pain, too, Anthony, sick of longing and loneliness. You can't imagine how I've suffered from loneliness." " Yes, yes I can. I guessed it. I used to watch you. I thought you were probably lonely inside, you were so different from Miss Lister and Mrs. Starr. Come away with me and we'll share our loneliness together, somewhere where we'll for- get, " " And Virginia? You said yourself she'd die, " " She's so young, she she could get over it." But his tone was doubtful, wavering. She tore herself from him. " No, I took her sister away from her; I won't take her lover. Kiss me good-bye, Anthony." They sat on the hard sofa. " To think we should find one another only to lose each other ! To think that everything, every single thing was all right for us but that we were kept apart by the stupidity of fate. I'd almost rather we'd never learned the truth. Put your dear arms^ about me closer, Angel, Angel. I want the warmth, the sweetness of you to penetrate into my heart. I want to 307 keep it there forever. Darling, how can I let you go? " She clung to him weeping, weeping with the heart-broken abandonment of a child. A bell shrilled four times. He jumped up. " It's Sanchez, he's forgotten his key; thank God he did forget it. My darling, you must go. But wait for me. I'll meet you, we'll go to your house, we'll find a way. We can't part like this ! " His breath was coming in short gasps; she could see little white lines deepening about his mouth, his nostrils. Fearfully she caught at her hat. " God bless you; good-bye Anthony. I won't see you again." Halfway down the black staircase she met the heedless Sanchez, tall, sallow, thin, glancing at her curiously with a slightly amused smile. Politely he stood aside to let her pass, one hand resting lightly against his hip. Something in his attitude made her think of her unfinished sketch of Life. Hysterical, beside herself, she rushed down the remaining steps afraid to look around lest she should see the thin dark figure in pursuit, lest her ears should catch the expansion of that faint meaning smile into a guffaw, uproarious, menacing. 308 CHAPTER VI ONCE long ago in the old days in the house on Opal Street she had been taken mysteriously ill. As a matter of fact she had been coming down with that inglorious disease, the mumps. The expense of having a doctor was a consideration, and so for twenty-four hours she was the object of anxious solicitude for the whole house. Her mother had watched over her all night; her father came home twice in the day to see how she felt; Jinny had with some reluctance bestowed on her an oft-coveted, oft-refused doll. In the midst of all her childish pain and suffering she had realized that at least her agony was shared, that her tribulation was understood. But now she was ill with a sickness of the soul and there was no one with whom she could share her anguish. For two days she lay in her little room; Mrs. Denver, happening in, showered upon her every attention. There was nothing, nothing that Angela could suggest, the little fluttering lady said sin cerely, which she might not have. Angela wished that she would go away and leave her alone, but her experiences had rendered her highly sensitive to the needs of others; Mrs. Denver, for all her money, her lack of responsibility, her almost childish appetite for pleasure, was lonely too; waiting on the younger, less fortunate woman gave 309 her a sense of being needed ; she was pathetically glad when the girl expressed a desire for anything no matter how expensive or how trivial. Angela could not deprive her entirely of those doubtful pleasures. Still there were moments, of course, when even Mrs. Denver for all her kindly officious- ness had to betake herself elsewhere and leave her willing patient to herself and her thoughts. Minutely, bit by bit, in the long forty-eight hours she went over her life; was there anything, any over tact, any crime which she had committed and for which she might atone? She had been selfish, yes; but, said her reasoning and unwearied mind, " Everybody who survives at all is selfish, it is one of the pre-requisites of survival." In " pass ing " from one race to the other she had done no harm to anyone. Indeed she had been forced to take this action. But she should not have forsaken Virginia. Here at this point her brain, so clear and active along all other lines, invariably failed her. She could not tell what stand to take; so far as leaving Philadelphia was concerned she had left it to seek her fortune under more agreeable circumstances ; if she had been a boy and had left home no one would have had a word of blame, it would have been the proper thing, to be expected and condoned. There remained then only the particular incident of her cutting Jinny on that memorable night in the station. That was the one really cruel and unjust action of her whole life. " Granted," said something within her rooted either in extreme hard common sense or else in a vast sophistry, " granted, but does that carry with it as penalty the shattering of a whole life, or even the suffering of years? Certainly the punishment 310 ^HHHHHHHH-PLUM BUN*********** is far in excess of the crime." And it was then that she would lie back exhausted, hopeless, bewildered, unable to cope further with the myterious and apparently meaningless ferocity of life. For if this were a just penalty for one serious misde meanour, what compensation should there not be for the years in which she had been a dutiful daughter, a loving sister? And suddenly she found herself envying people possessed of a blind religious faith, of the people who could bow the head sub missively and whisper: "Thy will be done." For herself she could see how beaten and harried, one might subside into a sort of blind passivity, an acceptance of things as they are, but she would never be able to understand a force which gave one the imagination to paint a great desire, the tenacity to cling to it, the emotionalism to spend on its possible realization but which would then with a careless sweep of the hand wipe out the picture which the creature of its own endowment had created. More than once the thought came to her of dying. But she hated to give up; something innate, something of the spirit stronger than her bodily will, set up a dogged fight, and she was too bruised and sore to combat it. " All right," she said to herself wearily, " I'll keep on living." She thought then of black people, of the race of her parents and of all the odds against living which a cruel, relentless fate had called on them to endure. And she saw them as a people powerfully, almost overwhelmingly endowed with the essence of life. They had to persist, had to survive because they did not know how to die. BUNHHHHHHHHHHH^ Not because she felt like it, but because some day she must begin once more to take up the motions of life, she moved on the third day from her bed to the easy chair, sat there listless and motionless. To-morrow she would return to work, to work and the sick agony of forcing her mind back from its dolorous, painful, vital thoughts to some con sideration of the dull, uninteresting task in hand. God, how she hated that! She remembered studying her lessons as a girl; the intense absorption with which she used to concentrate. Sometimes she used to wonder: " Oh what will it be like when I am grown up; when I won't be studying lessons . . . 3 Well, this was what it was like. Or no, she was still studying with the same old absorption, an absorption terribly, painfully con centrated, the lessons set down by life. It was useless to revolve in her head the causes for her suffering, they were so trivial, so silly. She said to herself, " There is no sorrow in the world like my sorrow ", and knew even as she said it that some one else, perhaps only in the next block, in the next house, was saying the same thing. Mrs. Denver tapped lightly, opened the door, came in closing it mysteriously behind her. " I've a great surprise for you." She went on with an old childish formula: "Will you have it now, or wait till you get it? " Angela's features twisted into a wan smile. " I believe I'd better have it now. I'm beginning to think I don't care for surprises." " You'll like this one." She went to the door and ushered in Rachel Salting. " I know you two want to talk," Mrs. Denver called over her shoulder. " Cheer her up, Rachel, 312 HHH~HHHHHHhPLUM and I'll bring you both a fine spread in an hour or so." She closed the door carefully behind her. Angela said, " What's the matter, Rachel? " She almost added, " I hardly knew you." For her friend's face was white and wan with grief and hopelessness; gone was all her dainty freshness, her pretty colour; indeed her eyes, dark, sunken, set in great pools of blackness, were the only note, a terrible note, of relief against that awful white ness. Angela felt her strength leaving her ; she rose and tottered back to the grateful security of her bed, lay down with an overwhelming sense of thankfulness for the asylum afforded her sudden faintness. In a moment, partly recovered, she motioned to Rachel to sit beside her.' " Oh," said Rachel, " you've been ill, Mrs. Denver told me. I ought not to come bothering you with my worries. Oh, Angele, I'm so wretched! Whatever shall I do? " Her friend, watching her, was very gentle. " There're lots of awful things that can happen. I know that, Rachel. Maybe your trouble isn't so bad that it can't be helped. Have you told John about it? " But even as she spoke she sensed that the difficulty in some way concerned John. Her heart contracted at the thought of the pain and suffering to be endured. " Yes, John knows, it's about him. Angele, we can't marry." " Can't marry. Why, is he, it can't be that he's involved with some one else ! " A momentary indignation flashed into Rachel's face bringing back life and colour. For a small space she was the Rachel Salting of the old happy 313 BUNHHHHHHHHHHH?' days. " Involved with some one else ! " The indignation was replaced by utter despair. " How I wish he were ! That at least could be arranged. But this can never be altered. He, I, our parents are dead set against it. Hadn't you ever noticed, Angele? He's a Gentile and I'm a Jew." "But lots of Jews and Gentiles marry." "Yes, I know. Only he's a Catholic. But my parents are orthodox they will never consent to my marriage. My father says he'd rather see me dead and my mother just sits and moans. I kept it from her as long as I could, I used to pray about it, I thought God must let it turn out all right, John and I love each other so. But I went up to Utica the other day, John went with me, and we told them. My father drove him out of the house; he said if I married him he'd curse me. I am afraid of that curse. I can't go against them. Oh, Angele, I wish I'd never been born." It was a delicate situation; Angela had to feel her way; she could think of nothing but the trite and obvious. " After all, Rachel, your parents have lived their lives; they have no business trying to live yours. Personally I think all this pother about race and creed and colour, tommyrot. In your place I should certainly follow my own wishes; John seems to be the man for you." But Rachel weeping, imbued with the spirit of filial piety, thought it would be selfish. " Certainly no more selfish than their attempt to regulate your life for you." " But I'm afraid," said Rachel shivering, " of my father's curse." It was difficult for Angela to sympathize with an attitude so archaic; she BUNHHHHHHHHHHHK was surprised to find it lurking at the bottom of her friend's well-trained intelligence. " Love/' she said musing to herself rather than to her friend, " is supposed to be the greatest thing in the world but look how we smother and confine it. Jews mustn't marry Catholics; white people mustn't marry coloured -- " " Oh well, of course not," Rachel interrupted in innocent surprise. " I wouldn't marry a nigger in any circumstances. Why, would you? " But Angela's only answer was to turn and, burying her head in her pillow, to burst into unrestrained and bitter laughter. Rachel went flying to call Mrs. Denver. " Oh come quick, come quick ! Angele's in hyterics. I haven't the ghost of an idea what to do for her!" Once more the period of readjustment. Once more the determination to take life as she found it; bitter dose after sweet, bitter after sweet. But it seemed to her now that both sweetness and bitter ness together with her high spirit for adventure lay behind her. How now was she to pass through the tepid, tasteless days of her future? She was not quite twenty-seven, and she found herself wondering what life would be like in ten, five, even one years' time. Changes did flow in upon one, she knew, but in her own case she had been so used herself to give the impetus to these changes. Now she could not envisage herself as making a move in any direction. With the new sullenness which seemed to be creeping upon her daily, she 315 said " Whatever move I make is always wrong. Let life take care of itself." And she saw life, even her own life, as an entity quite outside her own ken and her own directing. She did not care greatly what happened; she would not, it was true, take her own life, but she would not care if she should die. Once if her mind had harboured such thoughts she would have felt an instant self-pity. " What a shame that I so young, so gifted, with spirits so high should meet with death ! " But now her senses were blunting; so much pain and confusion had brought about their inevitable attrition. " I might just as well be unhappy, or meet death as anyone else," she told herself still with that mounting sullenness. Mrs. Denver, the Sandburgs and Ashley were the only people who saw her. It did seem to Mrs. Denver that the girl's ready, merry manner was a little dimmed ; if her own happy, sunny, vocabulary had known the term she would have daubed her cynical. The quasi-intellectual atmos phere at the Sandburgs suited her to perfection; the faint bitterness which so constantly marred her speech was taken for sophistication, her frequent silences for profoundness; in a small way, aided by her extraordinary good looks and the slight mys tery which always hung about her, she became quite a personage in their entourage; the Sand burgs considered her a splendid find and plumed themselves on having " brought her out ". The long golden summer, so beautiful with its promise of happiness, so sickening with its actuality 316 HHHHHHHHHH-PLUM of pain ripened into early, exquisite September. Virginia was home again; slightly more golden, very, very faintly plumper, like a ripening fruit perfected; brimming with happiness, excitement and the most complete content, Angela thought, that she had ever seen in her life. Jinny sent for the older girl and the two sat on a Sunday morning, away from Sara Pen ton and the other too insistent friends, over on Riverside Drive looking out at the river winding purple and allur ing in the soft autumn haze. " Weren't you surprised? " asked Jinny. Lacon ically, Angela admitted to no slight amazement. She still loved her sister but more humbly, less achingly than before. Their lives, she thought now would never, could never touch and she was quite reconciled. Moreover, in some of Virginia's re marks there was the hint of the acceptance of such a condition. Something had brought an irrevocable separation. They would always view each other from the two sides of an abyss, narrow but deep, deep. The younger girl prattled on. " I don't know whether Sara told you his name, Anthony Cross? Isn't it a dear name? " e Yes, it's a nice name, a beautiful name," said Angela heartily ; when she had learned it was of no consequence. She added without enthusiasm that she knew him already; he had been a member of her class at Cooper Union. " You don't talk as though you were very much taken with him," said Jinny, making a face. " But never mind, he suits me, no matter whom he doesn't suit." There was that in her countenance which made Angela realize and marvel again at the 317 resoluteness of that firm young mind. No curse of parents could have kept Virginia from Anthony's arms. As long as Anthony loved her, was satisfied to have her love, no one could come between them. Only if he should fail her would she shrivel up and die. On the heels of this thought Virginia made an astounding remark : " You know it's just perfect that I met Anthony; he's really been a rock in a weary land. Next to Matthew Henson he will, I'm sure, make me happier than any man in the world." Dreamily she added an afterthought: " And I'll make him happy too, but, oh, Angela, Angela, I always wanted to marry Matthew ! " The irony of that sent Angela home. Virginia wanting Matthew and marrying Anthony ; Anthony wanting "Angela and marrying Virginia. Her self wanting Anthony and marrying, wanting, no other; unable to think of, even to dream of another lover. The irony of it was so palpable, so ridicu lously palpable that it put her in a better mood; life was bitter but it was amusingly bitter; if she could laugh at it she might be able to outwit it yet. The thought brought Anthony to mind: " If I could only get a laugh on life, Angele ! " Sobered, she walked from the 'bus stop to Jayne Street. Halfway up ""the narrow, tortuous stair case she caught sight of a man climbing, climbing. He stopped outside her door. " Anthony? " she said to herself while her heart twisted with pain. " If it is Anthony, " she breathed, and stopped. But something within her, vital, cruel, persistent, 318 HHh**HHHHh*H-PLUM BUNHHHHHHHHHHHK completed her thought. " If it is Anthony, after what Virginia said this morning, if he knew that he was not the first, that even as there had been one other there might still be others; that Virginia in her bright, hard, shallow youthfulness would not die any more than she had died over Matthew, would console herself for the loss of Anthony even as she had consoled herself for the loss of Matthew ! " But no, what Jinny had told her was in confidence, a confidence from sister to sister. She would never break faith with Jinny again; nor with herself, " But Anthony," she said to herself in the few remaining seconds left on the staircase, " you were my first love and I think I was yours." However, the man at the door was not Anthony ; on the contrary he was, she thought, a complete stranger. But as he turned at her footsteps, she found herself looking into the blue eyes of Roger. Completely astounded, she greeted him, " You don't mean it's you, Roger? " " Yes," he said humbly, shamefacedly, " aren't you going to let me in, Angele? " " Oh yes, of course, of course " ; she found herself hoping that he would not stay long. She wanted to think and she would like to paint; that idea must have been in the back of her head ever since she had left Jinny. Hard on this thought came another. " Here's Roger. I never expected to see him in these rooms again; perhaps some day Anthony will come back. Oh, God, be kind!" But she must tear her thoughts away from Anthony. She looked at Roger curiously, search- ingly; in books the man who had treated his 319 HHHHHHHHHHhPLUM BUNHHHHHHHHHHHf* sweetheart unkindly often returned beaten, de jected, even poverty-stricken, but Roger, except for a slight hesitation in his manner, seemed as jaunty, as fortunate, as handsome as ever. He was even a trifle stouter. Contrasting him with Anthony's hard-bitten leanness, she addressed him half absently. " I believe you're actually getting fat ! " His quick high flush revealed his instant sensi tiveness to her criticism. But he was humble. :f That's all right, Angele. I deserve anything you choose to say if you'll just say it." She was impervious to his mood, utterly indiffer ent, so indifferent that she was herself unaware of her manner. " Heavens, I've sort of forgotten, but I don't remember your ever having been so eager for criticism heretofore ! " He caught at one phrase. " Forgotten ! You don't mean to say you've forgotten the past and all that was once so dear to us? " Impatience overwhelmed her. She wished he would go and leave her to her thoughts and to her picture; such a splendid idea had come to her; it was the first time for weeks that she had felt like working. Aware of the blessed narcotic value of interesting occupation, she looked forward to his departure with a sense of relief; even hoped with her next words to pre cipitate it. " Roger, you don't mean to say that you called on me on a hot September Sunday just to talk to me in that theatrical manner? I don't mind telling you I've a million things to do this after noon; let's get down to bed rock so we can both be up and doinff." 320 She had been sitting, almost lolling at ease in the big chair, not regarding him, absently twisting a scarf in her fingers. Now she glanced up and something in the hot blueness of his eyes brought her to an upright position, alert, attentive. " Angele, you've got to take me back." " Back ! I don't know what you're talking about. Between you and me there is no past, so don't mention it. If you've nothing better to say than that, you might as well get out." He tried to possess himself of her hands but she shook him off, impatiently, angrily, with no pretence at feeling. " Go away, Roger. I don't want to be bothered with you ! " This pinchbeck emotionalism after the reality of her feeling for Anthony, the sincerity of his feeling for her ! "I won't have this sort of thing; if you won't go I will." She started for the door but he barred her way, suddenly straight and serious. " No listen, Angele, you must listen. I'm in earnest this time. You must forgive me for the past, for the things I said. Oh, I was unspeakable ! But I had it in my head, you don't know the things a man has borne in on him about designing women, if he's got anything, family, money, " she could see him striving to hide his knowledge of his vast eligibility. " I thought you were trying to ' get ' me, it made me suspicious, angry. I knew you were poor, " " And nobody ! Oh say it, say it ! " " Well, I will say it. According to my father's standards, nobody. And when you began to take an interest in me, in my affairs, " ' You thought I was trying to marry you. Well, at first I was. I was poor, I was nobody ! I x 321 BUNHHHHHf-HHHHH^ wanted to be rich, to be able to see the world, to help people. And then when you and I came so near to each other I didn't care about marriage at all -just about living ! Oh, I suppose my attitude was perfectly pagan. I hadn't meant to drift into such a life, all my training was against it, you can't imagine how completely my training was against it. And then for a time I was happy. I'm afraid I didn't love you really, Roger, indeed I know now that in a sense I didn't love you, but somehow life seemed to focus into an absolute perfection. Then you became petulant, ugly, suspicious, afraid of my interest, of my tenderness. And I thought, c I can't let this all end in a flame of ugliness; it must be possible for people to have been lovers and yet remain friends.' I tried so hard to keep things so that it would at least remain a pleasant memory. But you resented my efforts. What I can't under stand is why shouldn't I, if I wanted to, either try to marry you or to make an ideal thing of our relationship? Why is it that men like you resent an eflort on our part to make our commerce decent? Wei], it's all over now. . . . Theoretically ' free love ' or whatever you choose to call it, is all right. Actually, it's all wrong. I don't want any such relationship with you or with any other man in this world. Marriage was good enough for my mother, it's good enough for me." " There's nothing good enough for you, Angele; but marriage is the best thing that I have to offer and I'm offering you just that. And it's precisely because you were honest and frank and decent and tried to keep our former relationship from deteriorating into sordidness that I am back." 322 HHHHHHHHH-^PLUM BUNHHHHHHHHHHH* Clearly she was staggered. Marriage with Roger meant protection, position, untold wealth, unlimited opportunities for doing good. Once how she would have leapt to such an offer ! " What's become of Garlotta? " she asked bluntly. " She's on the eve of marrying Tom Estes, a fellow who was in college with me. He has heaps more money than I. Carlotta thought she'd better take him on*" " I see." She looked at him thoughtfully, then the remembrance of her great secret came to her, a secret which she could never share with Roger. No ! No more complications and their conse quent disaster ! " No, no, we won't talk about it any more. What you want is impossible; you can't guess how completely impossible." He strode toward her, seized her hands. " I'm in earnest, Angele; you've no idea how tired I am of loneliness and uncertainty and, and of seeking women; I want someone whom I can love and trust, whom I can teach to love me, we could get married to-morrow. There's not an obstacle in our way." His sincerity left her unmoved. " What would your father say? " " Oh, we wouldn't be able to tell him yet; he'd never consent! Of course we'd have to keep things quiet, just ourselves and one or two friends, Martha and Ladislas perhaps, would be in the know." More secrets ! She pulled her hands away from him. " Oh Roger, Roger ! I wouldn't consider it. No, when I marry I want a man, a man, a real one, someone not afraid to go on his own ! " She 323 actually pushed him toward the door. " Some people might revive dead ashes, but not you and I. ... I'd never be able to trust you again and I'm sick of secrets and playing games with human relationships. I'm going to take my friendships straight hereafter. Please go. I've had a hard summer and I'm very tired. Besides I want to work." Baffled, he looked at her, surprise and indigna tion struggling in his face. " Angele, are you sure you know what you're doing? I've no intention of coming back, so you'd better take me now." " Of course you're not coming back ! I'm sure I wouldn't want you to; my decision is final." Not unsympathetically she laughed up into his doleful face, actually touched his cheek. " If you only knew how much you look like a cross baby ! " Her newly developed sympathy and understand ing made her think of Ashley. Doubtless Carlotta's defection would hit him very hard. Her con jecture was correct although the effect of the blow was different from what she had anticipated. Ashley was not so perturbed over the actual loss of the girl as confirmed in his opinion that he was never going to be able to form and keep a lasting friend ship. In spite of his wealth, his native timidity had always made him distrustful of himself with women of his own class; a veritable Tony Hardcastle, he spent a great deal of time with women whom he did not actually admire, whom indeed he disliked, because, he said to Angela 324 BUNHHHHHHHH>*** wistfully, they were the only ones who took him seriously. " No one but you and Carlo tta have ever given me any consideration, have ever liked me for myself, Angele." They were seeing a great deal of each other; in a quiet, unemotional way they were developing a real friendship. Angela had taken up her paint ing again. She had re-entered the classes at Cooper Union and was working with great zest and absorption on a subject which she meant to enter in the competition for scholarships at the school at Fontainebleau. Ashley, who wrote some good verse in the recondite, falsely free style of the present day, fell into the habit of bringing his work down to her little living room, and in the long tender autumn evenings the two worked seriously, with concentration. Ashley had travelled widely and had seen a great deal of life, though usually from the side-lines; Angela for all her lack of wandering, " had lived deeply ", he used to tell her, pondering on some bit of philosophy which she let fall based on the experiences of her diffi cult life. " You know, in your way you're quite a wonder, Angele; there's a mystery hanging about you; for all your good spirits, your sense of humour, you're like the Duse, you seem to move in an aura of suffering, of the pain which comes from too great sensitivity. And yet how can that be so? You're not old enough, you've had too few contacts to know how unspeakable life can be, how damnably she can get you in wrong, -- " An enigmatic smile settled on her face. " I don't know about life, Ralph? How do you think 325 I got the idea for this masterpiece of mine? " She pointed to the painting on which she was then engaged. ;< That's true, that's true. I've wondered often about that composition; lots of times I've meant to ask you how you came to evolve it. But keep your mystery to yourself, child; it adds to your charm." About this she had her own ideas. Mystery might add to the charm of personality but it cer tainly could not be said to add to the charm of living. Once she thought that stolen waters were sweetest, but now it was the unwinding road and the open book that most intrigued. Ashley, she found, for all his shyness, possessed very definite ideas and convictions of his own, was absolutely unfettered in his mode of thought, and quite unmoved by social traditions and standards. An aristocrat if ever there were one, he believed none the less in the essential quality of man and deplored the economic conditions which so often tended to set up superficial and unreal barriers which make as well as separate the classes. With some trepidation Angela got him on the subject of colour. He considered prejudice the greatest blot on America's shield. " We're wrong, all wrong about those people; after all they did to make America habitable! Some day we're going to wake up to our shame. I hope it won't be too late." " But you wouldn't want your sister to marry a nigger ! "' " I'm amazed, Angele, at your using such a word as an exclusive term. I've known some fine coloured people. There're hardly any of unmixed 326 BUNHHHHHHHHHHhfr blood in the United States, so the term Negro is usually a misnomer. I haven't a sister; if I had I'd advise her against marriage with an American coloured man because the social pressure here would probably be too great, but that would be absolutely the only ground on which I'd object to it. And I can tell you this; I wouldn't care to marry a woman from the Congo but if I met a coloured woman of my own nationality, well-bred, beautiful, sympathetic, I wouldn't let the fact of her mixed blood stand in my way, I can tell you." A sort of secondary interest in living was creeping into her perspective. The high lights, the high peaks had faded from her sight. She would never, she suspected, know such spontaneity of feeling and attitude again as she had felt toward both Roger and Anthony. Nor would she again approach the experiences of existence with the same naive expectation, the same desire to see how things would turn out. Young as she was she felt like a battle-scarred veteran who, worn out from his own strenuous activities, was quite con tent to sit on the side-lines gazing at all phases of warfare with an equal eye. Although she no longer intended to cast in her lot with Virginia, she made no further effort to set up barriers between herself and coloured people. Let the world take her as it would. If she were in Harlem, in company with Virginia and Sara Penton she went out to dinner, to the noisy, crowded, friendly "Y" dining-room, to " Gert's " tea room, to the clean, inviting drug-store for rich 327 "sundaes". Often, too, she went shopping with her sister and to the theatre; she had her meet Ashley and Martha. But she was careful in this company to avoid contact with people whose attitude on the race question was unknown, or definitely antagonistic. Harlem intrigued her; it was a wonderful city; it represented, she felt, the last word in racial pride, integrity and even self-sacrifice. Here were people of a very high intellectual type, exponents of the realest and most essential refinement living cheek by jowl with coarse or ill-bred or even criminal, certainly indifferent, members of their race. Of course some of this propinquity was due to outer pressure, but there was present, too, a hidden consciousness of race-duty, a something which if translated said: " Perhaps you do pull me down a little from the height to which I have climbed. But on the other hand, perhaps, I'm helping you to rise." There was a hair-dresser's establishment on I36th Street where Virginia used to have her beautiful hair treated; where Sara Pen ton, whose locks were of the same variety as Matthew's, used to repair to have their unruliness " pressed ". Here on Satur days Angela would accompany the girls and sit through the long process just to overhear the conversations, grave and gallant and gay, of these people whose blood she shared but whose disabil ities by a lucky fluke she had been able to avoid. For, while she had been willing for the sake of Anthony to re-enlist in the struggles of this life, she had never closed her eyes to its disad vantages; to its limitedness ! What a wealth of courage it took for these people to live ! What 328 BUNHHHHHHHHHHf'* high degree of humour, determination, steadfast ness, undauntedness were not needed, and poured forth! Maude, the proprietress of the business, for whom the establishment was laconically called " Maude's ", was a slight, sweet-faced woman with a velvety seal-brown skin, a charming voice and an air of real refinement. She was from Texas, but had come to New York to seek her fortune, had travelled as ladies' maid in London and Paris, and was as thoroughly conversant with the arts of her calling as any hairdresser in the vicinity of the Rue de la Paix or on Fifth Avenue. A rare quality of hospitality emanated from her presence; her little shop was always full not only of patrons but of callers, visitors from " down home ", actresses from the current coloured " show ", flitting in like radiant birds of paradise with their rich brown skins, their exotic eyes and the gaily coloured clothing which an unconscious style had evolved just for them. In this atmosphere, while there was no coarse ness, there was no restriction; life in busy Harlem stopped here and yawned for a delicious moment before going on with its pressure and problems. A girl from Texas, visiting " the big town " for a few weeks took one last glance at her shapely, marvellously " treated " head, poised for a second before the glass and said simply, " Well, good-bye, Maude; I'm off for the backwoods, but I'll never forget Harlem." She passed out with the sinuous elegant carriage acquired in her few week's sojourn on Seventh Avenue. A dark girl, immaculate in white from head to foot, asked: " What's she going back South for? Ain't she had enough of Texas yet ? " 329 BUNHHHHHHHHHHH*' Maude replied that she had gone back there because of her property. " Her daddy owns most of the little town where they live." " Child, ain't you learned that you don't never own no property in Texas as long as those white folks are down there too? Just let those Ku Kluxers get it into their heads that you've got something they want. She might just as well leave there first as last; she's bound to have to some day. I know it's more'n a notion to pull up stakes and start all over again in a strange town and a strange climate, but it's the difference between life and death. I know I done it and I don't expect ever to go back." She was a frail woman, daintily dressed and shod. Her voice was soft and drawling. But Angela saw her sharply as the epitome of the iron and blood in a race which did not know how to let go of life. 330 MARKET IS DONE CHAPTER I THE eternal routine of life went on, meals, slumber, talk, work and all of it meaning nothing; a void starting nowhere and leading nowhither; a " getting through " with the days. Gradually however two points fixed themselves in her horizon, and about these her life revolved. One was her work, her art. Every week found her spending three or four of its nights at her easel. She was feverishly anxious to win one of the prizes in the contest which would be held in May ; if successful she would send in her application for registration in the Fountainebleau School of Fine Arts which was financed by Americans and established, so read the circular, " as a summer school for American architects, painters and sculptors ". If she were suc cessful in winning this, she would leave the United States for a year or two, thus assuring herself beyond question of a new deal of the cards. The tenacity with which she held to this plan frightened her a little until she found out that there were also possible funds from which she could, with the proper recommendation, borrow enough money to enable her to go abroad with the understanding that the refund was to be made by slow and easy payments. Ashley discovered this saving informa tion, thus relieving her of the almost paralyzing fear which beset her from time to time. It both 333 BUNHHHHHHHMMHH5 amused and saddened her to realize that her talent which she had once used as a blind to shield her real motives for breaking loose and coming to New York had now become the greatest, most real force in her life. Miss Powell, with whom Angela in her new mood had arranged a successful truce, knew of her ambition, indeed shared it. If she herself should win a prize, that money, combined with some small savings of her own and used in connec tion with the special terms offered by the American Committee, would mean the fruition of her dearest dreams. All this she confided to Angela on two Sunday mornings which the latter spent with her in her rather compressed quarters up in I34th Street. A dwelling house nearby had been con verted into a place of worship for one of the special divisions of religious creed so dear to coloured people's hearts. Most of the service seemed to consist of singing, and so the several hours spent by the two girls in earnest talk were punctuated by the outbursts of song issuing from the brazen- coated throats of the faithful. The other point about which her thoughts centred was her anomalous position. Yet that clear mind of hers warned her again and again that there was nothing inherently wrong or mean or shameful in the stand which she had taken. The method thereof might come in perhaps for a little censure. But otherwise her harshest critics, if unbiased, could only say that instead of sharing the burdens of her own group she had elected to stray along a path where she personally could find the greatest ease, comfort and expansion. She had long since given up the search for happiness. 334 ** * * * *HHHHhPLUM BUNHHMHHf'-HHHHHS' But there were moments when a chance discussion about coloured people couched in the peculiarly brutal terms which white America a fleets in the discussion of this problem made her blood boil, and she longed to confound her vis-d-vis and his tacit assumption that she, being presumbably a white woman, would hold the same views as he, with the remark: " I'm one of them, do you find me worthless or dishonest or offensive in any way? " Such a denouement would have, she felt, been a fine gesture. But life she knew had a way of allowing grand gestures to go unremarked and unrewarded. Would it be worth while to throw away the benefits of casual whiteness in America when no great issue was at stake? Would it indeed be worth while to forfeit them when a great issue was involved? Remembering the material age in which she lived and the material nation of which she was a member, she was doubtful. Her mother's old dictum recurred: " Life is more important than colour." The years slipped by. Virginia seemed in no haste to marry. Anthony whom Angela saw occasionally at the Art School shared apparently in this cool deliberateness. Yet there was nothing in his action or manner to make her feel that he was anticipating a change. Rather, if she judged him correctly he, like herself, tired of the snarl into which the three of them had been drawn, had settled down to a resigned acceptance of fate. If conceivable, he was quieter, more reserved than ever, yet radiating a strange restfulness and the peace which comes from surrender. 335 BUN*********** In May the prizes for the contest were announced. Angela received the John T. Stewart Prize for her "Fourteenth Street Types"; her extreme satis faction was doubled by the knowledge that the Nehemiah Sloan Prize, of equal value, had been awarded Miss Powell for her picture entitled " A Street in Harlem ". The coloured girl was still difficult and reserved, but under Angela's persistent efforts at friendship her frank and sympathetic interest and comprehension of her class-mate's difficulties, the latter had finally begun to thaw a little. They were not planning to live together in France, their tastes were not sufficiently common for that closeness, but both were looking forward to a year of pleasure, of inspiring work, to a life that would be " different ". Angela was relieved, but Miss Powell was triumphant; not unpleasantly, she gave the impression of having justified not only her calling but herself and, in a lesser degree, her race. The self-consciousness of colour, racial responsibility, lay, Angela had discovered, deep upon her. The passage money to France was paid. Through the terms offered by the committee of the School for Americans at Fontainebleau, an appreci able saving had been effected. The girls were to sail in June. As the time drew nearer Angela felt herself becoming more and more enthusiastic. She had at first looked upon her sojourn abroad as a heaven-sent break in the montony and diffi culties of her own personal problems, but lately, with the involuntary reaction of youth, she was beginning to recover her sense of embarking on a great adventure. Her spirits mounted steadily. 33 6 RUNHHHHHHHHHHH^ One evening she went around to Martha Bur den's to discuss the trip; she wanted information about money, clothes, possible tips. " Everything you can think of, Martha," she said with something of her former vital manner. " This is an old story to you, you've been abroad so many times you ought to write an encyclo paedia on ' What to take to Europe } . I mean to follow your advice blindly and the next time I see Miss Powell I'll pass it along to her." " No need to," said Martha laconically and sombrely. " She isn't going." " Not going ! Why she was going two weeks ago." c Yes, but she's not going this week nor any other week I'm afraid ; at least not through the good offices of the American Committee for the Fon- tainebleau School of Fine Arts. They've returned her passage money. Didn't you know it? I thought everybody had heard of it." Angela fought against a momentary nausea. " No, I didn't know it. I haven't seen her for ages. I'm so busy getting myself together. Martha, what's it all about? Is it because she's coloured? You don't mean it's because she's coloured? " " Well, it is. They said they themselves were without prejudice, but that they were sure the enforced contact on the boat would be unpleasant to many of the students, garnered as they would be from all parts of the United States. Further more they couldn't help but think that such con tact would be embarrassing to Miss Powell too. Oh, there's no end to the ridiculous piffle which they've written and said. I've had a little com mittee of students and instructors going about, r 337 trying to stir up public sentiment. Mr. Cross has been helping and Paget too. I wish Paulette were here; she'd get. some yellow journal publicity. Van Meier has come out with some biting editorials ; he's shown up a lot of their silly old letters. I shouldn't be surprised but what if we kept at it long enough we'd get somewhere." She reflected a moment. " Funny thing is we're having such a hard time in making Miss Powell show any fight. I don't understand that girl." Angela murmured that perhaps she had no hope of making an impression on prejudice. " It's so unreasonable and far-reaching. Maybe she doesn't want to sacrifice her peace of mind for what she considers a futile struggle." " That's what Mr. Cross said. He's been wonderful to her and an indefatigable worker. Of course you'll be leaving soon since none of this touches you, but come into a committee meeting or two, won't you? We're meeting here. I'll give you a ring." " Well," said Angela to herself that night after she had regained her room. " I wonder what I ought to do now? " Even yet she was receiving an occasional reporter; the pleasant little stir of publicity attendant on her prize had not yet died away. Suppose she sent for one of them and announced her unwillingness to accept the terms of the American Committee inasmuch as they had withdrawn their aid from Miss Powell. Suppose she should finish calmly: " I, too, am a Negro ". What would happen? The withdrawal of the assistance without which her trip abroad, its hoped for healing, its broadening horizons woulcj 338 H-HhHHHHHH-PLUM BUNHHHHHHS~HHHHf* be impossible. Evidently, there was no end to the problems into which this matter of colour could involve one, some of them merely superficial, as in this instance, some of them gravely physical. Her head ached with the futility of trying to find a solution to these interminable puzzles. As a child she and Jinny had been forbidden to read the five and ten cent literature of their day. But somehow a copy of a mystery story entitled " Who killed Dr. Cronlin? " found its way into their hands, a gruesome story all full of bearded men, hands preserved in alcohol, shadows on window curtains. Shivering with fascination, they had devoured it after midnight or early in the morning while their trusting parents still slumbered. Every page they hoped would disclose the mystery. But their patience went unrewarded for the last sen tence of the last page still read: " Who killed Dr. Cronlin? " Angela thought of it now, and smiled and sighed. "Just what is or is not ethical in this matter of colour? " she asked herself. And indeed it was a nice question. Study at Fontainebleau would have undoubtedly changed Miss Powell's attitude toward life forever. If she had received the just reward for her painstaking study, she would have reasoned that right does triumph in essentials. Moreover the inspiration might have brought out latent talent, new possibilities. Furthermore, granted that Miss Powell had lost out by a stroke of ill-fortune, did that necessarily call for Angela's loss? If so, to what end? Unable to answer she fell asleep. Absorbed in preparations she allowed two weeks to pass by, then, remembering Martha's 339 invitation, she went again to the Starr household on an evening when the self-appointed committee was expected to meet. She found Anthony, Mr. Paget, Ladislas and Martha present. The last was more perturbed than ever. Indeed an air of sombre discouragement lay over the whole com pany. " Well," asked the newcomer, determined to appear at ease in spite of Anthony's propinquity, " how are things progressing? " "Not at all," replied Mr. Paget. "Indeed we're about to give up the whole fight." Ladislas with a sort of provoked amusement explained then that Miss Powell herself had thrown up the sponge. " She's not only with drawn but she sends us word to-night that while she appreciates the fight we're making she'd rather we'd leave her name out of it." " Did you ever hear anything to equal that? " snapped Martha crossly. " I wonder if coloured people aren't natural born quitters. Sometimes I think I'll never raise another finger for them." " You don't know what you're talking about," said Anthony hotly. " If you knew the ceaseless warfare which most coloured people wage, you'd understand that sometimes they have to stop their fight for the trimmings of life in order to hang on to the essentials which they've got to have and for which they must contend too every day just as hard as they did the first day. No, they're not quitters, they've merely learned to let go so they can conserve their strength for another bad day. I'm coloured and I know." There was a moment's tense silence while the 340 BUNHHHHHHHHHHf-* three white people stared speechless \\ith sur prise. Then Martha said in a still shocked voice: " Coloured ! Why, I can't believe it. Why, you never told us you were coloured." " Which is precisely why I'm telling you now," said Anthony, coldly rude. " So you won't be making off-hand judgments about us." He started toward the door. " Since the object for which this meeting has been called has become null and void I take it that we are automatically dismissed. Good-night." Martha hastened after him. " Oh, Mr. Cross, don't go like that. As though it made any differ ence ! Why should this affect our very real regard for each other? " "Why should it indeed?" he asked a trifle enigmatically. " I'm sure I hope it won't. But I must go." He left the room, Paget and Ladislas both hastening on his heels. Martha stared helplessly after him. " I suppose I haven't said the right thing. But what could I do? I was so surprised ! " She turned to Angela: " And I really can't get over his being coloured, can you? " "No," said Angela solemnly, "I can't . . ." and surprised herself and Martha by bursting into a flood of tears. For some reason the incident steadied her deter mination. Perhaps Anthony was the vicarious sacrifice, she told herself and knew even as she said it that the supposition was pure bunk. Anthony did not consider that he was making a sacrifice; 341 HHHHHHPLUM BUNHHH* his confession or rather his statement with regard to his blood had the significance of the action of a person who clears his room of rubbish. Anthony did not want his mental chamber strewn with the chaff of deception and confusion. He did not label himself, but on the other hand he indulged every now and then in a general house-cleaning because he would not have the actions of his life bemused and befuddled. As for Angela she asked for nothing better than to put all the problems of colour and their attend ant difficulties behind her. She could not meet those problems in their present form in Europe; literally in every sense she would begin life all over. In France or Italy she would speak of her strain of Negro blood and abide by whatever con sequences such exposition would entail. But the consequences could not engender the pain and difficulties attendant upon them here. Somewhat diffidently she began to consider the idea of going to see Miss Powell. The horns of her dilemma resolved themselves into an unwillingness to parade her own good fortune before her dis appointed classmate and an equal unwillingness to depart for France, leaving behind only the cold sympathy of words on paper. And, too, some thing stronger, more insistent than the mere consideration of courtesy urged her on. After all, this girl was one of her own. A whim of fate had set their paths far apart but just the same they were more than " sisters under the skin." They were really closely connected in blood, in racial condition, in common suffering. Once again she thought of herself as she had years ago when she had seen the coloured girl refused service in 342 HhHhHHHHHHl-PLUM BUNHHHHHHMHH--H* the restaurant: " It might so easily have been Virginia." Without announcement then she betook herself up town to Harlem and found herself asking at the door of the girl's apartment if she might see Miss Powell. The mother whom Angela had last seen so proud and happy received her with a note of sullen bafflement which to the white girl's consciousness connoted: " Easy enough for you, all safe and sound, high and dry, to come and sym pathize with my poor child." There was no trace of gratitude or of appreciation of the spirit which had inspired Angela to pay the visit. To her inquiry Mrs. Powell rejoined: "Yes, I guess you c'n see her. There're three or four other people in there now pesterin' her to death. I guess one mo' won't make no diffunce." Down a long narrow hall she led her, past two rooms whose dark interiors seemed Stygian in contrast with the bright sunlight which the visitor had just left. But the end of the hall opened into a rather large, light, plain but comfortable dining- room where Miss Powell sat entertaining, to Angela's astonishment, three or four people, all of them white. Her astonishment, however, lessened when she perceived among them John Banky, one of the reporters who had come rather often to interview herself and her plans for France. All of them, she judged angrily, were of his pro fession, hoping to wring their half column out of Miss Powell's disappointment and embarrass ment. Angela thought she had never seen the girl one half so attractive and exotic. She was wearing a thin silk dress, plainly made but of a flaming red 343 from which the satin blackness of her neck rose, a straight column topped by her squarish, some what massive head. Her thin, rather flat dark lips brought into sharp contrast the dazzling per fection of her teeth; her high cheek bones showed a touch of red. To anyone whose ideals of beauty were not already set and sharply limited, she must have made a breathtaking appeal. As long as she sat quiescent in her rather sulky reticence she made a marvellous figure of repose ; focussing all the attention of the little assemblage even as her dark skin and hair drew into themselves and re tained the brightness which the sun, streaming through three windows, showered upon her. As soon as she spoke she lost, however, a little of this perfection. For though a quiet dignity per sisted, there were pain and bewilderment in her voice and the flat sombreness of utter despair. Clearly she did not know how to get rid of the intruders, but she managed to maintain a poise and aloofness which kept them at their distance. Surely, Angela thought, listening to the stupid, almost impertinent questions put, these things can mean nothing to them. But they kept on with their baiting rather as a small boy keeps on tormenting a lonely and dispirited animal at the Zoo. ' We were having something of an academic discussion with Miss Powell here," said Banky, turning to Angela. " This," he informed his co-workers, " is Miss Mory, one of the prize winners of the Art Exhibit and a classmate of Miss Powell. I believe Miss Powell was to cross with you, as er your room-mate did you say? " " No," said Angela, flushing a little for Miss Powell, for she thought she understood the double 344 BUNHHHf-HHHHHHM* meaning of the question, " we weren't intending to be room-mates. Though so far as I am con cerned," she heard herself, to her great surprise, saying: " I'd have been very glad to share Miss Powell's state-room if she had been willing." She wanted to get away from this aspect. " What's this about an academic discussion? " Miss Powell's husky, rather mutinous voice interrupted: "There isn't any discussion, Miss Mory, academic or otherwise. It seems Mr. Paget told these gentlemen and Miss Tilden here, that I had withdrawn definitely from the fight to induce the Committee for the American Art School abroad to allow me to take advantage of their arrangements. So they came up here to get me to make a statement and I said I had none to make other than that I was sick and tired of the whole business and I'd be glad to let it drop." " And I," said Miss Tilden, a rangy young lady wearing an unbecoming grey dress and a pecu liarly straight and hideous bob, " asked her if she weren't really giving up the matter because in her heart she knew she hadn't a leg to stand on." Angela felt herself growing hot. Something within her urged caution, but she answered defiantly: " What do you mean she hasn't a leg to stand on? ' " Well, of course, this is awfully plain speaking and I hope Miss Powell won't be offended," resumed Miss Tilden, showing only too plainly that she didn't care whether Miss Powell were offended or not, " but after all we do know that a great many people find the er Negroes objectionable and so of course no self-respecting one of them would go where she wasn't wanted." 345 BUNHHHHHHHHHf-H* Miss Powell's mother hovering indefinitely in the background, addressing no one in particular, opined that she did not know that " that there committee owned the boat. If her daughter could only afford it she'd show them how quickly she'd go where she wanted and not ask no one no favours either." " Ah, but," said Miss Tilden judicially, " there's the fallacy. Something else is involved here. There's a social side to this matter, inherent if not expressed. And that is the question." She shook a thin bloodless finger at Miss Powell. " Back of most of the efforts which you people make to get into schools and clubs and restaurants and so on, isn't there really this desire for social equality? Come now, Miss Powell, be frank and tell me." With such sharpness as to draw the attention of everyone in the room Angela said: " Come, Miss Tilden, that's unpardonable and you know it. Miss Powell hadn't a thought in mind about social equality. All she wanted was to get to France and to get there as cheaply as possible." Banky, talking in a rather affected drawl, con firmed the last speaker. " I think, too, that's a bit too much, Miss Tilden. We've no right to interpret Miss Powell's ideas for her." A short, red-faced young man intervened: " But just the same isn't that the question involved? Doesn't the whole matter resolve itself into this: Has Miss Powell or any other young coloured woman knowing conditions in America the right to thrust her company on a group of people with whom she could have nothing in common except her art? If she stops to think she must realize 34 6 BUNHHHHHHHHHHH* that not one of the prospective group of students who would be accompanying her on that ship would really welcome her presence. Here's Miss Mory, for instance, a fellow student. What more natural under other circumstances than that she should have made arrangements to travel with Miss Powell? She knows she has to share her cabin with some one. But no; such a thought apparently never entered her head. Why? The answer is obvious. Very well then. If she, know ing Miss Powell, feels this way, how much more would it be the feeling of total strangers? " A sort of shocked silence fell upon the room. It was an impossible situation. How, thought Angela desperately, knowing the two sides, could she ever explain to these smug, complacent people Miss Powell's ambition, her chilly pride, the remoteness with which she had treated her fellow- students, her only too obvious endeavour to share their training and not their friendship? Hastily, almost crudely, she tried to get something of this over, ashamed for herself ashamed for Miss Powell whose anguished gaze begged for her silence. At last the coloured girl spoke. " It's wonderful of you to take my part in this way, Miss Mory. I had no idea you understood so perfectly. But don't you see there's no use in trying to explain it? It's a thing which one either does see or doesn't see." She left her soft, full, dark gaze rest for a second on her auditors. " I'm afraid it is not in the power of these persons to grasp what you mean." The stocky young man grew a little redder. " I think we do understand, Miss Powell. All that Miss Mory says simply confirms my first idea. For 347 otherwise, understanding and sympathizing with you as she does, why has she, for instance, never made any very noticeable attempt to become your friend? Why shouldn't she have asked you to be her side-partner on this trip which I understand you're taking together? There would have been an unanswerable refutation for the committee's arguments. But no, she does nothing even though it means the thwarting for you of a life-time's ambition. Mind, I'm not blaming you, Miss Mory. You are acting in accordance with a natural law. I'm just trying to show Miss Powell here how inevitable the workings of such a law are." It was foolish reasoning and fallacious, yet con taining enough truth to make it sting. Some icy crust which had formed over Angela's heart shifted, wavered, broke and melted. Suddenly it seemed as though nothing in the world were so important as to allay the poignancy of Miss Powell's situation; for this, she determined quixotically, no price would be too dear. She said icily in tones which she had never heard herself use before: " It's true I've never taken any stand hitherto for Miss Powell for I never thought she needed it. But now that the question has come up I want to say that I'd be perfectly willing to share my state room with her and to give her as much of my company as she could stand. However, that's all out of the question now because Miss Powell isn't going to France on the American Committee Fund and I'm not going either." She stopped a second and added quietly: "And for the same reason." Someone said in bewilderment: " What do you mean when you say you're not going? And for the same reason? " 348 BUNHHHHHHMHHHH- " I mean that if Miss Powell isn't wanted, I'm not wanted either. You imply that she's not wanted because she's coloured. Well, I'm coloured too." One of the men said under his breath, " God, what a scoop ! " and reached for his hat. But Banky, his face set and white, held him back. " I don't believe you know what you're saying, Miss Mory. But anyway, whether it's true or untrue, for God's sake take it back ! " His tone of horror added the last touch. Angela laughed in his face. " Take it back ! " She could hardly contain herself. " Do you really think that being coloured is as awful as all that? Can't you see that to my way of thinking it's a great deal better to be coloured and to miss oh scholarships and honours and preferments, than to be the contemptible things which you've all shown yourselves to be this morning? Coming here bait ing this poor girl and her mother, thrusting your self-assurance down their throats, branding yourselves literally dogs in the manger? " She turned to the coloured girl's mother. " Mrs. Powell, you surely don't want these people here any longer. Have I your permission to show them out? " Crossing the room superbly she opened the door. " This way, please, and don't come back any more. You can rest assured we'll find a way to keep you out." Silently the little line filed out. Only Miss Tilden, laying her hand on Angela's arm paused to say avidly: "You'll let me come to see you, surely? I can give you some fine publicity, only I must have more data. How about an exclusive interview? " 349 HH-HHHH-HMHPLUM RUNHHHHHHHHHHH^ Angela said stonily: " Mrs. Powell will show you the front door." Then she and her former class-mate stood regarding each other. The dark girl crossed the room and caught her hands and kissed them. " Oh," she said, " it was magnificent I never guessed it, but you shouldn't have done it. It's all so unjust, so silly and so tiresome. You, of course, only get it when you bring it upon youreslf. But I'm black and I've had it all my life. You don't know the prizes within my grasp that have been snatched away from me again because of colour." She turned as her mother entered the room. " Mother, wasn't she magnificent? " " She was a fool," Mrs. Powell replied shortly. Her words brought the exalted Angela back to earth. " Yes," she said, smiling whimsically, " I am just that, a fool. I don't know what possessed me. I'm poor, I was in distress; I wanted a new deal. Now I don't know which way to turn for it. That story will be all over New York by to-morrow morning." She burst out laughing. " Think of my choosing four reporters before whom to make my great confession ! " Her hand sought Miss Powell's. " Good-bye, both of you. Don't worry about me. I never dreamed that anything like this could happen, but the mere fact that is has shows that the truth was likely to come out any day. So don't blame yourselves for it. Good bye." Banky was waiting for her in the vestibule down stairs. " I'm so sorry about the whole damned business, Miss Mory," he said decently. " It's 35 BUNHHHHHHHHHH** a damned shame. If there's anything I can do -- " Rather shortly she said there was nothing. " And you don't need to worry. As I told you upstairs, being coloured isn't as awful as all that. I'll get along." Ignoring his hand she passed by him into the street. It was Saturday afternoon so there was a chance of her finding Jinny at home. " And if she isn't there I can wait," she told herself, and thanked God in her heart for the stability implied in sisterhood. Jinny was home, mulling happily over the small affairs which kept her a little girl. Her sister, looking at the serene loveliness of her face, said irrelevantly: "You make me feel like an old woman." " Well," replied Jinny, " you certainly have the art of concealing time's ravages, for you not only look young but you have the manner of someone who's just found a million dollars. Come in and tell me about it." " Found a million dollars ! H'm, lost it I should say ! " But a sudden wave of relief and contentment broke over her. " Oh, Jinny, tell me, have I been an utter fool ! I've thrown away every chance I've ever had in the world, just for a whim." Suddenly close in the full tide of sisterliness, they sat facing each other on the com fortable couch while Angela told her story. " I hadn't the faintest idea in the world of telling it. I was thinking only the other day how lucky I was compared to Miss Powell, and the first thing I knew there it all came tripping off my tongue. But I had to do it. If you could just have seen 351 BUNHHHHHMHHMHHI* those pigs of reporters and Miss Powell's face under their relentless probing. And old Mrs. Powell, helpless and grunting and sweating and thinking me a fool; she told me so, you know. . . . Why, Jinny, darling, you're not ever cry ing ! Darling, there's nothing to cry about; what's the matter, Honey ! " " It's because you are a fool that I am crying," said Jinny sobbing and sniffling, her fingers in her eyes. " You're a fool and the darlingest girl that ever lived, and my own precious, lovely, wonder ful sister back again. Oh, Angela, I'm so happy. Tell them to send you your passage money back; say you don't want anything from them that they don't want to give; let them go, let them all go except the ones who like you for yourself. And dearest, if you don't mind having to skimp a bit for a year or two and not spreading yourself as you planned, we'll get you off to Europe after all. You know I've got all my money from the house. I've never touched it. You can have as much of that as you want and pay me back later or not at all." Laughing and crying, Angela told her that she couldn't think of it. " Keep your money for your marriage, Jinny. It'll be some time before Anthony will make any real money, I imagine. But I will take your advice and go to Europe after all. All this stuff will be in the paper to-morrow, I suppose, so I'll write the American Committee people to-night. As for the prize money, if they want that back they can have it. But I don't think they will; nothing was said about Miss Powell's. That's a thousand dollars. I'll take that and go to Paris and live as long as I can. If BUNHHHHHHHHHHH* I can't have the thousand I'll use the few hundreds that I have left and go anyway. And when I come back I'll go back to my old job or go into the schools. But all that's a long way off and we don't know what might turn up." There were one or two matters for immediate consideration. The encounter with the reporters had left Angela a little more shaken than was at first apparent. " I don't want to run into them again," she said ruefully. Her lease on the little apartment in Jayne Street had still a month to run. She would go down this very evening, get together her things, and return to Jinny, with whom she would live quietly until it was time for her to sail. Her mail she could leave with the janitor to be called for. Fortunately the furniture was not hers ; there were only a few pictures to be removed. After all, she had very few friends to consider, just the Sandburgs, Martha Burden, Mrs. Denver, Ralph Ashley and Rachel Salting. " And I don't know what to do about them," she said, pondering. " After all, you can't write to people and say: c Dear friend: You've always thought I was white. But I'm not really. I'm coloured and I'm going back to my own folks to live.' Now can you? Oh, Jinny, Jinny, isn't it a great old world? " In the end, after the story appeared, as it assuredly did, in the next morning's paper, she cut out and sent to each of her former friends copies of Miss Tilden's story whose headlines read: " Socially Ambitious Negress Confesses to Long Hoax." 353 BUNHHHHHHHHHHH With the exception of Banky's all the accounts took the unkindest attitude possible. The young Hungarian played up the element of self-sacrifice and the theory that blood after all was thicker than water. Angela guessed rightly that if he could have he would have preferred omitting it, and that he had only written it up to offset as far as possible the other accounts. Of the three other meanly insinuating stories Miss Tilden's was the silliest and most dangerous. She spoke of mixed blood as the curse of the country, a curse whose " insidiously concealed influence constantly threatens the wells of national race purity. Such incidents as these make one halt before he con demns the efforts of the Ku Klux Klan and its unceasing fight for 100 per cent. Americanism." The immediate effect of this publicity was one which neither of the sisters had foreseen. When Angela reported for work on the following Monday morning she found a note on her desk asking her immediate appearance in the office. The president returning her good-morning with scant courtesy, showed her a clipping and asked if she were the Miss Mory of the story. Upon her assurance that she was none other, he handed her a month's salary in lieu of notice and asked her to con sider her connection with the firm at an end. " We have no place for deceit in an institution such as this," he said augustly. The incident shook both girls to a degree. Vir ginia particularly was rendered breathless by its cruel immediacy. Never before had she come so close to the special variation of prejudice mani fested to people in Angela's position. That the president of the concern should attribute the 354 BUNHHHHHHH^-HHHf* girl's reticence on this subject to deceit seemed to her the last ounce of injustice. Angela herself was far less perturbed. " I've seen too much of this sort of thing to feel it as you do, Virginia. Of course, as you see, there are all kinds of absurdities involved. In your case, showing colour as you do, you'd have been refused the job at the very outset. Perhaps they would have said that they had found coloured people incompetent or that other girls had a strong natural aversion toward working beside one of us. Now here I land the position, hold it long enough to prove ability and the girls work beside me and remain untainted. So evidently there's no blind inherent disgust to be overcome. Looking just the same as I've ever looked I let the fact of my Negro ancestry be known. Mind, I haven't changed the least bit, but immediately there's all this hold ing up of hands and the cry of deceit is raised. Some logic, that! It really would be awfully funny, you see, Jinny, if it couldn't be fraught with such disastrous consequences for people like, say, Miss Powell." " Don't mention her," said Jinnv vehemently. " If it hadn't been for her you wouldn't have been in all this trouble." Angela smiled. " If it hadn't been for her, you and I probably never would have really found each other again. But you mustn't blame her. Sooner or later I'd have been admitting, * con fessing ', as the papers say, my black blood. Not that I myself think it of such tremendous import ance; in spite of my efforts to break away I really don't, Virginia. But because this country of ours makes it so important, against my own conviction 355 BUNHHHHH^HHHHHHK I was beginning to feel as though I were laden down with a great secret. Yet when I begin to delve into it, the matter of blood seems nothing compared with individuality, character, living. The truth of the matter is, the whole business was just making me fagged to death." She sat lost intently in thought. " All of the complications of these last few years, and you can't guess what complications there have been, darling child, have been based on this business of ' passing '. I understand why Miss Powell gave up the uneven fight about her passage. Of course, in a way it would have been a fine thing if she could have held on, but she was perfectly justified in letting go so she could avoid still greater bitter ness and disappointment and so she could have something left in her to devote to her art. You can't fight and create at the same time. And I understand, too, why your Anthony bestirs him self every little while and makes his confession; simply so he won't have to be bothered with the trappings of pretence and watchfulness. I sup pose he told you about that night down at Martha Burden's? " " Yes," said Jinny, sighing, " he has terrible ideals. There's something awfully lofty about Anthony. I wish he were more like Matthew, comfortable and homey. Matt's got some ideals, too, but he doesn't work them overtime. Anthony's a darling, two darlings, but he's awfully, awfully what-do-you-call-it, ascetic. I shouldn't be at all surprised but what he had a secret canker eating at his heart." Angela said rather sternly, " Look here, Jinny, I don't believe you love him after all, do you? " 356 " Well now, when I get right down to it some times I think I do. Sometimes I think I don't. Of course the truth of the matter is, I'd hardly have thought about Anthony or marriage either just now, if I hadn't been so darn lonely. You know I'm not like you, Angela. When we were children I was the one who was going to have a career, and you were always going to have a good time. Actually it's the other way round; you're the one who's bound to have a career. You just gravitate to adventure. There's something so forceful and so strong about you that you can't keep out of the battle. But, Angela, I want a home, with you if you could just stand still long enough, or failing that, a home with husband and children and all that goes with it. Of course I don't mind admitting that at any time I'd have given up even you for Matthew. But next to being his wife I'd rather live with you, and next to that I'd like to marry Anthony. I don't like to be alone; for though I can fend for myself I don't want to." Angela felt herself paling with the necessity of hiding her emotion. " So poor Anthony's only third in your life? " " Yes, I'm afraid he is . . . Darling, what do you say to scallops for dinner? I feel like cooking to-day. Guess I'll hie me to market." She left the room, and her sister turned to the large photograph of Cross which Virginia kept on the mantel. She put her fingers on the slight youthful hollows of his pictured cheeks, touched his pictured brow. " Oh Anthony, Anthony, is Life cheating you again? You'll always be first in my life, dearest." 357 BUNHHHHHHHHHHH* Perhaps Virginia's diagnosis of her character was correct. At any rate she welcomed the present combination of difficulties through which she was now passing. Otherwise this last confession of Jinny's would have plunged her into fresh un- happiness. But she had many adjustments to make and to face. First of all there was her new status in the tiny circle in which she had moved. When at the end of two weeks she went down to her old apartment in Jayne Street to ask for her mail, she was, in spite of herself amazed and hurt to discover a chilled bewilderment, an aloofness, in the manner of Mrs. Denver, with whom she had a brief encounter. On the other hand there were a note and a calling card from Martha Burden, and some half dozen letters from Elizabeth and Walter Sandburg. Martha's note ran: " Undoubtedly you and Mr. Cross are very fine people. But I don't believe I could stand another such shock very soon. Of course it was magnificent of you to act as you did. But oh, my dear, how quixotic. And after all a quoi bon? Will you come to see me as soon as you get this, or send me word how I may see you? And Angele, if you let all this nonsense interfere with your going to Europe I'll never forgive you. Ladislas and I have several thousand dollars stored away just begging to be put out at interest." Elizabeth Sandburg said nothing about the matter, but Angela was able to read her know ledge between the lines. The kind-hearted couple could not sufficiently urge upon her their un changing regard and friendship. " Why on earth don't you come and see us? " Elizabeth queried in her immense, wandering chirography, five words 358 to a page. " You can't imagine how we miss you. Walter's actually getting off his feed. Do take a moment from whatever masterpiece you're com posing and give us a week-end." But from Rachel Salting and from Ashley not one single word ! 359 CHAPTER II MORE than ever her determination to sail became fixed. " Some people," she said to Jinny, " might think it the thing to stay here and fight things out. Martha, for instance, is keenly disappointed because I won't let the committee which had been working for Miss Powell take up my case. I sus pect she thinks we're all quitters. But I know when I've had enough. I told her I wanted to spend my life doing something besides fighting. Moreover, the Committee, like myself, is pretty sick of the whole afiair, though not for the same reason, and I think there'd be even less chance for a readjustment in my case than there was in Miss Powell's." An interview with Clarke Otter, Chairman of the Advisory Board of the American Committee, had given her this impression. Mr. Otter's attitude betokened a curious admixture of re sentment at what he seemed to consider her deceit in " passing " and exasperation at her having been quixotic enough to give the show away. " We think you are quite right in express ing your determination not to take advantage of the Committee's arrangements. It evidences a delicacy of feeling quite unusual in the circum stances." Angela was boiling with anger when she left. 360 BUNH6*** A letter to the donor of the prize brought back the laconic answer that the writer was interested " not in Ethnology but in Art." " I'd like to see that party," said Angela, revert ing to the jargon of her youth. " I'll bet he's nowhere near as stodgy as he sounds. I shouldn't wonder but what he was just bubbling over with mirth at the silliness of it all." Certainly she herself was bubbling over with mirth or with what served for that quality. Virginia could not remember ever having seen her in such high spirits, not since the days when they used to serve Monday's dinner for their mother and play at the roles in which Mrs. Henrietta Jones had figured so largely. But Angela herself knew the shallowness of that mirth whose reality, Anthony, unable to remain for any length of time in her presence and yet somehow unable to stay away, some times suspected. Her savings, alas ! including the prize money, amounted roughly to 1,400 dollars. Anthony had urged her to make the passage second class on one of the large, comfortable boats. Then, if she proved herself a good sailor, she might come back third class. " And anyway don't put by any more than enough for that," said Jinny maternally, " and if you need any extra money write to me and I'll send you all you want." From stories told by former foreign students who had sometimes visited the Union it seemed as though she might stretch her remaining hundreds over a period of eight or nine months. " And by that time I'll have learned enough to know whether 361 I'm to be an honest-to-God artist or a plain draw ing teacher." " I almost hope it will be the latter," said Jinny with a touching selfishness, " so you'll have to come back and live with us. Don't you hope so, Anthony? " Angela could see him wince under the strain of her sister's artlessness. " Eight or nine months abroad ought to make a great difference in her life," he said with no particular relevance. " In deed in the lives of all of us." Both he and Angela had only one thought these days, that the time for departure would have to arrive. Neither of them had envisaged the awfulness of this pull on their self-control. Now there were only five days before her departure on Monday. She divided them among the Sandburgs, Anthony and Jinny who was coming down with a summer cold. On Saturday the thought came to her that she would like to see Philadelphia again; it was a thought so per sistent that by nine o'clock she was in the train and by 11.15 sne was preparing for bed in a small side-room in the Hotel Walton in the city of her birth. Smiling, she fell asleep vaguely soothed by the thought of being so close to all that had been once the scene of her steady, un checked life. The propinquity was to shake her more than she could dream. In the morning she breakfasted in her room, then coming downstairs stood in the portico of 362 BUN4HHHHHHHHHM?* the hotel drawing on her gloves as she had done so many years before when she had been a girl shopping with her mother. A flood of memories rushed over her, among them the memory of that day when her father and Virginia had passed them on the street and they had not spoken. How trivial the reason for not speaking seemed now! In later years she had cut Jinny for a reason equally trivial. She walked up toward Sixteenth Street. It was Sunday and the beautiful melancholy of the day was settling on the quiet city. There was a freshness and a solemnity in the air as though even the atmosphere had been rarified and soothed. A sense of loneliness invaded her; this was the city of her birth, of her childhood and of most of her life. Yet there was no one, she felt, to whom she could turn this beautiful day for a welcome; old acquaintances might be mildly pleased, faintly curious at seeing her, but none of them would show any heart-warming gladness. She had left them so abruptly, so completely. Weil, she must not think on these things. After all, in New York she had been lonely too. The Sixteenth Street car set her down at Jefler- son Street and slowly she traversed the three long blocks. Always quiet, always respectable, they were doubly so in the sanctity of Sunday morning. What a terrible day Sunday could be without friends, ties, home, family. Only five years ago, less than five years, she had had all the simple, stable fixtures of family life, the appetizing break fast, the music, the church with its interesting, paintable types, long afternoons and evenings with visitors and discussions beating in the void. 363 ******HHHHhPLUM BUN***** * * *** * And Matthew Henson, would he, she wondered, give her welcome? But she thought that still she did not want to see him. She was not happy, but she was not through adventuring, through tasting life. And she knew that a life spent with Matthew Henson would mean a cessation of that. After all, was he, with his steadiness, his upright ness, his gift for responsibility any happier than she? She doubted it. Oh, she hoped Sundays in Paris would be gay! Opal Street came into her vision, a line, a mere shadow of a street falling upon the steadfastness of Jefferson. Her heart quickened, tears came into her eyes as she turned that corner which she had turned so often, that corner which she had once left behind her forever in order to taste and know life. In the hot July sun the street lay almost deserted. A young coloured man, im maculate in white shirt sleeves, slim and straight, bending in his doorway to pick up the bulky Sunday paper, straightened up to watch her advancing toward him. Just this side of him stood her former home, how tiny it was and yet how full of secrets, of knowledge of joy, despair, suffer ing, futility in brief Life! She stood a few moments in front of it, just gazing, but presently she went up and put her hand on the red brick, wondering blindly if in some way the insensate thing might not communicate with her through touch. A coloured woman sitting in the window watching her rather sharply, came out then and asked her suspiciously what she wanted. " Nothing," Angela replied dully. " I just wanted to look at the house." 364 H-HHMhHHhHKPLUM BUNHHHHHHHHHH-* " It isn't for sale, you know." " No, no, of course not. I just wanted to look at it again. I used to live here, you see. I wondered " Even if she did get permission to go inside, could she endure it? If she could just stand once in that little back room and cry and cry perhaps her tears would flood away all that mass of regret and confusion and futile mem ories, and she could begin life all over with a blank page. Thank God she was young! Suddenly it seemed to her that entering the house once more, standing in that room would be a complete panacea. Raising her eyes expectantly to the woman's face she began: " Would you be so kind ? " But the woman, throwing her a last suspicious look and muttering that she was " nothing with poor white trash," turned and, slamming the door behind her, entered the little square parlour and pulled down the blinds. The slim young man came running down the street toward her. Closer inspection revealed his ownership of a pleasant brown freckled face topped by thick, soft, rather closely cropped dark-red hair. " Angela," he said timidly, and then with more assurance: " It is Angela Murray." She turned her stricken face toward him. " She wouldn't let me in, Matthew. I'm going to France to-morrow and I thought I'd like to see the old house. But she wouldn't let me look at it. She called me," her voice broke with the injustice of it, " poor white trash." 365 -HHHHHHHHHHhPLUM BUNHHHHHHHH>*** "I know," he nodded gravely. "She'd do that kind of thing; she doesn't understand, you see." He was leading her gently toward his house. " I think you'd better come inside and rest a moment. My father and mother have gone off for their annual trip to Bridgeton; mother was born there, you know. But you won't mind com ing into the house of an old and tried friend." " No," she said, conscious of an overwhelming fatigue and general sense of let-downness, " I should say I wouldn't." As they crossed the thresh old she tried faintly to smile but the effort was too much for her and she burst into a flood of choking, strangling, noisy tears. Matthew removed her hat and fanned her; brought her ice-water and a large soft handkerchief to replace her own sodden wisp. Through her tears she smiled at him, understanding as she did so, the reason for Virginia's insistence on his general niceness. He was still Matthew Henson, still freckled and brown, still capped with that thatch of thick bad hair. But care and hair-dressings and improved toilet methods and above all the emana tion of a fine and generous spirit had metamor phosed him into someone still the old Matthew Henson and yet someone somehow translated into a quintessence of kindliness and gravity and comprehending. She drank the water gratefully, took out her powder puff. " I don't need to ask you how you are," he said, uttering a prayer of thanks for averted hysterics. " When a lady begins to powder her nose, she's bucking up all right. Want to tell me all about it?" 366 BUNHHHHHHHHHHHi* " There's nothing to tell. Only I wanted to see the house and suddenly found myself unexpectedly homesick, lonely, misunderstood. And when that woman refused me so cruelly, it was just too much." Her gaze wavered, her eyes filled again. " Oh," he said in terror, " for God's sake don't cry again! I'll go over and give her a piece of my mind; I'll make her turn the whole house over to you. I'll bring you her head on a charger. Only * dry those tears'." He took her handkerchief and dried them himself very, very gently. She caught his hand. " Matthew, you're a dear." He shrugged negligently, " You haven't always thought that." This turn of affairs would never do. " What were you planning to do when I barged in? Getting ready to read your paper and be all homey and comfortable? " " Yes, but I don't want to do that now. Tell you what, Angela, Let's have a lark. Suppose we have dinner here? you get it- Remember how it used to make me happy as a king in the old days if you'd just hand me a glass of water? You said you were sailing to-morrow; you must be all packed. What time do you have to be back? I'll put you on the train." The idea enchanted her. " I'd love it ! Matthew, what fun ! " They found an apron of his mother's, and in the ice-box, cold roast beef, lettuce which Philadelphians call salad, beets and corn. " I'll make muffins," said Angela joyously, " and you take a dish after dinner and go out and get some ice-cream. Oh, Matthew, how it's all coming back to me! Do you still shop up here in the market? " They ate the meal in the little dark cool dining-room, the counterpart of the dining- room in Junius Murray's one-time house across the way. But somehow its smallness was no longer irksome; rather it seemed a tiny island of protection reared out of and against an en croaching sea of troubles. In fancy she saw her father and mother almost a quarter of a century ago coming proudly to such a home, their little redoubt of refuge against the world. How beau tiful such a life could be, shared with some one beloved, with Anthony! Involuntarily she sighed. Matthew studying her thoughtfully said: " You're dreaming, Angela. Tell me what it's all about." " I was thinking what a little haven a house like this could be; what it must have meant to my mother. Funny how I almost pounded down the walls once upon a time trying to get away. Now I can't think of anything more marvellous than having such a place as this, here, there, anywhere, to return to." Startled, he told her of his surprise at hearing such words from her. " If Virginia had said them I should think it perfectly natural; but I hadn't thought of you as being interested in home. How, by the way, is Virginia? " " Perfect." With a wistfulness which barely registered with her absorption, he queried: "I suppose she's tre mendously happy? " " Happy enough." 368 "A great girl, little Virginia." In his turn he fell to musing, roused himself. " You haven't told me of your adventures and your flight into the great world." " There's not much to tell, Matthew. All I've seen and experienced has been the common fate of most people, a little sharpened, perhaps, a little vivified. Briefly, I've had a lot of fun and a measure of trouble. I've been stimulated by adventure; I've known suffering and love and pain." " You're still surprising me. I didn't suppose a girl like you could know the meaning of pain." He gave her a twisted smile. ;4 Though you cer tainly know how to cause it. Even yet I can get a pang which no other thought produces if I let my mind go back to those first few desperate days after you left me. Heavens, can't you suffer when you're young ! " She nodded, laid her hand on his. ;c Ter ribly. Remember, I was suffering too, Matthew, though for different causes. I was so pushed, so goaded . . . well, we won't talk about that any more. ... I hope you've got over all that feeling. Indeed, indeed I wasn't worth it. Do tell me you haven't let it harass you all these years." His hand clasped hers lightly, then withdrew. " No I haven't. . . . The suddenness, the in- evitableness of your departure checked me, pulled me up short. I suffered, oh damnably, but it was suffering with my eyes open. I knew then you weren't for me; that fundamentally we were too far apart. And eventually I got over it. Those days ! " He smiled again wryly, recalling a A A 369 memory. " But I went on suffering just the same, only in another way. I fell in love with Jinny." Her heart in her breast stopped beating. " Mat thew, you didn't ! Why on earth didn't you ever say so? " " I couldn't. She was such a child, you see; she made it so plain all the time that she looked on me as her sister's beau and therefore a kind of dependable brother. After you went I used to go to see her, take her about. Why she'd swing on my arm and hold up her face for a good-night kiss ! Once, I remember, we had been out and she became car-sick, poor little weak thing ! She was so ashamed ! Like a baby, you know, playing at being grown-up and then ashamed for reverting to babyhood. I went to see her the next day and she was so little and frail and confiding ! I stayed away then for a long time and the next thing I knew she was going to New York. I misjudged you awfully then, Angela. You must forgive me. I thought you had pulled her away. I learned later that I was wrong, that you and she rarely saw each other in New York. Do you know why she left? " There was her sister's pride to shield but her own need to succour; who could have dreamed of such a dilemma? " I can't betray Jinny," she said to herself and told him that while she per sonally had not influenced her sister the latter had had a very good reason for leaving Phila delphia. " I suppose so. Certainly she left. But she'd write me ? occasionally, letters just like her dear 370 BUN^HHHHHHHHHf- self, so frank and girlish and ingenuous and making it so damnably plain that any demonstration of love on my part was out of the question. I said to myself: 'I'm not going to wreck my whole life over those Murray girls '. And I let our friend ship drift off into a nothingness. . . . Then she came to visit Edna Brown this summer. I fairly leaped out to Merion to see her. The moment I laid eyes on her I realized that she had developed, had become a woman. She was as always, kind and sweet, prettier, more alluring than ever. I thought I'd try my luck .... and Edna told me she was engaged. What's the fellow like, Angela? " " Very nice, very fine." " Wild about her, I suppose?" Desperately she looked at him. "He's a rather undemonstrative sort. I suppose he's wild enough. Only, well they talk as though they had no intention of marrying for years and years and they both seem perfectly content with that arrange ment." He frowned incredulously. " What ! If I thought they weren't in earnest ! " Impulsively she broke out: " Oh, Matthew, don't you know, there's so much pain, such suffering in the world, a man should never leave any stone unturned to achieve his ultimate happi ness. Why don't you write to Jinny, go to New York to see her? " Under his freckles his brown skin paled. e You think there's a chance? " " My dear, I wouldn't dare say. I know she likes you very, very much. And I don't think she regards you as a brother." 37' BUNHHHHHHHHHH* " Angela, you wouldn't fool me? " " Why should I do that? And remember after all I'm giving you no assurance. I'm merely saying it's worth taking a chance. Now let's see, we'll straighten up this place and then we must fly." At the station she kissed him good-bye. " Anyway you're always a brother to me. Think of what I've told you, Matthew; act on it." " I shall. Oh, Angela, suppose it should be that God sent you down here to-day? " " Perhaps He did." They parted solemnly. Three hours later found her entering her sister's apartment. Jinny, her cold raging, her eyes in flamed and weeping, greeted her plaintively. " Look at me, Angela. And you leaving to morrow! I'll never be able to make that boat!" The telephone rang. " It's been ringing steadily for the last hour, somebody calling for you. Do answer it." The message was from Ashley. He had been away in New Orleans. " And I came back and found that clipping. I knew you sent it. Girl, the way I've pursued you this day ! Finally I caught up with Martha Burden, she told me where you were staying. May I come up? Be there in half an hour." " Not to-night, Ralph. Would you like to come to the boat to-morrow? " "So you're going anyhow? Bully! But not before I've seen you ! Suppose I take you to the boat? " " Awfully nice of you, but I'm going with my sister." 372 BUNHHHHHHHMHHHS* Here Jinny in a voice full of misplaced con sonants told her she was going to do nothing of the sort. " With this cold ! " Angela spoke into the receiver again. " My sister says she isn't going, so I will fall back on you if I may." She hung up. Virginia wanted to hear of the trip. The two sisters sat talking far into the night, but Angela said no word about Matthew. Monday was a day of surprises. Martha and Ladislas Starr, unable to be on hand for the sailing of the boat, came up to the house to drive down town with the departing traveller. Secretly Angela was delighted with this arrangement, but it brought a scowl to Ashley's face. Virginia, miserable with the wretchedness attend ant on a summer cold, bore up bravely. " I don't mind letting you go like this from the house; but I couldn't stand the ship ! Angela, you're not to worry about me one bit. Only come back to me, happy. I know you will. Oh how different this is from that parting years ago in Philadelphia ! " " Yes," said Angela soberly. " Then I was to be physically ninety miles away from you, but we were really seas apart. Now darling, three thousand miles are nothing when there is love and trust and understanding. And Jinny, listen ! Life is full of surprises. If a chance for real happiness comes your way don't be afraid to grasp at it." " Cryptic," wheezed Jinny, laughing. " I don't know what you're talking about, but I'll do my 373 BUNHHH^HHHHHHHH* best to land any happiness that comes drifting toward me." They kissed each other gravely, almost coldly, without tears. But neither could trust herself to say the actual good-bye. Angela was silent almost all the way down to the dock, answering her friends only in mono syllables. There, another surprise awaited her in the shape of Mrs. Denver, who remained, how ever, only for a few moments. " I couldn't stand having you go," she said pitifully, " without seeing you for one last time." And, folding the girl in a close embrace, she broke down and murmured sadly of a lost daughter who would have been " perhaps like you, dear, had she lived." Elizabeth Sandburg, the gay, the complacent, the beloved of life, clung to her, weeping, " I can't bear to lose you, Angele." Walter put his arm about her. " Kiss me, old girl. And mind, if you need anything, anything, you're to call on us. If you get sick we'll come over after you, am I right, Lizzie? " " Yes, of course, of course . . . and don't call me Lizzie. . . . Come away, can't you, and leave them a moment together. Don't you see Ashley glaring at you? " They withdrew to a good point of vantage on the dock. Angela, surprised and weeping, remembering both Mrs. Denver's words and the manifestations of kindness in her stateroom said: "They really did love me after all, didn't they? " " Yes," said Ashley earnestly, " we all love you. I'm coming over to see you by and by, Angele, may I? You know we've a lot of things 374 ^.HHHHHHHHhPLUM BUNHHHHMHMHHHH5* to talk about, some things which you perhaps think mean a great deal to me but which in reality mean nothing. Then on the other hand there are some matters which actually do mean something to me but whose value to you I'm not sure of." " Oh," she said, wiping her eyes and remem bering her former secret. " You aren't coming over to ask me to marry you, are you? You don't have to do that. And anyway ' it is not now as it hath been before '. There's no longer a mystery about me, you know. So the real attraction's gone. Remember, I'm not expecting a thing of you, so please, please don't ask it. Ralph, I can't placard myself, and I suppose there will be lots of times when in spite of myself I'll be passing '. But I want you to know that from now on, so far as sides are concerned, I am on the coloured side. And I don't want you to come over on that side." She shook her head finally. " Too many compli cations even for you." For though she knew he believed in his brave words, she was too sadly experienced to ask an American to put them to the test. " All right," he said, smiling at her naive assumptions. " I won't ask you to marry me, at least not yet. But I'm coming over just the same. I don't suppose you've got a lien on Paris." " Of course I haven't," she giggled a little. " You know perfectly well I want you to come." Her face suddenly became grave. " But if you do come you won't come to make love without meaning anything either, will you? I'd hate that between you and me." 375 *HHHHHH-H~H-PLUM BUNHHHHHHHHHH-* " No," he said gently, instantly comprehending. " I won't do that either." " You'll come as a friend? " "Yes, as a friend." A deck hand came up then and said civilly that in a few minutes they would be casting off and all visitors must go ashore. CHAPTER III AMONG her steamer-letters was a brief note from Anthony : " Angela, my angel, my dear girl, good-bye. These last few weeks have been heaven and hell. I couldn't bear to see you go, so I've taken my self off for a few hours . . . don't think I'll neglect Jinny. I'll never do that. Am I right in supposing that you still care a little? Oh Angela, try to forget me, but don't do it! I shall never forget you ! " There were letters and flowers from the Burdens, gifts of all sorts from Ashley and Mrs. Denver, a set of notes for each day out from Virginia. She read letters, examined her gifts and laid them aside. But all day long Anthony's note reposed on her heart; it lay at night beneath her head. Paris at first charmed and wooed her. For a while it seemed to her that her old sense of joy in living for living's sake had returned to her. It was like those first few days which she had spent in exploring New York. She rode delightedly in the motor-buses on and on to the unknown, un predictable terminus; she followed the winding Seine; crossing and re-crossing the bridges each 377 BUN-HHHHHHHHHH^ with its distinctive characteristics. Back of the Pantheon, near the church of St. Genevieve she discovered a Russian restaurant where strange, exotic dishes were served by tall blond waiters in white, stiff Russian blouses. One day, wandering up the Boulevard du Mont Parnasse, she found at its juncture with the Boulevard Raspail the Cafe Dome, a student restaurant of which many returned students had spoken in the Art School in New York. On entering she was recognized almost immediately by Edith Martin, a girl who had studied with her in Philadelphia. Miss Martin had lived in Paris two years; knew all the gossip and the characters of the Quarter; could give Angela points on pensions, cafes, tips and the Gallic disposition. On all these topics she poured out perpetually a flood of information, presented her friends, summoned the new comer constantly to her studio or camped uninvited in the other girl's tiny quarters at the Pension Franciana. There was no chance for actual physical loneliness, yet Angela thought after a few weeks of persistent comradeship that she had never felt so lonely in her life. For the first time in her adventuresome existence she was caught up in a tide of homesickness. Then this passed too with the summer, and she found herself by the end of September engrossed in her work. She went to the Academy twice a day, immersed herself in the atmosphere of the Louvre and the gallery of the Luxembourg. It was hard work, but gradually she schooled herself to remember that this was her life, and that her aim, her one ambition, was to become an acknow ledged, a significant painter of portraits. The 378 instructor, renowned son of a still more renowned father, almost invariably praised her efforts. With the coming of the fall the sense of adven ture left her. Paris, so beautiful in the summer, so gay with its thronging thousands, its hosts bent on pleasure, took on another garb in the sullen greyness of late autumn. The tourists disappeared and the hard steady grind of labour, the intent application to the business of living, so noticeable in the French, took the place of a transient, careless freedom. Angela felt herself falling into line; but it was good discipline as she herself realized. Once or twice, in periods of utter loneliness or boredom, she let her mind dwell on her curiously thwarted and twisted life. But the ability for self- pity had vanished. She had known too many others whose lives lay equally remote from goals which had at first seemed so certain. For a period she had watched feverishly for the incoming of foreign mail, sure that some word must come from Virginia about Matthew, but the months crept sullenly by and Jinny's letters remained the same artless missives prattling of school-work, Anthony, Sara Penton, the Movies and visits to Maude the inimitable. " Of course not everything can come right," she told herself. Matthew evidently had, on second thought, deemed it wisest to consult the evidence of his own senses rather than be guided by the hints which in the nature of things she could offer only vaguely. Within those six months she lost forever the blind optimism of youth. She did not write Anthony nor did she hear from him. 379 BUN-HHH^HHHHHH** Christmas Eve day dawned or rather drifted greyly into the beholder's perception out of the black mistiness of the murky night. In spite of her self her spirits sank steadily. Virginia had promised her a present, " I've looked all over this whole town," she wrote, " to find you something good enough, something absolutely perfect. Anthony's been helping me. And at last I've found it. We've taken every possible precaution against the inter ference of wind or rain or weather, and unless something absolutely unpredictable intervenes, it will be there for you Christmas Eve or possibly the day before. But remember, don't open it until Christmas." But it was now six o'clock on Christmas Eve and no present had come, no letter, no remem brance of any kind. " Oh," she said to herself, " what a fool I was to come so far away from home ! " For a moment she envisaged the possi bility of throwing herself on the bed and sobbing her heart out. Instead she remembered Edith Martin's invitation to make a night of it over at her place, a night which was to include dancing and chaffing, a trip just before midnight to hear Mass at St. Sulpice, and a return to the studio for doubt less more dancing and jesting and laughter, and possibly drunkenness on the part of the American male. At ten o'clock as she stood in her tiny room rather sullenly putting the last touches to her costume, the maid, Heloise, brought her a cable. It was a long message from Ashley wishing her health, happiness and offering to come over at a week's notice. Somehow the bit of blue paper cheered her, easing her taut nerves. 380 BUNHHHHHHHHHHH5- " Of course they're thinking about me. I'll hear from Jinny any moment; it's not her fault that the delivery is late. I wonder what she sent me." Returning at three o'clock Christmas morning from the party she put her hand cautiously in the door to switch on the light for fear that a package lay near the threshold, but there was no package there. " Well, even if it were there I couldn't open it," she murmured, " for I'm too sleepy." And indeed she had drugged herself with dancing and gaiety into an overwhelming drowsiness. Barely able to toss aside her pretty dress, she tumbled luxuriously into bed, grateful in the midst of her somnolence for the fatigue which would make her forget. ... In what seemed to her less than an hour, she heard a tremendous knocking at the door. " Entrez" she called sleepily and relapsed immediately into slumber. The door, as it hap pened, was unlocked; she had been too fatigued to think of it the night before. Heloise stuck in a tousled head. " My God," she told the cook afterwards, " such a time as I had to wake her! There she was asleep on both ears and the gentle man downstairs waiting ! " Angela finally opened bewildered eyes. " A gentleman," reiterated Heloise in her staccato tongue. " He awaits you below. He says he has a present which he must put into your own hands. Will Mademoiselle then descend or shall I tell him to come back? " ;{ Tell him to come back," she murmured, then opened her heavy eyes. "Is it really Christmas, Heloise? Where is the gentleman? " " As though I had him there in my pocket," said Heloise later in her faithful report to the cook. But finally the message penetrated. Grasping a robe and slippers, she half leaped, half fell down the little staircase and plunged into the five foot square drawing-room. Anthony sitting on the tremendously disproportionate tan and maroon sofa rose to meet her. His eyes on her astonished countenance, he began searching about in his pockets, slapping his vest, pulling out keys and handkerchiefs. " There ought to be a tag on me somewhere," he remarked apologetically, " but anyhow Virginia and Matthew sent me with their love." THE END 2/4/2023 0 Comments Tolstoy's a LETTER TO HINDu
"A Letter to a Hindu" (also known as "A Letter to a Hindoo") was a letter written by Leo Tolstoy to Tarak Nath Das on 14 December 1908. The letter was written in response to two letters sent by Das, seeking support from the Russian author and thinker for India's independence from colonial rule.
INTRODUCTIONThe letter printed below is a translation of Tolstoy's letter written in Russian in reply to one from the Editor of Free Hindustan. After having passed from hand to hand, this letter at last came into my possession through a friend who asked me, as one much interested in Tolstoy's writings, whether I thought it worth publishing. I at once replied in the affirmative, and told him I should translate it myself into Gujarati and induce others' to translate and publish it in various Indian vernaculars. The letter as received by me was a type-written copy. It was therefore referred to the author, who confirmed it as his and kindly granted me permission to print it. To me, as a humble follower of that great teacher whom I have long looked upon as one of my guides, it is a matter of honour to be connected with the publication of his letter, such especially as the one which is now being given to the world. It is a mere statement of fact to say that every Indian, whether he owns up to it or not, has national aspirations. But there are as many opinions as there are Indian nationalists as to the exact meaning of that aspiration, and more especially as to the methods to be used to attain the end. One of the accepted and 'time-honoured' methods to attain the end is that of violence. The assassination of Sir Curzon Wylie was an illustration of that method in its worst and most detestable form. Tolstoy's life has been devoted to replacing the method of violence for removing tyranny or securing reform by the method of non-resistance to evil. He would meet hatred expressed in violence by love expressed in self-suffering. He admits of no exception to whittle down this great and divine law of love. He applies it to all the problems that trouble mankind. When a man like Tolstoy, one of the clearest thinkers in the western world, one of the greatest writers, one who as a soldier has known what violence is and what it can do, condemns Japan for having blindly followed the law of modern science, falsely so-called, and fears for that country 'the greatest calamities', it is for us to pause and consider whether, in our impatience of English rule, we do not want to replace one evil by another and a worse. India, which is the nursery of the great faiths of the world, will cease to be nationalist India, whatever else she may become, when she goes through the process of civilization in the shape of reproduction on that sacred soil of gun factories and the hateful industrialism which has reduced the people of Europe to a state of slavery, and all but stifled among them the best instincts which are the heritage of the human family. If we do not want the English in India we must pay the price. Tolstoy indicates it. 'Do not resist evil, but also do not yourselves participate in evil—in the violent deeds of the administration of the law courts, the collection of taxes and, what is more important, of the soldiers, and no one in the world will enslave you', passionately declares the sage of Yasnaya Polyana. Who can question the truth of what he says in the following: 'A commercial company enslaved a nation comprising two hundred millions. Tell this to a man free from superstition and he will fail to grasp what these words mean. What does it mean that thirty thousand people, not athletes, but rather weak and ordinary people, have enslaved two hundred millions of vigorous, clever, capable, freedom-loving people? Do not the figures make it clear that not the English, but the Indians, have enslaved themselves?' One need not accept all that Tolstoy says—some of his facts are not accurately stated—to realize the central truth of his indictment of the present system, which is to understand and act upon the irresistible power of the soul over the body, of love, which is an attribute of the soul, over the brute or body force generated by the stirring in us of evil passions. There is no doubt that there is nothing new in what Tolstoy preaches. But his presentation of the old truth is refreshingly forceful. His logic is unassailable. And above all he endeavours to practise what he preaches. He preaches to convince. He is sincere and in earnest. He commands attention. [19th November, 1909] M. K. GANDHI A LETTER TO A HINDUBy Leo Tolstoy All that exists is One. People only call this One by different names. THE VEDAS. God is love, and he that abideth in love abideth in God, and God abideth in him. I JOHN iv. 16. God is one whole; we are the parts. EXPOSITION OF THE TEACHING OF THE VEDAS BY VIVEKANANDA. IDo not seek quiet and rest in those earthly realms where delusions and desires are engendered, for if thou dost, thou wilt be dragged through the rough wilderness of life, which is far from Me. Whenever thou feelest that thy feet are becoming entangled in the interlaced roots of life, know that thou has strayed from the path to which I beckon thee: for I have placed thee in broad, smooth paths, which are strewn with flowers. I have put a light before thee, which thou canst follow and thus run without stumbling. KRISHNA. I have received your letter and two numbers of your periodical, both of which interest me extremely. The oppression of a majority by a minority, and the demoralization inevitably resulting from it, is a phenomenon that has always occupied me and has done so most particularly of late. I will try to explain to you what I think about that subject in general, and particularly about the cause from which the dreadful evils of which you write in your letter, and in the Hindu periodical you have sent me, have arisen and continue to arise. The reason for the astonishing fact that a majority of working people submit to a handful of idlers who control their labour and their very lives is always and everywhere the same—whether the oppressors and oppressed are of one race or whether, as in India and elsewhere, the oppressors are of a different nation. This phenomenon seems particularly strange in India, for there more than two hundred million people, highly gifted both physically and mentally, find themselves in the power of a small group of people quite alien to them in thought, and immeasurably inferior to them in religious morality. From your letter and the articles in Free Hindustan as well as from the very interesting writings of the Hindu Swami Vivekananda and others, it appears that, as is the case in our time with the ills of all nations, the reason lies in the lack of a reasonable religious teaching which by explaining the meaning of life would supply a supreme law for the guidance of conduct and would replace the more than dubious precepts of pseudo-religion and pseudo-science with the immoral conclusions deduced from them and commonly called 'civilization'. Your letter, as well as the articles in Free Hindustan and Indian political literature generally, shows that most of the leaders of public opinion among your people no longer attach any significance to the religious teachings that were and are professed by the peoples of India, and recognize no possibility of freeing the people from the oppression they endure except by adopting the irreligious and profoundly immoral social arrangements under which the English and other pseudo-Christian nations live to-day. And yet the chief if not the sole cause of the enslavement of the Indian peoples by the English lies in this very absence of a religious consciousness and of the guidance for conduct which should flow from it—a lack common in our day to all nations East and West, from Japan to England and America alike. IIO ye, who see perplexities over your heads, beneath your feet, and to the right and left of you; you will be an eternal enigma unto yourselves until ye become humble and joyful as children. Then will ye find Me, and having found Me in yourselves, you will rule over worlds, and looking out from the great world within to the little world without, you will bless everything that is, and find all is well with time and with you. KRISHNA. To make my thoughts clear to you I must go farther back. We do not, cannot, and I venture to say need not, know how men lived millions of years ago or even ten thousand years ago, but we do know positively that, as far back as we have any knowledge of mankind, it has always lived in special groups of families, tribes, and nations in which the majority, in the conviction that it must be so, submissively and willingly bowed to the rule of one or more persons—that is to a very small minority. Despite all varieties of circumstances and personalities these relations manifested themselves among the various peoples of whose origin we have any knowledge; and the farther back we go the more absolutely necessary did this arrangement appear, both to the rulers and the ruled, to make it possible for people to live peacefully together. So it was everywhere. But though this external form of life existed for centuries and still exists, very early—thousands of years before our time—amid this life based on coercion, one and the same thought constantly emerged among different nations, namely, that in every individual a spiritual element is manifested that gives life to all that exists, and that this spiritual element strives to unite with everything of a like nature to itself, and attains this aim through love. This thought appeared in most various forms at different times and places, with varying completeness and clarity. It found expression in Brahmanism, Judaism, Mazdaism (the teachings of Zoroaster), in Buddhism, Taoism, Confucianism, and in the writings of the Greek and Roman sages, as well as in Christianity and Mohammedanism. The mere fact that this thought has sprung up among different nations and at different times indicates that it is inherent in human nature and contains the truth. But this truth was made known to people who considered that a community could only be kept together if some of them restrained others, and so it appeared quite irreconcilable with the existing order of society. Moreover it was at first expressed only fragmentarily, and so obscurely that though people admitted its theoretic truth they could not entirely accept it as guidance for their conduct. Then, too, the dissemination of the truth in a society based on coercion was always hindered in one and the same manner, namely, those in power, feeling that the recognition of this truth would undermine their position, consciously or sometimes unconsciously perverted it by explanations and additions quite foreign to it, and also opposed it by open violence. Thus the truth—that his life should be directed by the spiritual element which is its basis, which manifests itself as love, and which is so natural to man—this truth, in order to force a way to man's consciousness, had to struggle not merely against the obscurity with which it was expressed and the intentional and unintentional distortions surrounding it, but also against deliberate violence, which by means of persecutions and punishments sought to compel men to accept religious laws authorized by the rulers and conflicting with the truth. Such a hindrance and misrepresentation of the truth—which had not yet achieved complete clarity—occurred everywhere: in Confucianism and Taoism, in Buddhism and in Christianity, in Mohammedanism and in your Brahmanism. IIIMy hand has sowed love everywhere, giving unto all that will receive. Blessings are offered unto all My children, but many times in their blindness they fail to see them. How few there are who gather the gifts which lie in profusion at their feet: how many there are, who, in wilful waywardness, turn their eyes away from them and complain with a wail that they have not that which I have given them; many of them defiantly repudiate not only My gifts, but Me also, Me, the Source of all blessings and the Author of their being. KRISHNA. I tarry awhile from the turmoil and strife of the world. I will beautify and quicken thy life with love and with joy, for the light of the soul is Love. Where Love is, there is contentment and peace, and where there is contentment and peace, there am I, also, in their midst. KRISHNA. The aim of the sinless One consists in acting without causing sorrow to others, although he could attain to great power by ignoring their feelings. The aim of the sinless One lies in not doing evil unto those who have done evil unto him. If a man causes suffering even to those who hate him without any reason, he will ultimately have grief not to be overcome. The punishment of evil doers consists in making them feel ashamed of themselves by doing them a great kindness. Of what use is superior knowledge in the one, if he does not endeavour to relieve his neighbour's want as much as his own? If, in the morning, a man wishes to do evil unto another, in the evening the evil will return to him. THE HINDU KURAL. Thus it went on everywhere. The recognition that love represents the highest morality was nowhere denied or contradicted, but this truth was so interwoven everywhere with all kinds of falsehoods which distorted it, that finally nothing of it remained but words. It was taught that this highest morality was only applicable to private life—for home use, as it were—but that in public life all forms of violence—such as imprisonment, executions, and wars—might be used for the protection of the majority against a minority of evildoers, though such means were diametrically opposed to any vestige of love. And though common sense indicated that if some men claim to decide who is to be subjected to violence of all kinds for the benefit of others, these men to whom violence is applied may, in turn, arrive at a similar conclusion with regard to those who have employed violence to them, and though the great religious teachers of Brahmanism, Buddhism, and above all of Christianity, foreseeing such a perversion of the law of love, have constantly drawn attention to the one invariable condition of love (namely, the enduring of injuries, insults, and violence of all kinds without resisting evil by evil) people continued—regardless of all that leads man forward—to try to unite the incompatibles: the virtue of love, and what is opposed to love, namely, the restraining of evil by violence. And such a teaching, despite its inner contradiction, was so firmly established that the very people who recognize love as a virtue accept as lawful at the same time an order of life based on violence and allowing men not merely to torture but even to kill one another. For a long time people lived in this obvious contradiction without noticing it. But a time arrived when this contradiction became more and more evident to thinkers of various nations. And the old and simple truth that it is natural for men to help and to love one another, but not to torture and to kill one another, became ever clearer, so that fewer and fewer people were able to believe the sophistries by which the distortion of the truth had been made so plausible. In former times the chief method of justifying the use of violence and thereby infringing the law of love was by claiming a divine right for the rulers: the Tsars, Sultans, Rajahs, Shahs, and other heads of states. But the longer humanity lived the weaker grew the belief in this peculiar, God—given right of the ruler. That belief withered in the same way and almost simultaneously in the Christian and the Brahman world, as well as in Buddhist and Confucian spheres, and in recent times it has so faded away as to prevail no longer against man's reasonable understanding and the true religious feeling. People saw more and more clearly, and now the majority see quite clearly, the senselessness and immorality of subordinating their wills to those of other people just like themselves, when they are bidden to do what is contrary not only to their interests but also to their moral sense. And so one might suppose that having lost confidence in any religious authority for a belief in the divinity of potentates of various kinds, people would try to free themselves from subjection to it. But unfortunately not only were the rulers, who were considered supernatural beings, benefited by having the peoples in subjection, but as a result of the belief in, and during the rule of, these pseudodivine beings, ever larger and larger circles of people grouped and established themselves around them, and under an appearance of governing took advantage of the people. And when the old deception of a supernatural and God-appointed authority had dwindled away these men were only concerned to devise a new one which like its predecessor should make it possible to hold the people in bondage to a limited number of rulers. IVChildren, do you want to know by what your hearts should be guided? Throw aside your longings and strivings after that which is null and void; get rid of your erroneous thoughts about happiness and wisdom, and your empty and insincere desires. Dispense with these and you will know Love. KRISHNA. Be not the destroyers of yourselves. Arise to your true Being, and then you will have nothing to fear. KRISHNA. New justifications have now appeared in place of the antiquated, obsolete, religious ones. These new justifications are just as inadequate as the old ones, but as they are new their futility cannot immediately be recognized by the majority of men. Besides this, those who enjoy power propagate these new sophistries and support them so skilfully that they seem irrefutable even to many of those who suffer from the oppression these theories seek to justify. These new justifications are termed 'scientific'. But by the term 'scientific' is understood just what was formerly understood by the term 'religious': just as formerly everything called 'religious' was held to be unquestionable simply because it was called religious, so now all that is called 'scientific' is held to be unquestionable. In the present case the obsolete religious justification of violence which consisted in the recognition of the supernatural personality of the God-ordained ruler ('there is no power but of God') has been superseded by the 'scientific' justification which puts forward, first, the assertion that because the coercion of man by man has existed in all ages, it follows that such coercion must continue to exist. This assertion that people should continue to live as they have done throughout past ages rather than as their reason and conscience indicate, is what 'science' calls 'the historic law'. A further 'scientific' justification lies in the statement that as among plants and wild beasts there is a constant struggle for existence which always results in the survival of the fittest, a similar struggle should be carried on among human beings—beings, that is, who are gifted with intelligence and love; faculties lacking in the creatures subject to the struggle for existence and survival of the fittest. Such is the second 'scientific' justification. The third, most important, and unfortunately most widespread justification is, at bottom, the age-old religious one just a little altered: that in public life the suppression of some for the protection of the majority cannot be avoided—so that coercion is unavoidable however desirable reliance on love alone might be in human intercourse. The only difference in this justification by pseudo-science consists in the fact that, to the question why such and such people and not others have the right to decide against whom violence may and must be used, pseudo-science now gives a different reply to that given by religion—which declared that the right to decide was valid because it was pronounced by persons possessed of divine power. 'Science' says that these decisions represent the will of the people, which under a constitutional form of government is supposed to find expression in all the decisions and actions of those who are at the helm at the moment. Such are the scientific justifications of the principle of coercion. They are not merely weak but absolutely invalid, yet they are so much needed by those who occupy privileged positions that they believe in them as blindly as they formerly believed in the immaculate conception, and propagate them just as confidently. And the unfortunate majority of men bound to toil is so dazzled by the pomp with which these 'scientific truths' are presented, that under this new influence it accepts these scientific stupidities for holy truth, just as it formerly accepted the pseudo-religious justifications; and it continues to submit to the present holders of power who are just as hard-hearted but rather more numerous than before. VWho am I? I am that which thou hast searched for since thy baby eyes gazed wonderingly upon the world, whose horizon hides this real life from thee. I am that which in thy heart thou hast prayed for, demanded as thy birthright, although thou hast not known what it was. I am that which has lain in thy soul for hundreds and thousands of years. Sometimes I lay in thee grieving because thou didst not recognize me; sometimes I raised my head, opened my eyes, and extended my arms calling thee either tenderly and quietly, or strenuously, demanding that thou shouldst rebel against the iron chains which bound thee to the earth. KRISHNA. So matters went on, and still go on, in the Christian world. But we might have hope that in the immense Brahman, Buddhist, and Confucian worlds this new scientific superstition would not establish itself, and that the Chinese, Japanese, and Hindus, once their eyes were opened to the religious fraud justifying violence, would advance directly to a recognition of the law of love inherent in humanity, and which had been so forcibly enunciated by the great Eastern teachers. But what has happened is that the scientific superstition replacing the religious one has been accepted and secured a stronger and stronger hold in the East. In your periodical you set out as the basic principle which should guide the actions of your people the maxim that: 'Resistance to aggression is not simply justifiable but imperative, nonresistance hurts both Altruism and Egotism.' Love is the only way to rescue humanity from all ills, and in it you too have the only method of saving your people from enslavement. In very ancient times love was proclaimed with special strength and clearness among your people to be the religious basis of human life. Love, and forcible resistance to evil-doers, involve such a mutual contradiction as to destroy utterly the whole sense and meaning of the conception of love. And what follows? With a light heart and in the twentieth century you, an adherent of a religious people, deny their law, feeling convinced of your scientific enlightenment and your right to do so, and you repeat (do not take this amiss) the amazing stupidity indoctrinated in you by the advocates of the use of violence—the enemies of truth, the servants first of theology and then of science—your European teachers. You say that the English have enslaved your people and hold them in subjection because the latter have not resisted resolutely enough and have not met force by force. But the case is just the opposite. If the English have enslaved the people of India it is just because the latter recognized, and still recognize, force as the fundamental principle of the social order. In accord with that principle they submitted to their little rajahs, and on their behalf struggled against one another, fought the Europeans, the English, and are now trying to fight with them again. A commercial company enslaved a nation comprising two hundred millions. Tell this to a man free from superstition and he will fail to grasp what these words mean. What does it mean that thirty thousand men, not athletes but rather weak and ordinary people, have subdued two hundred million vigorous, clever, capable, and freedom-loving people? Do not the figures make it clear that it is not the English who have enslaved the Indians, but the Indians who have enslaved themselves? When the Indians complain that the English have enslaved them it is as if drunkards complained that the spirit-dealers who have settled among them have enslaved them. You tell them that they might give up drinking, but they reply that they are so accustomed to it that they cannot abstain, and that they must have alcohol to keep up their energy. Is it not the same thing with the millions of people who submit to thousands' or even to hundreds, of others—of their own or other nations? If the people of India are enslaved by violence it is only because they themselves live and have lived by violence, and do not recognize the eternal law of love inherent in humanity. Pitiful and foolish is the man who seeks what he already has, and does not know that he has it. Yes, Pitiful and foolish is he who does not know the bliss of love which surrounds him and which I have given him. KRISHNA. As soon as men live entirely in accord with the law of love natural to their hearts and now revealed to them, which excludes all resistance by violence, and therefore hold aloof from all participation in violence—as soon as this happens, not only will hundreds be unable to enslave millions, but not even millions will be able to enslave a single individual. Do not resist the evil-doer and take no part in doing so, either in the violent deeds of the administration, in the law courts, the collection of taxes, or above all in soldiering, and no one in the world will be able to enslave you. VIO ye who sit in bondage and continually seek and pant for freedom, seek only for love. Love is peace in itself and peace which gives complete satisfaction. I am the key that opens the portal to the rarely discovered land where contentment alone is found. KRISHNA. What is now happening to the people of the East as of the West is like what happens to every individual when he passes from childhood to adolescence and from youth to manhood. He loses what had hitherto guided his life and lives without direction, not having found a new standard suitable to his age, and so he invents all sorts of occupations, cares, distractions, and stupefactions to divert his attention from the misery and senselessness of his life. Such a condition may last a long time. When an individual passes from one period of life to another a time comes when he cannot go on in senseless activity and excitement as before, but has to understand that although he has outgrown what before used to direct him, this does not mean that he must live without any reasonable guidance, but rather that he must formulate for himself an understanding of life corresponding to his age, and having elucidated it must be guided by it. And in the same way a similar time must come in the growth and development of humanity. I believe that such a time has now arrived—not in the sense that it has come in the year 1908, but that the inherent contradiction of human life has now reached an extreme degree of tension: on the one side there is the consciousness of the beneficence of the law of love, and on the other the existing order of life which has for centuries occasioned an empty, anxious, restless, and troubled mode of life, conflicting as it does with the law of love and built on the use of violence. This contradiction must be faced, and the solution will evidently not be favourable to the outlived law of violence, but to the truth which has dwelt in the hearts of men from remote antiquity: the truth that the law of love is in accord with the nature of man. But men can only recognize this truth to its full extent when they have completely freed themselves from all religious and scientific superstitions and from all the consequent misrepresentations and sophistical distortions by which its recognition has been hindered for centuries. To save a sinking ship it is necessary to throw overboard the ballast, which though it may once have been needed would now cause the ship to sink. And so it is with the scientific superstition which hides the truth of their welfare from mankind. In order that men should embrace the truth—not in the vague way they did in childhood, nor in the one-sided and perverted way presented to them by their religious and scientific teachers, but embrace it as their highest law—the complete liberation of this truth from all and every superstition (both pseudo-religious and pseudo-scientific) by which it is still obscured is essential: not a partial, timid attempt, reckoning with traditions sanctified by age and with the habits of the people—not such as was effected in the religious sphere by Guru-Nanak, the founder of the sect of the Sikhs, and in the Christian world by Luther, and by similar reformers in other religions—but a fundamental cleansing of religious consciousness from all ancient religious and modern scientific superstitions. If only people freed themselves from their beliefs in all kinds of Ormuzds, Brahmas, Sabbaoths, and their incarnation as Krishnas and Christs, from beliefs in Paradises and Hells, in reincarnations and resurrections, from belief in the interference of the Gods in the external affairs of the universe, and above all, if they freed themselves from belief in the infallibility of all the various Vedas, Bibles, Gospels, Tripitakas, Korans, and the like, and also freed themselves from blind belief in a variety of scientific teachings about infinitely small atoms and molecules and in all the infinitely great and infinitely remote worlds, their movements and origin, as well as from faith in the infallibility of the scientific law to which humanity is at present subjected: the historic law, the economic laws, the law of struggle and survival, and so on—if people only freed themselves from this terrible accumulation of futile exercises of our lower capacities of mind and memory called the 'Sciences', and from the innumerable divisions of all sorts of histories, anthropologies, homiletics, bacteriologics, jurisprudences, cosmographies, strategies—their name is legion—and freed themselves from all this harmful, stupifying ballast—the simple law of love, natural to man, accessible to all and solving all questions and perplexities, would of itself become clear and obligatory. VIIChildren, look at the flowers at your feet; do not trample upon them. Look at the love in your midst and do not repudiate it. KRISHNA. There is a higher reason which transcends all human minds. It is far and near. It permeates all the worlds and at the same time is infinitely higher than they. A man who sees that all things are contained in the higher spirit cannot treat any being with contempt. For him to whom all spiritual beings are equal to the highest there can be no room for deception or grief. Those who are ignorant and are devoted to the religious rites only, are in a deep gloom, but those who are given up to fruitless meditations are in a still greater darkness. UPANISHADS, FROM VEDAS. Yes, in our time all these things must be cleared away in order that mankind may escape from self-inflicted calamities that have reached an extreme intensity. Whether an Indian seeks liberation from subjection to the English, or anyone else struggles with an oppressor either of his own nationality or of another—whether it be a Negro defending himself against the North Americans; or Persians, Russians, or Turks against the Persian, Russian, or Turkish governments, or any man seeking the greatest welfare for himself and for everybody else—they do not need explanations and justifications of old religious superstitions such as have been formulated by your Vivekanandas, Baba Bharatis, and others, or in the Christian world by a number of similar interpreters and exponents of things that nobody needs; nor the innumerable scientific theories about matters not only unnecessary but for the most part harmful. (In the spiritual realm nothing is indifferent: what is not useful is harmful.) What are wanted for the Indian as for the Englishman, the Frenchman, the German, and the Russian, are not Constitutions and Revolutions, nor all sorts of Conferences and Congresses, nor the many ingenious devices for submarine navigation and aerial navigation, nor powerful explosives, nor all sorts of conveniences to add to the enjoyment of the rich, ruling classes; nor new schools and universities with innumerable faculties of science, nor an augmentation of papers and books, nor gramophones and cinematographs, nor those childish and for the most part corrupt stupidities termed art—but one thing only is needful: the knowledge of the simple and clear truth which finds place in every soul that is not stupefied by religious and scientific superstitions—the truth that for our life one law is valid—the law of love, which brings the highest happiness to every individual as well as to all mankind. Free your minds from those overgrown, mountainous imbecilities which hinder your recognition of it, and at once the truth will emerge from amid the pseudo-religious nonsense that has been smothering it: the indubitable, eternal truth inherent in man, which is one and the same in all the great religions of the world. It will in due time emerge and make its way to general recognition, and the nonsense that has obscured it will disappear of itself, and with it will go the evil from which humanity now suffers. Children, look upwards with your beclouded eyes, and a world full of joy and love will disclose itself to you, a rational world made by My wisdom, the only real world. Then you will know what love has done with you, what love has bestowed upon you, what love demands from you. KRISHNA. YASNAYA POLYANA. December 14th, 1908. 2/4/2023 0 Comments The namesake by jhumpa lahira
The Namesake is a novel about Gogol Ganguli, an Indian-American who struggles with his name and the traditions of his family. He's embarrassed by them in front of his American friends but eventually grows to appreciate what they went through when moving here.
The Namesake Jhumpa Lahiri EXTRAORDINARY PRAISE FOR THE NAMESAKE "Extraordinary ... an insightful and descriptive take on family, tradition, and self- acceptance ... Jhumpa Lahiri is an accomplished novelist of the first rank." -- San Diego Union-Tribune "Memorable fiction ... Lahiri's gift is for shrewd insight into character done up in elegantly understated prose ... Astringent and clear-eyed in thought, vivid in its portraiture, attuned to American particulars and universal yearnings." -- Newsday "A moving first novel ... Lahiri writes beautifully controlled prose." —San Francisco Chronicle "Lahiri's writing is assured and patient, inspiring immediate confidence that we are in trustworthy hands. Lahiri beautifully conveys the émigré's disorientation, nostalgia, and yearning for tastes, smells, and customs left behind." —Los Angeles Times Book Review "Poignant ... A novel of exquisite and subtle tension, spanning two generations and continents and a plethora of emotional compromises in between ... The Namesake is a story of guilt and liberation; it speaks to the universal struggle to extricate ourselves from the past—from family and obligation and the curse of history." —Boston Globe "Quietly dazzling ... The Namesake is that rare thing: an intimate, closely observed family portrait that effortlessly and discreetly unfolds to disclose a capacious social vision . . . a debut novel that is as assured and eloquent as the work of a longtime master of the craft." —New York Times "This novel powerfully depicts the universal pull of family traditions." -- Lifetime "Lahiri's graceful first novel more than ful.lls the promise of her Pulitzer- winning story collection ... The exquisitely detailed saga of the Ganguli family ... becomes the classic story of American immigration and assimilation." —Entertainment Weekly "The Namesake ... confirms what her first book suggested—that she's a writer of uncommon grace and sympathy." —San Jose Mercury News "Lahiri handles issues of assimilation and belonging with her trademark mix of quiet observation and heartbreaking honesty ... the casual beauty of the writing keeps the pages turning." —Elle "Written in an elegant hush—even upon rereading, there isn't a single burned raisin in the mix." —New York Times Book Review "This tale of aspiration and double identity is far more authentic and lavishly imagined than many other young writers' best work." —Time Out New York "Hugely appealing ... Gracefully written and filled with wellobserved details, Lahiri's novel—like her hero—manages to bridge two very different societies and to give us the absolute best of both." —People "Lahiri is an intuitive writer ... her gift is a power of sympathy." — The Nation "This eagerly anticipated debut novel deftly expands on Lahiri's signature themes of love, solitude, and cultural disorientation." — Harper's Bazaar "A full flowering of her talent ... beautifully rendered ... Lahiri displays the knowingness of the native with the newcomer's openness to every detail." -- New York "The Namesake does such a remarkable job of depicting the importance of family and how people cope in unfamiliar terrain that it is one of the best works of fiction published this year." —Seattle Times "Achingly artful, Lahiri's first novel showcases her prodigious gifts." -- Baltimore Sun "A book to savor, certainly one of the best of the year, and further proof that this immensely talented writer's prizewinning ways are far from over." —Atlanta Journal-Constitution "A poignant, beautifully crafted tale of culture shock ... Reading it, anyone will understand how it feels to be a cultural outsider." —Fort Worth Morning Star-Telegram "A fine novel from a superb writer." —Washington Post "Emotionally charged and deeply poignant, Lahiri's tale provides panoramic views of her characters' lives." —Philadelphia Inquirer "An enjoyably old-fashioned novel ... written in clear, quietly elegant prose ... A gifted storyteller, Lahiri has proven her literary mettle." —Raleigh News and Observer "The Namesake is a quietly moving first novel ... Intensely absorbing ... locates the universality in precisely evoked individuality." —Columbus Dispatch "Against all that is irrational and inevitable about life, Lahiri posits the timeless, borderless eloquence and permanence of great writing." —Pittsburgh Post- Gazette "Sparingly beautiful prose ... Lahiri's novel ultimately dramatizes a common experience shared by all people: the search for identity." —Fort Lauderdale Sun-Sentinel "[Lahiri's] simple, understated prose creates an emotional urgency that distinguishes her work from much more cluttered (and less vivid) contemporary fiction." —Town & Country "Lahiri's multiple gifts for storytelling, character development, and delicately precise imagery result in a rare and wonderful tale." —Orlando Sentinel "Lahiri's style in this novel, as in her short fiction, is graceful and beautiful." -- San Antonio Express-News "Readers will find here the same elegant, deceptively simple prose that garnered so much praise for her short stories ... The result is a seemingly quiet, almost undramatic novel whose characters and incidents continue to leap freshly to mind weeks after reading it." —Book Page "A powerful and original voice." —Star Tribune BOOKS BY JHUMPA LAHIRI Interpreter of Maladies The Namesake A MARINER BOOK HOUGHTON MIFFLIN COMPANY BOSTON NEW YORK First Mariner Books edition 2004 Copyright © 2003 by Jhumpa Lahiri All rights reserved For information about permission to reproduce selections from this book, write to Permissions, Houghton Mifflin Company, 215 Park Avenue South, New York, New York 10003. Visit our Web site: www.houghtonmifflinbooks.com. Library of Congress Cataloging-in-Publication Data Lahiri, Jhumpa. The namesake / Jhumpa Lahiri.
ISBN 0-618-48522-8 (pbk.) ISBN 0-395-92721-8
—Fiction. 5. Assimilation (Sociology)—Fiction. 6. Alienation (Social psychology)—Fiction. 7. Gogol, Nikolai Vasilievich, 1809-1852—Appreciation—Fiction. I. Title. ps3562.a3i6n36 2003 813'.54—dc2i 2003041718 Book design by Melissa Lotfy Typefaces: Janson and Serlio Printed in the United States of America MP 10 9 8 7 6 5 4 3 2 1 A portion of this book appeared in slightly different form in The New Yorker. Acknowledgments I wish to thank the John Simon Guggenheim Foundation for its generous support. My deepest thanks also go to Susan Choi, Carin Clevidence, Gita Daneshjoo, Samantha Gillison, Daphne Kalotay, Cressida Leyshon, Heidi Pitlor, Janet Silver, Eric Simonoff, and Jayne Yaffe Kemp. I am indebted to the following books: Nikolai Gogol, by Vladimir Nabokov, and Divided Soul: The Life of Gogol, by Henri Troyat. Quotations from "The Overcoat" are from David Magarshack's translation. For Alberto and Octavio, whom I call by other names The reader should realize himself that it could not have happened otherwise, and that to give him any other name was quite out of the question. —NIKOLAI GOGOL, "The Overcoat" 11968On a sticky august evening two weeks before her due date, Ashima Ganguli stands in the kitchen of a Central Square apartment, combining Rice Krispies and Planters peanuts and chopped red onion in a bowl. She adds salt, lemon juice, thin slices of green chili pepper, wishing there were mustard oil to pour into the mix. Ashima has been consuming this concoction throughout her pregnancy, a humble approximation of the snack sold for pennies on Calcutta sidewalks and on railway platforms throughout India, spilling from newspaper cones. Even now that there is barely space inside her, it is the one thing she craves. Tasting from a cupped palm, she frowns; as usual, there's something missing. She stares blankly at the pegboard behind the countertop where her cooking utensils hang, all slightly coated with grease. She wipes sweat from her face with the free end of her sari. Her swollen feet ache against speckled gray linoleum. Her pelvis aches from the baby's weight. She opens a cupboard, the shelves lined with a grimy yellow-and-white-checkered paper she's been meaning to replace, and reaches for another onion, frowning again as she pulls at its crisp magenta skin. A curious warmth floods her abdomen, followed by a tightening so severe she doubles over, gasping without sound, dropping the onion with a thud on the floor. The sensation passes, only to be followed by a more enduring spasm of discomfort. In the bathroom she discovers, on her underpants, a solid streak of brownish blood. She calls out to her husband, Ashoke, a doctoral candidate in electrical engineering at MIT, who is studying in the bedroom. He leans over a card table; the edge of their bed, two twin mattresses pushed together under a red and purple batik spread, serves as his chair. When she calls out to Ashoke, she doesn't say his name. Ashima never thinks of her husband's name when she thinks of her husband, even though she knows perfectly well what it is. She has adopted his surname but refuses, for propriety's sake, to utter his first. It's not the type of thing Bengali wives do. Like a kiss or caress in a Hindi movie, a husband's name is something intimate and therefore unspoken, cleverly patched over. And so, instead of saying Ashoke's name, she utters the interrogative that has come to replace it, which translates roughly as "Are you listening to me?" At dawn a taxi is called to ferry them through deserted Cambridge streets, up Massachusetts Avenue and past Harvard Yard, to Mount Auburn Hospital. Ashima registers, answering questions about the frequency and duration of the contractions, as Ashoke fills out the forms. She is seated in a wheelchair and pushed through the shining, brightly lit corridors, whisked into an elevator more spacious than her kitchen. On the maternity floor she is assigned to a bed by a window, in a room at the end of the hall. She is asked to remove her Murshidabad silk sari in favor of a flowered cotton gown that, to her mild embarrassment, only reaches her knees. A nurse offers to fold up the sari but, exasperated by the six slippery yards, ends up stuffing the material into Ashima's slate blue suitcase. Her obstetrician, Dr. Ashley, gauntly handsome in a Lord Mountbatten sort of way, with fine sand-colored hair swept back from his temples, arrives to examine her progress. The baby's head is in the proper position, has already begun its descent. She is told that she is still in early labor, three centimeters dilated, beginning to efface. "What does it mean, dilated?" she asks, and Dr. Ashley holds up two fingers side by side, then draws them apart, explaining the unimaginable thing her body must do in order for the baby to pass. The process will take some time, Dr. Ashley tells her; given that this is her first pregnancy, labor can take twenty-four hours, sometimes more. She searches for Ashoke's face, but he has stepped behind the curtain the doctor has drawn. "I'll be back," Ashoke says to her in Bengali, and then a nurse adds: "Don't you worry, Mr. Ganguli. She's got a long ways to go. We can take over from here." Now she is alone, cut off by curtains from the three other women in the room. One woman's name, she gathers from bits of conversation, is Beverly. Another is Lois. Carol lies to her left. "Goddamnit, goddamn you, this is hell," she hears one of them say. And then a man's voice: "I love you, sweetheart." Words Ashima has neither heard nor expects to hear from her own husband; this is not how they are. It is the first time in her life she has slept alone, surrounded by strangers; all her life she has slept either in a room with her parents, or with Ashoke at her side. She wishes the curtains were open, so that she could talk to the American women. Perhaps one of them has given birth before, can tell her what to expect. But she has gathered that Americans, in spite of their public declarations of affection, in spite of their miniskirts and bikinis, in spite of their hand-holding on the street and lying on top of each other on the Cambridge Common, prefer their privacy. She spreads her fingers over the taut, enormous drum her middle has become, wondering where the baby's feet and hands are at this moment. The child is no longer restless; for the past few days, apart from the occasional flutter, she has not felt it punch or kick or press against her ribs. She wonders if she is the only Indian person in the hospital, but a gentle twitch from the baby reminds her that she is, technically speaking, not alone. Ashima thinks it's strange that her child will be born in a place most people enter either to suffer or to die. There is nothing to comfort her in the off-white tiles of the floor, the off-white panels of the ceiling, the white sheets tucked tightly into the bed. In India, she thinks to herself, women go home to their parents to give birth, away from husbands and in-laws and household cares, retreating briefly to childhood when the baby arrives. Another contraction begins, more violent than the last. She cries out, pressing her head against the pillow. Her fingers grip the chilly rails of the bed. No one hears her, no nurse rushes to her side. She has been instructed to time the duration of the contractions and so she consults her watch, a bon voyage gift from her parents, slipped over her wrist the last time she saw them, amid airport confusion and tears. It wasn't until she was on the plane, flying for the first time in her life on a BOAC VC-10 whose deafening ascent twenty-six members of her family had watched from the balcony at Dum Dum Airport, as she was drifting over parts of India she'd never set foot in, and then even farther, outside India itself, that she'd noticed the watch among the cavalcade of matrimonial bracelets on both her arms: iron, gold, coral, conch. Now, in addition, she wears a plastic bracelet with a typed label identifying her as a patient of the hospital. She keeps the watch face turned to the inside of her wrist. On the back, surrounded by the words waterproof, antimagnetic, and shock-protected, her married initials, A.G., are inscribed. American seconds tick on top of her pulse point. For half a minute, a band of pain wraps around her stomach, radiating toward her back and shooting down her legs. And then, again, relief. She calculates the Indian time on her hands. The tip of her thumb strikes each rung of the brown ladders etched onto the backs of her fingers, then stops at the middle of the third: it is nine and a half hours ahead in Calcutta, already evening, half past eight. In the kitchen of her parents' flat on Amherst Street, at this very moment, a servant is pouring after- dinner tea into steaming glasses, arranging Marie biscuits on a tray. Her mother, very soon to be a grandmother, is standing at the mirror of her dressing table, untangling waist-length hair, still more black than gray, with her fingers. Her father hunches over his slanted ink-stained table by the window, sketching, smoking, listening to the Voice of America. Her younger brother, Rana, studies for a physics exam on the bed. She pictures clearly the gray cement floor of her parents' sitting room, feels its solid chill underfoot even on the hottest days. An enormous black-and-white photograph of her deceased paternal grandfather looms at one end against the pink plaster wall; opposite, an alcove shielded by clouded panes of glass is stuffed with books and papers and her father's watercolor tins. For an instant the weight of the baby vanishes, replaced by the scene that passes before her eyes, only to be replaced once more by a blue strip of the Charles River, thick green treetops, cars gliding up and down Memorial Drive. In Cambridge it is eleven in the morning, already lunchtime in the hospital's accelerated day. A tray holding warm apple juice, Jell-O, ice cream, and cold baked chicken is brought to her side. Patty, the friendly nurse with the diamond engagement ring and a fringe of reddish hair beneath her cap, tells Ashima to consume only the Jell-O and the apple juice. It's just as well. Ashima would not have touched the chicken, even if permitted; Americans eat their chicken in its skin, though Ashima has recently found a kind butcher on Prospect Street willing to pull it off for her. Patty comes to fluff the pillows, tidy the bed. Dr. Ashley pokes in his head from time to time. "No need to worry," he chirps, putting a stethoscope to Ashima's belly, patting her hand, admiring her various bracelets. "Everything is looking perfectly normal. We are expecting a perfectly normal delivery, Mrs. Ganguli." But nothing feels normal to Ashima. For the past eighteen months, ever since she's arrived in Cambridge, nothing has felt normal at all. It's not so much the pain, which she knows, somehow, she will survive. It's the consequence: motherhood in a foreign land. For it was one thing to be pregnant, to suffer the queasy mornings in bed, the sleepless nights, the dull throbbing in her back, the countless visits to the bathroom. Throughout the experience, in spite of her growing discomfort, she'd been astonished by her body's ability to make life, exactly as her mother and grandmother and all her great-grandmothers had done. That it was happening so far from home, unmonitored and unobserved by those she loved, had made it more miraculous still. But she is terrified to raise a child in a country where she is related to no one, where she knows so little, where life seems so tentative and spare. "How about a little walk? It might do you good," Patty asks when she comes to clear the lunch tray. Ashima looks up from a tattered copy of Desh magazine that she'd brought to read on her plane ride to Boston and still cannot bring herself to throw away. The printed pages of Bengali type, slightly rough to the touch, are a perpetual comfort to her. She's read each of the short stories and poems and articles a dozen times. There is a pen-and-ink drawing on page eleven by her father, an illustrator for the magazine: a view of the North Calcutta skyline sketched from the roof of their flat one foggy January morning. She had stood behind her father as he'd drawn it, watching as he crouched over his easel, a cigarette dangling from his lips, his shoulders wrapped in a black Kashmiri shawl. "Yes, all right," Ashima says. Patty helps Ashima out of bed, tucks her feet one by one into slippers, drapes a second nightgown around her shoulders. "Just think," Patty says as Ashima struggles to stand. "In a day or two you'll be half the size." She takes Ashima's arm as they step out of the room, into the hallway. After a few feet Ashima stops, her legs trembling as another wave of pain surges through her body. She shakes her head, her eyes filling with tears. "I cannot." "You can. Squeeze my hand. Squeeze as tight as you like." After a minute they continue on, toward the nurses' station. "Hoping for a boy or a girl?" Patty asks. "As long as there are ten finger and ten toe," Ashima replies. For these anatomical details, these particular signs of life, are the ones she has the most difficulty picturing when she imagines the baby in her arms. Patty smiles, a little too widely, and suddenly Ashima realizes her error, knows she should have said "fingers" and "toes." This error pains her almost as much as her last contraction. English had been her subject. In Calcutta, before she was married, she was working toward a college degree. She used to tutor neighborhood schoolchildren in their homes, on their verandas and beds, helping them to memorize Tennyson and Wordsworth, to pronounce words like sign and cough, to understand the difference between Aristotelian and Shakespearean tragedy. But in Bengali, a finger can also mean fingers, a toe toes. It had been after tutoring one day that Ashima's mother had met her at the door, told her to go straight to the bedroom and prepare herself; a man was waiting to see her. He was the third in as many months. The first had been a widower with four children. The second, a newspaper cartoonist who knew her father, had been hit by a bus in Esplanade and lost his left arm. To her great relief they had both rejected her. She was nineteen, in the middle of her studies, in no rush to be a bride. And so, obediently but without expectation, she had untangled and rebraided her hair, wiped away the kohl that had smudged below her eyes, patted some Cuticura powder from a velvet puff onto her skin. The sheer parrot green sari she pleated and tucked into her petticoat had been laid out for her on the bed by her mother. Before entering the sitting room, Ashima had paused in the corridor. She could hear her mother saying, "She is fond of cooking, and she can knit extremely well. Within a week she finished this cardigan I am wearing." Ashima smiled, amused by her mother's salesmanship; it had taken her the better part of a year to finish the cardigan, and still her mother had had to do the sleeves. Glancing at the floor where visitors customarily removed their slippers, she noticed, beside two sets of chappals, a pair of men's shoes that were not like any she'd ever seen on the streets and trams and buses of Calcutta, or even in the windows of Bata. They were brown shoes with black heels and off-white laces and stitching. There was a band of lentil-sized holes embossed on either side of each shoe, and at the tips was a pretty pattern pricked into the leather as if with a needle. Looking more closely, she saw the shoemaker's name written on the insides, in gold lettering that had all but faded: something and sons, it said. She saw the size, eight and a half, and the initials U.S.A. And as her mother continued to sing her praises, Ashima, unable to resist a sudden and overwhelming urge, stepped into the shoes at her feet. Lingering sweat from the owner's feet mingled with hers, causing her heart to race; it was the closest thing she had ever experienced to the touch of a man. The leather was creased, heavy, and still warm. On the left shoe she had noticed that one of the crisscrossing laces had missed a hole, and this oversight set her at ease. She extracted her feet, entered the room. The man was sitting in a rattan chair, his parents perched on the edge of the twin bed where her brother slept at night. He was slightly plump, scholarly-looking but still youthful, with black thick-framed glasses and a sharp, prominent nose. A neatly trimmed mustache connected to a beard that covered only his chin lent him an elegant, vaguely aristocratic air. He wore brown socks and brown trousers and a green-and-white- striped shirt and was staring glumly at his knees. He did not look up when she appeared. Though she was aware of his gaze as she crossed the room, by the time she managed to steal another look at him he was once again indifferent, focused on his knees. He cleared his throat as if to speak but then said nothing. Instead it was his father who did the talking, saying that the man had gone to St. Xavier's, and then B.E. College, graduating first- class-first from both institutions. Ashima took her seat and smoothed the pleats of her sari. She sensed the mother eyeing her with approval. Ashima was five feet four inches, tall for a Bengali woman, ninety-nine pounds. Her complexion was on the dark side of fair, but she had been compared on more than one occasion to the actress Madhabi Mukherjee. Her nails were admirably long, her fingers, like her father's, artistically slim. They inquired after her studies and she was asked to recite a few stanzas from "The Daffodils." The man's family lived in Alipore. The father was a labor officer for the customs department of a shipping company. "My son has been living abroad for two years," the man's father said, "earning a Ph.D. in Boston, researching in the field of fiber optics." Ashima had never heard of Boston, or of fiber optics. She was asked whether she was willing to fly on a plane and then if she was capable of living in a city characterized by severe, snowy winters, alone. "Won't he be there?" she'd asked, pointing to the man whose shoes she'd briefly occupied, but who had yet to say a word to her. It was only after the betrothal that she'd learned his name. One week later the invitations were printed, and two weeks after that she was adorned and adjusted by countless aunts, countless cousins hovering around her. These were her last moments as Ashima Bhaduri, before becoming Ashima Ganguli. Her lips were darkened, her brow and cheeks dotted with sandalwood paste, her hair wound up, bound with flowers, held in place by a hundred wire pins that would take an hour to remove once the wedding was finally over. Her head was draped with scarlet netting. The air was damp, and in spite of the pins Ashima's hair, thickest of all the cousins', would not lie flat. She wore all the necklaces and chokers and bracelets that were destined to live most of their lives in an extra-large safety deposit box in a bank vault in New England. At the designated hour she was seated on a piri that her father had decorated, hoisted five feet off the ground, carried out to meet the groom. She had hidden her face with a heart-shaped betel leaf, kept her head bent low until she had circled him seven times. Eight thousand miles away in Cambridge, she has come to know him. In the evenings she cooks for him, hoping to please, with the unrationed, remarkably unblemished sugar, flour, rice, and salt she had written about to her mother in her very first letter home. By now she has learned that her husband likes his food on the salty side, that his favorite thing about lamb curry is the potatoes, and that he likes to finish his dinner with a small final helping of rice and dal. At night, lying beside her in bed, he listens to her describe the events of her day: her walks along Massachusetts Avenue, the shops she visits, the Hare Krishnas who pester her with their leaflets, the pistachio ice cream cones she treats herself to in Harvard Square. In spite of his meager graduate student wages he sets aside money to send every few months to his father to help put an extension on his parents' house. He is fastidious about his clothing; their first argument had been over a sweater she'd shrunk in the washing machine. As soon as he comes home from the university the first thing he does is hang up his shirt and trousers, donning a pair of drawstring pajamas and a pullover if it's cold. On Sundays he spends an hour occupied with his tins of shoe polishes and his three pairs of shoes, two black and one brown. The brown ones are the ones he'd been wearing when he'd first come to see her. The sight of him cross-legged on newspapers spread on the floor, intently whisking a brush over the leather, always reminds her of her indiscretion in her parents' corridor. It is a moment that shocks her still, and that she prefers, in spite of all she tells him at night about the life they now share, to keep to herself. On another floor of the hospital, in a waiting room, Ashoke hunches over a Boston Globe from a month ago, abandoned on a neighboring chair. He reads about the riots that took place during the Democratic National Convention in Chicago and about Dr. Benjamin Spock, the baby doctor, being sentenced to two years in jail for threatening to counsel draft evaders. The Favre Leuba strapped to his wrist is running six minutes ahead of the large gray-faced clock on the wall. It is four-thirty in the morning. An hour before, Ashoke had been fast asleep, at home, Ashima's side of the bed covered with exams he'd been grading late at night, when the telephone rang. Ashima was fully dilated and being taken to the delivery room, the person on the other end had said. Upon arrival at the hospital he was told that she was pushing, that it could be any minute now. Any minute. And yet it seemed only the other day, one steel-colored winter's morning when the windows of the house were being pelted with hail, that she had spit out her tea, accusing him of mistaking the salt for sugar. To prove himself right he had taken a sip of the sweet liquid from her cup, but she had insisted on its bitterness, and poured it down the sink. That was the first thing that had caused her to suspect, and then the doctor had confirmed it, and then he would wake to the sounds, every morning when she went to brush her teeth, of her retching. Before he left for the university he would leave a cup of tea by the side of the bed, where she lay listless and silent. Often, returning in the evenings, he would find her still lying there, the tea untouched. He now desperately needs a cup of tea for himself, not having managed to make one before leaving the house. But the machine in the corridor dispenses only coffee, tepid at best, in paper cups. He takes off his thick-rimmed glasses, fitted by a Calcutta optometrist, polishes the lenses with the cotton handkerchief he always keeps in his pocket, A for Ashoke embroidered by his mother in light blue thread. His black hair, normally combed back neatly from his forehead, is disheveled, sections of it on end. He stands and begins pacing as the other expectant fathers do. So far, the door to the waiting room has opened twice, and a nurse has announced that one of them has a boy or a girl. There are handshakes all around, pats on the back, before the father is escorted away. The men wait with cigars, flowers, address books, bottles of champagne. They smoke cigarettes, ashing onto the floor. Ashoke is indifferent to such indulgences. He neither smokes nor drinks alcohol of any kind. Ashima is the one who keeps all their addresses, in a small notebook she carries in her purse. It has never occurred to him to buy his wife flowers. He returns to the Globe, still pacing as he reads. A slight limp causes Ashoke's right foot to drag almost imperceptibly with each step. Since childhood he has had the habit and the ability to read while walking, holding a book in one hand on his way to school, from room to room in his parents' three-story house in Alipore, and up and down the red clay stairs. Nothing roused him. Nothing distracted him. Nothing caused him to stumble. As a teenager he had gone through all of Dickens. He read newer authors as well, Graham Greene and Somerset Maugham, all purchased from his favorite stall on College Street with pujo money. But most of all he loved the Russians. His paternal grandfather, a former professor of European literature at Calcutta University, had read from them aloud in English translations when Ashoke was a boy. Each day at tea time, as his brothers and sisters played kabadi and cricket outside, Ashoke would go to his grandfather's room, and for an hour his grandfather would read supine on the bed, his ankles crossed and the book propped open on his chest, Ashoke curled at his side. For that hour Ashoke was deaf and blind to the world around him. He did not hear his brothers and sisters laughing on the rooftop, or see the tiny, dusty, cluttered room in which his grandfather read. "Read all the Russians, and then reread them," his grandfather had said. "They will never fail you." When Ashoke's English was good enough, he began to read the books himself. It was while walking on some of the world's noisiest, busiest streets, on Chowringhee and Gariahat Road, that he had read pages of The Brothers Karamazov, and Anna Karenina, and Fathers and Sons. Once, a younger cousin who had tried to imitate him had fallen down the red clay staircase in Ashoke's house and broken an arm. Ashoke's mother was always convinced that her eldest son would be hit by a bus or a tram, his nose deep into War and Peace. That he would be reading a book the moment he died. One day, in the earliest hours of October 20, 1961, this nearly happened. Ashoke was twenty-two, a student at B.E. College. He was traveling on the 83 Up Howrah-Ranchi Express to visit his grandparents for the holidays; they had moved from Calcutta to Jamshedpur upon his grandfather's retirement from the university. Ashoke had never spent the holidays away from his family. But his grandfather had recently gone blind, and he had requested Ashoke's company specifically, to read him The Statesman in the morning, Dostoyevsky and Tolstoy in the afternoon. Ashoke accepted the invitation eagerly. He carried two suitcases, the first one containing clothes and gifts, the second empty. For it would be on this visit, his grandfather had said, that the books in his glass- fronted case, collected over a lifetime and preserved under lock and key, would be given to Ashoke. The books had been promised to Ashoke throughout his childhood, and for as long as he could remember he had coveted them more than anything else in the world. He had already received a few in recent years, given to him on birthdays and other special occasions. But now that the day had come to inherit the rest, a day his grandfather could no longer read the books himself, Ashoke was saddened, and as he placed the empty suitcase under his seat, he was disconcerted by its weightlessness, regretful of the circumstances that would cause it, upon his return, to be full. He carried a single volume for the journey, a hardbound collection of short stories by Nikolai Gogol, which his grandfather had given him when he'd graduated from class twelve. On the title page, beneath his grandfather's signature, Ashoke had written his own. Because of Ashoke's passion for this particular book, the spine had recently split, threatening to divide the pages into two sections. His favorite story in the book was the last, "The Overcoat," and that was the one Ashoke had begun to reread as the train pulled out of Howrah Station late in the evening with a prolonged and deafening shriek, away from his parents and his six younger brothers and sisters, all of whom had come to see him off and had huddled until the last moment by the window, waving to him from the long dusky platform. He had read "The Overcoat" too many times to count, certain sentences and phrases embedded in his memory. Each time he was captivated by the absurd, tragic, yet oddly inspiring story of Akaky Akakyevich, the impoverished main character who spends his life meekly copying documents written by others and suffering the ridicule of absolutely everyone. His heart went out to poor Akaky, a humble clerk just as Ashoke's father had been at the start of his career. Each time, reading the account of Akaky's christening, and the series of queer names his mother had rejected, Ashoke laughed aloud. He shuddered at the description of the tailor Petrovich's big toe, "with its deformed nail as thick and hard as the shell of a tortoise." His mouth watered at the cold veal and cream pastries and champagne Akaky consumed the night his precious coat was stolen, in spite of the fact that Ashoke had never tasted these things himself. Ashoke was always devastated when Akaky was robbed in "a square that looked to him like a dreadful desert," leaving him cold and vulnerable, and Akaky's death, some pages later, never failed to bring tears to his eyes. In some ways the story made less sense each time he read it, the scenes he pictured so vividly, and absorbed so fully, growing more elusive and profound. Just as Akaky's ghost haunted the final pages, so did it haunt a place deep in Ashoke's soul, shedding light on all that was irrational, all that was inevitable about the world. Outside the view turned quickly black, the scattered lights of Howrah giving way to nothing at all. He had a second-class sleeper in the seventh bogie, behind the air-conditioned coach. Because of the season, the train was especially crowded, especially raucous, filled with families on holiday. Small children were wearing their best clothing, the girls with brightly colored ribbons in their hair. Though he had had his dinner before leaving for the station, a four-layer tiffin carrier packed by his mother sat at his feet, in the event that hunger should attack him in the night. He shared his compartment with three others. There was a middle-aged Bihari couple who, he gathered from overhearing their conversation, had just married off their eldest daughter, and a friendly, potbellied, middle-aged Bengali businessman wearing a suit and tie, by the name of Ghosh. Ghosh told Ashoke that he had recently returned to India after spending two years in England on a job voucher, but that he had come back home because his wife was inconsolably miserable abroad. Ghosh spoke reverently of England. The sparkling, empty streets, the polished black cars, the rows of gleaming white houses, he said, were like a dream. Trains departed and arrived according to schedule, Ghosh said. No one spat on the sidewalks. It was in a British hospital that his son had been born. "Seen much of this world?" Ghosh asked Ashoke, untying his shoes and settling himself cross-legged on the berth. He pulled a packet of Dunhill cigarettes from his jacket pocket, offering them around the compartment before lighting one for himself. "Once to Delhi," Ashoke replied. "And lately once a year to Jamshedpur." Ghosh extended his arm out the window, flicking the glowing tip of his cigarette into the night. "Not this world," he said, glancing disappointedly about the interior of the train. He tilted his head toward the window. "England. America," he said, as if the nameless villages they passed had been replaced by those countries. "Have you considered going there?" "My professors mention it from time to time. But I have a family," Ashoke said. Ghosh frowned. "Already married?" "No. A mother and father and six siblings. I am the eldest." "And in a few years you will be married and living in your parents' house," Ghosh speculated. "I suppose." Ghosh shook his head. "You are still young. Free," he said, spreading his hands apart for emphasis. "Do yourself a favor. Before it's too late, without thinking too much about it first, pack a pillow and a blanket and see as much of the world as you can. You will not regret it. One day it will be too late." "My grandfather always says that's what books are for," Ashoke said, using the opportunity to open the volume in his hands. "To travel without moving an inch." "To each his own," Ghosh said. He tipped his head politely to one side, letting the last of the cigarette drop from his fingertips. He reached into a bag by his feet and took out his diary, turning to the twentieth of October. The page was blank and on it, with a fountain pen whose cap he ceremoniously unscrewed, he wrote his name and address. He ripped out the page and handed it to Ashoke. "If you ever change your mind and need contacts, let me know. I live in Tollygunge, just behind the tram depot." "Thank you," Ashoke said, folding up the information and putting it at the back of his book. "How about a game of cards?" Ghosh suggested. He pulled out a well-worn deck from his suit pocket, with Big Ben's image on the back. But Ashoke politely declined, for he knew no card games, and besides which, he preferred to read. One by one the passengers brushed their teeth in the vestibule, changed into their pajamas, fastened the curtain around their compartments, and went to sleep. Ghosh offered to take the upper berth, climbing barefoot up the ladder, his suit carefully folded away, so that Ashoke had the window to himself. The Bihari couple shared some sweets from a box and drank water from the same cup without either of them putting their lips to the rim, then settled into their berths as well, switching off the lights and turning their heads to the wall. Only Ashoke continued to read, still seated, still dressed. A single small bulb glowed dimly over his head. From time to time he looked through the open window at the inky Bengal night, at the vague shapes of palm trees and the simplest of homes. Carefully he turned the soft yellow pages of his book, a few delicately tunneled by worms. The steam engine puffed reassuringly, powerfully. Deep in his chest he felt the rough jostle of the wheels. Sparks from the smokestack passed by his window. A fine layer of sticky soot dotted one side of his face, his eyelid, his arm, his neck; his grandmother would insist that he scrub himself with a cake of Margo soap as soon as he arrived. Immersed in the sartorial plight of Akaky Akakyevich, lost in the wide, snow-white, windy avenues of St. Petersburg, unaware that one day he was to dwell in a snowy place himself, Ashoke was still reading at two-thirty in the morning, one of the few passengers on the train who was awake, when the locomotive engine and seven bogies derailed from the broad-gauge line. The sound was like a bomb exploding. The first four bogies capsized into a depression alongside the track. The fifth and sixth, containing the first-class and air-conditioned passengers, telescoped into each other, killing the passengers in their sleep. The seventh, where Ashoke was sitting, capsized as well, flung by the speed of the crash farther into the field. The accident occurred 209 kilometers from Calcutta, between the Ghatshila and Dhalbumgarh stations. The train guard's portable phone would not work; it was only after the guard ran nearly five kilometers from the site of the accident, to Ghatshila, that he was able to transmit the first message for help. Over an hour passed before the rescuers arrived, bearing lanterns and shovels and axes to pry bodies from the cars. Ashoke can still remember their shouts, asking if anyone was alive. He remembers trying to shout back, unsuccessfully, his mouth emitting nothing but the faintest rasp. He remembers the sound of people half-dead around him, moaning and tapping on the walls of the train, whispering hoarsely for help, words that only those who were also trapped and injured could possibly hear. Blood drenched his chest and the right arm of his shirt. He had been thrust partway out the window. He remembers being unable to see anything at all; for the first hours he thought that perhaps, like his grandfather whom he was on his way to visit, he'd gone blind. He remembers the acrid odor of flames, the buzzing of flies, children crying, the taste of dust and blood on his tongue. They were nowhere, somewhere in a field. Milling about them were villagers, police inspectors, a few doctors. He remembers believing that he was dying, that perhaps he was already dead. He could not feel the lower half of his body, and so was unaware that the mangled limbs of Ghosh were draped over his legs. Eventually he saw the cold, unfriendly blue of earliest morning, the moon and a few stars still lingering in the sky. The pages of his book, which had been tossed from his hand, fluttered in two sections a few feet away from the train. The glare from a search lantern briefly caught the pages, momentarily distracting one of the rescuers. "Nothing here," Ashoke heard someone say. "Let's keep going." But the lantern's light lingered, just long enough for Ashoke to raise his hand, a gesture that he believed would consume the small fragment of life left in him. He was still clutching a single page of "The Overcoat," crumpled tightly in his fist, and when he raised his hand the wad of paper dropped from his fingers. "Wait!" he heard a voice cry out. "The fellow by that book. I saw him move." He was pulled from the wreckage, placed on a stretcher, transported on another train to a hospital in Tatanagar. He had broken his pelvis, his right femur, and three of his ribs on the right side. For the next year of his life he lay flat on his back, ordered to keep as still as possible as the bones of his body healed. There was a risk that his right leg might be perma nently paralyzed. He was transferred to Calcutta Medical College, where two screws were put into his hips. By December he had returned to his parents' house in Alipore, carried through the courtyard and up the red clay stairs like a corpse, hoisted on the shoulders of his four brothers. Three times a day he was spoon-fed. He urinated and defecated into a tin pan. Doctors and visitors came and went. Even his blind grandfather from Jamshedpur paid a visit. His family had saved the newspaper accounts. In a photograph, he observed the train smashed to shards, piled jaggedly against the sky, security guards sitting on the unclaimed belongings. He learned that fishplates and bolts had been found several feet from the main track, giving rise to the suspicion, never subsequently confirmed, of sabotage. That bodies had been mutilated beyond recognition. "Holiday-Makers' Tryst with Death," the Times of India had written. In the beginning, for most of the day, he had stared at his bedroom ceiling, at the three beige blades of the fan churning at its center, their edges grimy. He could hear the top edge of a calendar scraping against the wall behind him when the fan was on. If he moved his neck to the right he had a view of a window with a dusty bottle of Dettol on its ledge and, if the shutters were open, the concrete of the wall that surrounded the house, the pale brown geckos that scampered there. He listened to the constant parade of sounds outside, footsteps, bicycle bells, the incessant squawking of crows and of the horns of cycle rickshaws in the lane so narrow that taxis could not fit. He heard the tube well at the corner being pumped into urns. Every evening at dusk he heard a conch shell being blown in the house next door to signal the hour for prayer. He could smell but not see the shimmering green sludge that collected in the open sewer. Life within the house continued. His father came and went from work, his brothers and sisters from school. His mother worked in the kitchen, checking in on him periodically, her lap stained with turmeric. Twice daily the maid twisted rags into buckets of water and wiped the floors. During the day he was groggy from painkillers. At night he dreamed either that he was still trapped inside the train or, worse, that the accident had never happened, that he was walking down a street, taking a bath, sitting cross-legged on the floor and eating a plate of food. And then he would wake up, coated in sweat, tears streaming down his face, convinced that he would never live to do such things again. Eventually, in an attempt to avoid his nightmares, he began to read, late at night, which was when his motionless body felt most restless, his mind agile and clear. Yet he refused to read the Russians his grandfather had brought to his bedside, or any novels, for that matter. Those books, set in countries he had never seen, reminded him only of his confinement. Instead he read his engineering books, trying his best to keep up with his courses, solving equations by flashlight. In those silent hours, he thought often of Ghosh. "Pack a pillow and a blanket," he heard Ghosh say. He remembered the address Ghosh had written on a page of his diary, somewhere behind the tram depot in Tollygunge. Now it was the home of a widow, a fatherless son. Each day, to bolster his spirits, his family reminded him of the future, the day he would stand unassisted, walk across the room. It was for this, each day, that his father and mother prayed. For this that his mother gave up meat on Wednesdays. But as the months passed, Ashoke began to envision another sort of future. He imagined not only walking, but walking away, as far as he could from the place in which he was born and in which he had nearly died. The following year, with the aid of a cane, he returned to college and graduated, and without telling his parents he applied to continue his engineering studies abroad. Only after he'd been accepted with a full fellowship, a newly issued passport in hand, did he inform them of his plans. "But we already nearly lost you once," his bewildered father had protested. His siblings had pleaded and wept. His mother, speechless, had refused food for three days. In spite of all that, he'd gone. Seven years later, there are still certain images that wipe him flat. They lurk around a corner as he rushes through the engineering department at MIT, checks his campus mail. They hover by his shoulder as he leans over a plate of rice at dinnertime or nestles against Ashima's limbs at night. At every turning point in his life—at his wedding when he stood behind Ashima, encircling her waist and peering over her shoulder as they poured puffed rice into a fire, or during his first hours in America, seeing a small gray city caked with snow—he has tried but failed to push these images away: the twisted, battered, capsized bogies of the train, his body twisted below it, the terrible crunching sound he had heard but not comprehended, his bones crushed as fine as flour. It is not the memory of pain that haunts him; he has no memory of that. It is the memory of waiting before he was rescued, and the persistent fear, rising up in his throat, that he might not have been rescued at all. To this day he is claustrophobic, holding his breath in elevators, feels pent-up in cars unless the windows are open on both sides. On planes he requests the bulkhead seat. At times the wailing of children fills him with deepest dread. At times he still presses his ribs to make sure they are solid. He presses them now, in the hospital, shaking his head in relief, disbelief. Although it is Ashima who carries the child, he, too, feels heavy, with the thought of life, of his life and the life about to come from it. He was raised without running water, nearly killed at twenty-two. Again he tastes the dust on his tongue, sees the twisted train, the giant overturned iron wheels. None of this was supposed to happen. But no, he had survived it. He was born twice in India, and then a third time, in America. Three lives by thirty. For this he thanks his parents, and their parents, and the parents of their parents. He does not thank God; he openly reveres Marx and quietly refuses religion. But there is one more dead soul he has to thank. He cannot thank the book; the book has perished, as he nearly did, in scattered pieces, in the earliest hours of an October day, in a field 209 kilometers from Calcutta. Instead of thanking God he thanks Gogol, the Russian writer who had saved his life, when Patty enters the waiting room. 2The baby, a boy, is born at five past five in the morning. He measures twenty inches long, weighs seven pounds nine ounces. Ashima's initial glimpse, before the cord is clipped and they carry him away, is of a creature coated with a thick white paste, and streaks of blood, her blood, on the shoulders, feet, and head. A needle placed in the small of her back has removed all sensation from her waist to her knees, and given her a blistering headache in the final stages of the delivery. When it is all over she begins to shiver profoundly, as if beset with an acute fever. For half an hour she trembles, in a daze, covered by a blanket, her insides empty, her outside still misshapen. She is unable to speak, to allow the nurses to help exchange her blood-soaked gown for a fresh one. In spite of endless glasses of water, her throat is parched. She is told to sit on a toilet, to squirt warm water from a bottle between her legs. Eventually she is sponged clean, put into a new gown, wheeled into yet another room. The lights are soothingly dim, and there is only one other bed next to hers, empty for the time being. When Ashoke arrives, Patty is taking Ashima's blood pressure, and Ashima is reclining against a pile of pillows, the child wrapped like an oblong white parcel in her arms. Beside the bed is a bassinet, labeled with a card that says BABY BOY GANGULI. "He's here," she says quietly, looking up at Ashoke with a weak smile. Her skin is faintly yellow, the color missing from her lips. She has circles beneath her eyes, and her hair, spilling from its braid, looks as though it has not been combed for days. Her voice is hoarse, as if she'd caught a cold. He pulls up a chair by the side of the bed and Patty helps to transfer the child from mother's to father's arms. In the process, the child pierces the silence in the room with a short-lived cry. His parents react with mutual alarm, but Patty laughs approvingly. "You see," Patty says to Ashima, "he's already getting to know you." Ashoke does as Patty tells him, stretching out his arms, putting one hand below the neck, another below the bottom. "Go on," Patty urges. "He wants to be held tightly. He's stronger than you think." Ashoke lifts the minuscule parcel higher, closer to his chest. "Like this?" "There you go," Patty says. "I'll leave you three alone for a while." At first Ashoke is more perplexed than moved, by the pointiness of the head, the puffiness of the lids, the small white spots on the cheeks, the fleshy upper lip that droops prominently over the lower one. The skin is paler than either Ashima's or his own, translucent enough to show slim green veins at the temples. The scalp is covered by a mass of wispy black hair. He attempts to count the eyelashes. He feels gently through the flannel for the hands and feet. "It's all there," Ashima says, watching her husband. "I already checked." "What are the eyes like? Why won't he open them? Has he opened them?" She nods. "What can he see? Can he see us?" "I think so. But not very clearly. And not in full color. Not yet." They sit in silence, the three of them as still as stones. "How are you feeling? Was it all right?" he asks Ashima. But there is no answer, and when Ashoke lifts his gaze from his son's face he sees that she, too, is sleeping. When he looks back to the child, the eyes are open, staring up at him, unblinking, as dark as the hair on its head. The face is transformed; Ashoke has never seen a more perfect thing. He imagines himself as a dark, grainy, blurry presence. As a father to his son. Again he thinks of the night he was nearly killed, the memory of those hours that have forever marked him flickering and fading in his mind. Being rescued from that shattered train had been the first miracle of his life. But here, now, reposing in his arms, weighing next to nothing but changing everything, is the second. Apart from his father, the baby has three visitors, all Bengali—Maya and Dilip Nandi, a young married couple in Cambridge whom Ashima and Ashoke met a few months ago in the Purity Supreme, and Dr. Gupta, a mathematics postdoc from Dehradun, a bachelor in his fifties, whom Ashoke has befriended in the corridors of MIT. At feeding times the gentlemen, including Ashoke, step out into the hall. Maya and Dilip give the boy a rattle and a baby book, with places for his parents to commemorate every possible aspect of his infancy. There is even a circle in which to paste a few strands from his first haircut. Dr. Gupta gives the boy a handsome illustrated copy of Mother Goose rhymes. "Lucky boy," Ashoke remarks, turning the beautifully sewn pages. "Only hours old and already the owner of books." What a difference, he thinks, from the childhood he has known. Ashima thinks the same, though for different reasons. For as grateful as she feels for the company of the Nandis and Dr. Gupta, these acquaintances are only substitutes for the people who really ought to be surrounding them. Without a single grandparent or parent or uncle or aunt at her side, the baby's birth, like most everything else in America, feels somehow haphazard, only half true. As she strokes and suckles and studies her son, she can't help but pity him. She has never known of a person entering the world so alone, so deprived. Because neither set of grandparents has a working telephone, their only link to home is by telegram, which Ashoke has sent to both sides in Calcutta: "With your blessings, boy and mother fine." As for a name, they have decided to let Ashima's grandmother, who is past eighty now, who has named each of her other six great-grandchildren in the world, do the honors. When her grandmother learned of Ashima's pregnancy, she was particularly thrilled at the prospect of naming the family's first sahib. And so Ashima and Ashoke have agreed to put off the decision of what to name the baby until a letter comes, ignoring the forms from the hospital about filing for a birth certificate. Ashima's grandmother has mailed the letter herself, walking with her cane to the post office, her first trip out of the house in a decade. The letter contains one name for a girl, one for a boy. Ashima's grandmother has revealed them to no one. Though the letter was sent a month ago, in July, it has yet to arrive. Ashima and Ashoke are not terribly concerned. After all, they both know, an infant doesn't really need a name. He needs to be fed and blessed, to be given some gold and silver, to be patted on the back after feedings and held carefully behind the neck. Names can wait. In India parents take their time. It wasn't unusual for years to pass before the right name, the best possible name, was determined. Ashima and Ashoke can both cite examples of cousins who were not officially named until they were registered, at six or seven, in school. The Nandis and Dr. Gupta understand perfectly. Of course you must wait, they agree, wait for the name in his great-grandmother's letter. Besides, there are always pet names to tide one over: a practice of Bengali nomenclature grants, to every single person, two names. In Bengali the word for pet name is daknam, mean ing, literally, the name by which one is called, by friends, family, and other intimates, at home and in other private, unguarded moments. Pet names are a persistent remnant of childhood, a reminder that life is not always so serious, so formal, so complicated. They are a reminder, too, that one is not all things to all people. They all have pet names. Ashima's pet name is Monu, Ashoke's is Mithu, and even as adults, these are the names by which they are known in their respective families, the names by which they are adored and scolded and missed and loved. Every pet name is paired with a good name, a bhalonam, for identification in the outside world. Consequently, good names appear on envelopes, on diplomas, in telephone directories, and in all other public places. (For this reason, letters from Ashima's mother say "Ashima" on the outside, "Monu" on the inside.) Good names tend to represent dignified and enlightened qualities. Ashima means "she who is limitless, without borders." Ashoke, the name of an emperor, means "he who transcends grief." Pet names have no such aspirations. Pet names are never recorded officially, only uttered and remembered. Unlike good names, pet names are frequently meaningless, deliberately silly, ironic, even onomatopoetic. Often in one's infancy, one answers unwittingly to dozens of pet names, until one eventually sticks. And so at one point, when the baby screws up his rosy, wrinkled face and regards his small circle of admirers, Mr. Nandi leans over and calls the baby "Buro," the Bengali word for "old man." "What's his name? Buro?" Patty inquires brightly, bearing another tray of baked chicken for Ashima. Ashoke lifts the lid and polishes off the chicken; Ashima is now officially referred to by the maternity nurses as the Jell-O-and- Ice-Cream Lady. "No, no, that is not a name," Ashima explains. "We haven't chosen. My grandmother is choosing." Patty nods. "Will she be here soon?" Ashima laughs, her first genuine laugh after giving birth. The thought of her grandmother, born in the previous century, a shrunken woman in widow's white and with tawny skin that refuses to wrinkle, boarding a plane and flying to Cambridge, is inconceivable to her, a thought that, no matter how welcome, how desirable, feels entirely impossible, absurd. "No. But a letter will." That evening Ashoke goes home to the apartment, checks for the letter. Three days come and go. Ashima is shown by the nursing staff how to change diapers and how to clean the umbilical stub. She is given hot saltwater baths to soothe her bruises and stitches. She is given a list of pediatricians, and countless brochures on breast-feeding, and bonding, and immunizing, and samples of baby shampoos and Q-Tips and creams. The fourth day there is good news and bad news. The good news is that Ashima and the baby are to be discharged the following morning. The bad news is that they are told by Mr. Wilcox, compiler of hospital birth certificates, that they must choose a name for their son. For they learn that in America, a baby cannot be released from the hospital without a birth certificate. And that a birth certificate needs a name. "But, sir," Ashima protests, "we can't possibly name him ourselves." Mr. Wilcox, slight, bald, unamused, glances at the couple, both visibly distressed, then glances at the nameless child. "I see," he says. "The reason being?" "We are waiting for a letter," Ashoke says, explaining the situation in detail. "I see," Mr. Wilcox says again. "That is unfortunate. I'm afraid your only alternative is to have the certificate read 'Baby Boy Ganguli.' You will, of course, be required to amend the permanent record when a name is decided upon." Ashima looks at Ashoke expectantly. "Is that what we should do?" "I don't recommend it," Mr. Wilcox says. "You will have to appear before a judge, pay a fee. The red tape is endless." "Oh dear," Ashoke says. Mr. Wilcox nods, and silence ensues. "Don't you have any backups?" he asks. Ashima frowns. "What does it mean, 'backup'?" "Well, something in reserve, in case you didn't like what your grandmother has chosen." Ashima and Ashoke shake their heads. It has never occurred to either of them to question Ashima's grandmother's selection, to disregard an elder's wishes in such a way. "You can always name him after yourself, or one of your ancestors," Mr. Wilcox suggests, admitting that he is actually Howard Wilcox III. "It's a fine tradition. The kings of France and England did it," he adds. But this isn't possible, Ashima and Ashoke think to themselves. This tradition doesn't exist for Bengalis, naming a son after father or grandfather, a daughter after mother or grandmother. This sign of respect in America and Europe, this symbol of heritage and lineage, would be ridiculed in India. Within Bengali families, individual names are sacred, inviolable. They are not meant to be inherited or shared. "Then what about naming him after another person? Someone you greatly admire?" Mr. Wilcox says, his eyebrows raised hopefully. He sighs. "Think about it. I'll be back in a few hours," he tells them, exiting the room. The door shuts, which is when, with a slight quiver of recognition, as if he'd known it all along, the perfect pet name for his son occurs to Ashoke. He remembers the page crumpled tightly in his fingers, the sudden shock of the lantern's glare in his eyes. But for the first time he thinks of that moment not with terror, but with gratitude. "Hello, Gogol," he whispers, leaning over his son's haughty face, his tightly bundled body. "Gogol," he repeats, satisfied. The baby turns his head with an expression of extreme consternation and yawns. Ashima approves, aware that the name stands not only for her son's life, but her husband's. She knows the story of the ac cident, a story she first heard with polite newlywed sympathy, but the thought of which now, now especially, makes her blood go cold. There are nights when she has been woken by her husband's muffled screams, times they have ridden the subway together and the rhythm of the wheels on the tracks makes him suddenly pensive, aloof. She has never read any Gogol herself, but she is willing to place him on a shelf in her mind, along with Tennyson and Wordsworth. Besides, it's only a pet name, not to be taken seriously, simply something to put on the certificate for now to release them from the hospital. When Mr. Wilcox returns with his typewriter, Ashoke spells out the name. Thus Gogol Ganguli is registered in the hospital's files. "Good- bye, Gogol," Patty says, planting a quiet kiss on his shoulder, and to Ashima, dressed once again in her wrinkled silk sari, "Good luck." A first photograph, somewhat overexposed, is taken by Dr. Gupta that broiling hot, late summer's day: Gogol, an indistinct blanketed mass, reposing in his weary mother's arms. She stands on the steps of the hospital, staring at the camera, her eyes squinting into the sun. Her husband looks on from one side, his wife's suitcase in his hand, smiling with his head lowered. "Gogol enters the world," his father will eventually write on the back in Bengali letters. Gogol's first home is a fully furnished apartment ten minutes by foot to Harvard, twenty to MIT. The apartment is on the first floor of a three-story house, covered with salmon-colored shingles, surrounded by a waist-high chain-link fence. The gray of the roof, the gray of cigarette ashes, matches the pavement of the sidewalk and the street. A row of cars parked at meters perpetually lines one side of the curb. At the corner of the block there is a small used bookstore, which one enters by going down three steps from the sidewalk, and across from it a musty shop that sells the newspaper and cigarettes and eggs, and where, to Ashima's mild disgust, a furry black cat is permitted to sit as it pleases on the shelves. Other than these small businesses, there are more shingled houses, the same shape and size and in the same state of mild decrepitude, painted mint, or lilac, or powder blue. This is the house Ashoke had brought Ashima to eighteen months ago, late one February night after her arrival at Logan Airport. In the dark, through the windows of the taxi, wide awake from jet lag, she could barely make out a thing, apart from heaps of broken snow glowing like shattered, bluish white bricks on the ground. It wasn't until morning, stepping briefly outside wearing a pair of Ashoke's socks under her thin-soled slippers, the frigid New England chill piercing her inner ears and jaw, that she'd had her first real glimpse of America: Leafless trees with ice-covered branches. Dog urine and excrement embedded in the snowbanks. Not a soul on the street. The apartment consists of three rooms all in a row without a corridor. There is a living room at the front with a three-sided window overlooking the street, a pass-through bedroom in the middle, a kitchen at the back. It is not at all what she had expected. Not at all like the houses in Gone With the Wind or The Seven- Year Itch, movies she'd seen with her brother and cousins at the Lighthouse and the Metro. The apartment is drafty during winter, and in summer, intolerably hot. The thick glass windowpanes are covered by dreary dark brown curtains. There are even roaches in the bathroom, emerging at night from the cracks in the tiles. But she has complained of none of this. She has kept her disappointment to herself, not wanting to offend Ashoke, or worry her parents. Instead she writes, in her letters home, of the powerful cooking gas that flares up at any time of day or night from four burners on the stove, and the hot tap water fierce enough to scald her skin, and the cold water safe enough to drink. The top two floors of the house are occupied by their landlords, the Montgomerys, a Harvard sociology professor and his wife. The Montgomerys have two children, both girls, Amber and Clover, aged seven and nine, whose waist-length hair is never braided, and who play on warm days for hours on a tire swing rigged to the only tree in the backyard. The professor, who has told Ashima and Ashoke to call him Alan, not Professor Montgomery as they had at first addressed him, has a wiry rust-colored beard that makes him look much older than he actually is. They see him walking to Harvard Yard in a pair of threadbare trousers, a fringed suede jacket, and rubber flip-flops. Rickshaw drivers dress better than professors here, Ashoke, who still attends meetings with his adviser in a jacket and tie, thinks frequently to himself. The Montgomerys have a dull green Volkswagen van covered with stickers: QUESTION AUTHORITY! GIVE A DAMN! BAN THE BRA! PEACE! They have a washing machine in the basement which Ashoke and Ashima are permitted to share, a television in their living room which Ashoke and Ashima can hear clearly through the ceiling. It had been through the ceiling one night in April, when Ashoke and Ashima were eating their dinner, that they'd heard about the assassination of Martin Luther King, Jr., and just recently, of Senator Robert Kennedy. Sometimes Ashima and Alan's wife, Judy, stand side by side in the yard, clipping clothes to the line. Judy always wears blue jeans, torn up into shorts once summer comes, and a necklace of small seashells around her throat. A red cotton scarf over her stringy yellow hair, the same texture and shade as her daughters', is always tied at the back of her neck. She works for a women's health collective in Somerville a few days a week. When she learned of Ashima's pregnancy she approved of Ashima's decision to breast-feed but had been disappointed to learn that Ashima was going to put herself in the hands of the medical establishment for her child's delivery; Judy's daughters were born at home, with the help of midwives at the collective. Some nights Judy and Alan go out, leaving Amber and Clover unsupervised at home. Only once, when Clover had a cold, did they ask Ashima if she could check in on them. Ashima remembers their apartment with abiding horror—just beyond the ceiling yet so different from her own, piles everywhere, piles of books and papers, piles of dirty plates on the kitchen counter, ashtrays the size of serving platters heaped with crushed-out cigarettes. The girls slept together on a bed piled with clothes. Sitting momentarily on the edge of Alan and Judy's mattress, she had cried out, falling clumsily backward, startled to discover that it was filled with water. Instead of cereal and tea bags, there were whiskey and wine bottles on top of the refrigerator, most of them nearly empty. Just standing there had made Ashima feel drunk. They arrive home from the hospital courtesy of Dr. Gupta, who owns a car, and sit in the sweltering living room, in front of their only box fan, suddenly a family. Instead of a couch they have six chairs, all of them three-legged, with oval wooden backs and black triangular cushions. To her surprise, finding herself once again in the gloomy three-room apartment, Ashima misses the hustle-bustle of the hospital, and Patty, and the Jell-O and ice cream brought at regular intervals to her side. As she walks slowly through the rooms it irks her that there are dirty dishes stacked in the kitchen, that the bed has not been made. Until now Ashima has accepted that there is no one to sweep the floor, or do the dishes, or wash clothes, or shop for groceries, or prepare a meal on the days she is tired or homesick or cross. She has accepted that the very lack of such amenities is the American way. But now, with a baby crying in her arms, her breasts swollen with milk, her body coated with sweat, her groin still so sore she can scarcely sit, it is all suddenly unbearable. "I can't do this," she tells Ashoke when he brings her a cup of tea, the only thing he can think to do for her, the last thing she feels like drinking. "In a few days you'll get the hang of it," he says, hoping to encourage her, unsure of what else to do. He sets the cup beside her on the flaking windowsill. "I think he's falling asleep again," he adds, looking at Gogol, whose cheeks are working methodically at his wife's breast. "I won't," she insists thickly, looking neither at the baby nor at him. She pulls back a bit of the curtain, then lets it fall. "Not here. Not like this." "What are you saying, Ashima?" "I'm saying hurry up and finish your degree." And then, impulsively, admitting it for the first time: "I'm saying I don't want to raise Gogol alone in this country. It's not right. I want to go back." He looks at Ashima, her face leaner, the features sharper than they had been at their wedding, aware that her life in Cambridge, as his wife, has already taken a toll. On more than one occasion he has come home from the university to find her morose, in bed, rereading her parents' letters. Early mornings, when he senses that she is quietly crying, he puts an arm around her but can think of nothing to say, feeling that it is his fault, for marrying her, for bringing her here. He remembers suddenly about Ghosh, his companion on the train, who had returned from England for his wife's sake. "It is my greatest regret, coming back," Ghosh had confessed to Ashoke, mere hours before he was killed. A soft knock on the door interrupts them: Alan and Judy and Amber and Clover, all there to see the baby. Judy holds a dish covered with a checkered cloth in her hands, says she's made a broccoli quiche. Alan sets down a garbage bag full of Amber and Clover's old baby clothes, uncorks a bottle of cold champagne. The foaming liquid splashes onto the floor, is poured into mugs. They raise their mugs to Gogol, Ashima and Ashoke only pretending to take sips. Amber and Clover flank Ashima at either side, both delighted when Gogol wraps a hand around each of their fingers. Judy scoops the baby out of Ashima's lap. "Hello, handsome," she coos. "Oh, Alan," she says, "let's have another one of these." Alan offers to bring up the girls' crib from the basement, and together he and Ashoke assemble it in the space next to Ashima and Ashoke's bed. Ashoke goes out to the corner store, and a box of disposable diapers replaces the framed black-and-white pictures of Ashima's family on the dressing table. "Twenty minutes at three-fifty for the quiche," Judy says to Ashima. "Holler if you need anything," Alan adds before they disappear. Three days later, Ashoke is back at MIT, Alan is back at Harvard, Amber and Clover are back at school. Judy is at work at the collective as usual, and Ashima, on her own with Gogol for the first time in the silent house, suffering from a sleep deprivation far worse than the worst of her jet lag, sits by the three- sided window in the living room on one of the triangular chairs and cries the whole day. She cries as she feeds him, and as she pats him to sleep, and as he cries between sleeping and feeding. She cries after the mailman's visit because there are no letters from Calcutta. She cries when she calls Ashoke at his department and he does not answer. One day she cries when she goes to the kitchen to make dinner and discovers that they've run out of rice. She goes upstairs and knocks on Alan and Judy's door. "Help yourself," Judy says, but the rice in Judy's canister is brown. To be polite, Ashima takes a cup, but downstairs she throws it away. She calls Ashoke at his department to ask him to pick up the rice on his way home. This time, when there is no answer, she gets up, washes her face and combs her hair. She changes and dresses Gogol and puts him into the navy blue, white-wheeled pram inherited from Alan and Judy. For the first time, she pushes him through the balmy streets of Cambridge, to Purity Supreme, to buy a bag of white long-grain rice. The errand takes longer than usual; for now she is repeatedly stopped on the street, and in the aisles of the supermarket, by perfect strangers, all Americans, suddenly taking notice of her, smiling, congratulating her for what she's done. They look curiously, appreciatively, into the pram. "How old?" they ask. "Boy or girl?" "What's his name?" She begins to pride herself on doing it alone, in devising a routine. Like Ashoke, busy with his teaching and research and dissertation seven days a week, she, too, now has something to oc cupy her fully, to demand her utmost devotion, her last ounce of strength. Before Gogol's birth, her days had followed no visible pattern. She would spend hours in the apartment, napping, sulking, rereading her same five Bengali novels on the bed. But now the days that had once dragged rush all too quickly toward evening—those same hours are consumed with Gogol, pacing the three rooms of the apartment with him in her arms. Now she wakes at six, pulling Gogol out of the crib for his first feeding, and then for half an hour she and Ashoke lie with the baby in bed between them, admiring the tiny person they've produced. Between eleven and one, while Gogol sleeps, she gets dinner out of the way, a habit she will maintain for decades to come. Every afternoon she takes him out, wandering up and down the streets, to pick up this or that, or to sit in Harvard Yard, sometimes meeting up with Ashoke on a bench on the MIT campus, bringing him some homemade samosas and a fresh thermos of tea. At times, staring at the baby, she sees pieces of her family in his face—her mother's glossy eyes, her father's slim lips, her brother's lopsided smile. She discovers a yarn store and begins to knit for the coming winter, making Gogol sweaters, blankets, mittens, and caps. Every few days she gives Gogol a bath in the porcelain sink in the kitchen. Every week she carefully clips the nails of his ten fingers and toes. When she takes him in his pram for his immunizations at the pediatrician's, she stands outside the room and plugs up her ears. One day Ashoke arrives home with an Instamatic camera to take pictures of the baby, and when Gogol is napping she pastes the square, white-bordered prints behind plastic sheets in an album, captions written on pieces of masking tape. To put him to sleep, she sings him the Bengali songs her mother had sung to her. She drinks in the sweet, milky fragrance of his skin, the buttery scent of his breath. One day she lifts him high over her head, smiling at him with her mouth open, and a quick stream of undigested milk from his last feeding rises from his throat and pours into her own. For the rest of her life she will recall the shock of that warm, sour liquid, a taste that leaves her unable to swallow another thing for the rest of the day. Letters arrive from her parents, from her husband's parents, from aunts and uncles and cousins and friends, from everyone, it seems, but Ashima's grandmother. The letters are filled with every possible blessing and good wish, composed in an alphabet they have seen all around them for most of their lives, on billboards and newspapers and awnings, but which they see now only in these precious, pale blue missives. Sometimes two letters arrive in a single week. One week there are three. As always Ashima keeps her ear trained, between the hours of twelve and two, for the sound of the postman's footsteps on the porch, followed by the soft click of the mail slot in the door. The margins of her parents' letters, always a block of her mother's hasty penmanship followed by her father's flourishing, elegant hand, are frequently decorated with drawings of animals done by Ashima's father, and Ashima tapes these on the wall over Gogol's crib. "We are dying to see him," her mother writes. "These are the most crucial months. Every hour there is a change. Remember it." Ashima writes back with careful descriptions of her son, reporting the circumstances of his first smile, the day he first rolls over, his first squeal of delight. She writes that they are saving money for a trip home the following December, after Gogol turns one. (She does not mention the pediatrician's concern about tropical diseases. A trip to India will require a whole new set of immunizations, he has warned.) In November, Gogol develops a mild ear infection. When Ashima and Ashoke see their son's pet name typed on the label of a prescription for antibiotics, when they see it at the top of his immunization record, it doesn't look right; pet names aren't meant to be made public in this way. But there is still no letter from Ashima's grandmother. They are forced to conclude that it is lost in the mail. Ashima decides to write to her grand mother, explaining the situation, asking her to send a second letter with the names. The very next day a letter arrives in Cambridge. Though it is from Ashima's father, no drawings for Gogol adorn the margins, no elephants or parrots or tigers. The letter is dated three weeks ago, and from it they learn that Ashima's grandmother has had a stroke, that her right side is permanently paralyzed, her mind dim. She can no longer chew, barely swallows, remembers and recognizes little of her eighty-odd years. "She is with us still, but to be honest we have already lost her," her father has written. "Prepare yourself, Ashima. Perhaps you may not see her again." It is their first piece of bad news from home. Ashoke barely knows Ashima's grandmother, only vaguely recalls touching her feet at his wedding, but Ashima is inconsolable for days. She sits at home with Gogol as the leaves turn brown and drop from the trees, as the days begin to grow quickly, mercilessly dark, thinking of the last time she saw her grandmother, her dida, a few days before flying to Boston. Ashima had gone to visit her; for the occasion her grandmother had entered the kitchen after over a decade's retirement, to cook Ashima a light goat and potato stew. She had fed her sweets with her own hand. Unlike her parents, and her other relatives, her grandmother had not admonished Ashima not to eat beef or wear skirts or cut off her hair or forget her family the moment she landed in Boston. Her grandmother had not been fearful of such signs of betrayal; she was the only person to predict, rightly, that Ashima would never change. Before leaving, Ashima had stood, her head lowered, under her late grandfather's portrait, asking him to bless her journey. Then she bent down to touch the dust of her dida's feet to her head. "Dida, I'm coming," Ashima had said. For this was the phrase Bengalis always used in place of good-bye. "Enjoy it," her grandmother had bellowed in her thundering voice, helping Ashima to straighten. With trembling hands, her grandmother had pressed her thumbs to the tears streaming down Ashima's face, wiping them away. "Do what I will never do. It will all be for the best. Remember that. Now go." As the baby grows, so, too, does their circle of Bengali acquaintances. Through the Nandis, now expecting a child of their own, Ashoke and Ashima meet the Mitras, and through the Mitras, the Banerjees. More than once, pushing Gogol in his stroller, Ashima has been approached on the streets of Cambridge by young Bengali bachelors, shyly inquiring after her origins. Like Ashoke, the bachelors fly back to Calcutta one by one, returning with wives. Every weekend, it seems, there is a new home to go to, a new couple or young family to meet. They all come from Calcutta, and for this reason alone they are friends. Most of them live within walking distance of one another in Cambridge. The husbands are teachers, researchers, doctors, engineers. The wives, homesick and bewildered, turn to Ashima for recipes and advice, and she tells them about the carp that's sold in Chinatown, that it's possible to make halwa from Cream of Wheat. The families drop by one another's homes on Sunday afternoons. They drink tea with sugar and evaporated milk and eat shrimp cutlets fried in saucepans. They sit in circles on the floor, singing songs by Nazrul and Tagore, passing a thick yellow clothbound book of lyrics among them as Dilip Nandi plays the harmonium. They argue riotously over the films of Ritwik Ghatak versus those of Satyajit Ray. The CPIM versus the Congress party. North Calcutta versus South. For hours they argue about the politics of America, a country in which none of them is eligible to vote. By February, when Gogol is six months old, Ashima and Ashoke know enough people to entertain on a proper scale. The occasion: Gogol's annaprasan, his rice ceremony. There is no baptism for Bengali babies, no ritualistic naming in the eyes of God. Instead, the first formal ceremony of their lives centers around the consumption of solid food. They ask Dilip Nandi to play the part of Ashima's brother, to hold the child and feed him rice, the Bengali staff of life, for the very first time. Gogol is dressed as an infant Bengali groom, in a pale yellow pajamapunjabi from his grandmother in Calcutta. The fragrance of cumin seeds, sent in the package along with the pajamas, lingers in the weave. A headpiece that Ashima cut out of paper, decorated with pieces of aluminum foil, is tied around Gogol's head with string. He wears a thin fourteen-karat gold chain around his neck. His tiny forehead has been decorated with considerable struggle with sandalwood paste to form six miniature beige moons floating above his brows. His eyes have been darkened with a touch of kohl. He fidgets in the lap of his honorary uncle, who sits on a bedcover on the floor, surrounded by guests in front and behind and beside him. The food is arranged in ten separate bowls. Ashima regrets that the plate on which the rice is heaped is melamine, not silver or brass or at the very least stainless-steel. The final bowl contains payesh, a warm rice pudding Ashima will prepare for him to eat on each of his birthdays as a child, as an adult even, alongside a slice of bakery cake. He is photographed by his father and friends, frowning, as he searches for his mother's face in the crowd. She is busy setting up the buffet. She wears a silvery sari, a wedding gift worn for the first time, the sleeves of her blouse reaching the crook of her elbow. His father wears a transparent white Punjabi top over bell-bottom trousers. Ashima sets out paper plates that have to be tripled to hold the weight of the biryani, the carp in yogurt sauce, the dal, the six different vegetable dishes she'd spent the past week preparing. The guests will eat standing, or sitting cross-legged on the floor. They've invited Alan and Judy from upstairs, who look as they always do, in jeans and thick sweaters because it is cold, leather sandals buckled over woolly socks. Judy eyes the buffet, bites into something that turns out to be a shrimp cutlet. "I thought Indians were supposed to be vegetarian," she whispers to Alan. Gogol's feeding begins. It's all just a touch, a gesture. No one expects the boy to eat anything more than a grain of rice here, a drop of dal there—it is all meant to introduce him to a lifetime of consumption, a meal to inaugurate the tens of thousands of unremembered meals to come. A handful of women ululate as the proceedings begin. A conch shell is repeatedly tapped and passed around, but no one in the room is able to get it to emit a sound. Blades of grass and a pradeep's slim, steady flame are held to Gogol's head. The child is entranced, doesn't squirm or turn away, opens his mouth obediently for each and every course. He takes his payesh three times. Ashima's eyes fill with tears as Gogol's mouth eagerly invites the spoon. She can't help wishing her own brother were here to feed him, her own parents to bless him with their hands on his head. And then the grand finale, the moment they have all been waiting for. To predict his future path in life, Gogol is offered a plate holding a clump of cold Cambridge soil dug up from the backyard, a ballpoint pen, and a dollar bill, to see if he will be a landowner, scholar, or businessman. Most children will grab at one of them, sometimes all of them, but Gogol touches nothing. He shows no interest in the plate, instead turning away, briefly burying his face in his honorary uncle's shoulder. "Put the money in his hand!" someone in the group calls out. "An American boy must be rich!" "No!" his father protests. "The pen. Gogol, take the pen." Gogol regards the plate doubtfully. Dozens of dark heads hover expectantly. The material of the Punjabi pajama set begins to scratch his skin. "Go on, Gogol, take something," Dilip Nandi says, drawing the plate close. Gogol frowns, and his lower lip trembles. Only then, forced at six months to confront his destiny, does he begin to cry. Another August. Gogol is one, grabbing, walking a little, repeating words in two languages. He calls his mother "Ma," his father "Baba." If a person in the room says "Gogol," he turns his head and smiles. He sleeps through the night and between noon and three each day. He has seven teeth. He constantly attempts to put the tiniest scraps of paper and lint and whatever else he finds on the floor into his mouth. Ashoke and Ashima are planning their first trip to Calcutta, in December, during Ashoke's winter break. The upcoming journey inspires them to try to come up with a good name for Gogol, so they can submit his passport application. They turn to their Bengali friends for suggestions. Long evenings are devoted to considering this name or that. But nothing appeals to them. By then they've given up on the letter from Ashima's grandmother. They've given up on her grandmother remembering the name, for Ashima's grandmother, they are told, cannot even remember Ashima. Still, there is time. The trip to Calcutta is four months away. Ashima regrets that they can't go earlier, in time for Durga pujo, but it will be years before Ashoke is eligible for a sabbatical, and three weeks in December is all they can manage. "It is like going home a few months after your Christmas," Ashima explains to Judy one day over the clothesline. Judy replies that she and Alan are Buddhists. At breakneck speed Ashima knits sweater-vests for her father, her father-in- law, her brother, her three favorite uncles. They are all the same, V-necked, pine green yarn, knit five, purl two, on number-nine needles. The exception is her father's, done in a double-seed stitch with two thick cables and buttons down the front; he prefers cardigans to pullovers, and she remembers to put in pockets for the deck of cards he always carries with him, to play patience at a moment's notice. In addition to the sweater, she buys him three sable-haired paintbrushes from the Harvard Coop, sizes he's requested by mail. Though they are wildly expensive, more so than anything else she's ever bought in America, Ashoke says nothing when he sees the bill. One day Ashima goes shopping in downtown Boston, spending hours in the basement of Jordan Marsh as she pushes Gogol in his stroller, spending every last penny. She buys mismatched teaspoons, percale pillowcases, colored candles, soaps on ropes. In a drugstore she buys a Timex watch for her father-in-law, Bic pens for her cousins, embroidery thread and thimbles for her mother and her aunts. On the train home she is exhilarated, exhausted, nervous with anticipation of the trip. The train is crowded and at first she stands, struggling to hang on to all the bags and the stroller and the overhead strap, until a young girl asks if she'd like to sit down. Ashima thanks her, sinking gratefully into the seat, pushing the bags protectively behind her legs. She is tempted to sleep as Gogol does. She leans her head against the window and closes her eyes and thinks of home. She pictures the black iron bars in the windows of her parents' flat, and Gogol, in his American baby clothes and diapers, playing beneath the ceiling fan, on her parents' four-poster bed. She pictures her father missing a tooth, lost after a recent fall, her mother has written, on the stairs. She tries to imagine how it will feel when her grandmother doesn't recognize her. When she opens her eyes she sees that the train is standing still, the doors open at her stop. She leaps up, her heart racing. "Excuse me, please," she says, pushing the stroller and herself through the tightly packed bodies. "Ma'am," someone says as she struggles past, about to step onto the platform, "your things." The doors of the subway clamp shut as she realizes her mistake, and the train rolls slowly away. She stands there watching until the rear car disappears into the tunnel, until she and Gogol are the only people remaining on the platform. She pushes the stroller back down Massachusetts Avenue, weeping freely, knowing that she can't possibly afford to go back and buy it all again. For the rest of the afternoon she is furious with herself, humiliated at the prospect of arriving in Calcutta empty-handed apart from the sweaters and the paintbrushes. But when Ashoke comes home he calls the MBTA lost and found; the following day the bags are returned, not a teaspoon missing. Somehow, this small miracle causes Ashima to feel connected to Cambridge in a way she has not previously thought possible, affiliated with its exceptions as well as its rules. She has a story to tell at dinner parties. Friends listen, amazed at her luck. "Only in this country," Maya Nandi says. One night not long after, they are fast asleep when the telephone rings. The sound rouses them instantly, their hearts hammering as if from the same frightening dream. Ashima knows even before Ashoke answers that it's a call from India. A few months ago, her family had asked in a letter for the phone number in Cambridge, and she had sent it reluctantly in her reply, aware that it would only be a way for bad news to reach her. As Ashoke sits up and takes the receiver, answering in a weary, weakened voice, Ashima prepares herself. She pushes down the crib railing to comfort Gogol, who has begun stirring as a result of the telephone's rings, and reviews the facts in her head. Her grandmother is in her eighties, bedridden, all but senile, unable to eat or talk. The last few months of her life, according to her parents' most recent letter, have been painful, for her grandmother, for those who know her. It was no way to live. She pictures her mother saying all this gently into the next-door neighbors' phone, standing in the neighbors' sitting room. Ashima prepares herself for the news, to accept the fact that Gogol will never meet his great-grandmother, the giver of his lost name. The room is unpleasantly cold. She picks up Gogol and gets back into bed, under the blanket. She presses the baby to her body for strength, puts him to her breast. She thinks of the cream-colored cardigan bought with her grandmother in mind, sitting in a shopping bag in the closet. She hears Ashoke speaking, saying soberly but loudly enough so that she fears he will wake Alan and Judy upstairs, "Yes, all right, I see. Don't worry, yes, I will." For a while he is silent, listening. "They want to talk to you," he says to Ashima, briefly putting a hand to her shoulder. In the dark, he hands her the phone, and after a moment's hesitation, he gets out of bed. She takes the phone in order to hear the news for herself, to console her mother. She can't help but wonder who will console her the day her own mother dies, if that news will also come to her in this way, in the middle of the night, wresting her from dreams. In spite of her dread she feels a thrill; this will be the first time she's heard her mother's voice in nearly three years. The first time, since her departure from Dum Dum Airport, that she will be called Monu. Only it isn't her mother but her brother, Rana, on the other end. His voice sounds small, threaded into a wire, barely recognizable through the holes of the receiver. Ashima's first question is what time it is there. She has to repeat the question three times, shouting in order to be heard. Rana tells her it is lunchtime. "Are you still planning to visit in December?" he asks. She feels her chest ache, moved after all this time to hear her brother call her Didi, his older sister, a term he alone in the world is entitled to use. At the same time she hears water running in the Cambridge kitchen, her husband opening a cupboard for a glass. "Of course we're coming," she says, unsettled when she hears her echo saying it faintly, less convincingly, once again. "How is Dida? Has anything else happened to her?" "Still alive," Rana says. "But still the same." Ashima rests back on her pillow, limp with relief. She would see her grandmother, after all, even if for one last time. She kisses Gogol on the top of his head, presses her cheek to his. "Thank goodness. Put Ma on," she says, crossing her ankles. "Let me talk to her." "She's not at home now," Rana says after a static-filled pause. "And Baba?" A patch of silence follows before his voice returns. "Not here." "Oh." She remembers the time difference—her father must be at work already at the Desh offices, her mother at the market, a burlap bag in hand, buying vegetables and fish. "How is little Gogol?" Rana asks her. "Does he only speak English?" She laughs. "He doesn't speak much of anything, at the moment." She begins to tell Rana that she is teaching Gogol to say "Dida" and "Dadu" and "Mamu," to recognize his grandparents and his uncle from photographs. But another burst of static, longer this time, quiets her in midsentence. "Rana? Can you hear me?" "I can't hear you, Didi," Rana says, his voice growing fainter. "Can't hear. Let's speak later." "Yes," she says, "later. See you soon. Very soon. Write to me." She puts down the phone, invigorated by the sound of her brother's voice. An instant later she is confused and somewhat irritated. Why had he gone to the trouble of calling, only to ask an obvious question? Why call while both her parents were out? Ashoke returns from the kitchen, a glass of water in his hand. He sets down the water and switches on the small lamp by the side of the bed. "I'm awake," Ashoke says, though his voice is still small from fatigue. "Me too." "What about Gogol?" "Asleep again." She gets up and puts him back in the crib, drawing the blanket to his shoulders, then returns to bed, shivering. "I don't understand it," she says, shaking her head at the rumpled sheet. "Why did Rana go to the trouble of calling just now? It's so expensive. It doesn't make sense." She turns to look at Ashoke. "What did he say to you, exactly?" Ashoke shakes his head from side to side, his profile lowered. "He told you something you're not telling me. Tell me, what did he say?" He continues to shake his head, and then he reaches across to her side of the bed and presses her hand so tightly that it is slightly painful. He presses her to the bed, lying on top of her, his face to one side, his body suddenly trembling. He holds her this way for so long that she begins to wonder if he is going to turn off the light and caress her. Instead he tells her what Rana told him a few minutes ago, what Rana couldn't bear to tell his sister, over the telephone, himself: that her father died yesterday evening, of a heart attack, playing patience on his bed. They leave for India six days later, six weeks before they'd planned. Alan and Judy, waking the next morning to Ashima's sobs, then hearing the news from Ashoke, leave a vase filled with flowers by the door. In those six days, there is no time to think of a good name for Gogol. They get an express passport with "Gogol Ganguli" typed across the United States of America seal, Ashoke signing on his son's behalf. The day before leaving, Ashima puts Gogol in his stroller, puts the sweater she'd knit for her father and the paintbrushes in a shopping bag, and walks to Harvard Square, to the subway station. "Excuse me," she asks a gentleman on the street, "I must get on the train." The man helps her carry down the stroller, and Ashima waits on the platform. When the train comes she heads immediately back to Central Square. This time she is wide awake. There are only a half-dozen people in the car, their faces hidden behind the Globe, or looking down at paperback books, or staring straight through her, at nothing. As the train slows to a halt she stands, ready to disembark. She does not turn back to look at the shopping bag, left purposely beneath her seat. "Hey, the Indian lady forgot her stuff," she hears as the doors shut, and as the train pulls away she hears a fist pounding on glass, but she keeps walking, pushing Gogol along the platform. The following evening they board a Pan Am flight to London, where after a five-hour layover they will board a second flight to Calcutta, via Tehran and Bombay. On the runway in Boston, her seat belt buckled, Ashima looks at her watch and calculates the Indian time on her fingers. But this time no image of her family comes to mind. She refuses to picture what she shall see soon enough: her mother's vermilion erased from her part, her brother's thick hair shaved from his head in mourning. The wheels begin to move, causing the enormous metal wings to flap gently up and down. Ashima looks at Ashoke, who is double- checking to make sure their passports and green cards are in order. She watches him adjust his watch in anticipation of their arrival, the pale silver hands scissoring into place. "I don't want to go," she says, turning toward the dark oval window. "I don't want to see them. I can't." Ashoke puts his hand over hers as the plane begins to gather speed. And then Boston tilts away and they ascend effortlessly over a blackened Atlantic. The wheels retract and the cabin shakes as they struggle upward, through the first layer of clouds. Though Gogol's ears have been stuffed with cotton, he screams nevertheless in the arms of his grieving mother as they climb farther still, as he flies for the first time in his life across the world. 31971The Gangulis have moved to a university town outside Boston. As far as they know, they are the only Bengali residents. The town has a historic district, a brief strip of colonial architecture visited by tourists on summer weekends. There is a white steepled Congregational church, a stone courthouse with an adjoining jail, a cupolaed public library, a wooden well from which Paul Revere is rumored to have drunk. In winter, tapers burn in the windows of homes after dark. Ashoke has been hired as an assistant professor of electrical engineering at the university. In exchange for teaching five classes, he earns sixteen thousand dollars a year. He is given his own office, with his name etched onto a strip of black plastic by the door. He shares, along with the other members of his department, the services of an elderly secretary named Mrs. Jones, who often puts a plate of homemade banana bread by the coffee percolator in the staff room. Ashoke suspects that Mrs. Jones, whose husband used to teach in the English department until his death, is about his own mother's age. Mrs. Jones leads a life that Ashoke's mother would consider humiliating: eating alone, driving herself to work in snow and sleet, seeing her children and grandchildren, at most, three or four times a year. The job is everything Ashoke has ever dreamed of. He has always hoped to teach in a university rather than work for a corporation. What a thrill, he thinks, to stand lecturing before a roomful of American students. What a sense of accomplishment it gives him to see his name printed under "Faculty" in the university directory. What joy each time Mrs. Jones says to him, "Professor Ganguli, your wife is on the phone." From his fourth-floor office he has a sweeping view of the quadrangle, surrounded by vine-covered brick buildings, and on pleasant days he takes his lunch on a bench, listening to the melody of bells chiming from the campus clock tower. On Fridays, after he has taught his last class, he visits the library, to read international newspapers on long wooden poles. He reads about U.S. planes bombing Vietcong supply routes in Cambodia, Naxalites being murdered on the streets of Calcutta, India and Pakistan going to war. At times he wanders up to the library's sun-filled, unpopulated top floor, where all the literature is shelved. He browses in the aisles, gravitating most often toward his beloved Russians, where he is particularly comforted, each time, by his son's name stamped in golden letters on the spines of a row of red and green and blue hardbound books. For Ashima, migrating to the suburbs feels more drastic, more distressing than the move from Calcutta to Cambridge had been. She wishes Ashoke had accepted the position at Northeastern so that they could have stayed in the city. She is stunned that in this town there are no sidewalks to speak of, no streetlights, no public transportation, no stores for miles at a time. She has no interest in learning how to drive the new Toyota Corolla it is now necessary for them to own. Though no longer pregnant, she continues, at times, to mix Rice Krispies and peanuts and onions in a bowl. For being a foreigner, Ashima is beginning to realize, is a sort of lifelong pregnancy—a perpetual wait, a constant burden, a continuous feeling out of sorts. It is an ongoing responsibility, a parenthesis in what had once been ordinary life, only to discover that that previous life has vanished, replaced by something more complicated and demanding. Like pregnancy, being a foreigner, Ashima believes, is something that elicits the same curiosity from strangers, the same combination of pity and respect. Her forays out of the apartment, while her husband is at work, are limited to the university within which they live, and to the historic district that flanks the campus on one edge. She wanders around with Gogol, letting him run across the quadrangle, or sitting with him on rainy days to watch television in the student lounge. Once a week she makes thirty samosas to sell at the international coffeehouse, for twenty-five cents each, next to the linzer squares baked by Mrs. Etzold, and baklava by Mrs. Cassolis. On Fridays she takes Gogol to the public library for children's story hour. After he turns four, she drops him off and fetches him from the university-run nursery school three mornings a week. For the hours that Gogol is at nursery school, finger-painting and learning the English alphabet, Ashima is despondent, unaccustomed, all over again, to being on her own. She misses her son's habit of always holding on to the free end of her sari as they walk together. She misses the sound of his sulky, high-pitched little-boy voice, telling her that he is hungry, or tired, or needs to go to the bathroom. To avoid being alone at home she sits in the reading room of the public library, in a cracked leather armchair, writing letters to her mother, or reading magazines or one of her Bengali books from home. The room is cheerful, filled with light, with a tomato-colored carpet on the floor and people reading the paper around a big, round wooden table with forsythias or cattails arranged at its center. When she misses Gogol especially, she wanders into the children's room; there, pinned to a bulletin board, is a picture of him in profile, sitting cross-legged on a cushion during story hour, listening to the children's librarian, Mrs. Aiken, reading The Cat in the Hat. After two years in an overheated university-subsidized apartment, Ashima and Ashoke are ready to purchase a home. In the evenings, after dinner, they set out in their car, Gogol in the back seat, to look at houses for sale. They do not look in the historic district, where the chairman of Ashoke's department lives, in an eighteenth-century mansion to which he and Ashima and Gogol are invited once a year for Boxing Day tea. Instead they look on ordinary roads where plastic wading pools and baseball bats are left out on the lawns. All the houses belong to Americans. Shoes are worn inside, trays of cat litter are placed in the kitchens, dogs bark and jump when Ashima and Ashoke ring the bell. They learn the names of the different architectural styles: cape, saltbox, raised ranch, garrison. In the end they decide on a shingled two-story colonial in a recently built development, a house previously occupied by no one, erected on a quarter acre of land. This is the small patch of America to which they lay claim. Gogol accompanies his parents to banks, sits waiting as they sign the endless papers. The mortgage is approved and the move is scheduled for spring. Ashoke and Ashima are amazed, when moving by U-Haul to the new house, to discover how much they possess; each of them had come to America with a single suitcase, a few weeks' worth of clothes. Now there are enough old issues of the Globe stacked in the corners of the apartment to wrap all their plates and glasses. There are whole years of Time magazine to toss out. The walls of the new house are painted, the driveway sealed with pitch, the shingles and sun deck weatherproofed and stained. Ashoke takes photographs of every room, Gogol standing somewhere in the frame, to send to relatives in India. There are pictures of Gogol opening up the refrigerator, pretending to talk on the phone. He is a sturdily built child, with full cheeks but already pensive features. When he poses for the camera he has to be coaxed into a smile. The house is fifteen minutes from the nearest supermarket, forty minutes from a mall. The address is 67 Pemberton Road. Their neighbors are the Johnsons, the Mertons, the Aspris, the Hills. There are four modest bedrooms, one and a half bathrooms, eight-foot ceilings, a one-car garage. In the living room is a brick fireplace and a bay window overlooking the yard. In the kitchen there are matching yellow appliances, a lazy Susan, linoleum made to look like tiles. A watercolor by Ashima's father, of a caravan of camels in a desert in Rajasthan, is framed at the local print shop and hung on the living room wall. Gogol has a room of his own, a bed with a built-in drawer in its base, metal shelves that hold Tinkertoys, Lincoln Logs, a View-Master, an Etch-A-Sketch. Most of Gogol's toys come from yard sales, as does most of the furniture, and the curtains, and the toaster, and a set of pots and pans. At first Ashima is reluctant to introduce such items into her home, ashamed at the thought of buying what had originally belonged to strangers, American strangers at that. But Ashoke points out that even his chairman shops at yard sales, that in spite of living in a mansion an American is not above wearing a pair of secondhand pants, bought for fifty cents. When they first move into the house, the grounds have yet to be landscaped. No trees grow on the property, no shrubs flank the front door, so that the cement of the foundation is clearly visible to the eye. And so for the first few months, four-year-old Gogol plays on an uneven, dirt-covered yard littered with stones and sticks, soiling his sneakers, leaving footprints in his path. It is among his earliest memories. For the rest of his life he will remember that cold, overcast spring, digging in the dirt, collecting rocks, discovering black and yellow salamanders beneath an overturned slab of slate. He will remember the sounds of the other children in the neighborhood, laughing and pedaling their Big Wheels down the road. He will remember the warm, bright summer's day when the top- soil was poured from the back of a truck, and stepping onto the sun deck a few weeks later with both of his parents to see thin blades of grass emerge from the bald black lawn. In the beginning, in the evenings, his family goes for drives, exploring their new environs bit by bit: the neglected dirt lanes, the shaded back roads, the farms where one could pick pumpkins in autumn and buy berries sold in green cardboard boxes in July. The back seat of the car is sheathed with plastic, the ashtrays on the doors still sealed. They drive until it grows dark, without destination in mind, past hidden ponds and graveyards, culs-de-sac and dead ends. Sometimes they drive out of the town altogether, to one of the beaches along the North Shore. Even in summer, they never go to swim or to turn brown beneath the sun. Instead they go dressed in their ordinary clothes. By the time they arrive, the ticket collector's booth is empty, the crowds gone; there is only a handful of cars in the parking lot, and the only other visitors are people walking their dogs or watching the sun set or dragging metal detectors through the sand. Together, as the Gangulis drive, they anticipate the moment the thin blue line of ocean will come into view. On the beach Gogol collects rocks, digs tunnels in the sand. He and his father wander barefoot, their pant legs rolled halfway up their calves. He watches his father raise a kite within minutes into the wind, so high that Gogol must tip his head back in order to see, a rippling speck against the sky. The wind whips around their ears, turning their faces cold. Snowy gulls hover with wings spread, low enough to touch. Gogol darts in and out of the ocean, making faint, temporary footprints, soaking his rolled-up cuffs. His mother cries out, laughing, as she lifts her sari a few inches above her ankles, her slippers in one hand, and places her feet in foaming, ice-cold water. She reaches out to Gogol, takes his hand. "Not so far," she tells him. The waves retract, gathering force, the soft, dark sand seeming to shift away instantly beneath their feet, causing them to lose their balance. "I'm falling. It's pulling me in," she always says. The August that Gogol turns five, Ashima discovers she is pregnant again. In the mornings she forces herself to eat a slice of toast, only because Ashoke makes it for her and watches her while she chews it in bed. Her head constantly spins. She spends her days lying down, a pink plastic wastepaper basket by her side, the shades drawn, her mouth and teeth coated with the taste of metal. She watches The Price Is Right and Guiding Light and The $10,000 Pyramid on the television Ashoke moves in from the living room to her side of the bed. Staggering out to the kitchen at lunchtime, to prepare a peanut butter and jelly sandwich for Gogol, she is revolted by the odor of the fridge, convinced that the contents of her vegetable drawers have been replaced with garbage, that meat is rotting on the shelves. Sometimes Gogol lies beside her in his parents' bedroom, reading a picture book, or coloring with crayons. "You're going to be an older brother," she tells him one day. "There'll be someone to call you Dada. Won't that be exciting?" Sometimes, if she is feeling energetic, she asks Gogol to go and get a photo album, and together they look at pictures of Gogol's grandparents, and his uncles and aunts and cousins, of whom, in spite of his one visit to Calcutta, he has no memory. She teaches him to memorize a four-line children's poem by Tagore, and the names of the deities adorning the ten-handed goddess Durga during pujo: Saraswati with her swan and Kartik with his peacock to her left, Lakshmi with her owl and Ganesh with his mouse to her right. Every afternoon Ashima sleeps, but before nodding off she switches the television to Channel 2, and tells Gogol to watch Sesame Street and The Electric Company, in order to keep up with the English he uses at nursery school. In the evenings Gogol and his father eat together, alone, a week's worth of chicken curry and rice, which his father cooks in two battered Dutch ovens every Sunday. As the food reheats, his father tells Gogol to shut the bedroom door because his mother cannot tolerate the smell. It is odd to see his father presiding in the kitchen, standing in his mother's place at the stove. When they sit down at the table, the sound of his parents' conversation is missing, as is the sound of the television in the living room, playing the news. His father eats with his head bent over his plate, flipping through the latest issue of Time, occasionally glancing at Gogol to make sure he is eating as well. Though his father remembers to mix up the rice and curry for Gogol beforehand, he doesn't bother to shape it into individual balls the way his mother does, lining them around his plate like the numbers on a clockface. Gogol has already been taught to eat on his own with his fingers, not to let the food stain the skin of his palm. He has learned to suck the marrow from lamb, to extract the bones from fish. But without his mother at the table he does not feel like eating. He keeps wishing, every evening, that she would emerge from the bedroom and sit between him and his father, filling the air with her sari and cardigan smell. He grows bored of eating the same thing day after day, and one evening he discreetly pushes the remaining food to the side. With his index finger, in the traces of leftover sauce, he begins to draw on his plate. He plays tic-tac-toe. "Finish," his father says, glancing up from his magazine. "Don't play with food that way." "I'm full, Baba." "There's still some food on your plate." "Baba, I can't." His father's plate is polished clean, the chicken bones denuded of cartilage and chewed to a pinkish pulp, the bay leaf and cinnamon stick as good as new. Ashoke shakes his head at Gogol, disapproving, unyielding. Each day Ashoke is pained by the half-eaten sandwiches people toss into garbage cans on campus, apples abandoned after one or two bites. "Finish it, Gogol. At your age I ate tin." Because his mother tends to vomit the moment she finds herself in a moving car, she is unable to accompany her husband to take Gogol, in September of 1973, to his first day of kindergarten at the town's public elementary school. By the time Gogol starts, it is already the second week of the school year. But for the past week, Gogol has been in bed, just like his mother, listless, without appetite, claiming to have a stomachache, even vomiting one day into his mother's pink wastepaper basket. He doesn't want to go to kindergarten. He doesn't want to wear the new clothes his mother has bought him from Sears, hanging on a knob of his dresser, or carry his Charlie Brown lunch box, or board the yellow school bus that stops at the end of Pemberton Road. The school, unlike the nursery school, is several miles from the house, several miles from the university. On numerous occasions he's been driven to see the building, a low, long, brick structure with a perfectly flat roof and a flag that flaps at the top of a tall white pole planted on the lawn. There is a reason Gogol doesn't want to go to kindergarten. His parents have told him that at school, instead of being called Gogol, he will be called by a new name, a good name, which his parents have finally decided on, just in time for him to begin his formal education. The name, Nikhil, is artfully connected to the old. Not only is it a perfectly respectable Bengali good name, meaning "he who is entire, encompassing all," but it also bears a satisfying resemblance to Nikolai, the first name of the Russian Gogol. Ashoke had thought of it recently, staring mindlessly at the Gogol spines in the library, and he had rushed back to the house to ask Ashima her opinion. He pointed out that it was relatively easy to pronounce, though there was the danger that Americans, obsessed with abbreviation, would truncate it to Nick. She told him she liked it well enough, though later, alone, she'd wept, thinking of her grandmother, who had died earlier in the year, and of the letter, forever hovering somewhere between India and America, containing the good name she'd chosen for Gogol. Ashima still dreams of the letter at times, discovering it after all these years in the mailbox on Pemberton Road, opening it up only to find it blank. But Gogol doesn't want a new name. He can't understand why he has to answer to anything else. "Why do I have to have a new name?" he asks his parents, tears springing to his eyes. It would be one thing if his parents were to call him Nikhil, too. But they tell him that the new name will be used only by the teachers and children at school. He is afraid to be Nikhil, someone he doesn't know. Who doesn't know him. His parents tell him that they each have two names, too, as do all their Bengali friends in America, and all their relatives in Calcutta. It's a part of growing up, they tell him, part of being a Bengali. They write it for him on a sheet of paper, ask him to copy it over ten times. "Don't worry," his father says. "To me and your mother, you will never be anyone but Gogol." At school, Ashoke and Gogol are greeted by the secretary, Mrs. McNab, who asks Ashoke to fill out a registration form. He provides a copy of Gogol's birth certificate and immunization record, which Mrs. McNab puts in a folder along with the registration. "This way," Mrs. McNab says, leading them to the principal's office. CANDACE LAPIDUS, the name on the door says. Mrs. Lapidus assures Ashoke that missing the first week of kindergarten is not a problem, that things have yet to settle down. Mrs. Lapidus is a tall, slender woman with short white-blond hair. She wears frosted blue eye shadow and a lemon yellow suit. She shakes Ashoke's hand and tells him that there are two other Indian children at the school, Jayadev Modi in the third grade and Rekha Saxena in fifth. Perhaps the Gangulis know them? Ashoke tells Mrs. Lapidus that they do not. She looks at the registration form and smiles kindly at the boy, who is clutching his father's hand. Gogol is dressed in powder blue pants, red and white canvas sneakers, a striped turtleneck top. "Welcome to elementary school, Nikhil. I am your principal, Mrs. Lapidus." Gogol looks down at his sneakers. The way the principal pronounces his new name is different from the way his par ents say it, the second part of it longer, sounding like "heel." She bends down so that her face is level with his, and extends a hand to his shoulder. "Can you tell me how old you are, Nikhil?" When the question is repeated and there is still no response, Mrs. Lapidus asks, "Mr. Ganguli, does Nikhil follow English?" "Of course he follows," Ashoke says. "My son is perfectly bilingual." In order to prove that Gogol knows English, Ashoke does something he has never done before, and addresses his son in careful, accented English. "Go on, Gogol," he says, patting him on the head. "Tell Mrs. Lapidus how old you are." "What was that?" Mrs. Lapidus says. "I beg your pardon, madam?" "That name you called him. Something with a G." "Oh that, that is what we call him at home only. But his good name should be—is"—he nods his head firmly—"Nikhil." Mrs. Lapidus frowns. "I'm afraid I don't understand. Good name?" "Yes." Mrs. Lapidus studies the registration form. She has not had to go through this confusion with the other two Indian children. She opens up the folder and examines the immunization record, the birth certificate. "There seems to be some confusion, Mr. Ganguli," she says. "According to these documents, your son's legal name is Gogol." "That is correct. But please allow me to explain—" "That you want us to call him Nikhil." "That is correct." Mrs. Lapidus nods. "The reason being?" "That is our wish." "I'm not sure I follow you, Mr. Ganguli. Do you mean that Nikhil is a middle name? Or a nickname? Many of the children go by nicknames here. On this form there is a space—" "No, no, it's not a middle name," Ashoke says. He is beginning to lose patience. "He has no middle name. No nickname. The boy's good name, his school name, is Nikhil." Mrs. Lapidus presses her lips together and smiles. "But clearly he doesn't respond." "Please, Mrs. Lapidus," Ashoke says. "It is very common for a child to be confused at first. Please give it some time. I assure you he will grow accustomed." He bends down and this time in Bengali, calmly and quietly, asks Gogol to please answer when Mrs. Lapidus asks a question. "Don't be scared, Gogol," he says, raising his son's chin with his finger. "You're a big boy now. No tears." Though Mrs. Lapidus does not understand a word, she listens carefully, hears that name again. Gogol. Lightly, in pencil, she writes it down on the registration form. Ashoke hands over the lunch box, a windbreaker in case it gets cold. He thanks Mrs. Lapidus. "Be good, Nikhil," he says in English. And then, after a moment's hesitation, he is gone. When they are alone, Mrs. Lapidus asks, "Are you happy to be entering elementary school, Gogol?" "My parents want me to have another name in school." "And what about you, Gogol? Do you want to be called by another name?" After a pause, he shakes his head. "Is that a no?" He nods. "Yes." "Then it's settled. Can you write your name on this piece of paper?" Gogol picks up a pencil, grips it tightly, and forms the letters of the only word he has learned thus far to write from memory, getting the "L" backward due to nerves. "What beautiful penmanship you have," Mrs. Lapidus says. She tears up the old registration form and asks Mrs. McNab to type up a new one. Then she takes Gogol by the hand, down a carpeted hallway with painted cement walls. She opens a door, and Go gol is introduced to his teacher, Miss Watkins, a woman with hair in two braids, wearing overalls and clogs. Inside the classroom it's a small universe of nicknames—Andrew is Andy, Alexandra Sandy, William Billy, Elizabeth Lizzy. It is nothing like the schooling Gogol's parents have known, fountain pens and polished black shoes and notebooks and good names and sir or madam at a tender age. Here the only official ritual is pledging allegiance first thing in the morning to the American flag. For the rest of the day, they sit at a communal round table, drinking punch and eating cookies, taking naps on little orange cushions on the floor. At the end of his first day he is sent home with a letter to his parents from Mrs. Lapidus, folded and stapled to a string around his neck, explaining that due to their son's preference he will be known as Gogol at school. What about the parents' preference? Ashima and Ashoke wonder, shaking their heads. But since neither of them feels comfortable pressing the issue, they have no choice but to give in. And so Gogol's formal education begins. At the top of sheets of scratchy pale yellow paper he writes out his pet name again and again, and the alphabet in capitals and lowercase. He learns to add and subtract, and to spell his first words. In the front covers of the textbooks from which he is taught to read he leaves his legacy, writing his name in number-two pencil below a series of others. In art class, his favorite hour of the week, he carves his name with paper clips into the bottoms of clay cups and bowls. He pastes uncooked pasta to cardboard, and leaves his signature in fat brush strokes below paintings. Day after day he brings his creations home to Ashima, who hangs them proudly on the refrigerator door. "Gogol G," he signs his work in the lower right-hand corner, as if there were a need to distinguish him from any other Gogol in the school. In May his sister is born. This time the labor happens quickly. They are thinking about going to a yard sale in the neighborhood one Saturday morning, playing Bengali songs on the stereo. Gogol is eating frozen waffles for breakfast, wishing his parents would turn off the music so that he could hear the cartoons he is watching, when his mother's water breaks. His father switches off the music and calls Dilip and Maya Nandi, who now live in a suburb twenty minutes away and have a little boy of their own. Then he calls the next-door neighbor, Mrs. Merton, who has offered to look after Gogol until the Nandis arrive. Though his parents have prepared him for the event, when Mrs. Merton shows up with her needlepoint he feels stranded, no longer in the mood for cartoons. He stands on the front step, watching his father help his mother into the car, waving as they pull away. To pass the time he draws a picture of himself and his parents and his new sibling, standing in a row in front of their house. He remembers to put a dot on his mother's forehead, glasses on his father's face, a lamppost by the flagstone path in front of the house. "Well, if that's not the spitting image," Mrs. Merton says, looking over his shoulder. That evening Maya Nandi, whom he calls Maya Mashi, as if she were his own mother's sister, his own aunt, is heating up the dinner she's brought over, when his father calls to say the baby has arrived. The next day Gogol sees his mother sitting in an angled bed, a plastic bracelet around her wrist, her stomach no longer as hard and round. Through a big glass window, he sees his sister asleep, lying in a small glass bed, the only one of the babies in the nursery to have a thick head of black hair. He is introduced to his mother's nurses. He drinks the juice and eats the pudding off his mother's tray. Shyly he gives his mother the picture he's drawn. Underneath the figures he's written his own name, and Ma, and Baba. Only the space under the baby is blank. "I didn't know the baby's name," Gogol says, which is when his parents tell him. This time, Ashoke and Ashima are ready. They have the names lined up, for a boy or a girl. They've learned their lesson after Gogol. They've learned that schools in America will ignore parents' instructions and register a child under his pet name. The only way to avoid such confusion, they have concluded, is to do away with the pet name altogether, as many of their Bengali friends have already done. For their daughter, good name and pet name are one and the same: Sonali, meaning "she who is golden." Two days later, coming back from school, Gogol finds his mother at home again, wearing a bathrobe instead of a sari, and sees his sister awake for the first time. She is dressed in pink pajamas that conceal her hands and feet, with a pink bonnet tied around her moon-shaped face. His father is home, too. His parents sit Gogol on the living room sofa and place Sonali in his lap, telling him to hold her against his chest, a hand cupped under her head, and his father takes pictures with a new Nikon 35-millimeter camera. The shutter advances softly, repeatedly; the room is bathed in rich afternoon light. "Hi, Sonali," Gogol says, sitting stiffly, looking down at her face, and then up at the lens. Though Sonali is the name on her birth certificate, the name she will carry officially through life, at home they begin to call her Sonu, then Sona, and finally Sonia. Sonia makes her a citizen of the world. It's a Russian link to her brother, it's European, South American. Eventually it will be the name of the Indian prime minister's Italian wife. At first Gogol is disappointed by the fact that he can't play with her, that all she does is sleep and soil her diapers and cry. But eventually she begins to respond to him, cackling when he tickles her stomach, or pushes her in a swing operated by a noisy crank, or when he cries out "Peekaboo." He helps his mother to bathe her, fetching the towel and the shampoo. He entertains her in the back seat of the car when they drive on the highway on Saturday evenings, on the way to dinner parties thrown by their parents' friends. For by now all the Cambridge Bengalis have moved to places like Dedham and Framingham and Lexington and Winchester, to houses with backyards and driveways. They have met so many Bengalis that there is rarely a Saturday free, so that for the rest of his life Gogol's childhood memories of Saturday evenings will consist of a single, re peated scene: thirty-odd people in a three-bedroom suburban house, the children watching television or playing board games in a basement, the parents eating and conversing in the Bengali their children don't speak among themselves. He will remember eating watered-down curry off paper plates, sometimes pizza or Chinese ordered specially for the kids. There are so many guests invited to Sonia's rice ceremony that Ashoke arranges to rent a building on campus, with twenty folding tables and an industrial stove. Unlike her compliant older brother, Sonia, seven months old, refuses all the food. She plays with the dirt they've dug up from the yard and threatens to put the dollar bill into her mouth. "This one," one of the guests remarks, "this one is the true American." As their lives in New England swell with fellow Bengali friends, the members of that other, former life, those who know Ashima and Ashoke not by their good names but as Monu and Mithu, slowly dwindle. More deaths come, more telephone calls startle them in the middle of the night, more letters arrive in the mailbox informing them of aunts and uncles no longer with them. The news of these deaths never gets lost in the mail as other letters do. Somehow, bad news, however ridden with static, however filled with echoes, always manages to be conveyed. Within a decade abroad, they are both orphaned; Ashoke's parents both dead from cancer, Ashima's mother from kidney disease. Gogol and Sonia are woken by these deaths in the early mornings, their parents screaming on the other side of thin bedroom walls. They stumble into their parents' room, uncomprehending, embarrassed at the sight of their parents' tears, feeling only slightly sad. In some senses Ashoke and Ashima live the lives of the extremely aged, those for whom everyone they once knew and loved is lost, those who survive and are consoled by memory alone. Even those family members who continue to live seem dead somehow, always invisible, impossible to touch. Voices on the phone, occasionally bearing news of births and weddings, send chills down their spines. How could it be, still alive, still talking? The sight of them when they visit Calcutta every few years feels stranger still, six or eight weeks passing like a dream. Once back on Pemberton Road, in the modest house that is suddenly mammoth, there is nothing to remind them; in spite of the hundred or so relatives they've just seen, they feel as if they are the only Gangulis in the world. The people they have grown up with will never see this life, of this they are certain. They will never breathe the air of a damp New England morning, see smoke rising from a neighbor's chimney, shiver in a car waiting for the glass to defrost and the engine to warm. And yet to a casual observer, the Gangulis, apart from the name on their mailbox, apart from the issues of India Abroad and Sangbad Bichitra that are delivered there, appear no different from their neighbors. Their garage, like every other, contains shovels and pruning shears and a sled. They purchase a barbecue for tandoori on the porch in summer. Each step, each acquisition, no matter how small, involves deliberation, consultation with Bengali friends. Was there a difference between a plastic rake and a metal one? Which was preferable, a live Christmas tree or an artificial one? They learn to roast turkeys, albeit rubbed with garlic and cumin and cayenne, at Thanksgiving, to nail a wreath to their door in December, to wrap woolen scarves around snowmen, to color boiled eggs violet and pink at Easter and hide them around the house. For the sake of Gogol and Sonia they celebrate, with progressively increasing fanfare, the birth of Christ, an event the children look forward to far more than the worship of Durga and Saraswati. During pujos, scheduled for convenience on two Saturdays a year, Gogol and Sonia are dragged off to a high school or a Knights of Columbus hall overtaken by Bengalis, where they are required to throw marigold petals at a cardboard effigy of a goddess and eat bland vegetarian food. It can't compare to Christmas, when they hang stockings on the fireplace mantel, and set out cookies and milk for Santa Claus, and receive heaps of presents, and stay home from school. There are other ways in which Ashoke and Ashima give in. Though Ashima continues to wear nothing but saris and sandals from Bata, Ashoke, accustomed to wearing tailor-made pants and shirts all his life, learns to buy ready-made. He trades in fountain pens for ballpoints, Wilkinson blades and his boar-bristled shaving brush for Bic razors bought six to a pack. Though he is now a tenured full professor, he stops wearing jackets and ties to the university. Given that there is a clock everywhere he turns, at the side of his bed, over the stove where he prepares tea, in the car he drives to work, on the wall opposite his desk, he stops wearing a wristwatch, resigning his Favre Leuba to the depths of his sock drawer. In the supermarket they let Gogol fill the cart with items that he and Sonia, but not they, consume: individually wrapped slices of cheese, mayonnaise, tuna fish, hot dogs. For Gogol's lunches they stand at the deli to buy cold cuts, and in the mornings Ashima makes sandwiches with bologna or roast beef. At his insistence, she concedes and makes him an American dinner once a week as a treat, Shake 'n Bake chicken or Hamburger Helper prepared with ground lamb. Still, they do what they can. They make a point of driving into Cambridge with the children when the Apu Trilogy plays at the Orson Welles, or when there is a Kathakali dance performance or a sitar recital at Memorial Hall. When Gogol is in the third grade, they send him to Bengali language and culture lessons every other Saturday, held in the home of one of their friends. For when Ashima and Ashoke close their eyes it never fails to unsettle them, that their children sound just like Americans, expertly conversing in a language that still at times confounds them, in accents they are accustomed not to trust. In Bengali class, Gogol is taught to read and write his ancestral alphabet, which begins at the back of his throat with an unaspirated K and marches steadily across the roof of his mouth, end ing with elusive vowels that hover outside his lips. He is taught to write letters that hang from a bar, and eventually to cobble these intricate shapes into his name. They read handouts written in English about the Bengali Renaissance, and the revolutionary exploits of Subhas Chandra Bose. The children in the class study without interest, wishing they could be at ballet or softball practice instead. Gogol hates it because it keeps him from attending every other session of a Saturday-morning drawing class he's enrolled in, at the suggestion of his art teacher. The drawing class is held on the top floor of the public library; on nice days they are taken for walks through the historic district, carrying large sketchpads and pencils, and told to draw the facade of this building or that. In Bengali class they read from hand-sewn primers brought back by their teacher from Calcutta, intended for five-year-olds, printed, Gogol can't help noticing, on paper that resembles the folded toilet paper he uses at school. As a young boy Gogol doesn't mind his name. He recognizes pieces of himself in road signs: GO LEFT, GO RIGHT, GO SLOW. For birthdays his mother orders a cake on which his name is piped across the white frosted surface in a bright blue sugary script. It all seems perfectly normal. It doesn't bother him that his name is never an option on key chains or metal pins or refrigerator magnets. He has been told that he was named after a famous Russian author, born in a previous century. That the author's name, and therefore his, is known throughout the world and will live on forever. One day his father takes him to the university library, and shows him, on a shelf well beyond his reach, a row of Gogol spines. When his father opens up one of the books to a random page, the print is far smaller than in the Hardy Boys series Gogol has begun recently to enjoy. "In a few years," his father tells him, "you'll be ready to read them." Though substitute teachers at school always pause, looking apologetic when they arrive at his name on the roster, forcing Gogol to call out, before even being summoned, "That's me," teachers in the school system know not to give it a second thought. After a year or two, the students no longer tease and say "Giggle" or "Gargle." In the programs of the school Christmas plays, the parents are accustomed to seeing his name among the cast. "Gogol is an outstanding student, curious and cooperative," his teachers write year after year on report cards. "Go, Gogol!" his classmates shout on golden autumn days as he runs the bases or sprints in a dash. As for his last name, GANGULI, by the time he is ten he has been to Calcutta three more times, twice in summer and once during Durga pujo, and from the most recent trip he still remembers the sight of it etched respectably into the whitewashed exterior of his paternal grandparents' house. He remembers the astonishment of seeing six pages full of Gangulis, three columns to a page, in the Calcutta telephone directory. He'd wanted to rip out the page as a souvenir, but when he'd told this to one of his cousins, the cousin had laughed. On taxi rides through the city, going to visit the various homes of his relatives, his father had pointed out the name elsewhere, on the awnings of confectioners, and stationers, and opticians. He had told Gogol that Ganguli is a legacy of the British, an anglicized way of pronouncing his real surname, Gangopadhyay. Back home on Pemberton Road, he helps his father paste individual golden letters bought from a rack in the hardware store, spelling out ganguli on one side of their mailbox. One morning, the day after Halloween, Gogol discovers, on his way to the bus stop, that it has been shortened to GANG, with the word GREEN scrawled in pencil following it. His ears burn at the sight, and he runs back into the house, sickened, certain of the insult his father will feel. Though it is his last name, too, something tells Gogol that the desecration is intended for his parents more than Sonia and him. For by now he is aware, in stores, of cashiers smirking at his parents' accents, and of salesmen who prefer to direct their conversation to Gogol, as though his parents were either incompetent or deaf. But his father is unaffected at such moments, just as he is unaffected by the mailbox. "It's only boys having fun," he tells Gogol, flicking the matter away with the back of a hand, and that evening they drive back to the hardware store, to buy the missing letters again. Then one day the peculiarity of his name becomes apparent. He is eleven years old, in the sixth grade, on a school field trip of some historical intent. They set off in their school bus, two classes, two teachers, two chaperones along for the ride, driving straight through the town and onto the highway. It is a chilly, spectacular November day, the blue sky cloudless, the trees shedding bright yellow leaves that blanket the ground. The children scream and sing and drink cans of soda wrapped in aluminum foil. First they visit a textile mill somewhere in Rhode Island. The next stop is a small unpainted wooden house with tiny windows, sitting on a large plot of land. Inside, after adjusting to the diminished light, they stare at a desk with an inkwell at its top, a soot-stained fireplace, a washtub, a short, narrow bed. It was once the home of a poet, they are told. All the furniture is roped off from the center of the room, with little signs telling them not to touch. The ceiling is so low that the teachers duck their heads as they walk from darkened room to room. They look at the kitchen, with its iron stove and stone sink, and file along a dirt path to look at the outhouse. The students shriek with disgust at the sight of a tin pan hanging from the bottom of a wooden chair. In the gift shop, Gogol buys a postcard of the house and a ballpoint pen disguised as a quill. The final stop on the field trip, a short distance by bus from the poet's house, is a graveyard where the writer lies buried. They take a few minutes wandering from stone to stone, among thick and thin tablets, some leaning back as if pressed by a wind. The stones are square and arched, black and gray, more often plain than shiny, caked with lichen and moss. On many of the stones the inscriptions have faded. They find the stone that bears the poet's name. "Line up," the teachers say, "it's time for a project." The students are each given several sheets of newsprint and thick colored crayons whose labels have been peeled. Gogol can't help but feel a chill. He's never set foot in a graveyard before, only glimpsed them in passing, riding in cars. There is a large one on the outskirts of their town; once, stuck in traffic, he and his family had witnessed a burial from a distance, and ever since then, whenever they drive by, his mother always tells them to avert their eyes. To Gogol's surprise they are told not to draw the gravestones, but to rub their surfaces. A teacher crouches down, one hand holding the newsprint in place, and shows them how. The children begin to scamper between rows of the dead, over leathery leaves, looking for their own names, a handful triumphant when they are able to claim a grave they are related to. "Smith!" they holler. "Collins!" "Wood!" Gogol is old enough to know that there is no Ganguli here. He is old enough to know that he himself will be burned, not buried, that his body will occupy no plot of earth, that no stone in this country will bear his name beyond life. In Calcutta, from taxis and once from the roof of his grandparents' house, he has seen the dead bodies of strangers carried on people's shoulders through streets, decked with flowers, wrapped in sheets. He walks over to a slim, blackened stone with a pleasing shape, rounded at the top before rising into a cross. He kneels on the grass and holds up the newsprint, then begins to rub gently with the side of his crayon. The sun is already sinking and his fingers are stiff with cold. The teachers and chaperones sit on the ground, legs extended, leaning back against the headstones, the aroma of their menthol cigarettes drifting through the air. At first nothing appears apart from a grainy, featureless wash of midnight blue. But then, suddenly, the crayon meets with slight resistance, and letters, one after another, emerge magically on the page: ABIJAH CRAVEN, 1701-45. Gogol has never met a person named Abijah, just as, he now realizes, he has never met another Gogol. He wonders how to pronounce Abijah, whether it's a man's or a woman's name. He walks to another tombstone, less than a foot tall, and presses another sheet of paper to its surface. This one says ANGUISH MATHER, A CHILD. He shudders, imagining bones no larger than his below the ground. Some of the other children in the class, already bored with the project, begin chasing one another around the stones, pushing and teasing and snapping gum. But Gogol goes from grave to grave with paper and crayon in hand, bringing to life one name after another. PEREGRINE WOTTON, D.
At home, his mother is horrified. What type of field trip was this? It was enough that they applied lipstick to their corpses and buried them in silk-lined boxes. Only in America (a phrase she has begun to resort to often these days), only in America are children taken to cemeteries in the name of art. What's next, she demands to know, a trip to the morgue? In Calcutta the burning ghats are the most forbidden of places, she tells Gogol, and though she tries her best not to, though she was here, not there, both times it happened, she sees her parents' bodies, swallowed by flames. "Death is not a pastime," she says, her voice rising unsteadily, "not a place to make paintings." She refuses to display the rubbings in the kitchen alongside his other creations, his charcoal drawings and his magazine col lages, his pencil sketch of a Greek temple copied from an encyclopedia, his pastel image of the public library's facade, awarded first place in a contest sponsored by the library trustees. Never before has she rejected a piece of her son's art. The guilt she feels at Gogol's deflated expression is leavened by common sense. How can she be expected to cook dinner for her family with the names of dead people on the walls? But Gogol is attached to them. For reasons he cannot explain or necessarily understand, these ancient Puritan spirits, these very first immigrants to America, these bearers of unthinkable, obsolete names, have spoken to him, so much so that in spite of his mother's disgust he refuses to throw the rubbings away. He rolls them up, takes them upstairs, and puts them in his room, behind his chest of drawers, where he knows his mother will never bother to look, and where they will remain, ignored but protected, gathering dust for years to come. 41982Gogol's fourteenth birthday. Like most events in his life, it is another excuse for his parents to throw a party for their Bengali friends. His own friends from school were invited the previous day, a tame affair, with pizzas that his father picked up on his way home from work, a baseball game watched together on television, some Ping-Pong in the den. For the first time in his life he has said no to the frosted cake, the box of harlequin ice cream, the hot dogs in buns, the balloons and streamers taped to the walls. The other celebration, the Bengali one, is held on the closest Saturday to the actual date of his birth. As usual his mother cooks for days beforehand, cramming the refrigerator with stacks of foil- covered trays. She makes sure to prepare his favorite things: lamb curry with lots of potatoes, luchis, thick channa dal with swollen brown raisins, pineapple chutney, sandeshes molded out of saffron-tinted ricotta cheese. All this is less stressful to her than the task of feeding a handful of American children, half of whom always claim they are allergic to milk, all of whom refuse to eat the crusts of their bread. Close to forty guests come from three different states. Women are dressed in saris far more dazzling than the pants and polo shirts their husbands wear. A group of men sit in a circle on the floor and immediately start a game of poker. These are his mashis and meshos, his honorary aunts and uncles. They all bring their children; his parents' crowd does not believe in baby-sitters. As usual, Gogol is the oldest child in the group. He is too old to be playing hide-and-seek with eight-year-old Sonia and her ponytailed, gap-toothed friends, but not old enough to sit in the living room and discuss Reaganomics with his father and the rest of the husbands, or to sit around the dining room table, gossiping, with his mother and the wives. The closest person to him in age is a girl named Moushumi, whose family recently moved to Massachusetts from England, and whose thirteenth birthday was celebrated in a similar fashion a few months ago. But Gogol and Moushumi have nothing to say to each other. Moushumi sits cross-legged on the floor, in glasses with maroon plastic frames and a puffy polka-dotted headband holding back her thick, chin-length hair. In her lap is a kelly green Bermuda bag with pink piping and wooden handles; inside the bag is a tube of 7UP-flavored lip balm that she draws from time to time across her mouth. She is reading a well-thumbed paperback copy of Pride and Prejudice while the other children, Gogol included, watch The Love Boat and Fantasy Island, piled together on top and around the sides of his parents' bed. Occasionally one of the children asks Moushumi to say something, anything, in her English accent. Sonia asks if she's ever seen Princess Diana on the street. "I detest American television," Moushumi eventually declares to everyone's delight, then wanders into the hallway to continue her reading. Presents are opened when the guests are gone. Gogol receives several dictionaries, several calculators, several Cross pen-and-pencil sets, several ugly sweaters. His parents give him an Instamatic camera, a new sketchbook, colored pencils and the mechanical pen he'd asked for, and twenty dollars to spend as he wishes. Sonia has made him a card with Magic Markers, on paper she's ripped out of one of his own sketchbooks, which says "Happy Birthday Goggles," the name she insists on calling him instead of Dada. His mother sets aside the things he doesn't like, which is most everything, to give to his cousins the next time they go to India. Later that night he is alone in his room, listening to side 3 of the White Album on his parents' cast-off RCA turntable. The album is a present from his American birthday party, given to him by one of his friends at school. Born when the band was near death, Gogol is a passionate devotee of John, Paul, George, and Ringo. In recent years he has collected nearly all their albums, and the only thing tacked to the bulletin board on the back of his door is Lennon's obituary, already yellow and brittle, clipped from the Boston Globe. He sits cross-legged on the bed, hunched over the lyrics, when he hears a knock on the door. "Come in," he hollers, expecting it to be Sonia in her pajamas, asking if she can borrow his Magic 8 Ball or his Rubik's Cube. He is surprised to see his father, standing in stocking feet, a small potbelly visible beneath his oat-colored sweater vest, his mustache turning gray. Gogol is especially surprised to see a gift in his father's hands. His father has never given him birthday presents apart from whatever his mother buys, but this year, his father says, walking across the room to where Gogol is sitting, he has something special. The gift is covered in red-and-green-and-gold-striped paper left over from Christmas the year before, taped awkwardly at the seams. It is obviously a book, thick, hardcover, wrapped by his father's own hands. Gogol lifts the paper slowly, but in spite of this the tape leaves a scab. The Short Stories of Nikolai Gogol, the jacket says. Inside, the price has been snipped away on the diagonal. "I ordered it from the bookstore, just for you," his father says, his voice raised in order to be heard over the music. "It's difficult to find in hardcover these days. It's a British publication, a very small press. It took four months to arrive. I hope you like it." Gogol leans over toward the stereo to turn the volume down a bit. He would have preferred The Hitchhiker's Guide to the Galaxy, or even another copy of The Hobbit to replace the one he lost last summer in Calcutta, left on the rooftop of his father's house in Alipore and snatched away by crows. In spite of his father's occasional suggestions, he has never been inspired to read a word of Gogol, or any Russian writer, for that matter. He has never been told why he was really named Gogol, doesn't know about the accident that had nearly killed his father. He thinks his father's limp is the consequence of an injury playing soccer in his teens. He's been told only half the truth about Gogol: that his father is a fan. "Thanks, Baba," Gogol says, eager to return to his lyrics. Lately he's been lazy, addressing his parents in English though they continue to speak to him in Bengali. Occasionally he wanders through the house with his running sneakers on. At dinner he sometimes uses a fork. His father is still standing there in his room, watching expectantly, his hands clasped together behind his back, so Gogol flips through the book. A single picture at the front, on smoother paper than the rest of the pages, shows a pencil drawing of the author, sporting a velvet jacket, a billowy white shirt and cravat. The face is foxlike, with small, dark eyes, a thin, neat mustache, an extremely large pointy nose. Dark hair slants steeply across his forehead and is plastered to either side of his head, and there is a disturbing, vaguely supercilious smile set into long, narrow lips. Gogol Ganguli is relieved to see no resemblance. True, his nose is long but not so long, his hair dark but surely not so dark, his skin pale but certainly not so pale. The style of his own hair is altogether different—thick Beatle-like bangs that conceal his brows. Gogol Ganguli wears a Harvard sweatshirt and gray Levi's corduroys. He has worn a tie once in his life, to attend a friend's bar mitzvah. No, he concludes confidently, there is no resemblance at all. For by now, he's come to hate questions pertaining to his name, hates having constantly to explain. He hates having to tell people that it doesn't mean anything "in Indian." He hates having to wear a nametag on his sweater at Model United Nations Day at school. He even hates signing his name at the bottom of his drawings in art class. He hates that his name is both absurd and obscure, that it has nothing to do with who he is, that it is neither Indian nor American but of all things Russian. He hates having to live with it, with a pet name turned good name, day after day, second after second. He hates seeing it on the brown paper sleeve of the National Geographic subscription his parents got him for his birthday the year before and perpetually listed in the honor roll printed in the town's newspaper. At times his name, an entity shapeless and weightless, manages nevertheless to distress him physically, like the scratchy tag of a shirt he has been forced permanently to wear. At times he wishes he could disguise it, shorten it somehow, the way the other Indian boy in his school, Jayadev, had gotten people to call him Jay. But Gogol, already short and catchy, resists mutation. Other boys his age have begun to court girls already, asking them to go to the movies or the pizza parlor, but he cannot imagine saying, "Hi, it's Gogol" under potentially romantic circumstances. He cannot imagine this at all. From the little he knows about Russian writers, it dismays him that his parents chose the weirdest namesake. Leo or Anton, he could have lived with. Alexander, shortened to Alex, he would have greatly preferred. But Gogol sounds ludicrous to his ears, lacking dignity or gravity. What dismays him most is the irrelevance of it all. Gogol, he's been tempted to tell his father on more than one occasion, was his father's favorite author, not his. Then again, it's his own fault. He could have been known, at school at least, as Nikhil. That one day, that first day of kindergarten, which he no longer remembers, could have changed everything. He could have been Gogol only fifty percent of the time. Like his parents when they went to Calcutta, he could have had an alternative identity, a B-side to the self. "We tried," his parents explain to friends and relatives who ask why their son lacks a good name, "but he would only respond to Gogol. The school insisted." His parents would add, "We live in a country where a president is called Jimmy. Really, there was nothing we could do." "Thanks again," Gogol tells his father now. He shuts the cover and swings his legs over the edge of the bed, to put the book away on his shelves. But his father takes the opportunity to sit beside him on the bed. For a moment he rests a hand on Gogol's shoulder. The boy's body, in recent months, has grown tall, nearly as tall as Ashoke's. The childhood pudginess has vanished from his face. The voice has begun to deepen, is slightly husky now. It occurs to Ashoke that he and his son probably wear the same size shoe. In the glow of the bedside lamp, Ashoke notices a scattered down emerging on his son's upper lip. An Adam's apple is prominent on his neck. The pale hands, like Ashima's, are long and thin. Ashoke wonders how closely Gogol resembles himself at this age. But there are no photographs to document Ashoke's childhood; not until his passport, not until his life in America, does visual documentation exist. On the night table Ashoke sees a can of deodorant, a tube of Clearasil. He lifts the book from where it lies on the bed between them, running a hand protectively over the cover. "I took the liberty of reading it first. It has been many years since I have read these stories. I hope you don't mind." "No problem," Gogol says. "I feel a special kinship with Gogol," Ashoke says, "more than with any other writer. Do you know why?" "You like his stories." "Apart from that. He spent most of his adult life outside his homeland. Like me." Gogol nods. "Right." "And there is another reason." The music ends and there is silence. But then Gogol flips the record, turning the volume up on "Revolution 1." "What's that?" Gogol says, a bit impatiently. Ashoke looks around the room. He notices the Lennon obituary pinned to the bulletin board, and then a cassette of classical Indian music he'd bought for Gogol months ago, after a concert at Kresge, still sealed in its wrapper. He sees the pile of birthday cards scattered on the carpet, and remembers a hot August day fourteen years ago in Cambridge when he held his son for the first time. Ever since that day, the day he became a father, the memory of his accident has receded, diminishing over the years. Though he will never forget that night, it no longer lurks persistently in his mind, stalking him in the same way. It no longer looms over his life, darkening it without warning as it used to do. Instead, it is affixed firmly to a distant time, to a place far from Pemberton Road. Today, his son's birthday, is a day to honor life, not brushes with death. And so, for now, Ashoke decides to keep the explanation of his son's name to himself. "No other reason. Good night," he says to Gogol, getting up from the bed. At the door he pauses, turns around. "Do you know what Dostoyevsky once said?" Gogol shakes his head. "'We all came out of Gogol's overcoat.'" "What's that supposed to mean?" "It will make sense to you one day. Many happy returns of the day." Gogol gets up and shuts the door behind his father, who has the annoying habit of always leaving it partly open. He fastens the lock on the knob for good measure, then wedges the book on a high shelf between two volumes of the Hardy Boys. He settles down again with his lyrics on the bed when something occurs to him. This writer he is named after—Gogol isn't his first name. His first name is Nikolai. Not only does Gogol Ganguli have a pet name turned good name, but a last name turned first name. And so it occurs to him that no one he knows in the world, in Russia or India or America or anywhere, shares his name. Not even the source of his namesake. *** The following year Ashoke is up for a sabbatical, and Gogol and Sonia are informed that they will all be going to Calcutta for eight months. When his parents tell him, one evening after dinner, Gogol thinks they're joking. But then they tell them that the tickets have already been booked, the plans already made. "Think of it as a long vacation," Ashoke and Ashima say to their crestfallen children. But Gogol knows that eight months is no vacation. He dreads the thought of eight months without a room of his own, without his records and his stereo, without friends. In Gogol's opinion, eight months in Calcutta is practically like moving there, a possibility that, until now, has never even remotely crossed his mind. Besides, he's a sophomore now. "What about school?" he points out. His parents remind him that in the past his teachers have never minded Gogol missing school now and again. They've given him math and language workbooks that he's ignored, and when he returns, a month or two later, they praise him for keeping up with things. But Gogol's guidance counselor expresses concern when Gogol informs him that he will be missing the entire second half of the tenth grade. A meeting is called with Ashima and Ashoke to discuss the options. The guidance counselor asks if it's possible to enroll Gogol in one of the American Schools in India. But the nearest one is in Delhi, over eight hundred miles from Calcutta. The guidance counselor suggests that perhaps Gogol could join his parents later, after the school year ends, stay with a relative until June. "We have no relatives in this country," Ashima informs the guidance counselor. "That is why we are going to India in the first place." And so after barely four months of tenth grade, after an early supper of rice and boiled potatoes and eggs that his mother insists they eat even though they will be served another supper on the plane, he is off, geometry and U.S. history books packed into his suitcase, which is locked, along with the others, with padlocks and bound with ropes, labeled with the address of his father's house in Alipore. Gogol always finds the labels unsettling, the sight of them making him feel that his family doesn't really live on Pemberton Road. They depart Christmas Day, driving with their massive collection of luggage to Logan when they should be home opening gifts. Sonia is morose, running a slight fever from her typhoid shot, still expecting, when she enters the living room in the morning, to see a tree trimmed with lights. But the only thing in the living room is debris: price tags from all the gifts they've packed for their relatives, plastic hangers, cardboard from shirts. They shiver as they leave the house, without coats or gloves; they won't need them where they're going, and it will be August by the time they return. The house has been rented to some American students his father has found through the university, an unmarried couple named Barbara and Steve. In the airport Gogol stands in the check-in line with his father, who is dressed in a jacket and tie, clothes he still thinks to wear when riding on planes. "Four in the family," his father says when it is their turn, producing two U.S. passports and two Indian ones. "Two Hindu meals, please." On the plane Gogol is seated several rows behind his parents and Sonia, in another section altogether. His parents are distressed by this, but Gogol is secretly pleased to be on his own. When the stewardess approaches with her cart of beverages he tries his luck and asks for a Bloody Mary, tasting the metallic bite of alcohol for the first time in his life. They fly first to London, and then to Calcutta via Dubai. When they fly over the Alps, his father gets out of his seat to take pictures of the snowcapped peaks through the window. On past trips, it used to thrill Gogol that they were flying over so many countries; again and again he would trace their itinerary on the map in the seat pocket below his tray and feel somehow adventurous. But this time it frustrates him that it is to Calcutta that they always go. Apart from visiting relatives there was nothing to do in Calcutta. He's already been to the planetarium and the Zoo Gardens and the Victoria Memorial a dozen times. They have never been to Disneyland or the Grand Canyon. Only once, when their connecting flight in London was delayed, did they leave Heathrow and take a double-decker bus tour of the city. On the final leg of the trip there are only a few non-Indians left on the plane. Bengali conversation fills the cabin; his mother has already exchanged addresses with the family across the aisle. Before landing she slips into the bathroom and changes, miraculously in that minuscule space, into a fresh sari. A final meal is served, an herbed omelette topped with a slice of grilled tomato. Gogol savors each mouthful, aware that for the next eight months nothing will taste quite the same. Through the window he sees palm trees and banana trees, a damp, drab sky. The wheels touch the ground, the aircraft is sprayed with disinfectant, and then they descend onto the tarmac of Dum Dum Airport, breathing in the sour, stomach-turning, early morning air. They stop to wave back at the row of relatives waving madly from the observation deck, little cousins propped up on uncles' shoulders. As usual the Gangulis are relieved to learn that all their luggage has arrived, together and unmolested, and relieved further still when customs doesn't make a fuss. And then the frosted doors slide open and once again they are officially there, no longer in transit, swallowed by hugs and kisses and pinched cheeks and smiles. There are endless names Gogol and Sonia must remember to say, not aunt this and uncle that but terms far more specific: mashi and pishi, mama and maima, kaku and jethu, to signify whether they are related on their mother's or their father's side, by marriage or by blood. Ashima, now Monu, weeps with relief, and Ashoke, now Mithu, kisses his brothers on both cheeks, holds their heads in his hands. Gogol and Sonia know these people, but they do not feel close to them as their parents do. Within minutes, before their eyes Ashoke and Ashima slip into bolder, less complicated versions of themselves, their voices louder, their smiles wider, revealing a confidence Gogol and Sonia never see on Pemberton Road. "I'm scared, Goggles," Sonia whispers to her brother in English, seeking his hand and refusing to let go. They are ushered into waiting taxis and down VIP Road, past a colossal landfill and into the heart of North Calcutta. Gogol is accustomed to the scenery, yet he still stares, at the short, dark men pulling rickshaws and the crumbling buildings side by side with fretwork balconies, hammers and sickles painted on their facades. He stares at the commuters who cling precariously to trams and buses, threatening at any moment to spill onto the street, and at the families who boil rice and shampoo their hair on the sidewalk. At his mother's flat on Amherst Street, where his uncle's family lives now, neighbors look from their windows and roofs as Gogol and his family emerge from the taxi. They stand out in their bright, expensive sneakers, American haircuts, backpacks slung over one shoulder. Once inside, he and Sonia are given cups of Horlick's, plates of syrupy, spongy rossogollas for which they have no appetite but which they dutifully eat. They have their feet traced onto pieces of paper, and a servant is sent to Bata to bring back rubber slippers for them to wear indoors. The suitcases are unlocked and unbound and all the gifts are unearthed, admired, tried on for size. In the days that follow they adjust once again to sleeping under a mosquito net, bathing by pouring tin cups of water over their heads. In the mornings Gogol watches his cousins put on their white and blue school uniforms and strap water bottles across their chests. His aunt, Uma Maima, presides in the kitchen all morning, harassing the servants as they squat by the drain scouring the dirty dishes with ash, or pound heaps of spices on slabs that resemble tombstones. At the Ganguli house in Alipore, he sees the room in which they would have lived had his parents remained in India, the ebony four-poster bed on which they would have slept all together, the armoire in which they would have stored their clothes. Instead of renting an apartment of their own, they spend eight months with their various relatives, shuttling from home to home. They stay in Ballygunge, Tollygunge, Salt Lake, Budge Budge, ferried by endless bumpy taxi rides back and forth through the city. Every few weeks there is a different bed to sleep in, another family to live with, a new schedule to learn. Depending on where they are, they eat sitting on red clay or cement or terrazzo floors, or at marble-topped tables too cold to rest their elbows on. Their cousins and aunts and uncles ask them about life in America, about what they eat for breakfast, about their friends at school. They look at the pictures of their house on Pemberton Road. "Carpets in the bathroom," they say, "imagine that." His father keeps busy with his research, delivering lectures at Jadavpur University. His mother shops in New Market and goes to movies and sees her old school friends. For eight months she does not set foot in a kitchen. She wanders freely around a city in which Gogol, in spite of his many visits, has no sense of direction. Within three months Sonia has read each of her Laura Ingalls Wilder books a dozen times. Gogol occasionally opens up one of his textbooks, bloated from the heat. Though he's brought his sneakers with him, hoping to keep up with cross-country training, it is impossible, on these cracked, congested, chock-a-block streets, to run. The one day he tries, Uma Maima, watching from the rooftop, sends a servant to follow him so that Gogol doesn't get lost. It's easier to surrender to confinement. On Amherst Street, Gogol sits at his grandfather's drawing table, poking through a tin full of dried-out nibs. He sketches what he sees through the iron window bars: the crooked skyline, the courtyards, the cobblestone square where he watches maids filling brass urns at the tube well, people passing under the soiled canopies of rickshaws, hurrying home with parcels in the rain. On the roof one day, with its view of Howrah Bridge in the distance, he smokes a bidi tightly rolled in olive green leaves with one of the ser vants. Of all the people who surround them at practically all times, Sonia is his only ally, the only person to speak and sit and see as he does. While the rest of the household sleeps, he and Sonia fight over the Walkman, over the melting collection of tapes Gogol recorded back in his room at home. From time to time, they privately admit to excruciating cravings, for hamburgers or a slice of pepperoni pizza or a cold glass of milk. They are surprised, in the summer, to learn that their father has planned a trip for them, first to Delhi to visit an uncle, and then to Agra to see the Taj Mahal. It will be Gogol and Sonia's first journey outside of Calcutta, their first time on an Indian train. They depart from Howrah, that immense, soaring, echoing station, where barefoot coolies in red cotton shirts pile the Gangulis' Samsonite luggage on their heads, where entire families sleep, covered, in rows on the floor. Gogol is aware of the dangers involved: his cousins have told him about the bandits that lurk in Bihar, so that his father wears a special garment under his shirt, with hidden pockets to carry cash, and his mother and Sonia remove their gold jewels. On the platform they walk from compartment to compartment, looking for their four names on the passenger list pasted to the outside wall of the train. They settle onto their blue berths, the top two swinging down from the walls when it is time to sleep and held in place by sliding latches during the day. A conductor gives them their bedding, heavy white cotton sheets and thin woolen blankets. In the morning they look at the scenery through the tinted window of their air-conditioned car. As a result, the view, no matter how bright the day, is gloomy and gray. They are unaccustomed, after all these months, to being just the four of them. For a few days, in Agra, which is as foreign to Ashima and Ashoke as it is to Gogol and Sonia, they are tourists, staying at a hotel with a swimming pool, sipping bottled water, eating in restaurants with forks and spoons, paying by credit card. Ashima and Ashoke speak in broken Hindi, and when young boys approach to sell postcards or marble trinkets Gogol and Sonia are forced to say, "English, please." Gogol notices in certain restaurants that they are the only Indians apart from the serving staff. For two days they wander around the marble mausoleum that glows gray and yellow and pink and orange depending on the light. They admire its perfect symmetry and pose for photographs beneath the minarets from which tourists used to leap to their deaths. "I want a picture here, just the two of us," Ashima says to Ashoke as they wander around the massive plinth, and so under the blinding Agra sun, overlooking the dried-up Yamuna, Ashoke teaches Gogol how to use the Nikon, how to focus and advance the film. A tour guide tells them that after the Taj was completed, each of the builders, twenty-two thousand men, had his thumbs cut off so that the structure could never be built again. That night in the hotel Sonia wakes up screaming that her own thumbs are missing. "It's just legend," her parents tell her. But the idea of it haunts Gogol as well. No other building he's seen has affected him so powerfully. Their second day at the Taj he attempts to sketch the dome and a portion of the facade, but the building's grace eludes him and he throws the attempt away. Instead, he immerses himself in the guidebook, studying the history of Mughal architecture, learning the succession of emperors' names: Babur, Humayun, Akbar, Jahangir, Shah Jahan, Aurangzeb. At Agra Fort he and his family look through the window of the room where Shah Jahan was imprisoned by his own son. At Sikandra, Akbar's tomb, they gaze at gilded frescoes in the entryway, chipped, ransacked, burned, the gems gouged out with penknives, graffiti etched into the stone. At Fatehpur Sikri, Akbar's abandoned sandstone city, they wander among courtyards and cloisters as parrots and hawks fly overhead, and in Salim Chishti's tomb Ashima ties red threads for good luck to a marble lattice screen. But bad luck trails them on the trip back to Calcutta. At Benares station, Sonia asks her father to buy her a slice of jack-fruit, which makes her lips itch unbearably, then swell to three times their size. Somewhere in Bihar, in the middle of the night, a businessman in another compartment is stabbed in his sleep and robbed of three hundred thousand rupees, and the train stops for five hours while the local police investigate. The Gangulis learn the cause of the delay the following morning, as breakfast is being served, the passengers agitated and horrified, all speaking of the same thing. "Wake up. Some guy on the train got murdered," Gogol says to Sonia from his top berth to hers. No one is more horrified than Ashoke, who privately recalls that other train, on that other night, and that other field where he'd been stopped. This time he'd heard nothing. He'd slept through the whole thing. Upon returning to Calcutta, Gogol and Sonia both get terribly ill. It is the air, the rice, the wind, their relatives casually remark; they were not made to survive in a poor country, they say. They have constipation followed by the opposite. Doctors come to the house in the evening with stethoscopes in black leather bags. They are given courses of Entroquinol, ajowan water that burns their throats. And once they've recovered it's time to go back: the day they were convinced would never come is just two weeks away. Kashmiri pencil cups are bought for Ashoke to give to his colleagues at the university. Gogol buys Indian comic books to give to his American friends. On the evening of their departure he watches his parents standing in front of framed pictures of his dead grandparents on the walls, heads bowed, weeping like children. And then the caravan of taxis and Ambassadors comes to whisk them one last time across the city. Their flight is at dawn and so they must leave in darkness, driving through streets so empty they are unrecognizable, a tram with its small single headlight the only other thing that moves. At the airport the row of people who had greeted them, have hosted and fed and fawned over them for all these months, those with whom he shares a name if not his life, assemble once more on the balcony, to wave good-bye. Gogol knows that his relatives will stand there until the plane has drifted away, until the flashing lights are no longer visible in the sky. He knows that his mother will sit silently, staring at the clouds, as they journey back to Boston. But for Gogol, relief quickly replaces any lingering sadness. With relief he peels back the foil covering his breakfast, extracts the silverware from its sealed plastic packaging, asks the British Airways stewardess for a glass of orange juice. With relief he puts on his headset to watch The Big Chill and listen to top-forty songs all the way home. Within twenty-four hours he and his family are back on Pemberton Road, the late August grass in need of trimming, a quart of milk and some bread left by their tenants in the refrigerator, four grocery bags on the staircase filled with mail. At first the Gangulis sleep most of the day and are wide awake at night, gorging themselves on toast at three in the morning, unpacking the suitcases one by one. Though they are home they are disconcerted by the space, by the uncompromising silence that surrounds them. They still feel somehow in transit, still disconnected from their lives, bound up in an alternate schedule, an intimacy only the four of them share. But by the end of the week, after his mother's friends come to admire her new gold and saris, after the eight suitcases have been aired out on the sun deck and put away, after the chanachur is poured into Tupperware and the smuggled mangoes eaten for breakfast with cereal and tea, it's as if they've never been gone. "How dark you've become," his parents' friends say regretfully to Gogol and Sonia. On this end, there is no effort involved. They retreat to their three rooms, to their three separate beds, to their thick mattresses and pillows and fitted sheets. After a single trip to the supermarket, the refrigerator and the cupboards fill with familiar labels: Skippy, Hood, Bumble Bee, Land O' Lakes. His mother enters the kitchen and prepares their meals once again; his father drives the car and mows the lawn and returns to the university. Gogol and Sonia sleep for as long as they want, watch television, make themselves peanut butter and jelly sandwiches at any time of day. Once again they are free to quarrel, to tease each other, to shout and holler and say shut up. They take hot showers, speak to each other in English, ride their bicycles around the neighborhood. They call up their American friends, who are happy enough to see them but ask them nothing about where they've been. And so the eight months are put behind them, quickly shed, quickly forgotten, like clothes worn for a special occasion, or for a season that has passed, suddenly cumbersome, irrelevant to their lives. In September, Gogol returns to high school to begin his junior year: honors biology, honors U.S. history, advanced trigonometry, Spanish, honors English. In his English class he reads Ethan Frome, The Great Gatsby, The Good Earth, The Red Badge of Courage. He takes his turn at the podium and recites the "Tomorrow, and tomorrow, and tomorrow" speech from Macbeth, the only lines of poetry he will know by heart for the rest of his life. His teacher, Mr. Lawson, is a slight, wiry, shamelessly preppy man with a surprisingly deep voice, reddish blond hair, smallish but penetrating green eyes, horn-rimmed glasses. He is the subject of schoolwide speculation, and slight scandal, having once been married to Ms. Sagan, who teaches French. He wears khakis and Shetland sweaters in bright solid colors, kelly green and yellow and red, sips black coffee continually from the same chipped blue mug, cannot survive the fifty-minute class without excusing himself to go to the teachers' lounge for a cigarette. In spite of his diminutive stature he has a commanding, captivating presence in the room. His handwriting is famously illegible; student compositions are regularly returned stamped with tan rings of coffee, sometimes golden rings of Scotch. Every year he gives everyone either a D or an F on the first assignment, an analysis of Blake's "The Tiger." A number of girls in the class insist that Mr. Lawson is indescribably sexy and have raging crushes on him. Mr. Lawson is the first of Gogol's teachers to know and to care about Gogol the author. The first day of class he had looked up from the podium when he came to Gogol's name on the roster, an expression of benign amazement on his face. Unlike other teachers he did not ask, Was that really his name, was that the last name, was it short for something else? He did not ask, as many foolishly did, "Wasn't he a writer?" Instead he called out the name in a perfectly reasonable way, without pause, without doubt, without a suppressed smile, just as he had called out Brian and Erica and Tom. And then: "Well, we're going to have to read 'The Overcoat.' Either that or 'The Nose.'" One January morning, the week after Christmas vacation, Gogol sits at his desk by the window and watches a thin, sugary snow fall inconsistently from the sky. "We're going to devote this quarter to the short story," Mr. Lawson announces, and instantly Gogol knows. With growing dread and a feeling of slight nausea, he watches as Mr. Lawson distributes the books piled on his desk, giving half a dozen well-worn copies of an anthology, Short Story Classics, to each of the students at the front of the rows. Gogol's copy is particularly battered, the corner blunted, the cover spotted as if by a whitish mold. He looks at the table of contents, sees Gogol listed after Faulkner, before Hemingway. The sight of it printed in capital letters on the crinkly page upsets him viscerally. It's as though the name were a particularly unflattering snapshot of himself that makes him want to say in his defense, "That's not really me." Gogol wants to excuse himself, to raise his hand and take a trip to the lavatory, but at the same time he wants to draw as little attention to himself as possible. And so he sits, avoiding eye contact with any of his classmates, and pages through the book. A number of the authors' names have been starred with penciled asterisks by previous readers, but there is no sign or mark by Nikolai Gogol's name. A single story corresponds with each author's name. The one by Gogol is called "The Overcoat." But for the rest of the class, Mr. Lawson does not mention Gogol. Instead, to Gogol Ganguli's relief, they take turns reading aloud from "The Necklace," by Guy de Maupassant. Perhaps, Gogol begins to wonder hopefully, Mr. Lawson has no intention of assigning the Gogol story. Perhaps he's forgotten about it. But as the bell rings, and the students rise collectively from their desks, Mr. Lawson holds up a hand. "Read the Gogol for tomorrow," he hollers as they shuffle through the door. The following day, Mr. Lawson writes "Nikolai Vasilievich Gogol" in capital letters on the board, draws a box around it, then writes the dates of the author's birth and death in parentheses. Gogol opens the binder on his desk, reluctantly copies the information down. He tells himself it isn't so strange; there is, after all, a William in the class, if not an Ernest. Mr. Law-son's left hand guides the chalk rapidly across the board, but Gogol's pen begins to lag. The loose-leaf pages remain blank as those of his classmates fill up with facts on which he will most likely soon be quizzed: Born 1809 in the province of Poltava to a family of Ukrainian Cossack gentry. Father a small landowner who also wrote plays, died when Gogol was sixteen. Studied at the Lyceum of Nezhin, went to St. Petersburg in 1828 where he entered, in 1829, the civil service, in the Department of Public Works for the Ministry of the Interior. From 1830 to 1831, transferred to the Court Ministry in the Department of Royal Estates, after which time he became a teacher, lecturing on history at the Young Ladies' Institute, and later at the University of St. Petersburg. At the age of twenty-two, established a close friendship with Alexander Pushkin. In 1830, published his first short story. In 1836, a comic play, The Government Inspector, was produced in St. Petersburg. Dismayed by the play's mixed reception, left Russia. For the next twelve years lived abroad, in Paris, Rome, and elsewhere, composing the first volume of Dead Souls, the novel considered to be his finest work. Mr. Lawson sits on the edge of his desk, crosses his legs, turns a few pages in a yellow legal pad covered with notes. Beside the legal pad is a biography of the author, a thick book called Divided Soul, the pages marked by numerous scraps of torn-up paper. "Not your ordinary guy, Nikolai Gogol," Mr. Lawson says. "He is celebrated today as one of Russia's most brilliant writers. But during his life he was understood by no one, least of all himself. One might say he typified the phrase 'eccentric genius.' Gogol's life, in a nutshell, was a steady decline into madness. The writer Ivan Turgenev described him as an intelligent, queer, and sickly creature. He was reputed to be a hypochondriac and a deeply paranoid, frustrated man. He was, in addition, by all accounts, morbidly melancholic, given to fits of severe depression. He had trouble making friends. He never married, fathered no children. It's commonly believed he died a virgin." Warmth spreads from the back of Gogol's neck to his cheeks and his ears. Each time the name is uttered, he quietly winces. His parents have never told him any of this. He looks at his classmates, but they seem indifferent, obediently copying down the information as Mr. Lawson continues to speak, looking over one shoulder, his sloppy handwriting filling up the board. He feels angry at Mr. Lawson suddenly. Somehow he feels betrayed. "Gogol's literary career spanned a period of about eleven years, after which he was more or less paralyzed by writer's block. The last years of his life were marked by physical deterioration and emotional torment," Mr. Lawson says. "Desperate to restore his health and creative inspiration, Gogol sought refuge in a series of spas and sanatoriums. In 1848 he made a pilgrimage to Palestine. Eventually he returned to Russia. In 1852, in Moscow, disillusioned and convinced of his failure as a writer, he renounced all literary activity and burned the manuscript to the second volume of Dead Souls. He then pronounced a death sentence on himself, and proceeded to commit slow suicide by starvation." "Gross," someone says from the back of the classroom. "Why would someone want to do that to himself?" A few people glance at Emily Gardener, rumored to have anorexia. Mr. Lawson, holding up a finger, goes on. "In attempts to revive him on the day before his death, doctors immersed him in a bath of broth while ice water was poured over his head, and then affixed seven leeches to his nose. His hands were pinned down so that he could not tear the worms away." The class, all but one, begins to moan in unison, so that Mr. Lawson has to raise his voice considerably in order to be heard. Gogol stares at his desk, seeing nothing. He is convinced that the entire school is listening to Mr. Lawson's lecture. That it's on the PA. He lowers his head over his desk, discreetly presses his hands against his ears. It's not enough to block out Mr. Lawson: "By the following evening he was no longer fully conscious, and so wasted that his spine could be felt through his stomach." Gogol shuts his eyes. Please, stop, he wishes he could say to Mr. Lawson. Please stop, he says, mouthing the words. And then, suddenly, there is silence. Gogol looks up, sees Mr. Lawson drop his chalk on the blackboard ledge. "I'll be right back," he says, and disappears to have a cigarette. The students, accustomed to this routine, begin talking among themselves. They complain about the story, saying that it's too long. They complain that it was hard to get through. There is talk of the difficulty of Russian names, students confessing merely to skimming them. Gogol says nothing. He has not read the story himself. He has never touched the Gogol book his father gave him on his fourteenth birthday. And yesterday, after class, he'd shoved the short story anthology deep into his locker, refusing to bring it home. To read the story, he believes, would mean paying tribute to his namesake, accepting it somehow. Still, listening to his classmates complain, he feels perversely responsible, as if his own work were being attacked. Mr. Lawson returns, sitting once more on his desk. Gogol hopes that perhaps the biographical portion of the lecture is over. What else could he possibly have left to say? But Mr. Lawson picks up Divided Soul. "Here is an account of his final moments," he says, and, turning toward the end of the book, he reads: "'His feet were icy. Tarasenkov slid a hot-water bottle into the bed, but it had no effect: he was shivering. Cold sweat covered his emaciated face. Blue circles appeared under his eyes. At midnight Dr. Klimentov relieved Dr. Tarasenkov. To ease the dying man, he administered a dose of calomel and placed loaves of hot bread around his body. Gogol began to moan again. His mind wandered, quietly, all night long. "Go on!" he whispered. "Rise up, charge, charge the mill!" Then he became still weaker, his face hollowed and darkened, his breathing became imperceptible. He seemed to grow calm; at least he was no longer suffering. At eight in the morning of February 21, 1852, he breathed his last. He was not yet forty-three years old.'" Gogol does not date anyone in high school. He suffers quiet crushes, which he admits to no one, on this girl or that girl with whom he is already friends. He does not attend dances or parties. He and his group of friends, Colin and Jason and Marc, prefer to listen to records together, to Dylan and Clapton and The Who, and read Nietzsche in their spare time. His parents do not find it strange that their son doesn't date, does not rent a tuxedo for his junior prom. They have never been on a date in their lives and therefore they see no reason to encourage Gogol, certainly not at his age. Instead they urge him to join the math team and maintain his A average. His father presses him to pursue engineering, perhaps at MIT. Assured by his grades and his apparent indifference to girls, his parents don't suspect Gogol of being, in his own fumbling way, an American teenager. They don't suspect him, for instance, of smoking pot, which he does from time to time when he and his friends get together to listen to records at one another's homes. They don't suspect him, when he goes to spend the night at a friend's house, of driving to a neighboring town to see The Rocky Horror Picture Show, or into Boston to see bands in Kenmore Square. One Saturday, soon before he is scheduled to take the SAT, his family drives to Connecticut for the weekend, leaving Go gol at home alone overnight for the first time in his life. It never crosses his parents' minds that instead of taking timed practice tests in his room, Gogol will drive with Colin and Jason and Marc to a party. They are invited by Colin's older brother, who is a freshman at the university where Gogol's father teaches. He dresses for the party as he normally does, in Levi's and boat shoes and a checkered flannel shirt. For all the times he's been to the campus, to visit his father at the engineering department or for swimming lessons or to run laps around the track, he has never been in a dorm before. They approach nervously, a bit giddy, afraid to be caught. "If anyone asks, my brother said to say we're freshmen at Amherst," Colin advises them in the car. The party occupies an entire hallway, the doors of the individual rooms all open. They enter the first room they can manage to, crowded, dark, hot. No one notices as Gogol and his three friends make their way across the room to the keg. For a while, they stand in a circle, holding their plastic cups of beer, shouting over the music in order to be heard. But then Colin sees his brother in the hallway, and Jason needs to find a bathroom, and Marc needs another beer already. Gogol drifts into the hallway as well. Everyone seems to know everyone else, embroiled in conversations that are impossible to join. Music playing from the different rooms mingles unpleasantly in Gogol's ears. He feels too wholesome in this ripped jeans and T-shirt crowd, fears his hair was too recently washed and is too neatly combed. And yet it doesn't seem to matter, no one seems to care. At the end of the hallway, he climbs a set of stairs, and at the top there is another hallway, equally crowded and loud. In the corner he sees a couple kissing, pressed up against the wall. Instead of pushing his way through to the other end of the hallway, he decides to climb another set of stairs. This time the hallway is deserted, an expanse of dark blue carpeting and white wooden doors. The only presence in the space is the sound of muffled music and voices coming from below. He is about to turn back down the staircase when one of the doors opens and a girl emerges, a pretty, slender girl wearing a but-toned- up polka-dotted thrift store dress and scuffed Doc Martens. She has short, dark brown hair, curving in toward her cheeks and cut in a high fringe over her brows. Her face is heart-shaped, her lips painted a glamorous red. "Sorry," Gogol says. "Am I not supposed to be up here?" "Well, it's technically a girls' floor," the girl says. "But that's never stopped a guy before." She studies him thoughtfully, as no other girl has looked at him. "You don't go here, do you?" "No," he says, his heart pounding. And then he remembers his surreptitious identity for the evening: "I'm a freshman at Amherst." "That's cool," the girl says, walking toward him. "I'm Kim." "Nice to meet you." He extends his hand, and Kim shakes it, a bit longer than necessary. For a moment she looks at him expectantly, then smiles, revealing two front teeth that are slightly overlapping. "Come on," she says. "I can show you around." They walk together down the staircase. She leads him to a room where she gets herself a beer and he pours himself another. He stands awkwardly at her side as she pauses to say hello to friends. They work their way to a common area where there is a television, a Coke machine, a shabby sofa, and an assortment of chairs. They sit on the sofa, slouching, a considerable space between them. Kim notices a stray pack of cigarettes on the coffee table and lights one. "Well?" she says, turning to look at him, somewhat suspiciously this time. "What?" "Aren't you going to introduce yourself to me?" "Oh," he says. "Yeah." But he doesn't want to tell Kim his name. He doesn't want to endure her reaction, to watch her lovely blue eyes grow wide. He wishes there were another name he could use, just this once, to get him through the eve ning. It wouldn't be so terrible. He's lied to her already, about being at Amherst. He could introduce himself as Colin or Jason or Marc, as anybody at all, and their conversation could continue, and she would never know or care. There were a million names to choose from. But then he realizes there's no need to lie. Not technically. He remembers the other name that had once been chosen for him, the one that should have been. "I'm Nikhil," he says for the first time in his life. He says it tentatively, his voice sounding strained to his ears, the statement turning without his meaning it to into a question. He looks at Kim, his eyebrows furrowed, prepared for her to challenge him, to correct him, to laugh in his face. He holds his breath. His face tingles, whether from triumph or terror he isn't sure. But Kim accepts it gladly. "Nikhil," she says, blowing a thin plume of smoke toward the ceiling. Again she turns to him and smiles. "Nikhil," she repeats. "I've never heard that before. That's a lovely name." They sit awhile longer, the conversation continuing, Gogol stunned at how easy it is. His mind floats; he only half listens as Kim talks about her classes, about the town in Connecticut where she's from. He feels at once guilty and exhilarated, protected as if by an invisible shield. Because he knows he will never see her again, he is brave that evening, kissing her lightly on the mouth as she is talking to him, his leg pressing gently against her leg on the sofa, briefly running a hand through her hair. It is the first time he's kissed anyone, the first time he's felt a girl's face and body and breath so close to his own. "I can't believe you kissed her, Gogol," his friends exclaim as they drive home from the party. He shakes his head in a daze, as astonished as they are, elation still welling inside him. "It wasn't me," he nearly says. But he doesn't tell them that it hadn't been Gogol who'd kissed Kim. That Gogol had had nothing to do with it. 5Plenty of people changed their names: actors, writers, revolutionaries, transvestites. In history class, Gogol has learned that European immigrants had their names changed at Ellis Island, that slaves renamed themselves once they were emancipated. Though Gogol doesn't know it, even Nikolai Gogol renamed himself, simplifying his surname at the age of twenty-two from Gogol-Yanovsky to Gogol upon publication in the Literary Gazette. (He had alsoo published under the name Yanov, and once signed his work "OOOO" in honor of the four o's in his full name.) One day in the summer of 1986, in the frantic weeks before moving away from his family, before his freshman year at Yale is about to begin, Gogol Ganguli does the same. He rides the commuter rail into Boston, switching to the Green Line at North Station, getting out at Lechmere. The area is somewhat familiar: he has been to Lechmere countless times with his family, to buy new televisions and vacuum cleaners, and he has been to the Museum of Science on field trips from school. But he has never been to this neighborhood on his own, and in spite of the directions he's written on a sheet of paper he gets briefly lost on his way to the Middlesex Probate and Family Court. He wears a blue oxford shirt, khakis, a camel-colored corduroy blazer bought for his college interviews that is too warm for the sultry day. Knotted around his neck is his only tie, maroon with yellow stripes on the diagonal. By now Gogol is just shy of six feet tall, his body slender, his thick brown-black hair slightly in need of a cut. His face is lean, intelligent, suddenly handsome, the bones more prominent, the pale gold skin clean-shaven and clear. He has inherited Ashima's eyes, large, penetrating, with bold, elegant brows, and shares with Ashoke the slight bump at the very top of his nose. The courthouse is an imposing, old, pillared brick building occupying a full city block, but the entrance is off to the side, down a set of steps. Inside, Gogol empties his pockets and steps through a metal detector, as if he were at an airport, about to embark on a journey. He is soothed by the chill of the air- conditioning, by the beautifully carved plaster ceiling, by the voices that echo pleasantly in the marbled interior. He had pictured a setting far less grand. And yet this is a place, he gathers, that people come to seek divorces, dispute wills. A man at the information booth tells him to wait upstairs, in an area filled with round tables, where people sit eating their lunch. Gogol sits impatiently, one long leg jiggling up and down. He has forgotten to bring a book to read and so he picks up a discarded section of the Globe, skimming an article in the "Arts" section about Andrew Wyeth's Helga paintings. Eventually he begins to practice his new signature in the margins of the paper. He tries it in various styles, his hand unaccustomed to the angles of the N, the dotting of the two i's. He wonders how many times he has written his old name, at the tops of how many tests and quizzes, how many homework assignments, how many yearbook inscriptions to friends. How many times does a person write his name in a lifetime—a million? Two million? The idea to change his name had first occurred to him a few months ago. He was sitting in the waiting room of his dentist, flipping through an issue of Reader's Digest. He'd been turning the pages at random until he came to an article that caused him to stop. The article was called "Second Baptisms." "Can you identify the following famous people?" was written beneath the headline. A list of names followed and, at the bottom of the page, printed in tiny letters upside down, the famous personalities they corresponded to. The only one he guessed correctly was Robert Zimmerman, Bob Dylan's real name. He had no idea that Molière had been born Jean-Baptiste Poquelin and that Leon Trotsky was born Lev Davidovich Bronstein. That Gerald Ford's name was Leslie Lynch King, Jr., and that Engelbert Humperdinck's was Arnold George Dorsey. They had all renamed themselves, the article said, adding that it was a right belonging to every American citizen. He read that tens of thousands of Americans had their names changed each year. All it took was a legal petition, the article had said. And suddenly he envisioned "Gogol" added to the list of names, "Nikhil" printed in tiny letters upside down. That night at the dinner table, he brought it up with his parents. It was one thing for Gogol to be the name penned in calligraphy on his high school diploma, and printed below his picture in the yearbook, he'd begun. It was one thing, even, for it to be typed on his applications to five Ivy League colleges, as well as to Stanford and Berkeley. But engraved, four years from now, on a bachelor of arts degree? Written at the top of a résumé? Centered on a business card? It would be the name his parents picked out for him, he assured them, the good name they'd chosen for him when he was five. "What's done is done," his father had said. "It will be a hassle. Gogol has, in effect, become your good name." "It's too complicated now," his mother said, agreeing. "You're too old." "I'm not," he persisted. "I don't get it. Why did you have to give me a pet name in the first place? What's the point?" "It's our way, Gogol," his mother maintained. "It's what Bengalis do." "But it's not even a Bengali name." He told his parents what he'd learned in Mr. Lawson's class, about Gogol's lifelong unhappiness, his mental instability, about how he'd starved himself to death. "Did you know all this stuff about him?" he asked. "You forgot to mention that he was also a genius," his father said. "I don't get it. How could you guys name me after someone so strange? No one takes me seriously," Gogol said. "Who? Who does not take you seriously?" his father wanted to know, lifting his fingers from his plate, looking up at him. "People," he said, lying to his parents. For his father had a point; the only person who didn't take Gogol seriously, the only person who tormented him, the only person chronically aware of and afflicted by the embarrassment of his name, the only person who constantly questioned it and wished it were otherwise, was Gogol. And yet he'd continued, saying that they should be glad, that his official name would be Bengali, not Russian. "I don't know, Gogol," his mother had said, shaking her head. "I really don't know." She got up to clear the dishes. Sonia slinked away, up to her room. Gogol remained at the table with his father. They sat there together, listening to his mother scraping the plates, the water running in the sink. "Then change it," his father said simply, quietly, after a while. "Really?" "In America anything is possible. Do as you wish." And so he had obtained a Commonwealth of Massachusetts change-of-name form, to submit along with a certified copy of his birth certificate and a check to the Middlesex Probate and Family Court. He'd brought the form to his father, who had glanced at it only briefly before signing his consent, with the same resignation with which he signed a check or a credit card receipt, his eyebrows slightly raised over his glasses, inwardly calculating the loss. He'd filled out the rest of the form in his room, late at night when his family was asleep. The application consisted of a single side of a cream-colored sheet, and yet it had taken him longer to fill out than his applications for college. On the first line he filled out the name he wished to change, and his place and date of birth. He wrote in the new name he wished to adopt, then signed the form with his old signature. Only one part of the form had given him pause: in approximately three lines, he was asked to provide a reason for seeking the change. For nearly an hour he'd sat there, wondering what to write. He'd left it blank in the end. At the appointed time, his case is called. He enters a room and sits on an empty wooden bench at the back. The judge, a middle-aged, heavyset black woman wearing half-moon glasses, sits opposite, on a dais. The clerk, a thin young woman with bobbed hair, asks for his application, reviewing it before handing it to the judge. There is nothing decorating the room apart from the Massachusetts state and American flags and an oil portrait of a judge. "Gogol Ganguli," the clerk says, motioning for Gogol to approach the dais, and as eager as he is to go through with it, he is aware, with a twinge of sadness, that this is the last time in his life he will hear that name uttered in an official context. In spite of his parents' sanction he feels that he is overstepping them, correcting a mistake they've made. "What is the reason you wish to change your name, Mr. Ganguli?" the judge asks. The question catches him off-guard, and for several seconds he has no idea what to say. "Personal reasons," he says eventually. The judge looks at him, leaning forward, her chin cupped in her hand. "Would you care to be more specific?" At first he says nothing, unprepared to give any further explanation. He wonders whether to tell the judge the whole convoluted story, about his great- grandmother's letter that never made it to Cambridge, and about pet names and good names, about what had happened on the first day of kinder garten. But instead he takes a deep breath and tells the people in the courtroom what he has never dared admit to his parents. "I hate the name Gogol," he says. "I've always hated it." "Very well," the judge says, stamping and signing the form, then returning it to the clerk. He is told that notice of the new name must be given to all other agencies, that it's his responsibility to notify the Registry of Motor Vehicles, banks, schools. He orders three certified copies of the name change decree, two for himself, and one for his parents to keep in their safe-deposit box. No one accompanies him on this legal rite of passage, and when he steps out of the room no one is waiting to commemorate the moment with flowers and Polaroid snapshots and balloons. In fact the procedure is entirely unmomentous, and when he looks at his watch he sees that from the time he'd entered the courtroom it had taken all of ten minutes. He emerges into the muggy afternoon, perspiring, still partly convinced it is a dream. He takes the T across the river to Boston. He walks with his blazer clasped by a finger over his shoulder, across the Common, through the Public Garden, over the bridges and along the curving paths that rim the lagoon. Thick clouds conceal the sky, which appears only here and there like the small lakes on a map, and the air threatens rain. He wonders if this is how it feels for an obese person to become thin, for a prisoner to walk free. "I'm Nikhil," he wants to tell the people who are walking their dogs, pushing children in their strollers, throwing bread to the ducks. He wanders up Newbury Street as drops begin to fall. He dashes into Newbury Comics, buys himself London Calling and Talking Heads: 77 with his birthday money, a Che poster for his dorm room. He pockets an application for a student American Express card, grateful that his first credit card will not say Gogol in raised letters at the bottom. "I'm Nikhil," he is tempted to tell the attractive, nose- ringed cashier with dyed black hair and skin as pale as paper. The cashier hands him his change and looks past him to the next customer, but it doesn't matter; instead he thinks of how many more women he can now approach, for the rest of his life, with this same unobjectionable, uninteresting fact. Still, for the next three weeks, even though his new driver's license says "Nikhil," even though he's sliced up the old one with his mother's sewing scissors, even though he's ripped out the pages in front of his favorite books in which he'd written his name until now, there's a snag: everyone he knows in the world still calls him Gogol. He is aware that his parents, and their friends, and the children of their friends, and all his own friends from high school, will never call him anything but Gogol. He will remain Gogol during holidays and in summer; Gogol will revisit him on each of his birthdays. Everyone who comes to his going-away-to-college party writes "Good Luck, Gogol" on the cards. It isn't until his first day in New Haven, after his father and teary mother and Sonia are heading back up 95 toward Boston, that he begins to introduce himself as Nikhil. The first people to call him by his new name are his suitemates, Brandon and Jonathan, both of whom had been notified by mail over the summer that his name is Gogol. Brandon, lanky and blond, grew up in Massachusetts not far from Gogol, and went to An-dover. Jonathan, who is Korean and plays the cello, comes from L.A. "Is Gogol your first name or your last?" Brandon wants to know. Normally that question agitates him. But today he has a new answer. "Actually, that's my middle name," Gogol says by way of explanation, sitting with them in the common room to their suite. "Nikhil is my first name. It got left out for some reason." Jonathan nods in acceptance, distracted by the task of setting up his stereo components. Brandon nods, too. "Hey, Nikhil," Brandon says awhile later, after they have arranged the furniture in the common room to their liking. "Want to smoke a bowl?" Since everything else is suddenly so new, going by a new name doesn't feel so terribly strange to Gogol. He lives in a new state, has a new telephone number. He eats his meals off a tray in Commons, shares a bathroom with a floor full of people, showers each morning in a stall. He sleeps in a new bed, which his mother had insisted on making before she left. He spends the days of orientation rushing around campus, back and forth along the intersecting flagstone path, past the clock tower, and the turreted, crenelated buildings. He is too harried, at first, to sit on the grass in Old Campus as the other students do, perusing their course catalogues, playing Frisbee, getting to know one another among the verdigris-covered statues of robed, seated men. He makes a list of all the places he has to go, circling the buildings on his campus map. When he is alone in his room he types out a written request on his Smith Corona, notifying the registrar's office of his name change, providing examples of his former and current signatures side by side. He gives these documents to a secretary, along with a copy of the change-of-name form. He tells his freshman counselor about his name change; he tells the person in charge of processing his student ID and his library card. He corrects the error in stealth, not bothering to explain to Jonathan and Brandon what he's so busy doing all day, and then suddenly it is over. After so much work it is no work at all. By the time the upperclassmen arrive and classes begin, he's paved the way for a whole university to call him Nikhil: students and professors and TAs and girls at parties. Nikhil registers for his first four classes: Intro to the History of Art, Medieval History, a semester of Spanish, Astronomy to fulfill his hard science requirement. At the last minute he registers for a drawing class in the evenings. He doesn't tell his parents about the drawing class, something they would consider frivolous at this stage of his life, in spite of the fact that his own grandfather was an artist. They are already distressed that he hasn't settled on a major and a profession. Like the rest of their Bengali friends, his parents expect him to be, if not an engineer, then a doctor, a lawyer, an economist at the very least. These were the fields that brought them to America, his father repeatedly reminds him, the professions that have earned them security and respect. But now that he's Nikhil it's easier to ignore his parents, to tune out their concerns and pleas. With relief, he types his name at the tops of his freshman papers. He reads the telephone messages his suitemates leave for Nikhil on assorted scraps in their rooms. He opens up a checking account, writes his new name into course books. "Me llamo Nikhil," he says in his Spanish class. It is as Nikhil, that first semester, that he grows a goatee, starts smoking Camel Lights at parties and while writing papers and before exams, discovers Brian Eno and Elvis Costello and Charlie Parker. It is as Nikhil that he takes Metro-North into Manhattan one weekend with Jonathan and gets himself a fake ID that allows him to be served liquor in New Haven bars. It is as Nikhil that he loses his virginity at a party at Ezra Stiles, with a girl wearing a plaid woolen skirt and combat boots and mustard tights. By the time he wakes up, hung-over, at three in the morning, she has vanished from the room, and he is unable to recall her name. There is only one complication: he doesn't feel like Nikhil. Not yet. Part of the problem is that the people who now know him as Nikhil have no idea that he used to be Gogol. They know him only in the present, not at all in the past. But after eighteen years of Gogol, two months of Nikhil feel scant, inconsequential. At times he feels as if he's cast himself in a play, acting the part of twins, indistinguishable to the naked eye yet fundamentally different. At times he still feels his old name, painfully and without warning, the way his front tooth had unbearably throbbed in recent weeks after a filling, threatening for an instant to sever from his gums when he drank coffee, or iced water, and once when he was riding in an elevator. He fears being discovered, having the whole charade somehow unravel, and in nightmares his files are exposed, his original name printed on the front page of the Yale Daily News. Once, he signs his old name by mistake on a credit card slip at the college bookstore. Occasionally he has to hear Nikhil three times before he answers. Even more startling is when those who normally call him Gogol refer to him as Nikhil. For example, when his parents call on Saturday mornings, if Brandon or Jonathan happens to pick up the phone, they ask if Nikhil is there. Though he has asked his parents to do precisely this, the fact of it troubles him, making him feel in that instant that he is not related to them, not their child. "Please come to our home with Nikhil one weekend," Ashima says to his roommates when she and Ashoke visit campus during parents weekend in October, the suite hastily cleared of liquor bottles and ashtrays and Brandon's bong for the occasion. The substitution sounds wrong to Gogol, correct but off-key, the way it sounds when his parents speak English to him instead of Bengali. Stranger still is when one of his parents addresses him, in front of his new friends, as Nikhil directly: "Nikhil, show us the buildings where you have your classes," his father suggests. Later that evening, out to dinner with Jonathan at a restaurant on Chapel Street, Ashima slips, asking, "Gogol, have you decided yet what your major will be?" Though Jonathan, listening to something his father is saying, doesn't hear, Gogol feels helpless, annoyed yet unable to blame his mother, caught in the mess he's made. During his first semester, obediently but unwillingly, he goes home every other weekend, after his last Friday class. He rides Amtrak to Boston and then switches to a commuter rail, his duffel bag stuffed with course books and dirty laundry. Somewhere along the two-and-a-half-hour journey, Nikhil evaporates and Gogol claims him again. His father comes to the station to fetch him, always calling ahead to check whether the train is on time. Together they drive through the town, along the familiar tree-lined roads, his father asking after his studies. Between Friday night and Sunday afternoon the laundry, thanks to his mother, gets done, but the course books are neglected; in spite of his intentions, Gogol finds himself capable of doing little at his parents' but eat and sleep. The desk in his room feels too small. He is distracted by the telephone ringing, by his parents and Sonia talking and moving through the house. He misses Sterling Library, where he studies every night after dinner, and the nocturnal schedule of which he is now a part. He misses being in his suite in Farnam, smoking one of Brandon's cigarettes, listening to music with Jonathan, learning how to tell the classical composers apart. At home he watches MTV with Sonia as she doctors her jeans, cutting inches off the bottoms and inserting zippers at the newly narrowed ankles. One weekend, the washing machine is occupied because Sonia is in the process of dyeing the vast majority of her clothing black. She is in high school now, taking Mr. Lawson's English class, going to the dances Gogol never went to himself, already going to parties at which both boys and girls are present. Her braces have come off her teeth, revealing a confident, frequent, American smile. Her formerly shoulder-length hair has been chopped asymmetrically by one of her friends. Ashima lives in fear that Sonia will color a streak of it blond, as Sonia has threatened on more than one occasion to do, and that she will have additional holes pierced in her earlobes at the mall. They argue violently about such things, Ashima crying, Sonia slamming doors. Some weekends his parents are invited to parties, and they insist that both Gogol and Sonia go with them. The host or hostess shows him to a room where he can study alone while the party thunders below, but he always ends up watching television with Sonia and the other children, just as he has done all his life. "I'm eighteen," he says once to his parents as they drive back from a party, a fact that makes no difference to them. One weekend Gogol makes the mistake of referring to New Haven as home. "Sorry, I left it at home," he says when his father asks if he remembered to buy the Yale decal his parents want to paste to the rear window of their car. Ashima is outraged by the remark, dwelling on it all day. "Only three months, and listen to you," she says, telling him that after twenty years in America, she still cannot bring herself to refer to Pemberton Road as home. But now it is his room at Yale where Gogol feels most comfortable. He likes its oldness, its persistent grace. He likes that so many students have occupied it before him. He likes the solidity of its plaster walls, its dark wooden floorboards, however battered and stained. He likes the dormer window he sees first thing in the mornings when he opens his eyes and looking at Battell Chapel. He has fallen in love with the Gothic architecture of the campus, always astonished by the physical beauty that surrounds him, that roots him to his environs in a way he had never felt growing up on Pemberton Road. For his drawing class, in which he is required to make half a dozen sketches every week, he is inspired to draw the details of buildings: flying buttresses, pointed archways filled with flowing tracery, thick rounded doorways, squat columns of pale pink stone. In the spring semester he takes an introductory class in architecture. He reads about how the pyramids and Greek temples and Medieval cathedrals were built, studying the plans of churches and palaces in his textbook. He learns the endless terms, the vocabulary that classifies the details of ancient buildings, writing them on separate index cards and making illustrations on the back: architrave, entablature, tympanum, voussoir. Together the words form another language he longs to know. He files these index cards in a shoebox, reviews them before the exam, memorizing far more terms than he needs to, keeping the box of cards even after the exam is done, adding to them in his spare time. In the autumn of his sophomore year, he boards a particularly crowded train at Union Station. It is the Wednesday before Thanksgiving. He edges through the compartments, his duffel bag heavy with books for his Renaissance architecture class, for which he has to write a paper over the next five days. Passengers have already staked out parts of the vestibule, sitting glumly on their luggage. "Standing room only," the conductor hollers. "I want my money back," a passenger complains. Gogol keeps walking, from one compartment to the next, looking for an uncrowded vestibule in which he might sit. In the very last car of the train he sees an empty seat. A girl is seated next to the window, reading a folded-back issue of The New Yorker. Arranged on the seat beside her is a chocolate brown, shearling-lined suede coat, which is what had caused the person in front of Gogol to move on. But something tells Gogol the coat belongs to the girl, and so he stops and says, "Is that yours?" She lifts up her narrow body and in a single, swift motion arranges the coat beneath her buttocks and legs. It's a face he recognizes from campus, someone he's crossed paths with in the corridors of buildings as he walks to and from class. He remembers that freshman year she'd had hair dyed an emphatic shade of cranberry red, cut to her jaw. She's grown it to her shoulders now, and allowed it to resume what appears to be its natural shade, light brown with bits of blond here and there. It is parted just off-center, a bit crooked at the base. The hair of her eyebrows is darker, lending her otherwise friendly features a serious expression. She wears a pair of nicely faded jeans, brown leather boots with yellow laces and thick rubber soles. A cabled sweater the same flecked gray of her eyes is too large for her, the sleeves coming partway up her hands. A man's billfold bulges prominently from the front pocket of her jeans. "Hi, I'm Ruth," she says, recognizing him in that same vague way. "I'm Nikhil." He sits, too exhausted to put his duffel bag away in the luggage rack overhead. He shoves it as best he can under his seat, his long legs bent awkwardly, aware that he is perspiring. He unzips his blue down parka. He massages his fingers, crisscrossed with welts from the leather straps of the bag. "Sorry," Ruth says, watching him. "I guess I was just trying to put off the inevitable." Still seated, he pries his arms free of the parka. "What do you mean?" "Making it look like someone was sitting here. With the coat." "It's pretty brilliant, actually. Sometimes I pretend to fall asleep for the same reason," he admits. "No one wants to sit next to me if I'm sleeping." She laughs softly, putting a strand of her hair behind her ear. Her beauty is direct, unassuming. She wears no make-up apart from something glossy on her lips; two small brown moles by her right cheekbone are the only things that distract from the pale peach of her complexion. She has slim, small hands with unpolished nails and ragged cuticles. She leans over to put the magazine away and get a book from the bag at her feet, and he briefly glimpses the skin above her waistband. "Are you going to Boston?" he asks. "Maine. That's where my dad lives. I have to switch to a bus at South Station. It's another four hours from there. What college are you in?" "J.E." He learns that she is in Silliman, that she is planning to be an English major. Comparing notes of their experiences at college so far, they discover that they had both taken Psychology 110 the previous spring. The book in her hands is a paperback copy of Timon of Athens, and though she keeps a finger marking her page she never reads a word of it. Nor does he bother to open up the volume on perspective he's pulled out of his duffel. She tells him she was raised on a commune in Vermont, the child of hippies, educated at home until the seventh grade. Her parents are divorced now. Her father lives with her stepmother, raising llamas on a farm. Her mother, an anthropologist, is doing fieldwork on midwives in Thailand. He cannot imagine coming from such parents, such a background, and when he describes his own upbringing it feels bland by comparison. But Ruth expresses interest, asking about his visits to Calcutta. She tells him her parents went to India once, to an ashram somewhere, before she was born. She asks what the streets are like, and the houses, and so on the blank back page of his book on perspective Gogol draws a floor plan of his maternal grandparents' flat, navigating Ruth along the verandas and the terrazzo floors, telling her about the chalky blue walls, the narrow stone kitchen, the sitting room with cane furniture that looked as if it belonged on a porch. He draws with confidence, thanks to the drafting course he is taking this term. He shows her the room where he and Sonia sleep when they visit, and describes the view of the tiny lane lined with corrugated tin-roofed businesses. When he is finished, Ruth takes the book from him and looks at the drawing he's made, trailing her finger through the rooms. "I'd love to go," she says, and suddenly he imagines her face and arms tan, a backpack strapped to her shoulders, walking along Chowringhee as other Western tourists do, shopping in New Market, staying at the Grand. As they are talking a woman across the aisle reprimands them; she's been trying to take a nap, she says. This only goads them into talking further, in lowered voices, their heads leaning in toward each other. Gogol is unaware of which state they are in, which stations they've passed. The train rumbles over a bridge; the setting sun is feverishly beautiful, casting a striking pink glow on the facades of the clapboard houses that dot the water's edge. In minutes these shades fade, replaced by the pallor that precedes dusk. When it is dark he sees that their images are reflected at an angle in the glass, hovering as if outside the train. Their throats are parched from talking and at one point he offers to go to the café car. She asks him to get her a bag of potato chips and a cup of tea with milk. He likes that she doesn't bother to pull the billfold out of her jeans, that she allows him to buy them for her. He returns with a coffee for himself, and the chips and the tea, along with a paper cup of milk the bartender has given him instead of the regulation container of cream. They continue talking, Ruth eating the chips, brushing the salt from around her lips with the back of her hand. She offers some to Gogol, pulling them out for him one by one. He tells her about the meals he'd eaten on Indian trains the time he traveled with his family to Delhi and Agra, the rotis and slightly sour dal ordered at one station and delivered hot at the next, the thick vegetable cutlets served with bread and butter for breakfast. He tells her about the tea, how it was bought through the window from men on the platform who poured it from giant aluminum kettles, the milk and sugar already mixed in, and how it was drunk in crude clay cups that were smashed afterward on the tracks. Her appreciation for these details flatters him; it occurs to him that he has never spoken of his experiences in India to any American friend. They part suddenly, Gogol working up the nerve to ask for her number at the last minute, writing it into the same book where he'd drawn her the floor plan. He wishes he could wait with her at South Station for her bus to Maine, but he has a commuter train to catch in ten minutes to take him to the suburbs. The days of the holiday feel endless; all he can think of is getting back to New Haven and calling Ruth. He wonders how many times they've crossed paths, how many meals they've unwittingly shared in Commons. He thinks back to Psychology 110, wishing his memory would yield some image of her, taking notes on the other side of the law school auditorium, her head bent over her desk. Most often he thinks of the train, longs to sit beside her again, imagines their faces flushed from the heat of the compartment, their bodies cramped in the same way, her hair shining from the yellow lights overhead. On the ride back he looks for her, combing each and every compartment, but she is nowhere and he ends up sitting next to an elderly nun with a brown habit and prominent white down on her upper lip, who snores all the way. The following week, back at Yale, Ruth agrees to meet him for coffee at the Atticus bookshop. She is a few minutes late and dressed in the same jeans and boots and chocolate suede coat she'd worn when they met. Again she asks for tea. At first he senses an awkwardness he hadn't felt on the train. The café feels loud and hectic, the table between them too wide. Ruth is quieter than before, looking down at her cup and playing with the sugar packets, her eyes occasionally wandering to the books that line the walls. But soon enough they are conversing easily, as they had before, exchanging tales of their respective holidays. He tells her about how he and Sonia occupied the kitchen on Pemberton Road for a day, stuffing a turkey and rolling out dough for pies, things his mother did not particularly like to do. "I looked for you on my way back," he admits to her, telling her about the snoring nun. Afterward they walk together through the Center for British Art; there is an exhibit of Renaissance works on paper, which they've both been meaning to see. He walks her back to Silliman, and they arrange to have coffee a few days later. After saying good night, Ruth lingers by the gate, looking down at the books pressed up to her chest, and he wonders if he should kiss her, which is what he's been wanting to do for hours, or whether, in her mind, they are only friends. She starts walking backward toward her entryway, smiling at him, taking an impressive number of steps before giving a final wave and turning away. He begins to meet her after her classes, remembering her schedule, looking up at the buildings and hovering casually under the archways. She always seems pleased to see him, stepping away from her girlfriends to say hello. "Of course she likes you," Jonathan tells Gogol, patiently listening to a minute account of their acquaintance one night in the dining hall. A few days later, following Ruth back to her room because she's forgotten a book she needs for a class, he places his hand over hers as she reaches for the doorknob. Her roommates are out. He waits for her on the sofa in the common room as she searches for the book. It is the middle of the day, overcast, lightly raining. "Found it," she says, and though they both have classes, they remain in the room, sitting on the sofa and kissing until it is too late to bother going. Every evening they study together at the library, sitting at either end of a table to keep from whispering. She takes him to her dining hall, and he to hers. He takes her to the sculpture garden. He thinks of her constantly, while leaning over the slanted board in his drafting class, under the strong white lights of the studio, and in the darkened lecture hall of his Renaissance architecture class, as images of Palladian villas flash onto the screen from a slide projector. Within weeks the end of the semester is upon them, and they are besieged by exams and papers and hundreds of pages of reading. Far more than the amount of work he faces, he dreads the month of separation they will have to endure at winter break. One Saturday afternoon, just before exams, she mentions to him in the library that both her roommates will be out all day. They walk together through Cross Campus, back to Silliman, and he sits with her on her unmade bed. The room smells as she does, a powdery floral smell that lacks the acridness of perfume. Postcards of authors are taped to the wall over her desk, Oscar Wilde and Virginia Woolf. Their lips and faces are still numb from the cold, and at first they still keep their coats on. They lie together against the shearling lining of hers, and she guides his hand beneath her bulky sweater. It had not been like this the first time, the only other time, that he'd been with a girl. He recalled nothing from that episode, only being thankful, afterward, that he was no longer a virgin. But this time he is aware of everything, the warm hollow of Ruth's abdomen, the way her lank hair rests in thick strands on the pillow, the way her features change slightly when she is lying down. "You're great, Nikhil," she whispers as he touches small breasts set wide apart, one pale nipple slightly larger than the other. He kisses them, kisses the moles scattered on her stomach as she arcs gently toward him, feels her hands on his head and then on his shoulders, guiding him between her parted legs. He feels inept, clumsy, as he tastes and smells her there, and yet he hears her whispering his name, telling him it feels wonderful. She knows what to do, unzipping his jeans, standing up at one point and getting a diaphragm case from her bureau drawer. A week later he is home again, helping Sonia and his mother decorate the tree, shoveling the driveway with his father, going to the mall to buy last-minute gifts. He mopes around the house, restless, pretending to be coming down with a cold. He wishes he could simply borrow his parents' car and drive up to Maine to see Ruth after Christmas, or that she could visit him. He was perfectly welcome, she'd assured him, her father and stepmother wouldn't mind. They'd put him in the guest room, she'd said; at night he'd creep into her bed. He imagines himself in the farmhouse she's described to him, waking up to eggs frying in a skillet, walking with her through snowy, abandoned fields. But such a trip would require telling his parents about Ruth, something he has no desire to do. He has no patience for their surprise, their nervousness, their quiet disappointment, their questions about what Ruth's parents did and whether or not the relationship was serious. As much as he longs to see her, he cannot picture her at the kitchen table on Pemberton Road, in her jeans and her bulky sweater, politely eating his mother's food. He cannot imagine being with her in the house where he is still Gogol. He speaks to her when his family is asleep, quietly in the empty kitchen, charging the calls to his telephone at school. They arrange to meet one day in Boston and spend the day together in Harvard Square. There is a foot of snow on the ground, and the sky is a piercing blue. They go first to a movie at the Brattle, buying tickets for whatever is about to begin, sitting at the back of the balcony and kissing, causing people to turn back and stare. They have lunch at Cafe Pamplona, eating pressed ham sandwiches and bowls of garlic soup off in a corner. They exchange presents: she gives him a small used book of drawings by Goya, and he gives her a pair of blue woolen mittens and a mixed tape of his favorite Beatles songs. They discover a store just above the café that sells nothing but architecture books, and he browses the aisles, treating himself to a paperback edition of Le Corbusier's Journey to the East, for he is thinking of declaring himself an architecture major in the spring. Afterward they wander hand in hand, kissing now and then against a building, along the very streets he was pushed up and down in his stroller as a child. He shows her the American professor's house where he and his parents once lived, a time before Sonia was born, years that he has no memory of. He's seen the house in pictures, knows from his parents the name of the street. Whoever lives there now appears to be away; the snow hasn't been cleared from the porch steps, and a number of rolled- up newspapers have collected on the doormat. "I wish we could go inside," he says. "I wish we could be alone together." Looking at the house now, with Ruth at his side, her mittened hand in his, he feels strangely helpless. Though he was only an infant at the time, he feels nevertheless betrayed by his inability to know then that one day, years later, he would return to the house under such different circumstances, and that he would be so happy. By the following year his parents know vaguely about Ruth. Though he has been to the farmhouse in Maine twice, meeting her father and her stepmother, Sonia, who secretly has a boyfriend these days, is the only person in his family to have met Ruth, during a weekend when Sonia came to New Haven. His parents have expressed no curiosity about his girlfriend. His relationship with her is one accomplishment in his life about which they are not in the least bit proud or pleased. Ruth tells him she doesn't mind his parents' disapproval, that she finds it romantic. But Gogol knows it isn't right. He wishes his parents could simply accept her, as her family accepts him, without pressure of any kind. "You're too young to get involved this way," Ashoke and Ashima tell him. They've even gone so far as to point out examples of Bengali men they know who've married Americans, marriages that have ended in divorce. It only makes things worse when he says that marriage is the last thing on his mind. At times he hangs up on them. He pities his parents when they speak to him this way, for having no experience of being young and in love. He suspects that they are secretly glad when Ruth goes away to Oxford for a semester. She'd mentioned her interest in going there long ago, in the first weeks of their courtship, when the spring of junior year had felt like a remote speck on the horizon. She'd asked him if he minded if she applied, and though the idea of her being so far had made him queasy he'd said no, of course not, that twelve weeks would go like that. He is lost that spring without her. He spends all his time in the studio, especially the Friday nights and weekends he would normally have been with her, the two of them eating at Naples and going to see movies in the law school auditorium. He listens to the music she loves: Simon and Garfunkel, Neil Young, Cat Stevens, buying himself brand-new copies of the albums she'd inherited from her parents. It sickens him to think of the physical distance between them, to think that when he is asleep at night she is leaning over a sink somewhere, brushing her teeth and washing her face to start the next day. He longs for her as his parents have longed, all these years, for the people they love in India—for the first time in his life, he knows this feeling. But his parents refuse to give him the money to fly to England on his spring break. He spends what little money he has from working in the dining hall on transatlantic phone calls to Ruth twice a week. Twice a day he checks his campus mailbox for letters and postcards stamped with the multicolored profiles of the queen. He carries these letters and postcards wherever he goes, stuck into his books. "My Shakespeare class is the best I've ever taken," she's written in violet-colored ink. "The coffee is undrinkable. Everyone constantly says 'cheers.' I think of you all the time." One day he attends a panel discussion about Indian novels written in English. He feels obligated to attend; one of the presenters on the panel, Amit, is a distant cousin who lives in Bombay, whom Gogol has never met. His mother has asked him to greet Amit on her behalf. Gogol is bored by the panelists, who keep referring to something called "marginality," as if it were some sort of medical condition. For most of the hour, he sketches portraits of the panelists, who sit hunched over their papers along a rectangular table. "Teleologically speaking, ABCDs are unable to answer the question 'Where are you from?'" the sociologist on the panel declares. Gogol has never heard the term ABCD. He eventually gathers that it stands for "American-born confused deshi." In other words, him. He learns that the C could also stand for "conflicted." He knows that deshi, a generic word for "countryman," means "Indian," knows that his parents and all their friends always refer to India simply as desh. But Gogol never thinks of India as desh. He thinks of it as Americans do, as India. Gogol slouches in his seat and ponders certain awkward truths. For instance, although he can understand his mother tongue, and speak it fluently, he cannot read or write it with even modest proficiency. On trips to India his American- accented English is a source of endless amusement to his relatives, and when he and Sonia speak to each other, aunts and uncles and cousins always shake their heads in disbelief and say, "I didn't understand a word!" Living with a pet name and a good name, in a place where such distinctions do not exist—surely that was emblematic of the greatest confusion of all. He searches the audience for someone he knows, but it isn't his crowd—lots of lit majors with leather satchels and gold-rimmed glasses and fountain pens, lots of people Ruth would have waved to. There are also lots of ABCDs. He has no idea there are this many on campus. He has no ABCD friends at college. He avoids them, for they remind him too much of the way his parents choose to live, befriending people not so much because they like them, but because of a past they happen to share. "Gogol, why aren't you a member of the Indian association here?" Amit asks later when they go for a drink at the Anchor. "I just don't have the time," Gogol says, not telling his well-meaning cousin that he can think of no greater hypocrisy than joining an organization that willingly celebrates occasions his parents forced him, throughout his childhood and adolescence, to attend. "I'm Nikhil now," Gogol says, suddenly depressed by how many more times he will have to say this, asking people to remember, reminding them to forget, feeling as if an errata slip were perpetually pinned to his chest. Thanksgiving of his senior year he takes the train, alone, up to Boston. He and Ruth are no longer together. Instead of coming back from Oxford after those twelve weeks, she'd stayed on to do a summer course, explaining that a professor she admired would be retiring after that. Gogol had spent the summer on Pemberton Road. He had had an unpaid internship at a small architecture firm in Cambridge, where he'd run errands at Charrette for the designers, been sent to photograph nearby sites, lettered a few drawings. To make money he worked nights washing dishes at an Italian restaurant in his parents' town. Late in August he'd gone to Logan to welcome Ruth home. He had waited for her at the arrival gate, taken her to a hotel for one night, paying for it with the money he'd made at the restaurant. The room overlooked the Public Garden, its walls covered with thickly striped pink-and-cream paper. They'd made love for the first time in a double bed. They'd gone out for their meals, neither of them able to afford the items on the room service menu. They walked up Newbury Street and went to a Greek restaurant with tables on the sidewalk. The day was blazing hot. Ruth looked the same, but her speech was peppered with words and phrases she'd picked up in England, like "I imagine" and "I suppose" and "presumably." She spoke of her semester and how much she'd liked England, the traveling she'd done in Barcelona and Rome. She wanted to go back to England for graduate school, she said. "I imagine they've got good architecture schools," she'd added. "You could come as well." The next morning he'd put her on the bus to Maine. But within days of being together again in New Haven, in an apartment he'd rented on Howe Street with friends, they'd begun fighting, both admitting in the end that something had changed. They avoid each other now, when they happen to cross paths in the library and on the streets. He's scratched out her phone number and the addresses he'd written down for her at Oxford and in Maine. But boarding the train it is impossible not to think of the afternoon, two years ago, they'd met. As usual the train is incredibly crowded, and this time he sits for half the journey in the vestibule. After Westerly he finds a seat, and settles down with the course selection guide for next semester. But he feels distracted for some reason, gloomy, impatient to be off the train; he does not bother to remove his coat, does not bother to go to the café car for something to drink even though he is thirsty. He puts away the course guide and opens up a library book that might be helpful for his senior thesis project, a comparison between Renaissance Italian and Mughal palace design. But after a few paragraphs he closes this book as well. His stomach growls and he wonders what there will be for dinner at home, what his father has prepared. His mother and Sonia have gone to India for three weeks, to attend a cousin's wedding, and this year Gogol and his father will spend Thanksgiving at the home of friends. He angles his head against the window and watches the autumnal landscape pass: the spewing pink and purple waters of a dye mill, electrical power stations, a big ball-shaped water tank covered with rust. Abandoned factories, with rows of small square windows partly bashed in, ravaged as if by moths. On the trees the topmost branches are bare, the remaining leaves yellow, paper-thin. The train moves more slowly than usual, and when he looks at his watch he sees that they are running well behind schedule. And then, somewhere outside Providence, in an abandoned, grassy field, the train stops. For over an hour they stand there as a solid, scarlet disk of sun sinks into the tree-lined horizon. The lights turn off, and the air inside the train turns uncomfortably warm. The conductors rush anxiously through the compartments. "Probably a broken wire," the gentleman sitting beside Gogol remarks. Across the aisle a gray-haired woman reads, a coat clutched like a blanket to her chest. Behind him two students discuss the poems of Ben Jonson. Without the sound of the engine Gogol can hear an opera playing faintly on someone's Walkman. Through the window he admires the darkening sapphire sky. He sees spare lengths of rusted rails heaped in piles. It isn't until they start moving again that an announcement is made on the loudspeaker about a medical emergency. But the truth, overheard by one of the passengers from a conductor, quickly circulates: a suicide had been committed, a person had jumped in front of the train. He is shocked and discomfited by the news, feeling bad about his irritation and impatience, wondering if the victim had been a man or a woman, young or old. He imagines the person consulting the same schedule that's in his backpack, determining exactly when the train would be passing through. The approach of the train's headlights. As a result of the delay he misses his commuter rail connection in Boston, waits another forty minutes for the next one. He puts a call through to his parents' house, but no one answers. He tries his father's department at the university, but there too the phone rings and rings. At the station he sees his father waiting on the darkened platform, wearing sneakers and corduroys, anxiousness in his face. A trench coat is belted around his waist, a scarf knitted by Ashima wrapped at his throat, a tweed cap on his head. "Sorry I'm late," Gogol says. "How long have you been waiting?" "Since quarter to six," his father says. Gogol looks at his watch. It is nearly eight. "There was an accident." "I know. I called. What happened? Were you hurt?" Gogol shakes his head. "Someone jumped onto the tracks. Somewhere in Rhode Island. I tried to call you. They had to wait for the police, I think." "I was worried." "I hope you haven't been standing out in the cold all this time," Gogol says, and from his father's lack of response he knows that this is exactly what he has done. Gogol wonders what it is like for his father to be without his mother and Sonia. He wonders if he is lonely. But his father is not the type to admit such things, to speak openly of his desires, his moods, his needs. They walk to the parking lot, get into the car, and begin the short drive home. The night is windy, so much so that the car jostles slightly from time to time, and brown leaves as large as human feet fly across the road in the headlights' glare. Normally on these rides back from the station his father asks questions, about his classes, about his finances, about his plans after graduation. But tonight they are silent, Ashoke concentrating on driving. Gogol fidgets with the radio, switching from the AM news station to NPR. "I want to tell you something," his father says when the piece ends, once they have already turned onto Pemberton Road. "What?" Gogol asks. "It's about your name." Gogol looks at his father, puzzled. "My name?" His father shuts off the radio. "Gogol." These days he is called Gogol so seldom that the sound of it no longer upsets him as it used to. After three years of being Nikhil the vast majority of the time, he no longer minds. "There is a reason for it, you know," his father continues. "Right, Baba. Gogol's your favorite author. I know." "No," his father says. He pulls into the driveway and switches off the engine, then the headlights. He undoes his seat belt, guiding it with his hand as it retracts, back behind his left shoulder. "Another reason." And as they sit together in the car, his father revisits a field 209 kilometers from Howrah. With his fingers lightly grasping the bottom of the steering wheel, his gaze directed through the windshield at the garage door, he tells Gogol the story of the train he'd ridden twenty-eight years ago, in October 1961, on his way to visit his grandfather in Jamshedpur. He tells him about the night that had nearly taken his life, and the book that had saved him, and about the year afterward, when he'd been unable to move. Gogol listens, stunned, his eyes fixed on his father's profile. Though there are only inches between them, for an instant his father is a stranger, a man who has kept a secret, has survived a tragedy, a man whose past he does not fully know. A man who is vulnerable, who has suffered in an inconceivable way. He imagines his father, in his twenties as Gogol is now, sitting on a train as Gogol had just been, reading a story, and then suddenly nearly killed. He struggles to picture the West Bengal countryside he has seen on only a few occasions, his father's mangled body, among hundreds of dead ones, being carried on a stretcher, past a twisted length of maroon compartments. Against instinct he tries to imagine life without his father, a world in which his father does not exist. "Why don't I know this about you?" Gogol says. His voice sounds harsh, accusing, but his eyes well with tears. "Why haven't you told me this until now?" "It never felt like the right time," his father says. "But it's like you've lied to me all these years." When his father doesn't respond, he adds, "That's why you have that limp, isn't it?" "It happened so long ago. I didn't want to upset you." "It doesn't matter. You should have told me." "Perhaps," his father concedes, glancing briefly in Gogol's direction. He removes the keys from the ignition. "Come, you must be hungry. The car is getting cold." But Gogol doesn't move. He sits there, still struggling to absorb the information, feeling awkward, oddly ashamed, at fault. "I'm sorry, Baba." His father laughs softly. "You had nothing to do with it." "Does Sonia know?" His father shakes his head. "Not yet. I'll explain it to her one day. In this country, only your mother knows. And now you. I've always meant for you to know, Gogol." And suddenly the sound of his pet name, uttered by his father as he has been accustomed to hearing it all his life, means something completely new, bound up with a catastrophe he has unwittingly embodied for years. "Is that what you think of when you think of me?" Gogol asks him. "Do I remind you of that night?" "Not at all," his father says eventually, one hand going to his ribs, a habitual gesture that has baffled Gogol until now. "You remind me of everything that followed." 61994He lives in New York now. In May he graduated from the architecture program at Columbia. He's been working since then for a firm in midtown, with celebrated large-scale commissions to its name. It's not the sort of job he'd envisioned for himself as a student; designing and renovating private residences was what he'd wanted to do. That might come later, his advisers have told him; for now, it was important to apprentice with the big names. And so, facing the tawny brick wall of a neighboring building across the air shaft, he works with a team on designs for hotels and museums and corporate headquarters in cities he's never seen: Brussels, Buenos Aires, Abu Dhabi, Hong Kong. His contributions are incidental, and never fully his own: a stairwell, a skylight, a corridor, an air- conditioning duct. Still, he knows that each component of a building, however small, is nevertheless essential, and he finds it gratifying that after all his years of schooling, all his crits and unbuilt projects, his efforts are to have some practical end. He typically works late into his evenings, and on most of his weekends, drawing designs on the computer, drafting plans, writing specifications, building Styrofoam and cardboard models to scale. He goes home to a studio in Morningside Heights, with two windows facing west, on Amsterdam Avenue. The entrance is easy to miss, a scratched-up glass door between a newsstand and a nail salon. It's the first apartment he has to himself, after an evolving chain of roommates all through college and graduate school. There is so much street noise that when he is on the phone and the windows are open, people often ask if he is calling from a pay phone. The kitchen is built into what should have been an entryway, a space so small that the refrigerator stands several feet away, over by the bathroom door. On the stove sits a teakettle he has never filled with water, and on the countertop a toaster he's never plugged in. His parents are distressed by how little money he makes, and occasionally his father sends him checks in the mail to help him with his rent, his credit card bills. They had been disappointed that he'd gone to Columbia. They'd hoped he would choose MIT, the other architecture program to which he'd been accepted. But after four years in New Haven he didn't want to move back to Massachusetts, to the one city in America his parents know. He didn't want to attend his father's alma mater, and live in an apartment in Central Square as his parents once had, and revisit the streets about which his parents speak nostalgically. He didn't want to go home on the weekends, to go with them to pujos and Bengali parties, to remain unquestionably in their world. He prefers New York, a place which his parents do not know well, whose beauty they are blind to, which they fear. He'd come to know the city slightly during his years at Yale, on visits with architecture classes. He'd been to a few parties at Columbia. Sometimes he and Ruth would ride in on Metro-North, and they would go to museums, or to the Village, or to browse for books at the Strand. But as a child he'd been to New York only once with his family, a trip that had given him no sense of what the city was like. They had gone one weekend to visit Bengali friends who lived in Queens. The friends had given his family a tour of Manhattan. Gogol had been ten years old, Sonia four. "I want to see Sesame Street," Sonia had said, believing that it was an actual landmark in the city, and she had cried when Gogol had laughed at her, saying it didn't exist. On the tour they were driven past sites like Rockefeller Center and Central Park and the Empire State Building, and Gogol had ducked his head below the car's window to try to see how tall the buildings were. His parents had remarked endlessly at the amount of traffic, the pedestrians, the noise. Calcutta was no worse, they had said. He remembered wanting to get out and go to the top of one of the skyscrapers, the way his father had once taken him to the top of the Prudential Center in Boston when he was little. But they were allowed out of the car only once they got to Lexington Avenue, to eat lunch at an Indian restaurant and then to buy Indian groceries, and polyester saris and 220-volt appliances to give to relatives in Calcutta. This, to his parents, was what one came to Manhattan to do. He remembered wishing that his parents would walk through the park, take him to the Museum of Natural History to see the dinosaurs, ride the subway even. But they had had no interest in such things. One night, Evan, one of the draftsmen at work with whom he is friendly, talks him into going to a party. Evan tells Gogol that it's an apartment worth seeing, a Tribeca loft that happens to be designed by one of the partners at the firm. The host of the party, Russell, an old friend of Evan, works for the UN and has spent several years in Kenya, and as a result the loft is filled with an impressive collection of African furniture and sculpture and masks. Gogol imagines that it will be a party of hundreds filling up a vast space, the sort of party where he might arrive and leave undetected. But by the time Gogol and Evan get there, the party is nearly over, and there are only a dozen or so people sitting around a low coffee table surrounded by cushions, eating picked-over grapes and cheese. At one point Russell, who is diabetic, raises his shirt and injects himself in the stomach with insulin. Beside Russell is a woman Gogol can't stop looking at. She is kneeling on the floor at Russell's side, spreading a generous amount of brie on a cracker, paying no attention to what Russell is doing. Instead she is arguing with a man on the other side of the coffee table about a movie by Buñuel. "Oh, come on," she keeps saying, "it was brilliant." At once strident and flirtatious, she is a little bit drunk. She has dirty blond hair gathered sloppily into a bun, strands falling randomly, attractively, around her face. Her forehead is high and smooth, her jawbones sloping and unusually long. Her eyes are greenish, the irises encased by thin rings of black. She is dressed in silk capri pants and a sleeveless white shirt that shows off her tan. "What did you think of it?" she asks Gogol, drawing him without warning into the discussion. When he tells her he hasn't seen the film she looks away. She approaches him again as he is standing idle, looking up at an imposing wooden mask that hangs above a suspended metal staircase, the hollow diamond-shaped eyes and mouth of the mask revealing the white brick wall behind it. "There's an even scarier one in the bedroom," she says, making a face, shuddering. "Imagine opening your eyes and seeing something like that first thing in the morning." The way she says this makes him wonder if she speaks from experience, if she's Russell's lover, or ex-lover, if that is what she is implying. Her name is Maxine. She asks him about the program at Columbia, mentioning that she'd gone to Barnard for college, majoring in art history. She leans back against a column as she speaks, smiling at him easily, drinking a glass of champagne. At first he assumes she is older than he is, closer to thirty than twenty. He is surprised to learn that she'd graduated from college the year after he started graduate school, that for a year they overlapped at Columbia, living just three blocks away from each other, and that they have in all likelihood crossed paths on Broadway or walking up the steps of Low Library or in Avery. It reminds him of Ruth, of the way they, too, had once lived in such close proximity as strangers. Maxine tells him she works as an assistant editor for a publisher of art books. Her current project is a book on Andrea Mantegna, and he impresses her, remembering correctly that his frescoes are in Mantua, in the Palazzo Ducale. They speak in that slightly strained, silly way that he associates now with flirtation—the exchange feels desperately arbitrary, fleeting. It is the sort of conversation he might have had with anybody, but Maxine has a way of focusing her attention on him completely, her pale, watchful eyes holding his gaze, making him feel, for those brief minutes, the absolute center of her world. The next morning she calls, waking him; at ten on a Sunday he is still in bed, his head aching from the Scotch and sodas he'd consumed throughout the evening. He answers gruffly, a bit impatiently, expecting it to be his mother calling to ask how his week has been. He has the feeling, from the tone of Maxine's voice, that she's been up for hours, that her breakfast has already been eaten, her Times thoroughly read. "It's Maxine. From last night," she says, not bothering to apologize for waking him. She tells him she'd found his number in the phone book, though he doesn't remember telling her his last name. "God, your apartment's noisy," she remarks. Then, without awkwardness or pause, she invites him to dinner at her place. She specifies the evening, a Friday, tells him the address, somewhere in Chelsea. He assumes it will be a dinner party, asks if there's anything he can bring, but she says no, it will be just him. "I should probably warn you that I live with my parents," she adds. "Oh." This unexpected piece of information deflates him, confuses him. He asks if her parents will mind his coming over, if perhaps they should meet at a restaurant instead. But she laughs at this suggestion in a way that makes him feel vaguely foolish. "Why on earth would they mind?" *** He takes a cab from his office to her neighborhood, getting out at a liquor store to buy a bottle of wine. It is a cool evening in September, raining steadily, the summer's leaves still plentiful on the trees. He turns onto a remote, tranquil block between Ninth and Tenth Avenues. It is his first date in a long time; with the exception of a few forgettable affairs at Columbia he's been with no one seriously since Ruth. He doesn't know what to make of the whole arrangement with Maxine, but as odd as the terms of the invitation seem he'd been unable to refuse. He is curious about her, attracted, flattered by the boldness of her pursuit. He is stunned by the house, a Greek Revival, admiring it for several minutes like a tourist before opening the gate. He notes the pedimented window lintels, the Doric pilasters, the bracketed entablature, the black cruciform paneled door. He climbs a low stoop with cast-iron railings. The name below the bell is Ratliff. Several minutes after he presses it, enough to make him double-check the address on the scrap of paper in his jacket pocket, Maxine arrives. She kisses him on the cheek, leaning toward him on one foot, the other leg extended, slightly raised behind her. She is barefoot, wearing flowing black wool pants and a thin beige cardigan. As far as he can tell she wears nothing under the cardigan apart from her bra. Her hair is done up in the same careless way. His raincoat is draped on a coat rack, his folding umbrella dropped into a stand. He glimpses himself quickly in a mirror in the foyer, smoothing his hair and his tie. She leads him down a flight of stairs to a kitchen that appears to occupy an entire floor of the house, with a large farmhouse table at one end, and beyond that French doors leading to a garden. The walls are adorned with prints of roosters and herbs and an arrangement of copper skillets. Ceramic plates and platters are displayed on open shelves, along with what seem to be hundreds of cookbooks, food encyclopedias, and volumes of essays about eating. A woman stands at a butcher-block island by the appliances, snipping the ends of a pile of green beans with a pair of scissors. "This is my mother, Lydia," Maxine says. "And this is Silas," she tells him, pointing to a reddish brown cocker spaniel dozing under the table. Lydia is tall and slender like her daughter, with straight iron-colored hair cut youthfully to frame her face. She is carefully dressed, with gold jewelry at her ears and throat, a navy apron wrapped around her waist, gleaming black leather shoes. Though her face is lined and her complexion a bit splotchy, she is more beautiful even than Maxine, her features more regular, the cheekbones higher, the eyes more elegantly defined. "Lovely to meet you, Nikhil," she says, smiling brightly, and though she looks at him with interest, she does not pause in her work or offer to shake his hand. Maxine pours him a glass of wine, not asking if perhaps he might prefer something else. "Come on," she says, "I'll show you the house." She leads him up five flights of uncarpeted stairs that creak noisily beneath their combined weight. The plan of the house is simple, two immense rooms per floor, each of which, he is certain, is larger than his own apartment. Politely he admires the plaster cove moldings, the ceiling medallions, the marble mantelpieces, things he knows how to speak intelligently and at length about. The walls are painted in flamboyant colors: hibiscus pink, lilac, pistachio, and are crowded with clusters of paintings and drawings and photographs. In one room he sees an oil portrait of a small girl he assumes is Maxine, sitting in the lap of a stunning, youthful Lydia, wearing a yellow sleeveless dress. Along the hallways on every floor shelves ascend to the ceiling, crammed with all the novels one should read in a lifetime, biographies, massive monographs of every artist, all the architecture books Gogol has ever coveted. Alongside the clutter there is a starkness about the place that appeals to him: the floors are bare, the woodwork stripped, many of the windows without curtains to highlight their generous proportions. Maxine has the top floor to herself: a peach-colored bedroom with a sleigh bed at the back, a long black and red bath room. The shelf above the sink is full of different creams for her neck, her throat, her eyes, her feet, daytime, nighttime, sun and shade. Through the bedroom is a gray sitting room she treats as a closet, her shoes and handbags and clothes scattered across the floor, piled on a fainting couch, spilling over the backs of chairs. These patches of disorder make no difference—it is a house too spectacular to suffer distraction, forgiving of oversight and mess. "Lovely frieze-band windows," he comments, looking toward the ceiling. She turns to him, puzzled. "What?" "That's what those are called," he explains, pointing. "They're fairly common in houses from this period." She looks up, and then at him, seeming impressed. "I never knew that." He sits with Maxine on the fainting couch, leafing through a coffee table book she'd helped to edit on eighteenth-century French wallpapers, one side of the book resting on each of their knees. She tells him this is the house she's grown up in, mentioning casually that she'd moved back six months ago after living with a man in Boston, an arrangement that had not worked out. When he asks if she plans to look for a place of her own she says it hasn't occurred to her. "It's such a bother renting a place in the city," she says. "Besides, I love this house. There's really nowhere else I'd rather live." For all her sophistication he finds the fact that she's moved back with her parents after a love affair has soured endearingly old-fashioned; it is something he cannot picture himself doing at this stage in his life. At dinner he meets her father, a tall, good-looking man with luxuriant white hair, Maxine's pale green-gray eyes, thin rectangular glasses perched halfway down his nose. "How do you do. I'm Gerald," he says, nodding, shaking Gogol's hand. Gerald gives him a bunch of cutlery and cloth napkins and asks him to set the table. Gogol does as he is told, aware that he is touching the everyday possessions of a family he barely knows. "You'll sit here, Nikhil," Gerald says, pointing to a chair once the silverware is laid. Gogol takes his place on one side of the table, across from Maxine. Gerald and Lydia are at either end. Gogol had skipped lunch that day in order to leave the office in time for the date with Maxine, and already the wine, at once heavier and smoother than what he is used to drinking, has gone to his head. He feels a pleasant ache at his temples, and a sudden gratitude for the day and where it has brought him. Maxine lights a pair of candles. Gerald tops off the wine. Lydia serves the food on broad white plates: a thin piece of steak rolled into a bundle and tied with string, sitting in a pool of dark sauce, the green beans boiled so that they are still crisp. A bowl of small, round, roasted red potatoes is passed around, and afterward a salad. They eat appreciatively, commenting on the tenderness of the meat, the freshness of the beans. His own mother would never have served so few dishes to a guest. She would have kept her eyes trained on Maxine's plate, insisting she have seconds and then thirds. The table would have been lined with a row of serving bowls so that people could help themselves. But Lydia pays no attention to Gogol's plate. She makes no announcement indicating that there is more. Silas sits at Lydia's feet as they eat, and at one point Lydia slices off a generous portion of her meat and feeds it to him off of her palm. The four of them go quickly through two bottles of wine, then move on to a third. The Ratliffs are vociferous at the table, opinionated about things his own parents are indifferent to: movies, exhibits at museums, good restaurants, the design of everyday things. They speak of New York, of stores and neighborhoods and buildings they either despise or love, with an intimacy and ease that make Gogol feel as if he barely knows the city. They speak about the house, which Gerald and Lydia bought back in the seventies, when no one wanted to live in the area, about the history of the neighborhood, and about Clement Clarke Moore, who Gerald explains was a professor of classics at the seminary across the street. "He was the person responsible for local residential zoning," Gerald says. "That and writing ''Twas the Night Before Christmas,' of course." Gogol is unaccustomed to this sort of talk at mealtimes, to the indulgent ritual of the lingering meal, and the pleasant aftermath of bottles and crumbs and empty glasses that clutter the table. Something tells him that none of this is for his benefit, that this is the way the Ratliffs eat every night. Gerald is a lawyer. Lydia is a curator of textiles at the Met. They are at once satisfied and intrigued by his background, by his years at Yale and Columbia, his career as an architect, his Mediterranean looks. "You could be Italian," Lydia remarks at one point during the meal, regarding him in the candle's glow. Gerald remembers a bar of French chocolate he bought on his way home, and this is unwrapped, broken apart, and passed around the table. Eventually the talk turns to India. Gerald asks questions about the recent rise of Hindu fundamentalism, a topic Gogol knows little about. Lydia talks at length about Indian carpets and miniatures, Maxine about a college class she'd once taken on Buddhist stupas. They have never known a person who has been to Calcutta. Gerald has an Indian colleague at work who just went to India for his honeymoon. He'd brought back spectacular photographs, of a palace built on a lake. Was that in Calcutta? "That's Udaipur," Gogol tells them. "I've never been there. Calcutta's in the east, closer to Thailand." Lydia peers into the salad bowl, fishing out a stray piece of lettuce and eating it with her fingers. She seems more relaxed now, quicker to smile, her cheeks rosy from the wine. "What's Calcutta like? Is it beautiful?" The question surprises him. He is accustomed to people asking about the poverty, about the beggars and the heat. "Parts of it are beautiful," he tells her. "There's a lot of lovely Victorian architecture left over from the British. But most of it's decaying." "That sounds like Venice," Gerald says. "Are there canals?" "Only during monsoons. That's when the streets flood. I guess that's the closest it comes to resembling Venice." "I want to go to Calcutta," Maxine says, as if this has been a thing denied to her all her life. She gets up and walks over to the stove. "I feel like tea. Who wants tea?" But Gerald and Lydia decide against tea tonight; there is an I, Claudius video they want to watch before bed. Without tending to the dishes they stand up, Gerald taking their two glasses and the rest of the wine. "Good night, dear," Lydia says, kissing Gogol lightly on the cheek. And then their footsteps creak noisily up the stairs. "I suppose you've never been subjected to someone's parents on the first date before," Maxine says once they are alone, sipping milky cups of Lapsang Souchong from heavy white mugs. "I enjoyed meeting them. They're charming." "That's one way of putting it." They remain awhile at the table, talking, the sound of the rain echoing quietly in the enclosed space behind the house. The candles shrink to stubs, and specks of wax drip onto the table. Silas, who has been softly pacing on the floor, comes and presses his head against Gogol's leg, looking up at him, wagging his tail. Gogol bends over, pats him tentatively. "You've never had a dog, have you?" Maxine says, observing him. "No." "Didn't you ever want one?" "When I was a kid. But my parents never wanted the responsibility. Plus we had to go to India every couple of years." He realizes it's the first time he's mentioned his parents to her, his past. He wonders if perhaps she'll ask him more about these things. Instead she says, "Silas likes you. He's very picky." He looks at her, watching as she undoes her hair, letting it hang loose for a moment over her shoulders before wrapping it thoughtlessly around her hand. She looks back at him, smiling. Once again he is aware of her nakedness beneath the cardigan. "I should go," he says. But he is glad that she accepts his offer to help her clean up before leaving. They loiter over the task, loading the dishwasher, wiping down the table and the butcher-block island, washing and drying the pots and pans. They agree to go to the Film Forum on Sunday afternoon, to see the Antonioni double feature that Lydia and Gerald have recently been to and recommended over dinner. "I'll walk you to the subway," Maxine says when they are finished, putting a leash around Silas. "He needs to go out." They go up to the parlor level, put on their coats. He hears the sound of a television faintly through the ceiling. He pauses at the foot of the stairs. "I forgot to thank your parents," he says. "For what?" "For having me over. For dinner." She links elbows with him. "You can thank them next time." From the very beginning he feels effortlessly incorporated into their lives. It is a different brand of hospitality from what he is used to; for though the Ratliffs are generous, they are people who do not go out of their way to accommodate others, assured, in his case correctly, that their life will appeal to him. Gerald and Lydia, busy with their own engagements, keep out of the way. Gogol and Maxine come and go as they please, from movies and dinners out. He goes shopping with her on Madison Avenue at stores they must be buzzed into, for cashmere cardigans and outrageously expensive English colognes that Maxine buys without deliberation or guilt. They go to darkened, humble-looking restaurants downtown where the tables are tiny, the bills huge. Almost without fail they wind up back at her parents' place. There is always some delicious cheese or pâté to snack on, always some good wine to drink. It is in her claw- footed tub that they soak together, glasses of wine or single-malt Scotch on the floor. At night he sleeps with her in the room she grew up in, on a soft, sagging mattress, holding her body, as warm as a furnace, through the night, making love to her in a room just above the one in which Gerald and Lydia lie. On nights he has to stay late at work he simply comes over; Maxine keeps dinner waiting for him, and then they go upstairs to bed. Gerald and Lydia think nothing, in the mornings, when he and Maxine join them downstairs in the kitchen, their hair uncombed, seeking bowls of café au lait and toasted slices of French bread and jam. The first morning he'd slept over he'd been mortified to face them, showering beforehand, putting on his wrinkled shirt and trousers from the day before, but they'd merely smiled, still in their bathrobes, and offered him warm sticky buns from their favorite neighborhood bakery and sections of the paper. Quickly, simultaneously, he falls in love with Maxine, the house, and Gerald and Lydia's manner of living, for to know her and love her is to know and love all of these things. He loves the mess that surrounds Maxine, her hundreds of things always covering her floor and her bedside table, her habit, when they are alone on the fifth floor, of not shutting the door when she goes to the bathroom. Her unkempt ways, a challenge to his increasingly minimalist taste, charm him. He learns to love the food she and her parents eat, the polenta and risotto, the bouillabaisse and osso buco, the meat baked in parchment paper. He comes to expect the weight of their flatware in his hands, and to keep the cloth napkin, still partially folded, on his lap. He learns that one does not grate Parmesan cheese over pasta dishes containing seafood. He learns not to put wooden spoons in the dishwasher, as he had mistakenly done one evening when he was helping to clean up. The nights he spends there, he learns to wake up earlier than he is used to, to the sound of Silas barking downstairs, wanting to be taken for his morning walk. He learns to anticipate, every evening, the sound of a cork emerging from a fresh bottle of wine. Maxine is open about her past, showing him photographs of her ex- boyfriends in the pages of a marble-papered album, speaking of those relationships without embarrassment or regret. She has the gift of accepting her life; as he comes to know her, he realizes that she has never wished she were anyone other than herself, raised in any other place, in any other way. This, in his opinion, is the biggest difference between them, a thing far more foreign to him than the beautiful house she'd grown up in, her education at private schools. In addition, he is continually amazed by how much Maxine emulates her parents, how much she respects their tastes and their ways. At the dinner table she argues with them about books and paintings and people they know in common the way one might argue with a friend. There is none of the exasperation he feels with his own parents. No sense of obligation. Unlike his parents, they pressure her to do nothing, and yet she lives faithfully, happily, at their side. She is surprised to hear certain things about his life: that all his parents' friends are Bengali, that they had had an arranged marriage, that his mother cooks Indian food every day, that she wears saris and a bindi. "Really?" she says, not fully believing him. "But you're so different. I would never have thought that." He doesn't feel insulted, but he is aware that a line has been drawn all the same. To him the terms of his parents' marriage are something at once unthinkable and unremarkable; nearly all their friends and relatives had been married in the same way. But their lives bear no resemblance to that of Gerald and Lydia: expensive pieces of jewelry presented on Lydia's birthday, flowers brought home for no reason at all, the two of them kissing openly, going for walks through the city, or to dinner, just as Gogol and Maxine do. Seeing the two of them curled up on the sofa in the evenings, Gerald's head resting on Lydia's shoulder, Gogol is reminded that in all his life he has never witnessed a single moment of physical affection between his parents. Whatever love exists between them is an utterly private, uncelebrated thing. "That's so depressing," Maxine says when he confesses this fact to her, and though it upsets him to hear her reaction, he can't help but agree. One day Maxine asks him if his parents want him to marry an Indian girl. She poses the question out of curiosity, without hoping for a particular response. He feels angry at his parents then, wishing they could be otherwise, knowing in his heart what the answer is. "I don't know," he tells her. "I guess so. It doesn't matter what they want." She visits him infrequently; she and Gogol are never close to his neighborhood for any reason, and even the absolute privacy they would have had there is of no appeal. Still, some nights when her parents have a dinner party she has no interest in, or simply to be fair, she appears, quickly filling up the small space with her gardenia perfume, her coat, her big brown leather bag, her discarded clothes, and they make love on his futon as the traffic rumbles below. He is nervous to have her in his place, aware that he has put nothing up on his walls, that he has not bothered to buy lamps to replace the dismal glow of the ceiling light. "Oh, Nikhil, it's too awful," she eventually says on one of these occasions, barely three months after they've met. "I won't let you live here." When his mother had said more or less the same thing, the first time his parents had visited the apartment, he'd argued with her, hotly defending the merits of his spartan, solitary existence. But when Maxine says it, adding "you should just stay with me," he is quietly thrilled. By then he knows enough about her to know that she is not one to offer things if she doesn't mean them. Still, he demurs; what would her parents think? She shrugs. "My parents love you," she says matter-of-factly, definitively, just as she says everything else. And so he moves in with her in a way, bringing a few bags of his clothes, nothing else. His futon and his table, his kettle and toaster and television and the rest of his things, remain on Amsterdam Avenue. His answering machine continues to record his messages. He continues to receive his mail there, in a nameless metal box. *** Within six months he has the keys to the Ratliffs' house, a set of which Maxine presents to him on a silver Tiffany chain. Like her parents, he has come to call her Max. He drops off his shirts at the dry cleaner around the corner from her place. He keeps a toothbrush and razor on her cluttered pedestal sink. In the mornings a few times a week he gets up early and goes running before work with Gerald along the Hudson, down to Battery Park City and back. He volunteers to take Silas out for walks, holding the leash as the dog sniffs and pokes at trees, and he picks up Silas's warm shit with a plastic bag. He spends entire weekends holed up in the house, reading books from Gerald and Lydia's shelves, admiring the sunlight that filters through the enormous unadorned windows during the course of the day. He comes to prefer certain sofas and chairs to others; when he is not there, he can conjure the paintings and photographs arrayed on the walls. He has to make a point of going to his studio, of resetting the tape on his answering machine, paying his rent check and his bills. Often, on weekends, he helps to shop and prepare for Gerald and Lydia's dinner parties, peeling apples and deveining shrimp with Lydia, helping to shuck oysters, going down to the cellar with Gerald to bring up the extra chairs, the wine. He has fallen the tiniest bit in love with Lydia and with the understated, unflustered way she entertains. He is always struck by these dinners: only a dozen or so guests sitting around the candlelit table, a carefully selected mix of painters, editors, academics, gallery owners, eating the meal course by course, talking intelligently until the evening's end. How different they are from his own parents' parties, cheerfully unruly evenings to which there were never fewer than thirty people invited, small children in tow. Fish and meat served side by side, so many courses that people had to eat in shifts, the food still in the pans they were cooked in crowding the table. They sat where they could, in the different rooms of the house, half the people having finished before the other half began. Unlike Gerald and Lydia, who preside at the center of their dinners, his parents behaved more like caterers in their own home, solicitous and watchful, waiting until most of their guests' plates were stacked by the sink in order finally to help themselves. At times, as the laughter at Gerald and Lydia's table swells, and another bottle of wine is opened, and Gogol raises his glass to be filled yet again, he is conscious of the fact that his immersion in Maxine's family is a betrayal of his own. It isn't simply the fact that his parents don't know about Maxine, that they have no idea how much time he spends with her and Gerald and Lydia. Instead it is his knowledge that apart from their affluence, Gerald and Lydia are secure in a way his parents will never be. He cannot imagine his parents sitting at Lydia and Gerald's table, enjoying Lydia's cooking, appreciating Gerald's selection of wine. He cannot imagine them contributing to one of their dinner party conversations. And yet here he is, night after night, a welcome addition to the Ratliffs' universe, doing just that. In June, Gerald and Lydia disappear to their lake house in New Hampshire. It is an unquestioned ritual, a yearly migration to the town where Gerald's parents live year-round. For a few days a series of canvas tote bags accumulate in the hallway, cardboard boxes full of liquor, shopping bags full of food, cases of wine. Their departure reminds Gogol of his family's preparations for Calcutta every few years, when the living room would be crowded with suitcases that his parents packed and repacked, fitting in as many gifts as possible for their relatives. In spite of his parents' excitement, there was always a solemnity accompanying these preparations, Ashima and Ashoke at once apprehensive and eager, steeling themselves to find fewer faces at the airport in Calcutta, to confront the deaths of relatives since the last time they were there. No matter how many times they'd been to Calcutta, his father was always anxious about the job of transporting the four of them such a great distance. Gogol was aware of an obligation being fulfilled; that it was, above all else, a sense of duty that drew his parents back. But it is the call of pleasure that summons Gerald and Lydia to New Hampshire. They leave without fanfare, in the middle of the day, when Gogol and Maxine are both at work. In Gerald and Lydia's wake, certain things are missing: Silas, some of the cookbooks, the food processor, novels and CDs, the fax machine so that Gerald can keep in touch with his clients, the red Volvo station wagon they keep parked on the street. A note is left on the island in the kitchen: "We're off!" Lydia has written, followed by X's and O's. Suddenly Gogol and Maxine have the house in Chelsea to themselves. They stray to the lower stories, making love on countless pieces of furniture, on the floor, on the island in the kitchen, once even on the pearl gray sheets of Gerald and Lydia's bed. On weekends they wander naked from room to room, up and down the five flights of stairs. They eat in different places according to their moods, spreading an old cotton quilt on the floor, sometimes eating take-out on Gerald and Lydia's finest china, falling asleep at odd hours as the strong summer light of the lengthened days pours through the enormous windows onto their bodies. As the days grow warmer, they stop cooking complicated things. They live off sushi and salads and cold poached salmon. They switch from red wine to white. Now that it is just the two of them it seems to him, more than ever, that they are living together. And yet for some reason it is dependence, not adulthood, he feels. He feels free of expectation, of responsibility, in willing exile from his own life. He is responsible for nothing in the house; in spite of their absence, Gerald and Lydia continue to lord, however blindly, over their days. It is their books he reads, their music he listens to. Their front door he unlocks when he gets back from work. Their telephone messages he takes down. He learns that the house, for all its beauty, has certain faults in the summer months, so that it makes all the more sense that it is a place Gerald and Lydia annually avoid. It lacks air-condi tioning, something Gerald and Lydia have never bothered to install because they are never there when it's hot, and the enormous windows lack screens. As a result, the rooms are sweltering during the day, and at night, because it is necessary to leave the windows wide open, he is ambushed by mosquitoes that shriek in his ears and leave angry, lumpen welts between his toes, on his arms and thighs. He longs for a mosquito net to drape over Maxine's bed, remembers the filmy blue nylon boxes that he and Sonia would sleep inside of on their visits to Calcutta, the corners hooked onto the four posts of the bed, the edges tucked tightly beneath the mattress, creating a temporary, tiny, impenetrable room for the night. There are times when he cannot bear it, turning on the light and standing on the bed, looking for them, a rolled-up magazine or a slipper in his hand, as Maxine, unbothered and unbitten, begs him to get back to sleep. He sees them sometimes against the peach-colored paint on the wall, faint specks engorged with his blood, just inches below the ceiling, always too high up to kill. With work as an excuse he does not go home to Massachusetts all summer. The firm is entering a competition, submitting designs for a new five-star hotel to be built in Miami. At eleven at night, he is still there, along with most of the other designers on his team, all rushing to finish drawings and models by the month's end. When his phone rings, he hopes it's Maxine, calling to coax him into leaving the office. Instead it's his mother. "Why are you calling me here so late?" he asks her, distracted, his eyes still focused on the computer screen. "Because you are not at your apartment," his mother says. "You are never at your apartment, Gogol. In the middle of the night I have called and you are not there." "I am, Ma," he lies. "I need my sleep. I shut off the phone." "I cannot imagine why anyone would want to have a phone only to shut it off," his mother says. "So, is there a reason you're calling me?" She asks him to visit the following weekend, the Saturday before his birthday. "I can't," he says. He tells her he has a deadline at work, but it's not true— that's the day that he and Maxine are leaving for New Hampshire, for two weeks. But his mother insists; his father is leaving for Ohio the following day—doesn't Gogol want to go with them to the airport, to see him off? He knows vaguely of his father's plans to spend nine months at a small university somewhere outside Cleveland, that he and a colleague have received a grant funded by the colleague's university, to direct research for a corporation there. His father had sent him a clipping about the grant printed in the campus newspaper, with a photograph of his father standing outside the engineering building: "Prestigious grant for Professor Ganguli," the caption read. At first it was assumed that his parents would shut up the house, or rent it out to students, and that his mother would go too. But then his mother had surprised them, pointing out that there would be nothing for her to do in Ohio for nine months, that his father would be busy all day at the lab, and that she preferred to stay in Massachusetts, even if it meant staying in the house alone. "Why do I have to see him off?" Gogol asks his mother now. He knows that for his parents, the act of travel is never regarded casually, that even the most ordinary of journeys is seen off and greeted at either end. And yet he continues, "Baba and I already live in different states. I'm practically as far from Ohio as I am from Boston." "That's no way to think," his mother says. "Please, Gogol. You haven't been home since May." "I have a job, Ma. I'm busy. Besides, Sonia's not coming." "Sonia lives in California. You are so close." "Listen, I can't come home that weekend," he says. The truth seeps out of him slowly. He knows it's his only defense at this point. "I'm going on a vacation. I've already made plans." "Why do you wait to tell us these things at the last minute?" his mother asks. "What sort of vacation? What plans?" "I'm going to spend a couple of weeks in New Hampshire." "Oh," his mother says. She sounds at once unimpressed and relieved. "Why do you want to go there, of all places? What's the difference between New Hampshire and here?" "I'm going with a girl I'm seeing," he tells her. "Her parents have a place there." Though she says nothing for a while, he knows what his mother is thinking, that he is willing to go on vacation with someone else's parents but not see his own. "Where is this place, exactly?" "I don't know. Somewhere in the mountains." "What's her name?" "Max." "That's a boy's name." He shakes his head. "No, Ma. It's Maxine." And so, on the way to New Hampshire, they stop off at Pemberton Road for lunch, which is what, in the end, he has agreed to. Maxine doesn't mind, it's on their way, after all, and she is curious by now to meet his parents. They drive up from New York in a rented car, the trunk packed with more supplies that Gerald and Lydia have asked them for on the back of a postcard: wine, bags of a particular imported pasta, a large tin of olive oil, thick wedges of Parmesan and Asiago cheese. When he asks Maxine why these things are necessary, she explains that they are going to the middle of nowhere, that if they were to depend on the general store they would have nothing to live on but potato chips and Wonder bread and Pepsi. On the way to Massachusetts, he tells her things he figures she should know in advance—that they will not be able to touch or kiss each other in front of his parents, that there will be no wine with lunch. "There's plenty of wine in the trunk of the car," Maxine points out. "It doesn't matter," he tells her. "My parents don't own a corkscrew." The restrictions amuse her; she sees them as a single afternoon's challenge, an anomaly never to be repeated. She does not associate him with his parents' habits; she still cannot believe that she is to be the first girlfriend he's ever brought home. He feels no excitement over this prospect, wants simply to be done with it. Once they get off at his parents' exit he senses that the landscape is foreign to her: the shopping plazas, the sprawling brick-faced public high school from which he and Sonia graduated, the shingled houses, uncomfortably close to one another, on their grassy quarter-acre plots. The sign that says CHILDREN AT PLAY. He knows that this sort of life, one which is such a proud accomplishment for his own parents, is of no relevance, no interest, to her, that she loves him in spite of it. A van from a company that installs security systems blocks his parents' driveway, and so he parks on the street, by the mailbox on the edge of the lawn. He leads Maxine up the flagstone path, ringing the bell because his parents always keep the front door locked. His mother opens the door. He can tell she is nervous, dressed in one of her better saris, wearing lipstick and perfume, in contrast to the khakis and T-shirts and soft leather moccasins Gogol and Maxine both wear. "Hi, Ma," he says, leaning over, giving his mother a quick kiss. "This is Maxine. Max, this is my mother. Ashima." "It's so nice to finally meet you, Ashima," Maxine says, leaning over and giving his mother a kiss as well. "These are for you," she says, handing Ashima a cellophane-wrapped basket full of tinned pâtés and jars of cornichons and chutneys that Gogol knows his parents will never open or enjoy. And yet when Maxine had shopped for the things to put in the basket, at Dean and DeLuca, he'd said nothing to dissuade her. He walks in with his shoes on instead of changing into a pair of flip-flops that his parents keep in the hall closet. They follow his mother across the living room and around the corner into the kitchen. His mother returns to the stove, where she is deep-frying a batch of samosas, filling the air with a haze of smoke. "Nikhil's father is upstairs," his mother says to Maxine, lifting out a samosa with a slotted spatula and putting it on a paper-towel-lined plate. "With the man from the alarm company. Sorry, lunch will be ready in a minute," she adds. "I was not expecting you to arrive for another half an hour." "Why on earth are we getting a security system?" Gogol wants to know. "It was your father's idea," his mother says, "now that I will be on my own." She says that there have been two burglaries recently in the neighborhood, both of them in the middle of the afternoon. "Even in good areas like this, these days there are crimes," she says to Maxine, shaking her head. His mother offers them glasses of frothy pink lassi, thick and sweet-tasting, flavored with rose water. They sit in the formal living room, where they normally never sit. Maxine sees the school pictures of Sonia and him in front of blue-gray backgrounds arranged on the mantel of the brick fireplace, the family portraits from Olan Mills. She looks at his childhood photo albums with his mother. She admires the material of his mother's sari, mentioning that her mother curates textiles at the Met. "The Met?" "The Metropolitan Museum of Art," Maxine explains. "You've been there, Ma," Gogol says. "It's the big museum on Fifth Avenue. With all the steps. I took you there to see the Egyptian temple, remember?" "Yes, I remember. My father was an artist," she tells Maxine, pointing to one of his grandfather's watercolors on the wall. They hear footsteps coming down the stairs, and then his father enters the living room, along with a uniformed man holding a clipboard. Unlike his mother, his father is not dressed up at all. He wears a pair of thin brown cotton pants, an untucked, slightly wrinkled short-sleeved shirt, and flip flops. His gray hair looks more sparse than the last time Gogol remembers, his potbelly more pronounced. "Here's your copy of the receipt. Any problems, you just call the eight hundred number," the uniformed man says. He and his father shake hands. "Have a nice day," the man calls out before leaving. "Hi, Baba," Gogol says. "I'd like you to meet Maxine." "Hello," his father says, putting up a hand, looking as if he is about to take an oath. He does not sit down with them. Instead he asks Maxine, "That is your car outside?" "It's a rental," she says. "Better to put it in the driveway," his father tells her. "It doesn't matter," Gogol says. "It's fine where it is." "But better to be careful," his father persists. "The neighborhood children, they are not very careful. One time my car was on the road and a baseball went through the window. I can park it for you if you like." "I'll do it," Gogol says, getting up, irritated by his parents' perpetual fear of disaster. When he returns to the house, the lunch is set out, too rich for the weather. Along with the samosas, there are breaded chicken cutlets, chickpeas with tamarind sauce, lamb biryani, chutney made with tomatoes from the garden. It is a meal he knows it has taken his mother over a day to prepare, and yet the amount of effort embarrasses him. The water glasses are already filled, plates and forks and paper napkins set on the dining room table they use only for special occasions, with uncomfortable high-backed chairs and seats upholstered in gold velvet. "Go ahead and start," his mother says, still hovering between the dining room and the kitchen, finishing up the last of the samosas. His parents are diffident around Maxine, at first keeping their distance, not boisterous as they typically are around their Bengali friends. They ask where she went to college, what it is her parents do. But Maxine is immune to their awkwardness, drawing them out, devoting her attention to them fully, and Gogol is reminded of the first time he'd met her, when she'd seduced him in the same way. She asks his father about his research project in Cleveland, his mother about her part-time job at the local public library, which she's recently begun. Gogol is only partly attentive to the conversation. He is overly aware that they are not used to passing things around the table, or to chewing food with their mouths fully closed. They avert their eyes when Maxine accidentally leans over to run her hand through his hair. To his relief she eats generously, asking his mother how she made this and that, telling her it's the best Indian food she's ever tasted, accepting his mother's offer to pack them some extra cutlets and samosas for the road. When his mother confesses that she is nervous to be in the house alone, Maxine tells her she'd be nervous, too. She mentions a break-in at her parents' once when she was by herself. When she tells them that she lives with her parents, Ashima says, "Really? I thought no one did that in America." When she tells them she was born and raised in Manhattan, his father shakes his head. "New York is too much," he says, "too many cars, too many tall buildings." He tells the story of the time they'd driven in for Gogol's graduation from Columbia, the trunk of the car broken into in just five minutes, their suitcase stolen, having to attend the commencement without a jacket and tie. "It's a pity you can't stay for dinner," his mother says as the meal comes to an end. But his father urges them to get going. "Better not to drive in the dark," he says. Afterward there is tea, and bowls of payesh made in honor of his birthday. He receives a Hallmark card signed by both of his parents, a check for one hundred dollars, a navy blue cotton sweater from Filene's. "He'll need that where we're going," Maxine says approvingly. "The temperature can really drop at night." In the driveway there are hugs and kisses good-bye, initi ated by Maxine, his parents reciprocating clumsily. His mother invites Maxine to please come again. He is given a piece of paper with his father's new phone number in Ohio, and the date on which it will be activated. "Have a good trip to Cleveland," he tells his father. "Good luck with the project." "Okay," his father says. He pats Gogol on the shoulder. "I'll miss you," he says. In Bengali he adds, "Remember to check in on your mother now and again." "Don't worry, Baba. See you at Thanksgiving." "Yes, see you," his father says. And then: "Drive safely, Gogol." At first he's unaware of the slip. But as soon as they're in the car, buckling their seat belts, Maxine says, "What did your dad just call you?" He shakes his head. "It's nothing. I'll explain it later." He turns on the ignition and begins to back out of the driveway, away from his parents, who stand there, waving, until the last possible moment. "Call to let us know you've arrived there safely," his mother says to Gogol in Bengali. But he waves and drives off, pretending not to hear. It's a relief to be back in her world, heading north across the state border. For a while it's nothing different, the same expanse of sky, the same strip of highway, large liquor stores and fast-food chains on either side. Maxine knows the way, so there is no need to consult a map. He has been to New Hampshire once or twice with his family, to see the leaves, driving for the day to places one could pull off the road and take pictures of and admire the view. But he's never been so far north. They pass farms, spotted cows grazing in fields, red silos, white wooden churches, barns with rusted tin roofs. Small, scattered towns. The names of the towns mean nothing to him. They leave the highway behind and drive on steep, slender, two-lane ribbons of road, the mountains appearing like enormous milky waves suspended against the sky. Wisps of cloud hang low over the summits, like smoke rising from the trees. Other clouds cast broad shadows across the valley. Eventually there are only a few cars on the road, no signs for tourist facilities or campgrounds, just more farms and woods, the roadsides full of blue and purple flowers. He has no idea where he is, or how far they've traveled. Maxine tells him they aren't far from Canada, that if they're motivated they could drive into Montreal for the day. They turn down a long dirt road in the middle of a forest, dense with hemlock and birch. There is nothing to mark where they turned, no mailbox or sign. At first there is no house visible, nothing but large lime-colored ferns covering the ground. Small stones spray wildly under the tires and the trees throw patterns of shade onto the hood of the car. They come to a partial clearing, to a humble house covered with bleached brown shingles and surrounded by a low wall of flat stones. Gerald and Lydia's Volvo is parked on the grass because there is no driveway. Gogol and Maxine step out, and he is led by the hand to the back of the house, his limbs stiff from the hours in the car. Though the sun is beginning to set, its warmth is still palpable, the air lazy and mild. As they approach he sees that after a certain expanse the yard falls away, and then he sees the lake, a blue a thousand times deeper, more brilliant, than the sky and girded by pines. The mountains rise up behind them. The lake is bigger than he'd expected, a distance he cannot imagine swimming across. "We're here," Maxine calls out, waving, her arms in a V. They walk toward her parents, who are sitting on Adirondack chairs on the grass, their legs and feet bare, drinking cocktails and admiring the view. Silas comes bounding toward them, barking across the lawn. Gerald and Lydia are tanner, leaner, a bit scantily dressed, Lydia in a white tank top and a denim wrap skirt, Gerald in wrinkled blue shorts, a green polo shirt faded with use. Lydia's arms are nearly as dark as his own. Gerald has burned. Discarded books lie at their feet, facedown on the grass. A turquoise dragonfly hovers above them, then darts crookedly away. They turn their heads in greeting, shielding their eyes from the sun's glare. "Welcome to paradise," Gerald says. It is the opposite of how they live in New York. The house is dark, a bit musty, full of primitive, mismatched furniture. There are exposed pipes in the bathrooms, wires stapled over doorsills, nails protruding from beams. On the walls are clusters of local butterflies, mounted and framed, a map of the region on thin white paper, photographs of the family at the lake over the years. Checkered cotton curtains hang in the windows on thin white rods. Instead of staying with Gerald and Lydia, he and Maxine sleep in an unheated cabin down a path from the main house. No bigger than a cell, the space was originally built for Maxine to play in when she was a girl. There is a small chest of drawers, a crude night table between two twin beds, a lamp with a plaid paper shade, two wooden chests in which extra quilts are stored. The beds are covered with ancient electric blankets. In the corner is a device whose hum is supposed to keep the bats away. Hairy, unfinished logs hold up the roof, and there is a gap between where the floor ends and the wall begins, so that one can see a thin line of grass. There are insect carcasses everywhere, squashed against the windowpanes and walls, languishing in pools of water behind the taps of the sink. "It's sort of like being at camp," Maxine says as they unpack their things, but Gogol has never been to camp, and though he is only three hours away from his parents' house, this is an unknown world to him, a kind of holiday he's never been on. During the days he sits with Maxine's family on a thin strip of beach, looking out onto the glittering jade lake, surrounded by other homes, overturned canoes. Long docks jut into the water. Tadpoles dart close to shore. He does as they do, sitting on a folding chair, a cotton cap on his head, applying sunblock at intervals to his arms, reading, falling asleep after barely a page. He wades into the water and swims to the dock when his shoulders grow too warm, the sand free of stones or growth, smooth and yielding under his feet. Occasionally they are joined by Maxine's grandparents, Hank and Edith, who live on the lake several houses away. Hank, a retired professor of classical archaeology, always brings a small volume of Greek poetry to read, his long sun-spotted fingers curling over the tops of the pages. At some point he gets up, laboriously removing his shoes and socks, and walks calf-deep into the water, regarding the surroundings with his hands on his hips, his chin thrust pridefully into the air. Edith is small and thin, proportioned like a girl, her white hair cut in a bob and her face deeply wrinkled. They have traveled a bit of the world together, Italy, Greece, Egypt, Iran. "We never got as far as India," Edith tells him. "We would certainly have loved to have seen that." All day he and Maxine walk about the property barefoot in their bathing suits. Gogol goes for runs around the lake with Gerald, arduous laps along steep hilly dirt roads, so infrequently traveled that they can occupy the dead center. Halfway around is a small private graveyard where members of the Ratliff family lie buried, where Gerald and Gogol always stop to catch their breath. Where Maxine will be buried one day. Gerald spends most of his time in his vegetable garden, his nails permanently blackened from his careful cultivation of lettuce and herbs. One day, Gogol and Maxine swim over to Hank and Edith's for lunch, for egg salad sandwiches and canned tomato soup. Some nights, when it's too warm in the cabin, he and Maxine take a flashlight and walk to the lake in their pajamas to go skinny-dipping. They swim in the dark water, under the moonlight, weeds catching their limbs, out to the neighboring dock. The unfamiliar sensation of the water surrounding his unclothed body arouses Gogol, and when they come back to shore they make love on the grass that is wet from their bodies. He looks up at her, and behind her, at the sky, which holds more stars than he ever has seen at one time, crowded together, a mess of dust and gems. In spite of the fact that there is nothing in particular to do, the days assume a pattern. There is a certain stringency to life, a willful doing without. In the mornings they wake early to the frenzied chirping of birds, when the eastern sky is streaked with the thinnest of pink clouds. Breakfast is eaten by seven, on the screened-in porch overlooking the lake where they have all their meals, homemade preserves slathered on thick slices of bread. Their news of the world comes from the thin local paper Gerald brings back each day from the general store. In the late afternoons, they shower and dress for dinner. They sit with their drinks on the lawn, eating pieces of the cheese Gogol and Maxine brought from New York, and watch the sun set behind the mountains, bats darting between the pines that soar as tall as ten-story buildings, all the bathing suits hung to dry on a line. Dinners are simple: boiled corn from a farm stand, cold chicken, pasta with pesto, tomatoes from the garden sliced and salted on a plate. Lydia bakes pies and cobblers with berries picked by hand. Occasionally she disappears for the day, to go antiquing in the surrounding towns. There is no television to watch in the evenings, just an old stereo on which they sometimes play a symphony or jazz. On the first rainy day Gerald and Lydia teach him to play cribbage. They are often in bed by nine. The phone, in the main house, seldom rings. He grows to appreciate being utterly disconnected from the world. He grows used to the quiet, the scent of sun-warmed wood. The only sounds are the occasional motorboat cutting across the water, screen doors snapping shut. He presents Gerald and Lydia with a sketch of the main house done one afternoon down at the beach, the first thing he's drawn in years that hasn't been for work. They set it atop the crowded mantel of the stone fireplace, next to piles of books and photographs, promise to have it framed. The family seems to possess every piece of the landscape, not only the house itself but every tree and blade of grass. Nothing is locked, not the main house, or the cabin that he and Maxine sleep in. Anyone could walk in. He thinks of the alarm system now installed in his parents' house, wonders why they cannot relax about their physical surroundings in the same way. The Ratliffs own the moon that floats over the lake, and the sun and the clouds. It is a place that has been good to them, as much a part of them as a member of the family. The idea of returning year after year to a single place appeals to Gogol deeply. Yet he cannot picture his family occupying a house like this, playing board games on rainy afternoons, watching shooting stars at night, all their relatives gathered neatly on a small strip of sand. It is an impulse his parents have never felt, this need to be so far from things. They would have felt lonely in this setting, remarking that they were the only Indians. They would not want to go hiking, as he and Maxine and Gerald and Lydia do almost every day, up the rocky mountain trails, to watch the sun set over the valley. They would not care to cook with the fresh basil that grows rampant in Gerald's garden or to spend a whole day boiling blueberries for jam. His mother would not put on a bathing suit or swim. He feels no nostalgia for the vacations he's spent with his family, and he realizes now that they were never really true vacations at all. Instead they were overwhelming, disorienting expeditions, either going to Calcutta, or sightseeing in places they did not belong to and intended never to see again. Some summers there had been road trips with one or two Bengali families, in rented vans, going to Toronto or Atlanta or Chicago, places where they had other Bengali friends. The fathers would be huddled at the front, taking turns at the wheel, consulting maps highlighted by AAA. All the children would sit in the back with plastic tubs of aloo dum and cold flattened luchis wrapped in foil, fried the day before, which they would stop in state parks to eat on picnic tables. They had stayed in motels, slept whole families to a single room, swum in pools that could be seen from the road. *** One day they canoe across the lake. Maxine teaches him how to paddle properly, angling the oar and drawing it back through the still, gray water. She speaks reverently of her summers here. This is her favorite place in the world, she tells him, and he understands that this landscape, the water of this particular lake in which she first learned to swim, is an essential part of her, even more so than the house in Chelsea. This was where she lost her virginity, she confesses, when she was fourteen years old, in a boathouse, with a boy whose family once summered here. He thinks of himself at fourteen, his life nothing like it is now, still called Gogol and nothing else. He remembers Maxine's reaction to his telling her about his other name, as they'd driven up from his parents' house. "That's the cutest thing I've ever heard," she'd said. And then she'd never mentioned it again, this essential fact about his life slipping from her mind as so many others did. He realizes that this is a place that will always be here for her. It makes it easy to imagine her past, and her future, to picture her growing old. He sees her with streaks of gray in her hair, her face still beautiful, her long body slightly widened and slack, sitting on a beach chair with a floppy hat on her head. He sees her returning here, grieving, to bury her parents, teaching her children to swim in the lake, leading them with two hands into the water, showing them how to dive cleanly off the edge of the dock. It is here that his twenty-seventh birthday is celebrated, the first birthday in his life that he hasn't spent with his own parents, either in Calcutta or on Pemberton Road. Lydia and Maxine plan a special dinner, curling up with cookbooks for days beforehand on the beach. They decide to make a paella, drive to Maine for the mussels and clams. An angel food cake is baked from scratch. They bring the dining table out onto the lawn, a few card tables added on to make room for everyone. In addition to Hank and Edith, a number of friends from around the lake are invited. The women arrive in straw hats and linen dresses. The front lawn fills up with cars, and small children scamper among them. There is talk of the lake, the temperature dropping, the water turning cooler, summer coming to an end. There are complaints about motorboats, gossip about the owner of the general store, whose wife has run off with another man and is seeking a divorce. "Here's the architect Max brought up with her," Gerald says at one point, leading him over to a couple interested in building an addition to their cottage. Gogol speaks to the couple about their plans, promises to come down and have a look at their place before he leaves. At dinner he is asked by his neighbor, a middle- aged woman named Pamela, at what age he moved to America from India. "I'm from Boston," he says. It turns out Pamela is from Boston as well, but when he tells her the name of the suburb where his parents live Pamela shakes her head. "I've never heard of that." She goes on, "I once had a girlfriend who went to India." "Oh? Where did she go?" "I don't know. All I remember is that she came back thin as a rail, and that I was horribly envious of her." Pamela laughs. "But you must be lucky that way." "What do you mean?" "I mean, you must never get sick." "Actually, that's not true," he says, slightly annoyed. He looks over at Maxine, trying to catch her eye, but she's speaking intently with her neighbor. "We get sick all the time. We have to get shots before we go. My parents devote the better part of a suitcase to medicine." "But you're Indian," Pamela says, frowning. "I'd think the climate wouldn't affect you, given your heritage." "Pamela, Nick's American," Lydia says, leaning across the table, rescuing Gogol from the conversation. "He was born here." She turns to him, and he sees from Lydia's expression that after all these months, she herself isn't sure. "Weren't you?" Champagne is poured with the cake. "To Nikhil," Gerald announces, raising his glass. Everybody sings "Happy Birthday," this group who has known him for only one evening. Who will forget him the next day. It is in the midst of the laughter of these drunken adults, and the cries of their children running barefoot, chasing fireflies on the lawn, that he remembers that his father left for Cleveland a week ago, that by now he is there, in a new apartment, alone. That his mother is alone on Pemberton Road. He knows he should call to make sure his father has arrived safely, and to find out how his mother is faring on her own. But such concerns make no sense here among Maxine and her family. That night, lying in the cabin beside Maxine, he is woken by the sound of the phone ringing persistently in the main house. He gets out of bed, convinced that it's his parents calling to wish him a happy birthday, mortified that it will wake Gerald and Lydia from sleep. He stumbles onto the lawn, but when his bare feet strike the cold grass there is silence, and he realizes the ringing he'd heard had been a dream. He returns to bed, squeezing in beside Maxine's warm, sleeping body, and drapes his arm around her narrow waist, fits his knees behind hers. Through the window he sees that dawn is creeping into the sky, only a handful of stars still visible, the shapes of the surrounding pines and cabins growing distinct. A bird begins to call. And then he remembers that his parents can't possibly reach him: he has not given them the number, and the Ratliffs are unlisted. That here at Maxine's side, in this cloistered wilderness, he is free. 7Ashima sits at the kitchen table on Pemberton Road, addressing Christmas cards. A cup of Lipton tea grows slowly cold by her hand. Three different address books are open before her, along with some calligraphy pens she's found in the desk drawer in Gogol's room, and the stack of cards, and a bit of dampened sponge to seal the envelopes with. The oldest of the address books, bought twenty-eight years ago at a stationery store in Harvard Square, has a pebbly black cover and blue pages, bound together by a rubber band. The other two are larger, prettier, the alphabetical tabs still intact. One has a padded dark green cover and pages edged in gilt. Her favorite, a birthday gift from Gogol, features paintings that hang in the Museum of Modern Art. On the endpapers of all these books are phone numbers corresponding to no one, and the 800 numbers of all the airlines they've flown back and forth to Calcutta, and reservation numbers, and her ballpoint doodles as she was kept on hold. Having three separate address books makes her current task a bit complicated. But Ashima does not believe in crossing out names, or consolidating them into a single book. She prides herself on each entry in each volume, for together they form a record of all the Bengalis she and Ashoke have known over the years, all the people she has had the fortune to share rice with in a foreign land. She remembers the day she bought the oldest book, soon after arriving in America, one of her first trips out of the apartment without Ashoke at her side, the five-dollar bill in her purse feeling like a fortune. She remembers selecting the smallest and cheapest style, saying "I would like to buy this one, please" as she placed the item on the counter, her heart pounding for fear that she would not be understood. The salesperson had not even glanced at her, had said nothing other than the price. She had come back to the apartment and written into the book's blank blue pages her parents' address in Calcutta, on Amherst Street, and then her in-laws' in Alipore, and finally her own, the apartment in Central Square, so that she would remember it. She had written in Ashoke's extension at MIT, conscious of writing his name for the first time in her life, writing his last name as well. That had been her world. She has made her own Christmas cards this year, an idea she picked up from a book in the crafts section of the library. Normally she buys boxes of cards, marked fifty percent off at department stores in January, always forgetting, by the following winter, exactly where in the house she's put them. She is careful to choose ones that say "Happy Holidays" or "Season's Greetings" as opposed to "Merry Christmas," to avoid angels or nativity scenes in favor of what she considers firmly secular images—a sleigh being pulled through a snow-covered field, or skaters on a pond. This year's card is a drawing she has done herself, of an elephant decked with red and green jewels, glued onto silver paper. The elephant is a replica of a drawing her father had done for Gogol over twenty- seven years ago, in the margins of an aerogramme. She has saved her dead parents' letters on the top shelf of her closet, in a large white purse she used to carry in the seventies until the strap broke. Once a year she dumps the letters onto her bed and goes through them, devoting an entire day to her parents' words, allowing herself a good cry. She revisits their affection and concern, conveyed weekly, faithfully, across continents—all the bits of news that had had nothing to do with her life in Cambridge but which had sustained her in those days nevertheless. Her ability to reproduce the elephant has surprised her. She has not drawn a thing since she was a child, has assumed she'd long forgotten what her father had once taught her, and what her son has inherited, about holding the pen with confidence and making bold, swift strokes. She spent a whole day redoing the drawing on different sheets of paper, coloring it in, trimming it to size, taking it to the university copy center. For an entire evening she had driven herself to different stationery stores in the town, looking for red envelopes that the cards would fit into. She has time to do things like this now that she is alone. Now that there is no one to feed or entertain or talk to for weeks at a time. At forty-eight she has come to experience the solitude that her husband and son and daughter already know, and which they claim not to mind. "It's not such a big deal," her children tell her. "Everyone should live on their own at some point." But Ashima feels too old to learn such a skill. She hates returning in the evenings to a dark, empty house, going to sleep on one side of the bed and waking up on another. At first she was wildly industrious, cleaning out closets and scrubbing the insides of kitchen cupboards and scraping the shelves of the refrigerator, rinsing out the vegetable bins. In spite of the security system she would sit up startled in the middle of the night by a sound somewhere in the house, or the rapid taps that traveled through the baseboards when heat flowed through the pipes. For nights on end, she would double-check all the window locks, making sure that they were fastened tightly. There was the night she'd been roused by a repetitive banging outside the front door and called Ashoke in Ohio. With the cordless phone pressed to her ear, she'd gone downstairs and looked through the peephole, and when she'd finally opened the door she saw that it was only the screen door, which she'd forgotten to latch, swinging wildly in the wind. Now she does the laundry once a month. She no longer dusts, or notices dust, for that matter. She eats on the sofa, in front of the television, simple meals of buttered toast and dal, a single pot lasting her a week and an omelette to go with it if she has energy to bother. Sometimes she eats the way Gogol and Sonia do when they visit, standing in front of the refrigerator, not bothering to heat up the food in the oven or to put it on a plate. Her hair is thinning, graying, still parted in the middle, worn in a bun instead of a braid. She's been fitted for bifocals recently, and they hang against the folds of her sari on a chain around her neck. Three afternoons a week and two Saturdays a month, she works at the public library, just as Sonia had done when she was in high school. It is Ashima's first job in America, the first since before she was married. She signs her small paychecks over to Ashoke, and he deposits them for her at the bank into their account. She works at the library to pass the time—she has been going regularly for years, taking her children to story hour when they were young and checking out magazines and books of knitting patterns for herself, and one day Mrs. Buxton, the head librarian, asked if she would be interested in a part-time position. At first her responsibilities were the same as those of the high school girls, shelving the books that people returned, making sure that sections of shelves were in precise alphabetical order, sometimes running a feather duster along the spines. She mended old books, put protective covers on new arrivals, organized monthly displays on subjects such as gardening, presidential biographies, poetry, African-American history. Lately she's begun to work at the main desk, greeting the regular patrons by name as they walk through the doors, filling out forms for interlibrary loans. She is friendly with the other women who work at the library, most of them also with grown children. A number of them live alone, as Ashima does now, because they are divorced. They are the first American friends she has made in her life. Over tea in the staff room, they gossip about the patrons, about the per ils of dating in middle age. On occasion she has her library friends over to the house for lunch, goes shopping with them on weekends to outlet stores in Maine. Every three weekends her husband comes home. He arrives by taxi—though she is willing to drive herself around their town, she is not willing to get on the highway and drive to Logan. When her husband is in the house, she shops and cooks as she used to. If there is a dinner invitation at friends', they go together, driving along the highway without the children, sadly aware that Gogol and Sonia, now both grown, will never sit with them in the back seat again. During his visits, Ashoke keeps his clothes in his suitcase, his shaving things in a bag by the sink. He does the things she still doesn't know how to do. He pays all the bills, and rakes the leaves on the lawn, and puts gas from the self-service station into her car. His visits are too short to make a difference, and, within hours it seems, Sunday comes, and she is on her own again. When they are apart, they speak by phone every night, at eight o'clock. Sometimes, not knowing what to do with herself after dinner, she is already in bed by then, in her nightgown, watching the small black-and-white television they've owned for decades that lives on her side of the bed, the picture gradually disappearing, a rim of black perpetually framing the screen. If there is nothing decent on television she leafs through books she takes out of the library, books that occupy the space Ashoke normally does on the bed. Now it is three in the afternoon, the sun's strength already draining from the sky. It is the sort of day that seems to end minutes after it begins, defeating Ashima's intentions to spend it fruitfully, the inevitability of nightfall distracting her. The sort of day when Ashima craves her dinner by five. It's one of the things she's always hated about life here: these chilly, abbreviated days of early winter, darkness descending mere hours after noon. She expects nothing of days such as this, simply waits for them to end. She is resigned to warming dinner for herself in a little while, changing into her nightgown, switching on the electric blanket on her bed. She takes a sip of her tea, now stone cold. She gets up to refill the kettle, make another cup. The petunias in her window box, planted Memorial Day weekend, the last time Gogol and Sonia were home together, have withered to shuddering brown stalks that she's been meaning, for weeks, to root from the soil. Ashoke will do it, she thinks to herself, and when the phone rings, and her husband says hello, this is the first thing she tells him. She hears noises in the background, people speaking. "Are you watching television?" she asks him. "I'm in the hospital," he tells her. "What's happened?" She turns off the whistling kettle, startled, her chest tightening, terrified that he's been in some sort of accident. "My stomach's been bothering me since morning." He tells Ashima it's probably something he's eaten, that he'd been invited the previous evening to the home of some Bengali students he'd met in Cleveland who are still teaching themselves to cook, where he was subjected to a suspicious-looking chicken biryani. She exhales audibly, relieved that it's nothing serious. "So take an Alka- Seltzer." "I did. It didn't help. I just came to the emergency room because all the doctors' offices are closed today." "You're working too hard. You're no longer a student, you know. I hope you're not getting an ulcer," she says. "No. I hope not." "Who drove you there?" "No one. I'm here on my own. Really, it's not that bad." Nevertheless she feels a wave of sympathy for him, at the thought of him driving to the hospital alone. She misses him suddenly, remembering afternoons years ago when they'd first moved to this town, when he would surprise her and come home from the university in the middle of the day. They would indulge in a proper Bengali lunch instead of the sandwiches they'd gotten used to by then, boiling rice and warming the previous night's leftovers, filling their stomachs, sitting and talking at the table, sleepy and sated, as their palms turned yellow and dry. "What does the doctor say?" she asks Ashoke now. "I'm waiting to see him. It's a rather long wait. Do me one thing." "What?" "Call Dr. Sandler tomorrow. I'm due for a physical anyway. Make an appointment for me next Saturday, if he has an opening." "All right." "Don't worry. I'm feeling better already. I'll call you when I get home." "All right." She hangs up the phone, prepares her tea, returns to the table. She writes "Call Dr. Sandler" on one of the red envelopes, propping it up against the salt and pepper shakers. She takes a sip of tea and winces, detecting a faint film of dishwashing liquid on this section of the rim, chiding herself for being careless about rinsing. She wonders if she ought to call Gogol and Sonia, to tell them that their father is in the hospital. But quickly she reminds herself that he is not technically in the hospital, that if this were any other day but Sunday he'd be at a doctor's office having an ordinary checkup. He had spoken to her normally, sounding a bit tired, perhaps, but not in great pain. And so she returns to her project. At the bottom of the cards, over and over, she signs their names: her husband's name, which she has never once uttered in his presence, followed by her own, and then the names of her children, Gogol and Sonia. She refuses to write Nikhil, even though she knows that's what he would prefer. No parent ever called a child by his good name. Good names had no place within a family. She writes the names one below the other, in order of age, Ashoke Ashima Gogol Sonia. She decides to send a card to each of them, shifting the respective name to the top of the card: to her husband's apartment in Cleveland, to Gogol in New York, adding Maxine's name, too. Though she'd been polite enough the one time Gogol had brought Maxine to the house, Ashima doesn't want her for a daughter-in-law. She'd been startled that Maxine had addressed her as Ashima, and her husband as Ashoke. And yet Gogol has been dating her for over a year now. By now Ashima knows that Gogol spends his nights with Maxine, sleeping under the same roof as her parents, a thing Ashima refuses to admit to her Bengali friends. She even has his number there; she'd called it once, listening to the voice of the woman who must be Maxine's mother, not leaving any message. She knows the relationship is something she must be willing to accept. Sonia has told her this, and so have her American friends at the library. She addresses a card to Sonia and the two girlfriends she lives with in San Francisco. Ashima looks forward to Christmas, the four of them being together. It still bothers her that neither Gogol nor Sonia had come home for Thanksgiving this year. Sonia, who is working for an environmental agency and studying for her LSAT, had said it was too far to travel. Gogol, who had to work the following day because of a project at his firm, had spent the holiday with Maxine's family in New York. Having been deprived of the company of her own parents upon moving to America, her children's independence, their need to keep their distance from her, is something she will never understand. Still, she had not argued with them. This, too, she is beginning to learn. She had complained to her friends at the library, and they had told her it was inevitable, that eventually parents had to stop assuming that their children would return faithfully for the holidays. And so she and Ashoke had spent Thanksgiving together, not bothering, for the first time in years, to buy a turkey. "Love, Ma," she writes now at the bottom of the cards to her children. And at the bottom of the one for Ashoke, simply, "Ashima." She passes over two pages filled only with the addresses of her daughter, and then her son. She has given birth to vagabonds. She is the keeper of all these names and numbers now, numbers she once knew by heart, numbers and addresses her children no longer remember. She thinks of all the dark, hot apartments Gogol has inhabited over the years, beginning with his first dorm room in New Haven, and now the apartment in Manhattan with the peeling radiator and cracks in the walls. Sonia has done the same as her brother, a new room every year ever since she was eighteen, new roommates Ashima must keep track of when she calls. She thinks of her husband's apartment in Cleveland, which she had helped him settle into one weekend when she visited. She'd bought him inexpensive pots and plates, the kind she used back in Cambridge, as opposed to the gleaming ones from Williams-Sonoma her children buy for her these days as gifts. Sheets and towels, some sheer curtains for the windows, a big sack of rice. In her own life Ashima has lived in only five houses: her parents' flat in Calcutta, her in-laws' house for one month, the house they rented in Cambridge, living below the Montgomerys, the faculty apartment on campus, and, lastly, the one they own now. One hand, five homes. A lifetime in a fist. From time to time, she looks out the window, at the lilac sky of early evening, vividly tinged with two parallel stripes of pink. She looks up at the phone on the wall, wishing it would ring. She will buy her husband a cell phone for Christmas, she decides. She continues to work in the silent house, in the waning light, not bothering to rest, though her wrist has begun to ache, not bothering to get up and turn on the lamp over the table, or the lights on the lawn or in any of the other rooms, until the telephone rings. She answers after half a ring, but it's only a telemarketer, some poor soul on weekend duty, asking reluctantly if a Mrs., um-- "Ganguli," Ashima replies tartly before hanging up. At twilight the sky turns a pale but intense blue, and the trees on the lawn and the shapes of the neighboring houses become silhouettes, solidly black. At five o'clock her husband still hasn't called. She calls his apartment and gets no answer. She calls ten minutes later, then ten minutes after that. It is her own voice on the answering machine, reciting the number and asking the caller to leave a message. Each time she calls she listens to the tone, but she doesn't leave a message. She considers the places he may have stopped on his way home—the pharmacy to pick up a prescription, the supermarket for food. By six o'clock she can no longer distract herself by sealing and stamping the envelopes she's spent all day addressing. She calls directory assistance, asking for an operator in Cleveland, then calls the number of the hospital he told her he'd gone to. She asks for the emergency room, is connected to one part of the hospital after another. "He's just there for an examination," she tells the people who answer and tell her to hold. She spells the last name as she has hundreds of thousands of times by now, "G like green," "N like napkin." She holds the line until she is tempted to hang up, wondering all the while if her husband is trying to reach her from home, regretting not having call waiting. She is disconnected, calls again. "Ganguli," she says. Again she is told to hold. Then a person comes on the line, a young woman's voice, no older than Sonia probably. "Yes. I do apologize for the wait. To whom am I speaking?" "Ashima Ganguli," Ashima says. "Ashoke Ganguli's wife. To whom am I speaking, please?" "I see. I'm sorry, ma'am. I'm the intern who first examined your husband." "I've been holding on for nearly half an hour. Is my husband still there or has he gone?" "I'm very sorry, ma'am," the young woman repeats. "We've been trying to reach you." And then the young woman tells her that the patient, Ashoke Ganguli, her husband, has expired. Expired. A word used for library cards, for magazine sub scriptions. A word which, for several seconds, has no effect whatsoever on Ashima. "No, no, it must be a mistake," Ashima says calmly, shaking her head, a small laugh escaping from her throat. "My husband is not there for an emergency. Only for a stomachache." "I'm sorry, Mrs Ganguli, is it?" She listens to something about a heart attack, that it had been massive, that all attempts to revive him had failed. Did she wish to have any of her husband's organs donated? she is asked. And then, is there anyone in the Cleveland area to identify and claim the body? Instead of answering, Ashima hangs up the phone as the woman is still speaking, pressing down the receiver as hard as she can into the cradle, keeping her hand there for a full minute, as if to smother the words she's just heard. She stares at her empty teacup, and then at the kettle on the stove, which she'd had to turn off in order to hear her husband's voice just a few hours ago. She begins to shiver violently, the house instantly feeling twenty degrees colder. She pulls her sari tightly around her shoulders, like a shawl. She gets up and walks systematically through the rooms of the house, turning on all the light switches, turning on the lamppost on the lawn and the floodlight over the garage, as if she and Ashoke are expecting company. She returns to the kitchen and stares at the pile of cards on the table, in the red envelopes it had pleased her so much to buy, most of them ready to be dropped in the mailbox. Her husband's name is on all of them. She opens her address book, suddenly unable to remember her son's phone number, a thing she can normally dial in her sleep. There is no answer at his office or at his apartment and so she tries the number she has written down for Maxine. It's listed, along with the other numbers, under G, both for Ganguli and for Gogol. Sonia flies back from San Francisco to be with Ashima. Gogol flies from LaGuardia to Cleveland alone. He leaves early the next morning, boarding the first flight he can get. On the plane he stares through the window at the land below, at the snow-covered patches of the Midwest and at curving rivers that seem covered with tinfoil glinting under the sun. The plane's shape darkens a shifting length of ground. The flight is more than half empty, men and a few women in business suits, people used to such flights and to traveling at such hours, typing on laptops or reading the news of the day. He is unaccustomed to the banality of domestic flights, the narrow cabin, the single bag he's packed, small enough to stow overhead. Maxine has offered to go with him, but he has told her no. He doesn't want to be with someone who barely knew his father, who's met him only once. She walked him to Ninth Avenue, stood with him at dawn, her hair uncombed, her face still thick with sleep, her coat and a pair of boots slipped on over her pajamas. He withdrew cash from an ATM, hailed a cab. Most of the city, including Gerald and Lydia, were still asleep in their beds. He and Maxine had been at a book party for one of Maxine's writer friends the night before. Afterward they'd gone out to dinner with a small group. At about ten o'clock they returned to her parents' house as usual, tired as if it were much later, pausing on their way upstairs to say good night to Gerald and Lydia, who were sitting under a blanket on the sofa, watching a French film on video, sipping glasses of after-dinner wine. The lights had been turned off, but from the glow of the television screen Gogol could see that Lydia was resting her head on Gerald's shoulder, that they both had their feet propped against the edge of the coffee table. "Oh, Nick. Your mother called," Gerald had said, glancing up from the screen. "Twice," Lydia added. He felt a sting of embarrassment. No, she hadn't left any message, they said. His mother called him more often these days, now that she was living on her own. Every day, it seemed, she needed to hear the voices of her children. But she had never called him at Maxine's parents'. She called him at work, or left messages at his apartment that he would receive days later. He decided that whatever it was could wait until morning. "Thanks, Gerald," he'd said, his arm around Maxine's waist, turning to leave the room. But then the phone had rung again. "Hello," Gerald had said, and then to Gogol, "It's your sister this time." He takes a cab from the airport to the hospital, shocked by how much colder it is in Ohio than in New York, by the thick layer of snow that cakes the ground. The hospital is a compound of beige stone buildings situated on the crest of a softly sloping hill. He enters the same emergency room his father had entered the day before. After giving his name, he is told to take the elevator to the sixth floor, and then to wait in an empty room, the walls painted a rich dark blue. He watches the clock on the wall, donated, along with the rest of the furnishings in the room, by the loving family of someone named Eugene Arthur. There are no magazines in the waiting room, no television, only a collection of matching wing chairs lined up against the walls and a water fountain at one end. Through the glass door he sees a white hallway, a few empty hospital beds. There is little commotion, no doctors or nurses scurrying down the halls. He keeps his eyes on the elevator, half expecting his father to walk out and fetch him, to indicate, with a slight tilt of the head, that it is time to go. When the elevator doors eventually open, he sees a cart stacked with breakfast trays, most of their contents hidden under domes, and tiny cartons of milk. He feels hungry all of a sudden, wishes he'd thought to save the bagel the stewardess had handed him on the plane. His last meal had been at the restaurant the night before, a bright, bustling place in Chinatown. They had waited nearly an hour on the sidewalk for their table and then feasted on flowering chives and salted squid and the clams in black bean sauce that Maxine loved best. They were already drunk from the book party, lazily sipping their beers, their cold cups of jasmine tea. All that time, his father was in the hospital, already dead. The door opens and a short, pleasant-looking, middle-aged man with a salt- and-pepper beard steps into the room. He wears a white knee-length coat over his clothing and carries a clipboard. "Hello," he says, smiling kindly at Gogol. "Are you—were you my father's doctor?" "No. I'm Mr. Davenport. I'll be taking you downstairs." Mr. Davenport escorts Gogol in an elevator reserved for patients and doctors, to the subbasement of the hospital. He stands with Gogol in the morgue as a sheet is pulled back to show his father's face. The face is yellow and waxy, a thickened, oddly bloated image. The lips, nearly colorless, are set in an expression of uncharacteristic haughtiness. Below the sheet, Gogol realizes, his father is unclothed. The fact shames him, causes him to turn briefly away. When he looks again he studies the face more closely, still thinking that perhaps it's a mistake, that a tap on his father's shoulder will wake him. The only thing that feels familiar is the mustache, the excess hair on his cheeks and chin shaved less than twenty-four hours ago. "His glasses are missing," Gogol says, looking up at Mr. Davenport. Mr. Davenport does not reply. After a few minutes he says, "Mr. Ganguli, are you able to positively identify the body? Is this your father?" "Yes, that's him," Gogol hears himself saying. After a few moments he realizes that a chair has been brought for him to sit in, that Mr. Davenport has stepped aside. Gogol sits down. He wonders if he should touch his father's face, lay a hand on his forehead as his father used to do to Gogol when he was unwell, to see if he had a fever. And yet he feels terrified to do so, unable to move. Eventually, with his index finger, he grazes his father's mustache, an eyebrow, a bit of the hair on his head, those parts of him, he knows, that are still quietly living. Mr. Davenport asks Gogol if he's ready, and then the sheet is replaced, and he is led from the room. A resident arrives, explaining exactly how and when the heart attack happened, why there was nothing the doctors could do. Gogol is given the clothes his father had been wearing, navy slacks, a white shirt with brown stripes, a gray L. L. Bean sweater vest that Gogol and Sonia had gotten him for Christmas one year. Dark brown socks, light brown shoes. His glasses. A trench coat and a scarf. The items brim to the top of a large paper shopping bag. There is a book in the pocket of the trench coat, a copy of The Comedians by Graham Greene, with yellow pages and tiny print. Opening the cover, he sees that the book had been bought used, a stranger's name, Roy Goodwin, is written inside. In a separate envelope he is given his father's wallet, his car keys. He tells the hospital that no religious services are necessary, is told that the ashes would be ready in a few days. He could pick them up personally, at the funeral home the hospital suggests, or have them sent, along with the death certificate, directly to Pemberton Road. Before leaving he asks to see the exact place in the emergency room his father was last alive. The bed number is looked up on a chart; a young man with his arm in a sling lies in it now, otherwise in good spirits, talking on the telephone. Gogol glimpses the curtains that had partly girded his father when life left him, green and gray flowers with a section of white mesh at the top; metal hooks hang from the ceiling, traveling on a white U-shaped rail. His father's leased car, described to him by his mother on the telephone last night, is still parked in the visitors' parking lot. AM news fills his ears as soon as he turns on the ignition, startling him; his father had always been particular about turning off the radio at the end of a drive. In fact, there is no sign of his father in the car. No maps or scraps of paper, no empty cups or loose change or receipts. All he finds in the glove compartment is the registration and the owner's manual. He spends a few minutes reading through the manual, comparing the features of the dashboard to the illustration in the book. He turns the wipers on and off and tests the headlights even though it's still daylight. He shuts off the radio, drives in silence through the cold, bleak afternoon, through the flat, charmless town he will never visit again. He follows directions a nurse at the hospital gave him to the apartment where his father had lived, wondering if this route is the same one his father had taken when he drove himself to the hospital. Each time he passes a restaurant he considers turning off the road, but then he finds himself in a residential section, blocks of Victorian mansions on snow- covered lawns, sidewalks covered with lacy patches of ice. His father's apartment is part of a complex called Baron's Court. Beyond the gate, oversized silver mailboxes, spacious enough to hold a month's worth of mail, stand in a row. A man outside the first of the buildings, marked RENTAL OFFICE, nods to him as he drives past, seeming to recognize the car. Has he mistaken him for his father? Gogol wonders, the thought comforting. The only thing to distinguish each building is a number and a name; to either side of it are more units, absolutely identical, each three stories tall, arranged around a vast looping road. Tudor facades, tiny metal balconies, wood chips under the stairs. The relentless uniformity of it upsets him profoundly, more so than even the hospital, and the sight of his father's face. Thinking of his father living here alone these past three months, he feels the first threat of tears, but he knows that his father did not mind, that he was not offended by such things. He parks in front of his father's building, remaining long enough in the car to see an elderly, sprightly couple emerge with tennis rackets. He remembers his father telling him that the residents are mostly retired, or divorced. There are paths for walking, a small exercise complex, a man-made pond surrounded by benches and willow trees. His father's apartment is on the second floor. He unlocks the door, takes off his shoes, puts them on the plastic runner that his father must have placed there to protect the plush off-white wall-to-wall carpeting. He sees a pair of his father's sneakers, and a pair of lip-lops for wearing around the house. The door opens onto a spacious living room, with a sliding glass door to the right, a kitchen to the left. Nothing hangs on the freshly painted ivory walls. The kitchen is separated on one side by a half wall, one of the things his mother always wanted in their own house, so that it would be possible to cook and still see and speak to people in another room. Against the refrigerator is a picture of himself and his mother and Sonia, behind a magnet from a local bank. They are standing at Fatehpur Sikri with cloths tied over their feet to protect them from the hot stone surface. He was a freshman in high school, thin and glum, Sonia just a girl, his mother in a salwar kameeze, something she was too shy to wear in front of their relatives in Calcutta, who always expected her to be in a sari. He opens the cupboards, first the ones above the countertop, then the ones below. Most of them are empty. He finds four plates, two mugs, four glasses. In a drawer he finds one knife and two forks, a pattern recognizable from home. In another cupboard are a box of tea bags, Peek Freans shortbread biscuits, a five-pound bag of sugar that has not been poured into a bowl, a tin of evaporated milk. There are several small bags of yellow split peas and a large plastic bag of rice. A rice cooker sits mindfully unplugged on the counter. The ledge of the stove is lined with a few spice jars, labeled in his mother's hand. Below the sink he finds a bottle of Windex, a box of trash bags, a single sponge. He walks through the rest of the apartment. Behind the living room is a small bedroom with nothing in it but a bed, and across from it a windowless bathroom. A jar of Pond's cold cream, his father's lifelong answer to after-shave, sits at the side of the sink. He goes to work immediately, going through the room and putting things into garbage bags: the spices, the cold cream, the issue of Time magazine by his father's bed. "Don't bring anything back," his mother had told him on the phone. "It's not our way." He lingers over nothing at first, but in the kitchen he pauses. He feels guilty throwing out the food; were it his father in his place, he would have packed the spare rice and tea bags into his suitcase. His father had abhorred waste of any kind, to the point where he complained to Ashima if a kettle had been filled with too much water. On his first trip to the basement, Gogol sees a table on which other tenants have left things up for grabs: books, videotapes, a white casserole with a clear glass lid. Soon the table is filled with his father's hand-held vacuum, the rice cooker, the tape player, the television, the curtains still attached to their collapsible plastic rods. From the bag he'd brought back from the hospital, he saves his father's wallet, containing forty dollars, three credit cards, a wad of receipts, photographs of Gogol and Sonia when they were babies. He saves the photograph on the fridge. Everything takes much longer than he expects. The task of emptying three rooms, practically empty to begin with, leaves him exhausted. He is surprised to see how many garbage bags he's managed to fill up, how many trips up and down the stairs he's had to make. By the time he is finished, it is already beginning to get dark. He has a list with him of the people he has to call before the business day is over: Call rental office. Call university. Cancel utilities. "We're so very sorry," he is told by a series of people he's never met. "We just saw him Friday," one of his father's colleagues says. "What a shock it must be." The rental office tells him not to worry, that they will send someone by to remove the couch and the bed. When he finishes, he drives through town to the dealer who leased his father the car, and then he takes a cab back to Baron's Court. In the lobby he notices a menu for pizza delivery. He orders a pizza, calls home as he waits for it to arrive. For an hour the line is busy; by the time he gets through, his mother and Sonia are both asleep, a friend of the family informs him. The house is filled with noise, and it is only then that he realizes how quiet it is on his end. He considers going back down to the basement to get the tape player or the television. Instead he calls Maxine, describing the details of his day, amazed to think she'd been with him at the beginning of it, that it was in her arms, in her bed, that he'd woken. "I should have come with you," she says. "I could still make it out there by morning." "I'm finished. There's nothing else to do. I'm taking the first flight back tomorrow." "You're not going to spend the night there, are you, Nick?" she asks him. "I have to. There aren't any other flights tonight." "In that apartment, I mean." He feels defensive; after all his efforts, he feels protective of the three empty rooms. "I don't know anyone here." "For God's sake, get out of there. Check yourself into a hotel." "Okay." he says. He thinks of the last time he'd seen his father, three months ago: the image of him waving good-bye as he and Maxine pulled out of the driveway on their way to New Hampshire. He cannot remember the last time he and his father had spoken. Two weeks ago? Four? His father was not one to make frequent phone calls the way his mother does. "You were with me," he tells her. "What?" "The last time I saw my father. You were there." "I know. I'm so sorry, Nick. Just promise me you'll go to a hotel." "Yeah. I promise." He hangs up and opens the phone book, looking at his choices of places to stay. He is accustomed to obeying her, to taking her advice. He dials one of the numbers. "Good evening, may I help you?" a voice inquires. He asks if there are any rooms available for the night, but while he is on hold he hangs up. He doesn't want to inhabit an anonymous room. As long as he is here, he doesn't want to leave his father's apartment empty. He lies on the couch in the dark, in his clothes, his body covered by his jacket, preferring that to the stripped mattress in the bedroom. For hours he lies in the dark, falling in and out of sleep. He thinks of his father, in the apartment just yesterday morning. What had he been doing when he'd begun to feel badly? Was he at the stove making tea? Sitting on the sofa, where Gogol sits now? Gogol imagines his father by the door, bending over to tie his shoelaces for the last time. Putting on his coat and scarf and driving to the hospital. Stopping at a traffic light, listening to the weather report on the radio, the thought of death absent from his mind. Eventually Gogol is aware of bluish light creeping into the room. He feels strangely vigilant, as if, were he to pay close enough attention, some sign of his father might manifest itself, putting a stop to the events of the day. He watches the sky whiten, listens as the perfect silence is replaced by the faintest hum of distant traffic, until suddenly he succumbs, for a few hours, to the deepest sleep possible, his mind blank and undisturbed, his limbs motionless, weighted down. It is nearly ten in the morning when he wakes up again, unobstructed sunlight brightening the room. A dull, steady ache persists on the right side of his head, emanating from deep inside his skull. He opens the sliding glass door to the balcony and stands outside. His eyes burn from fatigue. He gazes at the man- made pond, which, his father had told Gogol during a phone conversation, he walked around twenty times each evening before eating his dinner, that it equaled a distance of two miles. A few people are out there now, walking their dogs, couples exercising side by side, swinging their arms, thick fleece bands covering their ears. Gogol puts on his coat, goes outside and attempts to walk around the pond once. At first he welcomes the cold air on his face, but the chill turns brutal, unforgiving, slicing through his body and pressing the backs of his pants against his legs, and so he returns to the apartment. He takes a shower, changing into the same clothes he'd worn the day before. He calls himself a cab and goes to the basement one last time to throw away the towel he'd used to dry off, the gray push-button phone. He is taken to the airport, boards a flight to Boston. Sonia and his mother will be there, along with a few friends of the family, waiting for him at the arrival gate. He wishes it could be otherwise. Wishes he could simply get into another cab, and ride along another highway, deferring the moment he must face them. He is terrified to see his mother, more than he had been to see his father's body in the morgue. He knows now the guilt that his parents carried inside, at being able to do nothing when their parents had died in India, of arriving weeks, sometimes months later, when there was nothing left to do. On the way to Cleveland, the journey had felt endless, but this time, staring out the plane window, seeing nothing, all too quickly he feels the plane's descent in his chest. Just before landing he goes into the bathroom, retches into the tiny metal basin. He rinses his face and looks at himself in the mirror. Apart from a day's growth on his face, he looks exactly the same. He remembers when his paternal grandfather died, sometime in the seventies, remembers his mother screaming when she walked in on his father, who was shaving off all his hair with a disposable razor. In the process his scalp had bled in numerous places, and for weeks he had worn a cap to work to hide the scabs. "Stop it, you're hurting yourself," his mother had said. His father had shut the door, and locked it, and emerged shrunken and bald. Years later Gogol had learned the significance, that it was a Bengali son's duty to shave his head in the wake of a parent's death. But at the time Gogol was too young to understand; when the bathroom door opened he had laughed at the sight of his hairless, grief-stricken father, and Sonia, just a baby, had cried. For the first week they are never alone. No longer a family of four, they become a household of ten, sometimes twenty, friends coming by to sit with them quietly in the living room, their heads bent, drinking cups of tea, a cluster of people attempting to make up for his father's loss. His mother has sham pooed the vermilion from her part. She has taken off her iron wedding bracelet, forcing it from her hand with cold cream, along with all the other bracelets she's always worn. Cards and flowers come continually to the house, from his father's colleagues at the university, from the women who work with his mother at the library, from neighbors who normally do little but wave from their lawns. People call from the West Coast, from Texas, from Michigan and D.C. All the people in his mother's address books, always added to, never crossed out, all of them are stricken by the news. Who had forsaken everything to come to this country, to make a better life, only to die here? The phone rings constantly, and their ears ache from speaking to all these people, their throats turning weak from explaining again and again. No he wasn't ill, they say; yes, it was completely unexpected. A short obituary runs in the town paper, citing the names of Ashima and Gogol and Sonia, mentioning that the children had been educated at the local schools. In the middle of the night, they call their relatives in India. For the first time in their lives, it's they who have bad news to bear. For ten days following his father's death, he and his mother and Sonia eat a mourner's diet, forgoing meat and fish. They eat only rice and dal and vegetables, plainly prepared. Gogol remembers having to do the same thing when he was younger, when his grandparents died, his mother yelling at him when he forgot one day and had a hamburger at school. He remembers, back then, being bored by it, annoyed at having to observe a ritual no one else he knew followed, in honor of people he had seen only a few times in his life. He remembers his father sitting unshaven on a chair, staring through them, speaking to no one. He remembers those meals eaten in complete silence, the television turned off. Now, sitting together at the kitchen table at six-thirty every evening, the hour feeling more like midnight through the window, his father's chair empty, this meatless meal is the only thing that seems to make sense. There is no question of skipping this meal; on the contrary, for ten evenings the three of them are strangely hungry, eager to taste the blandness on their plates. It is the one thing that structures their days: the sound of the food being warmed in the microwave, three plates lowered from the cupboard, three glasses filled. The rest of it—the calls, the flowers that are everywhere, the visitors, the hours they spend sitting together in the living room unable to say a word, mean nothing. Without articulating it to one another, they draw comfort from the fact that it is the only time in the day that they are alone, isolated, as a family; even if there are visitors lingering in the house, only the three of them partake of this meal. And only for its duration is their grief slightly abated, the enforced absence of certain foods on their plates conjuring his father's presence somehow. On the eleventh day they invite their friends to mark the end of the mourning period. There is a religious ceremony conducted on the floor in one corner of the living room; Gogol is asked to sit in front of a picture of his father, as a priest chants verses in Sanskrit. Before the ceremony they had spent a whole day looking for a picture to frame, going through albums. But there are almost no pictures of his father alone, his father who was forever behind the lens. They decide to crop one, of him and Ashima standing together years ago in front of the sea. He is dressed like a New Englander, in a parka and a scarf. Sonia takes it to CVS to have it enlarged. They prepare an elaborate meal, fish and meat bought one bitterly cold morning at Chinatown and Haymarket, cooked as his father liked them best, with extra potatoes and fresh coriander leaves. When they shut their eyes, it's as if it is just another party, the house smelling of food. All those years of entertaining have prepared them somehow. Ashima frets that there will not be enough rice; Gogol and Sonia take people's coats and put them upstairs, on the guest room bed. The friends his parents have collected for almost thirty years are in attendance, to pay their respects, cars from six different states lining the whole of Pemberton Road. Maxine drives up from New York, bringing Gogol the clothes he normally keeps at her house, his laptop, his mail. His bosses have given him a month off from work. It's a bit of a shock to see Maxine, to introduce her to Sonia. This time he doesn't care how the house, how the pile of guests' shoes heaped by the doorway, might appear to her eyes. He can tell that she feels useless, a bit excluded in this house full of Bengalis. And yet he doesn't bother to translate what people are saying, to introduce her to everyone, to stay close by her side. "I'm so sorry," he hears her say to his mother, aware that his father's death does not affect Maxine in the least. "You guys can't stay with your mother forever," Maxine says when they are alone for a moment after the ceremony, upstairs in his room, sitting side by side on the edge of the bed. "You know that." She says it gently, puts her hand to his cheek. He stares at her, takes her hand and puts it back in her lap. "I miss you, Nikhil." He nods. "What about New Year's Eve?" she says. "What about it?" "Do you still want to try to go up to New Hampshire?" For they had talked of this, going away together, just the two of them, Maxine picking him up after Christmas, staying at the lake house. Maxine was going to teach him how to ski. "I don't think so." "It might do you good," she says, tilting her head to one side. She glances around the room. "To get away from all this." "I don't want to get away." In the weeks that follow, as their neighbors' hedges and windows are decorated with strings of colored lights, as piles of Christmas cards arrive at the house, each of them assumes a task his father normally had done. In the mornings his mother goes to the mailbox and brings in the paper. Sonia drives into town and does the weekly grocery shopping. Gogol pays the bills, shovels the driveway when it snows. Instead of arranging the Christmas cards on the fireplace mantel, Ashima glances at the return addresses and then, without opening the envelopes, she throws them away. Each small event seems like an enormous accomplishment. His mother spends hours on the phone and has all the names changed on the bank account, the mortgage, the bills. She is unable to stem the tide of junk mail that will continue to arrive for years, addressed to her dead husband. In the wan, dreary afternoons Gogol goes running. Sometimes he drives to the university, parking behind his father's department, running along the campus roads, through the confined, picturesque universe that had been his father's world for most of the past twenty-five years. Eventually, on weekends, they begin to visit the homes of their parents' friends who live in surrounding suburbs. Gogol drives one way, Sonia the other. Ashima sits in the back seat. At the homes of their friends, his mother tells the story of calling the hospital. "He went in for a stomachache," she says each time, reciting the details of the afternoon, the pink streaks that had been in the sky, the pile of cards, the cup of tea at her side, reciting it in a way that Gogol cannot bear to have repeated, a way he quickly comes to dread. Friends suggest she go to India, see her brother and her cousins for a while. But for the first time in her life, Ashima has no desire to escape to Calcutta, not now. She refuses to be so far from the place where her husband made his life, the country in which he died. "Now I know why he went to Cleveland," she tells people, refusing, even in death, to utter her husband's name. "He was teaching me how to live alone." Early in January, after holidays they don't celebrate, in the first days of a year that his father does not live to see, Gogol boards a train and goes back to New York. Sonia is staying on with Ashima, thinking of getting an apartment in Boston or Cambridge so that she will be nearby. They come to the station to see him off, standing on the platform in the cold, his diminished family, straining but failing to see Gogol, who waves at them through the tinted glass. He remembers them all coming to see him off each time, in his first year of college, he would head back to Yale. And though, over the years, his departures had become mundane, his father would always stand on the platform until the moment the train was out of sight. Now Gogol raps his knuckles on the window, but the train begins to move as his mother and Sonia are still struggling to spot him. The train rattles forward, jostles from side to side, its engine making a sound like the propeller of a plane. The whistle blares intermittently in a minor key. He sits on the left side of the train, the winter sunlight strong on his face. Instructions for removing the window in the event of an emergency, in three steps, are pasted to the glass. Snow covers the straw-colored ground. Trees stand like spears, dried copper leaves from the previous season still clinging to a few of the branches. He sees the backs of houses made of brick and wood. Small snowy lawns. A solid shelf of winter clouds stops just short of the horizon. More snow, possibly heavy, is expected by evening. He hears a young woman somewhere in the compartment, talking to her boyfriend on a cell phone, softly laughing. She talks about where they should meet for dinner once she gets into the city. "I'm so bored," she complains. Gogol will arrive in New York in time for dinner as well. Maxine will be there to greet him at Penn Station, something she has never bothered to do in the past, waiting for him under the arrivals-and- departures board. The landscape jerks forward, falls away, the train casting a passing shadow on an expanse of nondescript buildings. The tracks resemble endless ladders that stretch ahead rather than upward, rooted to the ground. Between Westerly and Mystic, the tracks are at an angle, embedded into the sloping land, so that the whole train threatens, ever so slightly, to topple over. Though the other passengers seldom comment on this, the way they do, for example, when the engine changes at New Haven from diesel to electric with a sudden jolt, this momentary shift never fails to rouse Gogol from his nap, or the book he is reading, or the conversation he is engaged in, or the thought that has gathered in his head. The train tilts to the left heading south to New York, to the right on the way to Boston. In that brief period of suggested peril, he thinks, always, of that other train he has never seen, the one that had nearly killed his father. Of the disaster that has given him his name. The train rights itself, the angle falls behind. Again he feels its motion at the small of his back. For several miles the tracks hug the ocean, which is close enough to touch. The shallowest waves lap against mere inches of shore. He sees a stone bridge, scattered islands the size of rooms, gracious gray and white homes with pleasant views. Boxy houses built on stilts. Lone herons and cormorants perch on bleached wooden posts. Boats with naked masts crowd the marina. It is a view his father would have appreciated, and Gogol is reminded of the many times he had driven with his family, on cold Sunday afternoons, to the sea. There were times when it had been so cold that they had simply sat in the car, in the parking lot, looking at the water, his parents sharing tea from a thermos in the front seat, the engine running to keep them warm. Once they had gone to Cape Cod, driving along that curving piece of land until they could drive no farther. He and his father had walked to the very tip, across the breakwater, a string of giant gray slanted stones, and then on the narrow, final inward crescent of sand. His mother had stopped after a few stones and waited with Sonia, too young to go with them, at her side. "Don't go too far," his mother had warned, "don't go so that I can't see you." His legs began to ache halfway there, but his father marched ahead, stopping at times to lend Gogol an arm, his body slightly tilted when he rested on a rock. While on these rocks, some far apart enough to make them pause and consider the best way to reach the next one, water had surrounded them on both sides. It was early winter. Ducks swam in the tide pools. The waves flowed in two directions. "He's too little," his mother had called out. "Are you listening? He's too little to go so far." Gogol had stopped then, thinking that perhaps his father would agree. "What do you say?" his father had said instead. "Are you too little? No, I didn't think so." At the end of the breakwater, there was a field of yellow reeds to the right, and dunes beyond, and the ocean behind it all. He had expected his father to turn back, but still they had continued, stepping onto the sand. They walked along the water to the left, heading toward the lighthouse, past rusted boat frames, fish spines as thick as pipes attached to yellow skulls, a dead gull whose feathery white breast was freshly stained with blood. They began to pick up small, faded black stones with white stripes running around them, stuffing them into their pockets so that they drooped on either side. He remembers his father's footprints in the sand; because of his limp, the right toe of his shoe was always turned outward, the left straight ahead. Their shadows that day were unnaturally slender and long, leaning in toward each other, the late afternoon sun at their backs. They paused to regard a cracked wooden buoy painted blue and white, shaped like an old parasol. The surface was wrapped with thin brown strands of seaweed and encrusted with barnacles. His father lifted and inspected it, pointing to a live mussel underneath. Finally they stood by the lighthouse, exhausted, surrounded by water on three sides, pale green in the harbor, azure behind. Overheated from the exertion, they unzipped their coats. His father stepped away to urinate. He heard his father cry out—they had left the camera with his mother. "All this way, and no picture," he'd said, shaking his head. He reached into his pocket and began to throw the striped stones into the water. "We will have to remember it, then." They looked around, at the gray and white town that glowed across the harbor. Then they started back again, for a while trying not to make an extra set of footsteps, inserting their shoes into the ones they had just made. A wind had picked up, so strong that it forced them to stop now and then. "Will you remember this day, Gogol?" his father had asked, turning back to look at him, his hands pressed like earmuffs to either side of his head. "How long do I have to remember it?" Over the rise and fall of the wind, he could hear his father's laughter. He was standing there, waiting for Gogol to catch up, putting out a hand as Gogol drew near. "Try to remember it always," he said once Gogol had reached him, leading him slowly back across the breakwater, to where his mother and Sonia stood waiting. "Remember that you and I made this journey, that we went together to a place where there was nowhere left to go." 8A year has passed since his father's death. He still lives in New York, rents the apartment on Amsterdam Avenue. He works for the same firm. The only significant difference in his life, apart from the permanent absence of his father, is the additional absence of Maxine. At first she'd been patient with him, and for a while he'd allowed himself to fall back into her life, going home after work to her parents' house, to their world in which nothing had changed. Initially she'd tolerated his silences at the dinner table, his indifference in bed, his need to speak to his mother and Sonia every evening, and to visit them, on weekends, without her. But she had not understood being excluded from the family's plans to travel to Calcutta that summer to see their relatives and scatter Ashoke's ashes in the Ganges. Quickly they began to argue about this, and about other things, Maxine going so far one day as to admit that she felt jealous of his mother and sister, an accusation that struck Gogol as so absurd that he had no energy to argue anymore. And so, a few months after his father's death, he stepped out of Maxine's life for good. Recently, bumping into Gerald and Lydia in a gallery, he learned of their daughter's engagement to another man. On weekends he takes the train to Massachusetts, to the house in which his father's photograph, the one used during the funeral, hangs in a frame on a wall in the upstairs hallway. On the anniversary of his father's death, and on his father's birthday, a day they never celebrated when his father was alive, they stand together in front of the photograph and drape a garland of rose petals around the frame and anoint his father's forehead with sandalwood paste through the glass. It is the photograph more than anything that draws Gogol back to the house again and again, and one day, stepping out of the bathroom on his way to bed and glancing at his father's smiling face, he realizes that this is the closest thing his father has to a grave. His visits home are different now; often it's Sonia who does the cooking. Sonia is still living there with his mother, settled back into the room she had occupied as a girl. Four days a week she leaves the house at five-thirty in the morning, takes a bus to a train that takes her to downtown Boston. She works as a paralegal, is applying to law schools nearby. It is she who drives his mother to weekend parties, and to Haymarket on Saturday mornings. Their mother has become thinner, her hair gray. The white column of her part, the sight of her bare wrists, pains Gogol when he first catches sight of her. From Sonia he learns of how their mother spends her evenings, alone in her bed, unable to sleep, watching television without sound. One weekend he suggests going to one of the beaches where his father had liked to walk. At first his mother agrees, cheered by the prospect, but as soon as they step out into the windy parking lot she gets back into the car, saying she will wait. He is preparing to take his registration exam, the two-day ordeal that will enable him to become a licensed architect, to stamp drawings and design things under his own name. He studies in his apartment, and occasionally up at one of the libraries at Columbia, learning about the matter-of-fact aspects of his profession: electricity, materials, lateral forces. He enrolls in a review class to help him prepare for the exam. The class meets twice a week in the evenings, after work. He enjoys the passivity of sitting in a classroom again, listening to an in structor, being told what to do. He is reminded of being a student, of a time when his father was still alive. It's a small class, and afterward several of them soon begin going out for drinks. Though he is invited to join them, he always says no. Then one day, as they are all filing out of the classroom, one of the women approaches him, and says, "So what's your excuse?" and because he has none, that night he tags along. The woman's name is Bridget, and at the bar she sits beside him. She is starkly attractive, with brown hair cut extremely short, the sort of style that would have looked disastrous on most women. She speaks slowly, deliberately, her speech unhurried. She was raised in the south, in New Orleans. She tells him that she works for a small firm, a husband-and-wife team who operate out of a brownstone in Brooklyn Heights. For a while they talk about the projects they are working on, the architects they both admire: Gropius, van der Rohe, Saarinen. She is his age, married. She sees her husband on weekends; he is a professor at a college in Boston. He thinks of his parents then, living apart for the final months of his father's life. "That must be difficult," he tells her. "It can be," she says. "But it was either that or adjuncting in New York." She tells him about the house her husband rents in Brookline, a sprawling Victorian that costs less than half of their one-bedroom apartment in Murray Hill. She says that her husband had insisted on putting her name on the mailbox, her voice on the answering machine. He had even insisted on hanging a few items of her clothing in the closet, putting a tube of her lipstick in the medicine cabinet. She tells Gogol that her husband delights in illusions like these, is consoled by them, whereas she finds them simply to be reminders of what is missing. That night they share a cab back to his apartment. Bridget excuses herself to use the bathroom and when she emerges her wedding ring is absent from her finger. When they are together, he is ravenous; it has been a long time since he's made love. And yet he never thinks about seeing her at any other time. The day he sets out with his AIA Guide to New York City to explore Roosevelt Island, it doesn't occur to him to ask her to come along. Only twice a week, the nights the review class meets, does he look forward to her company. They do not have each other's phone numbers. He does not know exactly where she lives. She always goes with him to his apartment. She never spends the night. He likes the limitations. He has never been in a situation with a woman in which so little of him is involved, so little expected. He does not know, nor does he want to know, her husband's name. Then one weekend, when he is on the train to Massachusetts to see his mother and Sonia, a southbound train slices by, and he wonders if perhaps the husband is on the other train, on his way to see Bridget. Suddenly he imagines the house where Bridget's husband lives alone, longing for her, with his unfaithful wife's name on the mailbox, her lipstick beside his shaving things. Only then does he feel guilty. From time to time his mother asks him if he has a new girlfriend. In the past she broached the topic defensively, but now she is hopeful, quietly concerned. She even asks once whether it is possible to patch things up with Maxine. When he points out to her that she had disliked Maxine, his mother says that that isn't the point, the point is for him to move on with his life. He works to remain calm during these conversations, not to accuse her of meddling, as he once would have done. When he tells her that he isn't even thirty, she tells him that by that age she had already celebrated her tenth wedding anniversary. He is aware, without having to be told, that his father's death has accelerated certain expectations, that by now his mother wants him settled. The fact that he is single doesn't worry him, and yet he is conscious of the degree to which it troubles his mother. She makes a point of mentioning the engagements and weddings of the Bengali children he's grown up with in Massachusetts, and his cousins in India. She mentions grandchildren being born. One day when he is speaking to her on the phone, she asks him if he might be willing to call someone. He had known her as a girl, his mother explains. Her name is Moushumi Mazoomdar. He remembers her vaguely. She was the daughter of friends of his parents who had lived for a while in Massachusetts, then moved to New Jersey when he was in high school. She had a British accent. Always with a book in her hand at parties. This is all he remembers about her— details neither appealing nor unappealing. His mother tells him that she is a year younger than he is, that she has a much younger brother, that her father is a renowned chemist with a patent to his name. That he called her mother Rina Mashi, her father Shubir Mesho. Her parents had driven up for his father's funeral, his mother says, from New Jersey, but Gogol has no memory of them there. Moushumi lives in New York City these days, is a graduate student at NYU. She was supposed to have been married a year ago, a wedding that he and his mother and Sonia had been invited to, but her fiancé, an American, had backed out of the engagement, well after the hotel had been booked, the invitations sent, the gift registry selected. Her parents are a bit worried about her. She could use a friend, his mother says. Why doesn't he give her a call? When his mother asks if he has a pen to take down the number he lies, telling her yes, not listening as she recites it to him. He has no intention of calling Moushumi; his exam is coming up, besides which, as much as he wants to make his mother happy, he refuses to let her set him up with someone. He refuses to go that far. The next time he is home for the weekend, his mother brings it up again. This time, because he is in the same room with her, he writes down the number, still with no intention of calling. But his mother persists, reminding him, the next time they speak, that her parents had come to his father's funeral, that it was the least he could do. A cup of tea, a conversation—did he have no time for that? *** They meet at a bar in the East Village, a place Moushumi had suggested when they'd spoken on the phone. It's a small, dark, silent space, a single square room with just three booths against one wall. She's there, sitting at the bar reading a paperback book, when he arrives, and when she looks up from its pages, though it is she who is waiting for him, he has the feeling that he is interrupting her. She has a slender face, pleasingly feline features, spare, straight brows. Her eyes are heavy-lidded and boldly lined on the top lids, in the manner of 1960s movie stars. Her hair is middle-parted, gathered into a chignon, and she wears stylishly narrow tortoiseshell glasses. A gray wool skirt and a thin blue sweater cling suggestively to her sides. Opaque black tights cover her calves. A collection of white shopping bags lie at the base of her stool. On the phone, he hadn't bothered to ask what she looked like, assuming he'd recognize her, but now he is no longer sure. "Moushumi?" he says, approaching her. "Hey there," she says, closing the cover of the book and kissing him casually on both sides of his face. The book has a plain ivory cover, a title written in French. Her British accent, one of the few things he clearly remembers about her, is gone; she sounds as American as he does, with the low, gravelly voice that had surprised him on the phone. She has ordered herself a martini with olives. Beside it is a blue packet of Dunhills. "Nikhil," she says as he sits down on the stool beside her, and orders a single malt. "Yes." "As opposed to Gogol." "Yes." It had annoyed him, when he'd called her, that she hadn't recognized him as Nikhil. This is the first time he's been out with a woman who'd once known him by that other name. On the phone, she'd sounded guarded, faintly suspicious, as he had. The conversation had been brief and thoroughly awkward. "I hope you don't mind my calling," he'd begun, after explaining to her that he'd changed his name. "Let me check my book," she'd told him when he'd asked if she was free Sunday evening for a drink, and then he'd listened to her footsteps clicking across a bare wooden floor. She studies him for a moment, playfully twisting her lips. "As I recall, given that you're a year older than me, I was taught by my parents to call you Gogol Dada." He is aware of the bartender glancing at them briefly, assessing their potential. He can smell Moushumi's perfume, something slightly overpowering that makes him think of wet moss and prunes. The silence and the intimacy of the room disconcerts him. "Let's not dwell on that." She laughs. "I'll drink to that," she says, lifting her glass. "I never did, of course," she adds. "Did what?" "Call you Gogol Dada. I don't remember our ever talking, really." He sips his drink. "Neither do I." "So, I've never done this before," she says after a pause. She speaks matter- of-factly, but nevertheless she averts her gaze. He knows what she is referring to. In spite of this he asks, "Done what?" "Gone out on a blind date that's been engineered by my mom." "Well, it's not a blind date, exactly," he says. "No?" "We already know each other, in a way." She shrugs and gives a quick smile, as if she has yet to be convinced. Her teeth are crowded together, not entirely straight. "I guess. I guess we do." Together they watch as the bartender puts a CD into the player mounted to the wall. Some jazz. He is thankful for the distraction. "I was sorry to hear about your father," she says. Though she sounds genuinely sympathetic, he wonders whether she even remembers his father. He is tempted to ask her, but instead he nods. "Thanks," he says, all he can ever think to say. "How is your mother getting along?" "All right, I guess." "Is she okay on her own?" "Sonia's living with her now." "Oh. That's good. That must be a relief to you." She reaches for the Dunhills, opening the box and peeling back the gold foil. After offering one to him, she reaches for the book of matches that lies in an ashtray on the bar and lights a cigarette for herself. "Do you guys still live in that same house I used to visit?" she asks. "Yeah." "I remember it." "Do you?" "I remember that the driveway was to the right of the house as you faced it. There was a flagstone path cut into the lawn." The fact that she can recall these details so precisely is at once startling and endearing to him. "Wow. I'm impressed." "I also remember watching lots of television in a room covered with really thick brownish gold carpeting." He groans. "It still is." She apologizes for not being at the funeral, she'd been in Paris at the time. It was where she'd lived after graduating from Brown, she explains. Now she is a candidate for a Ph.D. in French literature at NYU. She's been living in the city for almost two years. She's spent the past summer temping, working for two months in the business office of an expensive midtown hotel. Her job was to review and file all the exit surveys left by the guests, make copies, distribute them to the appropriate people. This simple task had taken up her day. She'd been amazed by the energy people put into the surveys. They complained about the pillows being too hard or too soft, or that there wasn't enough space around the sinks for their toilet ries, or that the bedskirt had a loose thread. Most of the people didn't even pay for the rooms themselves. They were at conventions, everything expensed. One person had complained that an architectural print above the desk had a visible speck of dust under the glass. The anecdote amuses him. "That might have been me," he speculates. She laughs. "Why did you leave Paris for New York?" he asks. "I'd think you'd rather study French literature in France." "I moved here for love," she says. Her frankness surprises him. "Surely you know about my prenuptial disaster." "Not really," he lies. "Well, you ought to." She shakes her head. "Every other Bengali living on the East Coast does." She speaks of it lightly, but he detects a bitterness in her voice. "In fact, I'm pretty sure you and your family were invited to the wedding." "When was the last time we saw each other?" he says, in an effort to change the subject. "Correct me if I'm wrong, but I think it was your high school graduation party." His mind goes back to a brightly lit space in the basement of a church his parents and their friends sometimes rented for especially large parties. It was where Sunday school classes were normally held. In the hallways were felt hangings, mottoes about Jesus. He remembers the big, long folding tables that he'd helped his father to set up, chalkboards on the walls, Sonia standing up on a chair, writing "Congratulations." "You were there?" She nods. "It was right before we moved to New Jersey. You sat with your American friends from high school. A few of your teachers were there. You seemed a little embarrassed by it all." He shakes his head. "I don't remember you there. Did I speak to you?" "You ignored me thoroughly. But it doesn't matter." She smiles. "I'm sure I brought a book with me." They have a second round of drinks. The bar is beginning to fill up, small groups occupying each of the booths, people sitting on either side of them. A large party enters, and now there are patrons standing behind them to order drinks. When he'd arrived, he'd been bothered by the lack of people, of sounds, feeling on display, but now the crowd bothers him even more. "It's getting pretty crazy in here," he says. "It's not usually like this on a Sunday. Should we leave?" He considers. "Maybe." They ask for the bill, step out together into the cool October evening. Glancing at his watch, he sees that not even an hour has passed. "Where are you headed?" she asks in a way that makes him realize that she assumes the date is over. He hadn't planned to take her to dinner. He had intended to go back to his apartment after the drink, and study, and order in some Chinese food. But now he finds himself saying that he is thinking of getting something to eat, did she want to join him? "I'd like that," she says. Neither can think of a place to go and so they decide to walk a bit. He offers to carry her shopping bags, and though they weigh nothing at all she allows him to, telling him she'd been to a sample sale in SoHo just before they'd met. They stop in front of a small place that looks as if it has just opened. They study the handwritten menu taped to the window, the review that was printed a few days ago in the Times. He is distracted by her reflection in the glass, a more severe version of herself, for some reason more stunning. "Shall we try it?" he asks, stepping away and reaching for the door. Inside, the walls are painted red. They are surrounded by old posters advertising wine, and street signs and photographs of Paris arranged above the picture rails. "This place must seem silly to you," he acknowledges, watching her gaze up at the walls. She shakes her head. "It's pretty authentic, actually." She asks for a glass of champagne and looks carefully at the wine list. He asks for another single malt, but is told that there is only beer and wine. "Shall we have a bottle?" she says, handing him the list. "You choose." She orders a salad and the bouillabaisse and a bottle of Sancerre. He orders the cassoulet. She doesn't speak French to the waiter, who is French himself, but the way she pronounces the items on the menu makes it clear that she is fluent. It impresses him. Apart from Bengali, he has never bothered to master another language. The meal passes quickly. He speaks of his work, the projects he is involved in, his upcoming exam. They comment on each other's dishes, trading tastes on their bread plates. They order espresso and share a crème brûlée, their two teaspoons cracking the hard amber surface from either side. She offers to pay her share when the bill comes, as she'd done in the bar, but this time he insists on treating. He walks her to her apartment, which is on a run- down but pretty residential block, close to the bar where they'd met. Her building has a crumbling stoop, a terra cotta-colored facade with a gaudy green cornice. She thanks him for the dinner, says she's had a great time. Again she kisses him on both cheeks, then begins to search for the keys in her purse. "Don't forget these." He gives her the shopping bags, watches as she loops them over her wrist. Now that he is no longer carrying them he feels awkward, unsure of what to do with his hands. He is parched from the alcohol he has consumed. "So, should we make our parents happy and see each other again?" She looks at him, studying his face intently. "Maybe." Her eyes stray to a passing car on the street, the headlights briefly shining on their bodies, but then her gaze returns to his face. She smiles at him, nodding. "Give me a call." He watches as she ascends quickly up the stoop with her shopping bags, her heels suspended over the treads in a way that looks precarious. She turns briefly to wave at him and then she goes through a second glass door, not waiting to see him waving back. For a minute longer he stands there, watching as the door opens again and a tenant emerges to deposit something into one of the trash cans below the stoop. Gogol looks up at the building, wondering which of the apartments is hers, waiting to see if a light will turn on in one of the windows. He had not expected to enjoy himself, to be attracted to her in the least. It strikes him that there is no term for what they once were to each other. Their parents were friends, not they. She is a family acquaintance but she is not family. Their contact until tonight has been artificial, imposed, something like his relationship to his cousins in India but lacking even the justification of blood ties. Until they'd met tonight, he had never seen her outside the context of her family, or she his. He decides that it is her very familiarity that makes him curious about her, and as he begins to walk west, to the subway, he wonders when he might see her again. When he reaches Broadway he changes his mind and hails a cab. The decision feels indulgent, as it is not particularly late, or cold, or raining, and he is in no great rush to be home. But he has the urge to be alone all of a sudden, to be thoroughly passive, to revisit the evening in solitude. The driver of the cab is a Bangladeshi; the name on the registration card pasted to the plexiglass behind the front seat says Mustafa Sayeed. He is talking in Bengali on his cell phone, complaining of traffic on the FDR, of difficult passengers, as they sail uptown, past the shuttered shops and restaurants on Eighth Avenue. If his parents were in the cab they would have struck up a conversation with the driver, asking what part of Bangladesh he was from, how long he'd been in this country, whether his wife and children lived here or there. Gogol sits silently, as if he were any other passenger, lost in his own thoughts, thinking of Moushumi. But as they near his apartment, he leans toward the plexiglass and says to the driver, in Bengali, "It's that one, up on the right." The driver turns around, surprised, smiling. "I didn't realize," he says. "That's okay," Gogol says, reaching for his wallet. He tips the driver excessively and steps out of the car. In the days that follow, he begins to remember things about Moushumi, images that come to him without warning while he is sitting at his desk at work, or during a meeting, or drifting off to sleep, or standing in the mornings under the shower. They are scenes he has carried within him, buried but intact, scenes he has never thought about or had reason to conjure up until now. He is grateful that his mind has retained these images of her, pleased with himself, as if he has just discovered an innate talent for a sport or a game he's never played. He remembers her mainly at the pujos he had attended every year, twice a year, with his family, where she would be dressed in a sari carefully pinned to the top of her shoulder. Sonia would have to do the same, but she would always take off her sari after an hour or two and put on her jeans, stuffing the sari into a plastic bag and telling Gogol or their father to put it away for her in the car. He does not remember Moushumi ever accompanying the other teenagers to the McDonald's that was across the street from the building in Watertown where the pujos often were, or eventually sitting in someone's car in the parking lot, listening to the radio and drinking beer from a can. He struggles but fails to recall her presence at Pemberton Road; still, he is secretly pleased that she has seen those rooms, tasted his mother's cooking, washed her hands in the bathroom, however long ago. He remembers once going to a Christmas party at her parents' home. He and Sonia had not wanted to go; Christmas was supposed to be spent with just family. But their parents had replied that in America, Bengali friends were the closest thing they had to family, and so they had gone to Bedford, where the Mazoomdars lived. Her mother, Rina Mashi, had served cold pound cake and warmed-up frozen doughnuts that deflated at the touch. Her brother, Samrat, now a senior in high school, had been a boy of four, obsessed with Spider-Man. Rina Mashi had gone to a great deal of trouble to organize an anonymous gift exchange. Each family was asked to bring as many gifts as there were members, so that there would be something for everyone to open. Gogol had been asked to write numbers on squares of paper, one set to tape onto the gifts and another to pass around, folded up in a drawstring pouch, to the guests. Everyone gathered in a single room, cramming through the two doorways. He remembers sitting in their living room, listening with all the other guests to Moushumi play something on the piano. On the wall above her was a framed reproduction of Renoir's girl with a green watering can. After great deliberation, just as people were beginning to fidget, she had played a short piece by Mozart, adapted for children, but the guests wanted her to play "Jingle Bells." She shook her head no, but her mother said, "Oh, Moushumi's just being shy, she knows very well how to play 'Jingle Bells.'" For an instant she had glared at her mother, but then she'd played the song, again and again, as the numbers were called out and people claimed their gifts, sitting with her back to the room. A week later they meet for lunch. It is the middle of the week and she has offered to meet him someplace near his office, so he's told her to come to the building where he works. When the receptionist tells him she is waiting in the lobby he feels the anticipation rise in his chest; all morning he'd been unable to concentrate on the elevation he was working on. He spends a few minutes showing her around, pointing out photographs of projects he's worked on, introducing her to one of the principal designers, showing her the room where the partners meet. His coworkers in the drafting room look up from their desks as she passes by. It is early November, a day on which the temperature has suddenly dropped, bringing the first true cold of the year. Outside, unprepared pedestrians scurry past unhappily, arms folded across their chests. Fallen leaves, battered and bleached, scuttle in swirls on the pavement. Gogol has no hat or gloves, and as they walk he puts his hands into the pockets of his jacket. Moushumi, in contrast, seems enviably protected, at ease in the cold. She wears a navy wool coat, a black wool scarf at her throat, long black leather boots that zip up the sides. He takes her to an Italian restaurant where he goes from time to time with people at work, to celebrate birthdays and promotions and projects well done. The entrance is a few steps below street level, the windows shielded with panels of lace. The waiter recognizes him, smiles. They are led to a small table at the back as opposed to the long one in the center that he normally sits at. Underneath the coat he sees that she is wearing a nubbly gray suit, with large buttons on the jacket and a bell-shaped skirt that stops short of her knees. "I taught today," she explains, aware that he is looking at her—she preferred to wear a suit when she taught, she says, given that her students were only a decade younger than she was. Otherwise she feels no sense of authority. He envies her students suddenly, seeing her without fail, three times a week, pictures them gathered together around a table, staring at her continuously as she writes on the board. "The pastas are usually pretty good here," he says as the waiter hands them menus. "Join me for a glass of wine," she says. "I'm done for the day." "Lucky you. I have a stressful meeting to go to after this." She looks at him, closing the menu. "All the more reason for a drink," she points out cheerfully. "True," he concedes. "Two glasses of the merlot," he says when the waiter re turns. She orders what he does, porcini ravioli and a salad of arugula and pears. He's nervous that she'll be disappointed by the choice, but when the food arrives she eyes it approvingly, and she eats heartily, quickly, sopping up the leftover sauce on her plate with bread. As they drink their wine and eat their meal, he admires the light on her face, the faint pale hairs that shine against the contours of her cheek. She speaks of her students, the topic for the dissertation she plans to write, about twentieth-century francophone poets from Algeria. He tells her about his memory of the Christmas party, of her being forced to play "Jingle Bells." "Do you remember that night?" he asks, hopeful that she will. "No. My mother was always forcing me to do things like that." "Do you still play?" She shakes her head. "I never wanted to learn in the first place. My mother had this fantasy. One of many. I think my mother's taking lessons now." The room is quiet again, the lunch crowd has come and gone. He looks around for the waiter, signals for the check, dismayed that their plates are empty, that the hour has passed. "She is your sister, signore?" the waiter asks as he sets the check between them, glancing at Moushumi and then back at Gogol. "Oh, no," Gogol says, shaking his head, laughing, at once insulted and oddly aroused. In a way, he realizes, it's true—they share the same coloring, the straight eyebrows, the long, slender bodies, the high cheekbones and dark hair. "You are sure?" the waiter persists. "Quite sure," Gogol says. "But you could be," the waiter says. "Sì, sì, there is quite a resemblance." "You think so?" Moushumi says. She appears to be at ease with the comparison, looking comically askance at Gogol. And yet he notices that some color has risen to her cheeks, whether from the wine or from self-consciousness he doesn't know. "It's funny he should say that," she says, once they have stepped out into the cold. "What do you mean?" "Well, it's just funny to think that all our lives our parents raised us according to the illusion that we were cousins, that we were all part of some makeshift extended Bengali family, and now here we are, years later, and someone actually thinks we're related." He does not know what to say. The waiter's comment has discomfited him, making his attraction to Moushumi feel mildly illicit. "You're not dressed warmly enough," she observes, twisting the woolen scarf securely around her neck. "It's so damn hot in my apartment all the time," he says. "The heat just got turned on. For some reason I can never get my mind around the fact that it won't be the same temperature outside." "Don't you check the paper?" "I get it on my way to work." "I always check the weather by phone when I leave the house," Moushumi says. "You're joking." He stares at her, surprised that she should actually be the type to go to such lengths. "Please tell me you're joking." She laughs. "I don't admit that to just anyone, you know." She finishes arranging her scarf, and then, without removing her hands from it, she says, "Why don't you borrow this?" and begins to untie it again. "Please, I'm fine." He puts a hand to his throat, against the knot of his tie. "Sure?" He nods, half tempted to say yes, to feel her scarf against his skin. "Well, at the very least you need a hat," she tells him. "I know a place nearby. Do you need to be back at work right away?" She leads him to a little boutique on Madison. The window is crowded with women's hats perched on gray, featureless heads, with sloping necks nearly a foot long. "They have men's stuff in the back," she says. The shop is crowded with women. The back is relatively tranquil, stacks of fedoras and berets arrayed on curved wooden shelves. He picks up a fur hat, a top hat, trying them on as a joke. The glass of wine has made him tipsy. Moushumi begins rummaging through a basket. "This will be warm," she says, placing her fingers inside a thick navy cap with yellow stripes on the brim. She stretches the hat with her fingers. "What do you think?" She puts it on his head, touching his hair, his scalp. She smiles, pointing to the mirror. She watches as he studies himself. He is aware that she is looking at him rather than at his reflection. He wonders what her face looks like without her glasses, when her hair is loose. He wonders what it might be like to kiss her on the mouth. "I like it," he says. "I'll take it." She pulls it off his head quickly, spoiling his hair. "What are you doing?" "I want to buy it for you." "You don't have to do that." "I want to," she says, already heading toward the register. "It was my idea, anyway. You were perfectly happy freezing to death." At the register the cashier notices Moushumi eyeing a brown wool and velvet hat decorated with feathers. "It's an exquisite piece," the cashier says, carefully lifting it off the bust. "Handmade by a woman in Spain. No two are alike. Would you like to try it?" Moushumi places it on her head. A customer compliments her. So does the cashier. "Not many women can pull off a hat like that," the cashier says. Moushumi blushes, glances at the price tag dangling from a thread on one side of her face. "I'm afraid it's out of my budget for today," she says. The cashier replaces the hat on the shelf. "Well, now you know what to get her for her birthday," she says, looking at Gogol. He puts on the new cap and they step out of the store. He is late for his meeting. If it weren't for that, he would be tempted to stay with her, to walk through the streets beside her, or disappear with her into the dark of a movie theater. The day has turned even colder, the wind more forceful, the sun a faint white patch. She walks him back to his office. For the rest of the day, throughout his meeting and as he struggles, afterward, to get back to work, he thinks of her. When he leaves the office, instead of walking to the subway, he retraces the steps they'd taken together earlier, past the restaurant where people are now having their dinners, and finds his way to the hat store, the sight of it lifting his spirits. It is nearly eight o'clock, dark outside. He assumes the store will be closed, is surprised to see the lights still on inside, the grate only partly lowered. He studies the items in the window, and his reflection in the glass, wearing the cap she'd bought for him. Eventually he walks in. He is the only customer; he can hear the sound of a vacuum cleaner running at the rear of the store. "I knew you'd be back," the saleswoman says as he walks through the door. She takes the brown velvet hat off the Styro-foam head without his having to ask. "He was here earlier today with his girlfriend," she explains to her assistant. "Shall I wrap it for you?" "That would be great." It excites him to hear himself referred to that way. He watches as the hat is placed in a round chocolate-colored box, tied with a thick, creamy ribbon. He realizes that he has not asked the price, but without a thought he signs the receipt for two hundred dollars. He takes the hat back to his apartment, hiding it at the back of his closet even though Moushumi has never been there. He would give it to her on her birthday, in spite of the fact that he has no idea when her birthday is. And yet he has the feeling that he has been to a few of her birthdays, and she to his. That weekend, at his parents' house, he confirms this; at night, after his mother and Sonia have gone up to bed, he hunts for her in the photo albums that his mother has assembled over the years. Moushumi is there, lined up behind a blazing cake in his parents' dining room. She is looking away, a pointed paper hat on her head. He stares straight at the lens, the knife in his hand, poised, for the camera's benefit, over the cake, his face shining with impending adolescence. He tries to peel the image from the sticky yellow backing, to show her the next time he sees her, but it clings stubbornly, refusing to detach cleanly from the past. The following weekend she invites him over for dinner at her place. She has to come downstairs in order to let him into the building; the buzzer is broken, she'd warned him when they'd made their plans. "Nice cap," she says. She wears a sleeveless black dress tied loosely at the back. Her legs are bare, her feet slim, her toe-nails, exposed at the tops of her sandals, painted maroon. Strands of hair have come loose from her chignon. She holds half a cigarette between her fingers, but just before she leans forward to kiss him on the cheeks she lets it drop and crushes it with the toe of her sandal. She leads him up the steps to an apartment on the third floor. She's left the door open. The apartment smells strongly of cooking; on the stove, a few large pieces of chicken are browning in a pan full of oil. Music is playing, a man singing songs in French. Gogol gives her a bunch of sunflowers whose massive stems are heavier in his arms than the bottle of wine he's also brought. She does not know where to put the flowers; the countertops, limited to begin with, are crammed with evidence of the meal she is preparing, onions and mushrooms, flour, a stick of butter rap idly softening in the heat, a glass of wine she is in the process of drinking, plastic grocery bags she has not had time to put away. "I should have brought something more manageable," he says as she looks around the kitchen, the flowers resting against her shoulder, as if expecting a surface to miraculously clear. "I've been meaning for weeks to buy myself some sunflowers," she says. She glances quickly at the pan on the stove and takes him through the kitchen and into the living room. She unwraps the flowers. "There's a vase up there," she says, pointing to the top of a bookcase. "Would you mind getting it down?" She carries the vase into the bathroom, and he can hear water running in the tub. He takes the opportunity to remove his coat and cap, drape them over the back of the sofa. He has dressed with care, a blue-and-white-striped Italian shirt that Sonia had bought for him at Filene's Basement, a pair of black jeans. She returns and fills the vase with the flowers, putting it on the coffee table. The place is nicer than he expected from the grimy look of the lobby. The floors have been redone, the walls freshly painted, the ceiling dotted with track lights. The living room has a square dining table in one corner, and a desk and file cabinets set up in another. Three particleboard bookcases line one wall. On the dining table, there is a pepper mill, a saltcellar, bright, clear-skinned clementines arranged in a bowl. He recognizes versions of things he knows from home: a Kashmiri crewelwork carpet on the floor, Rajasthani silk pillows on the sofa, a cast-iron Natraj on one of the bookcases. Back in the kitchen she sets out some olives and some goat cheese coated with ash. She hands him a corkscrew and asks him to open the bottle he's brought, to pour himself a glass. She dredges more of the chicken on a plate of flour. The pan is sputtering loudly and has showered the wall behind the stove with oil. He stands there as she refers to a cookbook by Julia Child. He is overwhelmed by the production taking place for his benefit. In spite of the meals they've already shared, he is nervous about eating with her. "When would you like to eat?" she says. "Are you hungry?" "Whenever. What are you making?" She looks at him doubtfully. "Coq au vin. I haven't made it before. I just found out that you're supposed to cook it twenty-four hours in advance. I'm afraid I'm running a bit behind." He shrugs. "It already smells great. I'll help you." He rolls up his sleeves. "What can I do?" "Let's see," she says, reading. "Oh. Okay. You can take those onions, and make X's in the bottom with a knife, and drop them into that pan." "In with the chicken?" "No. Shoot." She kneels down and retrieves a pot from one of the lower cupboards. "In here. They need to boil for a minute and then you take them out." He does as he is told, filling the pan with water and turning on the flame. He finds a knife and scores the onions, as he had once been taught to do with Brussels sprouts in the Ratliffs' kitchen. He watches her measure wine and tomato paste into the pan containing the chicken. She searches in a cupboard for a stainless-steel spice caddy and throws in a bay leaf. "Of course, my mother is appalled that I'm not making you Indian food," she says, studying the contents of the pan. "You told her I was coming over?" "She happened to call today." Then she asks him, "What about you? Have you been giving your mother updates?" "I haven't gone out of my way. But she probably suspects something given that it's a Saturday and I'm not at home with her and Sonia." Moushumi leans over the pan, watching the contents come to a simmer, prodding the pieces of chicken with a wooden spoon. She glances back at the recipe. "I think I need to add more liquid," she says, pouring water from a teakettle into the pan, causing her glasses to steam. "I can't see." She laughs, stepping away so that she stands a bit closer to him. The CD has ended and the apartment is silent apart from the sounds on the stove. She turns to him, still laughing, her eyes still obscured. She holds up her hands, messy from cooking, coated with flour and chicken fat. "Would you mind taking these off for me?" With both hands he pries the glasses from her face, clasping the frames where they meet her temples. He puts them on the counter. And then he leans over and kisses her. He touches his fingers to her bare arms, cool in spite of the warmth of the kitchen. He presses her close, a hand at the small of her back, against the knot of her dress, tasting the warm, slightly sour tang of her mouth. They make their way through the living room, to the bedroom. He sees a box spring and mattress without a frame. He unties the knot at the back of her dress with difficulty, then swiftly undoes the long zipper, leaving a small black pool at her feet. In the light cast from the living room, he glimpses black mesh underwear and a matching bra. She is curvier than she appears clothed, her breasts fuller, her hips generously flared. They make love on top of the covers, quickly, efficiently, as if they've known each other's bodies for years. But when they are finished she switches on the lamp by her bed and they examine each other, quietly discovering moles and marks and ribs. "Who would have thought," she says, her voice tired, satisfied. She is smiling, her eyes partly closed. He looks down at her face. "You're beautiful." "And you." "Can you even see me without those glasses?" "Only if you stay close," she says. "Then I'd better not move." "Don't." They peel back the covers and lie together, sticky and spent, in each other's arms. He begins to kiss her again, and she wraps her legs around him. But the smell of something burn ing causes them to bolt naked from the bed, rushing comically to the kitchen, laughing. The sauce has evaporated and the chicken is irreparably scorched, so much so that the pan itself has to be thrown away. By then they are starving and because they lack the energy either to go out or to prepare another meal they end up ordering in, feeding each other tart, tiny wedges of clementines as they wait for Chinese food to arrive. Within three months they have clothes and toothbrushes at each other's apartments. He sees her for entire weekends without make-up, sees her with gray shadows under her eyes as she types papers at her desk, and when he kisses her head he tastes the oil that accumulates on her scalp between shampoos. He sees the hair that grows on her legs between waxings, the black roots that emerge between appointments at the salon, and in these moments, these glimpses, he believes he has known no greater intimacy. He learns that she sleeps, always, with her left leg straight and her right leg bent, ankle over knee, in the shape of a
their conversation in order to comment with impunity on another diner's unfortunate hair or shoes. They talk endlessly about how they know and do not know each other. In a way there is little to explain. There had been the same parties to attend when they were growing up, the same episodes of The Love Boat and Fantasy Island the children watched as the parents feasted in another part of the house, the same meals served to them on paper plates, the carpets lined with newspapers when the hosts happened to be particularly fastidious. He can imagine her life, even after she and her family moved away to New Jersey, easily. He can imagine the large suburban house her family owned; the china cabinet in the din ing room, her mother's prized possession; the large public high school in which she had excelled but that she had miserably attended. There had been the same frequent trips to Calcutta, being plucked out of their American lives for months at a time. They calculate the many months that they were in that distant city together, on trips that had overlapped by weeks and once by months, unaware of each other's presence. They talk about how they are both routinely assumed to be Greek, Egyptian, Mexican—even in this misrendering they are joined. She speaks with nostalgia of the years her family had spent in England, living at first in London, which she barely remembers, and then in a brick semidetached house in Croydon, with rosebushes in front. She describes the narrow house, the gas fireplaces, the dank odor of the bathrooms, eating Weetabix and hot milk for breakfast, wearing a uniform to school. She tells him that she had hated moving to America, that she had held on to her British accent for as long as she could. For some reason, her parents feared America much more than England, perhaps because of its vastness, or perhaps because in their minds it had less of a link to India. A few months before their arrival in Massachusetts, a child had disappeared while playing in his yard and was never found; for a long time afterward there were posters in the supermarket. She remembers always having to call her mother every time she and her friends moved to another house in the neighborhood, a house visible from her own, to play with another girl's toys, to have another family's cookies and punch. She would have to excuse herself upon entering and ask for the telephone. The American mothers were at once charmed and perplexed by her sense of duty. "I'm at Anna's house," she would report to her mother in English. "I'm at Sue's." He does not feel insulted when she tells him that for most of her life he was exactly the sort of person she had sought to avoid. If anything it flatters him. From earliest girlhood, she says, she had been determined not to allow her parents to have a hand in her marriage. She had always been admonished not to marry an American, as had he, but he gathers that in her case these warnings had been relentless, and had therefore plagued her far more than they had him. When she was only five years old, she was asked by her relatives if she planned to get married in a red sari or a white gown. Though she had refused to indulge them, she knew, even then, what the correct response was. By the time she was twelve she had made a pact, with two other Bengali girls she knew, never to marry a Bengali man. They had written a statement vowing never to do so, and spit on it at the same time, and buried it somewhere in her parents' backyard. From the onset of adolescence she'd been subjected to a series of unsuccessful schemes; every so often a small group of unmarried Bengali men materialized in the house, young colleagues of her father's. She never spoke to them; she strutted upstairs with the excuse of homework and did not come downstairs to say good-bye. During summer visits to Calcutta, strange men mysteriously appeared in the sitting room of her grandparents' flat. Once on a train to Durgapur to visit an uncle, a couple had been bold enough to ask her parents if she was engaged; they had a son doing his surgical residency in Michigan. "Aren't you going to arrange a wedding for her?" relatives would ask her parents. Their inquiries had filled her with a cold dread. She hated the way they would talk of the details of her wedding, the menu and the different colors of saris she would wear for the different ceremonies, as if it were a fixed certainty in her life. She hated when her grandmother would unlock her almari, showing her which jewels would be hers when the day came. The shameful truth was that she was not involved, was in fact desperately lonely. She had rebuffed the Indian men she wasn't interested in, and she had been forbidden as a teenager to date. In college she had harbored lengthy infatuations, with students with whom she never spoke, with professors and TAs. In her mind she would have relationships with these men, structuring her days around chance meetings in the library, or a conversation during office hours, or the one class she and a fellow student shared, so that even now she associated a particular year of college with the man or boy she had silently, faithfully, absurdly, desired. Occasionally one of her infatuations would culminate in a lunch or coffee date, an encounter on which she would pin all her hopes but which would lead to nothing. In reality there had been no one, so that toward the end of college, as graduation loomed, she was convinced in her bones that there would be no one at all. Sometimes she wondered if it was her horror of being married to someone she didn't love that had caused her, subconsciously, to shut herself off. She shakes her head as she speaks, irritated with having revisited this aspect of her past. Even now she regrets herself as a teenager. She regrets her obedience, her long, unstyled hair, her piano lessons and lace-collared shirts. She regrets her mortifying lack of confidence, the extra ten pounds she carried on her frame during puberty. "No wonder you never talked to me back then," she says. He feels tenderness toward her when she disparages herself this way. And though he had witnessed that stage of her himself, he can no longer picture it; those vague recollections of her he's carried with him all his life have been wiped clean, replaced by the woman he knows now. At Brown her rebellion had been academic. At her parents' insistence, she'd majored in chemistry, for they were hopeful she would follow in her father's footsteps. Without telling them, she'd pursued a double major in French. Immersing herself in a third language, a third culture, had been her refuge—she approached French, unlike things American or Indian, without guilt, or misgiving, or expectation of any kind. It was easier to turn her back on the two countries that could claim her in favor of one that had no claim whatsoever. Her four years of secret study had prepared her, at the end of college, to escape as far as possible. She told her parents she had no inten tion of being a chemist and, deaf to their protests, she'd scraped together all the money she had and moved to Paris, with no specific plans. Suddenly it was easy, and after years of being convinced she would never have a lover she began to fall effortlessly into affairs. With no hesitation, she had allowed men to seduce her in cafés, in parks, while she gazed at paintings in museums. She gave herself openly, completely, not caring about the consequences. She was exactly the same person, looked and behaved the same way, and yet suddenly, in that new city, she was transformed into the kind of girl she had once envied, had believed she would never become. She allowed the men to buy her drinks, dinners, later to take her in taxis to their apartments, in neighborhoods she had not yet discovered on her own. In retrospect she saw that her sudden lack of inhibition had intoxicated her more than any of the men had. Some of them had been married, far older, fathers to children in secondary school. The men had been French for the most part, but also German, Persian, Italian, Lebanese. There were days she slept with one man after lunch, another after dinner. They were a bit excessive, she tells Gogol with a roll of her eyes, the type to lavish her with perfume and jewels. She found a job working for an agency, helping American businesspeople learn conversational French, and French businesspeople learn conversational English. She would meet with them in cafés, or speak with them by phone, asking questions about their families, their backgrounds, their favorite books and foods. She began to socialize with other American expatriates. Her fiancé was part of that crowd. He was an investment banker from New York, living in Paris for a year. His name was Graham. She had fallen in love and very quickly moved in with him. It was for Graham that she'd applied to NYU. They took a place together on York Avenue. They lived there in secret, with two telephone lines so that her parents would never know. When her parents came to the city, he'd disappear to a hotel, removing all traces of himself from the apartment. It had been exciting at first, maintaining such an elaborate lie. But then it had gotten tiresome, impossible. She brought him home to New Jersey, prepared herself for battle, but in fact, to her enormous surprise, her parents were relieved. By then she was old enough so that it didn't matter to them that he was an American. Enough of their friends' children had married Americans, had produced pale, dark-haired, half-American grandchildren, and none of it was as terrible as they had feared. And so her parents did their best to accept him. They told their Bengali friends that Graham was well behaved, Ivy educated, earned an impressive salary. They learned to overlook the fact that his parents were divorced, that his father had remarried not once but twice, that his second wife was only ten years older than Moushumi. One night, in a taxi stuck in midtown traffic, she had impulsively asked him to marry her. Looking back on it, she supposed it was all those years of people attempting to claim her, choose her, of feeling an invisible net cast around her, that had led her to this proposal. Graham had accepted, gave her his grandmother's diamond. He had agreed to fly with her and her parents to Calcutta, to meet her extended family and ask for her grandparents' blessing. He had charmed them all, learned to sit on the floor and eat with his fingers, take the dust from her grandparents' feet. He had visited the homes of dozens of her relatives, eaten the plates full of syrupy mishti, patiently posed for countless photographs on rooftops, surrounded by her cousins. He had agreed to a Hindu wedding, and so she and her mother had gone shopping in Gariahat and New Market, selected a dozen saris, gold jewelry in red cases with purple velvet linings, a dhoti and a topor for Graham that her mother carried by hand on the plane ride back. The wedding was planned for summer in New Jersey, an engagement party thrown, a few gifts already received. Her mother had typed up an explanation of Bengali wedding rituals on the computer and mailed it to all the Americans on the guest list. A photograph of the two of them was taken for the local paper in her parents' town. A few weeks before the wedding, they were out to dinner with friends, getting happily drunk, and she heard Graham talking about their time in Calcutta. To her surprise, he was complaining about it, commenting that he found it taxing, found the culture repressed. All they did was visit her relatives, he said. Though he thought the city was fascinating, the society, in his opinion, was somewhat provincial. People tended to stay at home most of the time. There was nothing to drink. "Imagine dealing with fifty in-laws without alcohol. I couldn't even hold her hand on the street without attracting stares," he had said. She had listened to him, partly sympathetic, partly horrified. For it was one thing for her to reject her background, to be critical of her family's heritage, another to hear it from him. She realized that he had fooled everyone, including her. On their walk home from the restaurant, she brought it up, saying that his comments had upset her, why hadn't he told her these things? Was he only pretending to enjoy himself all that time? They'd begun to argue, a chasm opening up between them, swallowing them, and suddenly, in a rage, she had removed his grandmother's ring from her finger and tossed it into the street, into oncoming traffic, and then Graham had struck her on the face as pedestrians watched. By the end of the week, he had moved out of the apartment they shared. She stopped going to school, filed for incompletes in all her classes. She swallowed half a bottle of pills, was forced to drink charcoal in an emergency room. She was given a referral to a therapist. She called her adviser at NYU, told him she'd had a nervous breakdown, took off the rest of the semester. The wedding was canceled, hundreds of phone calls made. They lost the deposit they'd paid to Shah Jahan caterers, as well as to their honeymoon destination, Palace on Wheels. The gold was taken to a bank vault, the saris and blouses and petticoats put away in a mothproof box. Her first impulse was to move back to Paris. But she was in school, too invested to drop out, and besides, she had no money for that. She fled the apartment on York Avenue, unable to afford it on her own. She refused to go home to her parents. Some friends in Brooklyn took her in. It was painful, she told him, living with a couple at that particular time, listening to them shower together in the mornings, watching them kiss and shut the door to their bedroom at the end of each night, but in the beginning she could not face being alone. She started temping. By the time she'd saved enough to move to her own place in the East Village, she was thankful to be alone. All summer she went to movies by herself, sometimes as many as three a day. She bought TV Guide every week and read it from cover to cover, planning her nights around her favorite shows. She began to subsist on a diet of raita and Triscuits. She grew thinner than she'd ever been in her life, so that in the few pictures taken of her in that period her face is faintly unrecognizable. She went to end-of-summer sales and bought everything in a size four; six months later she would be forced to donate it all to a thrift shop. When autumn came, she threw herself into her studies, catching up on all the work she had abandoned that spring, began every now and then to date. And then one day her mother called, asking if she remembered a boy named Gogol. 9They marry within a year, at a DoubleTree hotel in New Jersey, close to the suburb where her parents live. It's not the type of wedding either of them really wants. They would have preferred the sorts of venues their American friends choose, the Brooklyn Botanic Gardens or the Metropolitan Club or the Boat House in Central Park. They would have preferred a sit-down dinner, jazz played during the reception, black-and-white photographs, keeping things small. But their parents insist on inviting close to three hundred people, and serving Indian food, and providing easy parking for all the guests. Gogol and Moushumi agree that it's better to give in to these expectations than to put up a fight. It's what they deserve, they joke, for having listened to their mothers, and for getting together in the first place, and the fact that they are united in their resignation makes the consequences somewhat bearable. Within weeks of announcing their engagement, the date is settled, the hotel booked, the menu decided, and though for a while there are nightly phone calls, her mother asking if they prefer a sheet cake or layers, sage-or rose-colored napkins, Chardonnay or Chablis, there is little for either Gogol or Moushumi to do other than listen and say yes, whichever seems best, it all sounds fine. "Consider yourselves lucky," Gogol's coworkers tell him. Planning a wedding is in credibly stressful, the first real trial of a marriage, they say. Still, it feels a little strange to be so uninvolved in his own wedding, and he is reminded of the many other celebrations in his life, all the birthdays and graduation parties his parents had thrown when he was growing up, in his honor, attended by his parents' friends, occasions from which he had always felt at a slight remove. The Saturday of the wedding they pack suitcases, rent a car, and drive down to New Jersey, separating only when they get to the hotel, where they are claimed one last time by their respective families. Starting tomorrow, he realizes with a shock, he and Moushumi will be regarded as a family of their own. They have not seen the hotel beforehand. Its most memorable feature is a glass elevator that rises and falls ceaselessly at its center, much to the amusement of children and adults alike. The rooms are gathered around successive elliptical balconies that can be seen from the lobby, reminding Gogol of a parking garage. He has a room to himself, on a floor with his mother and Sonia and a few of the Gangulis' closest family friends. Moushumi stays chastely on the floor above, next door to her parents, though by now she and Gogol are practically living together at her place. His mother has brought him the things he is to wear, a parchment-colored Punjabi top that had once belonged to his father, a prepleated dhoti with a drawstring waist, a pair of nagrai slippers with curling toes. His father had never worn the punjabi, and Gogol has to hang it in the bathroom, hot water running in the shower, to get the creases out. "His blessings are always with you," his mother says, reaching up and placing both her hands for a moment on his head. For the first time since his father's death, she is dressed with care, wearing a pretty pale green sari, a pearl necklace at her throat, has agreed to let Sonia put some lipstick on her lips. "Is it too much?" his mother worries, regarding herself in the mirror. Still, he has not seen her looking this lovely, this happy, this excited, in years. Sonia wears a sari, too, fuchsia with silver em broidery, a red rose stuck into her hair. She gives him a box wrapped in tissue. "What's this?" he asks. "You didn't think I forgot your thirtieth birthday, did you?" It had been a few days ago, a weeknight he and Moushumi had both been too busy to celebrate properly. Even his mother, preoccupied with last-minute wedding details, had forgotten to call him first thing in the morning, as she normally did. "I think I'm officially at the age when I want people to forget my birthday," he says, accepting the gift. "Poor Goggles." Inside he finds a small bottle of bourbon and a red leather flask. "I had it engraved," she says, and when he turns the flask over he sees the letters ng. He remembers poking his head into Sonia's room years ago, telling her about his decision to change his name to Nikhil. She'd been thirteen or so, doing her homework on her bed. "You can't do that," she'd told him then, shaking her head, and when he'd asked her why not she'd simply said, "Because you can't. Because you're Gogol." He watches her now, applying her make-up in his room, pulling at the skin next to her eye and painting a thin black line on the lid, and he recalls photographs of his mother at her own wedding. "You're next, you know," he says. "Don't remind me." She grimaces, then laughs. Their shared giddiness, the excitement of the preparations, saddens him, all of it reminding him that his father is dead. He imagines his father wearing an outfit similar to his own, a shawl draped over one shoulder, as he used to during pujo. The ensemble he fears looks silly on himself would have looked dignified, elegant, befitting his father in a way he knows it does not him. The nagrais are a size too large and need to be stuffed with tissues. Unlike Moushumi, who is having her hair and make-up professionally styled and applied, Gogol is ready in a matter of minutes. He regrets not having brought his running shoes along; he could have done a few miles on the treadmill before preparing himself for the event. There is an hour-long watered-down Hindu ceremony on a platform covered with sheets. Gogol and Moushumi sit cross-legged, first opposite each other, then side by side. The guests sit facing them in folding metal chairs; the accordion wall between two windowless banquet rooms, with dropped ceilings, has been opened up to expand the space. A video camera and hand-held white lights hover above their faces. Shenai music plays on a boom box. Nothing has been rehearsed or explained to them beforehand. A cluster of mashis and meshos surround them, telling them continually what to do, when to speak or stand or throw flowers at a small brass urn. The priest is a friend of Moushumi's parents, an anesthesiologist who happens to be a Brahmin. Offerings are made to pictures of their grandparents and his father, rice poured into a pyre that they are forbidden by the management of the hotel to ignite. He thinks of his parents, strangers until this moment, two people who had not spoken until after they were actually wed. Suddenly, sitting next to Moushumi, he realizes what it means, and he is astonished by his parents' courage, the obedience that must have been involved in doing such a thing. It's the first time he's seen Moushumi in a sari, apart from all those pujos years ago, which she had suffered through silently. She has about twenty pounds of gold on her—at one point, when they are sitting face to face, their hands wrapped up together in a checkered cloth, he counts eleven necklaces. Two enormous paisleys have been painted in red and white on her cheeks. Until now, he has continued to call Moushumi's father Shubir Mesho, and her mother Rina Mashi, as he always has, as if they were still his uncle and aunt, as if Moushumi were still a sort of cousin. But by the end of the night he will become their son- in-law and so be expected to address them as his second set of parents, an alternative Baba and Ma. For the reception he changes into a suit, she into a red Ba narasi gown with spaghetti straps, something she'd designed herself and had made by a seamstress friend. She wears the gown in spite of her mother's protests—what was wrong with a salwar kameeze, she'd wanted to know—and when Moushumi happens to forget her shawl on a chair and bares her slim, bronze shoulders, which quietly sparkle from a special powder she's applied to them, her mother manages, in the midst of that great crowd, to shoot her reproachful glances, which Moushumi ignores. Countless people come to congratulate Gogol, saying they had seen him when he was so little, asking him to pose for photographs, to wrap his arms around families and smile. He is numbly drunk through it all, thanks to the open bar her parents have sprung for. Moushumi is horrified, in the banquet room, to see the tables wreathed with tulle, the ivy and baby's breath twisted around the columns. They bump into each other on her way out of the ladies' room and exchange a quick kiss, the smoke on her breath faintly masked by the mint she is chewing. He imagines her smoking in the stall, the lid of the toilet seat down. They've barely said a word to each other all evening; throughout the ceremony she'd kept her eyes lowered, and during the reception, each time he'd looked at her, she'd been deep in conversation with people he didn't know. He wants to be alone with her suddenly, wishes they could sneak off to her room or his, ignore the rest of the party as he would when he was a boy. "Come on," he urges, motioning toward the glass elevator, "fifteen minutes. No one will notice." But the dinner has begun, and table numbers are being called one by one on the loudspeaker. "I'd need someone to redo my hair," she says. The heated silver chafing dishes are labeled for the American guests. It's typical north Indian fare, mounds of hot pink tandoori, aloo gobi in thick orange sauce. He overhears someone in the line saying the chickpeas have gone bad. They sit at the head table in the center of the room, with his mother and Sonia, her parents and a handful of her relatives visiting from Calcutta, and her brother, Samrat, who is missing out on his orientation at the University of Chicago in order to attend the wedding. There are awkward champagne toasts and speeches by their families, their parents' friends. Her father stands up, smiling nervously, forgets to raise his glass, and says, "Thank you very much for coming," then turns to Gogol and Moushumi: "Okay, be happy." Forks are tapped against glasses by giggling, sari- clad mashis, instructing them when to kiss. Each time he obliges them and kisses his bride tamely on the cheek. A cake is wheeled out, "Nikhil Weds Moushumi" piped across its surface. Moushumi smiles as she always smiles for a camera, her mouth closed, her head tilted slightly downward and to the left. He is aware that together he and Moushumi are fulfilling a collective, deep-seated desire—because they're both Bengali, everyone can let his hair down a bit. At times, looking out at the guests, he can't help but think that two years ago he might have been sitting in the sea of round tables that now surround him, watching her marry another man. The thought crashes over him like an unexpected wave, but quickly he reminds himself that he is the one sitting beside her. The red Banarasi wedding sari and the gold had been bought two years ago, for her wedding to Graham. This time all her parents have had to do is bring down the boxes from a closet shelf, retrieve the jewels from the safety deposit box, find the itemized list for the caterer. The new invitation, designed by Ashima, the English translation lettered by Gogol, is the only thing that isn't a leftover. Since Moushumi has to teach a class three days after the wedding, they have to postpone the honeymoon. The closest they come is a night alone in the DoubleTree, which they are both dying to leave. But their parents have gone to great trouble and expense to book the newlywed suite. "I have got to take a shower," she says as soon as they are finally alone, and disappears into the bathroom. He knows she is exhausted, as he is—the night had ended with a long session of dancing to Abba songs. He examines the room, opening drawers and pulling out the stationery, opening the minibar, reading the contents of the room service menu, though he is not at all hungry. If anything, he feels slightly ill, from the combination of the bourbon and the two large pieces of cake he'd had because he had not had any dinner. He sprawls on the king-sized bed. The bedspread has been strewn with flower petals, a final gesture before their families withdrew. He waits for her, flipping through the channels on the television. Beside him is a bottle of champagne in a bucket, heart-shaped chocolates on a lace-covered plate. He takes a bite out of one of the chocolates. The inside is an unyielding toffee, requiring more chewing than he expects. He fidgets with the gold ring she'd placed on his finger after they'd cut the cake, identical to the one he'd placed on hers. He'd proposed to her on her birthday, giving her a diamond solitaire in addition to the hat he'd bought for her after their second date. He'd made a production out of it, using her birthday as an excuse to take her to a country inn for the weekend, in a town upstate on the banks of the Hudson, the first trip they'd taken together that wasn't to her parents' place in New Jersey, or to Pemberton Road. It was springtime, the velvet hat out of season by then. She'd been overwhelmed that he'd remembered it all this time. "I can't believe the store still had it," she said. He didn't tell her the truth about when he'd bought the hat. He'd presented it to her downstairs, in the dining room, after a Châteaubriand that had been carved for them at the table. Strangers turned to admire Moushumi when the hat was on her head. After trying it on, she'd put the box away under her chair, not noticing the smaller box lost among the tissue. "There's something else in there," he'd been forced to say. In retrospect he decided that she had been more shocked by the hat than by his proposal. For while the former was a true surprise, the latter was something expected—from the very beginning it was safely assumed by their families, and soon enough by themselves, that as long as they liked each other their courtship would not lag and they would surely wed. "Yes," she'd told him, grinning, looking up from the hatbox before he'd even had to ask. She emerges now in the snow-white terry-cloth hotel robe. She has taken off her make-up and her jewels; the vermilion with which he'd stained her part at the end of the ceremony has been rinsed from her hair. Her feet are free of the three- inch heels she'd worn as soon as the religious part of the wedding was over, causing her to tower over almost everyone. This is the way he still finds her most ravishing, unadorned, aware that it is a way she is willing to look for no one but him. She sits on the edge of the mattress, applies some blue cream from a tube to her calves and the bottoms of her feet. She'd massaged the cream onto his own feet once, the day they'd walked across the Brooklyn Bridge, causing them to tingle and go cold. And then she lies against the pillows, and looks at him, and puts out a hand. Underneath the robe he expects to find some racy lingerie— back in New York he'd glimpsed the pile of things she'd received for her shower in the corner of her bedroom. But she is naked, her skin smelling, a little too intensely, of some sort of berry. He kisses the dark hair on her forearms, the prominent collarbone, which she had once confessed to him is her favorite part of her body. They make love in spite of their exhaustion, her damp hair limp and cool against his face, the rose petals sticking to their elbows and shoulders and calves. He breathes in the scent of her skin, still unable to fathom that they are husband and wife. When would it sink in? Even then he does not feel fully alone with her, half waiting for someone to knock on the door and tell them how to go about things. And though he desires her as much as ever, he is relieved when they are through, lying naked side by side, knowing that nothing else is expected of them, that finally they can relax. Afterward they open up the champagne and sit together on the bed, going through a large shopping bag full of cards with personal checks inside them. The checks have been given to them by their parents' hundreds of friends. She had not wanted to register for gifts. She told Gogol it was because she didn't have the time, but he sensed that it was something she couldn't bring herself to face the second time around. It's fine with him, not to have their apartment crammed with a dozen crystal vases and platters and matching pots and pans. There is no calculator, and so they add up the figures on numerous sheets of the hotel stationery. Most of the checks have been written out to Mr. and Mrs. Nikhil and Moushumi Ganguli. Several are written to Gogol and Moushumi Ganguli. The amounts are for one hundred and one dollars, two hundred and one dollars, occasionally three hundred and one dollars, as Bengalis consider it inauspicious to give round figures. Gogol adds up the subtotals on each page. "Seven thousand thirty-five," he announces. "Not bad, Mr. Ganguli." "I'd say we've made a killing, Mrs. Ganguli." Only she is not Mrs. Ganguli. Moushumi has kept her last name. She doesn't adopt Ganguli, not even with a hyphen. Her own last name, Mazoomdar, is already a mouthful. With a hyphenated surname, she would no longer fit into the window of a business envelope. Besides, by now she has begun to publish under Moushumi Mazoomdar, the name printed at the top of footnoted articles on French feminist theory in a number of prestigious academic journals that always manage to give Gogol a paper cut when he tries to read them. Though he hasn't admitted this to her, he'd hoped, the day they'd filled out the application for their marriage license, that she might consider otherwise, as a tribute to his father if nothing else. But the thought of changing her last name to Ganguli has never crossed Moushumi's mind. When relatives from India continue to address letters and cards to "Mrs. Moushumi Ganguli," she will shake her head and sigh. *** They put the money toward a security deposit for a one-bedroom apartment in the Twenties, off Third Avenue. It's slightly more than they can comfortably afford, but they are won over by the maroon awning, the part-time doorman, the lobby paved with pumpkin-colored tiles. The apartment itself is small but luxurious, with built-in mahogany bookcases rising to the ceiling and dark, oily, wide-planked floors. There is a living room with a skylight, a kitchen with expensive stainless-steel appliances, a bathroom with a marble floor and walls. There is a Juliet balcony off the bedroom, in one corner of which Moushumi sets up her desk, her computer and printer, her files. They are on the top floor, and if one leans far enough to the left outside the bathroom window it's possible to see the Empire State Building. They spend a few weekends taking the shuttle bus to Ikea and filling up the rooms: imitation Noguchi lamps, a black sectional sofa, kilim and flokati carpets, a blond wood platform bed. Both her parents and Ashima are at once impressed and puzzled when they come to visit for the first time. Isn't it a bit small, now that they are married? But Gogol and Moushumi aren't thinking of children at the moment, certainly not until Moushumi finishes her dissertation. On Saturdays they shop together for food at the farmers' market in Union Square, with canvas bags over their shoulders. They buy things they are not certain how to prepare, leeks and fresh fava beans and fiddleheads, looking up recipes in the cookbooks they've received for their wedding. From time to time when they cook they set off the fire alarm, which is overly sensitive, and they bang it into silence with the handle of a broom. They entertain together on occasion, throwing the sorts of parties their parents never had, mixing martinis in a stainless-steel shaker for a few of the architects at Gogol's work or Moushumi's graduate student friends at NYU. They play bossa nova and serve bread and salami and cheese. He transfers the money in his bank account over to hers, and they have pale green checks with both their names printed in the corner. The pass code they decide on for their ATM card, Lulu, is the name of the French restaurant where they had their first meal together. They eat most nights side by side on the stools at the kitchen counter or at the coffee table, watching TV. They make Indian food infrequently—usually it's pasta or broiled fish or take-out from the Thai restaurant down the block. But sometimes, on a Sunday, both craving the food they'd grown up eating, they ride the train out to Queens and have brunch at Jackson Diner, piling their plates with tandoori chicken and pakoras and kabobs, and shop afterward for basmati rice and the spices that need replenishing. Or they go to one of the hole-in-the-wall tea shops and drink tea in paper cups with heavy cream, asking the waitress in Bengali to bring them bowls of sweet yogurt and haleem. He calls every evening before leaving the office to say he is on his way home, asks if he needs to pick up lettuce or a loaf of bread. After dinner they watch television, as Moushumi writes out thank-you cards to all their parents' friends, for the checks they had needed twenty different slips to deposit. These are the things that make him feel married. Otherwise it's the same, only now they're always together. At night she sleeps beside him, always rolling onto her stomach, waking up every morning with a pillow pressed over her head. Occasionally, in the apartment, he finds odd remnants of her life before he'd appeared in it, her life with Graham—the inscription to the two of them in a book of poems, a postcard from Provence stuffed into the back of a dictionary, addressed to the apartment they'd secretly shared. Once, unable to stop himself, he'd walked to this address during his lunch break, wondering what her life had been like back then. He imagined her walking along the sidewalk, carrying grocery bags from the supermarket that was on the next corner, in love with another man. He doesn't feel jealous of her past per se. It's only that sometimes Gogol wonders whether he represents some sort of capitulation or defeat. He doesn't feel this always, just enough to nag at him, settling over his thoughts like a web. But then he looks around the apartment for reassurance, reminding himself of the life they've set up together and share. He looks at the photograph taken at their wedding, in which matching garlands hang from their necks. It sits in a tasteful leather frame on top of the television set. He wanders into the bedroom, where she's working, kissing her on the shoulder, drawing her to bed. But in the closet they now share is a garment bag containing a white dress he knows she would have worn a month after the Indian ceremony that had been planned for her and Graham, a second ceremony before a justice of the peace on Graham's father's lawn in Pennsylvania. She had told him about it. A patch of the dress is visible through a plastic window in the garment bag. He'd unzipped it once, glimpsed something sleeveless, to the knee, with a plain round neck, reminding him of a tennis dress. One day he asks her why she still keeps it. "Oh that," she says with a shrug. "I keep meaning to have it dyed." In March they go to Paris. Moushumi is invited to give a paper at a conference at the Sorbonne, and they decide to make a vacation out of it, Gogol arranging to take the week off from work. Instead of staying in a hotel, they stay in an apartment in the Bastille which belongs to a friend of Moushumi's, a male friend named Emanuel, a journalist, who is on holiday in Greece. The apartment is barely heated, minuscule, at the top of six steep flights of stairs, with a bathroom the size of a phone booth. There is a loft bed just inches from the ceiling, so that sex is a serious hazard. An espresso pot nearly fills the narrow two-burner stove. Apart from two chairs at the dining table, there is no place to sit. The weather is raw, cheerless, the sky white, the sun perpetually hidden from view. Paris is famous for such weather, Moushumi tells him. He feels hidden himself; men on the streets stare at Moushumi constantly, their glances lingering plainly, in spite of the fact that Gogol is at her side. It is his first time in Europe. The first time he sees the sort of architecture he has read about for so many years, admired only in the pages of books and slides. For some reason, in Moushumi's company, he feels more apologetic than excited. Though they journey together one day to Chartres, and another to Versailles, he has the feeling she'd rather be meeting friends for coffee, attending panels at the conference, eating at her favorite bistros, shopping at her favorite stores. From the beginning he feels useless. Moushumi makes all the decisions, does all the talking. He is mute in the brasseries where they eat their lunches, mute in the shops where he gazes at beautiful belts, ties, paper, pens; mute on the rainy afternoon they spend together at the d'Orsay. He is particularly mute when he and Moushumi get together for dinners with groups of her French friends, drinking Pernods and feasting on couscous or choucroute, smoking and arguing around paper-covered tables. He struggles to grasp the topic of conversation— the euro, Monica Lewinsky, Y2K—but everything else is a blur, indistinguishable from the clatter of plates, the drone of echoing, laughing voices. He watches them in the giant gilt-framed mirrors on the walls, their dark heads leaning close. Part of him knows this is a privilege, to be here with a person who knows the city so well, but the other part of him wants simply to be a tourist, fumbling with a phrase book, looking at all the buildings on his list, getting lost. When he confesses his wish to Moushumi one night as they are walking back to the apartment, she says, "Why didn't you tell me that in the first place?" and the next morning she instructs him to walk to the Métro station, have his photo taken in a booth, get a Carte Orange. And so Gogol goes sightseeing, alone, while Moushumi is off at her conference, or as she sits at the table in the apartment and puts the final touches on her paper. His only companion is Moushumi's Plan de Paris, a small red guide to the arrondissements, with a folded map attached to the back cover. On the last page, Moushumi writes in a few phrases for his benefit: "Je voudrais un café, s'il vous plaît." "Où sont les toilettes?" And she warns as he's walking out the door, "Avoid ordering a café crème unless it's morning. The French never do that." Though the day is bright for a change, it is particularly cold, brisk air stinging his ears. He remembers his first lunch with Moushumi, the afternoon she'd dragged him to the hat store. He remembers the two of them crying out in unison as the wind blasted their faces, a time too soon for them to cling to each other for warmth. He walks now to the corner, decides to get another croissant at the boulangerie where he and Moushumi go every morning to buy breakfast. He sees a young couple standing in a patch of sunlight on the sidewalk, feeding each other pastries from a bag. Suddenly he wants to go back to the apartment, climb into the loft bed and forget about sightseeing, hold Moushumi in his arms. He wants to lie with her for hours, as they did at the beginning, skipping meals, then wandering the streets at odd hours, desperate for something to eat. But she must present her paper at the end of the week, and he knows she will not be roused from her task of reading it aloud, timing its duration, making small marks in the margin. He consults his map and for the next few days he follows the routes she has charted for him with a pencil. He wanders for miles along the famous boulevards, through the Marais, arriving after many wrong turns at the Picasso Museum. He sits on a bench and sketches the town houses in the Place des Vosges, walks along the desolate gravel paths in the Luxembourg Gardens. Outside the Academie des Beaux-Arts he wanders for hours through the shops selling prints, eventually buying a drawing of the Hôtel de Lauzun. He photographs the narrow sidewalks, the dark cobblestone streets, the mansard roofs, the ancient, shuttered buildings of pale beige stone. All of it he finds beautiful beyond description, and yet at the same time it depresses him that none of it is new to Moushumi, that she has seen it all hundreds of times. He understands why she lived here for as long as she did, away from her family, away from anyone she knew. Her French friends adore her. Waiters and shopkeepers adore her. She both fits in perfectly yet remains slightly novel. Here Moushumi had reinvented herself, without misgivings, without guilt. He admires her, even resents her a little, for having moved to another country and made a separate life. He realizes that this is what their parents had done in America. What he, in all likelihood, will never do. On their last day, in the morning, he shops for gifts for his in-laws, his mother, Sonia. It is the day Moushumi is presenting her paper. He had offered to go with her, to sit in the audience and listen to her speak. But she told him that was silly, why sit in the middle of a roomful of people speaking a language he doesn't understand when there was still more of the city he could see? And so, after shopping, he sets off, alone, for the Louvre, a destination he's put off until now. At the end of the day he meets her at a café in the Latin Quarter. She is there waiting for him behind a glassed-in partition on the sidewalk, wearing a dark red lipstick, sipping a glass of wine. He sits down, orders a coffee. "How was it? How did it go?" She lights a cigarette. "Okay. Over with, at any rate." She looks more regretful than relieved, her eyes lingering over the small round table between them, the veins in the marble bluish, like those in cheese. Normally she wants a full account of his adventures, but today they sit silently, watching the passers-by. He shows her the things he's bought, a tie for his father-in-law, soaps for their mothers, a shirt for Samrat, a silk scarf for Sonia, sketchbooks for himself, bottles of ink, a pen. She admires the drawings he's done. It is a café they've been to before, and he feels the slight nostalgia it is sometimes possible to feel at the end of an extended stay in a foreign place, taking in the details that will soon evaporate from his mind: the surly waiter who has served them both times, the view of the shops across the street, the green and yellow straw chairs. "Are you sad to be leaving?" he asks, stirring sugar into his coffee, drinking it back in one gulp. "A little. I guess a little part of me wishes I'd never left Paris, you know?" He leans over, takes both her hands in his. "But then we would never have met," he says, with more confidence than he feels. "True," she acknowledges. And then: "Maybe we'll move here one day." He nods. "Maybe." She looks beautiful to him, tired, the concentrated light of the dying day on her face, infusing it with an amber-pink glow. He watches the smoke drift away from her. He wants to remember this moment, the two of them together, here. This is how he wants to remember Paris. He takes out his camera, focusing it on her face. "Nikhil, please, don't," she says, laughing, shaking her head. "I look awful." She shields her face with the back of her hand. He still holds up the camera. "Oh, come on, Mo. You're beautiful. You look great." But she refuses to indulge him, moving her chair out of view with a scrape on the pavement; she doesn't want to be mistaken for a tourist in this city, she says. A Saturday evening in May. A dinner party in Brooklyn. A dozen people are gathered around a long, scratched-up dining table, smoking cigarettes, drinking Chianti from juice glasses, sitting on a series of backless wooden stools. The room is dark apart from a domed metal lamp hanging from a long cord, which casts a concentrated pool of light on the table's center. An opera plays on a battered boom box on the floor. A joint is being passed around. Gogol takes a hit, but as he sits there, holding his breath, he regrets it—he is already starved. Though it's close to ten o'clock, dinner has yet to be served. Apart from the Chianti, the only offerings so far are a loaf of bread and a small bowl of olives. A blizzard of crumbs and pointy violet olive pits litter the tabletop. The bread, like a hard, dusty cushion, is full of prune-sized holes and has a crust that hurts the roof of Gogol's mouth when he chews. They are at the home of Moushumi's friends Astrid and Donald. It's a brownstone under renovation; Astrid and Donald, expecting their first child, are in the process of expanding their domain from a single floor of the house to the top three. Thick plastic sheets hang from rafters, creating transparent, temporary corridors. Behind them, a wall is missing. Even at this hour, guests continue to arrive. They enter complaining of the cold that has persisted this far into spring, of the stinging, bothersome wind that tosses the treetops outside. They remove their coats, introduce themselves, pour themselves Chianti. If it happens to be their first time in the house they eventually drift from the table and troop up the stairs, to admire the pocket doors, the original tin ceilings, the vast space that will eventually become the nursery, the distant, sparkling view of Manhattan visible from the top floor. Gogol has been to the house before, a bit too frequently in his opinion. Astrid is a friend of Moushumi's from Brown. The first time he'd met Donald and Astrid had been at his wedding. At least that's what Moushumi says; he doesn't remember them. They were living in Rome the first year that Gogol and Moushumi were together, on a Guggenheim that Astrid had gotten. But they've since moved back to New York, where Astrid has begun teaching film theory at the New School. Donald is a moderately talented painter of small still lifes of single, everyday objects: an egg, a cup, a comb, suspended against brightly colored backgrounds. Donald's rendition of a spool of thread, a wedding present to Gogol and Moushumi, hangs in their bedroom. Donald and Astrid are a languidly confident couple, a model, Gogol guesses, for how Moushumi would like their own lives to be. They reach out to people, hosting dinner parties, bequeathing little bits of themselves to their friends. They are passionate spokespeople for their brand of life, giving Gogol and Moushumi a steady, unquestionable stream of advice about quotidian things. They swear by a certain bakery on Sullivan Street, a certain butcher on Mott, a certain style of coffeemaker, a certain Florentine designer of sheets for their bed. Their decrees drive Gogol crazy. But Moushumi is loyal. She regularly goes out of her way, and thus out of their budget, to buy bread at that bakery, meat at that butcher. He recognizes a few familiar faces tonight: Edith and Colin, who teach sociology at Princeton and Yale, respectively, and Louise and Blake, both Ph.D. candidates, like Moushumi, at NYU. Oliver is an editor at an art magazine; his wife, Sally, works as a pastry chef. The rest are painter friends of Donald's, poets, documentary filmmakers. They are all married. Even now, a fact as ordinary, as obvious, as this astonishes him. All married! But this is life now, the weekend sometimes more tiring than the workweek, an endless stream of dinner parties, cocktail parties, occasional after-eleven parties with dancing and drugs to remind them that they are still young, followed by Sunday brunches full of unlimited Bloody Marys and overpriced eggs. They are an intelligent, attractive, well-dressed crowd. Also a bit incestuous. The vast majority of them know each other from Brown, and Gogol can't ever shake the feeling that half the people in the room have slept with one another. There is the usual academic talk around the table, versions of the same conversation he can't participate in, concerning conferences, job listings, ungrateful undergraduates, proposal deadlines. At one end of the table, a woman with short red hair and cat's-eye glasses is talking about a Brecht play she'd once acted in in San Francisco, performed fully in the nude. At the other end, Sally is putting the finishing touches on a dessert she's brought, in tently assembling layers and covering them with glistening white meringue that shoots up like a dense thicket of flames. Astrid is showing a few people paint chips, which she's lined up in front of her like tarot cards, versions of an apple green she and Donald are considering for the front hallway. She wears glasses that might have belonged to Malcolm X. She eyes the paint chips with precision; though she seeks the advice of her guests, she has already made up her mind about which permutation of the shade she will choose. To Gogol's left, Edith is discussing her reasons for not eating bread. "I just have so much more energy if I stay off wheat," she maintains. Gogol has nothing to say to these people. He doesn't care about their dissertation topics, or their dietary restrictions, or the color of their walls. In the beginning these occasions hadn't been quite so excruciating. When Moushumi had first introduced him to her crowd he and she would sit with their arms around each other, their fellow guests a footnote to their own ongoing conversation. Once, at a party at Sally and Oliver's, they'd wandered off to make quick, giddy love in Sally's walkin closet, piles of her sweaters looming over them. He knows that that sort of insular passion can't be sustained. Still, Moushumi's devotion to these people puzzles him. He looks at her now. She is lighting a Dunhill. Her smoking hadn't bothered him initially. He liked it, after sex, when she'd lean over the bedside table and strike a match, and he would lie beside her, listening to her exhale in the quiet, watching the smoke drift up over their heads. But these days the stale smell of it, in her hair and on her fingertips, and in the bedroom where she sits typing, slightly disgusts him, and from time to time he can't help but have a fleeting vision of himself, tragically abandoned as a result of her mild but persistent addiction. When he'd admitted his fear to her one day, she'd laughed. "Oh, Nikhil," she'd said, "you can't be serious." She is laughing now, nodding intently at something Blake is saying. She seems animated in a way he doesn't remember her having been in a while. He looks at her straight, smooth hair, which she's had cut recently so that it flips up at the ends. The glasses that only emphasize her beauty. Her pale, pretty mouth. He knows that the approval of these people means something to her, though what exactly he isn't sure. And yet, as much as Moushumi enjoys seeing Astrid and Donald, Gogol has recently begun to notice that she is gloomy in the aftermath, as if seeing them serves only to remind her that their own lives will never match up. The last time they'd gone home after one of Astrid and Donald's dinner parties, she'd picked a fight with him as soon as they'd walked in the door, complaining about the noise on Third Avenue, about the sliding doors on the closets that always fall off the rails, about the fact that it's impossible to use the bathroom without being deafened by the exhaust fan. He tells himself that it's the stress—she's been studying for her orals, holed up in her carrel at the library until nine o'clock most nights. He remembers how it was studying for his licensing exam, which he failed twice before passing. He remembers the sustained isolation it had demanded, speaking to no one for days at a time, and so he doesn't say anything. Tonight he'd held out the hope that she'd use her orals as a reason to decline the invitation to Astrid and Donald's. But by now he's learned that there is never a question of saying no when it comes to them. It was through Astrid and Donald that Moushumi had met her former fiancé, Graham; Donald had gone to prep school with him, and he had given Moushumi's number to Graham when he'd moved to Paris. Gogol doesn't like to think about the fact that Moushumi's connection to Graham persists through Astrid and Donald, that through them Moushumi has learned that Graham lives in Toronto now, is married and a father of twins. Back when Moushumi and Graham were together they'd made a foursome with Donald and Astrid, renting cottages together in Vermont, time-shares in the Hamptons. They try to incorporate Gogol into similar plans; this summer, for example, they are thinking of renting a house on the coast of Brittany. Though Astrid and Donald have welcomed Gogol heartily into their lives, sometimes he has the feeling they still think she's with Graham. Once Astrid even called him Graham by mistake. No one had noticed except Gogol. They had all been a little drunk, but he knew he'd heard correctly, toward the end of an evening much like this one. "Mo, why don't you and Graham take some of this pork loin home," Astrid had said as they'd been clearing the dishes. "It's great for sandwiches." At the moment, the guests are united in a single topic of conversation, talking about names for the baby. "What we want is something totally unique," Astrid is saying. Lately Gogol has started to notice a trend: now that they inhabit this world of couples, dinner party small talk gravitates to the naming of children. If a woman at the table happens to be pregnant, as Astrid is now, the subject is inevitable. "I always liked the names of popes," Blake says. "You mean John and Paul?" Louise asks. "More like Innocent and Clement." There are nonsensical names, like Jet and Tipper. These elicit groans. Someone claims to have once known a girl named Anna Graham—"Get it? Anagram!"—and everyone laughs. Moushumi argues that a name like hers is a curse, complains that no one can say it properly, that the kids at school pronounced it Moosoomi and shortened it to Moose. "I hated being the only Moushumi I knew," she says. "See now, I'd have loved that," Oliver tells her. Gogol pours himself another juice glass of Chianti. He hates contributing to these conversations, hates listening. A number of name books are passed around the table: Finding the Perfect Name, Alternative Baby Names, The Idiot's Guide to Naming Your Baby. One is called What Not to Name Your Baby. Pages are folded down, some with stars and checks in the margins. Someone suggests Zachary. Someone else says she once had a dog named Zachary. Everyone wants to look up his or her own name to see what it means, is by turns pleased and disappointed. Both Gogol and Moushumi are absent from these books, and for the first time all evening he feels a hint of that odd bond that had first drawn them together. He goes over to where she's sitting, takes one of her hands, which have been resting flat on the surface of the table, her arms extended. She turns to look at him. "Hey there," she says. She smiles at him, temporarily leaning her head on his shoulder, and he realizes that she's drunk. "What does Moushumi mean?" Oliver asks on the other side of her. "A damp southwesterly breeze," she says, shaking her head, rolling her eyes. "Sort of like the one outside?" "I always knew you were a force of nature," Astrid says, laughing. Gogol turns to Moushumi. "Really?" he says. He realizes that it's something he'd never thought to ask about her, something he hadn't known. "You never told me that," he says. She shakes her head, confused. "I haven't?" It bothers him, though he's not quite sure why. But it's not the time to dwell on it. Not in the middle of all this. He gets up to go to the bathroom. When he is finished, instead of returning to the dining room, he walks up a flight of stairs, to check out the renovations. He pauses at the doors to a series of whitewashed rooms with nothing but ladders in them. Others are filled with boxes, stacked six or seven deep. He stops to inspect some blueprints spread out on the floor. He remembers that when he and Moushumi were first dating they'd spent an entire afternoon, in a bar, drawing a plan of the ideal house. He'd argued for something modernist, full of glass and light, but she'd wanted a brownstone like this one. In the end they'd designed something implausible, a town house of poured concrete with a glass facade. It was before they'd slept together, and he remembers how they'd both grown embarrassed when deciding where the bedroom should go. He ends up in the kitchen, where Donald is only now beginning to prepare spaghetti alle vongole. It's an old kitchen from one of the former rental units, which they're using until their new one is ready. Dingy linoleum and appliances lining a single wall remind Gogol of his former place on Amsterdam Avenue. On the stove is an empty, gleaming stainless-steel stockpot so large that it covers two burners. Salad leaves are in a bowl covered with dampened paper towels. A heap of tiny pale green clams no larger than quarters soak in the deep porcelain sink. Donald is tall, wearing jeans and flip-flops and a paprika-colored shirt whose sleeves are rolled up to just above his elbows. He is handsome, with patrician features and swept-back, slightly greasy, light brown hair. He wears an apron over his clothes, and is busily plucking leaves from an excessively large bunch of parsley. "Hey there," Gogol says. "Need any help?" "Nikhil. Welcome." Donald hands over the parsley. "Be my guest." Gogol is grateful for something to do, to be occupied and productive, even in the role of sous-chef to Donald. "So, how are the renovations going?" "Don't ask," Donald says. "We just fired our contractor. At this rate our kid will already have moved out by the time the nursery's ready." Gogol watches as Donald begins to remove the clams from their bath, scrubbing the shells with something that looks like a tiny toilet bowl brush, then tossing them one by one into the stockpot. Gogol pokes his head into the pot and sees the vongole, their shells uniformly parted in a quietly foaming broth. "So when are you guys moving out to this neighborhood?" Donald asks. Gogol shrugs. He has no interest in moving to Brooklyn, not in such proximity to Donald and Astrid, anyway. "I haven't really considered it. I prefer Manhattan. Moushumi does too." Donald shakes his head. "You're wrong. Moushumi adores Brooklyn. We practically had to kick her out after the whole Graham thing." The mention of the name pricks him, deflates him as it always does. "She stayed here with you?" "Right down the hall. She was here for a couple of months. She was a real mess. I've never seen anyone so devastated." He nods. This was something else she'd never told him. He wonders why. He hates the house suddenly, aware that it was here, with Donald and Astrid, that she spent her darkest hour. That it was here she'd mourned for another man. "But you're much better for her," Donald concludes. Gogol looks up, surprised. "Don't get me wrong, Graham's a great guy. But they were too alike somehow, too intense together." Gogol does not find this observation particularly reassuring. He finishes plucking the last of the parsley leaves, watches as Donald grabs a knife and chops them, expertly and swiftly, a hand held flat over the top of the blade. Gogol feels incompetent all of a sudden. "I've never quite figured out how to do that," he says. "All you need is a really good knife," Donald tells him. "I swear by these." Gogol is sent off with a stack of plates, a bunch of forks and knives. On his way he pokes his head into the room down the hall where Moushumi had stayed. It's empty now, a drop cloth on the floor, a tangle of wires poking out of the center of the ceiling. He imagines her in a bed in the corner, sullen, emaciated, a cloud of smoke over her head. Downstairs, he takes his place beside Moushumi. She kisses his earlobe. "Where did you wander off to?" "Just keeping Donald company." The name conversation is still going full force. Colin says he likes names that signify a virtue: Patience, Faith, Chastity. He says his great-grandmother was named Silence, something nobody wants to believe. "What about Prudence? Isn't Prudence one of the virtues?" Donald says, coming down the stairs with a platter of spaghetti. The platter is lowered onto the table to scattered applause. The pasta is served, the plates passed around. "It just feels like such a huge responsibility to name a baby. What if he hates it," Astrid frets. "So he'll change it," Louise says. "By the way. Remember Joe Chapman from college? I heard he's a Joanne now." "God, I would never change my name," Edith says. "It's my grandmother's." "Nikhil changed his," Moushumi blurts out suddenly, and for the first time all evening, with the exception of the opera singers, the room goes completely quiet. He stares at her, stunned. He has never told her not to tell anyone. He simply assumed she never would. His expression is lost on her; she smiles back at him, unaware of what she's done. The dinner guests regard him, their mouths hanging open in confused smiles. "What do you mean he changed his name?" Blake asks slowly. "Nikhil. It wasn't the name he was born with." She nods, her mouth full, tossing a clamshell onto the table. "Not his name when we were kids." "What name were you born with?" Astrid says, looking at him suspiciously, her eyebrows furrowed for effect. For a few seconds he says nothing. "Gogol," he says finally. It has been years since he's been Gogol to anyone other than his family, their friends. It sounds as it always does, simple, impossible, absurd. He stares at Moushumi as he says it, but she's too drunk to absorb his reproach. "As in 'The Overcoat'?" Sally asks. "I get it," Oliver says. "Nick-olai Gogol." "I can't believe you've kept this from us, Nick," Astrid chides. "What in the world made your parents choose that name?" Donald wants to know. He thinks back to the story he cannot bring himself to tell these people, at once as vivid and as elusive as it's always been: the capsized train in the middle of the night, his father's arm sticking through a window, the crumpled page of a book clutched in his fist. It's a story he'd told Moushumi, in the months after they'd first met. He'd told her of the accident, and then he'd told her about the night his father had told him, in the driveway at Pemberton Road. He'd confessed to her that he still felt guilty at times for changing his name, more so now that his father was dead. And she'd assured him that it was understandable, that anyone in his place would have done the same. But now it's become a joke to her. Suddenly he regrets having ever told Moushumi; he wonders whether she'll proclaim the story of his father's accident to the table as well. By morning, half the people in the room will have forgotten. It will be a tiny, odd fact about him, an anecdote, perhaps, for a future dinner party. This is what upsets him most. "My father was a fan," he says finally. "Then maybe we should call the baby Verdi," Donald muses, just as the opera surges to its closing bars, and the tape ends with a click. "You're not helping," Astrid says, petulant, kissing Donald on the nose. Gogol watches them, knowing that it's all in jest—they're not the type to do something so impulsive, so naive, to blunder, as his own parents had done. "Relax," Edith says. "The perfect name will come to you in time." Which is when Gogol announces, "There's no such thing." "No such thing as what?" Astrid says. "There's no such thing as a perfect name. I think that human beings should be allowed to name themselves when they turn eighteen," he adds. "Until then, pronouns." People shake their heads dismissively. Moushumi shoots him a look that he ignores. The salad is served. The conversation takes a new turn, carries on without him. And yet he can't help but recall a novel he'd once picked up from the pile on Moushumi's side of the bed, an English translation of something French, in which the main characters were simply referred to, for hundreds of pages, as He and She. He had read it in a matter of hours, oddly relieved that the names of the characters were never revealed. It had been an unhappy love story. If only his own life were so simple. 101999On the morning of their first anniversary, Moushumi's parents call, waking them, wishing them a happy anniversary before they've had the chance to say it to each other. In addition to their anniversary, there is something else to celebrate: Moushumi successfully passed her orals the week before, is now officially ABD. There's a third thing worth celebrating but which she hasn't mentioned—she's been awarded a research fellowship to work on her dissertation in France for the year. She'd applied for the grant secretly, just before the wedding, simply curious to see if she'd get it. It was always good practice, she'd reasoned, to strive for such things. Two years ago she would have said yes on the spot. But it's no longer possible to fly off to France for the year, now that she has a husband, a marriage, to consider. So when the good news came she decided it was easier to decline the fellowship quietly, to file away the letter, not to bring it up. She's taken the initiative for the evening, making reservations at a place in midtown, which Donald and Astrid have recommended. She feels a bit guilty for all these months of studying, aware that with her exams as an excuse, she has ignored Nikhil perhaps more than necessary. There were nights that she told him she was at her carrel in the library when really she'd met Astrid and her baby, Esme, in SoHo, or gone for a walk by herself. Sometimes she would sit at a restaurant alone, at the bar, ordering sushi or a sandwich and a glass of wine, simply to remind herself that she was still capable of being on her own. This assurance is important to her; along with the Sanskrit vows she'd repeated at her wedding, she'd privately vowed that she'd never grow fully dependent on her husband, as her mother has. For even after thirty-two years abroad, in England and now in America, her mother does not know how to drive, does not have a job, does not know the difference between a checking and a savings account. And yet she is a perfectly intelligent woman, was an honors student in philology at Presidency College before she was married off at twenty-two. They've both dressed up for the occasion—when she emerges from the bathroom she sees that he is wearing the shirt she's given him, moss-colored with a velvet Nehru collar of slightly darker green. It was only after the salesman had wrapped it that she'd remembered the rule about giving paper on the first anniversary. She considered saving the shirt for Christmas, going to Rizzoli and buying him an architecture book instead. But there hasn't been the time. She is wearing the black dress she'd worn the first time he'd come to dinner, the first time they'd slept together, and over it, a lilac pashmina shawl, Nikhil's anniversary present to her. She still remembers their very first date, liking the slightly untamed look of his hair as he'd approached her at the bar, the dark pine stubble on his cheeks, the shirt he'd worn with green stripes and thinner stripes of lavender, the collar beginning to fray. She still remembers her bewilderment, looking up from her book and seeing him, her heart skipping, feeling the attraction instantly, powerfully, in her chest. For she had been expecting an older version of the boy she remembered, distant, quiet, in corduroy jeans and a sweatshirt, a few pimples dotting his chin. The day before the date, she'd had lunch with Astrid. "I just don't see you with some Indian guy," Astrid had said dismissively over salads at City Bakery. At the time Moushumi had not protested, maintaining apologetically that it was just one date. She'd been deeply skeptical herself—apart from the young Shashi Kapoor and a cousin in India, she had never until then found herself attracted to an Indian man. But she'd genuinely liked Nikhil. She'd liked that he was neither a doctor nor an engineer. She'd liked that he'd changed his name from Gogol to Nikhil; though she'd known him all those years, it was a thing that made him somehow new, not the person her mother had mentioned. They decide to walk to the restaurant, thirty blocks north of their apartment, four blocks west. Though it's dark already, the evening is pleasantly warm, so much so that she hesitates under the awning of their building, wondering if the pashmina is necessary. She has nowhere to put it, her evening bag is too small. She lets the shawl drop from her shoulders, gathers it up in her hands. "Maybe I should leave this upstairs." "What if we want to walk back?" he says. "You'll probably need it then." "I guess." "It looks nice on you, by the way." "Do you remember this dress?" He shakes his head. She's disappointed but not surprised. By now she's learned that his architect's mind for detail fails when it comes to everyday things. For example, he had not bothered to hide the receipt for the shawl, leaving it, along with change emptied from his pocket, on top of the bureau they share. She can't really blame him for not remembering. She herself can no longer remember the exact date of that evening. It had been a Saturday in November. But now those landmarks in their courtship have faded, have given way to the occasion they are now celebrating. They walk up Fifth Avenue, past the stores that sell Oriental carpets, unfurled in illuminated windows. Past the public library. Instead of proceeding to the restaurant, they decide to wander up the sidewalk for a while; there are still twenty minutes before their reservation. Fifth Avenue is eerily uncluttered, only a handful of people and cabs in a neighborhood usually choked with shoppers and tourists. She comes here seldom, only to buy make-up at Bendel's, or to see the odd movie at the Paris, and once, with Graham and his father and stepmother, to have drinks at the Plaza. They walk past the windows of closed shops displaying watches, luggage, trench coats. A pair of turquoise sandals causes Moushumi to stop. The shoes are arranged on a Lucite pedestal, glowing under a spotlight, the gladiator-style straps festooned with rhinestones. "Ugly or beautiful?" she asks him. It is a question she poses to him often, as they leaf together through apartments featured in Architectural Digest or the design section of the Times magazine. Often his answers surprise her, convincing her to appreciate an object she would have otherwise dismissed. "I'm pretty certain they're ugly. But I would have to see them on." "I agree. Guess how much they cost," she says. "Two hundred dollars." "Five. Can you believe it? I saw them featured in Vogue." She begins to walk away. After a few paces she turns back and sees that he's still standing there, bent down to see if there's a price tag on the bottom of the shoe. There is something at once innocent and irreverent about the gesture, and she is reminded, forcefully, of why she still loves him. It reminds her of how grateful she'd felt when he'd reappeared in her life. By the time she'd met him she'd begun to fear that she was retreating into her former self, before Paris— untouched, bookish, alone. She recalled the panic she'd felt, all her friends married. She'd even considered placing a personal ad. But he had accepted her, had obliterated her former disgrace. She believed that he would be incapable of hurting her as Graham had. After years of clandestine relationships, it felt refreshing to court in a fish-bowl, to have the support of her parents from the very start, the inevitability of an unquestioned future, of marriage, drawing them along. And yet the familiarity that had once drawn her to him has begun to keep her at bay. Though she knows it's not his fault, she can't help but associate him, at times, with a sense of resignation, with the very life she had resisted, had struggled so mightily to leave behind. He was not who she saw herself ending up with, he had never been that person. Perhaps for those very reasons, in those early months, being with him, falling in love with him, doing precisely what had been expected of her for her entire life, had felt forbidden, wildly transgressive, a breach of her own instinctive will. They can't find the restaurant at first. Though they have the exact address, written on a slip of folded paper in Moushumi's evening bag, it leads them only to a suite of offices in a town house. They press the buzzer, peer through the glass door into the empty, carpeted foyer, at a big vase of flowers at the foot of the stairs. "It can't be this," she says, putting her hands up to the glass, shielding either side of her face in order to block out the glare. "Are you sure you wrote down the address right?" Gogol asks. They wander partway up and down the block, look on the other side. They return to the town house, looking up at the darkened windows for signs of life. "There it is," he says, noticing a couple emerging from a basement door below the steps. There, in an entryway lit by a single sconce, they find a plaque nailed discreetly into the facade of the building bearing the restaurant's name, Antonia. A small fleet gathers to welcome them, to tick their names off a list at a podium, to lead them to their table. The fuss feels unwarranted as they step into a stark, sunken dining room. The atmosphere is somber, vaguely abandoned, as the streets had been. There is a family eating after the theater, she guesses, the two small daughters in absurdly fancy dresses with petticoats and large lacy collars. There are a few wealthy-looking middle-aged couples in suits. A well- dressed elderly gentleman is dining alone. She finds it suspicious that there are so many empty tables, that no music plays. She'd been hoping for something more bustling, warmer. Given that it's subterranean, the place seems surprisingly vast, the ceilings high. The air-conditioning is too strong, chilling her bare legs and arms. She wraps the pashmina tightly around her shoulders. "I'm freezing. Do you think they'd turn down the AC if I asked?" "I doubt that. Would you like my jacket?" Nikhil offers. "No, it's okay." She smiles at him. And yet she feels uncomfortable, depressed. She is depressed by the pair of teenaged Bangladeshi busboys who wear tapestry waistcoats and black trousers, serving them warm bread with silver tongs. It annoys her that the waiter, perfectly attentive, looks neither of them in the eye as he describes the menu, speaking instead to the bottle of mineral water positioned between them. She knows it's too late to change their plans now. But even after they place their order, a part of her has a nagging urge, feels like standing up, leaving. She had done something similar a few weeks ago, sitting in the chair of an expensive hair salon, walking out after the apron had been tied behind her neck, while the stylist had gone to check on another client, simply because something about the stylist's manner, the bored expression on her face as she'd lifted a lock of Moushumi's hair and studied it in the mirror, had felt insulting. She wonders what Donald and Astrid like about this place, decides it must be the food. But when it arrives, it too disappoints her. The meal, served on square white plates, is fussily arranged, the portions microscopically small. As usual they trade plates partway through the meal, but this time she doesn't like the taste of his so she sticks to her own. She finishes her entree of scallops too quickly, sits for a very long time, it seems, watching Nikhil work his way through his quail. "We shouldn't have come here," she says suddenly, frowning. "Why not?" He looks approvingly around the room. "It's nice enough." "I don't know. It's not what I thought it would be." "Let's just enjoy ourselves." But she is not able to enjoy herself. As they near the end of the meal, it occurs to her that she is neither very drunk nor full. In spite of two cocktails and the bottle of wine they'd shared she feels distressingly sober. She looks at the hair-thin quail bones Nikhil has discarded on his plate and is faintly repulsed, wishing he'd finish so that she could light her after-dinner cigarette. "Madam, your shawl," one of the busboys says, picking it up from the floor and handing it to her. "Sorry," she says, feeling clumsy, unkempt. Then she notices that her black dress is coated with lilac fibers. She brushes at the material, but the fibers cling stubbornly, like cat hair. "What's the matter?" Nikhil asks, looking up from his plate. "Nothing," she says, not wanting to hurt his feelings, to find fault with his costly gift. They are the last of the diners to leave. It's been wildly expensive, far more than they'd expected. They put down a credit card. Watching Nikhil sign the receipt, she feels cheap all of a sudden, irritated that they have to leave such a generous tip though there had been no real reason to fault the waiter's performance. She notices that a number of tables have already been cleared, chairs placed upside down on their surfaces. "I can't believe they're already stripping the tables." He shrugs. "It's late. They probably close early on Sundays." "You'd think they could wait for us to leave," she says. She feels a lump form in her throat, tears filming her eyes. "Moushumi, what's wrong? Is there something you want to talk about?" She shakes her head. She doesn't feel like explaining. She wants to be home, crawl into bed, put the evening behind her. Outside, she's relieved that it's drizzling, so that instead of walking back to the apartment as they'd planned they can hail a cab. "Are you sure nothing's wrong?" he says as they are riding home. He's beginning to lose patience with her, she can tell. "I'm still hungry," she says, looking out the window, at the restaurants still open at this hour—brashly lit diners with specials scrawled on paper plates, cheap calzone places with sawdust-coated floors, the type of restaurants she would never think to enter normally but which look suddenly enticing. "I could eat a pizza." Two days later, a new semester begins. It's Moushumi's eighth semester at NYU. She is finished with classes, will never in her life take a class again. Never again will she sit for an exam. This fact delights her—finally, a formal emancipation from studenthood. Though she still has a dissertation to write, still has an adviser to monitor her progress, she feels unmoored already, somehow beyond the world that has defined and structured and limited her for so long. This is the third time she's taught the class. Beginning French, Mondays, Wednesdays, and Fridays, a total of three hours a week. All she's had to do is look ahead in her calendar and change the date of the class meetings. Her biggest effort will be to learn her students' names. She is always flattered when they assume she herself is French, or half-French. She enjoys their looks of disbelief when she tells them she is from New Jersey, born to Bengali parents. Moushumi's been given an eight A.M. section, something that had annoyed her at first. But now that she's up, showered, dressed, walking down the street, a latte from the deli on their block in one hand, she's invigorated. Being out at this hour al ready feels like an accomplishment. When she'd left the apartment, Nikhil had still been asleep, undisturbed by the persistent beeping of the alarm. The night before, she'd laid out her clothes, her papers, something she had not done since she was a girl preparing for school. She likes walking through the streets so early, had liked rising by herself in semidarkness, liked the sense of promise it lent the day. It's a pleasant change from their usual routine—Nikhil showered, in his suit, flying out the door as she's just pouring herself a first cup of coffee. She's thankful not to have to face her desk in the corner of their bedroom first thing, surrounded as it is by sacks full of dirty clothes they keep meaning to drop off at the laundry but get around to only once a month, when buying new socks and underwear becomes necessary. Moushumi wonders how long she will live her life with the trappings of studenthood in spite of the fact that she is a married woman, that she's as far along in her studies as she is, that Nikhil has a respectable if not terribly lucrative job. It would have been different with Graham—he'd made more than enough money for the both of them. And yet that, too, had been frustrating, causing her to fear that her career was somehow an indulgence, unnecessary. Once she has a job, a real full-time tenure- track job, she reminds herself, things will be different. She imagines where that first job might take her, assumes it will be in some far-flung town in the middle of nowhere. Sometimes she jokes with Nikhil about their having to pick up and move, in a few years, to Iowa, to Kalama-zoo. But they both know it's out of the question for him to leave New York, that she will be the one to fly back and forth on weekends. There is something appealing to her about this prospect, to make a clean start in a place where no one knows her, as she had done in Paris. It's the one thing about her parents' lives she truly admires—their ability, for better or for worse, to turn their back on their homes. As she approaches the department she sees that something is wrong. An ambulance is parked on the sidewalk, the doors at the back flung open. Static crackles from a paramedic's walkie-talkie. She peeks into the ambulance as she crosses the street, sees the resuscitative equipment but no people. The sight causes her to shudder nevertheless. Upstairs, the hallway is crowded. She wonders who's hurt, whether it's a student or a professor. She recognizes no one, only a group of bewildered-looking freshmen bearing add-drop forms. "I think someone fainted," people are saying. "I have no idea." A door opens and they are told to make way. She expects to see someone in a wheelchair, is startled to see a body covered by a sheet, being carried out on a stretcher. A number of onlookers cry out in alarm. Moushumi's hand goes to her mouth. Half the crowd is looking down, away, shaking their heads. From the splayed feet at one end of the stretcher, wearing a pair of beige flat-heeled shoes, she can tell that it's a woman. From a professor, she learns what happened: Alice, the administrative assistant, had fallen suddenly by the mailboxes. One minute she was sorting campus mail, the next minute she was out cold. By the time the paramedics had arrived she was dead from an aneurysm. She was in her thirties, unmarried, perpetually sipping herbal tea. Moushumi had never been particularly fond of her. There had been a brittle quality to her, something unyielding, a young person who carried about her a premonition of old age. Moushumi feels sick at the thought of it, of a death so sudden, of a woman so marginal and yet so central to her world. She enters the office she shares with the other TAs, empty now. She calls Nikhil at home, at work. No answer. She looks at her watch, realizes he must be on the subway, on his way to work. Suddenly she's glad he's unreachable—she's reminded of the way Nikhil's father had died, instantly, without warning. Surely this would remind him of that. She has the urge to leave campus, return to the apartment. But she has a class to teach in half an hour. She goes back to the Xerox room to copy her syllabus and a short passage from Flaubert to translate in class. She pushes the button to collate the syllabus but forgets to push the button for staples. She searches in the supply closet for a stapler, and when she fails to find one, goes instinctively to Alice's desk. The phone is ringing. A cardigan is draped over the back of the chair. She opens up Alice's drawer, afraid to touch anything. She finds a stapler behind paper clips and Sweet'N Low packets in the drawer. ALICE is written on masking tape stuck to the top. The faculty mailboxes are still half-empty, the mail piled in a bin. Moushumi goes to her mailbox to look for her class roster. Her box is empty, so she roots through the bin for her mail. As she picks up each piece of mail, addressed to this or that faculty member or TA, she begins putting it into the appropriate box, matching name to name. Even after she's found her roster, she continues, completing the task Alice left undone. The mindlessness soothes her nerves. As a child she always had a knack for organization; she would take it upon herself to neaten closets and drawers, not only her own but her parents' as well. She had organized the cutlery drawer, the refrigerator. These self-appointed tasks would occupy her during quiet, hot days of her summer vacation, and her mother would look on in disbelief, sipping watermelon sherbet in front of the fan. There is just a handful of items left in the bin. She bends over to pick them up. And then another name, a sender's name typed in the upper left-hand corner of a business-sized envelope, catches her eye. She takes the stapler and the letter and the rest of her things into her office. She shuts the door, sits at her desk. The envelope is addressed to a professor of Comparative Literature who teaches German as well as French. She opens the envelope. Inside she finds a cover letter and a résumé. For a minute she simply stares at the name centered at the top of the résumé, laser-printed in an elegant font. She remembers the name, of course. The name alone, when she'd first learned it, had been enough to seduce her. Dimitri Desjardins. He pronounced Desjardins the English way, the s's intact, and in spite of her training in French this is how she still thinks of it. Underneath the name is an address on West 164 th Street. He is looking for an adjunct position, teaching German part-time. She reads through the résumé, learns exactly where he's been and what he's done for the past decade. Travels in Europe. A job working with the BBC. Articles and reviews published in Der Spiegel, Critical Inquiry. A Ph.D. in German literature from the University of Heidelberg. She had met him years ago, in her final months of high school. It was a period in which she and two of her friends, in their eagerness to be college students, in desperation over the fact that no one their own age was interested in dating them, would drive to Princeton, loiter on the campus, browse in the college bookstore, do their homework in buildings they could enter without an ID. Her parents had encouraged these expeditions, believing she was at the library, or attending lectures—they hoped she would go to Princeton for college, live with them at home. One day, as she and her friends were sitting on the grass, they were invited to join a student coalition from the university, a coalition protesting apartheid in South Africa. The group was planning a march on Washington, calling for sanctions. They took a chartered overnight bus to D.C. in order to be at the rally by early morning. Each of them had lied to their parents, claiming to be sleeping over at one another's homes. Everyone on the bus was smoking pot and listening to the same Crosby, Stills, and Nash album continuously, on a tape player running on batteries. Moushumi had been facing backward, leaning over and talking to her friends, who were in the two seats behind her, and when she turned back around he was in the neighboring seat. He seemed aloof from the rest of the group, not an actual member of the coalition, somehow dismissive of it all. He was wiry, slight, with small, downward-sloping eyes and an intellectual, ravaged-looking face that she found sexy though not handsome. His hairline was already receding, his hair curly and fair. He needed a shave; his finger nails needed paring. He was wearing a white button-down shirt, faded Levi's with threadbare knees, pliable gold-framed spectacles that wrapped around his ears. Without introducing himself he began talking to her, as if they were already acquainted. He was twenty-seven, had gone to Williams College, was a student of European history. He was taking a German course at Princeton now, living with his parents, both of whom taught at the university, and he was going out of his mind. He had spent the years after college traveling around Asia, Latin America. He told her he probably wanted to get a Ph.D., eventually. The randomness of all this had appealed to her. He asked her what her name was and when she told him he had leaned toward her, cupping his ear, even though she knew he had heard it perfectly well. "How in the world do you spell that?" he'd asked, and when she told him, he mispronounced it, as most people did. She corrected him, saying that "Mou" rhymed with "toe," but he shook his head and said, "I'll just call you Mouse." The nickname had irritated and pleased her at the same time. It made her feel foolish, but she was aware that in renaming her he had claimed her somehow, already made her his own. As the bus grew quiet, as everyone began to fall asleep, she had let him lean his head against her shoulder. Dimitri was asleep, or so she thought. And so she pretended to fall asleep too. After a while she felt his hand on her leg, on top of the white denim skirt she was wearing. And then slowly, he began to unbutton the skirt. Several minutes passed between his undoing of one button and the next, his eyes closed all the while, his head still on her shoulder, as the bus hurtled down the empty, dark highway. It was the first time in her life a man had touched her. She held herself perfectly still. She was desperate to touch him too, but she was terrified. Finally Dimitri opened his eyes. She felt his mouth near her ear, and she turned to him, prepared to be kissed, at seventeen, for the very first time. But he had not kissed her. He had only looked at her, and said, "You're going to break hearts, you know." And then he leaned back, in his own seat this time, removed his hand from her lap, and closed his eyes once again. She had stared at him in disbelief, angry that he assumed she hadn't broken any hearts yet, and at the same time flattered. For the rest of the journey she kept her skirt unbuttoned, hoping he would return to the task. But he didn't touch her after that, and in the morning there was no acknowledgment of what had passed between them. At the demonstration he had wandered off, paid her no attention. On the way back they had sat apart. Afterward she returned to the university every day to try to run into him. After some weeks she saw him striding across campus, alone, holding a copy of The Man Without Qualities. They shared some coffee and sat on a bench outside. He had asked her to see a movie, Goddard's Alphaville, and to have Chinese food. She had worn an outfit that still causes her to wince, an old blazer of her father's that was too long for her, over jeans, the sleeves of the blazer rolled up as if it were a shirt, to reveal the striped lining inside. It had been the first date of her life, strategically planned on an evening her parents were at a party. She recalled nothing of the movie, had eaten nothing at the restaurant, part of a small shopping complex off Route 1. And then, after watching Dimitri eat both of their fortune cookies without reading either prediction, she had made her error: she had asked him to be her date to her senior prom. He had declined, driven her home, kissed her lightly on her cheek in the driveway, and then he never called her again. The evening had humiliated her; he had treated her like a child. Sometime over the summer she bumped into him at the movies. He was with a date, a tall freckled girl with hair to her waist. Moushumi had wanted to flee, but he'd made a point of introducing her to the girl. "This is Moushumi," Dimitri had said deliberately, as if he'd been waiting for the opportunity to say her name for weeks. He told her he was going to Europe for a while, and from the look on the date's face she realized that she was going with him. Moushumi told him she'd been accepted at Brown. "You look great," he told her when the date wasn't listening. While she was at Brown, postcards would arrive from time to time, envelopes plastered with colorful, oversized stamps. His handwriting was minuscule but sloppy, always causing her eyes to strain. There was never a return address. For a time she carried these letters in her book bag, to her classes, thickening her agenda. Periodically he sent her books he'd read and thought she might like. A few times he called in the middle of the night, waking her, and she spoke to him for hours in the dark, lying in bed in her dorm room, then sleeping through her morning classes. A single call kept her sailing for weeks. "I'll come visit you. I'll take you to dinner," he told her. He never did. Eventually the letters tapered off. His last communication had been a box of books, along with several postcards he'd written to her in Greece and Turkey but not managed to send at the time. And then she'd moved to Paris. She reads Dimitri's résumé again, then the cover letter. The letter reveals nothing other than earnest pedagogical intent, mentions a panel Dimitri and the professor to whom it's addressed attended some years ago. Practically the same letter exists in a file on her computer. His third sentence is missing a period, which she now carefully inserts with her finest-nibbed fountain pen. She can't bring herself to write down his address, though she doesn't want to forget it. In the Xerox room, she makes a copy of the résumé. She sticks it in the bottom of her bag. Then she types up a new envelope and puts the original in the professor's mailbox. As she returns to her office, she realizes there's no stamp or postmark on the new envelope, worries that the professor will suspect something. But she reassures herself that Dimitri could easily have delivered the letter personally; the idea of him standing in the department, occupying the same space she occupies now, fills her with the same combination of desperation and lust he's always provoked. The hardest part is deciding where to write down the phone number, in what part of her agenda. She wishes she had a code of some sort. In Paris she had briefly dated an Iranian professor of philosophy who would write the names of his students in Persian on the backs of index cards, along with some small, cruel detail to help him distinguish among them. Once he read the cards to Moushumi. Bad skin, one said. Thick ankles, said another. Moushumi can't resort to such trickery, can't write in Bengali. She barely remembers how to write her own name, something her grandmother had once taught her. Finally she writes it on the D page, but she doesn't include his name beside it. Just the numbers, disembodied, don't feel like a betrayal. They could be anybody's. She looks outside. As she sits down at her desk, her eye travels upward; the window in the office reaches the top of the wall, so that the rooftop of the building across the street stretches across the bottom edge of the sill. The view induces the opposite of vertigo, a lurching feeling inspired not by gravity's pull to earth, but by the infinite reaches of heaven. At home that night, after dinner, Moushumi hunts among the shelves in the living room she and Nikhil share. Their books have merged since they've gotten married, Nikhil had unpacked them all, and nothing is where she expects it to be. Her eyes pass over stacks of Nikhil's design magazines, thick books on Gropius and Le Corbusier. Nikhil, bent over a blueprint at the dining table, asks what she's looking for. "Stendhal," she tells him. It's not a lie. An old Modern Library edition of The Red and the Black in English, inscribed to Mouse. Love Dimitri, he'd written. It was the one book he'd inscribed to her. Back then it was the closest thing she'd ever had to a love letter; for months she had slept with the book under her pillow, and later, slipped it between her mattress and box spring. Somehow she managed to hold on to it for years; it's moved with her from Providence to Paris to New York, a secret talisman on her shelves that she would glance at now and again, still faintly flattered by his peculiar pursuit of her, and always faintly curious as to what had become of him. But now that she's desperate to locate the book she's convinced that it won't be in the apartment, that maybe Graham had taken it by mistake when he'd moved out of their place on York Avenue, or that it's in the basement of her parents' house, in one of the boxes she'd shipped there a few years ago, when her shelves were getting too full. She doesn't remember packing it from her old apartment, doesn't remember unpacking it when she and Nikhil moved in together. She wishes she could ask Nikhil if he's seen it—a small green clothbound book missing its dust jacket, the title embossed in a rectangle of black on the spine. And then suddenly she sees it herself, sitting in plain view, on a shelf she'd scanned a minute ago. She opens the book, sees the Modern Library emblem, the dashing, naked, torch-bearing figure. She sees the inscription, the force of the ballpoint pen he'd used slightly crimping the other side of the page. She'd abandoned the novel after the second chapter. Her place is still marked by a yellowing receipt for shampoo. By now she's read the book in French three times. She finishes Scott-Moncrieff's English translation within days, reading it at her desk in the department, and in her carrel in the library. In the evenings, at home, she reads it in bed until Nikhil comes in to join her—then she puts it away and opens something else. She calls him the following week. By then she's dug up the postcards, saved in an unsealed, unmarked manila envelope in the box where she keeps her tax returns, and read them, too, amazed that his words, the sight of his handwriting, still manage to discombobulate her. She tells herself she's calling an old friend. She tells herself the coincidence of finding his résumé, of stumbling upon him in this way, is too great, that anyone in her position would pick up the phone and call. She tells herself he could very well be married, as she is. Perhaps all four of them will go out to dinner, become great friends. Still, she doesn't tell Nikhil about the résumé. One night in her office, after seven o'clock when only a janitor roams the halls, after a few sips from the small bottle of Maker's Mark she has stashed at the back of her file cabinet, she calls. A night Nikhil thinks she's working on revisions for an article for PMLA. She dials the number, listens as it rings four times. She wonders if he'll even remember her. Her heart races. Her finger moves to the cradle, ready to press down. "Hello?" It's his voice. "Hi. Dimitri?" "Speaking. Who's this?" She pauses. She can still hang up if she wants. "It's Mouse." They begin seeing each other Mondays and Wednesdays, after she teaches her class. She takes the train uptown and they meet at his apartment, where lunch is waiting. The meals are ambitious: poached fish; creamy potato gratins; golden, puffed chickens roasted with whole lemons in their cavities. There is always a bottle of wine. They sit at a table with his books and papers and laptop pushed to one side. They listen to WQXR, drink coffee and cognac and smoke a cigarette afterward. Only then does he touch her. Sunlight streams through large dirty windows into the shabby prewar apartment. There are two spacious rooms, flaking plaster walls, scuffed parquet floors, towering stacks of boxes he has not yet bothered to unpack. The bed, a brand-new mattress and box spring on wheels, is never made. After sex they are always amazed to discover that the bed has moved several inches away from the wall, pushing up against the bureau on the other side of the room. She likes the way he looks at her when their limbs are still tangled together, out of breath as if he'd been chasing her, his expression anxious before relaxing into a smile. Some gray has come into Dimitri's hair and chest, some lines around the mouth and eyes. He's heavier than before, his stomach undeniably wide, so that his thin legs appear slightly comic. He recently turned thirty-nine. He has not been married. He does not seem very desperate to be employed. He spends his days cooking meals, reading, listening to classical music. She gathers that he has inherited some money from his grandmother. The first time they met, the day after she called him, at the bar of a crowded Italian restaurant near NYU, they had not been able to stop staring at each other, not been able to stop talking about the résumé, and the uncanny way it had fallen into Moushumi's hands. He had moved to New York only a month ago, had tried to look her up but the phone is listed under Nikhil's last name. It didn't matter, they agreed. It was better this way. They drank glasses of prosecco. She agreed to an early dinner with Dimitri that night, sitting at the bar of the restaurant, for the prosecco had gone quickly to their heads. He had ordered a salad topped with warm lambs' tongue, a poached egg, and pecorino cheese, something she swore she would not touch but ended up eating the better part of. Afterward she'd gone into Balducci's to buy the pasta and ready-made vodka sauce she would have at home with Nikhil. On Mondays and Wednesdays no one knows where she is. There are no Bengali fruit sellers to greet her on the walk from Dimitri's subway stop, no neighbors to recognize her once she turns onto Dimitri's block. It reminds her of living in Paris—for a few hours at Dimitri's she is inaccessible, anonymous. Dimitri is not terribly curious about Nikhil, does not ask her his name. He expresses no jealousy. When she told him in the Italian restaurant that she was married, his expression had not changed. He regards their time together as perfectly normal, as destined, and she begins to see how easy it is. Moushumi refers to Nikhil in conversation as "my husband": "My husband and I have a dinner to go to next Thursday." "My husband's given me this cold." At home, Nikhil suspects nothing. As usual they have dinner, talk of their days. They clean up the kitchen together, then sit on the sofa and watch television while she corrects her students' quizzes and exercises. During the eleven o'clock news, they have bowls of Ben and Jerry's, then brush their teeth. As usual they get into bed, kiss, then slowly they turn away from each other in order to stretch comfortably into sleep. Only Moushumi stays awake. Each Monday and Wednesday night, she fears that he will sense something, that he will put his arms around her and instantly know. She stays awake for hours after they've turned out the lights, prepared to answer him, prepared to lie to his face. She had gone shopping, she would tell him if he were to ask, for in fact she had done this on her way home that first Monday, halting her journey back from Dimitri's in midstream, getting out of the subway at 72d Street before continuing downtown, stopping in a store she'd never been in, buying a pair of the most ordinary- looking black shoes. One night it's worse than usual. It's three o'clock, then four. Construction work has been taking place for the past few nights on their street, giant bins of rubble and concrete are moved and crushed, and Moushumi feels angry at Nikhil for being able to sleep through it. She's tempted to get up, pour herself a drink, take a bath, anything. But fatigue keeps her in bed. She watches the shadows that the passing traffic throws onto their ceiling, listens to a truck wailing in the distance like a solitary, nocturnal beast. She is convinced she will be up to see the sun rise. But somehow she falls asleep again. She is woken just after dawn by the sound of rain beating against the bedroom window, pelting it with such ferocity that she almost expects the glass to shatter. She has a splitting headache. She gets out of bed and parts the curtains, then returns to bed and shakes Nikhil awake. "Look," she says, pointing at the rain, as if it were something truly extraordinary. Nikhil obliges, fully asleep, sits upright, then closes his eyes again. At seven-thirty she gets out of bed. The morning sky is clear. She walks out of the bedroom and sees that rain has leaked through the roof, left an unsightly yellow patch on the ceiling and puddles in the apartment: one in the bathroom, another in the front hall. The sill of a window left open in the living room is soaked, streaked with mud, as are the bills and books and papers piled on it. The sight of it makes her weep. At the same time she's thankful that there's something tangible for her to be upset about. "Why are you crying?" Nikhil asks, squinting at her in his pajamas. "There are cracks in the ceiling," she says. Nikhil looks up. "They're not too bad. I'll call the super." "The rainwater came right through the roof." "What rain?" "Don't you remember? It was pouring rain at dawn. It was incredible. I woke you." But Nikhil doesn't remember a thing. A month of Mondays and Wednesdays passes. She begins to see him on Fridays as well. One Friday she finds herself alone in Dimitri's apartment; he goes out as soon as she arrives, to buy a stick of butter for a white sauce he is making to pour over trout. Bartók plays on the stereo, expensive components scattered on the floor. She watches him from the window, walking down the block, a small, balding, unemployed middle-aged man, who is enabling her to wreck her marriage. She wonders if she is the only woman in her family ever to have betrayed her husband, to have been unfaithful. This is what upsets her most to admit: that the affair causes her to feel strangely at peace, the complication of it calming her, structuring her day. After the first time, washing up in the bathroom, she'd been horrified by what she'd done, at the sight of her clothes scattered throughout the two rooms. Before leaving, she'd combed her hair in the bathroom mirror, the only one in the apartment. She'd kept her head bent low, glancing up only briefly at the end. When she did she saw that it was one of those mirrors that was for some reason particularly flattering, due to some trick of the light or the quality of the glass, causing her skin to glow. There is nothing on Dimitri's walls. He is still living out of a series of mammoth duffel bags. She is glad not to be able to picture his life in all its detail, its mess. The only things he's set up are the kitchen, the stereo components, and some of his books. Each time she visits, there are modest signs of progress. She wanders around his living room, looks at the books he is beginning to organize on his plywood shelves. Apart from all the German, their personal libraries are similar. There is the same lime green spine of The Princeton Encyclopedia of Poetry and Poetics. The same edition of Mimesis. The same boxed set of Proust. She pulls out an oversized volume of photographs of Paris, by Atget. She sits on an armchair, Dimitri's only piece of living room furniture. It was here that she'd sat the first time she'd visited, and he'd stood behind her, massaging a spot on her shoulder, arousing her, until she stood up, and they'd walked together to the bed. She opens up the book to regard the streets and the landmarks she once knew. She thinks of her wasted fellowship. A large square of sunlight appears on the floor. The sun is directly behind her, and the shadow of her head spreads across the thick, silken pages, a few strands of her hair strangely magnified, quivering, as if viewed through a microscope. She leans back her head, closes her eyes. When she opens them a moment later the sun has slipped away, a lone sliver of it now diminishing into the floorboards, like the gradual closing of a curtain, causing the stark white pages of the book to turn gray. She hears Dimitri's footsteps on the stairs, then the clean sound of his key in the lock, slicing sharply into the apartment. She gets up to put the book away, searching for the gap in which it had stood. 11Gogol wakes up late on a Sunday morning, alone, from a bad dream he cannot recall. He looks over at Moushumi's side of the bed, at the untidy pile of her books and magazines on the end table, the bottle of lavender room spray she likes to squirt sometimes on their pillows, the tortoiseshell barrette with strands of her hair caught in its clasp. She's at another conference this weekend, in Palm Beach. By tonight she'll be home. She claimed she'd told him about the conference months ago, but he doesn't remember. "Don't worry," she'd said as she was packing, "I won't be there long enough to get a tan." But when he'd seen her bathing suit on top of the clothing on the bed, a strange panic had welled up inside of him as he thought of her lying without him by a hotel pool, her eyes closed, a book at her side. At least one of us isn't cold, he thinks to himself now, crossing his arms tightly in front of his chest. Since yesterday afternoon the building's boiler has been broken, turning the apartment into an icebox. Last night he'd had to turn the oven on in order to tolerate being in the living room, and he'd worn his old Yale sweatpants, a thick sweater over a T-shirt, and a pair of rag-wool socks to bed. He throws back the comforter and the extra blanket he'd placed on top of it in the middle of the night. He couldn't find the blanket at first, nearly called Moushumi at the hotel to ask where she kept it. But by then it was nearly three in the morning, and so, eventually, he'd hunted it down himself, found it wedged on the top shelf of the hall closet, an unused wedding gift still in its zippered plastic case. He gets out of bed, brushes his teeth with freezing-cold water from the tap, decides to skip shaving. He pulls on jeans and an extra sweater, and Moushumi's bathrobe over that, not caring how ridiculous he looks. He makes a pot of coffee, toasts some bread to eat with butter and jam. He opens the front door and retrieves the Times, removing the blue wrapper, putting it on the coffee table to read later. There is a drawing for work he must complete by tomorrow, a cross section for a high school auditorium in Chicago. He unrolls the plan from its tube and spreads it out on the dining table, securing the corners with paperback books he grabs off the bookcase. He puts on his Abbey Road CD, skipping ahead to the songs that would have been on side 2 of the album, and tries to work on the drawing, making sure his measurements correspond to the principal designer's notes. But his fingers are stiff and so he rolls up the plan, leaves a note for Moushumi on the kitchen counter, and goes in to the office. He's glad to have an excuse to be out of the apartment, instead of waiting for her, at some point this evening, to return. It feels milder outside, the air pleasantly damp, and instead of taking the train he walks the thirty blocks, up Park Avenue and over to Madison. He is the only person at the office. He sits in the darkened drafting room, surrounded by the desks of his coworkers, some piled with drawings and models, others as neat as a pin. He crouches over his table, a single pool of light from a swinging metal lamp illuminating the large sheet of paper. Tacked to the wall over his desk is a tiny calendar showing the entire year, which is coming once again to a close. At the end of the week, it will be the fourth anniversary of his father's death. Circled dates indicate all his deadlines, past and future. Meetings, site visits, conferences with clients. A lunch with an architect who's interested, possibly, in hiring him. He's eager to move to a smaller firm, to have some domestic commissions, to work with fewer people. Next to the calendar there is a postcard of a Duchamp painting he has always loved, of a chocolate grinder that reminds him of a set of drums, suspended against a gray background. Several Post-it notes. The photograph of his mother and Sonia and himself at Fatehpur Sikri, salvaged from his father's refrigerator door in Cleveland. And next to this, a picture of Moushumi, an old passport photo he'd found and asked to keep. She is in her early twenties, her hair loose, her heavy-lidded eyes slightly lowered, looking to one side. It was taken before he'd begun to date her, when she was living in Paris. A time in her life in which he was still Gogol to her, a remnant from her past with little likelihood of appearing in her future. And yet they had met; after all her adventures, it was he whom she had married. He with whom she shared her life. Last weekend was Thanksgiving. His mother and Sonia and Sonia's new boyfriend, Ben, had come, along with Moushumi's parents and brother, and they had all celebrated the holiday together in New York, crowded together in Gogol and Moushumi's apartment. It was the first time he had not gone either to his parents' or to his in-laws' for a holiday. It felt strange to be hosting, to assume the center of responsibility. They had ordered a fresh turkey in advance from the farmers' market, planned the menu out of Food & Wine, bought folding chairs so that everyone would have a place to sit. Moushumi had gone out and bought a rolling pin, made an apple pie for the first time in her life. For Ben's sake they had all spoken in English. Ben is half-Jewish, half-Chinese, raised in Newton, close to where Gogol and Sonia grew up. He is an editor at the Globe. He and Sonia met by chance, at a café on Newbury Street. Seeing them together, sneaking into the hallway so that they could kiss freely, holding hands discreetly as they sat at the table, Gogol had been oddly envious, and as they all sat eating their turkey and roasted sweet potatoes and cornbread stuffing, and the spiced cranberry chutney his mother had made, he looked at Moushumi and wondered what was wrong. They didn't argue, they still had sex, and yet he wondered. Did he still make her happy? She accused him of nothing, but more and more he sensed her distance, her dissatisfaction, her distraction. But there had been no time to dwell on this worry. The weekend had been exhausting, getting their various family members to the apartments of nearby friends who were away and had given them keys. The day after Thanksgiving they had all gone to Jackson Heights, to the halal butcher so that both their mothers could stock up on goat meat, and then to brunch. And on Saturday there had been a concert of classical Indian music up at Columbia. Part of him wants to bring it up with her. "Are you happy you married me?" he would ask. But the fact that he is even thinking of this question makes him afraid. He finishes up the drawing, leaves it pinned on his desk to be reviewed in the morning. He's worked through lunch, and when he steps out of his office building it is colder, the light fading rapidly from the sky. He buys a cup of coffee and a falafel sandwich at the Egyptian restaurant on the corner and walks south as he eats, toward the Flatiron and lower Fifth Avenue, the twin towers of the World Trade Center looming in the distance, sparkling at the island's end. The falafel, wrapped in foil, is warm and messy in his hands. The stores are full, the windows decorated, the sidewalks crammed with shoppers. The thought of Christmas overwhelms him. Last year they went to Moushumi's parents' house. This year they'll go to Pemberton Road. He no longer looks forward to the holiday; he wants only to be on the other side of the season. His impatience makes him feel that he is, incontrovertibly, finally, an adult. He wanders absently into a perfume store, a clothing store, a store that sells only bags. He has no idea what to get Moushumi for Christmas. Normally she drops hints, showing him catalogues, but he has no clue as to what she's coveting this season, if it's a new pair of gloves or a wallet or new pajamas she'd like. In the maze of stalls in Union Square that sell candles and shawls and handmade jewelry, nothing inspires him. He decides to try the Barnes and Noble at the northern edge of the square. But staring at the immense wall of new titles on display he realizes he has read none of these books, and what was the point of giving her something he hadn't read? On his way out of the store he pauses by a table devoted to travel guides. He picks up one for Italy, full of illustrations of the architecture he had studied so carefully as a student, has admired only in photographs, has always meant to see. It angers him, yet there is no one to blame but himself. What was stopping him? A trip together, to a place neither of them has been—maybe that's what he and Moushumi need. He could plan it all himself, select the cities they would visit, the hotels. It could be his Christmas gift to her, two airplane tickets tucked into the back of the guide. He was due for another vacation; he could plan it for her spring break. Inspired by the thought, he goes to the register, waits in a long line, and pays for the book. He walks across the park toward home, thumbing through the book, anxious to see her now. He decides to stop off at the new gourmet grocery that's opened on Irving Place, to buy some of the things she likes: blood oranges, a wedge of cheese from the Pyrenees, slices of soppresata, a loaf of peasant bread. For she will be hungry—they serve nothing on planes these days. He looks up from the book, at the sky, at the darkness gathering, the clouds a deep, beautiful gold, and is momentarily stopped by a flock of pigeons flying dangerously close. Suddenly terrified, he ducks his head, feeling foolish afterward. None of the other pedestrians has reacted. He stops and watches as the birds shoot up, then land simultaneously on two neighboring bare-branched trees. He is unsettled by the sight. He has seen these graceless birds on windowsills and sidewalks, but never in trees. It looks almost unnatural. And yet, what could be more ordinary? He thinks of Italy, of Venice, the trip he will begin to plan. Maybe it's a sign that they are meant to go there. Wasn't the Piazza San Marco famous for its pigeons? The lobby of the apartment is warm when he enters, the building's heat restored. "She just got back," the doorman tells Gogol with a wink as he walks past, and his heart leaps, unburdened of its malaise, grateful for her simple act of returning to him. He imagines her puttering around the apartment, drawing a bath, pouring herself a glass of wine, her bags in the hallway. He slips the book he will give her for Christmas into the pocket of his coat, making sure it's well concealed, and calls the elevator to take him upstairs. 122000It is the day before Christmas. Ashima Ganguli sits at her kitchen table, making mincemeat croquettes for a party she is throwing that evening. They are one of her specialties, something her guests have come to expect, handed to them on small plates within minutes of their arrival. Alone, she manages an assembly line of preparation. First she forces warm boiled potatoes through a ricer. Carefully she shapes a bit of the potato around a spoonful of cooked ground lamb, as uniformly as the white of a hard-boiled egg encases its yolk. She dips each of the croquettes, about the size and shape of a billiard ball, into a bowl of beaten eggs, then coats them on a plate of bread crumbs, shaking off the excess in her cupped palms. Finally she stacks the croquettes on a large circular tray, a sheet of wax paper between each layer. She stops to count how many she's made so far. She estimates three for each adult, one or two for each of the children. Counting the lines on the backs of her fingers, she reviews, once more, the exact number of her guests. Another dozen to be safe, she decides. She pours a fresh heap of bread crumbs on the plate, their color and texture reminding her of sand on a beach. She remembers making the first batches in her kitchen in Cambridge, for her very first parties, her husband at the stove in white drawstring pajamas and a T-shirt, frying the croquettes two at a time in a small blackened saucepan. She remembers Gogol and Sonia helping her when they were small, Gogol's hand wrapped around the can of crumbs, Sonia always wanting to eat the croquettes before they'd been breaded and fried. This will be the last party Ashima will host at Pemberton Road. The first since her husband's funeral. The house in which she has lived for the past twenty-seven years, which she has occupied longer than any other in her life, has been recently sold, a Realtor's sign stuck into the lawn. The buyers are an American family, the Walkers, a young professor new to the university where her husband used to work, and a wife and daughter. The Walkers are planning renovations. They will knock down the wall between the living and dining rooms, put an island in the kitchen, track lights overhead. They want to pull up the wall-to-wall carpeting, convert the sun deck into a den. Listening to their plans, Ashima had felt a moment's panic, a protective instinct, wanting to retract her offer, wanting the house to remain as it's always been, as her husband had last seen it. But this had been sentimentality speaking. It is foolish for her to hope that the golden letters spelling GANGULI on the mailbox will not be peeled off, replaced. That Sonia's name, written in Magic Marker on the inside of her bedroom door, will not be sanded, restained. That the pencil markings on the wall by the linen closet, where Ashoke used to record his children's height on their birthdays, will not be painted over. Ashima has decided to spend six months of her life in India, six months in the States. It is a solitary, somewhat premature version of the future she and her husband had planned when he was alive. In Calcutta, Ashima will live with her younger brother, Rana, and his wife, and their two grown, as yet unmarried daughters, in a spacious flat in Salt Lake. There she will have a room, the first in her life intended for her exclusive use. In spring and summer she will return to the Northeast, divid ing her time among her son, her daughter, and her close Bengali friends. True to the meaning of her name, she will be without borders, without a home of her own, a resident everywhere and nowhere. But it's no longer possible for her to live here now that Sonia's going to be married. The wedding will be in Calcutta, a little over a year from now, on an auspicious January day, just as she and her husband were married nearly thirty-four years ago. Something tells her Sonia will be happy with this boy—quickly she corrects herself—this young man. He has brought happiness to her daughter, in a way Moushumi had never brought it to her son. That it was she who had encouraged Gogol to meet Moushumi will be something for which Ashima will always feel guilty. How could she have known? But fortunately they have not considered it their duty to stay married, as the Bengalis of Ashoke and Ashima's generation do. They are not willing to accept, to adjust, to settle for something less than their ideal of happiness. That pressure has given way, in the case of the subsequent generation, to American common sense. For a few final hours she is alone in the house. Sonia has gone with Ben to pick up Gogol at the train station. It occurs to Ashima that the next time she will be by herself, she will be traveling, sitting on the plane. For the first time since her flight to meet her husband in Cambridge, in the winter of 1967, she will make the journey entirely on her own. The prospect no longer terrifies her. She has learned to do things on her own, and though she still wears saris, still puts her long hair in a bun, she is not the same Ashima who had once lived in Calcutta. She will return to India with an American passport. In her wallet will remain her Massachusetts driver's license, her social security card. She will return to a world where she will not single-handedly throw parties for dozens of people. She will not have to go to the trouble of making yogurt from half-and- half and sandesh from ricotta cheese. She will not have to make her own croquettes. They will be available to her from restaurants, brought up to the flat by servants, bearing a taste that after all these years she has still not quite managed, to her entire satisfaction, to replicate. She finishes breading the final croquette, then glances at her wristwatch. She is slightly ahead of schedule. She sets the platter on the counter next to the stove. She takes a pan out of the cupboard and pours in the oil, several cupfuls, to be heated in the minutes before her guests are expected. From a crock she selects the slotted spatula she will use. For now, there is nothing left to be done. The rest of the food has been prepared, sitting in long CorningWare pans on the dining room table: dal coated with a thick skin that will rupture as soon as the first of it is served, a roasted cauliflower dish, eggplant, a korma of lamb. Sweet yogurt and pantuas for dessert sit on the sideboard. She eyes everything with anticipation. Normally cooking for parties leaves her without an appetite, but tonight she looks forward to serving herself, sitting among her guests. With Sonia's help the house has been cleaned one last time. Ashima has always loved these hours before a party, the carpets vacuumed, the coffee table wiped with Pledge, her dimmed, blurry reflection visible in the wood just as the old television commercial used to promise. She roots through her kitchen drawer for a packet of incense. She lights a stick by the flame of the stove and walks from room to room. It's gratified her to go to all this effort—to make a final, celebratory meal for her children, her friends. To decide on a menu, to make a list and shop in the supermarket and fill the refrigerator shelves with food. It's a pleasant change of pace, something finite in contrast to her current, overwhelming, ongoing task: to prepare for her departure, picking the bones of the house clean. For the past month, she has been dismantling her household piece by piece. Each evening she has tackled a drawer, a closet, a set of shelves. Though Sonia offers to help, Ashima prefers to do this alone. She has made piles of things to give to Gogol and Sonia, things to give to friends, things to take with her, things to donate to charities, things to put into trash bags and drive to the dump. The task both saddens and satisfies her at the same time. There is a thrill to whittling down her possessions to little more than what she'd come with, to those three rooms in Cambridge in the middle of a winter's night. Tonight she will invite friends to take whatever might be useful, lamps, plants, platters, pots and pans. Sonia and Ben will rent a truck and take whatever furniture they have room for. She goes upstairs to shower and change. The walls now remind her of the house when they'd first moved in, bare except for the photograph of her husband, which will be the last thing she will remove. She pauses for a moment, waving the remains of the incense in front of Ashoke's image before throwing the stick away. She lets the water run in the shower, turns up the thermostat to compensate for the terrible moment when she will have to step onto the mat on the bathroom floor, unclothed. She gets into her beige bathtub, behind the crackled sliding glass doors. She is exhausted from two days of cooking, from her morning of cleaning, from these weeks of packing and dealing with the sale of the house. Her feet feel heavy against the fiberglass floor of the tub. For a while she simply stands there before tending to the shampooing of her hair, the soaping of her softening, slightly shrinking fifty-three-year-old body, which she must fortify each morning with calcium pills. When she is finished, she wipes the steam off the bathroom mirror and studies her face. A widow's face. But for most of her life, she reminds herself, a wife. And perhaps, one day, a grandmother, arriving in America laden with hand-knit sweaters and gifts, leaving, a month or two later, inconsolable, in tears. Ashima feels lonely suddenly, horribly, permanently alone, and briefly, turned away from the mirror, she sobs for her husband. She feels overwhelmed by the thought of the move she is about to make, to the city that was once home and is now in its own way foreign. She feels both impatience and indifference for all the days she still must live, for something tells her she will not go quickly as her husband did. For thirty-three years she missed her life in India. Now she will miss her job at the library, the women with whom she's worked. She will miss throwing parties. She will miss living with her daughter, the surprising companionship they have formed, going into Cambridge together to see old movies at the Brattle, teaching her to cook the food Sonia had complained of eating as a child. She will miss the opportunity to drive, as she sometimes does on her way home from the library, to the university, past the engineering building where her husband once worked. She will miss the country in which she had grown to know and love her husband. Though his ashes have been scattered into the Ganges, it is here, in this house and in this town, that he will continue to dwell in her mind. She takes a deep breath. In a moment she will hear the beeps of the security system, the garage door opening, car doors closing, her children's voices in the house. She applies lotion to her arms and legs, reaches for a peach-colored terry- cloth robe that hangs from a hook on the door. Her husband had given her the robe years ago, for a Christmas now long forgotten. This too she will have to give away, will have no use for where she is going. In such a humid climate it would take days for such a thick material to dry. She makes a note to herself, to wash it well and donate it to the thrift shop. She does not remember the year she'd gotten the robe, does not remember opening it, or her reaction. She knows only that it had been either Gogol or Sonia who had picked it out at one of the department stores at the mall, had wrapped it, even. That all her husband had done was to write his name and hers on the to-and-from tag. She does not fault him for this. Such omissions of devotion, of affection, she knows now, do not matter in the end. She no longer wonders what it might have been like to do what her children have done, to fall in love first rather than years later, to deliberate over a period of months or years and not a single afternoon, which was the time it had taken for her and Ashoke to agree to wed. It is the image of their two names on the tag that she thinks of, a tag she had not bothered to save. It reminds her of their life together, of the unexpected life he, in choosing to marry her, had given her here, which she had refused for so many years to accept. And though she still does not feel fully at home within these walls on Pemberton Road she knows that this is home nevertheless—the world for which she is responsible, which she has created, which is everywhere around her, needing to be packed up, given away, thrown out bit by bit. She slips her damp arms into the sleeves of the robe, ties the belt around her waist. It's always been a bit short on her, a size too small. Its warmth is a comfort all the same. There is no one to greet Gogol on the platform when he gets off the train. He wonders if he's early, looks at his watch. Instead of going into the station house he waits on a bench outside. The last of the passengers board, the train doors slide to a close. The conductors wave their signals to one another, the wheels roll slowly away, the compartments glide forward one by one. He watches his fellow passengers being greeted by family members, lovers reunited with entangled arms, without a word. College students burdened by backpacks, returning for Christmas break. After a few minutes the platform is empty, as is the space the train had occupied. Now Gogol looks onto a field, some spindly trees against a cobalt twilight sky. He thinks of calling home but decides he is content to sit and wait awhile longer. The cool air is pleasant on his face after his hours on the train. He'd slept most of the journey to Boston, the conductor poking him awake once they'd reached South Station, and he was the only person left in the compartment, the last to get off. He had slept soundly, curled up on two seats, his book unread, using his overcoat as a blanket, pulled up to his chin. He feels groggy still, a bit lightheaded from having skipped his lunch. At his feet are a duffel bag containing clothes, a shopping bag from Macy's with gifts bought earlier that morning, before catching his train at Penn Station. His choices are uninspired—a pair of fourteen-karat gold earrings for his mother, sweaters for Sonia and Ben. They have agreed to keep things simple this year. He has a week of vacation. There is work to do at the house, his mother has warned him. His room must be emptied, every last scrap either taken back with him to New York or tossed. He must help his mother pack her things, settle her accounts. They will drive her to Logan and see her off as far as airport security will allow. And then the house will be occupied by strangers, and there will be no trace that they were ever there, no house to enter, no name in the telephone directory. Nothing to signify the years his family has lived here, no evidence of the effort, the achievement it had been. It's hard to believe that his mother is really going, that for months she will be so far. He wonders how his parents had done it, leaving their respective families behind, seeing them so seldom, dwelling unconnected, in a perpetual state of expectation, of longing. All those trips to Calcutta he'd once resented—how could they have been enough? They were not enough. Gogol knows now that his parents had lived their lives in America in spite of what was missing, with a stamina he fears he does not possess himself. He had spent years maintaining distance from his origins; his parents, in bridging that distance as best they could. And yet, for all his aloofness toward his family in the past, his years at college and then in New York, he has always hovered close to this quiet, ordinary town that had remained, for his mother and father, stubbornly exotic. He had not traveled to France as Moushumi had, or even to California as Sonia had done. Only for three months was he separated by more than a few small states from his father, a distance that had not troubled Gogol in the least, until it was too late. Apart from those months, for most of his adult life he has never been more than a four-hour train ride away. And there was nothing, apart from his family, to draw him home, to make this train journey, again and again. It had been on the train, exactly a year ago, that he'd learned of Moushumi's affair. They were on their way up to spend Christmas with his mother and Sonia. They had left the city late, and outside the windows it had been dark, the disturbing pitch-black of early winter evenings. They were in the middle of a conversation about how to spend the coming summer, whether to rent a house in Siena with Donald and Astrid, an idea Gogol was resisting, when she'd said, "Dimitri says Siena is something out of a fairy tale." Immediately a hand had gone to her mouth, accompanied by a small intake of breath. And then, silence. "Who's Dimitri?" he'd asked. And then: "Are you having an affair?" The question had sprung out of him, something he had not consciously put together in his mind until that moment. It felt almost comic to him, burning in his throat. But as soon as he asked it, he knew. He felt the chill of her secrecy, numbing him, like a poison spreading quickly through his veins. He'd felt this way on only one other occasion, the night he had sat in the car with his father and learned the reason for his name. That night he'd experienced the same bewilderment, was sickened in the same way. But he felt none of the tenderness that he had felt for his father, only the anger, the humiliation of having been deceived. And yet, at the same time, he was strangely calm—in the moment that his marriage was effectively severed he was on solid ground with her for the first time in months. He remembered a night weeks ago; looking through her bag for her wallet, to pay the Chinese food delivery man, he'd pulled out her diaphragm case. She told him she'd gone to the doctor that afternoon to have it refitted, and so he'd put it out of his mind. His first impulse had been to get out at the next station, to be as physically far from her as possible. But they were bound together, by the train, by the fact that his mother and Sonia were expecting them, and so somehow they had suffered through the rest of the journey, and then through the weekend, telling no one, pretending that nothing was wrong. Lying in his parents' house, in the middle of the night, she told him the whole story, about meeting Dimitri on a bus, finding his résumé in the bin. She confessed that Dimitri had gone with her to Palm Beach. One by one he stored the pieces of information in his mind, unwelcome, unforgivable. And for the first time in his life, another man's name upset Gogol more than his own. The day after Christmas she left Pemberton Road, with the excuse to his mother and Sonia that a last-minute interview had fallen into place at the MLA. But really the job was a ruse; she and Gogol had decided that it was best for her to return to New York alone. By the time he arrived at the apartment, her clothes were gone, and her make-up and her bathroom things. It was as if she were away on another trip. But this time she didn't come back. She wanted nothing of the brief life they'd had together; when she appeared one last time at his office a few months later, so that he could sign the divorce papers, she told him she was moving back to Paris. And so, systematically, as he had done for his dead father, he removed her possessions from the apartment, putting her books into boxes on the sidewalk in the middle of the night for people to take, throwing out the rest. In the spring he went to Venice alone for a week, the trip he'd planned for the two of them, saturating himself in its ancient, melancholy beauty. He lost himself among the darkened narrow streets, crossing countless tiny bridges, discovering deserted squares, where he sat with a Campari or a coffee, sketching the facades of pink and green palaces and churches, unable ever to retrace his steps. And then he returned to New York, to the apartment they'd inhabited together that was now all his. A year later, the shock has worn off, but a sense of failure and shame persists, deep and abiding. There are nights he still falls asleep on the sofa, without deliberation, waking up at three A.M. with the television still on. It is as if a building he'd been responsible for designing has collapsed for all to see. And yet he can't really blame her. They had both acted on the same impulse, that was their mistake. They had both sought comfort in each other, and in their shared world, perhaps for the sake of novelty, or out of the fear that that world was slowly dying. Still, he wonders how he's arrived at all this: that he is thirty-two years old, and already married and divorced. His time with her seems like a permanent part of him that no longer has any relevance, or currency. As if that time were a name he'd ceased to use. He hears the familiar beep of his mother's car, spots it pulling into the parking lot. Sonia is sitting in the driver's seat, waving. Ben is next to her. This is the first time he's seeing Sonia since she and Ben have announced their engagement. He decides that he will ask her to stop off at a liquor store so he can buy some champagne. She steps out of the car, walking toward him. She is an attorney now, working in an office in the Hancock building. Her hair is cut to her jaw. She's wearing an old blue down jacket that Gogol had worn back in high school. And yet there is a new maturity in her face; he can easily imagine her, a few years from now, with two children in the back seat. She gives him a hug. For a moment they stand there with their arms around each other in the cold. "Welcome home, Goggles," she says. For the last time, they assemble the artificial seven-foot tree, the branches color- coded at their base. Gogol brings up the box from the basement. For decades the instructions have been missing; each year they have to figure out the order in which the branches must be inserted, the longest ones at the bottom, the smallest at the top. Sonia holds the pole, and Gogol and Ben insert the branches. The orange go first, then the yellow, then the red and finally blue, the uppermost piece slightly bent under the white speckled ceiling. They place the tree in front of the window, drawing apart the curtains so that people passing by the house can see, as excited as they were when they were children. They decorate it with ornaments made by Sonia and Gogol in elementary school: construction paper candlesticks, Popsicle-stick god's-eyes, glitter-covered pinecones. A torn Banarasi sari of Ashima's is wrapped around the base. At the top they put what they always do, a small plastic bird covered with turquoise velvet, with brown wire claws. Stockings are hung on nails from the mantel, the one put up for Moushumi last year now put up for Ben. They drink the champagne out of Styrofoam cups, forcing Ashima to have some, too, and they play the Perry Como Christmas tape his father always liked. They tease Sonia, telling Ben about the year she had refused her gifts after taking a Hinduism class in college, coming home and protesting that they weren't Christian. Early in the morning, his mother, faithful to the rules of Christmas her children had taught her when they were little, will wake up and fill the stockings, with gift certificates to record stores, candy canes, mesh bags of chocolate coins. He can still remember the very first time his parents had had a tree in the house, at his insistence, a plastic thing no larger than a table lamp, displayed on top of the fireplace mantel. And yet its presence had felt colossal. How it had thrilled him. He had begged them to buy it from the drugstore. He remembers decorating it clumsily with garlands and tinsel and a string of lights that made his father nervous. In the evenings, until his father came in and pulled out the plug, causing the tiny tree to go dark, Gogol would sit there. He remembers the single wrapped gift that he had received, a toy that he'd picked out himself, his mother asking him to stand by the greeting cards while she paid for it. "Remember when we used to put on those awful flashing colored lights?" his mother says now when they are done, shaking her head. "I didn't know a thing back then." At seven-thirty the bell rings, and the front door is left open as people and cold air stream into the house. Guests are speaking in Bengali, hollering, arguing, talking on top of one another, the sound of their laughter filling the already crowded rooms. The croquettes are fried in crackling oil and arranged with a red onion salad on plates. Sonia serves them with paper napkins. Ben, the jamai-to- be, is introduced to each of the guests. "I'll never keep all these names straight," he says at one point to Gogol. "Don't worry, you'll never need to," Gogol says. These people, these honorary aunts and uncles of a dozen different surnames, have seen Gogol grow, have surrounded him at his wedding, his father's funeral. He promises to keep in touch with them now that his mother is leaving, not to forget them. Sonia shows off her ring, six tiny diamonds surrounding an emerald, to the mashis, who wear their red and green saris. "You will have to grow your hair for the wedding," they tell Sonia. One of the meshos is sporting a Santa hat. They sit in the living room, on the furniture and on the floor. Children drift down into the basement, the older ones to rooms upstairs. He recognizes his old Monopoly game being played, the board in two pieces, the racecar missing ever since Sonia dropped it into the baseboard heater when she was little. Gogol does not know to whom these children belong—half the guests are people his mother has befriended in recent years, people who were at his wedding but whom he does not recognize. People talk of how much they've come to love Ashima's Christmas Eve parties, that they've missed them these past few years, that it won't be the same without her. They have come to rely on her, Gogol realizes, to collect them together, to organize the holiday, to convert it, to introduce the tradition to those who are new. It has always felt adopted to him, an accident of circumstance, a celebration not really meant to be. And yet it was for him, for Sonia, that his parents had gone to the trouble of learning these customs. It was for their sake that it had come to all this. In so many ways, his family's life feels like a string of accidents, unforeseen, unintended, one incident begetting another. It had started with his father's train wreck, paralyzing him at first, later inspiring him to move as far as possible, to make a new life on the other side of the world. There was the disappearance of the name Gogol's great-grandmother had chosen for him, lost in the mail somewhere between Calcutta and Cambridge. This had led, in turn, to the accident of his being named Gogol, defining and distressing him for so many years. He had tried to correct that randomness, that error. And yet it had not been possible to reinvent himself fully, to break from that mismatched name. His marriage had been something of a misstep as well. And the way his father had slipped away from them, that had been the worst accident of all, as if the preparatory work of death had been done long ago, the night he was nearly killed, and all that was left for him was one day, quietly, to go. And yet these events have formed Gogol, shaped him, determined who he is. They were things for which it was impossible to prepare but which one spent a lifetime looking back at, trying to accept, interpret, comprehend. Things that should never have happened, that seemed out of place and wrong, these were what prevailed, what endured, in the end. "Gogol, the camera," his mother calls out over the crowd. "Take some pictures tonight, please? I want to remember this Christmas. Next year at this time I'll be so far away." He goes upstairs to get his father's Nikon, still sitting on the top shelf of Ashoke's closet. There is practically nothing else there. No clothes hang from the rod. The emptiness upsets him, but the weight of the camera is solid, reassuring in his hands. He takes the camera into his room to load a fresh battery, a new roll of film. Last year he and Moushumi slept in the guest room, on the double bed, with its folded towels and a fresh bar of soap on top of the dresser, what his mother always left out for guests. But now that Sonia is here with Ben, the guest room is theirs, and Gogol is back in his room, with a bed he's never shared with Moushumi, or with anyone. The bed is narrow, covered by a solid brown quilt. He can reach up and touch the frosted white light fixture suspended from the ceiling, filled with dead moths. The stains of Scotch tape once attached to his posters are visible on the walls. His desk was the folding square card table in the corner. Here he had done his homework under the dusty black gooseneck lamp. There is a thin, peacock blue carpet on the floor, slightly too large so that one side curls up against the wall. The shelves and drawers are mostly empty. Unwanted, miscellaneous things are in boxes already: essays written in high school, under the name Gogol. A report done in elementary school on Greek and Roman architecture, Corinthian and Ionic and Doric columns copied from an encyclopedia onto tracing paper. Cross pen-and-pencil sets, records listened to twice and then abandoned, clothes that were too large, too small—that never seemed worth transporting to the increasingly cramped apartments he inhabited over the years. All his old books, the ones he read by flashlight under the covers, and the ones required for college, only half-read, some with yellow USED stickers on the spines. His mother is going to donate them all to the library where she works, for their annual book sale in the spring. She has told him to go through them, make sure there's nothing he wants for himself. He pokes through the box. The Swiss Family Robinson. On the Road. The Communist Manifesto. How to Get into an Ivy League School. And then another book, never read, long forgotten, catches his eye. The jacket is missing, the title on the spine practically faded. It's a thick clothbound volume topped with decades-old dust. The ivory pages are heavy, slightly sour, silken to the touch. The spine cracks faintly when he opens it to the title page. The Short Stories of Nikolai Gogol. "For Gogol Ganguli," it says on the front endpaper in his father's tranquil hand, in red ballpoint ink, the letters rising gradually, optimistically, on the diagonal toward the upper right-hand corner of the page. "The man who gave you his name, from the man who gave you your name" is written within quotation marks. Underneath the inscription, which he has never before seen, is his birthday, and the year, 1982. His father had stood in the doorway, just there, an arm's reach from where he sits now. He had left him to discover the inscription on his own, never again asking Gogol what he'd thought of the book, never mentioning the book at all. The handwriting reminds him of the checks his father used to give him all through college, and for years afterward, to help him along, to put down a security deposit, to buy his first suit, sometimes for no reason at all. The name he had so detested, here hidden and preserved—that was the first thing his father had given him. The givers and keepers of Gogol's name are far from him now. One dead. Another, a widow, on the verge of a different sort of departure, in order to dwell, as his father does, in a separate world. She will call him, once a week, on the phone. She will learn to send e-mail, she says. Once or twice a week, he will hear "Gogol" over the wires, see it typed on a screen. As for all the people in the house, all the mashis and meshos to whom he is still, and will always be, Gogol —now that his mother is moving away, how often will he see them? Without people in the world to call him Gogol, no matter how long he himself lives, Gogol Ganguli will, once and for all, vanish from the lips of loved ones, and so, cease to exist. Yet the thought of this eventual demise provides no sense of victory, no solace. It provides no solace at all. Gogol gets up, shuts the door to his room, muffling the noise of the party that swells below him, the laughter of the children playing down the hall. He sits cross-legged on the bed. He opens the book, glances at an illustration of Nikolai Gogol, and then at the chronology of the author's life on the facing page. Born March 20, 1809. The death of his father, 1825. Publishes his first story, 1830. Travels to Rome, 1837. Dies 1852, one month before his forty-third birthday. In another ten years, Gogol Ganguli will be that age. He wonders if he will be married again one day, if he will ever have a child to name. A month from now, he will begin a new job at a smaller architectural practice, producing his own designs. There is a possibility, eventually, of becoming an associate, of the firm incorporating his name. And in that case Nikhil will live on, publicly celebrated, unlike Gogol, purposely hidden, legally diminished, now all but lost. He turns to the first story. "The Overcoat." In a few minutes his mother will come upstairs to find him. "Gogol," she will say, opening the door without knocking, "where is the camera? What's taking so long? This is no time for books," she will scold, hastily noting the volume open against the covers, unaware, as her son has been all these years, that her husband dwells discreetly, silently, patiently, within its pages. "There is a party downstairs, people to talk to, food to be taken out of the oven, thirty glasses of water to fill and line up on the sideboard. To think that we will never again all be here together. If only your father could have stayed with us a bit longer," she will add, her eyes growing momentarily damp. "But come, see the children under the tree." He will apologize, put the book aside, a small corner of a page turned over to mark his place. He will walk downstairs with his mother, join the crowded party, photographing the people in his parents' life, in this house, one last time, huddled on the sofas, plates held in their laps, eating with their hands. Eventually, at his mother's insistence, he will eat as well, seated cross-legged on the floor, and speak to his parents' friends, about his new job, about New York, about his mother, about Sonia and Ben's wedding. After dinner he will help Sonia and Ben scrape bay leaves and lamb bones and cinnamon sticks from plates, pile them on the counters and two burners of the stove. He will watch his mother do what his father used to do toward the end of every party, spooning fine-leaf Lopchu tea into two kettles. He will watch her give away leftovers in the cooking pots themselves. As the hours of the evening pass he will grow distracted, anxious to return to his room, to be alone, to read the book he had once forsaken, has abandoned until now. Until moments ago it was destined to disappear from his life altogether, but he has salvaged it by chance, as his father was pulled from a crushed train forty years ago. He leans back against the headboard, adjusting a pillow behind his back. In a few minutes he will go downstairs, join the party, his family. But for now his mother is distracted, laughing at a story a friend is telling her, unaware of her son's absence. For now, he starts to read. 2/4/2023 0 Comments Iceberg slim's pimp
Description. In his book Pimp: The Story of My Life, Iceberg Slim recounts his personal autobiography as a intellectually-gifted teenager growing up in the world before desegregation. Through various events in his life, he ultimately becomes a pimp in between jail stints.
A pimp is happy when his whores giggle. He knows they are still asleep … all whores have one thing in common just like the chumps humping for the white boss. It thrills ’em when the pimps makes mistakes. They watch and wait for his downfall.
“A pimp is the loneliest bastard on Earth. He’s gotta know his whores. He can’t let them know him. He’s gotta be God all the way.”
Other Titles by Iceberg Slim
The Naked Soul of Iceberg Slim Mama Black Widow Trick Baby Death Wish Airtight Willie & Me Long White Con
Pimp Copyright © 1969, 1987 by Iceberg Slim
ISBN: 978-1-451-61713-9 pbk
ISBN: 978-1-451-61714-6 ebook
10 9 8 7 6 5 4 3 2 1
Printed in the United States
CONTENTS
Pimp
FOREWORD
Dawn was breaking as the big Hog scooted through the streets. My five whores were chattering like drunk magpies. I smelled the stink that only a street whore has after a long, busy night. The inside of my nose was raw. It happens when you’re a pig for snorting cocaine. My nose was on fire and the stink of those whores and the gangster they were smoking seemed like invisible knives scraping to the root of my brain. I was in an evil, dangerous mood despite that pile of scratch crammed into the glove compartment. “Goddamnit, has one of you bitches shit on herself or something?” I bellowed as I flipped the long window toward me. For a long moment there was silence. Then Rachel, my bottom whore, cracked in a pleasing ass-kissing voice. “Daddy Baby, that ain’t no shit you smell. We been turning all night and ain’t no bathrooms in those tricks’ cars we been flipping out of. Daddy, we sure been humping for you, and what you smell is our nasty whore asses.” I grinned widely, inside of course. The best pimps keep a steel lid on their emotions and I was one of the iciest. The whores went into fits of giggles at Rachel’s shaky witticism. A pimp is happy when his whores giggle. He knows they are still asleep. I coasted the Hog into the curb outside the hotel where Kim, my newest, prettiest girl, was cribbing. Jesus! I would be glad to drop the last whore off so I could get to my own hotel to nurse my nose with cocaine and be alone. Any good pimp is his own best company. His inner life is so rich with cunning and scheming to out-think his whores. As Kim got out I said, “Goodnight Baby, today is Saturday so I want everybody in the street at noon instead of seven tonight. I said noon, not five minutes after or two minutes after, but at twelve noon sharp I want you down, got it, Baby?” She didn’t answer, but she did a strange thing. She walked into the street around the Hog to the window on my side. She stood looking at me for a long moment, her beautiful face tense in the dim dawn. Then in her crisp New England accent she said, “Are you coming back to my pad this morning? You haven’t spent a night with me in a month. So come back, okay?” A good pimp doesn’t get paid for screwing, he gets his pay off for always having the right thing to say to a whore right on lightning tap. I knew my four whores were flapping their ears to get my reaction to this beautiful bitch. A pimp with an overly fine bitch in his stable has to keep his game tight. Whores constantly probe for weakness in a pimp. I fitted a scary mask on my face and said, in a low deadly voice, “Bitch, are you insane? No bitch in this family calls any shots or muscles me to do anything. Now take your stinking yellow ass upstairs to a bath and some shut eye, and get in the street at noon like I told you.” The bitch just stood there, her eyes slitted in anger. I could sense she was game to play the string out right there in the street before my whores. If I had been ten years dumber I would have leaned out of that Hog and broken her jaw, and put my foot in her ass, but the joint was too fresh in my mind. I knew the bitch was trying to booby trap me when she spat out her invitation. “Come on kick my ass. What the hell do I need with a man I only see when he comes to get his money? I am sick of it all. I don’t dig stables and never will. I know I’m the new bitch who has to prove herself. Well Goddamnit, I am sick of this shit. I’m cutting out.” She stopped for air and lit a cigarette. I was going to blast her ass off when she finished. So, I just sat there staring at her. Then she went on, “I have turned more tricks in the three months I have been with you than in the whole two years with Paul. My pussy stays sore and swollen. Do I get my ass kicked before I split? If so, kick it now because I am going back to Providence on the next thing smoking.” She was young, fast with trick appeal galore. She was a pimp’s dream and she knew it. She had tested me with her beef and now she was lying back for a sucker response. I disappointed her with my cold overlay. I could see her wilt as I said in an icy voice. “Listen square-ass Bitch, I have never had a whore I couldn’t do without. I celebrate, Bitch, when a whore leaves me. It gives some worthy bitch a chance to take her place and be a star. You scurvy Bitch, if I shit in your face, you gotta love it and open your mouth wide.” The rollers cruised by in a squad car so I flashed a sucker smile on my face and cooled it until they passed. Kim was rooted there wincing under the blizzard. I went on ruthlessly, “Bitch, you are nothing but a funky zero. Before me you had one chili chump with no rep. Nobody except his mother ever heard of the bastard. Yes Bitch, I’ll be back this morning to put your phony ass on the train.” I rocketed away from the curb. In the rear-view mirror I saw Kim walk slowly into the hotel, her shoulders slumped. In the Hog, until I dropped the last whore off you could have heard a mosquito crapping on the moon. I had tested out for them, “solid ice.” I went back for Kim. She was packed and silent. On the way to the station, I riffled the pages in that pimp’s book in my head for an angle to hold her without kissing her ass. I couldn’t find a line in it for an out like that. As it turned out the bitch was testing and bluffing right down the line. We had pulled into the station parking lot when the bitch fell to pieces. Her eyes were misty when she yelped, “Daddy, are you really going to let me split? Daddy, I love you!” I started the prat action to cinch her when I said, “Bitch, I don’t want a whore with rabbit in her. I want a bitch who wants me for life. You have got to go after that bullshit earlier this morning, you are not that bitch.” That prat butchered her and she collapsed into my lap crying and begging to stay. I had a theory about splitting whores. I think they seldom split without a bankroll. So, I cracked on her, “Give me that scratch you held out and maybe I will give you another chance.” Sure enough she reached into her bosom and drew out close to five bills and handed it to me. No pimp with a brain in his head cuts loose a young beautiful whore with lots of mileage left in her. I let her come back. When at long last I was driving toward my hotel I remembered what Baby Jones, the master pimp who turned me out, had said about whores like Kim. “Slim,” he had said, “A pretty Nigger bitch and a white whore are just alike. They both will get in a stable to wreck it and leave the pimp on his ass with no whore. You gotta make ’em hump hard and fast to stick ’em for long scratch quick. Slim, pimping ain’t no game of love, so prat ’em and keep your swipe outta ’em. Any sucker who believe a whore loves him shouldn’t a fell outta his mammy’s ass.” My mind went back to Pepper. Then back even further and I remembered what he had said about The Georgia. “Slim, a pimp is really a whore who has reversed the game on whores. So Slim, be as sweet as the scratch, no sweeter, and always stick a whore for a bundle before you sex her. A whore ain’t nothing but a trick to a pimp. Don’t let ’em Georgia you. Always get your money in front just like a whore. On the elevator riding to my pad I thought about the first bitch who had Georgied me and how she had flim-flammed me out of my head. She would be old and gray now, but if I could find her I would sure get the bitch’s unpaid account off my conscience.
PREFACE
In this book I will take you, the reader, with me into the secret inner world of the pimp. I will lay bare my life and thoughts as a pimp. The account of my brutality and cunning as a pimp will fill many of you with revulsion, however, if one intelligent, valuable young man or woman can be saved from the destructive slime; then the displeasure I have given will have been outweighed by that individual’s use of his potential in a socially constructive manner. I regret that it is impossible to recount to you all of my experiences as a pimp. Unfortunately, it would require the combined pages of a half-dozen books. Perhaps my remorse for my ghastly life will diminish to the degree that within this one book I have been allowed to purge myself. Perhaps one day I can win respect as a constructive human being. Most of all I wish to become a decent example for my children and for that wonderful woman in the grave, my mother.
1 TORN FROM THE NEST
Her name was Maude and she Georgied me around 1921. I was only three years old. Mama told me about it, and always when she did her rage and indignation would be as strong and as emotional perhaps as at the time when she had surprised her, panting and moaning at the point of orgasm with my tiny head wedged between her ebony thighs, her massive hands viselike around my head. Mama worked long hours in a hand laundry and Maude had been hired as a babysitter at fifty cents a day. Maude was a young widow. Strangely, she had a reputation in Indianapolis, Indiana as a devout Holy Roller. I have tried through the years to remember her face but all I can remember is the funky ritual. I vaguely remember, not her words but her excitement when we were alone. I remember more vividly the moist, odorous darkness and the bristle-like hairs tickling my face and most vividly I can remember my panic, when in the wild moment of her climax, she would savagely jerk my head even tighter into the hairy maw. I couldn’t get a breath of air until like a huge black balloon she would exhale with a whistling whoosh and relax, limply freeing my head. I remember the ache of the strain on my fragile neck muscles, and especially at the root of my tongue. Mama and I had come to Indianapolis from Chicago, where since the time when she was six months pregnant, my father had begun to show his true colors as an irresponsible, white-spats-wearing bum. Back in that small town in Tennessee, their home town, he had stalked the beautiful virgin and conned her into marriage. Her parents, with vast relief, gave their blessing and wished them the best in the promised land up North in Chicago. Mama had ten brothers and sisters. Her marriage meant one less mouth to feed. My father’s father was a skilled cook and he passed his know how to my father, who shortly after getting to Chicago scored a chef’s job at a huge middle-class hotel. Mama was put on as a waitress. Mama told me that even with both of them working twelve hours a day, six days a week they couldn’t save a nickel or buy furniture or anything. My idiot father had come to the big city and gone sucker wild. He couldn’t stay away from the high-yellow whores with their big asses and bitch-dog sexual antics. What they didn’t con him out of he lost in the cheat crap joints. At the hotel one night he vanished from the kitchen. Mama finally found him thrusting mightily into a half-white waitress lying on a sack of potatoes in a storage room, with her legs locked around his back. Mama said she threw everything she could lift at them. They were unemployed when they walked away from the shambles. My father tearfully vowed to straighten himself out and be a man, but he didn’t have the will, the strength to resist the cheap thrills of the city. After my birth he got worse and had the stupid gall to suggest to Mama that I be put on a Catholic Church doorstep. Mama naturally refused so he hurled me against the wall in disgust. I survived it and he left us, his white spats flashing and his derby hat at a rakish angle. It was the beginning of a bitter winter. Mama packed pressing irons and waving combs into a small bag and wrapped me warmly in blankets and set out into the bleak, friendless city to ring door bells, the bag in one arm and I in the other. Her pitch was something like this, “Madam, I can make your hair curly and beautiful. Please give me a chance. For fifty cents, that’s all, I will make your hair shine like new money.” At this point in the pitch Mama told me she would slip the blanket aside to bare my wee big-eyed face. The sight of me in her arm on a subzero day was like a charm. She managed to make a living for us. That spring, with new friends of Mama’s we left Chicago for Indianapolis. We stayed there until nineteen twenty-four, when a fire gutted the hand laundry where Mama worked. There were no jobs in Indianapolis for Mama and for six months we barely made it on the meager savings. We were penniless and with hardly any food when a tall black angel visiting relatives in Indianapolis came into our lives. He fell instantly in love with my lissome beautiful mother. His name was Henry Upshaw, and I guess I fell as hard for him as he fell for Mama. He took us back to Rockford, Illinois with him where he owned a cleaning and pressing shop, the only Negro business in downtown Rockford. In those tough depression times a Negro in his position was the envy of most Negro men. Henry was religious, ambitious, good and kind. I often wonder what would have happened to my life if I had not been torn from him. He treated Mama like she was a princess, anything she wanted he got for her. She was a fashion plate all right. Every Sunday when we all three went to church in the gleaming black Dodge we were an outstanding sight as we walked down the aisle in our fresh neat clothing. Only the few Negro lawyers and physicians lived as well, looked as well. Mama was president of several civic clubs. For the first time we were living the good life. Mama had a dream. She told it to Henry. Like the genie of the lamp he made it a reality. It was a four stall, opulent beauty shop. Its chrome gleamed in the black- and-gold motif. It was located in the heart of the Negro business section and it flourished from the moment its doors opened. Her clientele was for the most part whores, pimps, and hustlers from the sprawling red light district in Rockford. They were the only ones who always had the money to spend on their appearance. The first time I saw Steve he was sitting getting his nails manicured in the shop. Mama was smiling into his handsome olive-tinted face as she buffed his nails. I didn’t know when I first saw him that he was the pin-striped snake who would poison the core of our lives. I certainly had no inkling that last day at the shop as live billows of steam hissed from the old pressing machine each time Henry slammed its lid down on a garment. Jesus! It was hot in that little shop, but I loved every minute of it. It was school-vacation time for me and every summer I worked in the shop all day, every day helping my stepfather. That day as I saw my reflection on the banker’s expensive black shoes, I was perhaps the happiest black boy in Rockford. As I applied the sole dressing I hummed my favorite tune “Spring Time in the Rockies.” The banker stepped down from the shine stand, stood for a moment as I flicked lint from his soft, rich suit, then with a warm smile he pressed an extravagant fifty-cent piece into my hand and stepped out into the broiling street. Now I whistled my favorite tune, shines were only a dime, what a tip. I didn’t know at the time that the banker would never press another coin into my hand, that for the next thirty-five years this last day would be remembered vividly as the final day of real happiness for me. I would press five-dollar bills into the palms of shine boys. My shoes would be handmade, would cost three times as much as the banker’s shoes, but my shoes, though perfectly fitted would be worn in tension and fear. There was really nothing out of the ordinary that day. Nothing during that day that I heard or saw that prepared me for the swift, confusing events that over the weekend would slam my life away from all that was good to all that was bad. Now, looking back remembering that last day in the shop as clearly as if it were yesterday, my stepfather, Henry, was unusually quiet. My young mind couldn’t grasp his worry, his heart break. Even I, a ten year old, knew that this huge, ugly, black man who had rescued Mama and me from actual starvation back in Indianapolis loved us with all of his great, sensitive heart. I loved Henry with all my heart. He was the only father I had ever really known. He could have saved himself an early death from a broken heart if instead of falling so madly in love with Mama he had run as fast as he could away from her. For him, she was brown-skin murder in a size-twelve dress. That last night at eight o’clock Dad and I flicked the shop’s lights out as always at closing. In an emotion muffled voice he spoke my name “Bobby.” I turned toward him and looked up into his face tense and strained in the pale light from the street lamp. I was confused and shaken when he put his massive hands on my shoulders and drew me to him very tightly just holding me in this strange desperate way. My head was pressed against his belt buckle. I could barely hear his low, rapid flow of pitiful words. He said, “Bobby, you know I love you and Mama, don’t you?” His stomach muscles were cording, jerking against my cheek. I knew he was going to burst into tears. I said as I squeezed my arms around his waist, “Yes, Daddy, yes, Daddy. We love you too, Daddy. We always will, Daddy.” He was trembling as he said, “You and Mama wouldn’t ever leave me? You know Bobby, I ain’t got nobody in the world but you two. I just couldn’t go on if you left me alone.” I clung tightly to him and said, “Don’t worry Daddy, we’ll never leave you, I promise, honest, Daddy.” What a sight we must have been, the six-foot-six black giant and the frail little boy holding on to each other for dear life, crying there in the darkness. I tell you when we finally made it to the big black Dodge and were riding home my thoughts were turning madly. Yes, poor Henry’s fears had foundation. Mama had never loved my stepfather. This kind, wonderful man had only been a tool of convenience. She had fallen in love with the snake all right. His plan was to cop Mama and make it to the Windy. The dirty bastard knew I would be excess baggage, but the way Mama was gulping his con, he figured he could get rid of me later. Only after I had become a pimp years later would I know Steve’s complete plot, and how stupid he really was. Here this fool had a smart, square broad with a progressive square-john husband, infatuated with him. Her business was getting better all the time. Her sucker husband was blindly in love, and the money from his business was wide open to her. If Steve had been clever he could have stayed right there on top of things and bled a big bankroll from the businesses in a couple of years. Then he could have pulled Mama out of there and with a big bankroll he could have done anything with her, even turned her out. I tell you she was that hot for him. She had to be insane over the asshole to walk away from all that potential with only twenty-five hundred in cash. Steve blew it in a Georgia-skin game within a week after we got to Chicago. I have wished to Christ, in four penitentiaries, that the lunatic lovers had left me in Rockford with Henry when they split. One scene in my life I can never forget and that was that morning when Mama had finished packing our clothes and Henry lost his inner fight for his pride and dignity. He fell down on his knees and bawled like a scalded child, pleading with Mama not to leave him, begging her to stay. He had welded his arms around her legs, his voice hoarse in anguish, as he whimpered his love for us. His agonized eyes walled up at her as he wailed, “Please don’t leave me. You are sure to kill me if you do. I ain’t done nothing. If I have, forgive me.” I will never forget her face, as cold as an executioner’s, which she was, as she kicked and struggled loose from him. Then with an awful grin on her face she lied and said, “Henry, Honey, I just want to get away for a while. Darling, we’ll be back.” In his state she was lucky he hadn’t killed her and me, and buried us in the backyard. As the cab drove us away to the secret rendezvous with Steve sitting in his old Model T, I looked back at Henry on the porch, his chest heaving as tears rolled down his tortured face. There were too many wheels within wheels, too much hurt for me to cry. After a blank time and distance we got to Chicago. Steve had vanished and Mama was telling me in a drab hotel room that my real father was coming over to see us, and to remember that Steve was her cousin. Steve was stupid all right, but cunning, if you get what I mean. Mama, at Steve’s instruction, weeks before, had gotten in contact with my father through a hustler brother of Mama’s in Chicago. When my father came through the hotel room door reeking of cologne and dressed to kill, all I could think was what Mama had told me about that morning when this tall brown-skin joker had tossed me against the wall. He took a long look at me. It was like looking in a mirror. His deep down guilt cream puffed him and he grabbed me and squeezed me to him. I was stiff and tense in the stranger’s arms, but I had looked in the mirror too when he came in, so I strung my arms limply about his neck. When he hugged Mama, her face was toward me and stony, like back there with Henry. My father strutted about that hotel room boasting of his personal chef’s job for Big Bill Thompson the mayor of Chicago. He told Mama and me, “I am a changed man now. I have saved my money and now I really have something to offer my wife and son. Won’t you come back to me and try again? I am older now, and I bitterly regret my mistakes of the past.” Like a black-widow spider spinning a web around her prey, Mama put up enough resistance to make him pitch himself into a sweat then agreed to go back to him. My father’s house was crammed with expensive furniture and art pieces. He had thousands of dollars invested in rich clothing and linens. After a week, my hustler uncle brought Steve to visit us, and to case the lay out. My father bought the cousin angle and broke out his best cigars and cognac for the thieves. It was another week before they took him off. Remember, at the time I had no idea as to what really was going to happen. I would learn the shocking truth only after we got to Milwaukee. On that early evening when it happened Mama was jittery as we prepared to visit some close white friends of my father. I had a wonderful time getting acquainted with the host’s children who were around my age. Too soon it was time to go home. In my lifetime I have seen many degrees of shock and surprise on the human face. I have never seen on any face the traumatic disbelief and shock that was on my father’s face when he unlocked the door and stepped into his completely empty house. His lips flapped mutely. He couldn’t speak. Everything was gone, all the furniture and drapery, everything, from the percolator to the pictures on the wall, even my Mama’s belongings. Mama stood there in the empty house clinging to him, comforting him, sobbing with real tears flowing down her cheeks. I guess she was crying in joy because the cross had come off so beautifully. Mama missed her calling. She should have been a film actress. With only a bit part, an Oscar a season would have been a lead-pipe cinch for her. Mama told my father we would go to Indianapolis to friends until he could put another nest together. When we got to Milwaukee by train, ninety miles away, Steve had rented a house. Every square inch of that house was filled with my father’s things. Those lovely things did us little good and brought no happiness. Steve, with his mania for craps, within weeks had sold everything, piece by piece, and lost it across the craps table. Mama worked long hours as a cook, and Steve and I were alone quite often. At these times he would say, “You little mother-fucker, you. I’m going to beat your mother-fucking ass. I am telling you, if you don’t run away, I’m going to kill you.” He was just so cruel to me. My mother had bought me a little baby cat. I loved that kitten, and this man hated animals. One day the cat, being a baby cat, did his business on the kitchen floor. Steve said, “Where is that little mother-fucker?” The little kitten had hidden under the sofa. He grabbed that kitten and took it downstairs where there was a concrete wall. He grabbed it by the heels. I was standing (we lived on the second floor) looking down at him; he took the kitten and beat its brains out against that wall. I remember, there was a park behind our house, concrete covered. There were some concrete steps. I sat there and I cried until I puked. All the while I kept saying like a litany, “I hate Mama! I hate Mama! I hate Mama!” And, “I hate Steve! I hate Steve! I hate him! I hate him!” For many tortured years she would suffer her guilt. She had made that terrible decision on that long ago weekend. I know my lousy old man deserved what happened to his goods. I know Mama got her revenge and it was sweet I am sure, but it was bitter for a kid like me to know that Mama was part of it. Perhaps if Mama had kept that burglary cross a secret from me, in some tiny way I might have been stronger to fight off that pimping disease. I don’t know, but somehow after that cross Mama just didn’t seem like the same honest sweet Mama that I had prayed in church with back in Rockford. I went to her grave the other day and told her for the hundredth time since her death, “Mama, it wasn’t really your fault. You were a dumb country girl, you didn’t understand. I was your first and only child. You couldn’t have known how important Henry was to me.” I choked up, stopped talking to her beneath the silent sod, and thought about Henry lying rotten, forgotten in his grave. Then, through my tight throat I said to Mama, “To you he was ugly, but Mama I swear to heaven he was so beautiful to me. I loved him Mama, I needed him. I wish you could have seen beyond his ugly black face and loved him a little and stayed with him. Mama, we could have been happy, our lives would have been different, but I don’t blame you. Mama, I love you.” I paused looking up at the sky, hoped she was up there and could hear me, then I went on, “I just wish you were alive now, you would be so proud of me. I am not a lawyer as you always wanted me to be, but Mama, you have two beautiful grandchildren and another on the way, and a fine daughter-in- law who looks a lot like you when you were young.” The grave next to hers had visitors, an old man and a bright eyed girl about ten. I stopped my bragging until the pair walked away, then I said, “Mama, I haven’t shot any H in ten years. I haven’t had a whore in five years. I have squared up, I work every day. How about it Mama, Iceberg Slim a square? You wouldn’t believe it Mama, I wear fiftydollar suits right off the rack, and my car is ten years old, you gotta believe it now Mama. Goodbye Mama, see you at Christmas, and remember, I’ll always love you.” When I walked away from her grave I thought, “I don’t know, maybe that prison head-shrinker was right when he told me I had become a pimp because of my unconscious hatred for my mother.” I know one damn thing, I can’t help crying at her grave almost as if I was crying because I did so much to put her there. Maybe the hidden hate that I can’t feel wants me to laugh that she’s down there in the earth. Maybe my crying is really laughing. About ninety days after Steve smashed my kitten Mama cast off her spell, and one gray April dawn while Steve lay in a drunken, open-mouthed stupor, Mama and I packed what we could carry and moved into a hotel room. It was complete with hot plate and downthe-hall toilet. Steve had stomped on three and a half years of our lives. I would soon be fourteen. On August fourth, my birthday, our old friend Steve, with diabolical timing, made that event unforgettable. Since that chilly dawn in April he had searched the slum streets for his escaped dupes, thirsty for revenge. I waited eagerly in the hotel room for Mama who had promised to bake a cake in her white woman’s kitchen. She said she would be home early at six o’clock to celebrate my birthday. Well, she came home all right on the seventh of August, from a hospital, with her broken jaw wired, and her body covered with bruises. Steve had stalked her and attacked her with his fists and feet and then escaped through the grimy catacombs of the Ghetto. All that night and all the next day I crouched in the dark shadows beneath his stairwell gripping a gleaming ice pick. He never came back. He had moved. Twenty years later, while idly looking from the window of a plush hotel suite I would see something familiar in the white-haired stooped figure of a garbage collector on the street three stories down. I blacked out, when reason returned I was down there on the street in the bright morning sunlight, clutching a pistol, wearing only a pair of red silk pajamas. As the garbage truck turned the corner a block away out of range, a small crowd of passersby stood bug-eyed watching the strange scene as Rachel, my main whore, tugged at my arm, pleaded with me to get off the street. That was the last time I saw Steve, but I just don’t know, even now, what I would do if our paths crossed. Perhaps that beating Mama took was good, as painful as it was. I remember how it worried me in that cruddy hotel room when the hotel’s neon sign outside our window would flash on her face. Her eyes would be bright, riveted on the ceiling, she would be in a trance, remembering, still hot for him. As worthless as that bastard was otherwise, he sure must have been a son- of-a-bitch in the bed. After all he had done to us, she still had a terrible itch for the bastard. That beating was good for her, it cured the itch. Mama had learned a bitter lesson the hard way. The country girl had rolled in the hay with the city slicker and now I saw all of her sorrow and guilt in her eyes. We couldn’t go back to the peaceful, green hills of Rockford. She had destroyed a good man back there, a native son. Henry died a year after we left him. Until the grave claimed her, Henry would rise from his own to haunt her in the lonely gloom. Mama was desperate to save at least fragments of her image, to hold fast the love and respect I had for her in Rockford. I had seen too much, had suffered too much. The jungle had started to embalm me with bitterness and hardness. I was losing, page by page, the fine rules of thought and deed that I had learned in church, from Henry to the Boy Scout Troop in Rockford. I was sopping up the poison of the street like a sponge. I had begun to play Steve’s favorite game, craps, in the alleys after school. Dangerously, I was frantic to sock it into every young girl weak enough to go for it. I had to run for my life one evening when an enraged father caught me on his back porch punching animal-like astraddle his daughter’s head. I had become impatient with the unusual thickness of her maidenhead.
2 FIRST STEPS INTO THE JUNGLE
The slide was greased. I was starting my long plunge to the very bottom of the grim pit. I guess my trip downward really was cinched when I met a petty hustler who was very likeable and we became pals. My hustler pal was called Party Time. By the time he was twentythree he had done four bits in the joint. On each fall he had been jacked up for either strong-arm robbery or till tapping. He got his moniker hung on him because as soon as he scored for scratch he would make fast tracks to the nearest underworld bar. When he got inside the door he would shout, “All right you poor ass bastards, it’s party time and Joe Evans is in port with enough scratch to burn up a wet elephant. All you studs stop playing stink finger with these long- cock whores and everybody belly up to the log and get twisted on me.” His flat African features were pasted to a skull that could have belonged to a cave man. He was short, powerful, and shiny black. He was ugly enough to “break daylight with his fist,” but for some curious reason he was irresistible to many of the thrill-seeking white women who sneaked into the black side of town panting as they chased after that hoary myth, “Nigger men do it so good it thrills you to your toe nails.” There was a Fast sheet joint with the trick rooms in the rear, right on the alley. I was peeping one night into one through a frayed shade when I saw Party Time for the first time. My eyes were bugging when I saw the tall viking type white man, his tiny, but voluptuous female white companion and Party Time taking their clothes off. Finally they stood there naked. I could see their lips moving so I pressed my ear and eye sideways against the window that was open a couple of inches at the top to get the sound. The white joker was tenderly hefting Party Time’s weapon in his hand like maybe it was Ming Dynasty Pottery. He said excitedly to the broad, “Oh! Honey, can you believe the size, the beauty of it!” In the glow of the room’s red light, that broad looked like an animated portrait by Da Vinci. Her eyes were blue fire in her passion. She purred like a Persian kitten and pounced onto the bed. Party Time stood at the side of the bed looking down at her. He was an ebony executioner. His horizontal axe cast a cruel shadow across the snowy peaks, rose tipped. My trouser front was tented as I pressed even tighter against the window. I had never seen anything like this back in Rockford. Then to my amazed ears, the white man said a strange thing as he pulled a chair to the end of the bed and sat on the very edge of it. He was breathing hard when he said, “All right now Boy, stab it into her, hurt her, punish her, crucify her, good Boy! Good Boy!” The broad looked so fragile and helpless to my naive eyes that I felt a pang of pity pulse inside me as she moaned and whimpered in painful pleasure beneath the black demon savagely pile driving between the jerking white legs jack-knifed, imprisoned behind the sweating, hunching black shoulders. Like he was trying to make a home Party Time was asking in a hoarse voice over and over, “Beautiful Bitch, is it good? Beautiful Bitch, is it good?” The white man was an odd, funny sight as he raced around the arena like a demented Caesar, cheering on his merciless black gladiator. Finally when the show was over and they started to dress, I went to the front and sat on a stoop next door to the joint. I wanted to get a close up of the freaks. When they got to the sidewalk, in their street clothes, they were disappointingly normal. Just a clean-cut white couple having a parting chat with a grinning, black Negro. The mixed-up couple went down the sidewalk away from me. Party Time came toward me. He didn’t notice me sitting on the stoop. I was itching with curiosity, so I hit on him when he came abreast. It startled him. His face got stiff. I said, “Hey Jack, how you doing? That sure is a fine silk girl, huh? You got a square to spare?” He fished a cigarette from his red shirt pocket, handed it to me and said, “Yeh Kid, she’s fine as a Valentine. Two sights I ain’t never seen and that is a pretty bulldog, and an ugly white woman.” He was spouting cliches, but to a small town boy he came off witty as Hell. I was in that brain-picking mood so I put the snow machine into high gear to hold him. My eyes bucked in mock awe as I lit the square. I said, “Thanks Man, for the square. Christ! That’s a sporty vine you got on. I wish I could dress like you. You sure are clean aplenty.” He took the bait like a rapist in a nudist colony for the blind. He flopped down on the stoop beside me. He poked his chest out, his eyes flashing like a pin-ball machine gone haywire, as he got ready to open up. He hiked the pants legs of his green checked suit to his calves to show his blood red socks. The huge zircon on his right pinky glittered under the street lamp as he cracked his knuckles and said, “Kid, my name is Party Time. I am the best flat-footed hustler in town. Money loves me and can’t stay away from me. You see that fine silk broad, I got a double saw to lay her. Course that ain’t nothing, it happens all the time. I could be one of the greatest pimps in the country if I was lazy and didn’t have so much good hustler in me.” I sat there listening to his bullshit until two A.M. He was likable and I was hungry for a pal. He was an orphan and he had just done a two-year bit straight up, his fourth, two months before. He had a head full of wild risky hustles he wanted to try. He needed a partner. He tried all of them on me for size. I got home at two-twenty. About one minute later I heard Mama’s key in the door. She had served a banquet for her white folks. I just made it into bed with all my clothes on, when she came to look in on me. I was snoring like a drunk with a sick sinus when she kissed me goodnight. I lay thinking in the darkness until daybreak, putting myself into, and trying to size myself into one of those quick buck schemes that Party had plotted. When the sun came up fat and bright I knew I would give Party’s version of the Murphy a whirl. I didn’t know his version was crude and dangerous, and only a weak imitation of the real Murphy. Years later I discovered that the Murphy, when played by experts, was a smooth short con game with a slight risk. In any section where Negro whores operate white men will flock to trick with them. I met Party several times after school at a pool room. He ran my role down to me and the next Friday night we got down with our hustle. Mama was serving a party so I could stay in the streets until at least one A.M. Around ten that night in an alley in the heart of the vice section, Seventh and Vliet Sts., we unwrapped the package that Party had brought. I rolled up my pants legs beyond my bony knees. I slipped into the twenty-five cent red- cotton dress from the Salvation Army. I put on the frayed red satin high-heel shoes. I pinned a scraggly piece of hair just inside the front inner band of the faded blue straw bonnet. When I tilted it on my head at a sexy angle, the ringlets of uneven hair hung down over my eyes like bangs. I stood wide legged, flexed my thigh and hip muscles against the tight red dress, aping the whores stance. Party looked me over head to toe. I was wondering how I came off as a broad. He shook his head, hunched his shoulders and walked toward the mouth of the alley to catch a sucker. I got the answer when be reached the sidewalk. He twisted his bead toward me and said, “Listen Man, stay outta the light, okay?” Within five minutes he gave me the office that some action was coming down the street. I watched Party giving the pitch to a short elderly white man. I wondered if I had enough voltage as a broad to come through with my end of the deal. He officed my flash cue an instant before the white man peeked up the alley at me. I jerked my skinny ass in a series of bumps and grinds and hopefully waved him toward me. That skinny black bitch he saw must have lit a fire in him all right. He fumbled his hide from his hip pocket and handed a bill to Party. The chump started up the alley at a helluva pace for an old bastard. He had paid his money and he was red hot to take his chance to stick that hot Nigger bitch waiting for him in the shadows. He had no chance, but in a way he was lucky. Lucky that his hide had not been fat with green backs. If he had been loaded, when I evaporated through that gang way, Party instead of fading away would have come into the dark alley behind the sucker and robbed him with brute force. My heart was pounding in excitement as I galloped through the alleys toward our next prearranged duck blind. I took a new station several blocks away. Party Time came moments later, looked up the alley and hooked the tips of his thumb and index fingers into an “all is well” O. We beat several other suckers. None had the fare for the strong arm. We worked until twelve-thirty, then unlike Cinderella, I stashed my mildewed costume, got my half of the seventy-dollar take and raced home. Mama came in a half hour after I did. As in all other things there are many Murphy’s. Real Murphy players use great finesse to separate a mark from his scratch. The most adept of them prefer that a trick hit on them. It puts the Murphy player in a position to force the sucker to “qualify” himself and to trim the mark not only for all of his scratch, but his jewelry as well. When approached and quizzed by a mark as to, where a girl can be found, the Murphy Man will say, “Look Buddy, I know a fabulous house not more than two blocks away. Brother, you ain’t never seen more beautiful, freakier broads than are in that house. One of them, the prettiest one, can do more with a swipe than a monkey can with a banana. She’s like a rubber doll, she can take a hundred positions.” At this point the sucker is wild to get to this house of pure joy. He entreats the con player to take him there, not just direct him to it. The Murphy player will prat him to enhance his desire. He will say, “Man, don’t be offended, but Aunt Kate, that runs the house don’t have nothing but high-class white men coming to her place. No Niggers or poor white trash. You know, doctors, lawyers, bigshot politicians. You look like a clean-cut white man, but you ain’t in that league are you?” At this pricking of his ego the mark is ready for the hook. He will protest his worth as a person and his right to go where any other son-of-a-bitch can go. Hell for a high class lay a double saw wouldn’t faze him. Few can resist the charm of exclusivity in its myriad forms. The con player still hedging, shoring up firmly the convincer will then say, “Man, I believe you and everything you say is true as gospel. In fact, I like you Pal, but try to see my side of it. First to show you I trust you, I’ll tell you a secret. I been working for Aunt Kate’s house for many years now as her outside man, you know, making sure only nice dates went up there. Aunt Kate and I got an air tight system. Friend, I know you will help me keep Aunt Kate’s roles, so let’s go. I am taking you to the thrill of your life.” While keeping up an inflaming description of the whores and sexual delights to be found only at Aunt Kate’s, the Murphy player had steered the sucker to a pre-chosen neat, attractive apartment building. In the foyer, in a subtle but compelling manner, the con player nudged the mark into a fast meeting of minds, the question agreed on. As hot as he was, he couldn’t go up before he checked in all valuables. It was Aunt Kate’s unshakeable rule. Aunt Kate was rock right never to tempt or trust a whore. Only fools trusted whores, right? The mark wasn’t a fool, right? Right! The con player produced a sturdy brown envelope. The sucker counted all the scratch in his pocket into the hand of Aunt Kate’s “outside” business manager. The efficient affable manager shoved it into the envelope, licked it, sealed it, and stuck it in his pocket for safe keeping from the possible larceny in the hearts of the gorgeous dolls upstairs, third floor, first apartment to the left, number nine to be specific. The sucker was in a bubbly mood as he took the stairs three at a time. He liked that Nigger down there who was protecting his money. What had he told him, when he gave him the shiny goldcolored metal check? “Harry, Pal, this one is on me, just go up and hand it to Aunt Kate. Everything is going to be all right. If you want you can buy me a drink when you come down.” The two strikes that had whiffed across the white man’s mental plate and had set him up for the kill, the third strike was first his desperate need to relieve himself into a black body, the second was his complete inability to conceive that the “black boy” before him was intelligent enough to fool him, to fashion the Murphy dialogue. Party and his rawboned lure, after three weekends of fair success with the Murphy, ran head on into a round brick balloon. It was only five feet tall, but it weighed close to three-hundred pounds. It was a Saturday night around ten. The vice section was overrun with Johns. It seemed that every white man in town was out there, scratch in one hand and rod in the other, ripping and running after the black whores with the widest, blackest asses. Party and I set up a blind on the fringe of the section, because with all that mad action in the center it would be a hectic cat-and-mouse game with the cruising, rousting vice squad. I would have gotten something less than pure kicks to get busted making like a broad. Party hadn’t strong armed since his last bit. The only reason he hadn’t was simply that none of the Johns we had fleeced was carrying a wad. We were fishing in a sand pile. All the hungry suckers were swimming in center stream. From my Murphy station in the alley, I watched Party eagerly for the office for action. Around eleven-thirty, I was standing on one leg and then the other like a bored crane with a twenty-five cent dress on. About five minutes later the office came through. Was it a man? A machine? No, it was a walking, living, round balloon with a fat poke and a flaming itch for black Cush. It stood there fascinated by my furious bumps and grinds. I felt prickly feet of excitement stomping along my spine when the balloon took his hide out. Party jerked rigid at the sight of its contents. Even as the balloon bounced toward me, I inched toward my point of evaporation. I knew the strong-arm lust had exploded inside Party and sure as Hell he was going to come up that alley and smash the air out of the balloon. I quit the scene and poked my head into the alley farther up. I could hear guttural grunting. The kind of sound a heart case makes when he’s riding hard to convince a nympho that he’s a raging tiger. It was the balloon that was grunting as he held Party in a crushing strangle hold. My heart-beat back fired and melted the starch in my props. I collapsed onto a garbage can. The balloon was also a weight lifter. Poor Party was hanging high over the head of the monster and then flung to the alley floor with a shattering “whoomp” where he lay like a rag doll. The balloon hollered as he leaped into the air and then fell like a ton of concrete on moaning Party. I was almost puking in pity for Party. But I just couldn’t find the strength to get off that garbage can and join the fray. Anyway it wouldn’t have been lady like. The derrick scooped Party from the alley and flung him across his back. I watched Party’s rubber neck bumping against the balloon’s rear end as he was carried to the sidewalk. I jetted out of there and went to the roof of my building. I watched for the rollers I was sure were coming to bust me, but they never came. Old Party had had the funky luck to try the strong arm on a professional wrestler called the Blimp. Party went back to the joint for a yard after he got out of City Hospital. One thing about Party he wasn’t copper hearted. He never tipped my name to the heat. When he got older, and lost his nerve to hustle, he got a crazy desire to pimp. He wasn’t the type, but he kept trying until he ran the Gorilla game on a dope dealer’s broad and was set up for a hot shot. Party tried his fists and muscle until the pimp game croaked him. The pimp game is like the watchmaker’s art, it’s tough. Party went through his life struggling to make a watch while wearing boxing gloves. Party’s bad break sobered me, and I started hearing what was going on in day classes at school. At fifteen, amazingly, I graduated from high school with a ninetyeight point four average. There was a sizeable alumni of Tuskegee, a Southern Negro college, who insisted upon Mama letting them underwrite all expenses for my education at their Alma Mater. Mama leaped at the chance. The alumni went into debt and sent me down to their hallowed school with a sparkling wardrobe. They didn’t know I had started to rot inside from street poisoning. It was like the poor chumps had entered a poisoned horse in the Kentucky Derby and were certain they had a cinch winner. They couldn’t know they had bet their hearts and blood money on a born loser. A rich bonanza was at stake. The success of my very life itself. The rescue of Mama from her awesome guilt. The trust and confidence of those big- hearted alumni. My mental eyes had been stabbed blind by the street. I was like a freakish joker who had gotten clap in his eyes from a mangy street whore. On campus, I was like a fox in a chicken coop. Within ninety days after I got down there I had slit the maidenhead on a halfdozen curvy coeds. Somehow I managed to get through the Freshman year, but my notoriety was getting awful. The campus finks were envious, and it was too dangerous to continue to impale coeds on my stake. In my Sophomore year, I started going into the hills near the campus to juke joints. With my slick Northern dress and manner, I was prince charming in spades to the pungent, hot-ass maidens in the hills. A round butt, bare foot, beauty—fifteen years old—fell hard for me. One night I failed to meet her in our favorite clump of bushes. I had stuck her up to keep a date in another clump of bushes with a bigger, hotter, rounder ass than hers. Through the hill grape vine she got the wire of my double cross. It was high noon on campus the next day when I saw her. I had just walked out of the cafeteria onto the main drag. The street was lousy with students and teachers. She stood out like a Pope in a cat house. Her potato-sack dress was grimy and dirty as Hell from the long trip from the hills. Her bare feet and legs were rusty and dusty. She saw me a wild heart-beat after I saw her. She battle-cried like an Apache Warrior, and before I could get the wax out of my props, she had raced close enough toward me so that I could see the insane fury in her eyes. Beads of sweat clung to the kinky hair in the pit of her arm that was upraised, gripping like a dagger a broken Coca Cola bottle, the jagged edges were glinting in the sun. The screaming teachers and students fled like terrified sheep in the wake of a panther. I don’t remember what athlete was reputed to be the fastest human in the world that year, but for those few seconds after I got the wax out of my legs, I was. When I finally looked back through the cloud of dust, I saw the crazy broad as a speck in the distance behind me. Mine had been a carpet offense and I was on it in the office of the school President. I stood before him, seated behind his gleaming mahogany desk. He cleared his pipes and gave me a look like I had jacked off before the student body. He held his head high. His nose reaching for the ceiling like I was crap on his top lip. In a sneaky Southern drawl he said, “Boy, yu ah a disgrace to oauh fine institushun. Ah’m shocked thet sech has occurred. Yo mothah has bin infaumed of yo bad conduck. Oauh bord is considurin yo dismissul. En thu meantime, keep yo nos clean, Boy. Yo ah not to leave campus for eny resun.” I could have saved my worry over dismissal. That alumni had powerful pull all right. I got a break and got the chance to stay until mid-term of the Sophomore year when I went for the “okey doke.” I took a bootlegging rap for a pal. “What goes around comes around” old hustlers had said. Party had taken our beef without spilling. Anything with a buzz in it was in great demand on campus. A pint of rot gut whiskey brought from seven and a half to ten dollars depending on supply. My roommate had scratch and a Fagin disposition. He was a sharpy from a number-racket family in New York. We made a deal. He would bank roll our venture if I copped the merchandise and sold it. He got my promise that I would keep his part in it a secret. He was a fox for sure. He gave me the scratch and I slipped up into the hills to contact a moonshiner who would supply me. Perhaps I don’t have to say that I carefully avoided any contact with that broad who pushed me to that track record. I scored for a connection and the markup on campus was fourhundred percent. Everything was beautiful. The merchandise was moving like crazy. I was sure that when I got back home for the summer I would have enough scratch to turn everybody green with envy. I recruited a coed I had layed to distribute for me in her dorm. It was the beginning of the end. There were two jasper coeds in her dorm who were fierce rivals for the love of a coffee-colored, curvaceous doll from a country town in Oklahoma. The doll was really dumb. She bad no idea of the lesbian kick, so naturally she couldn’t know she was a target. Eventually, the craftier of the two jaspers wore the doll down and turned her out. They had to keep the secret of their romance from the other jasper because she was tough and built like a football player. She was doing money favors for the doll hoping to get into her pants. The doll and her jockey were in cahoots playing the sucker jasper hard for the scratch. One night the doll and her jockey were tied into a pretzel doing the sixty- nine and drunk as Hell on my merchandise, when their passionate outcries reached the ears of the muscular jasper. The bloody fight and spicy details were topics for state-wide gossip. In the heat of the investigation my agent fell apart. She put the finger on me and within a week I was on the train going back to the streets for good. I didn’t turn over on my roommate. I obeyed the code. Mama changed jobs a week after I got back, to nurse and cook for a wealthy, white recluse. Now I really stuck my nose in the devil’s ass. Mama had to stay on the place. I saw her once a week, on Sunday, when she would come in for a day. That was the only time I stayed at the hotel. I had found a fascinating second home, a gambling joint run by a broken down ex-pimp and murderer called Diamond Tooth Jimmy. The two-carat stone, wedged between the upper front rotting teeth, was the last vulgar memento of his infamy as the top ass-kicker of the nineteen-twenties. He boasted endlessly that he was the only Nigger pimp on Earth who had ever pimped in Paris on French girls. I was to discover later, when I would meet and be trained by the Master, that Jimmy was a mere buffoon, an amateur not fit to hold the Master’s coat. After the suckers were trimmed and all the shills had been paid, Jimmy would lock the door and then like a ritual, light up a thin brown reefer. As he talked, he would pass it to me, cursing me affably for not inhaling deeply and holding the smoke, as he put it, “deep in my belly.” When dawn broke he would go out through the joint door home to the nineteen-year-old jasper on whom he lavished furs and jewels. He was a real sucker. I would go to bed in the tiny cubicle in the rear of the joint and dream fantastic dreams. Always beautiful whores would get down on their knees and tearfully beg me to take their money. For several months I had been screwing the luscious daughter of a popular band leader. She was fifteen. Her name was June and she had a wild yen for me. She had a habit of waiting down the street from the gambling joint until Jimmy left, then she would come up and get on the army cot with me. She would stay until seven o’clock at night. She knew I had to clean the joint for action around nine. One day, around noon, I asked her, “Do you love me enough to do anything for me?” She said, “Yes.” So, I said, “Even turn a trick?” She said, “Anything.” I put my clothes on and went to the street and saw an old gambler whom I knew was a trick and told him what was upstairs. Sure enough he gave me a five-dollar bill, the asking price, and I took him upstairs and let him in on her. She turned him in less than five minutes. My seventeen-year-old brain reeled. This was still the depression. I could get rich with this girl and drive a big white Packard. My next prospect was all wrong. He was an acquaintance of the band leader, June’s father. He went up the stairs, saw her and called the father in Pittsburgh. The father called the local police department and my pimping career died aborning. When the detective came, I was still out there looking for tricks for the down payment on that big white Packard. Diamond Tooth’s bullshit had screwed me for certain. My mother, of course, was shocked. She was sure it was a frame up. That June, that evil girl, had led her sweet little Bobby astray. At the County Jail two days before my trial, I left my cell on an Attorney Consultation pass. A short, gopher-faced Negro sat in the cage at an old oak desk grinning at me. My blood ran cold, my palms got slippery wet as I took a seat across from him. The gleaming yellow gold teeth filling his mouth had been a flash of doom. Christ! I thought, a deep South Nigger lip. Didn’t Mama know that most of them turned to jelly when defending a criminal case? The rodent wiped his blue-black brow with a soggy handkerchief and said, “Well Bobby, it seems that you are in a little trouble, huh? I am attorney Williams, an old friend of your family. I knew your mother as a girl.” My eyes sent special delivery murder across the table to that ugly bastard. I said, “It isn’t a little trouble. Under the Max I could get a fin’.” He fingered his dollar necktie and hoisted his starved shoulders inside the jacket of his cheap vine and said, “Oh! Now let’s not be fatalistic. You are a first offender and I am positive it will mitigate the charge. Rest assured I will press the court for leniency. Now tell me the whole truth about your trouble.” Anger, everything drained out of me. I was lost, stricken. The phony would lead me to the slaughter. I knew I was already tried and convicted and sentenced to the joint. The only loose end was for how long? Without hearing it myself, I ran down the details to him and stumbled blindly back to my cell. On my trial day in the courtroom, the shaky bastard was so nervous before the bench when he pleaded me guilty, that the same cheap vine that he had worn at our first meeting was soaked by his sweat. He was so shook up by the stern face and voice of the white hawk-faced judge that he forgot to ask for leniency. That awful fear the white folks had put into him down South was still painfully alive in him. He just stood there paralyzed, waiting for the judge to sentence me. So, I looked up into the frosty blue eyes and said, “Your Honor, I am sorry for what I did. I have never been in trouble before. If Your Honor will just give me a break this time, I swear before the Lord I won’t ever come back down here. Please, Your Honor, don’t send me to the pen.” The frost deepened in his eyes as he looked down at me and intoned, “You are a vicious young man. Your crime against that innocent young girl, against the laws of this state, is inexcusable. The very nature of your crime precludes the possibility of probation. For your own good and for that of society’s I sentence you to the State Reformatory to a term for not less than one year, and for not more than eighteen months. I hope it teaches you a lesson.” I shrugged off the wet hand of the lip from my shoulder, avoided the tear- reddened eyes of Mama sobbing quietly in the rear of the courtroom, and stuck my hands out to the bailiff for the icy-cold handcuffs. June’s old man was a big wheel with lots of muscle in the courts. He had gone behind the scenes and pulled strings and put the cinch on the joint for me. My sentence was for carnal knowledge and abuse, reduced from pandering, because you can’t pander from anything except a whore, and June’s old man wasn’t about to go for that. Yes, I was sure working at that first patch of gray in my mother’s hair. Steve would have been proud of me, don’t you think? My sentence to the Wisconsin Green Bay reformatory almost cracked Mama up. There were several repeaters from the reformatory on my tier at County Jail, who tried to bug the first offenders with terrible stories about the hard time up at the reformatory, while we were waiting for the van to take upstate to the reformatory. I was too dumb to feel anything, A fool I was to think the dummy was a fairy tale! In the two weeks that I waited, Mama wrote me a letter every day and visited twice. Mama’s guilt and heartbreak were weighing heavily on her. Back in Rockford she had been a dutiful church goer, leading a christian life until Steve came on the scene. But now when I read her long rambling letters crammed with threats of fire and brimstone for me if I didn’t get Jesus in my heart and respect the Holy Ghost and the fire, I realized that poor Mama was becoming a religious fanatic to save her sanity. The pressures of Henry’s death and now my plight must have been awful. The van came to get us on a stormy, thunderous morning. As we stepped into the van handcuffed together I saw Mama standing in the icy, driving rain waving good-bye. I could feel a hot throbbing lump at the base of my throat to see her standing there looking so sad and lonesome, cowering beneath the battering rain. I could feel the tears aching to flow, but I couldn’t cry. Mama never told me how she found out the time the van would come. I still wonder how she found out and what her thoughts were out there in the storm as she watched me start my journey. The state called it a reformatory, but believe me it was a prison for real. My belly fluttered when the van pulled into the prison road leading to the joint. The van had been vibrating with horse play and profane ribbing among the twenty-odd prisoners. Only one of them had sat tensely and silently during the entire trip. The fat fellow next to me. But when those high slate grey walls loomed grimly before us it was as if a giant fist had slugged the breath from us all. Even the repeaters who had served time behind those walls were silent, tight faced. I started to believe those stories they had told back in County Jail. The van went through three gates manned by rock-faced backs carrying scoped, high-powered rifles. Three casket-gray cell houses stood like mute mourners beneath the bleak sunless sky. For the first time in my life I felt raw, grinding fear. The fat Negro sitting next to me was a former schoolmate of mine in high school. He had been a dedicated member of the Holiness Church then. I had never gotten friendly with him because his only interest at that time seemed to be his church and Bible. He didn’t smoke, swear, chase broads or gamble. He had been a rock-ribbed square. His name was Oscar. Apparently he was still square because now his eyes were closed and I could hear bits of prayer as he whispered softly. Oscar’s prayer was abruptly cut off by the screech of the van’s brakes as it stopped in front of the prison check-in station and bath house. We clambered out and stood in line to have our handcuffs removed. Two screws started at each end of the line unlocking the cuffs. As they moved toward the middle of the line they stifled the thin whispers of the men. They said to each man, “Button it up! Silence! No talking!” Oscar was shaking and trembling in front of me as we filed into a brightly- lit high-ceilinged room. A rough pine counter stretched for twenty yards down a green-and-gray flagstone floor that looked clean enough to eat from. This was part of the shiny, clean skin of the apple. The inside was rotting and foul. Cons with starch-white faces stood behind the long counter guessing our sizes as we passed them and passing out faded pieces of our uniform from caps to brogans. We passed with our bundles into a large room. A tall silent screw, dazzling with brass buttons and gold braid on his navy-blue uniform, slashed his lead- loaded cane through the air like a vocal sword directing us to put our bundles on a long bench and to undress for short arm inspection, and a brief exam by the prison croaker seated at a battered steel desk in the back of the room. Finally we all had been checked by the croaker and showered. The gold- spangled screw raised his talkative cane. It told us to go out the door and turn left, then straight ahead. Two screws marched alongside as we made it toward a squat sandstone building two-hundred yards away. Was that talking cane the dummys? I heard it before I saw it. A loud scraping, thunder laced with a hollow roar. Never before had I heard anything like it. Then mysteriously, in the dimness, countless young grim faces seemed to be bobbing in a sea of gray. A hundred feet ahead I saw the mystery. Hundreds of gray-clad cons were lock stepping from the mess halls into the three cell houses. They were an eerie sight in the twilight, marching mutely in cadence like tragic robot soldiers. The roaring thunder was the scrape and thump of their heavy prison brogans. We reached the squat building. We were to stay in its quarantine cells for the next ten days. All fish, new cons, were housed here to be given a thorough medical check out and classification before being assigned to work details out in population. I got a putrid taste of the inside of that apple when cons in white uniforms and peaked caps gave us our supper through a slot in our cell doors. It was barley soup with a hunk of brown bread. It would have made great shrapnel in a grenade. I was new and learning, so instead of just gulping it down, I took a long close look at the odd little things black-dotted at one end. I puked until my belly cramped. The barley in the soup was lousy with worms. The lights went out at nine. Every hour or so a screw came by the row of cells. He would poke the bright eye of his flashlight into a cell and then squint his eyes as he looked into each cell. I wondered if it were a capital crime in this joint to get caught having an affair with “lady five fingers.” I flapped my ears when I heard one of the white repeaters running down the joint in a whisper to a fish. Oscar was listening too because he had stopped praying in his cell next to mine. The white fish was saying, “Look Rocky, what the Hell gives with that hack in the bath house? Why don’t the jack-off never rap? What’s with that cane bit?” The repeater said, “The son-of-a-bitch is stir crazy. His voice-box screwed up on him a dime ago. He’s been the brass nuts here for a double dime, and guess how the bastard lost his rapper?” That screw and his light was making the rounds again, so the repeater got on the dummy. When the screw had passed he continued, “The creep was called Fog Horn by the cons before his trouble made him a dummy. They say the bastard’s bellows could be heard from one side of the joint to the other. He’s the meanest captain of screws this joint ever had. In the last double dime he has croaked two white cons and four spades with his cane. He hates Niggers.” Oscar was praying like mad now. He had heard what the repeater said about those four Negroes. The fish wanted a loose end tied for him. He said, “Yeh Rocky, just to glim him and you know he’s rough, but what in the Hell cut his box off?” The repeater said, “Oh! The vine has it he treated his wife and Crumb crusher worse than he did the cons. She got her fill of his screwing and drilled herself and the kid through the head. The little broad was only two years old. The note his broad left said, ‘I can’t stand your hollering any longer. Good-bye.’ A head-shrinker here at the time said when the broad croaked herself it shut off Brass Nuts box.” I lay there thinking about what the con had said. I thought about Oscar and wondered if he could pull his bit or if he would go back to his parents in a pine box, or worse, to the crazy farm. Oscar had been sentenced to a year by the same-judge that had socked it into me. Oscar, poor chump had started going with a crippled Irish girl of seventeen. In the dark balcony of a downtown theatre they were seen smooching by the son of a close friend of the girl’s family. He reported post haste to his parents who wired up the girl’s parents. They were Irish, with temper and prejudice. They third-degreed the girl and she confessed that old black Oscar had indeed trespassed the forbidden valley. The charge of statutory rape naturally stood up and here was old Oscar next door to me. I slapped the itching sting on my thigh. I pulled the sheet back. Lord, have mercy! How I hated them. It was a bed bug I had smashed, but he was only a scout. When that flashlight jarred me awake an hour later, a division of them was parading the walls. I lay wide-eyed until morning. The inside of that shiny apple was really something else. After all our tests we fish were taken out of the quarantine tank on the tenth day to the Warden’s office. My turn came to go in. I got up from the long bench in the hall outside his office and walked in. My knees were having a boxing match as I stood before him. He was a silver-maned, profane, huge, white bull with two tiny chunks of black fire rammed deep into his eye sockets. He said, “Well Sambo, you sure got your black-Nigger ass in a sling, didn’t you? Well understand me, we didn’t send for you, but you came. We are here to punish you smart-aleck bastards, so if you fuck around, two things can happen to you, both of them horrible. We got a hole here that we bury tough punks in. It’s a stripped cell without light, twenty feet below ground. Down there, two slices of bread and a pint of water twice a day. You can go out that North gate in a box for your second choice. So take this rulebook and study it. Now get your rusty black ass out of my face.” The only thing I said before I eased out of there was, “Yes Sir, Boss Man,” and I was grinning like a Mississippi rape suspect turned loose by the mob. It was a wise thing I had uncled on him. One of those arrogant repeaters went to the hole for having a sassy look in his eyes. The charge was “visual insubordination.” Oscar and I were assigned to work and live in cell block “B.” It was all black. Of the three, it was the only one without toilets. We had buckets in cells that we took out each morning and dumped into running water in a trough behind the cell block. The only stench in my life I have ever smelled that was worse than that cell block on a warm night was a sick hype. It was rough all right and a terrible battle of wits. The battle mainly centered around staying out of sight and trouble with the dummy. He walked on the balls of his feet and he could read a con’s mind. It was terrifying to have maybe a slice of contraband bread in your bosom, and then from nowhere have the dummy pop up. He didn’t pass out an instruction leaflet running down the lingo of that cane. If you misunderstood what it said, the dummy would crack the leaded shaft of it against your skull. After I had put in six months on my bit, a young Negro con came in on transfer from the big joint and brought me a wire from Party. He sent word that we were still tight and I was his horse if I never won a race. It felt good to know he had forgiven me for turning chicken back there in the alley with the balloon. The dummy hated everybody. He felt something much more frightful for Oscar. I don’t know whether it was that the dummy had a hate for God too, and he knew how religious Oscar was, and had focused all his hate on a living target. Oscar and I shared a double bunk cell. I had the bottom bunk. It was a chilling sight at night when the dummy should have been at home to look up from a book and see him out there on the tier motionless, staring up at Oscar in his bunk reading the Bible. When I was sure that the cold, luminous, green eyes had slipped away for the night, I would crack, “Oscar, my man, I like you. Will you take some good advice from a friend? I am telling you Pal, it’s driving the dummy off his rocker to see you reading that Bible. Pal, why in the Hell don’t you stop reading it for your own good?” That square jerk would go on reading, he hadn’t even noticed the dummy’s visit. He would say, “I know you are my friend and I appreciate your advice, but I can’t take it. Don’t worry about me. Jesus will protect me.” Mama was writing at least once a week. Every month she visited me. On her last visit, without worrying her too much, I suggested it would be a good idea to put in a long-distance call to the Warden once a week just so he would know somebody out there loved me and wanted me to stay healthy. She was looking fine and had saved her money. She had opened a beauty shop. She told me when I came up for parole she was sure a friend of hers would give me a job. At night after her visits I would lie sleepless all night mentally recapping our sad lives. I could still remember too, every mole and crease in Henry’s face. One night after one of her visits, the radio loud speaker on the cell house wall blared out “Spring Time in the Rockies.” I tried to keep my crying a secret from Oscar, but he heard me. He marked off a chapter in the Bible for me to read, but with the dummy around, I wasn’t about to do something stupid like that. The dummy put one over on Jesus and busted Oscar. We had almost finished mopping the flag when the cell house runner brought me two wieners from the kitchen. A pal had sent them. I gave Oscar one. He stuck it inside his shirt I stood my mop against the wall and ducked into an empty cell and wolfed mine down. We had finished mopping and were at the supply closet putting our mops and buckets away. Oscar was nibbling slowly on his wiener like he was safe and sound at the “Last Supper.” I saw the giant shadow glue itself against the wall next to the closet door. I looked through the trap door in the corner of my eye. The universe reeled. It was the dummy. He saw the piece of wiener in Oscar’s hand. The dummy’s green eyes were oscillating. That deadly cane razored through the air and cut a slice of hair and bloody flesh from the side of Oscar’s head. The scarlet glob was hanging by a slimy thread of flesh dangling like an awful earring near the tip of his ear lobe. Oscar’s eyes walled toward the back of his head as he moaned and slipped to the flag. From the grey, whitish core of the wound spouts of blood pulsed out. The dummy just stood there looking down at the carnage. His green eyes were twinkling in excitement. I had seen him every day for eight months. I had never seen him smile. He was smiling now like he was watching two cute kittens frolicking. I stooped to help Oscar. I felt feathery puffs of air against my cheek. The cane was screaming. The dummy was furiously waggling it beside my head. It was screaming, “Get out!” I got. I lay in my cell wondering if the dummy had second thoughts and would try for two. I heard the voices of the hospital orderlies on the flag taking Oscar away. I remembered the murderous force of the blow the dummy had struck. I remembered that pleased look on his face. I knew from con grape-vine that he was from Alabama. I knew now it hadn’t been Oscar’s Bible that had put the dummy’s balls in the fire. The dummy knew about that crippled Irish girl. Oscar went from the hospital into the hole for fifteen days. The charges, “possession of contraband food” and “physical aggression against an officer.” I was there and the only aggression on Oscar’s part was the natural resistance of his flesh and bone to that steel cane. The parole board met in the joint every month to consider applications. Every con, when he had served to within several months of his minimum, started dreaming of the street and that upcoming parole consideration. Oscar was in the hole and I missed his company. He was a square, but a nice one with lots of wry wit. Several cons slightly older than I came in on transfer from the big joint. They claimed to be “mack” men. In bad weather, when there was no yard recreation, I would join them at a table on the flag. I didn’t talk much. I usually listened. I was fascinated by the yarns they spun about their pimping ability. They had a lot of bullshit, and I was stealing as much as I could from them to use when I got out. I would go back to my cell excited. I would pretend I had a whore before me. I would stand there in the cell and pimp up a storm. I didn’t know that the crap I was rehearsing wouldn’t get a quarter in the street. Oscar came out of the hole and was put into an isolation cell on the top tier of the cell house. I didn’t see him come in so I wasn’t prepared when I got a chance to go up there. When I got to the cell with his number in the slot, a skinny joker was peeing in his bucket with his back to me. He was in a laughing fit. I checked the number in the slot again. It was Oscar’s number all right. I pulled the key to the supply closet across the bars of the cell door. The skeleton jumped and spun around facing me. His eyes were wild and vacant. It was Oscar. Only that livid bald scar on the side of his head made me sure. He didn’t seem to remember me so I said, “How are you, Pal? I knew they couldn’t stop a stepper.” He just stood there, his dingus flopping from his open fly. I said, “Jack, you are going to give your bright future the flu if you don’t get it out of the draft.” He ignored my words, and then from the very bottom of his throat I could hear a kind of eerie high pitched humming or keening, like maybe the mating call of a werewolf. I was beginning to worry about him. I was standing there trying to figure something to say to get through to him. He hadn’t been out of the hole for more than two hours. Maybe some loose circuit would jar him back to contact. I knew he had been destroyed when he gave me a sly look and went to the back of his cell. He picked up his bucket and thrust his hand into it. He brought out a fist full of crap. He scraped the crap from his right palm into the rigid upturned left palm. Using his left palm as a kind of palette, he dipped into the crap with his right index finger and started to finger paint on the cell wall. I just stood there in shock. Finally, he stopped, snapped to attention, saluted me and stuck his chest out proudly and pointed a crappy finger at his art on the wall. There was an idiot’s look of triumph on his face like he had finished the Sistine Chapel ceiling. I gave up on him. I went downstairs and told the cell house screw. The next day they shipped Oscar to the funny farm where perhaps he is today, thirty years later. My time went fast after the eighth month. I had gone before the parole board and I was waiting for my pink slip. A white one meant denial and a new date for consideration. I saw the mail clerk when he shoved it through the bars of my cell. I leaped up and grabbed the small brown envelope. My hands shook so badly, it took seconds to rip it open. It was pink! I banged my fists against the steel wall of my cell. I was so happy I couldn’t feel pain. They dressed me out in a cheap glen-plaid suit. I would have been thrilled to have left that den of pressure in tar and feathers. On the way out I had to face the bull. When I walked into his office he said, “Well Snowball, you must have had your rabbit’s foot. So long, see you in a couple of weeks.” I wasn’t out yet so I gave him the same uncle smile going out that I gave him coming in. When I walked out of the joint the fresh air was like a blast of oxygen. It made me woozy. I turned and looked back at the joint. The dummy was standing at the chapel window staring at me, but for once that steel cane wasn’t talking to me.
3 SALTY TRIP WITH PEPPER
First thing back in Milwaukee, I reported to my parole officer, a Mr. Rand, I think. After asking a thousand questions and filling out a mountain of papers he gave me an I.Q. test. When he computed my score his sea-blue eyes saucered in surprise. He couldn’t understand how a boy with a score of one-hundred and seventy-five could do a stupid thing like peddling a girl’s ass on the sidewalk. If that I.Q. test had been on the basis of the half-baked criminal, pimping theories that I had picked up in the joint at that table from those Chili pimps that were churning in my mind, and that I was so eager to try, my score would have been zero. I was eighteen now, six feet two inches tall, slender, sweet, and stupid. My maroon eyes were deeply set, dreamy. My shoulders were broad and my waist as narrow as a girl’s. I was going to be a heart breaker all right. All I needed was the threads and a whore. Mama’s small, lucrative beauty shop was on the main drag. Poor Mama, she was doomed I guess to inadvertently set up my disasters. I had started on my job delivering for the drugstore owned by the friend of my Mama’s who had hired me to satisfy the parole condition of a job upon release. As fate would have it, Mama’s shop and the drugstore were in the same building. Mama and I lived in an apartment over the storefronts. Mama called me in from the sidewalk one day about three months after I had gotten parole. She wanted me to meet one of her customers who was getting her eyebrows arched. I walked through the pungent odors rising from the hot pressing combs pulling through the kinky hair of several customers, to the rear of the shop. There she was, flashy as a Christmas tree, sitting before a mirror at a dressing table with her back to me. Mama stopped plucking at her brows as she introduced us, “Mrs. Ibbetts, this is my son Bobby.” Like a yellow cat hypnotizing a bird, she sat there motionless, her green eyes smoky, as she stared at me through the mirror. Then the velvet purring voice undulated toward me, she said, “Oh Bobby, I have heard so much about you. It’s so exciting to meet you, but please call me Pepper, everyone does.” I don’t know what excited me more as I stood there, her raw sensuality or the blazing rocks on her tapered fingers that I was sure hadn’t come from Kresges. I mumbled something like I had to go back to the drug store to work, and I would see her around. Later I saw her slide into her sleek Caddie convertible, her white silk dress riding up exposing the satin sheen of her banana yellow thighs. As she gunned away from the curb, she turned deliberately and gave me a full dose of those hot green eyes. She was signing our deal. I quizzed around and got the background on her. She was twentyfive, an ex-whore who had worked the jazziest houses on the Eastern Seaboard. A wealthy white fence and gambler had tricked with her out there, and it had gotten so good to him that he crossed her pimp into a five-year bit and squared her up. Three days later, a half hour before closing, an order came in for a case of Mums. The address was in the plush Height’s, miles from the store. I made the trip on a bicycle. She answered the door wearing only a pair of white lace step-ins. My erection was hard and instant. It was a fabulous pad, and the lights were soft and blue. The old man wouldn’t be back for a week. I was just a hep punk, I wasn’t in her league, but one of my greatest assets has always been my open mind. That freak bitch cajoled and persuaded me to do everything in the sexual book, and a number of things not even listed. What a thrill for a dog like her to turn out a tender fool like me. She was a hell of a teacher all right, and what a performer. If Pepper had lived in the old Biblical city of Sodom the citizen’s would have stoned her to death. She nibbled and sucked hundreds of tingling bruises on every square inch of my body. Fair exchange, as the old saw goes, is never robbery. It took me a week to get the stench of her piss out of my hair. She sure had been pimped on hard back East. She hated men, and she was taking her revenge on me. She had taught me to snort girl, and almost always when I came to her pad, there would be thin sparkling rows of crystal cocaine on the glass top of the cocktail table. We would snort it through alabaster horns and then in the mirrored bedroom we made circus love until our nerve ends shrieked. Pepper and that pure cocaine would have made a freak out of a Priest. She had sure put me on a fast track. I couldn’t know at the time that at the end of the line stood the grim State Penitentiary. I was green all right and twice as soft and Pepper knew it. Here was a hardened ex-whore who knew all the crosses, all the answers, who handled lots of scratch and wasn’t laying a red penny on me. The dazzling edge on our orgies was dulling for me, but I was flipping Pepper with the techniques she had taught me. I knew all the buttons to push for her, and she burned hotter than ever for her little puppy. No wonder, I was freaking for free, those Eastern pimps had charged her a fortune. I tried one night to get a C note from her for a suit. I knew I had really come on fine in the bed. She had almost climbed the walls in her passion. “Sugar,” I said, “I saw a wild vine for a bill downtown. If you laid the scratch on me, I could cop tomorrow.” She slitted her green eyes and laughed in my face, and said, “Now listen Lil’ Puppy, I don’t give men money. I take it from them, and besides, as sweet as you are to this pussy, you don’t need a suit. I like you as you are, with no clothes on at all.” I was a rank greenhorn, sure, but her cold turn down of my plea for the C note was bitchy cute, and I was a salty sucker, so I reacted like any stupid would-be pimp who had been Georgied. I had fouled up basic business. I had led with my dick instead of my mitt. I reached down and slapped her hard against the side of her face. It sounded like a pistol shot. On impact a thrill shot through me. I should have slugged her with a baseball bat. The bitch uncoiled from that bed like a striking yellow cobra, hooked her arms around my waist and sank her razor sharp teeth into my navel. The shock paralyzed me. I fell on my back across the bed moaning in pain. I could feel blood rolling from the wound down toward my crotch, but I couldn’t speak. I couldn’t move. Pepper was sure a strange twisted broad. She was breathing hard now, but not in rage. The violence, the blood, had turned her on. She was gently caressing me as she licked, with a feathery tongue, the oozing wound on my belly. She had never been so tenderly efficient as she took me on a beautiful “trip around the Universe.” The funny thing was, that throbbing awful pain some how became a part of, melted into the joy of the feathery tongue, the thrill of the thing that Pepper was doing to me. I guess Freud was right. If it thrills you to give pain, you can get your jollies taking it. When I left Pepper, I was sapped. I felt like an old man. My mood was as bleak and cheerless as the gray dawn I cycled through. When I got home and looked into the mirror, a death’s head stared back at me. That vampire bitch was sucking my life’s blood all right. I also knew that crystal cocaine wasn’t exactly a health tonic. Pepper was too fast, too slick for me. I had to make her shit or get off the pot. I made the skeleton in the mirror a solemn vow that before the week was out I would in some way get Weeping Shorty, a pimp about fifty-five who, while a gorilla pimp, was the best pimp in town to pull my coat to give me a plan for putting a ring in Pepper’s nose. Before I got busted, I had seen him at Jimmy’s joint. He had looked horrible then, and now less than a year and a half later he looked like a breathing corpse. Hoss was his Boss. He had chippied around and gotten hooked. It was Friday, almost midnight when I found him. He looked at me and made that clacking sound against the roof of his mouth with his tongue. You know, that mischievous, weirdly joyful sound that a young kid makes the instant before he rams a hat pin into your ear drum. Then he said, “Well kiss my dead mammy’s ass, if it ain’t Macking Youngblood. The whore’s pet and the pimp’s fret.” The junkie bastard was jeffing on me, lashing me with contempt and scorn. Old pimps always know when a youngster with a yen for the pimp game is desperate for advice. After all, they remember when they started and what a bitch it was just to learn the million questions. The answers would come slowly, from heart breaking trial and error, from the ass kissing of the few who had solved the riddle, who pimped by the book. The cleverest pimp could give a thousand years and never come close to all the answers. Weeping Shorty was an old man, and he had gotten past the questions and had worked out a few answers, but even so he knew a thousand times more than I did. So, I fought for control, I couldn’t show anger. If I did he would cut me loose. We had been standing under the awning of a vacant storefront. He pulled me with a jerk of his head, I followed him to a big shabby Buick. It was parked at an intersection in a cheap-trick district. When we got inside the Buick I understood why he had parked it there. He could watch and keep tabs on his stable of scrawny, junkie whores working the four corners of the intersection. He sat under the wheel not saying anything. His eyes straight ahead. I had kissed his ass for a half hour and now he was freezing up. I thought of the tiny pile of cocaine wrapped in tinfoil under my instep that I had filched from Pepper. I fished it out and held it in my hand. Perhaps the cocaine would open him up. I turned to him and said, “Weeping, do you want a light snort of girl?” He stiffened like a butcher knife had been run into his back. He looked at the wad of tinfoil in my palm and snatched it and in the same motion hurled it through the window on his side. His top was blown, he shouted, “Nigger, ain’t you got no sense? You trying to go back to the joint and blow my wheels?” I said, “What did I do wrong? All I did was to offer the C just to be sociable. What’s wrong with that?” He said, “Sucker, first booty butt, you don’t transport no hard in your stomp, keep it in your mitt so you can down it fast to the turf. Second, you’re on parole. You’re hot! You ain’t got no business sitting dirty in my short. There’s a law, Sucker, that can confiscate a short with stuff in it. You know if the heat had hit on you you would unload in my short. Keep stuff off you. When you stop somewhere down it in the street until you ready to split. It’s better to get beat for the stash than beat by the heat. Now what took your head outta Pepper’s ass long enough for you to look me up?” Oh! How this junkie creep bugged me. I sat there beside him trying to think of questions that would bleed him so I could get out of his face fast. He looked exactly like a withered baboon. His breath stunk like he had just eaten a bowl of maggots. I said, “Weeping, Pepper hasn’t got my nose open for her. She’s too jazzy and slick for me. I came to you because everybody knows that your game is mellow. I want you to pull my coat so I can pimp some scratch out of her.” The baboon liked that banana I threw him. He was ready to talk the pimp game. He said, “The suckers in Hell want ice water, but it’s late for them. They ain’t never going to get no ice water. The way you start with a bitch is the way you end with a bitch. You can start pimping hard on a bitch and then sucker out and blow her, but ain’t no way you can turn it around and pimp on Pepper after starting with her like a sucker. Forget her and get down on a fresh bitch.” I said, “You mean there is no way to get any scratch out of her?” He said, “Now you see I didn’t say that. I said you couldn’t pimp any scratch outta her. A foxy cold-blooded stud can always find an angle to cross a broad outta scratch.” I said, “I’m not foxy, but I think I could be cold blooded enough to cross that slick bitch Pepper. Weeping, you are the fox. Lay some game on me and put me to the test. I’ll split any scratch I take off right down the middle with you.” I hadn’t noticed it was raining. Now it was raining hard enough so that Weeping had turned to run up the window on his side. He had just raised it and was about to answer my proposition when there was a frantic rapping on his window. It was one of his whores. Through the closed window of the locked door she said loudly, “Daddy, open the door! My feet are soaked. Nothing is happening out here tonight, and besides I am hot as Hell. The vice is watching me. It’s Costello. He told me to get off the street or he would bust me. Please open the door.” Weeping was a cold gorilla all right. He sat there for a long moment. His monkey face was tight and hard. He casually opened the wind wing as the rain beat down on his whore. She stuck her nose through it. Without moving toward the wing, sitting erect in the car seat he hollered, “You bullshit Bitch, make something happen. You a whore, you suppose to be hot. Let Costello bust you. He can’t make a beef stand up unless he ketches you with a trick. You dumb chickenhearted bitch, whatta you think I got this ass pocket full of ‘fall’ scratch for? Now get out there and work. Don’t worry about the rain. Walk between the rain drops, Bitch.” He slammed the wing shut. Her face was wild and angry through the murky glass. Her doperotted teeth were ragged fangs in the dimness as she pressed her face close to the glass. She screamed, “You just lost a girl. You had four, now you got three. I’m cutting you loose, Shorty.” Weeping let his window down and stuck his head out into the rain as she walked away. He was all gorilla now. He screamed, “Bitch, I give you odds you won’t split. As much of my dope you been shooting, I’m playing ketch up. You rank Bitch, you know if you split I’ll find you and stick my knife in your stinking ass and gut you to your breast bone.” I wondered if he had lost her. He read my mind. He said, “She ain’t going nowhere, look at this.” He turned his car engine on and started the windshield wiper so we could see the street. There she was back out there in the rain whistling and waving at the passing cars. He switched the engine off. He said, “That bitch knows I ain’t jiving. She’ll make me some scratch this morning. Now Youngblood, about Pepper. You don’t know anything about her. You ain’t long out of the joint. I like you, so my advice is the same I gave you at first. Forget her. Try in another spot.” What he said about my not knowing her made me curious. I said, “Look Weeping, I know you like me, and if you do, run Pepper down for me.” “Did you know that peckerwood of Pepper’s is the bankroll behind the biggest policy wheel in town?” I said, “No, but if the old man is flush isn’t that good. Why give Pepper up because she’s in shape. If you gave me an angle I could get some of that policy scratch.” “Look Blood, brace yourself. Here is the rest of the rundown. Pepper is a rotten freak broad. You ain’t the only stud she freaks off with. I could name a half dozen who ride her. The dangerous one is Dalanski the detective. He is in a bad way over Pepper. If he ever found out you were freaking off with her, Blood, shame on your ass.” I was shaken by the rundown. Like a sucker I believed that I was the whole show in her love life. I was thinking like the young punk I was. I said, “Are you sure there are that many studs laying her?” He said, “Maybe more.” I had a bellyache and a worse headache. I felt lousy. I mumbled, “Thanks for the advice and the run down, ‘Weeping.’” I got out of the Buick and walked home in the rain. When I got there it was three thirty and Mama was angry, worried and raving. She was right of course. I was violating my parole to be out after eleven P.M.
I was coming out of the drug store to make a delivery when I bumped into him on the sidewalk. It was old “Party Time.” While doing his year for our caper he had copped a lonely-hearts broad through the mails. She went his train fare. He finished the bit and went to visit her and made a home. She had died and the home went to relatives who threw him out. After five bits he was still full of crooked inspiration. I liked him, but not enough to join him again in a hustle. I had only been out four and a half months. I cooled it and avoided him in a smooth way. I hadn’t touched Pepper in a week. She had called the drug store twice just before closing. She had made licking and sucking sounds to get me out to her place. I made excuses and put her off. I wondered at the time why I was so important when she was a douche bag for that mob that was laying it into her. The day before Weeping brought me a proposition, Dalanski, the roller, came into the drug store for cigarettes and gave me a thoughtful look. I was walking home. It was my day off. It was Saturday night around nine. I had been to see a prison movie. It was a grim drama. A young green punk tried a double cross. He was criss-crossed into the joint. He made deadly enemies while doing his long bit. When he got out, a long black short pulled up and riddled him with a tommy gun. A big black car was pulling to the curb toward me. There was something familiar about that small pinhead driver. It was Weeping. He jerked his head and opened the car door. I went over and got in. He was excited. At first I thought because his car was clean. He told me, “Blood, put a smile on your face. Old Shorty’s got good news for you. How would you like a half a G in your slide?” I said, “All right, give me the poison and take me to the baby.” He said, “I ain’t shucking. It’s cream-puff work. In fact Tender Dick, it’s what you like to do best. Want the run down?” “If you are going to tell me some broad is going to lay out fivehundred frog skins to get her rocks off, say it. I would lay a syphillis patient that died a week ago for that kind of scratch.” Then he said, “Pepper is the broad. All you have to do is take her to bed and go through a full circus with her, that’s all. Are you game?” “Yes, if I get a rake off from the bleacher seats, I said, “and you tell me who wants the show on.” His eyebrows jitterbugged. He was a slick joker. I should have run from him. He said, “No, I can’t tell you who. Don’t worry about the scratch, it’s guaranteed. Are you in?” I said, “Yes, but I want to know more. Like why?” The tale he told me went like this. A fast hustler from New York who specialized in pressure rackets saw a chance to trim Pepper’s old man out of a bundle. The hustler knew that Pepper was a dog and a freak. He also knew that Pepper’s old man was hung up on her. Even though he had met her in a whorehouse and squared her up, he was dangerously jealous of her and unpredictable if he caught her wrong. The hustler felt that Pepper would be in a sweet state for pressure if solid evidence could be gotten showing Pepper as the dog she was. The hustler was sure he could force her to help him in his scheme to trim the old man. He needed clear unfaked photographs. His plan would be simple. Once he got the club over Pepper’s head, he would force her to sneak in phony “hit” slips against the policy wheel. The hustler had discovered that for Pepper, from her inside position in the wheel, it would be very simple. The hustler would pay me five bills after I had brought Pepper to a prearranged set up. I was all for the scratch, and eager to give Pepper some grief for the way she had used me, and outslicked me. Weeping told me the trap was set. I was to wait until Pepper itched enough to call me. I was not to call her. Whenever she called I was to tell her to meet me in the bathroom of an old, but still elegant hotel on the fringe of the arcade and shooting gallery section of town. I was then to call him. I was to make sure that at least two hours passed between her call and when I went to the desk and asked for the key to apartment two-fourteen. My name would be Barksdale. That name I’ll never forget if I live to get a hundred. On the third day after I had gotten the rundown on the trap, Pepper called the store. It was eight fifty-five P.M., five minutes before closing. I answered the phone. She was burning blisters for one of our parties. She invited me to her place as usual. I told her that I had to tidy up the store and also mail an important package at the downtown post office for my boss. I asked her if she could get dressed and meet me by ten-thirty in the bar room of the hotel. It would be more convenient that way. She agreed. I called Weeping. He told me to maneuver Pepper’s face toward the head of the bed as much as possible when we got into the act. I went to the bar room and drank rum and coke until she got there. I almost felt sorry for her when I saw her coming through the door. She looked so innocent and clean, not at all like the cruddy filly that humped up a funky lather beneath a mob of jockeys. We took a booth so I could watch the clock. She was Jacqueline the Ripper with a fly, but she had a great gentle touch inside if you know what I mean. She was a space buff all right. She was checking out my readiness for entry into inner space. At eleven sharp Mr. and Mrs. Barksdale picked up the key to their pad. We walked onto the stage. Wyatt Earp would have gone ape over the pad. It was overstuffed horse-hair living room. Gleaming brass bed, giant cherubs on the wall, Gideon Bible on the marble top bedroom table. Midget, efficiency kitchen cubicle. So what, we hadn’t come to cook. High on the wall over the bed were the two gold colored cherubs. Their eyes were holes, their mouths popped wide holding the light fixtures. When we got into the brass bed we got the show on the road. I was almost sure some steamed up joker in the adjoining room had his gizmo focused on the carnival through a drilled hole peeking from a cherub’s empty eye socket. Pepper let me out of her Hog at one-thirty in the A.M. just two blocks from Weeping’s whore stand. I felt good. I was going to collect five fat ones for my pleasant night’s work. It was like having a license to steal. I spotted Weeping’s pin-head in his Buick. As I walked toward him, I couldn’t stop thinking about that Eastern blackmailer. I thought about that green rain that would fall when Pepper started rolling those phony hits in. I thought about how I could catch a few palms full. Smooth as silk the pay-off came off. When Weeping handed me my scratch he gave me a funny look. He said, “Take it easy Blood, take it easy.” The next day I went downtown and got clean. It was the early years for the Nat “King” Cole Trio. They were playing for a two-buck dance that night at Liberty Hall. Party and I were in the balcony at a table overlooking the crowded dance floor. We were slaving like sand hogs trying to tunnel into the flashy high yellows on our laps. They were almost stoned. Ready for the killing floor. Party saw him first coming in the front door of the auditorium. He knifed me in the side with his elbow. Then con style, from the side of his mouth, he whispered, “Dalanski, the heat.” The bastard’s head was on a swivel. He was looking everywhere at once. I felt mad butterflies with stingers ricocheting in my belly when his eyes spotted me and locked on me. I froze, his eyes were still riveted to me as he walked up the stairway straight for me. I pretended to ignore him. He walked up behind me and stood there for a long moment. Then he dropped a hand like an anvil on my shoulder. He said, “Get up! I want to talk to you.” My legs were shuddery as I stood in a small alcove with him. He said, “Where were you around ten and after last night?” Relief and courage flooded me. That was easy; I hedged. “Why?” He said, “Look punk, don’t get cute. Where were you? Don’t answer. I know where you were. You were out on Crystal Road in the nighttime burglarizing the home of Mr. and Mrs. Frank Ibbetts. Night-time burglary is five to ten.” My courage and relief swiftly drained out. Frank Ibbetts was Pepper’s old man. He was roughly frisking me now. He ran his hands into my side pockets. With one hand he brought out the three hundred dollars left from my pay-off, plus twenty clean dollars. The other came out with a strange brass door key. He said, “Jeez, for a flunky in a drug store you got a helluva bankroll. Where did you get it and where and what does this key fit?” I said, “Officer, that’s crap-game money. I have never seen that key before.” He grabbed me firmly like he had captured Sutton and walked me through the dancers out the door to his short. He took me down and booked me on suspicion of Grand Theft burglary. He also booked the scratch and key as evidence. Mama came down bright and early the next morning. She was in a near fainting dither. She was clutching her chest over her heart. She said, “Bobby, you are going to kill your mama. You haven’t been out six months and now you are back in trouble. What’s wrong with you? Are you crazy? You need prayer. Get down on your knees and pray to the good Lord.” I said, “I don’t need to pray. Mama, believe me there is nothing to worry about. I didn’t steal anything from Pepper’s house. I am not nuts. Pepper will tell them the truth. Mama, I was with her.” I got my first nightmare inkling of the cork-screw criss-cross when Mama broke into tears. She rolled her eyes to heaven. She blubbered, “Bobby, there’s no hope for you. You are going to spend your young life in prisons. Don’t you know Son, your mama loves you? You don’t have to lie to me.” “I went out to see her early this morning,” she said. “She told me she hasn’t seen you in a week. Mr. Dalanski has brought Pepper’s spare key down here. That key in your pocket was one you stole when you made a delivery out there.” Finally, she went down the corridor. Her shoulders were jerking in her sobbing. It was an iron cross. My public defender went to that hotel to get corroboration for my alibi. The joint had been too crowded, too hectic. None of the employees remembered Pepper and me. At least they said they didn’t. The desk man on that night had been a substitute and wasn’t now available. My signature wasn’t on the register anyway. I went into court again with the dirty end of the stick. I was a parolee arrested at one A.M. with a bottle of whiskey in front of me in a public place. Pepper looked like a prospect for a convent. She had stripped herself of paint and gee-gaws. She testified that the key found in my slide was her’s, and that yes, it was possible that I had stolen it while making deliveries to her home. No, she had not seen me for a week before my arrest. My defender had gotten a change of venue. I was afraid to go before the judge who had sent me to the reformatory. I got two years in state prison for grand theft, the amount, fivehundred dollars. My parole was to run concurrently with the new sentence. Pepper’s old man was with her in court. They bought the cross. I couldn’t figure who had sold it to them. Was Dalanski the joker that Weeping worked for? Or had Dalanski heard that I had a wad, and without knowing anything about the hotel affair sold it to Pepper? For what reason had the old man bought it? Had those hotel employees been bribed or threatened? If Dalanski was the brain, did he want me out of the way for a reason other than Pepper? Maybe some day I’ll find out what really happened. I know if I had had lots of scratch Miss Justice would have smiled on me. She favors the bird with the scratch. The Waupun State Prison was tough, but in a different way than the reformatory. Here the cons were older. Many of them were murderer’s serving life sentences. These cons would never put up with the kind of petty tyranny that was practiced in the reformatory. Here the food was much better. There were industries here. A con could learn a trade if he wanted to. He could go into the yard during recreation hours and learn other trades and skills. Here the desperate heist men congregated to plot new, more sensational robberies. The fruits and punks lay on the grass in the sun romancing each other. This was a prison of cliques, of bloody vendettas. I found my level with the soft spoken smooth Midwestern pimps and stuff players. Since I was one of the youngest cons in the joint I bunked in a dormitory. It was like a suite in the Waldorf compared to the bug infested tight cells in the reformatory with their odious crap buckets. It was there in that dormitory that I got the insatiable desire to pimp. I was a member of a clique that talked about nothing except whores and pimping. I began to feel a new slickness and hardness. I worked in the laundry. I kept my clothing fresh and neat. It was in the laundry that I met the first man from whom I got cunning to balance my hardness. He was an old Drag man with his bit getting short. He was the first to attempt to teach me to control my emotions. He would say, “Always remember whether you be sucker or hustler in the world out there, you’ve got that vital edge if you can iron-clad your feelings. I picture the human mind as a movie screen. If you’re a dopey sucker, you’ll just sit and watch all kinds of mindwrecking, damn fool movies on that screen.” He said. “Son, there is no reason except a stupid one for anybody to project on that screen anything that will worry him or dull that vital edge. After all, we are the absolute bosses of that whole theatre and show in our minds. We even write the script. So always write positive, dynamic scripts and show only the best movies for you on that screen whether you are pimp or priest.” His rundown of his screen theory saved my sanity many years later. He was a twisted wise man and one day when he wasn’t looking, a movie flashed on the screen. The title was “Death For an Old Con.” He died in his sleep behind the high gray walls. His fate was that which lives like a specter with all cons. The fear of dying in a cell. I sure missed that convict philosopher. The wisdom he taught me took me successfully through my bit. I was released after twenty-one months. I got three months “good time” for good conduct. With “good time” I was free, hard, slick and bitter. No more small towns for me. I was going to the city to get my degree in pimping. The Pepper cross had answered a perplexing question for me. Why did Justice really always wear a blindfold? I knew now. It was because the cunning bitch had dollar signs for eyeballs.
4 A DEGREE IN PIMPING
When I got back to Milwaukee, Mama, and the street, my mind was straitjacketed into the pimp game. Back in the joint I had dreamed almost nightly. They were cruel playets. They were fantastic. I would see myself gigantic and powerful like God Almighty. My clothes would glow. My underwear would be rainbow-hued silk petting my skin. My suits were spun-gold shot through with precious stones. My shoes would be dazzling silver. The toes were as sharp as daggers. Beautiful whores with piteous eyes groveled at my feet. Through the dream mist I would see huge shaped stakes. The whore’s painted faces would be wild in fear. They would wail and beg me not to murder them on those sharp steel stakes. I would laugh madly. Springs of scarlet would spurt from their behinds as I joyfully booted them crotch first onto the sharp pikes. They would flop around like dying chickens. They would finally fall away in a welter of blood into two red halves. When I awoke my ticker would be earthquaking inside me. The hot volley of the savage thrill lay sticky set between my trembling thighs. I had other terrible dreams. I would be very tiny. A gargantuan Christ in a sea of light would be towering above me. In his anger his eyes would be blazing blue suns. His silky platinum hair would stand on end in his rage. A shaft of purest white light would shoot from the tip of his index finger. He would point toward a woman. Her back would be turned to me. He would hand me a barbed leather whip. Like a crash of summer thunder he would command, “Punish this evil woman. Destroy the devil inside her. The Lord so directs thee.” Eagerly I would grab the heavy whip in both hands. I would bring it down with all my force on the woman’s back. She would just stand there. The scarlet would drain down from her slashed back. She would be standing to her knees in a river of blood. She would turn her brown agonized face toward me. It would be Mama. I would be shaking and screaming in my sweat. It was horrible. I could never cut the dream off until its end. It had to run its fearful course. The dreams about Mama came until her death. For a day or two following them, these dreams would recreate in day- dreams. Sudden dark arrows of depression and regret would stab into that open sore in my mind. I would get high. The narcotics seemed to ward off like armor the stealthy arrows. After a week of rest and Mama’s soulfood, my color and strength came back. On a Saturday night I decked myself out in one of the vines and topcoat I had bought the day before Dalanski busted me. I remembered the pimp rundowns at the joint. I had learned my first step had to be a fast cop. I needed a whore to hit the city scene. I had to get on that fast track to pimping. I was only several months away from age twenty. My baby face was gone. I was six feet two. I was as thin as a greyhound on a crash diet. I went into an underworld bar, The 711 Club, crowded with pimps, whores, and thieves. I stood at the far end of the bar stalling with a coke. I faced the front door. I turned and asked the slightly familiar elephant beside me about Weeping and Party. He turned his head. His dime-sized eyes got stuck in my fly’s zipper as he looked me over head to toe. He remembered me. He said, “About a month ago your boon coon Party caught sixty in the county. One of them tight pussys opened his nose wide enough to drive a freight train through. He caught a stud whamming it into her. The stud quit the scene. The broad had to go to a croaker to get Party’s shoe outta her ass.” Then after pausing to thumbnail a ball of snot from his trunk, he said, “Old Weeping fell dead outside a shooting gallery in Saint Paul. Musta’ shot some pure, cause a lookout on the sidewalk heard him mumble before he croaked. Well kiss my dead mammy’s ass if this ain’t the best smack I ever shot.” The elephant again raised his hoof toward his filthy trunk. The sissy barkeep sat a fresh bottle of coke on the log before me. I yanked my eyebrows into a question mark. He lisped, “The runty black bitch in the middle of the bar sent you a taste.” Without taking my eyes off his thin yellow face, I said, “Sugar, run her down to me. Is the bitch qualified? Is she a whore? Does she have a man?” The corners of his mouth see-sawed. He slugged his soggy, dirty bar rag against my reflection on the bat top. He almost whispered, “The bitch ain’t nothing but a young skunk from Saint Louis. She ain’t nothing but a jazzy jive whore. I’m more whore than she is. She ain’t got no man. She’s a come freak She’s Georgied three bullshit pimps since she got here a month ago. If your game is strong you could play a hog outta her ass. She ain’t but eighteen.” I eased a bone from my pocket, put it on the bar for the fresh coke. I frantically remembered those pimp rundowns in the joint. I said, “Tell the bitch no dice. I’ll take care of the little things, and if she is qualified maybe I’ll let her take care of the big things. Give the bitch a drink on me.” On the juke box Ella Fitzgerald was crying about her “little yellow basket.” The bar keep twinkle-toed toward her with the wire and drink. Through the blue mirror I zeroed my eyes in on the target. My ass bone starched on stiff point. Her big peepers were two sexy dancers in the velvet midnight of her cute Pekingese face. Hot scratch fever streaked through me. I thought, if I could cop her and get a pimp’s terms she would be out of pocket poison to all white tricks that pinned her. Those pimps back in the joint sure knew basic whorology. I was glad my ears had flapped to all those rundowns. They had said, “Chase a whore, you get a chump’s weak cop. Stalk a whore, you get a pimp’s strong cop.” My turn down of her measly first offer had her jumpy. It was a slick sharp hook twisting in the bitch’s mind. Her juicy tongue darted out like a red lizard past her ivory teeth. It slithered over the full lips. She wiggled toward me in an uneven race with the bar keep. He was sliding her green drink between me and the elephant. I heard a low excited trumpeting in the trunk of the elephant. He had dug her flawless props and gourmet rear end. It was rolling inside her glove-tight white dress. I painted a lukewarm indifferent grin on my face as she perched on the stool. I noticed a roll of scratch wedged deep between the black peaks. She said, “Who the hell are you, and what is that ‘off the wall’ shit you cracked on the bartender?” My eyes were sub-zero spotlights on her face. I said, “Bitch, my name is Blood, and my wire wasn’t ‘off the wall.’ It was real, like me. Bitch, you sure got a filthy, sassy job. It could get your ass ruptured.” The big vein at the temple in the tiny dog face quivered. Her rapper was shrill. She bleated, “I ain’t no bitch. I’m a mother-fucking lady. The stud ain’t been pulled outta his mammy’s womb that kicks my ass. Goddamnit, call me Phyllis. Be a gentleman and respect me. I’m a lady.” The icy blasts busted the thermostat in my spotlights. I could feel my cool spit on my lips as I roared, “You stinking black Bitch, you’re a fake. There’s no such thing as a lady in our world. You either got to be a bitch or a faggot in drag. Now Bitch, which is it? Bitch, I’m not a gentleman, I’m a pimp. I’ll kick your funky ass. You gave me first lick. Bitch, you’re creaming to eat me up. I’m not a come freak, you are. I’m a freak to scratch.” My blast had moved her. Those joint rundowns sure worked. I could see those sexy dancers were hot as hell there in the midnight. She was trying to conceal from me the freakish pain-loving bitch inside her. She was comical like that fire-and-brimstone preacher. He was trying to hide his hard-on from the cute sister in the front pew flashing her cat for him. The broad was speechless. I had called all the shots. I turned toward the crapper. As I walked away I bombed her. I said, “Bitch, I’m splitting when I come out of that crapper. I know your pussy is jumping for me. I know you want me for your man. Some lucky bitch is going to steal me from you. You better toss that bullshit out of your mind. Get straight Bitch, and tell me like it is on my way out. You had your chance. After tonight you don’t have any.” Inside the crapper I ripped a wad of paper from its holder. I wrapped the saw buck and the four singles around it. Whatever happened out there, I had to show a bankroll. I stood there in the crapper. I was letting the heat seep deep into that bitch out there. Was I going to cop my first whore? My crotch was fluttery at the thought of it. I walked out of the crapper. She was outside the door. I almost trampled her. I ignored her. I walked to the bar to pay my light tab. She was peering over my shoulder. I peeled the saw buck off. I told the barkeep, “Steal the change and cop a hog.” His bedroom gray eyes sparkled. His delicate pinkie scooted the saw buck back to me across the log. He said, “Sweetie, it’s on me. Come back at two and cop a real girl.” She tugged at my sleeve as I turned from the bar. She looked up at me. Those dancers had stripped. I looked down at the hot runt and said, “Well Bitch, it’s your move. Do I cut you loose?” She grabbed my shoulder. She pulled me down toward her. I could feel her hot breath on the side of my head. She popped that lizard tongue into my ear almost to my eardrum. It sent hot shivers through me. I stayed cool. I turned my head and knifed my teeth into the side of her neck. I don’t know why she didn’t bleed. She just moaned. Then she whispered, “You cold-blooded sweet mother-fucker, I go for you. Let’s go to my pad and rap.” We walked to the slammer. I glanced back. The elephant was staring at us. His tongue was frenching his chops. His trunk was twitching for a party. On the sidewalk she handed me the key to her yellow thirty-six Ford. I was lucky. I had been taught to drive the laundry truck back in the joint. The Ford’s motor sang a fine tune. It wasn’t a pimp’s “wheels,” but it sure would make the trip to the city track. I drove to her pad. On the way she played on me. She was setting me up for the Georgia. That lizard thought my ear was a speedway. It did a hundred laps inside it. I was still green. I shouldn’t have let her touch me. Her pad was a trap for suckers all right. She had pasted luminous white stars on the hotel room’s blue ceiling. There was one blue light. It glowed sexily from behind a three-foot plaster copy of Rodin’s “The Kiss.” There was a mirror over the bed. There were mirrors on the walls flanking the bed. There was a polar-bear rug gleaming whitely in front of a blue chaise lounge. I sat on the lounge. She flipped on the portable record player. Ellington rippled out “Mood Indigo.” She slipped into a cell-sized bathroom. Its door was half shut. The peke was digging a washcloth into her armpits and cat. She was nude. She sure was panting to swindle me out of my youth. I wondered if and where she had stashed that roll of scratch. She came out belly dancing to the “Indigo” sex booster. She was a runt Watusi princess. Her curvy black body had the sheen of seal skin. I had one bitch of a time remembering the dialogue that covered this kind of a situation. What had the pimps in the joint said: “You gotta back up from them fabulous pussys. You gotta make like you don’t have a swipe. You gotta keep your mind on the scratch.” “Stay cold and brutal. Cop your scratch first. Don’t let ’em Georgia you. They’ll laugh at you. They’ll cut you loose like a trick after they’ve flim- flammed you. Your scratch cop is the only way to put a hook in their stinking asses.” She danced toward the head of the bed. She stooped over and raised the edge of the red carpet. Her rear end swayed to the “Indigo.” It was grinning at me. It was theatre in the round for sure. She danced toward me. She had two thin reefers in her hand. That box at the side of the bed had rejected and “Indigo” was encoring. She stood between my legs. Even through the trouser cloth I could feel the hot dampness of her outer thighs. The inner surface of my kneecaps tingled under the heat. She quivered and rolled her jet satin belly under my nose. Her humming of the “Indigo” was low and throaty. She sure qualified as the package the pimps had warned about. My twenty-one month cherry was aching to chunk out. She took a lighter off the cocktail table. She ran the sticks in and out of her mouth to get an even burn. She lit them and handed me one. She said, “Daddy, this is light green pot from chili gut country. It will make us mellow. Why don’t you take your clothes off?” I took a deep pull on the stick of reefer. I looked up into the sultry dreamy eyes. I parroted, “Bitch, don’t put shit in the game. Business always comes before pleasure in my book. I’ll take my clothes off when I know I’m taking them off with my whore. I don’t sucker for the Georgia. Jar loose from respectable scratch, Bitch.” I had heard it verbatim in the joint. It worked like a lie detector. The motor in her belly threw a rod. Her eyes had a far away look. She was busy tailoring the con for me. She collapsed to a yogi squat on the polar bear rug. Her moon was winking at me. Her voice was bullshit sweet. She warbled, “Sweetheart Daddy, you already shot me down. I’m your sweet bitch. I got a C note coming from a trick with his nose open for me. He’ll spring for it tomorrow night. It’s yours, but you got to wait. Now come on and put your freak baby to bed.” My system had been clean. The reefer was powerful. She didn’t know how desperately I needed to pimp. She couldn’t know she was the first. I couldn’t let her escape. I had to have a whore. That reefer was sending currents of anger and hatred through me in time with “Indigo.” My mortal enemy squatted on that white rug. I thought, “I’m going to murder this runt black bitch if she don’t give me that scratch she had in her bosom.” Like a brute cop giving a heist man a last chance to confess, I said, “Bitch, give me that scratch you had between your tiddies.” Her peepers ballooned in surprise and anger. She gritted, “You’re pimping too hard skinny ass nigger. I have changed my mind. Get your lid and benny and split.” The “Indigo” was on a torrid upbeat. Like brown-skin lightning I leaped erect from the chaise. I flung my right leg back. I could feel the tendons at my hip socket straining. My eyes sighted for a heart shot. My needle-toed eleven triple-A shoe rocketed toward her. The lucky runt turned a fraction of a second in time. The leather bomb exploded into her left shoulder blade. It knocked her flat on her belly. She lay there groaning. Then like in the dreams in the joint, I kicked her rear end until my leg cramped. Through it all she just moaned and sobbed. I was soaked in sweat. Panting, I lay on the bear-skin beside her. I thrust my mouth against her ear. In an icy whisper I said, “Bitch, do I have to kill you to make you my whore? Get up and give me that scratch.” She turned her head and looked into my eyes. There was no anger in them now, only fear and strange passion. Her tremulous mouth opened to speak. For a long moment nothing came out. Then she whispered, “You got a whore Blood. Please don’t kick me any more. I’m your little dog. I’ll do anything you say. I love you, Pretty Daddy.” Her talons stabbed into the back of my neck as she tried to suck my tongue from its roots. I could taste her salty tears. She wobbled to the record player. She lifted a corner of it. She slid that wad of scratch from beneath it. She rejected “Indigo.” She put another platter on the turntable. “Lady Day” was singing a sad lament. “My man don’t love me, treats me awful mean. He’s the meanest man that I ever seen.” I was standing on the bear skin. She came toward me with the scratch in her hand. She laid it in my palm. I riffled it in a fast count. It was respectable. It had to be over two bills. I was ready to let that cherry pop. I scooped the ninty-pound runt up into my arms. I bit her hard on the tip of her chin. I carried her to the side of the bed. I hurled her onto it. She bounced and lay there on her back. She was breathing hard. Her legs were a wide pyramid. I got out of my clothes fast. I snatched the top sheet off. I ripped it into four narrow strips. I tied her hands to the bed posts. I spread eagled her legs. With the longer strips, I tied her legs to the top of the springs at the sides of the bed. She lay there a prisoner. I put her through the nerve shredding routines Pepper had taught me. She blacked out four times. She couldn’t pull back from the thrilling, awful torture. Finally, I took a straight ride home. On the way I tried to smash the track. I reached my destination. The blast of hate was big enough to spawn a million embryo black pimps. I untied her. We lay there in the dim blueness. The fake white stars glowed down on us. “Lady Day” still moaned her troubles. I said, “Bitch, I want you to hump like Hell in these streets for a week. We’re going to the big track in the city. Oh yes, this week we got to get that title to the Ford changed. I don’t drive no bitch’s wheels. It’s got to be in my name, understand?” She said, “Yes, Daddy, anything you say. Daddy, don’t get angry, but I was bullshitting about that C note trick.” I said, “Bitch, I knew that. Don’t ever try to con me again.” I got up and put my clothes on. I peeled a fin off the scratch and put it on the dresser. I said, “I want you in the street at six tonight. Stay out of the bars. Work the area around Seventh and Apple.” “I’ll come through sometime tonight. You be there when I show. If you get busted your name is Mary Jones. If you forget it I can’t raise you fast. Have some scratch whenever I show.” I went down to the street. I got into my Ford. It roared to life. I drove toward Mama’s. I felt good. I wasn’t doing bad for a black boy just out of the joint. I shuddered when I thought, what if I hadn’t kept my ears flapping back there in the joint? I would be a boot black or porter for the rest of my life in the high walled white world. My black whore was a cinch to get piles of white scratch from that forbidden white world. Mama was pressing a young customer’s hair. She saw me get out of the Ford in front of the shop. She called me inside with a waggle of the pressing comb. She said, “I have been worried. Where have you been all night? Where did you get the pretty little car? Did you find a job?” I said, “A friend of mine let me borrow it. Maybe he’ll sell it to me. I stayed with him all night. He’s got a hundred-and-three fever. I’ll try to find a job tomorrow.” She said, “There’s a roast in the oven. Shut the gas off and eat. I hope, Son, you haven’t been with Pepper.” I looked down at the nut brown, shapely girl getting her hair pressed. I said, “Pepper? She’s too old for me. I like young pretty brownskin girls. Pepper’s too yellow for me.” The young broad flashed her eyes up at me. She smiled. I winked and ran my tongue over my lips. She dug it. She blushed. I put her on file. I turned and walked to the sidewalk. I went upstairs and attacked the roast. I took a long nap. At five-thirty P.M. I went down and got into the Ford. I drove to Seventh and Apple. I parked. At five minutes to six I saw Phyllis coming toward me. She was a block away. I fired the engine and pulled away. It sure looked like I had copped a whore. I went back at midnight. She looked mussed up and tired. She got into the car. I said, “Well, how goes it Baby?” She dug in her bosom and handed me a damp wad of bills. I counted it. It was a fin over half a C. She said, “I’m tired and nasty, and my shoulder and ass ache. Can I stop now, Daddy? I would like a pastrami and coffee and a bath. You know how you kicked me last night” I said, “Bitch, the track closes at two. I’ll take you to the sandwich and coffee. The bath will have to wait until the two o’clock breakdown. You needed your ass kicked.” She sighed and said, “All right Daddy, anything you say.” I drove her to an open-air kosher joint. She kept squirming on the hard wooden bench. Her butt must have been giving her fits. She was silent until she finished the sandwich and coffee. Then she said, “Daddy, please don’t misunderstand me. I like a little slapping around before my man does it to me. Please don’t be as cruel as you were last night. You might kill me.” I said, “Baby, never horse around with my scratch or try to play con on me. You blew my stack last night. You don’t have to worry so long as you never violate my rules. I will never hurt you more than to turn you on.” I drove her back to the track. She got out of the car. As soon as she hit the sidewalk, two white tricks almost had a wreck pulling to the curb for her. She was a black money-tree all right. The next day I took her to a notary. In ten minutes we walked out. She gave me the three bills back that I had paid her for the Ford. It was legal now. She wasn’t beefing. Her bruises were healing and she was ripe for another “prisoner of love” scene. She finished the week in great humping style. I had a seven-bill bankroll. Sunday evening I packed the runt’s bearskin and other things into the trunk of the Ford. I parked around the corner from Mama’s. I went up to get my things together. Mama caught me packing. Tears flooded her eyes. She grabbed me and held me tightly against her. Her sobbing was strangling her. She sobbed, “Son, don’t you love your Mama anymore? Where are you going? Why do you want to leave the nice home I fixed for you? I just know if you leave I’ll never see you again. We don’t have anybody but each other. Please don’t leave me. Don’t break my heart, Son.” I heard her words. I was too far gone for her grief to register. I kept thinking about that freak, black money-tree in the Ford. I was eager to get to that fast pimp track in the city. I said, “Mama, you know I love you. I got a fine clerk’s job in a men’s store in the city. Everybody in this town knows I’m an excon. I have to leave. I love you for making a home for me. You have been an angel to stick by me through those prison bits. You’ll see me again. I’ll be back to visit you. Honest, Mama, I will.” I had to wrestle out of her arms. I picked up my bags and hit the stairs. When I reached the sidewalk, I looked up at the front window. Mama was gnawing her knuckles and crying her heart out. My shirt front was wet with her tears.
5 THE JUNGLE FAUNA
The yellow Ford ran like an escaped con. We got to Chicago in two hours. We checked into a hotel in a slum neighborhood, around 29th and State Streets. We took our stuff out of the Ford’s trunk. It was ten P.M. I threw some water on my face. I told the runt to cool it. I went out and cruised around to case the city. I turned the wipers on. A late March snowfall was starting. About a mile from the hotel I saw whores working the streets. I parked and went into a bar in the heart of the action. It stank like a son- of-a-bitch. It was a junkie joint. I sat sipping on a bottle of suds; I couldn’t trust the glasses. A cannon with a tired horse face took the vacant stool in my right. His stall took the one on the left. The stall had a yellow fox face. Out of the corner of my eye I saw him pinning me. He snapped his fingers. I jerked my head toward him. He said, “Brother, you are lucky as a shit-house rat. What size benny and vine you wear? I’m Dress ’em up Red. Stand up brother so I can dig your size. I got a pile of crazy vines dirt cheap.” I stood up facing him. He ran his eyes up and down me. He unbuttoned my top coat. He pulled my vine’s lapels. He shoved me back toward Horseface. I stumbled, half turned to apologize to Horseface. There was a streaking blur behind me. It was so fast I couldn’t have sworn I had seen it. I found out later what it had been. Horseface showed his choppers, got off the stool and trotted through the slammer. I faced the stall. I said, “Jim, you got my size? Do you have any black mohairs?” The stall smiled crookedly at me. He straightened my tie. He said, “Slim, I got blue and black mohair, I can fit you like Saville Row in London. You want the blue too? The bite is two for fifty slats.” I said, “Man, let’s go. I am ready to cop.” His brow telescoped like I was going to open a door and catch his mother crapping in my hat. He started oozing toward the slammer. He said, “Brother, I don’t know you well enough to trust you. I got to protect my stash. Wouldn’t it be a bitch if you went with me and copped? What if you came back later and beat me?” “No, Slim, cool it. I’ll be back in twenty minutes with the vines. Here’s a slat. Get a taste on Dress ’em up Red.” I ordered another beer. I was trying to stall that twenty minutes out. I sure needed those vines. After an hour I figured Dress ’em up Red got busted or something. I asked the fat broad tending bar where the swank joints were. She named a few, and gave me directions. My bill was eighty cents. I left a twenty-cent tip and walked to the Ford. The wind wing on the street side gaped open. It had been jimmied. The car door had been unlocked through it. I got in. I remembered the runt’s costume jewelry had been locked in the glove compartment. I unlocked it. Some slick bastard had slit the cardboard bottom from underneath. There wasn’t even an earring left. I started the motor and turned the lights on. The snow had stopped falling. My headlights beamed on a squatting junkie whore with a Dracula face peeing in the gutter. She grinned toothlessly into the glare like maybe she was a starlet taking bows at a movie premiere. I thundered the motor. She stood up wide legged. Her cat was a mangy red slash. She was holding up the bottom front of her dress with her rusty elbows. Her long black fingers were pulling her snare wide open to stop me. As I shot by her, she shouted, “Come back here Nigger! It ain’t but a buck.” I drove through the snow-slushed streets. The streetlights were dim halos in the murk. I thought, “I can’t put the runt down in a spot like back there. I have to find somebody to give me a rundown.” I drove a hundred blocks. Suddenly a huge red neon sign glittered through the gloom. It read “Devil’s Roost.” It was one of the joints the fat broad at the hype bar had told me about. Gaudy Hogs and Lincolns were bumper to bumper. They pigged the parking spaces on the Roost’s side of the street. I parked across the street. I got out of the Ford and crossed the street. I started walking down the sidewalk toward the Roost. “The Bird,” Eckstein and Sarah sent a crazy medley of soul sounds from the rib and chicken joint’s loudspeakers. The street was as busy as a black anthill. Studs and broads in sharp clothes paraded the block. The hickory-smoked chicken and rib odors watered my mouth. I was at the point of stepping into one for a fast feast. The sign said “Creole Fat’s Rib Heaven.” I didn’t make it. A long, stooped shadow stood in my way. He was chanting at me like a voodoo doctor. He pointed toward a storefront. Its window was blacked out with blue paint. He sang, “Shootin’ ’em up inside, heavy and good. Scratch piled up like cords of wood. Geez you look lucky, Jack. Seven, eleven point right back. That’s sure you, Jack. Go in fast. Come out quicker. Lady Luck is a bitch but you can stick her.” His topcoat was a threadbare green-checked antique. The tops of his shabby black shoes had criss-cross holes snipped out. His bulging corns were humps pressing through the vents. He stank like a bootlegger’s garbage. There was something ghostly familiar in the banana yellow, Basset-Hound face. I said, “Jim, I’m not in the mood to whale the craps. Say, don’t I know you?” His transient eyes jerked their bags. They moved over my shoulder, searching down the sidewalk for a fresh prospect. His bald head glistened like a tiny yellow lake under the street lamp. He said, “Jack, I can’t put a pistol on you. I can’t force you to go inside and collect your scratch. Kid, you too young to know me. You might a heard of me. I’m Pretty Preston. I gave the whores blues in the night when I was pimping at my peak. Who are you?” His name triggered my clear memory of him. He had driven a gleaming black La Salle car. I had shined his shoes back in the pressing shop days. Then he had been sleek and handsome like a yellow Valentino. I remembered his diamonds. They had winked and sparkled brightly on his fingers, in his shirt cuffs, even on his shirt front. I thought, “Could this really be the same dandy? What had happened to him?” I said, “Preston, I know you. I’m the kid who used to shine your Stacy’s back on Main Street. Remember me? I’m pimping myself now. You sure pimped up a storm when I was a kid. What happened? Why are you steering for this craps joint?” He had a dreamy, far-away look in his dull brown eyes. He was probably remembering his long ago flashy pimp days. He sighed and put his arms around my shoulders. I walked with him through the door of the craps trap. The raw stink of gamblers’ sweat punched up into my nose. We sat on a battered sofa in the almost dark front of the joint. Through a partition I could hear the tinkle of silver coins. I heard the flat cackle of the bone dice laughing at the cursing shooters begging for a natural. He said, “Sure, Kid, I remember you. Christ, you got tall. I gotta be getting old. What’s your name? Kid, I been getting funky breaks since I came to this raggedy city twelve years ago. I’m just steering for a pal who runs the joint. “Hell he needs me more than I need him. I’m gonna catch a hot number, or a wild daily double. Old Preston’s name will ring again. How many girls you got?” I said, “Slim Lancaster, but they call me Young Blood. Blood for short. I only got one now, but with all the whores here I’ll have bookoos in a month. I just got in town tonight. I want to put my girl to work. Give me a rundown on some streets after I dash next door for a slab of ribs. I haven’t dirtied a plate since noon. Anything I can get you?” He said, “Blood, if you must do something, get me a half-pint of Old Taylor at the corner liquor store. I’ll rundown for you, but you ain’t going to like my tail-end rundown at all.” It felt good to step out into the fresh, chilly air. I stopped in the rib joint and put my order in. I saw the front of the Roost on my way to the corner. I tiptoed and peeked through the bottom of the window blind. The joint was jumping. Pimps, whores, and white men crowded the circular bar. Some skinny joker with scald burns on his face was fronting a combo. He tried to ape the Birds phrasing and tone. His tan face had turned black. He was choking on his horn. Mixed couples danced to “Stomping at the Savoy” on a carpetsized dance floor in the rear. Silk broads itching for forbidden fruit sat in booths lining the walls. Their faces glowed starkly in the red dimness. Their long hair flopped around their shoulders as they threw their heads back. They laughed drunkenly with their black lovers. I took my peepers out of the slot. I walked toward the corner to cop the bottle for Preston. I made a skull note to pop into the Roost after Preston’s rundown. I was fifty feet from the corner when I saw him. He was in the center of a small crowd. His high crown white hat was bobbing a foot above it. He was a nut brown giant. As I drew closer I could see his snow white teeth. His heavy lips were drawn back in a snarl. His wide shoulders jiggled. He was stomping on something. It was like maybe he was a sharply togged fire dancer or maybe a dapper grape crusher from Sicily. I squeezed through the crowd for a ringside view. He was grunting. His labor was yanking the sweat out of him. The crowd stood tittering and excited like a Salem mob watching the execution of a witch. The witch was black. She had the slant eyes and doll features of a Geisha girl. The chill breeze whipped back the bottom of his benny. The giant’s thigh muscles rippled inside the pants leg of his two-hundred-dollar vine. Again and again he slammed his size-thirteen shoe down on the witch’s belly and chest. She was out cold. Her jaw hinge was awry and red frothy bubbles bunched at the corners of her crooked mouth. At last he scooped her from the pavement. She looked like an infant in his arms. His eyes were strangely damp. He wedged through the crowd to a purple Hog at the curb. He looked down into her unconscious face. He muttered, “Baby, why, why do you make me do you like this? Why don’t you hump and stop lushing and bullshitting with the tricks?” Still holding her tenderly, he stooped and opened the front door of the Hog. He placed her on the front seat. He shut the door and walked around the Hog to the driver’s side. He got in and the Hog roared away into the night. The crowd was scattering. I turned to a fellow about my age. His eyes were glazed. He was sucking a stick of gangster. I said, “That stud would have gotten busted sure as Hell if the heat had made the scene.” He stepped back and looked at me like I was fresh in town from a monastery in Tibet. He said, “You must be that square, Rip Van Winkle, I heard about. He’s heat. He’s vice heat. They call him Poison. He’s got nine whores. He’s a pimp. That broad is one of ’em. She got drunk with a trick.” I went into the liquor store. It was five-after-twelve. I ordered the half pint. The clerk put it on the counter. I swung my topcoat away to get my hide in my hip pocket. I had two hundred in fives and tens in it. I had five C notes pinned to my shorts in a tobacco sack between my legs. My fingers touched the bottom of the pocket. My right hip pocket was empty. I was sure my hide had been on that side. I dug my left hand into the left pocket. Empty! Within seconds both my sweaty hands had darted in and explored all my pockets a half-dozen times. The clerk just stood there amused watching the show. His hairy paw slid the half pint back toward him away from foul territory. He said, “Whatsa matter, Buddy, some broad ram it into you for your poke or did you leave it in your other Strides?” My mind was ferreting. It back pedaled, tore apart the scenes and moves I had made. I was a confused, jazzy punk. I said, “Jack, your score is zero. I’m not a vic. I just remembered I got my scratch on Mars. I’ll be back when I get back.” He was shaking his head when I walked out. I crossed the street. I was headed toward the Ford. I wasn’t going there to look for my hide on the seat. I was going there to peel off one of those C notes next to my balls. I had remembered the scene back in the hype joint. I saw that rattlesnake lightning again. For the first time I saw the thrill of the cop on the face of the horse. The Fox had sure held my balls in the fire for Horseface. I thought, “As slick as those two bastards are they can’t miss making a million or getting croaked.” From that day to this one almost thirty years later no scratch has ever been in my hide. I copped the bottle. I was hurrying to pick up my rib order. Old Preston was back out there bird-dogging suckers. I saw him point a joker into the joint. He slapped the balking sucker on the rump. The vic went inside. He saw me and hobbled toward me. For the first time I saw his crippled walk. He grinned when I laid the bottle on him. He said, “Thanks Kid, want first suck?” I said, “Jack, it’s all yours. After I get my ribs I’ll duck back in the joint and rap with you.” Preston had his bad dogs propped on a chair when I got back. I stumbled over his make-shift sandals beside the sofa. I sat down. His feet stank like a terminal cancer victim. Even a budding pimp has to have a cast iron belly. I unwrapped and started to gobble the ribs. He said, “I guess you saw pimping Poison hanging that whore on the corner. He’s number two mack man in town.” Through the peppery grease I burbled, “Yeh, she looked dead to me. I guess he checked her into the morgue. How does he cut the double action? Who, as strong as he is, could top him?” He tilted the bottle straight up and drained it. He said, “She ain’t croaked. She’ll be back out before daylight humping her ass off. He’s the top Nigger vice roller in town. His pimping don’t faze the white brass just so he don’t kick no white asses. Poison is a nice sweet stud compared to Sweet Jones. Sweet’s the top spade pimp in the country.” I said, “Preston, I want to be great like Sweet. I want my name to ring like his. I want to be slick enough to handle a hundred whores. Can you pull my coat so I can cut into Sweet and get down right and really do the thing.” In the half darkness I saw his yellow jaw pop loose. His hound face was twisting sideways in quizzical amazement. His face jig-sawed like maybe I had asked him to let me knock him up. He starched like a corpse on the sofa. He said, “Kid, you bang a cap of smack or something? Sweet’s crazy as a flock of loons. Your bell ain’t never gonna clang that loud, unless you go crazy too. He’s killed four studs. He ain’t human. He’s got every Nigger in town scared shitless. His whores call him Mr. Jones. “He hates young punks. I can’t cut you into him. Kid, I like you. You’re good looking. You conned me that you’re intelligent. I am going to give you some advice. Take it or leave it. “I came to this town twelve years ago. I was so pretty just my ass would have made you a Sunday face. I brought five whores with me. I had been one hell of a pimp back in the sticks. I was only twentyeight when I got here. “Just like you, I had to cut into Sweet. It was easy for me. I was yellow and pretty. I also had three beautiful white whores in my stable. I didn’t know Sweet hated yellow Niggers and white men. “He grinned that gold-toothed smile for a year. He conned me that he loved me. He was a hype even then. He started to rib me, called me a square. I tried hard to be like him, so I got hooked on H. “My habit screwed my mind up. All I wanted to do was bang H and coast. Like a real pal he kept my stable humping. At first his angle was Uncle Sweet to my whores. In six weeks he was giving me and my whores orders. He tore my image down before my whores. He copped my stable. “One morning, I was puking sick. Sweet was torturing me. He hadn’t brought me my stuff in twenty-four hours. I was cold as ice wrapped in a blanket, then red hot. I was naked, crawling on the floor, nailing my body bloody when he came in. He stood over me flashing that gold in his jib. “Sweet said, ‘Easy now you pretty yellow bastard. There’s been a panic. Until this morning I couldn’t cop any stuff. I copped you a sixteenth in Spic town. You know I gotta love your stinking junkie ass to stick my neck out like that. Ain’t that a bitch. I just noticed when you sick you almost black as me. “‘I wish that bastard white father of your’s could see you down there on your knees begging this black Nigger to stop your misery.’ “Sweet held the tiny cellophane pack out to me. I was too weak to take it. “I said, ‘Please Sweet, cook it for me and load my outfit. It’s inside the candy-striped tie in the closet. Sweet if you don’t hurry, I’m sure to croak.’ “I was one big ache and cramp. He walked slowly to the closet. He fumbled past the striped tie on the rack. He was getting his kicks making the yellow Nigger suffer. “I screamed, ‘Sweet you had your mitt on the right one. It’s there! Right there!’ “Sweet finally got the spike out of the tie lining. I was too weak to shoot the H when he got it cooked. I held my arm flat on the carpet. My eyes begged him to tie me up and bang me. “He pulled my belt from my trousers on a chair. He tightened the belt around my arm above the elbow. My veins stood out like blue rope. He stabbed the needle into a vein in the hollow. The glass tube turned red. I lay there freezing to death waiting for the smack to slug the sickness and pain out of me.” Preston stopped for breath. Bubbles of sweat had popped out on his bald head. While running down Sweet’s double cross, he had really relived it. I licked the hot sauce off my hands. I crushed the greasy sack into a ball and sailed it into a paper box at my end of the sofa. I fished my handkerchief out and wiped my mouth and hands. Those dice the house was using had a Ph.D. Every ten minutes a chump would shuffle from the rear with a tapped out look on his face. I said, “Christ, Sweet’s slick and cold blooded. What happened after that?” Preston said, “That shot took the fever and pain away. I wasn’t ready to go a fast fifteen with Joe Louis. I felt better. Sweet stood in the middle of the floor watching me. My legs were weak when I finally stood up. I stood there naked. “I said, ‘Sweet, I know you have stolen my stable. I know I have been a prize sucker, I demand that you lay a grand or so on me. I got to kick this habit you conned me into. I won’t give you any headaches. You got to loan me that G.’ “Sweet just stood there like a black Buddha for a long moment. For a second I thought he was going to put his foot in my ass like I was a whore. He grinned. He pulled my robe from the foot of the bed. He draped it around my shoulders. “Then he said, ‘Sweetheart, I ain’t stole no whores from you. Them whores would have blew to the wind if it don’t be for me. You got me. I’m just like your whore. Wouldn’t you rather I had them whores than some bastard you couldn’t cop a favor from? Course I’m going to give you the grand. I’m even going to give you back that buck-toothed yellow whore you had. I want you to straighten up. Sweetheart, I love you.’ “I said, Sweet when do I get the grand? I got to know it’s coming at a certain time.’ “Sweet said, ‘Look Sweetheart, you get it no later than tomorrow morning. I’ll bring the buck-toothed bitch with me. Today before noon I’ll send you a quarter piece. You got no reason to sweat. Sweet’s in your corner, Sweetheart.’ “He chucked me under the chin and walked out. The runner came with the quarter piece at eleven o’clock, I was beginning to think Sweet was only half rat. “At noon two rollers broke the door down. I was coasting. I was draped in my P.J.’s. They found the H and booked me for possession. I got a fin. I kicked the habit cold turkey in city jail. I did three years, nine months in the state joint. “I left my hair, teeth, and looks in the joint. A con ran a shiv into my plumbing. That’s why I limp and pee out of this tube in my side. I ain’t had a whore since.” Preston had choked up. He said, “Kid, you still want to try this track and cut into Sweet?” I turned my face from him. He was mopping his tears away with his sleeve. I was sure a lost, stupid punk. After a rundown like that, I was still itching to take my crack at the fast track. The rundown had only boosted my desire to meet the slick, icy Sweet. If I had been smart I would have jumped in that Ford and rushed back to the sticks. I thought, “Sweet hates yellow and white. I am black like him. The runt is black. Sweet won’t have a black whore. I have no reason to fear him. I have nothing that he wants. I have to find him and pick his brain. I got to take that short cut to become a great pimp.” I said, “To hell with the Sweet cut-in. I’m not bats, but I got to try this track. Yeh, Preston, you sure got the hurt put to you. Man, I feel for you. When I start pimping a zillion, I’ll do something big for you. You are overdue for a break. Now tell me the best spot to down my package.” He said, “You gotta get your head bumped, huh? What kind of package you got?” I said, “Black, eighteen, cute, stacked, and three way.” He said, “Blood, we are sitting on the best street in town for a package like that. Only drawback is this street is crawling with fast, whore-hungry pimps. “You would also be playing your girl against a half-dozen strong, jasper whores on this stem. They pimping tough as studs. “They got some fancy con to lay on a fine young whore. If your game ain’t tight, you’ll blow your girl fast. How long you had her? What kind of wheels you got?” I said, “About a week, but I got her up tight. The Bitch loves me. Nobody can steal her. Temporarily I got a Ford.” He threw his head back and started laughing. I thought he had flipped his cork. He died laughing for a full minute. The tears were rolling down his cheeks when he stopped. He said, “Blood Lancaster, Slim Young, Dizzy Willie, or whatever your name is, don’t get down in this town if you ain’t hip that a pimp don’t never have a whore tight. Do you believe any whore can love a pimp? “You ain’t no pimp. These slick Niggers will steal that young bitch as soon as you down her. The bartenders and bell hops on this fast track are better pimps than the best in the hinterlands. “You ain’t got no front and flash. Some of these bootblacks got Hogs. You’ll get that young bitch dazzled out from under you. Get out of town and be a good pimp in a chump town. Go to the West Coast. Believe me, you ain’t ready for this one.” He stopped rapping. He sat there just looking at me like I should bolt out the door and head for suckerville. He sure thought he had spooked me. His ribbing had me hot as a Bull Run musket. I thought, “What did this crippled flunky think I came here for? I knew I was slow. I sure didn’t intend to stay slow. I was determined to maybe get as fast and slick as Sweet Jones, the boss pimp. If I blew the runt it wouldn’t be the end of the world. This poor cry baby had let Sweets cross destroy him.” I said, “Look Preston, I got lots of heart. I’m not a pussy. I been to the joint twice. I did tough bits, but I didn’t fall apart. I believe my whore loves me in her freak way. I believe I got her. “If I’m wrong, and I blow her, so what. I won’t give up no matter what happens. If I go stone blind, I’m still going to pimp. If my props get cut off I’ll wheel myself on a wagon looking for a whore. I’m going to pimp or die. “I’m not going to be a flunky in this white man’s world. You can’t convince me I can’t pimp here. I know I can get my share of pussys to peddle. I’m going to get hip to what I don’t know. I’m not afraid of Sweet. I’m going to cut into him and pick his brain like a buzzard.” A heavy-set Greek with a carny face came in the door. I dummied up. He walked by us then went through the small door in the partition. Preston started to put his shoes on. He looked nervous. I asked, “Who’s the big stud? Is he heat?” He said, “Oh, he’s the owner of the joint come to check the bankroll and cut box.” “Then you and your pal are flunkies for the Greek?” Before he could answer the Greek came out. Preston was slipping into his topcoat. The Greek paused and glared at him. He said, “I ain’t payin you a fin a night to sit on your keister. I can get a hundred boys to jump for that fin and the cot in the back. Your ass will grow icicles in the alleys if you don’t get on the ball. Get out on the midway and dump some suckers into the joint.” Preston said, “Yes, Sir, Mr. Nick, but I wasn’t setting there but a minute before you showed. You know nobody can pull a mark better than me.” I avoided Preston’s eyes when we got on the sidewalk. I knew what I’d see there. I felt sorry for him. I pulled a sawbuck from my pocket. I folded it and dropped it into his ragged coat pocket. He took it out and put it in his short pocket. He said, “Thanks Blood, maybe I was wrong about you. Maybe you got the guts for the fast track. You’ll need all you got. Good luck, Kid.” I said, “Preston, thanks for the rundown. In six months you’ll have to anchor your eyeballs. I’m getting down right on this stem tomorrow night. You can’t stop a stepper. Don’t worry if the Greek boots you out, I’ll cop you a pad.” I peeped into my skull file and saw that Roost note. My Mickey Mouse read one-thirty A.M. I headed toward the Roost. I had been in town only three- and-a-half hours. It had cost me only two-hundred and twelve slats to find out how little I knew. It’s easy for a half-wise punk to lock his mind. Just this was worth a fortune. I thought, “I have to keep my mind like a sponge. I’ll use my eyes and ears like suction cups. I have to know everything about crosses and whores. “Fast, I got to find out the secrets of pimping. I don’t want to be a half-ass gigolo lover like the white pimps. I really want to control the whole whore. I want to be the boss of her life, even her thoughts. I got to con them that Lincoln never freed the slaves.” The Roost was still jumping. I copped the one open stool at the middle of the bar. A Mexican broad in a red satin cocktail dress brought me a pink Planters Punch. The combo was speed riffing “Tea For Two.” Through the barlength mirror I could see a black ugly stud playing stink finger with an angel-faced white broad in a booth behind me. He was playing pocket pool with his other hand. The broad had her eyes closed. Her rhinestone tiara looked like a phony halo. She was biting her bottom lip like maybe she was taking a heavenly trip right there in the booth. My ear cups started sucking. The dapper joker on my right was rapping to the stud on the other side of him. He was saying, “I want my three bills back. That pretty bitch ain’t turned three tricks since you sold her to me. The bitch is dying. She’s falling apart. She can’t walk the street.” The seller said, “Jack, I sold you the package as is. I ain’t responsible for divine acts.” The buyer said, “Divine my ass. You knew that dog was rotten inside and needed a grand’s worth of carving. Give me a yard and a half and take the bitch back.” The seller said, “You a stick up man? The bitch was whole when I sold her. Maybe you trying to play con on me. Maybe you stomped on the package. Maybe you put the bitch in bad shape. I ain’t buying her back even if you only wanted a slat for her.” The buyer said, “Ain’t this a bitch? I went for the okee doke. I’m out three bills for a black dog with a foot in the grave.” The seller said, “I’m pimping for myself, Jack. I ain’t got no time to pimp for you. Just to get you off my ass, I’m going to rundown for you. “There’s a whore house up state with all Spic trade. They don’t spend but a fin, but there’s a zillion of ’em. On weekends they line up on the sidewalk. “All you gotta do is cop some pills. Patch the bitch up and take her up there. Up there, ain’t no walking. She can flat back and so long as she keeps breathing you can get some scratch. Jack, she may even last long enough so you can invest the scratch to overhaul her, and still show a profit. “The bitch is black and pretty. She ain’t got much mileage on her. Them Spies are wild for black broads. Jim, I been running down the out for you. If you go for it call me at noon. “In the meantime I’ll contact the joint. Me and the house broad are tight. It’s a cinch you can place your grief tomorrow.” The buyer said, “Jack, you know I deserve some cooperation. I’ll try anything to break even on that dog. I’ll call you at noon. I ain’t salty with you now. Let’s split and make the scene at the lair. I’ll pop for a coupla rounds.” The buyer stood up. He knocked his knuckles against the log. The cute Mexican broad came toward him to check him out. She stood before him. She was smiling. The seller drained his glass and stood. He leaned across the log staring into her bosom. I was digging the action from that trap door in the corner of my eye. She said, “Both tabs come to twelve dollars. Yours is seven. Your friend’s is five.” The buyer said, “I’ve got ’em both. Here’s a double saw. Keep the change Miss Bet I Get You. Say Girl, was that bum your father who brought you in when you started to work here last night? Ain’t you afraid I’ll salt and pepper you and eat you raw?” She said, “No, not my father, my husband. He’s no bum. He had on his work clothes. People are not good to eat. It’s not nice to eat people. Thanks for the tip. Come back soon.” The buyer hurled his beak toward the ceiling and laughed. Flakes of grayish white dust clung to the hairs in his nostrils. He had snorted and loaded his skull with H. Her mouth was still smiling. Her big black eyes had slitted in Latin fury. She turned away toward the register. She punched it. She came back. She stood staring at the buyer. She had a fin and three slats in her hand. She was crushing them into a missile. In the mirror I saw the seller shaking his head as he walked out the door. The buyer was looking at her like the eight slats had made her his indentured slave. The four-carat stone on his left hand flashed like neon as he caressed his fly. He said, “If that tramp was your man I’m stealing you. Shit, I should kidnap you right now. You ain’t got no business juggling suds. Bitch, you got a mint between your big hairy legs. I’m gonna show you how to make a grand a week. I ain’t never wanted nothing and didn’t get it. Bitch, I’m gonna get you. I’ll be back at four to pick you up.” A massive black bulk with a face like a rabid bulldog had come on the scene. It had to be the joint bouncer. He was standing several feet behind the buyer, grinning like a starved croc. He was hunching his shoulders. The Mexican broad was shaking. She fired the missile. It struck the buyer on the tip of his beak. He threw his hands across his face. She shouted, “You stupid ugly filth. You insane Nigger bastard. Do you think I’d let you touch me? I wouldn’t shit in your mouth to save your slimy life. If you ever look at me again I’ll cut your heart out!” The bouncer streaked toward the buyer like a howitzer shell. His feet clickety-clacked like the wheels of an express train against the parquet floor. He vised the buyer’s rear end through the tail split in his topcoat. He seized the scrawny neck with his other giant paw. The buyer was almost airborne. The tips of his shoes did a tap dance against the floor on his way to the door. The joint was silent. The buyer swiveled his head back toward the angry tamale. Just before he skidded toward the sidewalk he screamed, “You square-ass greasy chili-gut bitch. I’m gonna triple-cross you.” The joint got back on jump time. The combo started to riff “Mood Indigo.” I thought about the runt. The Mexican broad had her hands on her hips. She was looking at me. She wanted me to say the buyer was a nogood bastard. She didn’t know I was up as a pledge in his club. I put a deuce on the log and walked out. It was two-thirty in the A.M. I walked to the corner. Preston had been right. Poison’s black whore was standing in front of the liquor store. She hit on me. That terrible beating she had taken sure hadn’t cured her bad habit. She said, “Hi Slim, give me ten and sock it in. I won’t put the rush on you handsome. Cop a jug and let’s go freak off.” I jerked my head away from the sight of her like she was Medusa. I put my dogs in high gear and crossed the street. I had a quick vision of Poison’s thirteens giving me a butt ache. I got into the Ford and made a U-turn. I was going to the runt and some doss. I caught Preston in my headlights on the turn. He was still out there trying to make the Greek richer. He waved. I honked. The mercury had fallen. The icy streets were like a ski run. Less than a mile from the Roost, I saw a clean front of a hotel. The blue neon sparkled out “Blue Haven Hotel.” I went into the blue-and-red lobby. A broad was on the desk. She had a razor slash on her tan cheek. She had the build and rapper of a heavyweight wrestler. She said, “You want something permanent or just for the night?” I said, “How much are the permanent pads? I want the best you got. Whatever it is, it’s got to be on the front with a view.” She said, “The best single rooms are thirty-two-fifty a week. The best three-room apartments are a hundred a week.” She got up and went to a red board behind her. She took several keys off and gave them to me. The elevator operator was an old stud reading a wild Maggie and Jiggs comic book. He was whistling “When the Saints go Marching In.” His peepers were glued to it like maybe he had found the map to the “Lost Dutchman.” I got off on the third floor. I looked at two single rooms. The carpets in them were stained and the furniture was battered. This was an underworld hotel all right. I could smell the odor of gangster grass in the hallways. I took the stairs to the fourth floor. I looked into two apartments. I went for the second one. It was freshly decorated in gold and black paint. The furniture was blond and new. It was spotless and flashy. The gold-draped front window gave a wide view of the stem. The pad was perfect for now. It would do until I hit the big time with a big stable. I went to the elevator and pressed the down button. The floor indicator dial was stuck between floor number two and three. I took the stairs down. I figured the antics of Maggie and Jiggs had put a lot of pressure on the old joker. Some whore in the hotel was probably down there with the old coot. They were maybe using the comic book as a guide. I went to the desk. I registered and paid a week’s rent in advance. I put the key in my pocket and went to the Ford. I drove toward the runt. I saw a black whore leading a white man into the front door of the Martin Hotel, a hundred yards from the Haven. The runt could take her good tricks there. It was four A.M. when I got there. I parked and went up the hotel stairs. An elevated train shook the stairway as it passed. Its shadow leaped through the second floor window and plunged like a rattling, speeding ghost across the wall. I turned left to number twenty. I twisted my key in the lock and stepped inside. The runt was wide-eyed. She leaped from the bed. She had on red baby-doll pajamas. She squeezed herself hard against me. She acted like I had been gone a year. She said, “Oh Daddy, I am so glad you’re back. I was worried like hell. Where have you been? Do you love me as much as I love you? Did you miss me? I’d die if anything ever happens to you.” A heart-aching montage tornadoed through my skull. I gritted my teeth. I felt my fingernails ice-picking into my palms. The runt’s love con had resurrected sad old scenes. I saw poor black Henry. He was on his knees blubbering his love for Mama. I saw his pitiful eyes begging Mama not to break his heart. I saw Mama kicking herself free of his clutching arms. I saw that terrible look of scorn and triumph on Mama’s face. I thought about the worms that had devoured his flesh, in his lonely grave. I shuddered and punched the runt with all my might against the left temple. On impact, needles of pain threaded to my elbow. She moaned and shot backward onto the bed. She bounced like she was on a trampoline. There was a crunching, pulpy thud on the second bounce. She’d crashed face first on the steel edge at the foot of the bed. She just lay there breathing hard. I moved to the foot of the bed. I grabbed a fist full of hair. I turned her face toward me. Her eyes were closed and there was a bloody gash just above her right eyebrow. I went to the face bowl and drew a pitcher of cold water. I doused her full in the face. Her eyes flickered open. She just lay looking up at me. A scarlet trickle ran down her cheek across her chin. She stroked the side of her face. She saw the blood. Her eyes fullmooned. Her mouth was open. I stood looking down at her. The guts in my scrotum were twisting. I could feel hot currents firing up that generator at the base of my weapon. Then she said, “Why Daddy? What did I say to get my ass whipped? Are you high or what?” I said, “Bitch, if I have you a hundred years don’t ever ask me where I been. Don’t ever try to play that bullshit love con on me. We’re not squares. I’m a pimp and you’re a whore. Now get up and keep a cold towel on that eyebrow.” She got up and stood at the washbowl washing the blood off. Her big eyes were staring at me through the mirror. I didn’t know she had started to keep a revenge score in her skull. Seven years later she would tally up and happily cross me into prison. She sat on the side of the bed pressing a towel against the wound. I got in the sack in the raw. In fifteen minutes the leak had stopped. It was now only a small puckered slash. She crawled in beside me. She nibbled at my ear. That lizard did cross- country laps and then took the boss trek around the world. I lay there silently. I was trying to figure the real reason why I had slugged her. I couldn’t find the answer. My thoughts were ham strung by the razor-edge of conscience. She whispered, “Daddy, do you feel like tying me down? Please. I want you to.” I said, “Bitch, you got a one track mind. I’m gonna tie you down like a sow in a slaughter house. After you get your rocks off I’m gonna give you the rundown on that stem you’re working tonight. Get on your back. Stretch your legs out and put your arms above your head. That’s right you sweet freak bitch.”
6 DRILLING FOR OIL
That thunderbolt El train had trembled the room a half dozen times. Dawn had broken through a smeary sky. Fingers of pale gray light poked through the frayed window shades. She was lying in my arms. I saw flakes of brown blood beneath her chin. Her heart against my side was sprinting like a wildcat’s facing the hounds. I could hear the clip-clop of an ice-huckster’s horse. The creaking wagon wheels were in rhythm to his pitch. He sang, “Ice Man! Ice! A hundred for twenty, fifty for a dime. Keep your watermelon cold and your pork chops fine, ’vite Old Joe up to chitlins just any old time. Ice Man! Ice!” I thought, “Even the ice man is starving down here. I gotta get down up- there on that stem. Off Preston’s run-down, that stem must be a sonuvabitch. I gotta down her there. It’s where the scratch is.” “When I rundown to her I have to be cool and confident. I can’t falter and tip her I’m still going to school. I gotta really remember the get down rundown I hustled from those pimps in the joint.” I said, “Phyllis, Daddy’s been out there casing those streets. It’s like walking in a river of tricky crap. If I had any other bitch but you I would say she couldn’t go out there and get me some scratch. Baby, I got a lot of confidence in you. “I know no stud or con bitch can sell you a pig in a poke. In fact I would stand in the Halls of Congress and swear that you would be too busy getting scratch to even listen to bullshit. Am I right so far about you, or have I overrated you?” She said, “Daddy, I’m a big girl now. No nickel-slick bastard can steal me from you. I ‘you-know-what’ you, and always will. Honey, I just want to be your little dog and make you a million dollars. “When we get rich maybe you won’t mind if Gay, my daughter, lives with us. She’s only two. She’s so cute and friendly. You’d be crazy about her. My aunt in Saint Louis takes care of her.” I thought, “I was sure a sap making like a pimp. Here I’d had her a week and I was flat-footed. I hadn’t heard about a crumb crusher. Worse, I hadn’t given her a deep quiz. I really knew nothing about her. It had been the one rundown from the joint I’d goofed. I had been satisfied with the shallow rundown from that sissy barkeep.” The pimp’s in the joint had said, “There ain’t nothing more important than what makes a new bitch tick and why. You gotta scrape her brain. Find out whether the first joker who layed her was her father or who. Make her tell you her life story. “If she can remember back in her mammy’s ass, good! Fit all the pieces together. Maybe then you’ll know if she’s a two-day package or a two-year package. Don’t try to play ’em in the dark. Quiz ’em into a crack up if you have to. Wake ’em up from a dead sleep. Check the answers you got with what you get.” I said, “Girl, your rap is right on the scratch. It’s you and me against the world. I’m gonna make a star out of you. We are going to get rich as cream. You gotta hump your ass off in those streets, Baby. As soon as we get a big bundle you go cop the kid. Now forget about her until we get in shape. I don’t want anything in your skull but those tricks out there. “Now listen carefully. I want you to work nothing but the street. Stay out of the bars. Don’t drink, smoke gangster, or use anything while you’re working. Your skull has got to be sharp and clear out there. Otherwise you could lose your life, and almost as bad, my scratch. “Believe me, I am not yeasting it. I want you to memorize everything that happens while you’re working. I want a rundown every night after you knock off. Maybe some stuff player will set you up like tonight and take you off tomorrow night. “Keep those crack-wise Niggers out of your face. If I see you rapping to a jasper broad I’m gonna put my foot in your ass. Play for cruising white tricks. Spade tricks are trouble. They all want to make a home. “You’re black and beautiful. They can’t resist you. They are the freaks and they got the scratch. Ask them for a hundred and take ten. You can go down on a price. You can’t go up. Don’t go to nobody’s pad. For a double saw or over take ’em to the Martin down the street from where we are gonna move. Flip out of wheels as much as possible. Flip ’em fast and crack more scratch for over time. “Your name is Mary Jones. I got enough B.R. to raise you fast. You’re not a thief. I don’t need a bondsman or a lip now. You don’t have a sheet. You see a young girl out there, square or whore, pull her. Be friendly to her. Build me up. You know, tell her how smart and sweet I am. Don’t let no bitch pull you. This family needs some whores. Don’t bring no junkie bitch to me. Now is there anything you don’t understand?” She said, “No Daddy, I dig everything. You can wire me if something turns up I don’t dig. Daddy, I am so proud of you. You are so clever and strong. I feel so safe being your girl. I’m gonna be a star for you.” I had told her all I knew. It was just pimp garbage. What the ninety percent know to tell a whore. What she really needed to protect herself in those terrible streets were daily rundowns for as long as she was my woman. How could I rundown the thousand crosses she’d face? All I knew I’d gotten from the pimps in the joint. They were only fair pimps from small towns. None of them had the guts or savvy for this rapid track. The runt and me were a pure case of the blind leading the blind. I was bone tired. I had to be fresh for our debut. I said, “Sugar, let’s cop some doss. We got a hectic night coming up. Oh! I forgot, some louse put the heist on your slum. Don’t worry, with what you got to offer, I’ll have enough scratch soon to score for the real thing. This is our last day in this flophouse. I copped us a jazzy little pad uptown. Sleep tight baby puppy.” She said, “All right, Daddy. I’m going to sleep. I wonder how Gay is doing?” When I woke up I thought the runt had scalded me with hot grease. I was in a flaming sweat. My ticker was smashing inside my chest like a wrecker’s demolition ball. That cunning joker playing God had conned me again. I had whipped my poor mama again. The runt’s frightened big eyes almost touched mine. That puckered gash looked like she had grown an extra cat. She was saying, “Daddy, Daddy, you all right? It’s your baby, Phyllis. Damn, you had a bitch-kitty nightmare. Was the heat chasing you or something?” I said, “No Baby, as a matter of fact, you were in trouble. You had done a stupid thing in the street. You let a Nigger pimp con you into his Hog. It turned out he was a crazy gorilla. He was trying to cut your throat. I saved you before he croaked you. Dreams often carry warnings. So Bitch, stay out of those pimp’s Hogs.” She said, “Daddy, I’m looking for white tricks in Hogs. That’s where the long scratch is. Ain’t no Nigger pimp going to put my ass in a sling. I’m too slick for that okee doke. You not going to get salty with me about a dream I hope. Daddy, I ain’t going to bullshit out there.” It was five-twenty. By seven o’clock we had moved to the Blue Haven. The runt went for the pad. First thing, she lifted the phone off the hook to see if it worked. I said, “Tell your tricks to call you here.” She laid the bearskin and freaked the joint off with her lights and other crap. Except for the fake stars, it was a fair mock-up of her pad where I had copped her. She went to the street to get down at eight. I had told her to work just the block where we padded for a week or so. I went to the front window. Ten minutes after she got down she broke luck. A white trick in a thirty-seven Buick picked her up. I timed her. She had racehorse speed. She was back on the track in nine and a half minutes. A black pretty broad could sure scratch a white man’s itch fast. I watched her scratch three. I showered and got as pretty as I could. I made an urgent skull note to cop a hot vine connection. I also needed a gangster and cocaine contact. I got the elevator. I left the key at the desk. I had told the runt to check her scratch past forty slats into the toe of my tan Stetsons. I got into the Ford. I waved to the runt on my way to the Roost. It sure was a thrill to have a young fine bitch humping for me. I parked across the street from the Roost. I dabbed a sponge into the box of Sun Glow face powder in the glove compartment. I made my face up into an even, glowing tan. I got out and crossed the street toward the Roost. It was ten-thirty. The sky was a fresh, bright bitch. This first April night had gone sucker and gifted her with a shimmering bracelet of diamond stars. The fat moon lurked like an evil yellow eye staring down at the pimps, hustlers, and whores hawk-eyeing for a mark, a cop. I felt the raw tenderness of first April winds lashing at the hem of my white alligator. I felt the birth stirrings of that poisonous pimp’s rapture. I felt powerful and beautiful. I thought, “I was still black in the white man’s world. My hope to be important and admired could be realized even behind this black stockade. It was simple, just pimp my ass off and get a ton of scratch. Everybody in both worlds kissed your ass black and blue if you had flash and front.” I was six storefronts away from the Roost. He stood in the center of the sidewalk. I looked down at him. He was a foot shorter than the runt. He looked like a black baby who had taken ugly pills. His head was the size of a giant pumpkin. His voice was a squeal like a clappy joker makes when the croaker rams a sound down his dingus. He squealed, “Shine ’em up, Hot Shot. If I had your ‘hand’ I’d throw mine away. Get on bigtime. Shines ain’t but a dime. Shine ’em up.” I looked down at my Stomps. They could stand a gloss all right. I followed the pointing, gnarled finger to the dwarf’s open-air stand. It sat at the mouth of a gangway between two buildings. The red fringes of its tattered canvas top rippled in the breeze. I climbed into the chair. The dwarf was slapping polish on my Stetsons. A thin stud with at least a half a grand in threads on his back took the other chair. He was wearing silver nail polish. He was reeking with perfume. A gleaming black custom Duesenberg eased into the curb in front of me. The top was down. My peepers did a triple take. A huge stud was sitting in the back seat. He had an ocelot in his lap dozing against his chest. The cat was wearing a stone-studded collar. A gold chain was strung to it. He was sitting between two spectacular high-yellow whores. His diamonds were blazing under the streetlight. Three gorgeous white whores were in the front seat. He looked exactly like Boris Karloff in black-face. He was rapping something. All five of those whores were turned toward him. They were listening and paying attention like he was God giving them a pass to Heaven. He could have been running down a safe place to hide because the world was coming to an end. I said, “Who is that?” The dwarf said, “You gotta be from outta town. That Sweet Jones. He’s the greatest Nigger pimp in the world.” The thin joker said, “That spotted cat, Miss Peaches, is the only bitch he cares lives or croaks. Shit, them whores you pinning ain’t but half the stable. If they got Nigger pimps in outer space, he’s the best of them, too. He’s gonna take them whores into the Roost and pop some. He’s lugging twenty G’s in his raise. Ain’t no heist man crazy enough to stick him up though. He croaks Niggers for his recreation.” I couldn’t believe what I saw. This was only nineteen-thirty-eight. Those Duesenbergs cost a fortune. He must have been the only black pimp in the country who owned one. My peepers jacked off just watching him and those high-powered whores. It was as exciting as maybe Christ making his encore. The dwarf had shined my Stomps. I gave him a buck. I sat there and watched Sweet Jones and those whores get out of the Duesenberg and walk toward the Roost. The black-spotted cat slinked beside him. I thought, “Tonight I got to cut into him. I got to be careful so I don’t blow him. The cut in has to be in the Roost. I’ll go in and cook up something in there.” I got off the stand. I passed Poison’s problem whore. She was sitting beside a joker in a red Hog. She had a bottle of gin in her jib turned straight up. As I neared the Roost I saw old Preston trying to shoo two marks into the Greek’s joint. Just as I turned into the Roost he bucked his eyes and jerked his thumb at me. He was tipping me Sweet was in the Roost. I nodded my head and went in. It was an off night for the combo. The jukebox was grinding out “Pennies From Heaven.” The joint hadn’t crowded yet. There were maybe a half dozen couples in the booths. Sweet Jones and his whores were the only people at the log. They were in the center. The cat was licking her paws beneath Sweet’s stool. I sat at the log near the front door facing him and the stable. The pretty Mexican broad was standing in front of him. Sweet was buying the house a drink. She served his party. She glanced at me. She remembered my drink. She brought me a Planter’s Punch on Sweet. The floor waitress loaded a tray from the log and served the couples in the booths all on Sweet. I sat there studying Sweet. He had to be six feet six. His face was like a black steel mask. Not a flicker of emotion played over it. He kept smashing the heels of his brute-sized hands together like he was crushing an invisible throat. Even at a distance it made me edgy. I guess it kept his whores on the brink of peeing on themselves. If he had smiled maybe they would have dropped dead from shock. He sure proved pimping wasn’t a charm contest. Those whores lit his cigarette. They took turns feeding him sips of his Coke. They fought to ram their noses up his ass. I froze; one of the white broads was whispering in his ear. Those unearthly gray eyes of his in the ebony sockets were staring at me. I could hear the thud of those meat sledges. I thought, “Christ Almighty! Mama darling, I hope my double hasn’t put the muscle on this broad for some snatch or scratch. Please don’t let this broad bum-finger me!” He slid his terrible pearl-gray peepers off me. I saw him pound the bottom of his glass against the log. The Mexican broad expressed to him. He was rapping to her. She was nodding her head and looking down the log at me. My Stetsons on the stool rung were slamming together like the heels of a Flamenco Dancer. The jukebox was sobbing Lady Day’s beef about her mean but sweet man. I wondered if I’d see the runt again, and if not, how soon she’d get another ass kicker. The couples in the booths were bug-eying the arena. It was maybe like the Circus Maximus. The doomed Christian, me, pitted against the king of beasts, him, plus the ocelot. The Mexican broad came slowly toward me. Her face was tight and serious as she stood before me. She had pity in her peepers. She hated capital punishment. She said, “Mr. Jones wants you to come to him pronto.” She turned and walked away. I staggered to my feet. I started hoofing that thousand miles to Mr. Jones. On the way I dusted off the hundred-and- seventy-five I. Q. in my skull. I got to him. The cat snarled under the stool. It pasted its yellow eyes on me. I jerked my eyes from the cat and kept them riveted to the floor. I was afraid to look into Sweet’s glowing peepers up close. I knew I’d crap in my pants. He whirled around on his stool, his back to the log. I glued my peepers to the tapping tips of his needle-toed patent leather stomps. I flinched at each crash of his huge hooks. He whispered, “Nigger, you know who I am? Look at me when I’m spieling to you.” That teletype in my skull hammered out the escape hatch. It read, “For this maniac you gotta be just like a Mississippi Nigger. You gotta pretend he’s a white lynch-mob leader. You gotta con him, but be careful, don’t get cute. Keep your nose square in his ass. Jeff it out all the way.” I said, “Sure I know who you are Mr. Jones. You’re the black God of the sporting world. Ain’t a Nigger alive, unless he’s stupid and deaf, that ain’t heard your fame and name ring. The reason I don’t look at you is because I remember what happened to that sucker in the Bible that snitched a peep.” His whores broke out into gales of laughter. Miss Peaches wasn’t a lady. She broke wind and grinned. Those patent-leather toes stopped tapping. Could I be selling it? He reached out and grabbed my chin. He held my head up and cupped it in his giant hook. I flexed my belly to take up the slack in my bowels. Those deadly gray slits almost slugged me into a dead faint. When he opened his Jib I saw spidery webs of spit for an instant bridge his fat lips. He said, “Little Nigger, who are you and where you from? You kinda look like me. Maybe I layed your Mammy, huh?” I neatly side-stepped his booby trap. I said, “Mr. Jones, I’m nobody trying in your world to be somebody. I was born right here in your town. Could be my Mammy went for you. What bitch wouldn’t? If I was a bitch I’d give you some scratch to get some.” He said, “Nigger, you like fine white pussy? This dog of mine wants you to lay her. I give my whores what they want. You going to lay her for a double saw? My skull raced out the warning, “Fool! Watch your ass!” I said, “Mr. Jones, I don’t want no kind of a pussy unless it hangs on my own whore. Mr. Jones, I’m a pimp, like you. I don’t want nothing but some pimp scratch. My principles won’t let me turn no reverse trick. “Mr. Jones, I ain’t no party freak. I want to be great like you. I ain’t never going to amount to anything if I screw up the rules of the pimp game. You the greatest pimp on Earth. You got great pimping by the rules. Would you want a poor dumb pimp like me to chump out at the start?” His freak white woman pouted at his side. She begged Nero to flip his thumbs down. She said, “Mr. Jones, make this pretty punk freak off with your baby. You don’t let nobody say no to you. Since he’s dreaming he’s a pimp it will be wild kicks for me. Force him, Daddy, force him. Show him who’s boss. Sic Miss Peaches on him.” He shoved her aside. The boa constrictor uncoiled from around my chest. I saw contempt paint over the skull and crossed bones in his peepers. I drew a deep breath. He roared, “You little pissy, green-ass Nigger. You a pimp? You can’t spell pimp. You couldn’t make a pimple on a pimp’s ass. Nigger, I’ll blow your head off through that ceiling. Don’t let the word pimp come outta your jib in my presence. Now get outta my face, Pussy. I oughta stick my swipe in your jib.” The cat slithered from under the stool. She crouched on her belly and stared up at me. I wasn’t David. Good thing I wasn’t. I was sure mad at the kooky bastard. I grinned and fished a fin out. I tossed it on the log and dragged tail out the door to the street. I was glad I hadn’t stacked that sling-shot switch blade in my pocket against that thirty-eight magnum stuck beneath Goliath’s belt. The door smacked Preston a hard shot in the forehead. He had been peeping through a slat in the door blind. He rubbed his head. He looked scared. He said, “Kid, I told you he’s nuts. You keep it up, a ground hog will be your mailman. To play it safe you better give me your Mama’s address. I gotta know where to ship your corpse. Where you going now?” I said, “Look Preston, I didn’t cut into him. He cut into me. Hell, I ain’t no head-shrinker. I couldn’t handle the maniac. I’m splitting to the Ford to think.” He was clucking his jib when I walked away from him. I collapsed onto the Ford’s seat. I was stinking from the fear-sweat in the bar. My pants were soggy. I saw the white broad that was burning to freak off with me. She was holding the Roost door open. Sweet filed out. His whores strutted out behind him. They walked behind him to the Duesenberg. A tall brown-skin joker with a gleaming head of processed hair got out of a red Hog. He was the gutty stud I saw pouring that gin down Poison’s girl. Sweet’s stable had gotten into the Duesenberg. The shiny-topped joker and Sweet were rapping on the sidewalk. They pounded each other on the back. They looked like boon buddies. Miss Peaches stood lashing her tail at Sweet’s side. I almost leaped out of my hide. It was Preston banging on the car window. I unlocked the door. He slid in. His peepers were ballooning, looking past me to Sweet on the other side of the street. He was sucking air like a mackerel on the beach. He was shoving a rusty owl-head twenty-two pistol across the seat. He was trembling like the zero second had come to assassinate maybe F.D.R. He said, “Kid, you sitting here hating him, ain’t you? You despise his guts. I saw the way you was looking at him. A bastard like him ain’t got a right to live on God’s green Earth. “Do yourself and the world a favor, Kid. Take this rod and walk sneaky like down that sidewalk while he’s rapping to Glass Top. Stick the barrel in his ear and pull the trigger. Then quick, blow the cat’s brains out. It’s easy, Kid. You can do it. “Every Nigger in the country will love you. Kid, it’s your chance to get great. Go on, Kid, do it now. You ain’t never gonna get a choicer chance.” I said, “Preston, I’m not hip to the murder game. I don’t want to get hip to it. I don’t want to blow his brains out on that sidewalk and waste them. I want his brains to work inside my skull. You getting old, Preston. You can’t even dent the mustard. He screwed you around a thousand times worse than me. “You can’t lose for winning. Why don’t you be the hero and croak him. Look Preston, take that tommy gun and split. I like you, but give me a break, huh? I’ve had a funky night and my skull needs a change.” He said, “Kid, you think I ain’t got the guts? He ruined me, Kid. He destroyed me. He’s just another Nigger. He ain’t no bear, and that cat ain’t no tiger. I’m going over there right now and cash them out.” Old Preston sprang out of the car. I watched him all the way. That game leg had him tilting from side to side. He looked like one of those doughty “Spirit of Seventy-Six” jokers on the posters around the Fourth of July. I wondered if he was tanked up with enough rot-gut moxie to really fold Sweet’s dukes for good across his chest. Preston was on the other side of the street only twenty feet from Sweet and Glass Top. His mitt was rammed into his benny pocket keeping the rod warm and ready. Preston’s shoulders and back were stiff and straight. Sweet’s back was toward me. He was facing the sidewalk. I thought, “The old Dingbat may do it. He sure had reasons. Sweet put the hurt to him all right. Will there be much gore? Will Sweet croak right away or flop around on the street like a chicken with its head wrung off? Will Miss Peaches leap up and cut Preston’s throat? “If Preston croaks him I’ll have to cut into Poison. I’ll bleed his skull. He will be top pimp. Maybe a couple of those ten whores Sweet’s got will go for me. I’d be some kind of sonuvabitching young pimp in a Duesenberg. Preston came abreast of Sweet. He had slowed to an amble. I could see his yellow mitt easing out of his pocket. He got maybe three feet past Sweet and stopped. He was going to do it! He was coming back for a fatal flank sneak. At that instant Sweet turned his buffalo head and looked down at Preston. Miss Peaches stiffened. I saw a black cavern open in Preston’s toothless yellow face. The chicken-hearted bastard had been chilled by those awful gray orbs and the cat. He was grinning at Sweet. He scooted his empty hand out of his pocket. Preston might have made it if Sweet hadn’t turned those lights on him. Old Preston bowed his bald head. He walked toward the Greek’s joint. His shoulders were sagging. His back was a stooped slouch. Old Preston had missed his choice chance at glory. I just sat watching Sweet and trying to plot a way to cut into him. It looked hopeless. Finally, Sweet got in the rear seat of his Duesenberg. The cat leaped into his lap. One of the white broads roared it away. I saw Glass Top pat his greasy dome as he turned into the Roost. I thought, “That glossy-top stud with a face like a pretty whore’s might be the tunnel to Sweet.” I took my sponge out and freshened my makeup. I got out of the Ford and walked to the Roost. The joint was getting crowded. I was lucky. There was an empty stool in the middle of the log. The beautiful joker was on a stool next to it. The memory of that four-slat tip out of the fin sent the tamale skidding to me. I sipped my Planter’s Punch. I drummed my Stetsons against the stool legs. Hamp’s “Flying Home” was rocking the joint. A pack of white broads had a booth behind me. They looked like they had been to a P.T.A. meeting. Their perfume sent a medley of sexy odors through the joint. They were flirting their cans off. I guess they were writers. They were maybe doing urgent research on the “Sexual Habits of the Black Male.” I wasted no time. I was afraid the pretty joker might split. I snatched my eyes from the excited pack in the mirror. I turned my head toward him and touched him lightly on the sleeve. He was sure a wrong doer all right. He frogged at least three inches off his stool. It was like I’d stabbed him in the butt with a red-hot poker. He turned his shocked face toward mine. His silky long-lashed eyes were popped wide in alarm. He had panicked like maybe a cute nun caught naked in the Priest’s bedroom by the Mother Superior. I said, “Jeez, excuse me, Jim. I didn’t know you were in deep thought, I’m sorry I hit on you like a square. My name is Young Blood. I’m a friend of Preston’s. You must be the fabulous Glass Top. It would be a boss honor to buy you a taste.” He patted his shiny mop and said, “Yeah, Man, I’m Glass Top. What’s your stupid story? You young studs sure ain’t got no finesse. It drags me to get hit on like that. When somebody touches me I like to be digging it and facing the stud, you know? “I ain’t salty. I dig you ain’t nothing but a punk that needs his coat pulled to social polish and class. I ain’t no lush. You can spring for a Coke if you want. Tell her to sugar it heavy.” The Mexican broad spooned sugar into a glass and brought his Coke. He stirred it with a straw. He raised the glass to drink. I noticed ugly black tracks tracing the veins on his light-brown mitt. He was a junkie for sure. He would know where to cop C, and probably gangster for the runt. He was also a pal of Sweet’s. Maybe I could make a two-bird killing here. He said, “So, you know Preston? What’s your racket? You a till tapper or maybe a burglar, huh?” I said, “I been knowing Preston since I was a kid. I used to buff his stomps when he was pimping. I’m no till tapper or burglar. I’m a pimp. You must be a pimp yourself. I saw you rapping to the best pimp there is.” He said, “You a pimp? I ain’t never heard of you. Where you been pimping, in Siberia? Sweet ain’t the best pimp there is. I am. Pimps are just like cars. The best known ain’t no real yardstick to the best car. It’s like I’m a Duesenberg and Sweet’s a Ford. I got all the quality and beauty. He’s got all the advertising and all the luck. “Sweet’s got ten whores, I got five. These whores in town ain’t hip to how great I am yet. When they wake up to me I’ll have to fight ’em off with a baseball bat. How many girls you got?” I said, “I only got one girl now. I just got out of the joint, but I’m going to have ten in a year. This town will hear about me. I was thinking about cutting into some top pimp like Sweet. I’m not stupid enough to think I don’t need to learn a thousand times more about pimping than I know. I also need connections like for girl and gangster. I’m just a kid in darkness waiting for some brain to help light the way.” He said, “Stay cool, Blood. I just remembered I left my kitty’s slammer open. I’ll be back after I lock it.” I looked in the mirror and saw him go out. He turned left towards the Greek’s joint. I knew he was going to Preston to check me out. When he walked out that panting pack behind me turned as one. It was like Gary Grant had walked out. The jukebox was moaning gut-bucket blues. Some joker was singing “Going down slow; Don’t send no Doctor; Doctor sure can’t do no good; Please write my mother, tell her the shape I’m in; I’m going down slow.” I remembered it had been my father’s favorite record. He had kept it spinning on the rich Victrola. I remembered his shocked face there in the doorway when he discovered it and everything else gone. I wondered if he were alive and still in town. If I ran into him I sure wouldn’t know what to say to him after all these years. I saw the silk chicks crane their necks toward the door. I switched my eyes left in the mirror. I saw Glass Top coming in. Those chickens were clucking when he sat down. I said, “Jack, aren’t you afraid those silk broads behind us will rape you?” He said, “Shit, if you stripped and searched all of ’em you wouldn’t find a C note. They ain’t nothing but square housewives. They sick of that half-ass screwing at home. They laying to swindle chump Niggers outta their youth. “They know enough on each other to keep all their jibs sealed. Ain’t a chance for their husbands to tumble to what’s going on. So what if some white joker who knows ’em made this scene and saw ’em? Everyone of ’em is just slumming out with the girls. Jack, what they got is a secret sex club.” I said, “Top, I’m frayed. I sure wish I had a snort of girl. Can you score?” He told me, “Blood, I believe you are a down young stud. I got news for you. You can score right with me. I got the best girl and boy in town. Even my reefer is dynamite. Blood, I love you. You got heart. How much stuff you want?” I said, “What’s the bite for girl?” “A fin a number-five cap. A sixteenth for a C. A piece for a grand. I got a cozy pad around the corner. There you can fly to the moon, Pimping Buddy.” I said, “Top, let’s split to your pad. If your girl is mellow I’ll maybe go for a C note.” I threw a fin on the log. The Mexican showed me her choppers like I was her dentist. Three square black studs were standing rapping to the purring pack in the booth. We went out and got in Glass Top’s Hog. My foot struck a bottle. I looked down. It was the dead gin soldier Poison’s whore had sucked dry. The Hog shot from the curb like a red torpedo. Eckstein’s syrupy “Cottage For Sale” oozed from the Hog’s radio. I thought, “I sure gotta hurry and get my ass into a Hog at least. I’ll cop a Duesenberg in maybe a year. Geez, it must be one-thirty. I shoulda checked on the runt. My luck is changing though. This glossy-top joker is my in to Sweet.” He lived in a plush apartment building. It had all the jazz. Technicolored lights spotlighted the exterior. Fake rubber plants stood tall in the foyer. We took a chrome-and-brass elevator to his second-floor pad. Thick red broadloom carpet wall to wall in the hall. Fresh black and gold paint sparkled the walls and ceilings. A Polynesian-type dream took our bennys and my lid in a small silver- mirrored entrance hall. My feet sank into the soft lavender carpet. I could hear the deep-throated boom of a console phonograph. The Ink Spots’ lead tenor was parfaiting “Whispering Grass.” I followed Top and the olive-tinted beauty into the womb-like living room. Double heavy lavender drapes covered the windows. Not a beam of street light or sunshine could violate this pimp’s lair. Top and I sat on a long gray sofa. It had cost him a big buck to lower the ceiling with the silver lame fabric. The only light came from the glass-topped cocktail table. It gurgled and flashed a pale blue light. A score of yellow, red, and orange tropical fish streaked inside the aquarium built six inches below the tabletop. Two gray rubber hoses at each end of the tank ran down into the lavender carpet. It was a slick drain off and fresh water gimmick. The broad was almost naked. She stood wide legged in front of us like a bellhop waiting for orders. The table’s blue light behind her silhouetted her Coca Cola bottle curves inside the flame red shortie gown. I saw a four-inch cone of jet hair between her thighs. She had a rare cat with that extra dimension. I unglued my eyes and looked into her face. She had the dreamy eyes of a freakish “Mona Lisa.” He said, “Bitch, bring a coupla outfits and some caps of girl and boy. Oh yeah, Blood, this is Radell.” That awesome round butt of her’s jiggled as she wiggled past me. The big white phonograph in the corner was booming out a novelty tune. “When your pipes get dry then you know you’re high. Everything is dandy. You truck on down to the candy store but you don’t get no peppermint candy. Then you know your body’s sent, you don’t care if you don’t pay rent. Light a tea and let it be if you’re a viper.” “This pretty gowster is sure pimping his ass off,” I thought. “He’s a crazy gowster if he thinks he’ll con me into banging any
I said, “Jim, you sure ain’t jiving. Your layout is a sonuvabitch.” He said, “I got five bedrooms here. These whores on this fast track dig front and flash. You can’t pimp here unless you got ’em. Jack, this C I got ain’t going to let you split for awhile. You may as well shed your threads and get in the groove.” The broad brought the outfits, a spoon and a dozen white and brown caps. She put them on the cocktail table. She slid it closer to us. The water tidal- waved in the tank. The fish darted in a frenzy. She stooped and started unlacing Top’s shoes. I reached into my pocket for a C note. I had peeled it off from my crotch stash before leaving the Haven. He said, “This flight is on me. It’s a sample. You can cop what you want later.” We stripped our clothes off to our shorts. His were candy-striped silk. I felt like a bum in my white cotton jocks. The broad draped our clothes on each arm of the gray overstuffed chair across the room. She didn’t have any of my scratch in her mit when she came away. She stood next to me. The phone on the end table beside him jangled. He uncradled it. He said, “Castle of Joy, what’s your desire? Oh yeah, Angelo, she’s here. Hell no she ain’t dossing. She’s on her way.” He hung up and said, “Bitch, just slip your benny on and get downtown to that head bellboy at the Franklin Arms. Dimples and the other girls are getting more action than they can turn. Take the key to the kitty and get there fast.” The broad zipped out of there in less than three minutes. She sure liked getting her man some money. Those tricks at the Franklin were going to give their swipes a treat all right. I thought, “I gotta make the runt cultivate her cat like that broad’s.” He said, “That’s a good young bitch I got there. I copped her in Hawaii a year ago. There are twenty-thousand white suckers in town for a convention. They got a double saw in one hand and their swipes in the other. “Radell ain’t had no sleep in thirty-six hours. My other four whores been humping at the Franklin since early this morning. I can’t miss a five G score for the three days even with Angelo’s thirty percent off the top. Ain’t but a C a day for a girl in oil for the heat.” He got up and whistled our belts through the loops in our pants. He walked back and started to coil my belt around my arm just above the elbow hollow. “Look Top, I’m not a square,” I said, “but I ain’t shooting no H. I’m game to bang some C. I’ve been curious to try it like that.” He said, “Kid, I ain’t squeezing your balls to hip you that after Mink comes Sable. Ain’t nothing a greater blast than horse. It’s your privilege to wake up slow if you want. Horse is what puts the ice in a pimp’s game.” He upended a cap of girl into the spoon and stuck an eyedropper into the fish tank. He pressed the bulb and drew the dropper full. He emptied it into the spoon. He held the yellow flame of a table lighter beneath the spoon and took a tiny wad of cotton from an ashtray. He tossed it into the bowl of the spoon and then wrapped a thin piece of cellophane around the tip of the dropper. He fitted the needle on it. He stuck the hollow end of the needle into the cotton and drew the dropper full. I felt my blood smashing against the tight coils of the belt. I saw the veins balloon in the throbbing hollow. I smelled the sharp sicklysweet odor of the cocaine. My palms were dripping sweat. He had the spike in his right hand. He grabbed my forearm with his left hand. I turned my head and closed my eyes. I bit down on my bottom lip waiting for the stabbing plunge of the needle. He said, “Damn! You got some beautiful lines.” I shivered when it daggered in. I opened my eyes and looked. My blood had shot up into the dropper. He was pressing the bulb. I saw the blood- streaked liquid draining into me. It was like a ton of nitro exploded inside me. My ticker went berserk. I could feel it clawing up my throat. It was like I had a million swipes in every pore from head to toe. It was like they were all popping off together in a nerveshredding climax. I was quivering like a joker in the hot seat at the first jolt. I tried to open my talc-dry mouth. I couldn’t. I was paralyzed. I could feel a hot ball of puke racing up from my careening guts. I saw the green, stinking puke rope arch into the black mouth of the wastebasket. I felt the cool metal against my chest. I saw Top’s manicured fingers pressing it close to me. He was saying, “You’ll be all right in a minute, Kid. You thought I was bullshitting when I told you I had the best stuff in town.” I still couldn’t say anything. I felt like the top of my skull had been crushed
I looked down at my hands and thighs. A thrill shot through me. Surely they were the most beautiful in the Universe. I felt a superman’s surge of power. I thought, “It was a cinch that any stud as beautiful and clever as me would become the greatest pimp in history. What bitch could resist me? I turned and stared at the ugly stud beside me.” He said, “Did you hear those chapel bells? Ain’t they a bitch, Kid?” “Yeah man, I heard ’em loud and clear. Right now I’d like to see the bitch I couldn’t make. It’s sure wild to bang girl. The only time I’ll snort after this is when I’m in the street between bangs.” He said, “Blood, you sure know what to say. Just don’t forget where to cop. The more you buy, the cheaper I’ll make it. I love you, Blood. We gonna be tight.” He had a time trying to bang himself. He was only around thirtytwo, but most of his veins had folded. He finally hit pay clay in his inner right thigh. He kept the needle in, pumping the horse into the vein then drawing it out. I said, “Jack, why the hell do you screw around like that?” He said, “Man, you ain’t hip? That’s where the thrill is. When I jack this joint off the horse kicks my ass groovy.” I lost tally of time while we sat on the sofa and banged stuff. After the second cap I started banging myself. After that first bang the thrill wasn’t as good and sharp. Top was coasting. There were three caps of H still on the tabletop. There was no girl. I had banged five caps of girl. I looked at my Mickey. It was five A.M. I went to my clothes and started to dress. My ticker was speeding inside my frosty chest. I said, “Top, I gotta split I want a sixteenth of girl and a can of reefer. Here’s a C note and twenty slats.” He pulled up from the sofa. He took the scratch and went into a bedroom. He came out and handed me a tobacco can sealed with rubber bands. He said, “Kid, I put a coupla yellows in your bag so you can come down and get some doss. Where you padding? You don’t wanta walk through the street with that package of sizzle on you. I’ll call a cab.” I said, “Thanks Top. I’m padding at the Blue Haven, but my wheels are just around the corner across from the Roost. I’ll hoof it there. The fresh air will be a kick.” I stood at the living room doorway to the entrance hall. He was uncapping a thing of horse. I thought, “Now’s the time to crack on him to sew up the cut into Sweet. I gotta phrase it right. This joker envies Sweet.” I said, “Top, I was thinking how much more common sense and cool you got than your pal Sweet.” His hands froze. His eyes beat his mouth to the question. I knew Preston hadn’t told him about my clash with Sweet. I guess Preston’s chicken act had blocked Sweet out of his mind. Top said, “You know Sweet personally?” “I met him last night in the Roost. That tall blonde of his wanted me to freak-off with her. Sweet offered me a double saw to do the job. I stood on pimp principle and turned him down. He flipped his cork. He forced me to split. He told me he’d blow my head through the ceiling. I figured he might do it. “I guess now I have blown my chance to get acquainted with him. I don’t suppose anybody in town is strong enough with him to square me and cut me into him. As foxy as you are Top, I wouldn’t be shocked if you couldn’t cut it. After all, the man is complicated. Come to think about it Top, I don’t have a real need to meet him since I met you. “My main reason now is I don’t want a crazy enemy like that. So if you tell me it’s over your head, I’ll forget it, stay out of his way and take my chances. I love you Top, and I wouldn’t want anything to happen to you on my account.” He gobbled it raw and whole. He flung his girlish head back and roiled off the sofa to the floor. He held his elbows against his belly and laughed like I’d told the funniest joke human ears had ever heard. He was gasping when he finally stopped. He patted his mop. “Sweet ain’t dangerous, sucker,” he began. “He ain’t never croaked anything but yellow Niggers. He’s croaked four of them in the last twenty years. He ain’t croaked nobody in over two years. He’s ninety percent Bull scare. He don’t kill nobody unless they bad mouth him or muscle his whores. “But he sure hates white folks. He pimps awful tough on white whores. When he puts his foot in their asses he’s really doing it to the white man. He says he’s paying ’em back for what they done and are doing to black people. His brain is rotted from hate. “Shit, he probably wouldn’t know you if he saw you again. He wasn’t salty with you for turning down the freak-off. He was playing strong con on his white whore. He’s got his whores thinking he’s God. Even a square from Delaware should know God ain’t going to kiss your ass when you tell him no, you poor boob. “I tell you what. I gotta take him some stuff this weekend. I’ll buzz your crib to let you know just when. I’ll stop on the way and pick you up. I’ll take you with me to his pad. He ain’t nothing but a big ugly Nigger with a filthy loud mouth.” I said, “I pad in four-twenty under the name of Lancaster. Top, you gotta overlook my dumbness. I told you I was just a kid in darkness needing some brain to light the way. Top, I sure appreciate your coat-pulling. See you later, Pal.” He said, “All right Kid, keep that sizzle in your mitt so you can down it in a hurry. Oh yeah, you can cop a spike at any drug store. You gotta crack for insulin with it.” I walked into the entrance hall. I flicked my sponge across my greasy face in the silver mirror. I went out the door to the elevator. It opened on the ground floor. I flinched before the stark morning light. Out on the sidewalk, I saw Glass Top’s red Hog pulling to the curb. It was his five whores back from the Franklin Arms salt mines. I thought as I walked to the Ford, “How about it? Those five whores are probably checking in a coupla grand for a night’s work. Why couldn’t it be me up there in that crazy pad with my mitt out for all those frog skins?” The night people had vanished from the street. Knots of squares on the way to work bunched at the street-car stops. I got in the Ford and U-turned toward the Haven. I saw an all-night drug store and pulled into the parking lot. I copped a saw-buck pair of binoculars, and at the drug counter, I got the insulin and copped spikes and eyedroppers. Five minutes later I got to the Haven. I parked on the street. I glanced up at our apartment window. I saw the drapes flutter. I got a flash of the runt’s dark face pulling back. I walked through the lobby to the elevator. The joint sure looked shabby after Top’s joint. I thought as I got on the elevator, “If the runt is shitty and tries to third degree me this morning I’ll bury my foot in her ass.” I got off on the fourth floor. I walked down the hall to four-twenty. I slid the rubber bands off the top of the tobacco can. I opened the top and took my packet of girl out. It was wrapped in tin foil inside a penny balloon. I shoved it into my watch pocket. I took a yellow from the top of the loose reefer and dry-swallowed it. I knocked on the door. I waited a full minute. I knocked again, harder. Finally the runt opened it. She was stretching and massaging her eyes with her fists, conning me she had been fast asleep. She jumped into bed. She turned her back and pulled the covers to her ears. I put the can of reefer on the dresser. I saw a tiny pile of bills on it. I heeled them apart. It was only forty slats. I went to the closet and checked the toes of the tan Stetsons. Empty! I stashed the binoculars in a coat pocket with my C and bang outfit I saw smoke spiraling from a cigarette lying on the base of the plaster copy of “The Kiss” near the front window. I said, “Bitch, what did you do, break your leg or knock off as soon as you saw me split? Is this tonight’s take? Turn over so I can see that black mug of yours.” I was standing at the side of the bed. My right hand was resting on the closed plastic lid of the record player. The tips of my fingers were touching the back of it near the motor. It was warm. I raised the lid. Lady Day’s whimper about that “mean man” was on the turntable. The runt turned slowly. I looked down into her face. Her eyes were narrow. Her jib was puffed out. She and Lady Day had been dragging me through the mud all night. The whore was acting like an outraged housewife. She said, “Ain’t I never going to be nothing but a bitch to you? Call me Phyllis the whore, or Runt the fool. You’d never believe it but I’m human. That scratch I made tonight ain’t bad. These streets are new to me. I gotta feel my way and get hip to the tricks.” That cocaine was blowing a frosty blizzard through my skull. I said, “Bitch, when your funky black ass is in the grave you’ll still be a bitch; Bitch, one of these nights you’re going to shoot your jib off, I’ll curtsy and call you Runt the corpse. You stinking bitch I’m hip you’re human. You’re a human black slop-bucket for those peckerwood swipes. “You gutless idiot, I’m going to throw you out that window if you don’t get the kinks outta your ass an hustle some real scratch. Don’t get hip to the tricks, Bitch. Get hip to what I’m rapping. If you don’t stop your bullshit, I’m gonna kick your heart out and stomp on it. Now don’t crack your jib unless I rap to you, Bitch.” I started to take my clothes off. She just lay there staring at me. Her eyes were gleaming like a crazy Voodoo Doctor’s. I got into bed. I turned my back to her. I could feel the freak inching toward me. She stroked the back of my neck. I felt the hot tip of the lizard on the back of my neck. I felt the scab on her brow scrape the tip of my ear. I pulled away toward the edge of the bed. She said, “Daddy, I’m sorry I bugged you. I love you. Please forgive me.” The bed creaked when I rattlesnaked to strike. I hooked my right heel under the bed springs. I raised myself on my right elbow. I drew my “ved” left arm back so the back of my left fist touched my right cheek. I grunted for velocity and blackjacked my left elbow into her gut-button. She groaned and wrapped and unwrapped her legs. She chattered her teeth like she was freezing to death. I could feel that yellow drawing a heavy black curtain inside my dome. Just before I went under I thought, “I wonder if the runt can lug a hundred and fifty pounds to that window.”
7 MELODY OFF KEY
The blast of the phone woke me. The pad was dark as hell. I flung my left hand out for the runt. She wasn’t there. I fumbled the receiver to my ear. I said, “Hello, this is Mary’s brother.” He said, “I wanta speak to Mary. Put her on, yeah?” I said, “She just went out. She’s taking a walk.” He hung up. I cradled the phone on the bedside table. I switched the table lamp on. I checked Mickey. It was seven-thirty P.M. I wondered if I had blown the runt. I got up and checked the closet. Her clothes were still there. I went to the dresser. I checked the forty slats. Two were missing. There was a note beside the scratch. It read, “Daddy, I took a deuce for the street. I’m gonna hump my ass off. Please try to be a little sweet to your little bitch dog, huh?” I thought, “I’m stumbling upon some pimp answers. It looks like the tougher a stud is the more a whore goes for him. I’ll sure be glad when those four days pass and I go with Top to the Sweet cut in. I gotta watch that the runt don’t get hip I’m banging stuff. Gee, I’m starved. I gotta eat before I bang some girl.” I went to the phone. The broad who should have been a wrestler picked up. I said, “Anybody down there to get me bacon and eggs?” She said, “Wait a second, I’ll let you talk to Silas, the elevator man.” The old Maggie and Jiggs fan said, “Yeah, Big Timer, what is it?” I said, “Silas, can I get bacon with eggs over light, and toast?” He said, “Yeah, there’s a greasy spoon right across the street I’m going now.” I hung up and went to the closet. I got the spy piece. I went to the window. I saw the old jink hobble across the street toward the Busy Bee Cafe. I made a sweep up and down the street to spot the runt. I didn’t see her. I zeroed the spy into the greasy joint. The runt was draining a cup of coffee at the counter. She came out. Her eyes flashed whitely up at our window. She walked down the street twisting her rear end at the passing cars. I saw her round black ass hook a white trick in a black Hog. He skidded to the curb. She got in. I wondered if it was the same joker that called. I ducked into the shower. I was toweling off when I heard a rap on the door. I saronged the towel. On the way to the door I scooped the can of gangster off the dresser and stuck it behind the mirror. I heard Silas outside the door whistling “When the Saints Go Marching In.” I opened the door. He had a tray in his hands. I took it. A paper napkin fluttered to the floor. He stooped for it. I looked into the big brown eyes of a pretty yellow broad coming out of the door across the hall. The scar-faced stud who tooted at the Roost had walked out in front of her. He had a saxophone case under his arm. She rolled her lustrous eyes at me. They rocketed to that lump on the sarong. Her sly hot smile made a flat statement, “Please, try it for size.” I skull noted her. Silas finally tore his eyes from her rear end floating down the hall. He had squeezed the paper napkin into a damp ball. He said, “That’s a buck.” I put the tray on the dresser. I took three slats to the door and gave them to him. I said, “Silas, that’s quite a package with Mr. Hyde. Give me a rundown, huh?” He said, “Yeah, she’s stacked tough enough to make a preacher lay his Bible down. The horn blower ain’t had her but a coupla years. She’s done rammed her cat scent up his nose and got him hooked. She was a whore until he squared her up. “He’s got it bad. He don’t allow her outta his sight. Any club he plays she hasta be right there stuck in his ass. If I was thirty years younger I’d steal her. “Thanks, Big Timer, for the deuce. Any time you want something, call old Silas. Sit the tray outside your door when you finish.” I sat on the side of the bed and wolfed down the bacon and eggs. I felt better. I wanted to feel wonderful. I put together everything for bang time. I held the end of a necktie in my teeth. I coiled it and tightened it around my arm. On first stab I hit a perfect bullseye. I did Top’s jackoff bit. I threw up. I just made it to the john. The kick was greater than the one at Top’s. I thought, “What if my black face like magic turned white. Shit, I could go out that hotel front door and sneak through the barbedwire stockade. I’d be like a wolf turned loose on a flock of sheep. That white world wouldn’t tumble that I’m a Nigger. I could pay ’em all back in spades, the Dummy, the White Bull, that bastard judge that crucified me on my first rap. Once I escape this black hell I’ll find a way all right. Well Nigger, you’re pretty, but a bleach cream will never be invented that will make you white. So, pimp your ass off and be somebody with what you got. It could be worse, you could be an ugly Nigger.” I dressed and powdered my face. That sure was one pretty sonuvabitch in that mirror. I saw a roach scouting the tray’s rim. I shoved the tray out into the hall. I thought, “I gotta start stalking that fine bitch across the hall. Maybe I’ll decoy the runt to get past that scarfaced watchdog. I guess I’ll take a walk. Maybe I can cop my second whore. I feel hard and lucky as a horseshoe.” I put the can of reefer and the other sizzle into a paper bag. I locked the door and went down the hall toward the elevator. On the way, I stopped at the porter’s broom closet. It was unlocked. I tiptoed and shoved the bag of sizzle behind some junk on a shelf. The cocaine had me froggy. I saw the floor indicator stop at floor number two. I took the stairway to the lobby. I dropped the key on the desk and glided to the street. The cocaine had fitted wings on my feet. I felt cool, breathless, and magnificent. It was a balmy eighty degrees. I was glad I’d left the benny. I walked toward a rainbow bouquet of neon maybe ten blocks away. My senses screamed on the razor-edge of cocaine. It was like walking through a battlefield. The streaking headlights of the car arcing the night were giant tracer bullets. The rattling crashing street-cars were army tanks. The frightened, hopeless black faces of the passengers peered through the grimy windows. They were battleshocked soldiers doomed forever to the front trenches. I passed beneath an El-train bridge. A terrified, glowing face loomed toward me in the tunnel’s gloom. It was an elderly white man trapped behind enemy lines. A train furled by overhead. It bombed and strafed the street. The shrapnel fell in gritty clouds. I was too nervous for the combat zone. I whistled at a general in a yellow staff car to halt. He whisked me to that oasis of neon. It turned out he was a mercenary. He shafted me a slat and a quarter for the evacuation. I got out and mothed toward a Haggling flash. The “Fun House.” It was a bar. I opened the door and stepped inside. It almost busted the gaskets in my bowels. A phosphorescent green skeleton popped up out of the floor in front of me. It screeched a hollow howl and then dived back into the floor through a trap door. I just stood there shaking. I couldn’t figure why those crazy jokers at the bar were yukking like pickaninnys. To stay with the program I mastered a King Fish grin. I went to the bar and sat between “Amos” and “Andy.” I saw a tall stud with a Frankenstein mask on behind the log. He darted his hand in a sneaky way under the log. There was a wooshing noise like a tire going flat. My stool descended beneath me. I looked up at Amos. My nose was an inch from the log. Amos was grinning down at me. Amos said, “You sho nuff ain’t been here befo, is you Slim? You frum de big-foot country?” Andy said, “Wait til he ketch his win. He gonna buy us a pitchuh suds. We gonna lurn ole home boy bout dis big city rigamaro.” Everybody at the crowded log yukked in a deep South accent. Frankenstein pushed his mercy button. I felt the stool stretching up. With the cocaine kangarooing me, and this booby-trapped nest of low-life suckers I stumbled into I had more than a frantic yearning for maybe four-twenty at the Haven. He walked down the log to me. He said, “It’s all in fun. Welcome to the ‘Fun House.’ What’ll it be?” I ignored him. I got off the stool. I looked down at it. Its metal legs were tubular and anchored to the floor. It had to be a compressed air gizmo. I stepped back and looked at the two ex-cotton pickers. I twitched my nose. I looked down and around them, then the length of the log. I fingered the button on that sling shot in my raise. I said, “King Fished, Holy mackul, boys. You smell dat? I’se wunder iffen some po stupid Nigger’s funky-ass, nappy-head Southern Mammy ain’t dose shit out anuther square-ass, ugly bastard turd?” Amos and Andy dropped their jibs like plantation idiots. They shot an anguished look at the white joker behind the log. I walked out the door. They didn’t dig my humor. Maybe it was too “in.” I slammed into a perfumed line-backer. In reflex, I threw my arms around her soft shoulders. She had the flawless face of Olivia de Haviland. She was bigger and prettier. I felt the fabric of her tailored black suit petal stroke across my fingertips. She was the finest broad I’d seen since my last movie. I wondered if she was a whore. I decided to hit on her. I said, “I’m sorry. Ain’t it a bitch, baby the first time we meet it had to be in a collision like two-square? Sugar, were you going into this tramp joint? Believe me there’s no action inside for a package like you. I just stopped in to make a call. My name is Blood. What’s yours?” Her big curvy legs were wide tracked. I saw the fabulous shadow of her rear end on the sidewalk. Through the filmy orange blouse I saw a pink mole on her milk-white midriff. She brushed back a wayward lock of silky black hair from one of the big electric blue eyes. Her even choppers gleamed like rare china. Her crimson tongue doodled across the cupid bow lips. She was doing a bit that would have shook up a eunuch. She said, “Blood! How quaint. Your idiom is fascinating. My name is Melody. I don’t drink in bars. Occasionally I go to a supper club. I am not looking for action. As a matter of fact my car is disabled. I was going inside to call for help when our heavenly bodies collided. Is it possible that you’re not oblivious to the esoteric aspects of car repair? Mine is there at the curb.” My eyes followed her manicured finger to the sparkling new Lincoln sedan. Everything about her hollered class and affluence. I thought, “This beautiful white bitch has class. She sounds like an egghead. With wheels like that she’s probably got a bundle in the darner! Maybe she’s got some rich sucker in her web. I’ll nut roll on her. I’ll stay outta the pimp role until I case her. I’ll go Sweet William on her. Maybe I can string her out and get all that scratch she’s got, then make a whore outta her. With her rear end, this bitch is sitting on a mint.” I said, “Darling, I’m not a mechanic. I did learn a little about cars from a buddy in a prep school I just finished. You get in. I’ll raise the hood and have a look.” She got in. I raised the hood. I spotted the trouble right away. A battery cable had jarred loose. I put it back on. I looked around the hood and signaled for the starter try. She did and smiled happily when the engine throbbed to life. She waved me to her. I stuck my head through the open window. She said, “Are you driving? If not I should love to take you wherever you want to go.” I said, “Honey, I’m not driving and it’s a long sad story. You don’t want to hear my troubles. If you drop me off at some nice bar, I promise not to bore you with it.” I got in. She pulled out into traffic. We cruised along. For two minutes we were silent. I was busy trying to think of the opener for that long sad story. I had read a cellhouse full of books. I knew I could rise to a smooth pitch. That old philosopher convict had told me I should forget the pimp game and be a con man. I said, “Melody, doesn’t fate puppeteer humans in a weird way? There I was coming out of that joint, I had just called a garage a hundred miles away. The engine of my car burnt up on my way here from Saint Louis a week ago. I was depressed, lonely, and hopeless in a big, friendless city. “The mechanic had just dropped the bad news. The charge to get the car is a hundred and fifty dollars. I have fifty. I was blind with worry when I came out that door. “My elderly mother has to have a pancreas operation. I came here to work for a contractor in the suburbs. I’m a talented carpenter. I need my car to get to work. I’m committed to start work the first of next week. Mama’s going to die sure as the sun rises in the East unless I get that money for her operation. “The strange wonderful thing is, Darling, with all these problems I feel so good. See those garbage cans glittering between the tenements? To me they are giant jewels. I want to climb up on those rooftops and cry out to the stars, I have met, I have found the beautiful Melody. Surely I’m the luckiest black man alive. Convince me you’re real. Don’t evaporate like a beautiful mirage. I’d die if you did.” Out of the side scope in my eye I saw those awesome thighs quivering. She almost crashed the Lincoln into the rear end of the gray Studebaker ahead of us. She cut in sharply and grated the Lincoln’s wheels against the curb. She shut the motor off and turned toward me. Her eyes were blue bonfires of passion. The pulse on the satin throat was maniacing. She slid close to me. She zippered her scarlet mouth to mine. That confection tongue flooded my mouth with sugar. Her nails dug into my thighs. She gazed at me. She said, “Blood, you sweet black poetic panther. Does that prove I’m real. No, I know I don’t want to evaporate, ever. Please, let’s don’t go to a bar. You can’t solve your problems with alcohol. My parents are out of the city until tomorrow noon. Settle for coffee and conversation at my place. Will you Blood? Perhaps we can find solutions to your problems there. Besides, I’m expecting Mother to call me at home later this evening.” I said, “Angel of mercy, I’m putting myself in your tender hands.” She lived a long way from the black concentration camp. She drove for almost an hour. I could smell the pungent odors of early April plant life. This white world was like leaving Hell and riding through Heaven. The neat rows of plush houses shone in the moonlight. The streets were quiet as maybe the Cathedral in Rheims. I thought, “Ain’t it a bitch? Ninety-eight percent of the black people back there in Hell will be born and die and never know the joys of this earthly Heaven. There ain’t but two passports the white folks honor. A white skin, or a bale of scratch. I sure got to pimp good and cop my scratch passport. Well, at least I get a Cinderella crack at Heaven. This is good. It’s hipping me to what I’m missing.” We turned into her driveway. I saw the soft glow of a table lamp behind blue drapes in the front room. She parked the Lincoln in a pink stucco garage that matched the house. The garage was connected to the house. We went through the back door. We passed through the kitchen. Even in the dimness it sparkled. We moved like burglars through the half-darkened house. We walked on deep-pile carpet up a stairway. We got to the top. She stopped. She whispered, “Blood, I was born in this house. Everybody in the block knows me. If some friend passed and knew someone was at home, we might get an unwelcome visitor. We’ll go to my bedroom in the rear.” I followed to her bedroom. She flipped on a tiny blue light over a mirrored dressing table. The bedroom was done in pale blue and off-white. The queen- sized bed had a blue satin canopy over it. I sat down on a white silk chaise next to the dressing table. She switched on an ivory radio. Debussy’s “Clare de Lune” sweet-noted gently through the room. She kicked off her tiny black calfskin shoes. She was even more beautiful here than she had been in the street. She stroked my ear lobes with her fingertips. She said, “Mommy’s pretty black panther don’t run away now. I’m going downstairs and make coffee.” She went down the stairs. I thought, “I’m gonna crack on her for scratch. She should be good for a C note at least. A C note ain’t bad to break the ice with. If she springs for it, I’ll tie her to that bed and put my Pepper-specialty on her. It’s certain to flip a young broad like her who’s lived in Heaven all her life! Besides, I ain’t never sloughed around in a bed with a canopy. Especially one in Heaven.” I heard the faint bounce of her tiny feet on the stairway. She came into the bedroom with a silver service. We were going to have coffee in style. She set the gleaming tray on the dressing-table top. She said, “Blood, pour us a cup. I’m going to get out of these clothes. Then we can chat.” I poured two and left them black. I sipped mine. She stepped into a walk-in closet. She stepped out a moment later. All she had on were black panties and the red top of a transparent shortie nightgown. Her small, but sculptured bosom straight-jutted against the red gauze. She sat on the foot of the bed facing me and crossed her legs. I handed her the cup of black. She said, “So, you’re going to stay in town for a while?” I said, “Baby, if I get strong enough encouragement I’ll stay all my life. Baby, it’s a pity I had to meet you when I’m in bad shape. I want to be good company, but that car problem and Mama won’t let my mind stay on a pleasant track.” Her ringers snapped “eureka.” She got off the bed and went to the dresser across the room. She opened the top drawer and took out a bankbook. She came back and sat on the bed. She tapped the red nail of her left index finger against her white teeth. She studied the book’s figures. I saw a frown hedgerow her brow. She got up and went to the dresser and threw the book into the open drawer and banged it shut. I thought, “This broad has over-drawn. She’s gonna try the check con on me.” She stooped and opened the bottom drawer. She brought out a foot-long, foot-tall metal pig. She walked to the dressing table and put the porker on the table beside me. She said, “Blood, this is the best I can do to help you now. I don’t get my allowance for a week. I have less than a hundred dollars in my account. Cheer up, there must be at least a hundred dollars in quarters and halves in this bank. Believe me, I can vividly imagine what it’s like to be colored and faced with your problems. Let’s say it’s a loan.” I hefted the poker for a moment to check its gross weight. It was heavy all right. It felt a C note heavy. I reached out and took her hand. I guided her to my side on the chaise. I put my arms around her. I kissed her and sucked at that sugary tongue like a suicidal diabetic. I leaned back from her. I looked into the heart of the blue fire. I said, “Baby, it’s a wonderful secret that you’ve discovered. Not many people know it’s better to give than to receive. Maybe it sounds crazy, but I wish you weren’t so beautiful and generous, so perfect. I don’t see how you can miss capturing my foolish heart. You’re a cinch to make me yours forever. Baby, I’m just a poor black country boy. Please don’t hurt my heart.” She sure had an appetite for the Jeff con. The blue fire softened. Her eyes were misty and serious. She held my head between her dove-soft palms. She said, “Blood baby, I’m white, but I have been more unhappy than any black person all my life. My parents have never understood me. When my whole being cried out for love and understanding, they gave me shiny things to stop my tears. “Non-whites are like dirt to them. They are narrow and cold. If they found out you had been here they would disown me before they dropped dead. There’s a sweet warmth that you have. I know that you can make me happy. I am so desperate for love and understanding. Please give it to me.” I said, “Baby, you can dump all your money on the black horse to win. I’m gonna win ’em all for you, beautiful.” She said, “Blood, you’re a black panther; I’m a white lamb. I know nothing can stop that panther from taking the lamb, soul and body. The lamb will bide her time to take the panther. The lamb needs and wants it that way. Now listen carefully and please catch the clue of my tragedy so nothing will shock you in my bed. “Blood, perhaps you are aware of the structural flaws built into the columns of the world’s most famous building. It’s the Parthenon. The flaw is called entasis. This contrived flaw is necessary so that the fickle human eye sees only perfection. I am a lot like those columns. I am not old, but I am beautiful. My tragedy is that unlike the entasis that gives perfection to the columns, my entasis must be concealed to protect my perfection. Can you understand?” I thought, “What the hell, so this broad’s got a prematurely-gray cat. Maybe it’s a little off-center. If it’s odd it will be a novelty kick for me. She’s so beautiful the tricks won’t notice a tiny irregularity after I’ve turned her out.” I said, “Baby Melody, you haven’t opened the door to a square. As fine as you are I wish you had two heads. Now get on that bed on your back. I’m gonna make love to you black panther style. You got some long towels?” She went to the hall linen closet. She gave me four long slender ones. She slipped off the red top and panties. She lay on her back in bed. I saw her flaw. Was this her entasis? I saw no crotch hair. She looked completely bald downstairs. I tied both her legs to the posts at the foot of the bed. I tied her left arm to a post at the head. The phone jangled on a nightstand at her side. She picked up the receiver with her free right hand. She said, “Hi Mother, I’m fine. Are you and Dad still having fun? Mother, I miss you both so terribly. Are you coming home tomorrow as planned? Oh good, I’ll be at the airport on time. I’ve gone to bed. I’ve gotten out that ‘Anthology of Africa.’ I’m going to have a wild time researching the Watusi Warrior. Good night, Mother. Oh, tell Dad to bring me some of that heavenly Miami beach wear. I’ll be a sensation here on the beach this summer.” I had taken my clothes off when she hung up. I lashed her free arm to the fourth bedpost. I looked down at her. Her eyes were pleading. She said, “Remember Blood darling, you are not an unsophisticated bumpkin. You are not prone to shock states. I know you are going to find my entasis as sweet and desirable as the rest of me.” I wondered why she still worried about her entasis. She knew I saw she was hairless downstairs. I put my knee on the bed. I stroked her belly. I felt cloth. I took a close look. A custom flesh-colored jock belt bandied her crotch. I ripped the elastic top down over her round hips. I jumped back. My rear end bounced on the floor. I struggled to my feet. I shouted, “You stinking sissy sonuvabitch!” His real entasis had popped up pink and stiff. It was a foot long and as thick as the head of a cobra. He was crying like I had put a lighted match to his entasis. He sobbed, “You promised to understand. Please, Blood, keep your promise. You don’t know what you’re missing. It’s delicious you fool.” I said, “Look man, I made my promises to a broad, not a stud. I’m a pimp, not a faggot. I’m getting the hell out of here. I’m charging you the porker for my time and your bullshit.” He lay there blubbering. I speed dressed. I took the porker off the table and stuck it under my arm. I walked toward the stairway. I looked back. His beautiful face was ugly in anger and hate. He screamed, “You dirty Nigger liar, thief! Untie me you Coon Bastard! Oh, how I wish I had your black ass tied here on your belly!” I said, “Man, as slick as you are you’ll untie yourself before long. Yeah, that entasis could murder me all right.” I walked down the stairway. I went through the house to the back door. I walked down the driveway to the street. I walked for an hour before I got out of the residential sprawl. I was lucky to hail a Yellow Cab as soon as I got to a busy intersection. When it got me to the Haven, the meter read fourteen-thirty. I gave the cabbie a fin and a saw buck. I looked up at my window. The runt was at it. It was two A.M. It had been like a nightmare Halloween all the way. All trick and no treat. I was icy sober. Then it struck me riding up on the elevator. That white faggot could cross me. What if he couldn’t free himself by the time his folks got home? He was a cinch to cover himself. He’d say a Nigger burglar or holdup man had robbed him and trussed him up. I was a two-time loser. Five to ten would stick to me like flypaper. Even if he untied himself right away he might be mad enough to frame me. I remembered the Dalanski-Pepper cross. I was sweating salt balls when I retrieved my stash in the broom closet. I went to my watch pocket with the cocaine. I knocked on fourtwenty. The runt opened the door. She was grinning. She said, “Hello, Daddy-angel. Your dog bitch bumped her black ass off tonight. Gotta piggy bank, huh?” I said, “So whatta you want, bitch, a medal for doing your whore duty?” I didn’t answer her question. I looked down to see if she’d sprouted an entasis. She was buck-naked. I stepped inside and bolted the door. There were seventy slats on the dresser. I turned and lowered my face. She kissed me. I put the porker on the base of the “Kiss” statue. I gave her the can of grass. She sat on the bed. She shook some grass out of the can onto a newspaper in her lap. She started rolling a joint. I took my clothes off. I went into the bathroom to shower and scrub the sissy taste out of my jib. The piercing heavy odor of the gangster wafted to me. Over the roar of the shower I shouted, “Girl, there’s a gap under that slammer. Chink it up with a rag or something. Torch a coupla sticks of incense.” I came out of the bathroom and got into bed beside her. She handed me a joint. I lit it and sucked it into a roach. I squeezed tobacco from the tip of a cigarette. I stuck the butt of gangster into the empty tip. I twisted the end and lit it. It was a good reefer. I could feel my skull go into a dreamy float. I got one brilliant thought after another. The trouble was, each one I tried to hold long enough so I could put a saddle on it stampeded. It was maybe like the painful irritation a drunk wrangler suffers trying to corral a herd of greased mustangs. Gangster was sure a whore’s high. That reefer confusion was no good for a pimp’s skull. That beautiful sissy had buried a hot seed in my guts. The wild flower blossomed. I dreamily drifted into the runt. I rolled sleepily out of the warm churning tunnel. I wouldn’t need a yellow tonight.
8 GRINNING SLIM
I opened my eyes. I saw glinting stars of dust whirling like a golden hurricane through a bright shaft of noon sun. I looked through the open bedroom door. I saw the runt sitting at the living room window. She was doing her nails. She lifted her eyes from her nails. She looked into the bedroom. I said, “Good morning, li’l freak puppy. I’m gonna call Silas to run across the street for ham and eggs. Are you hungry?” She said, “Yeah, I’m hungry, but the way he moves around it would take him a week to cop. I’ll slip on something and go myself.” She went to the closet and slipped on her blue poplin rain-orshine coat. She took a fin off the dresser and held it up for my consent. I nodded my head. I heard the door shut when she went out. I lit a cigarette. I thought, “I wonder if Melody has the heat looking for me. I’ve only got a day or so left before Glass Top takes me to Sweet Jones. I’m gonna cool it. I won’t go out at all. I’ll stay right here in the hotel until Top calls me.” The phone rang just as the runt came through the bedroom door. She put the plates wrapped in wax paper on the dresser. She picked up the receiver. I got up, took my plate and started to eat with a plastic fork. She said, “Hello. Oh, Chuck, how are you, sweetie? I was just thinking about you, lover. No, I can’t. I wish I could come out for a few drinks, but my brother won’t be home from work until six. Mama’s not well at all. I have to stay here during the day to take care of her. I could slip out around seven. Yeah, I could do that until eight for twenty. Bye, bye, sugar blue eyes.” She hung up the phone and her coat. She sat naked on the side of the bed eating. I said, “Bitch, I got an idea for that cat of yours. You gotta take a stiff brush and brush the hair straight down every time you think about it. Put some hair grower on it until you got maybe a four-inch cone. Your tricks will pant to bury their beaks in it. It will make your cat unique with that extra dimension.” She mumbled, “Where on Earth did you get a jazzy idea like that?” I said, “Bitch, ain’t you hip yet? I’m a pimp with great imagination, that’s all.” She finished her flapjacks. She got up and gathered up an armful of our soiled clothing. She went into the bathroom. I heard the water sloshing in the bowl. She was doing our laundry. I turned my back to the sunlight. I felt old Morpheus slugging his velvet hammer against my eyelids. I woke up in darkness. I looked at the front-room window. The streetlights were on. I turned the nightstand lamp on. Mickey said seven-ten. The runt was gone. She was breaking her luck with Chuck. I thought, “Jesus, I sure needed rest all right. That fast track I’ve been blundering on sure took the juice out of me.” I got up and went into the bathroom to brush my teeth. I had made several brush strokes when the phone rang. I picked it up. He rapped before I could open my mouth. He said, “Kid, this is Glass Top. The plans have changed. I’m in a hurry. Be outside your joint in fifteen minutes. You got that?” I said, “Yeah, but …” He had hung up. I dressed even faster than I had at the sissy’s pad. I rushed down the hall. I stopped at the broom-closet stash. I hurled the sizzle into the corner on the shelf. I took the stairs three at a time to the lobby. I sailed the key to the desk top. I bolted out the door. Top was parked in front of the joint in the red Hog. He had his hand over the horn when he saw me. I got in. The Hog squealed from the curb. Top was sure in a hurry. I could hear the harsh whisper of the Hog’s tires against the pavement. We passed that neon bouquet. I looked back and saw the “Fun House” sign flashing. I wondered if Melody was out here somewhere booby trapping with his entasis. I said, “Jack, I didn’t expect your call for a coupla days. What happened?” He said, “There’s a big boxing match tonight. All the biggest pimps and whores in the country are gonna be at Sweet’s after the fight. Kinda like a party. All of ’em use stuff. Even with Sweet as the middleman I should take off a coupla grand for my end.” “Sweet never goes to fights. He can’t stand big crowds, and besides they won’t let Miss Peaches into fights. Sweet’s gnawing his nails waiting for this stuff. He ain’t got none for himself and he’s anxious to cop some stuff for those birds coming from the fight.” I said, “Have you cracked anything about me to him?” He said, “Kid, you ain’t hip I’m a genius? He called and I rapped to him this morning. I played you off as my punk nephew from Kansas City. You got wild ideas you wanta be a pimp. I’ve tried to chill you back to K.C. to maybe hustle pool or even be a broom mechanic. You’re a stupid, stubborn punk. I’ve told you a thousand times you ain’t got it to pimp. You gotta pimp. “You would eat ten yards of Sweet’s crap. You think he’s God. You won’t believe your uncle is tight with God. I’m Glass Top. I gotta save face even for a snot-nosed punk. Maybe if you hang around the inside of the fast track for a hot minute you’ll get scared. You’ll wise up, get outta my ass and run your ass back to K.C. Now Kid, don’t shoot your jib off at his pad. If he don’t remember you from the Roost, don’t wake him up.” I said, “Don’t worry Top. I won’t rank us. I’ll never forget you, Pal, for the cut in. That was sure some beautiful stuff you played for Sweet.” He caressed his patent-leather hair. He erected his wide shoulders inside his blue mohair jacket. His pretty, bitch face wore that terrible conceit and awful pride maybe of a cute mass murderer who never gets her victims’ blood on her. The full moon through the windshield shone flush on his face. He said, “Kid, you ain’t heard nothing yet. Shit, I done drove three whores screaming crazy with this brain. They in the boob box upstate right now babbling about Pretty Glass Top. Even Sweet ain’t shipped but two up there. He’s been pimping almost twice as long as me.” I said, “Christ, Top, I don’t get it. Why drive a whore nuts if she’s still humping out the scratch. A stud would have to be slick as grease to plant bats in the skull of a bitch that was sane. I can’t dig how a stud could do it. I ain’t hip to it.” He said, “Sucker, what you don’t dig, and ain’t hip to would make a book bigger than this Hog. Now you take Sweet, the two he crossed were young white broads with small mileage. He’s sick in the head. He’s got an insane hate for the whole white race. “He was a crumb crusher of seven down in Georgia when the white folks first poisoned his skull. His mammy was jet black and beautiful. The peckerwoods for miles around were aching to lay her. The son of the wealthy plantation owner that Sweet’s old man sharecropped for way-laid her on the way to a spring. He punched her out, tore her clothes off and socked it into her. She was naked and crying when she got back to her shack. “The peckerwood pig hid out in the woods. Sweet’s old man came in from the fields and found his wife clawed and bawling. He was close to seven feet and weighed three hundred. Sweet still remembers how his old man hollered and butted his head against the door of the shack. The hinges ripped loose. “He knew the woods like a fox. He found the white boy. He left him for dead. He covered him with brush. He slipped back to his shack. Sweet remembers the white boy’s blood on his old man, even on his old man’s bare feet. He had stomped the white boy to a red pulp out there in the lonely woods. The old man figured he was safe. The white folks would never find the corpse in those thick woods. He cleaned himself, repaired the shack door, and waited. “He hadn’t croaked the white boy. He had only maimed and paralyzed him. That night a white man out possum hunting with his dogs heard the kid bleating under the brush. He was out of his skull. It was midnight before the kid’s raving made sense to the white folks. “Sweet heard the mob’s horses galloping toward the shack. He hid in the loft just as the crazy gang came through the shack slammer. Sweet peeped through a crack and watched them beat his old man’s head bloody. They dragged him outside. Sweet saw the whole mob rape his mother. “Finally all was quiet except for his mother whimpering on the bed. He sneaked out of the loft. Through the open door he saw his old man swinging in the moonlight from a peach tree in front of the shack. “His mammy went to the funny farm. Sweet was taken in by a share- cropper on the same plantation. He worked the fields until he got seventeen. He ran away and caught a freight train North. He was eighteen when he got his first whore. She was a white girl. He drove her to suicide before he got nineteen. Sweet’s gotta be sixty now.” He paused. He steered the Hog with one hand. He took a cigarette from his jacket pocket. He punched in the dashboard lighter. I thought, “No wonder Sweet’s off his rocker. I wonder why Top really gave me that tight rundown on Sweet?” The lighter popped. Top lit his cigarette. He sucked hard. He blew out a white cloud against the windshield that for an instant blotted out the moon. He said, “I ain’t insane like Sweet. My skull is clear and cool. I ain’t no mixed-up Southern Nigger. I was born in the North I grew up with white kids. I don’t hate white people or any other people. I ain’t no black brute. I’m a pretty brown-skin lover. I love people. “When I was a square, I was even engaged to marry a white girl. Her parents and friends put pressure on her and she chickened out. I guess I loved her. Right after we quit I went to a hospital for my nerves. I ain’t had nothing but whores since. It’s like I told you when I met you. Sweet’s a Ford and I’m a Duesenberg. He’s just an ugly lucky nut.” I said, “But Top you cracked your booby-box score was higher than Sweet’s. Those three gibbering bitches upstate sure don’t show no love for whore people.” He said, “There you go, fool. A young chump is just like a dumb bitch. He can’t figure nothing out himself. He’s gotta have a rundown on everything. Of course I drove those whores crazy, but for a sane reason, sucker. “A pimp cops a whore. He cons her maybe if she stays in his corner humping his pockets fat, at the end of the rainbow she’s got a husband and a soft easy chair. To hold her beak to the grindstone, he pumps air castles into her skull. “She takes all the stable grief. She humps her ass into a cramp to outshine the other whores in the family. At first, it’s easy for the bitch to star. As she gets older and uglier her competition gets younger and prettier. “She don’t have to be no brain to wake up there ain’t no easy chair at the end. She gets hip there ain’t never even been a rainbow. She gets larceny in her heart. She bullshits herself that if she can drive all those young pretty whores away from the pimp that rainbow might come true after all. If it don’t, she’ll get her revenge anyway. “It’s a violation of the pimp book to quit a whore. A bitch like that is a ticking bomb. Every day, her value to the pimp drops to the zero line. She’s old, tired, and dangerous. She can rattle a pimp into goofing his whole game. If the pimp is a sucker he’ll try to drive her away with his foot in her ass. She’s almost a cinch to croak him or cross him into the joint. “I’m a genius. I’m hip that after a bitch has had maybe ten-thousand tricks drill her she ain’t too steady, skullwise. I don’t tip her I’m salty and disgusted. I talk like a sweet head-shrinker to her. Indeed of air castles, I pump her full of H. “Her skull starts to jelly. I’ll be worried as hell about her. I’ll start sneaking slugs of morphine or chloral hydrate into her shots. While she’s out, I’ll maybe douse her with chicken blood. She comes to, I’ll tell her I brought her in from the street. I tell her I hope you didn’t croak anybody while you were sleepwalking. “I got a thousand ways to drive ’em goofy. That last broad I flipped, I hung her out a fifth floor window. I had given her a jolt of pure cocaine so she’d wake up outside that window. I was holding her by both wrists. Her feet were dangling in the air. She opened her eyes. When she looked down she screamed like a scared baby. She was screaming when they came to get her. You see, kid, I’m all business. I ain’t got an ounce of hate in me.” He had been driving for at least an hour. I had lost track of time and space. I saw no black faces in the streets around us. I saw tall gleaming apartment houses. Some so tall they seemed welded to the night sky. I said, “Yeah Top, you’re a cold clever stud all right. I’m sure glad you’re yanking my coat. Jesus, Sweet must live in a white neighborhood.” He said, “Yeah, Kid, he lives just around that next corner, in a penthouse. Like I told you he’s lucky as a shit-house rat. It’s a million-dollar building. The old white broad that owns it is Sweet’s freak white dog.” I said, “But don’t the white tenants blow the roof because Sweet lives there?” He said, “Sweet’s old white broad owns the building, but Sweet runs it. At least he runs it through a old ex-pimp pal. Sweet stuck him into a pad on the ground floor. Patch Eye, the old stud, collects the rents and keeps the porters and other flunkys on their toes. All the tenants are white gamblers and hustlers. Sweet is got the old ex-pimp running book wide open. The action a day just from the tenants runs two or three grand. I’ll say it a thousand times, Sweet is a lucky old stud.” He turned the corner. He eased the Hog into the curb in front of a snow- white apartment building. A moss-green canvas canopy ran from the edge of the curb twenty-five yards to the kleig-lighted fancy front of the building. A gaunt white stud in a green monkey suit was standing in stooped attention at the curb. We got out. Top walked around the Hog to the doorman. The doorman said, “Good evening, gentlemen.” Top said, “Hello Jack, do me a favor. When you take my wheels to the back see that it’s parked close to an exit. When I come out I don’t wanna hassle outta there. Here’s a fin, Buster.” The doorman said, “Thank you, Sir. I’ll relay your wish to Smitty.” We walked into the green-painted, black-marbled foyer. I was trembling like maybe a hick virgin on a casting couch. We walked up the half-dozen marble steps to an almost invisible glass door. A Boston Coffee-colored broad slid it open. We stepped into the green- and-pearl lobby. A tan broad as flashy as a Cotton Club pony sat behind a blond desk. We walked across the quicksand pearl carpet to the front of it. She flashed two perfect dozen of the thirty-two. Her voice was contralto silk. She said, “Good evening, may I help you?” Top said, “Stewart and Lancaster to see Mr. Jones.” She turned to an elderly black broad sitting before a switchboard beside her. She told her, “Penthouse, Misters Stewart and Lancaster.” The old broad shifted her earphones from round her wrinkled neck to her horns. She plugged in and started batting her chops together. After a moment she nodded to the pony. We got the ivory flash again. The pony said, “Thank you so much for waiting. Mr. Jones is at home and will see you.” I followed Top to the elevators. A pretty brown-skin broad in a tight green uniform zipped us to the fifteenth floor. The brass door opened. We stepped out onto a gold-carpeted entrance hall. It was larger than Top’s living room. A skinny Filipino in a gold lame outfit came toward us. He was grinning and bowing his head, his lank hair flopped across his skull like the wings of a wounded raven. The crystal chandelier overhead glittered his gold suit. He took my lid. He put it on the limb of a mock mother-of-pearl tree. He said, “Good evening. Follow, please.” We followed him to the brink of a sunken living room. It was like a Pasha’s passion pit. A green light inside the gurgling bowl of a huge fountain beamed on the vulgar face of a stone woman squatting over it. She was nude and big as a baby elephant. The red light inside her skull blazed, her eyes staring straight ahead. Her giant hands pressed the tips of her long breasts into each corner of her wide open mouth. She was peeing serenely and endlessly into the fountain bowl. We stepped down to the champagne, oriental carpet. Sweet was sitting across the dim room on a white velour couch. He was wearing a white satin smoking jacket. He looked like a huge black fly in a bucket of milk. Miss Peaches was curled at his side. She was resting her black spotted head on a silk turquoise pillow. Sweet was stroking her back. She purred and locked her yellow eyes on us. I got a whiff of her raw animal odor. Sweet said, “Sit your black asses down. Sweetheart, you been dangling me. What happened? Did that raggedy nickel Hog break down? So this is your square country nephew?” Top sat on a couch beside Miss Peaches. I sat in a blue velour chair several yards to the side of Top. Sweet’s gray eyes were flicking up and down me. I was nervous. I grinned at him. I jerked my eyes away to a large picture on the wall over the couch. A naked white broad was on her hands and knees. A Great Dane with his red tongue lolling out was astraddle her back. He had his paws hooked under her breasts. Her blonde head was turned looking back at him. Her blue eyes were popped wide open. Top said, “Man, that Hog ain’t no plane. I got here quick as I could. You know I don’t play no games on you, Honey.” I said, “Thank you, Mr. Jones, for letting me come up with ‘unc.’” My voice triggered the Roost memory. He stiffened and glared at me. He smashed his hooks together. It sounded like pistol shots. Peaches growled and sneered. He said, “Ain’t you the little shit ball I chased outta the Roost?” I said, “Yeah, I’m one and the same. I want to beg your pardon for making you salty that night. Maybe I coulda gotten a pass if I had told you I’m your pal’s nephew. I ain’t got no sense, Mr. Jones. I took after my idiot father.” Sweet said, “Top, this punk ain’t hopeless. He’s silly as a bitch grinning all the time, but dig how he butters out the con to keep his balls outta the fire. He sure ain’t got no tender dick to turn down my pretty big-ass Mimi. Kid, I love black boys with the urge to pimp. Ain’t no surer way to amount to something. Your uncle ain’t but a good pimp. I’m the greatest in the world. He wired me he’s hoping you’ll fold on this track and split back to the sticks. “You got one whore he tells me. You could have the makings. This joint is going to be crawling with fast whores in a coupla hours. I’m gonna be pinning you. I’m gonna watch how you handle yourself. Maybe I’m gonna make you my protege. You gotta be icy; understand, Kid, icy, icy? You gotta stop that grinning. Freeze your map and keep it that way. Maybe I’m gonna prove to your half-ass pimp uncle that I can train even a mule to win the Kentucky Derby.” Top said, “Shit Honey, you didn’t have to tip him. I’m pulling for his split. I love the kid. I just don’t think he can cut the pimp game. The kid raps good. I ain’t denying it. He should be maybe a Murphy player or even a mitt man. His ticker ain’t icy enough to pimp on this track.” I thought, “Top’s pad is a pigsty compared to this layout. It looks like I’m in.” Sweet said, “Sweetheart, let’s go in a bedroom and cap up and bag that stuff for those jokers. I’m gonna have old Patch Eye come up here and deal it off. I ain’t no dope peddler. I’m a pimp. Kid, you can cool it. Have the Filipino bring you a taste. If you want get it yourself from the bar over there.” They went around a hand-painted gold silk screen through a doorway. Peaches padded behind them. I saw a bronze bell on a table beside the couch. I decided to get my own taste. I walked across the room to a turquoise bar. I went behind it. I took a tall crystal glass off the mirrored shelf on the wall. I mixed creme de menthe and bubbly water. I took my green, cool drink and walked toward the floor-to-ceiling glass door. I slid it open and stepped up into the patio. I looked up; the April zephyrs were balleting the burnt-orange and pale-green Japanese lanterns. They danced on glowing jade cords strung high above the lime floor. The ice-cream-yellow moon seemed close enough to lick. I walked to the pearl parapet. I looked out at a brilliant sea of emerald and ruby neon bursting pastel skyrockets toward the cobalt blue sky bejeweled with sapphire stars. I thought, “Sweet sure has caught lightning in a thimble. He came out of the white man’s cotton fields. He’s pimped himself up to this. He’s living high in the sky like a black God in heaven with the white people. He ain’t no Nigger doctor. He ain’t no hot-sheet Nigger preacher, but he’s here. “He pimped up his scratch passport. That barbed-wire stockade is a million miles away. I got more education, I’m better looking, and younger than he is. I know I can do it too.” I remembered Henry and how religious he was. Look what happened to him. I remembered how I used to kneel every night by the side of the bed to pray. I really believed in God then. I knew he existed. Now I wasn’t so sure. I guess the first prison rap started to hack away at my belief in him. I often wondered in the cell how, if he existed, he could let the Dummy destroy Oscar who loved him. I told myself at the time, maybe he’s got complicated long-range plans. Maybe even he’s got divine reasons for letting the white folks butcher black people down South. Maybe some morning about dawn all the black folks will sing Hallelujah! God’s white board of directors will untie the red tape. God will roll up his sleeves. He’ll smash down the invisible stockades. He’ll kill all the rats in the black ghettos. Fill all the black bellies and con all the white folks that Niggers are his children, too. Now I couldn’t wait. If he were up there or not, I had to go with the odds. I stared into the sky. It was the first time I’d prayed since Steve, the tramp. I know now it was more a fearful alibi than anything else. I said, “Lord, if you’re up there, you know I’m black and you know my thoughts. Lord, if the Bible is really your divine book then I know it’s a sin to pimp. If you’re up there and listening you know I’m not trying to con you. “Lord, I’m not asking you to bless my pimping. I ain’t that stupid. Lord, I know you ain’t black. Surely you know, if you’re up there, what it’s like to be black down here. These white folks are doing all the fine living and sucking up all the gravy. I gotta have some of that living and some of that gravy. “I don’t wanta be a stickup man or a dope peddler. I sure as hell won’t be a porter or dishwasher. I just wanta pimp that’s all. It’s not too bad, because whores are rotten. Besides I ain’t going to croak them or drive them crazy. I’m just going to pimp some real whitetype living out of them. “So Lord, if you’re up there listening, do one thing for me. Please don’t let me croak before I live some and get to be somebody down here in the white man’s world. I don’t care what happens after that.” I looked down over the parapet. I wondered if the undertaker had been born yet who was slick enough to paste a sucker’s ass together after a Brodie fifteen-stories down. I heard “Tuxedo Junction” pulsing behind me. I had pitched my pipes dry. I upended my drink. I turned and walked toward the glass door. I saw the Japanese lanterns splashing color on the polished alabaster-topped tables. The Filipino had sure been busy flopping his mop. I slid the door open to a chorus of profanity. The whore scent flared my nostrils. There must have been thirty yapping pimps and whores lounging around the spacious pit. I stepped down and slid the door shut. An ebony satin-skinned pimp was sprawled in the blue velour chair. A tawny tan tigress was kneeling before him between his legs. She had her chin rammed into his crotch. She clutched him around the waist like a humping twodollar trick in an alley. Her dreamy maroon eyes rolled toward the top of her long skull. She was staring at his fat blue lips. It was maybe she expected him to whistle the “Lost Chord.” The rock on his finger exploded blue-white, frozen fireworks. He raised his glass to curse all square bitches. He was con-toasting all whores. The room got silent. Somebody had strangled the gold phonograph in the corner. He toasted:
“Before I’d touch a square bitch’s slit, I’d suck a thousand clappy pricks and swim through liquid shit. They got green puke between their rotten toes and snot runs from their funky noses. I hope all square bitches become syphilitic wrecks. I hope they fall through their own ass-holes and break their mother-fucking necks.”
It was the first time I’d heard it. It was the first time for the crowd, too. They roared and begged him to do it again. He looked toward the hand- painted Chinese screen. All eyes turned to Top and Sweet coming into the room. An old black stud wearing a white silk patch over his right eye trailed behind them. Peaches followed him. He looked like a vulture decked out in a gray mohair vine. Peaches stood before the white velour couch and bared her fangs. The three pimps sitting on it scattered off it like quail under a double- barreled shotgun. They thumped their rear ends to the carpet. Sweet, Top, and Peaches sat on the couch. I sat on a satin pillow in the corner near the glass door. I watched the show. I saw Patch Eye go and sit behind the bar. Everybody was in a big half-circle around the couch. It was like the couch was a stage, and Sweet the star. Sweet said, “Well how did you silly bastards like the fight? Did the Nigger murder that peckerwood or did his black ass turn shit yellow?” A Southern white whore with a wide face and a sultry voice like Bankhead’s drawled, “Mistah Jones, Ahm happy to repoat thet the Niggah run the white stud back intu his mammy’s ass in thu fust round.” Everybody laughed except Sweet. He was crashing together his mitts. I wondered what madness bubbled in his skull as he stared at her. A high-ass yellow broad flicked life back into the phonograph. “Gloomy Sunday,” the suicide’s favorite, dirged through the room. She stared at me as she came away. Sweet said, “All right you freakish pigs. Patch Eye’s got outfits and bags of poison. You got the go sign to croak yourselves.” They started rising from the satin pillows and velour ottomans. They clustered around Patch Eye at the bar. The high-ass yellow broad came to me. She stooped in front of me. I saw black tracks on her inner thighs. The inside of her gaping cat was beef-steak red. She had a shiv slash on the right side of her face. It was a livid gully from her cheekbone to the corner of her twisted mouth. Smallpox craters covered her face. I caught the glint of a pearl-handled switch-blade in her bosom. Her gray eyes were whirling in her skull. She was high. I was careful. I grinned. Sweet was digging us. He was shaking his head in disgust. I wondered if he thought I oughta slug her in the jib and maybe take that shiv in the gut. She said, “Let me see that pretty dick, handsome.” I said, “I don’t show my swipe to strange bitches. I got a whore to pamper my swipe.” She said, “Nigger, you ain’t heard of me? I’m Red Cora” from Detroit. That red is for blood. You ain’t hip I’m a thieving bitch that croaked two studs? Now I said show that dick. Call me Cora, little bullshit Nigger. Ain’t you a bitch with one whore? You gonna starve to death, Nigger, if she’s a chump flat-backer. Nigger, you better get hip and cop a thief.” A big husky broad with a spike in one hand and pack of stuff in the other took me off the hook. She kneed Cora’s spine. She said, “Bitch, I’m gonna shoot this dope. You want some? You can Georgia this skinny Nigger later.” I watched Cora’s rear end twist away from me. She and the husky broad went to the bar and got a spoon and a glass of water. I looked at Sweet. He was giving me a cold stare. I thought, “This track is too fast I can’t protect myself. With young soft bitches like the runt I’m a champ. These old, hard bitches, I gotta solve. I gotta be careful and not blow Sweet. If I sucker out anymore tonight he’ll freeze and boot me.” I sat in the corner bug-eyed for two hours. My ears flapped to the super- slick dialogue. I was excited by the fast-paced, smooth byplay between these wizards of pimpdom. Red Cora kept me edgy. She went to the patio several times. She was Hed out of her skull. Each time she passed she cracked on me. She was sure panting to view my swipe. Several of Sweet’s whores came in. None of them had been at the Roost with him that first time I saw him. All of them were fine with low mileage. One of them was yellow and beautiful. She couldn’t have been more than seventeen. There was a giant black pimp from the Apple. He had three of his whores with him. He had been boasting about how he had his swipe trained. He was one of the three at the party that didn’t bang stuff. I had watched him snort girl and down a few mixed drinks. He had a glass in his hand standing over Sweet and Top on the couch. He said, “Sweet, ain’t a bitch living can pop me off unless I want her to. I don’t care if she’s got velvet suction cups in her cat. Her jib can have a college degree, she ain’t gonna make me pop against my will. I got the toughest swipe in the world. I got a C note to back my crack.” Sweet said, “Sucker, I got a young bitch I turned out six months ago that could blow that tender sucker swipe of yours in five minutes. I ain’t going to teach you no lesson for a measly C note. If that C note ain’t all you got, put five bills in Top’s mitt and you got a bet.” The big joker snatched a roll from his side pocket. He plunked five C notes into Top’s palm. Sweet eased a bale of C notes from the pocket of his smoking jacket. He covered the bet in Top’s hand. Sweet snapped his fingers. The beautiful yellow broad kneeled before the standing giant. She started to perform before the cheering audience. Within less than three minutes she had won the bet for Sweet. The big joker stood there for a long moment with his eyes closed. He had a goofy grin on his face. One of his whores snickered. He slapped her hard against the jaw. He went to the bar. I thought, “She sure has a head for business. Pepper was great, but she couldn’t hold this broad’s douche bag.” I got up and went behind the Chinese screen through the door. I went down a long hall. I passed three way-out bedrooms. I went into a mirrored john. It was as big as a bedroom. I pushed the door shut. I should have locked it. I walked to the stool. I raised the lid. That tough bitch Red Cora darted in. She was licking out her red tongue. Her gray eyes were voodooing in her skull. She was hot as hell for my relative innocence and youth. She was a double murderess with a skull load of H and a hot jib. I stood there before the deadly bitch. I searched the thin catalogue in my skull. I didn’t know the right crack for a situation like this. I mumbled a plaintive pitch. I said, “Now listen girl, you haven’t given me a nickel. I’m not your man.” It was like trying to stand off a starving leopard with a broom straw. She snaked that shiv out of her bosom and popped the gleaming blade open. She clawed my fly open with the other hand. I heard buttons bounce on the tile floor. My ticker was doing a fox trot. She said, “You jiving pretty sonuvabitch. You ain’t no pimp. I’m gonna eat your sweat ass up or chop off your dick.” I backed up to the wall beside the stool. I could feel the wet throbbing tips of my fingers against the cool tile. She was grabbing inside when Sweet bulled in. He seized a fistful of her long hair. She squealed in pain. He jerked her away from me toward the door. He cussed her as he drove his needle-toed shoe into her wide caboose several times. He said, “Bull-shit bitch, this chump is in my school. I ain’t gonna let you Georgia him. Now nix, bitch, nix.” I heard her high heels staccato against the tile as she fled. He turned toward me. His black face was gray with fury. Maybe Sweet would forget I wasn’t yellow. I remembered what Top had told me about those four murders. He thrust his flat black nose against mine. I could feel a spray of spit strike my lips as he cursed me. He twisted the collar of my vine like a garrote around my throat. He had snatched me six feet from the wall. He shouted, “Listen you stupid little motherfucker. You know why that bitch screwed you around? You always grinning like a Cheshire Cat. What’s funny? Can’t I get the sucker outta you? I can’t make a pimp outta a pussy like you. “I told you once, do I have to tell you a thousand times? Greenass Nigger, to be a good pimp, you gotta be icy, cold like the inside of a dead-whore’s pussy. Now if you a bitch, a sissy, or something let me know. I’ll put you in drag and you can whore for me. Stay outta my face Nigger, until you freeze up and stop that sucker grinning.” I heard his ground grippers skid against the floor as he hurled me against the wall. The back of my skull torpedoed into it. Through a drowsy fog of pain I saw him float away. My back snailed down the wall. I laughed at the funny way the shoe tips turned in as the long legs glided across the tile. I sat there on the cool floor gazing at the weird comical legs stretched out before me. I saw a pair of blue mohair legs right angle the flat ones. I looked up. It was Top. He bent over to help me up. He said, “Kid, now you believe the ugly bastard is insane? Take this key to my Hog. Get it outta the lot in back. Park in the block and cool it. I’m getting outta here myself as soon as I cop my end of the smack scratch.” I riveted my eyes to the champagne carpet. I zigzagged through the snickering whores and pimps. I made it across the pit to the elevator. The Filipino was standing beside it. He was pressing the down button. He looked like a friendly brown snake sausaged in gold foil. He reached up and stroked my jacket collar down flat from around my ears. He took my lid off the pearl tree. He stuck it on my skull and snapped the brim. I felt the sweat band needle the aching boil. I adjusted my lid. He said, “Good night, Sir. Sammee hopes you had fine time.” I said, “Sammee pal, it’s been a wild night. I’ll never forget it.” I got a whiff of crotch as the elevator plunged to the lobby. I wondered if the pretty brown-skin jockey whored a little bit as a sideline. I stepped out of the gilded cage into the lobby. I saw a winking red- arrowed sign in the rear. I walked to the glass door below it. I went down the white stone steps to the parking lot. I spotted Top’s red Hog in the ocean of cars. I went to it, unlocked it and got in. A big white Buick was parked in front of it. A grinning brown-skin joker in white overalls came toward the Buick. I saw Smitty blue-stitched across his breast pocket. He pulled the Buick out. I keyed the Hog and scooted it out of the lot. I whipped around the corner and coasted to the curb fifty feet from the entrance of Sweet’s apartment building. I shut the motor off. I lowered the driver’s side window. I put my lid on the seat. I threw my head back on the top of the seat. I closed my eyes. I dozed. Something was crushing my jaw. A blinding spotlight burned into my eyeballs. I heard a fog-horn voice. It blasted, “Police officers! Nigger, what the hell you doing. What’s your name? Show us your identification.” I couldn’t answer with my jaw crushed in a vise. I was dazed. I lowered my eyes below the inferno of light. I saw a white brutish wrist. Thick black hair bristled on it. I saw muscles cord and ripple across it as the vise tightened around my jawbone. I wondered if the copper was Satan and I had croaked in the Hog and was being checked into Hell. Hell or not, Satan wanted identification. I remembered the Fox and the Horse. I didn’t even have a hide. Satan swung the Hog door open. The door frame blackjacked the top of my skull as Satan yanked me from the Hog. He released my jaw and slammed me across the hood of the Hog. My wet palms skidded on the top of it. Satan’s fellow demon was punch-frisking me from breast to shoe soles. He poked an index finger inside my shoe. I felt a tickle in the arch of my instep. I said, “My name is Albert Thomas. Hell, I wasn’t doing anything officers. I was just waiting for my uncle. I lost my wal—.” I didn’t finish. A galaxy of shooting stars orbited my skull. It was like a flame-hot poker was imbedded in that sore bump at the back of my skull. I heard the tinkle of glass against the hood. I puked and nosedived to the hood. I felt the warm stinking mess against my cheek as I lay across the hood gasping. Glass splinters sparkled on the hood. Satan had slugged his flashlight against my skull. I saw the fellow demon’s shadow bobbing inside the hog. He was frisking it, too. Satan said, “Nigger, you got a sheet downtown? Whatta you do for a living?” I whispered, “I’ve never been in trouble. I’m an entertainer. I’m a dancer.” He said, “You black, conning bastard. How in the fuck do you know what a sheet is? You been mugged, Nigger. Stand up straight. I’m gonna take you downtown. You can jig a few steps on the ‘show up’ stage.” I struggled off the hood. I turned and faced him. I looked up into the red, puffy face. Top came around the back of the Hog and stood between us. He said, “What’s the beef, officer? This is my nephew and my Cadillac. The kid was waiting for me. He’s clean. We been to a party at Sweet’s. You know who he is. We’re personal friends of his, you dig?” Satan’s puffy face creased into a hyena grin. He rapped on the windshield. I saw the demon’s starch-white face peer over the rear seat. Satan waved him from the Hog. He clambered out and stood beside Satan. Satan said, “Looks like we made a slight mistake, Johnnie. These gentlemen are pals of Mr. Jones. Mister, all your nephew had to do to beat the roust was mention a name. “Christ, we have to do our job. There’s a cat burglar operating in this district. The lieutenant is riding our asses to nab him. Sorry about the whole thing gentlemen.” The rollers walked across the street. They got into a black Chevrolet and gunned it away. I took a handkerchief from my back pocket, and wiped my face. I wiped the bits of loose glass and most of the puke off the hood. I threw the rag in the gutter. I got in the Hog. Top u-turned and headed back to Black Town. I touched the bump on my skull. I felt a spot of sticky ooze. My skull had only a tiny split. I wiped my fingers on the end of my lapel pocket handkerchief. I thought, “If it gets any rougher on this track, I’ll be punchy before long. Maybe I better take Preston’s advice and go back to the sticks.” I said, “Jeez, Sweet Jones sure has got pull. It was like magic when you cracked his name.” Top said, “Magic your black ass. The only magic is in that C note a week Sweet lays on ’em. Every copper in the district from Captain down greases his mitts in that lard bucket in Sweet’s pocket. “Mary, mammy of Jesus, you stink. You musta shit in your pants. You sure getting funky breaks, Kid. Too bad you couldn’t handle Red Cora. She’s one of the fastest thieves in the country.” I said, “Look Top, if that crazy, pocked-face bitch had a tunnel straight into Fort Knox, I wouldn’t fart in her jib. I hate old hard-leg whores.” He said, “That’s a chump crack. After you get hip to the pimp game you’ll take scratch from a gold-toothed, three-legged bulldog with two heads. Say listen, Kid, don’t ever forget to keep that rundown on Sweet under your lid. I’m the only stud he told. He’d twist my skull off and play soccer with it.” I said, “Now Top, that’s a helluva crack to make. Do I look like the kind of rat square that would cross a pal?” I was glad when I saw the Haven’s blue sign. Top parked across the street from it. I got out. I had crossed to the middle of the street. Top blew the horn. I turned back to the side of the Hog. Top had my lid and a small square of paper in his hand. I took them. He said, “Kid, here’s my phone number in case you wanta ring me for something. Take it easy now.” I passed through the lobby. The indicator pointed out the elevator was at the fourth floor. I took the stairs and picked up the sizzle from the broom closet. The runt let me in after the first knock. I walked by her to the bedroom and stuck the sizzle in a coat pocket in the closet. I started taking my stinking clothes off. She was standing in the doorway. I tossed them in a pile in the corner. She said, “Daddy, when you passed me you smelled like you’d been dunked in a garbage truck. What happened?” I headed for the bathroom. I was standing over the stool. She followed me. She stood in the bathroom doorway. I looked over my shoulder at her. I said, “Bitch, some white rollers busted me tonight. They got the wire I’m in town to pimp. They took me down and beat the puke outta me. Baby, they wanted me to finger you. They wanted to know where you worked. Shit, I was too pure in heart to put a finger on you, baby. I’m not feeling worth a damn, so go on the dummy, okay?” I flushed the toilet. I turned the shower on. I gave her a hard look and frowned. She turned and got into bed. I took Mickey off. It was four A.M. I showered and toweled off. I fell into bed without checking the scratch on the dresser. I went to sleep wondering what to do to solve the fast track.
9 THE BUTTERFLY
I woke up. The sun was noon bright. I heard a squad of rats or something in the direction of the closet. I turned and looked. It was the runt. She was on her knees in the closet scraping and pulling suitcases and shoes around. The back of my skull was sore and throbbing. I touched it, and felt a crusty cap over the bump. I thought as I watched the runt’s rear end, “What the hell is she doing?” I said, “Damn Bitch, can’t you put a damper on that racket? I gotta aching skull. I wake up, the first living thing I pin is the rusty black ass of a dizzy whore. She’s digging a ditch in the closet. Now there’s gotta be a prettier way to start a day.” She snapped her head around and said, “I’m looking for the reefer. I feel low. Where did you stash it? I couldn’t find it last night when I came in.” I got up and went to the closet. I ran my hand into the coat pocket stash. I separated my stuff from the reefer inside the pocket. I gave her the can. I saw two lonely saw bucks on the dresser. I went back and got into bed. I said, “Bitch, I take an outside stash, where else?” I don’t wanta come home some night and greet a roller. Wouldn’t it be a bitch if he had that can of one to two in the penitentiary in his mitt? “Christ, your scratch for last night is shitty. What happened? Some joker stick you up? That reefer ain’t making you lazy is it? A double-saw take for a young freak bitch is outrageous. Shit, you broke your luck for the double saw with the lover, Sugar Blue Eyes. “You musta shot a blank the rest of the night. I’ll murder you, bitch, if I find out you freak off all night with your tricks for a double saw.” She was licking at the sides of the joint she had rolled. She sat on the side of the bed next to me. She rolled her sassy eyes at me. She said, “Daddy, I’m your girl. If I ever stop loving you, I’m gonna quit whoring for you. If you don’t croak me I’ll get another black man when we’re washed up. Right now I’m in your corner all the way. “White tricks don’t move me. I want to vomit when they paw and slobber over me. I baby talk them, but I hate them. Daddy, I just want their scratch. I get a thrill with them all right. It knocks me out that here I am, a black Nigger bitch, taking their scratch. “A lot of them are clean-cut high muckty mucks in the white world. Some of them show me pictures of beautiful wives and cute children. It makes me feel greater than those white bitches living in soft luxury. Those white broads got Nigger maids they laugh at. They think we ain’t good for nothing but clowning and cleaning. It would give them a stroke to see their trick husbands moaning and groaning and licking between a black whore’s thighs. “I know I ain’t got no silky hair and white skin. I’m damn sure hip those white men ain’t leaving Heaven to come to Hell every night just for the drive. They coming because those cold-ass white broads in Heaven ain’t got what these black whores in Hell got between their legs. Black and low as I am, I got secrets with their white men those high-class white bitches ain’t hip to. “Now Daddy, we rap so little I got earned away. I ain’t nobody’s fool but yours. I wanted to rundown to you this morning about last night. You put me on the dummy remember? After I turned Chuck at the Martin, I got a roust. Two white vice coppers picked me up. They rode me around and felt over me. One of them was a mean, nasty bastard. The other, blond nice one, was sorry for me. “Nasty said, ‘I know this black bitch is a cinch ringer for those eight larceny from the person beefs. We oughta take her down and put her on a Show Up or two. What the hell Carl, we know she’s a whore.” “Blondie said, ‘But Max, she ain’t no hard leg. She’s just a beautiful young sexy kid with a mother to support. You know how tough it is for Boots to get three squares and a roof in this town. Let’s give her a break and cut her loose. Jesus Max, this broad has got a pair of thighs on her. She’s soft as kitten fur.’ “Nasty said, ‘Carl, you sure got a weak spot for spades. This broad says she’s broke. That black ass of her’s ain’t enough to buy a pass from me. If she ain’t too shy to show what her Derby’s like, maybe, I say just maybe, I might give her a break.’ “I’m driving into this alley. Carl, you test her lid and snatch. If you ain’t raving how great it is upstairs and down when you finish, I’m gonna wheel outta this alley and toss her black ass in jail … I’m gonna book her on those eight counts of larceny. If she’s lucky she’ll get a deuce.’ “Daddy, Blondie pushed my head down to his lap. Then I got on the back seat with him. That freak bastard, Max, turned around and kept his flashlight on us the whole time. I made Blondie holler. “I finished with Blondie. Max got back there with me. For a half hour he called me filthy names. He punched and pinched me. I’m sure sore all over. Blondie begged him to stop. My ass feels like he split something back there. I had a rough time. “Finally they let me out. Max told me to never let him see me again. I was scared so I came in. That’s why the scratch is short. Max will bust me if he sees me again. You gonna have to find me another street to work.” I said, “You square-ass stupid bitch. You think you’re a brain because you’re hip that white men sneak through the stockade to lay black whores. Ain’t a Nigger sealed in here that don’t know that. It don’t make you great because those white sick fools leave that fine pussy in Heaven to find your stinking black ass in Hell. “You chicken-hearted bitch. You got a roust. They conned you to believe they could slap a bum rap on you. You’re too dumb to know I’m gonna raise you. You rammed your funky finger in your sore ass. You took a powder from the track with a lousy double saw. You let those peckerwood coppers fuck you front rear, sideways, and across. You simple bitch, I’m gonna find you another street to work? Now you got like a license to hustle this one? “You ain’t got to worry about Max and that other roller. Bitch, you can work it forever just so you don’t get cancer of the cat or lockjaw. Bitch, if you don’t get outta my face I’m going to the chair for slaughtering you. Get your clothes on. Get in the street and hump up some scratch. Bitch, don’t come to that door unless you call me first. I ain’t going nowhere.” She had been taking sucks on the reefer while she was rapping. She was high when I gave her the rundown on how she had been conned by the rollers. She leaped off the bed and went to the closet. She dressed and jerked her head around the whole time. She knew I was angry. She was maybe afraid after that slaughter crack that I might goose her in the butt with my knife. She got out fast. I had Silas bring me some food and take my shirts and things to the cleaners. I ate and snorted some Girl. Later I banged some. Except for the bump on my skull that still ached a little I felt all right. I remembered Satan and the Demon wanting to see identification. I called Silas. He told me where to go. I could get a driver’s license without a test for a saw buck under the counter. I dressed and made the trip. Sure enough I copped. I was back home in an hour. I pulled a chair to the front window. I had my spy glass. It was still daylight. I didn’t see the runt on the street. I spied into the greasy spoon across the street. The runt was sitting at the counter talking to a big black stud in overalls. He had trick engraved all over him. I saw them leave together and come across the street toward the Martin Hotel. The scarfaced horn tooter who lived in four-twenty-two across the hall came out behind them alone. He got into a battered Ford and chugged away. It gave me an idea. After all, I could blow the runt. I picked up the phone and asked for connection to apartment four-twenty-two. The pretty yellow ex- whore “helloed.” I was glad old Silas had given me a rundown on her. I could tailor my pitch. I said, “Now try to control yourself baby. I’m the tall stud with the dreamy bedroom eyes across the hall in four-twenty. I’m the guy with the pretty towel wrapped around his sexy hips. I got the same hips on now that you x- rayed. Remember that hump of sugar your peepers feasted on?” She said, “Maybe, but you shouldn’t call me. I don’t want an incident. What do you want? A lady doesn’t accept phone calls from strangers.” I said, “A million dollars and a trip to the moon with a bored, trapped, beautiful bitch, you dig? I’m no stranger. I’ve been popping the elastic on your panties ever since you saw me in the hall.” She giggled. I could hear the thrill in her voice. The horn blower had taken her off the track, but the whore was alive and thrashing inside her. She had class. She had done more than screw on the fire escape at high school. She said, “I don’t drink and besides I don’t know you.” I said, “You met me in your first hot dream, remember? You know that pretty joker in your little girl dreams that always faded when you woke up wet between the legs. You waited and wished. “You lucky bitch, I’ve stepped out of your dreams. I’m alive and real across the hall from you. Get over here, I’m gonna turn you on. Don’t worry about the watch dog. I saw him split out of the greasy spoon ten minutes ago. Baby, I’m gonna have to make one of my whores bake you a cake with a saw in it.” She said, “You’re not married to one of them? I don’t want my throat cut. I don’t want to break an old habit, breathing.” I said, “Yeah, I’m married. I’m married to the whore game. You’re still a member of the club yourself. You just ain’t paid any dues lately. Maybe if you ain’t full of shit I can put you back in good standing. Now get over here!” She said, “I’m raw. I’ll have to slip on something. I’ll come over for a minute. You’re not a hype? I’m not hip to anything but grass.” I said, “No, sugar, I’m a lover and a beggar. I got black gunion, baby. You hip?” I hung up. I went to the dresser mirror and powdered my face. I brushed my hair with a damp brush. My mop was black, bright and curly. I went to the closet and slipped on a wild yellow lounging robe. I had bought it the day before Dalanski busted me at the dance. I had peeped at her hole card that day in the hall. I knew she was a freak. I remembered her eyes chained to my crotch. Now I didn’t have on any towel. First chance I got I’d flash her into a boil, through the split in the front of the robe. Maybe I could shoot some cocaine into that yellow virgin arm. That would open her up for sure. I might even steal her from scarface and put her back on the track tomorrow. I thought, “This fine bitch is my speed. She’s not a hard-leg dog with a million miles on her. She’s no more than nineteen and sexy as the rear end of a peacock. I’ll play it cool and quiz her. Maybe some asskicker booted her off the track. Maybe that’s how scarface copped. “I’ll stay in the pimp role, but I’ll sweeten it with a little highclass bullshit. Maybe I’ll rap some of that gigolo garbage I overheard the white pimps in the joint rapping. “I better call Silas. I’m not ready for trouble with Scarface. I went to the door and unlocked it. I picked up the phone and got Silas. I said, “Listen Jack, this is important. I’m gonna be rapping to the big-butt yellow broad who lives in four-twenty-two. I’m gonna give you and the broad on the desk a fin a piece. You gotta wire me here when Scarface shows. I’m not ready for him to wise up. Got me?” Silas said, “You lucky young sonuvabitch. A faggot in a Y.M.C.A. shower room ain’t no luckier. You got salt and pepper, kid. We’ll wire you. I’ll stall the cage on the way up with him. Can I peep a little, kid, huh?” I hung up. I felt a cool puff of draft on my ankles. I went into the living room. She had slipped into almost nothing. She was crossed legged in the chair at the window. She turned her head from the street and looked up at me. She had on a thigh-long black negligee with pink butterflies sewn on. A pair of white silk panties gleamed through the black gauze. She curved inside it like a yellow Petty Girl. Her ebony hair was steepled on top of her skull like a black satin crown. I saw a frantic tic jerk at a corner of her melon-red mouth. If she turned out to have entasis, I swore I would give up whores and get hip to the sissy game. She said, “Hi. I ask myself why I’m here?” I said, “Baby, don’t drag the party. Don’t ask yourself stupid questions. You can’t escape that freak, desperate spark. You know baby, that awful sweet electricity that makes a farm boy kiss a ewe. The same power that yowls a hot torn cat in the alley. You hip to it? Now just relax. I’m gonna roll you up a bomber. Baby, your luck has changed. You’ve hit the jackpot. You found me. Oh yea, my name is Blood.” She said, “‘Blood’ it’s nice to meet you. I’m Christine. Chris I like better. I can’t stay long. I have to be careful. My old man is very jealous.” I said, “Chris, you are gonna find out I’m a wild groove. You may stay a lifetime thinking it was only an hour. All we need is an understanding. All you need is a man.” Over the top of Chris’s head I saw the runt flash her eyes up at the window. She was just getting into a white trick’s car. Twilight was sweeping away daylight with a deep purple broom. I went to the bedroom. I loaded an outfit and tilted it spike up in my pocket. I rolled two bombers. One with reefer, the other in cigarette tobacco. I snorted a thumb tip of cocaine. I got a towel and put it next to the gap under the front door. I lit some incense. I gave Chris the bomber. I lit it and my dud. With a package like Chris, reefer might confuse me. I might wake up swindled. If she had been Garbo, I still wanted scratch before snatch. I got another chair. We sat there facing each other in the twilight. I waited for the reefer to fill her skull. The bomber in her hand was now a roach. I cock-tailed it for her. Her eyes were dreamy. She said, “Goddamnit sweetheart, I’m high. You know Blood you’re going to laugh when I tell you something. Guess what I was thinking when I saw you the first time in that towel?” I said, “You thought, ‘Oh my itching cat! That pretty brown bastard looks like a pimp. I wish to hell I was still whoring. I sure would like to kiss “Mr. Thriller, the killer” under that towel.’ Am I right, sweet freak?” She giggled and scooted her chair flush against my knees. She slid her back down in the leather chair. She put the heels of her pink shoes on the seat of my chair. I was sandwiched between her big yellow legs. The street lamp came on, spotlighting her. She was still giggling. I fingered the ready jolt of cocaine in my robe pocket. I took it out and hid it against the side of my chair. I saw blue veins pulsing on her inner thighs. The cocaine had me strung on an icy rack. I raised her right leg and rubbed my cheek against it. I crushed her knee-cap between my teeth. She moaned. I gazed deep into her eyes. She had laughed tiny pearls of tears that clung to her long, silky lashes. Under the street lamp her face was innocent and soft as a yellow fawn’s. I felt old as Methuselah. She said, “Don’t look at me like that. I know you can read minds. You give me the creeps with that look. It’s like you’re Svengali or that crazy Russian Monk I read about” I said, “Chris, you’re gonna be my whore. We gotta share things. That reefer was just an appetizer. Reefer is for low-class skunk broads. Heroin is for chumps bound for the graveyard. Cocaine is for brilliant, beautiful people. “Chris, banging cocaine will spin a magic web of music and bells inside your skull. Every pore in your body will feel like Daddy’s jugging his swipe in all over you. It will torch off a racy secret fire of life inside you. It’s a miracle, Chris. You get all that thrill and no habit. I know you ain’t chicken shit. Are you game to try?” She said, “If it won’t scar me or hurt me. If it hurts, promise you’ll stop. Don’t give me a lot, Baby. Where you going to put it in?” I took her left leg and put it on the arm of my chair. I saw a fat line high up on her thigh. I eased the spike into it. She flinched. The dropper flashed red. I pressed the bulb slowly. Her eyes widened. Her white teeth bit into her bottom lip. I emptied the dropper. I pulled out the gun. She sat there stiffly. She took her leg off the chair arm. She rubbed the inside knobs of her ankles against my sides. I saw her Adam’s apple spasm. I remembered how I puked the first time. I slid my chair back and raced to the bedroom to get the wastebasket. I just made it back. She dumped a load into it. I flushed the mess down the toilet and rinsed the basket out. When I got back to her she was smiling and stroking her legs. She said, “I’m sorry I did that naughty thing, Daddy. Oh! Oh! But now I feel heavenly. Baby, I’m so glad I came over and got this feeling. Aren’t those bells something? Baby, you got a lot of this? I want to do this every day. Stay like this every minute. Let’s lie down. I want a formal introduction to Mr. Thriller.” I said, “Bitch, when you come to me as my whore I’ll keep your skull mellow. Now you gotta be joking about Mr. Thriller. He won’t have anything to do with a broke bitch that claims a square horn blower as her man. Let’s go over there while he’s away and get your clothes. You’re not married to him are you?” She said, “How many girls do you have? Maybe your stable is too big for comfort. I get salty standing in a long line for my loving.” I said, “Whore, answer my question. What are you, a roller or something? When you are my whore you don’t worry about anything but your own ass and scratch. Now answer my question.” She said, “Blood, I didn’t want to answer because I am married to him. Leroy, that’s my husband, saved my life really. He’s been wonderful to me. He used to be good looking. He didn’t get so insanely jealous until after his accident. “We’ve been waiting over two years for a settlement. Blood, honestly, you are my kind of stud. My life is so screwed up. I don’t know what to do. I don’t know what to tell you. Would you believe that you’re the first fellow I’ve talked to in over two years? Blood, I don’t love Leroy.” That cocaine had her speed rapping. I couldn’t cop her tonight unless I croaked Scarface. My plans had to change. I had to unhook her from Leroy soon. She’d make bales of scratch. Maybe I could work an angle to get her and a slice of that settlement. Of course, I couldn’t wait forever. If I had to, I’d cop without a slice of the settlement. I knew Leroy was going to blow her. He didn’t have a chance to hold much longer with that ugly face and that jealous bit. I had to find out if she would level with me all the way. Silas had told me she was an ex-whore. I said, “Chris, give me a fast rundown of your life story. I’ll have all the answers for you when you finish.” She said, “If you let me sit in your lap.” I nodded and she climbed onto my lap. She hooked an arm around my neck. Her cheek was against my ear. The cocaine thudded her ticker against my breast. Out of the side of my eye I saw the runt go into the greasy spoon. I was hoping she wouldn’t use the phone just inside the door and interrupt the rundown. I felt her balloon bottom blasting heat to the throbbing cup of my lap. Too bad I worked so hard at the pimp game. Mr. Thriller was playing stiff con on me. He was just a fool at heart. The poor chump wanted to sucker out in that bed with this luscious doll. Good thing he had me to stand guard over him. She said, “I remember nothing but good until I was twelve. Then my mother died. My father had been a kind, good man, until then. He always worked. He was a good carpenter. He changed quickly after Mama died. “He took my bed down. He said he wanted me to sleep with him. He told me how lonely his bed was after all those years with Mama. Nothing happened at first. One night a month later I had a nightmare. A wild ferocious animal was sucking my breast. It was terrible. I woke up. It was Papa. “I screamed. He slapped me hard. His face was all twisted and hateful. He looked like a crazy stranger. I blacked out. When I came to Papa was crying and begging me to forgive him. “After a while I would just lie there, numb and let him use me. I hated his guts. In school I had the crazy feeling the students could see and feel my shame and filth. By the time I got fifteen I was a skeleton. By now he had me doing everything to him. I’m glad he’s dead in Hell. “Papa, the beast, was killing me. I was so nervous I couldn’t wash dishes. I broke dozens. I wasn’t eating enough to keep a bird alive. I collapsed one day coming from the grocery. I woke up in a hospital. My system was shot and I was pregnant. I stayed in the hospital a month. I stayed at Papa’s a week after I got out. I took some money while he slept and left Wichita with the clothes on my back. “I came here and got a waitress job. A young pimp named Dandy Louee started picking me up when I got off. I thought he was a millionaire. He dressed me up and turned me out. He was a cruel black bastard. He liked to beat me, and then screw me. He worked me in a house run by one of his whores. He kept his foot in my ass. “Funny thing, I made money even when my belly was stuck way out. A lot of tricks who came there wanted a pregnant girl. I lost the baby while turning a trick. Dandy got five years on a white slave rap two months later. “I got a bar-maid job and met Leroy. He was playing a gig in the spot. I was a sick girl. I fell out twice while serving the bar. The doctor said I needed rest. He said I couldn’t expect to live long unless I rested. Leroy nursed me back to health. “He was good to me. I needed someone who cared. I married him when I was just four months shy of seventeen. I went with Leroy on a string of one- nighters in the Midwest. The group broke up in Youngstown, Ohio. We were stranded. Leroy got a job in an industrial cleaning plant. The second week a boiler exploded and you’ve seen his face. “His lawyer says we can expect a ten-thousand dollar settlement any time now. Leroy is driving roe crazy with his jealousy. I don’t mind hustling. I’d be your girl, “Blood. I go for you, Blood. Are things clearer now? What should I do?” I said, “You’ve had nothing but heartache. I feel so sorry for you, baby. Now I know you’ve got to be my woman. I gotta protect you. I gotta give you affection and understanding. Don’t worry angel, with me life will be smooth as the snow at Sun Valley. “You’ll be so happy you’ll be out of your mind half the time. With our color combination we could make a sonuvabitching baby together after we get rich. Tell me, does Leroy plan to work the Roost for a while?” She said, “Oh! I forgot to tell you. Last night was his last night. They want him for another six weeks, but he’s going to drop the Combo. It’s too much headache to get them to show for work sober and on time. “He’s out now with a booking agent. I think he might go with a big band on an East-Coast tour. I hope he gets it. Band leaders want band members’ wives to stay at home. Daddy, please figure things out fast. I want to be your girl as soon as possible.” I was sucking her scented cheek. I flogged my skull for a quick plot to tear the yellow gold mine from Scarface. The phone rang. She got out of her nest. I rushed to the phone. It was the excited broad on the desk. She said, “Forgive me for goofing. Four-twenty-two went up two minutes ago. I was having a hassle with a check out. I saw him come in. It didn’t register until the second that I called you. You better clean house fast.” I ran into the living room. I snatched her from the chair. I pulled her to the door. I cracked it. We peeped down the hall. Scarface was twenty yards away coming down the hall. He had a big stack of papers, maybe sheet music under his arm. He shifted the bundle to his other arm. A paper fluttered to the carpet. He stooped to get it. I saw her door ajar. I stepped aside. I slapped her on the rump. She blurred across through her doorway. Scarface was standing with his mouth open staring toward his now locked door. He was sure he’d seen her. His face was puzzled. I shut my door easy like. I stood with my ear against the door. A bomb of sound shocked my eardrum. Someone was punching his fist against my door. I ran into the bedroom and got my switch-blade. I came back to the door. I held the open blade behind me. I opened the door. It was Scarface. He looked like Mr. Hyde all right. His orangebrown eyes were spinning counter clockwise. I saw the bundle of papers in a careless heap in front of his door. His right mitt was deep in his coat pocket. I saw the faint outline of maybe a skinny lead pipe, or a gun barrel. I gauged the moves for a heart stab to beat his mitt out of his pocket. I said, “Yeah Jack, what is it? I’m on the phone with my bondsman. The court just raised my bond on a double-murder beef. I’m in a bad mood. I don’t want to buy anything.” He just stood there like a scarfaced zombie staring at me. He looked down at the carpet in front of my door. I looked down. A pink butterfly lay there like a silent indictment. He heaved his chest and took a deep breath. It was like his last one. He stooped and picked it up. The eerie bastard took his other hand out of his pocket. Tears rolled down from his unblinking orange eyes as he stared at me. His scarred cheeks were quivering as he shredded the butterfly into pink lint on the carpet. He turned and walked away. I shut my door and got a beak load of cocaine. I took the lounging robe off. It was dripping sweat. I showered. I sat in Chris’s chair at the window. Her sweet odor was still rising from it. For an hour I heard a loud sobbing whine across the hall. It was Scarface chewing out Chris. Mickey said midnight. I hadn’t eaten since morning and I wasn’t hungry. Cocaine was a strong con for the belly. I thought, “I hope that jealous chump doesn’t croak her. It would be like making a big bonfire out of hundred dollar bills. If she wasn’t his wife and I had a rod, I’d go over there and claim her.” The phone rang. It was Silas. He said, “What happened, kid? Was she a whiz in the sack? Did the joker catch her? I been busy. I ain’t had a chance to check with you until now. I was worried about you, kid. The broad told me she was late with the wire. I stalled him in the cage.” I said, “It was very close, Silas. I’m a pimp, I didn’t stick her. I’ll take care of you and the broad this weekend when I pay my rent. Silas, if you get any news on the broad or Scarface wire me fast.” He said, “Yeah, Kid, you know me. I stay hip to what goes on around here. I’ll keep you plugged in, Kid. Good night. I’m going home.” I hung up and lay across the bed. I wondered if Max and Blondie had the runt hemmed up in an alley again. I smoked a reefer. I fell asleep. The phone woke me up. It was the runt. She said, “Daddy, it’s your baby. It’s after two, can I come home?” I said, “Bitch, what kinda lines you got?” She said, “I got thirty slats. I’m beat, Daddy. My tricks have been spades. You know how cheap and hard they are to turn. Can I come in?” I said, “Come on in. Take a bath. Watch your jib, bitch. Don’t irritate me. I’ve got a lot on my mind.” She’d been working more than twelve hours. She was beat all right. Within a half hour after her bath she was snoring beside me. I was dozing when the phone rang. I switched on the light. I picked up. I said, “Hello.” Chris whispered, “Daddy, I can’t talk long. Leroy’s asleep. He found a butterfly that fell off my negligee. He’s been raving like a crazy man. He knows I was over there. I got bad news for us. The band spot is out. He called and turned it down. He’s going to keep the combo and go through Ohio. “His agent has a slew of one-nighters booked for him. He’s taking me with him. Daddy, I won’t forget us. I’ll keep in touch. Maybe he’ll go out before we leave tomorrow afternoon. I may get a chance to kiss you goodbye. I love you, Blood. I’m going to dream about Mr. Thriller until I—” I heard the drowsy whine of Leroy’s voice calling her name the instant before she hung up. I turned and looked at the runt. Her big mouth was wide open. Frothy slobber ran down her chin. Her sour hair had started to kink at the edges. She needed to go to the beauty shop downstairs. I thought, “What kinda breaks am I getting? I’m sinfully good looking. I’m lying here with a lather-mouth dog. The ugliest joker in the world is across the hall. He’s in the sack with a pretty bitch whose nose is wide open for me. Something’s gotta be done. Maybe after I cop Chris, I’ll have the brass ring in my mitt.” I didn’t sleep at all after Chris called. The runt woke up at noon. She went across the street and got our lunch. At two in the afternoon she was in the street. Silas called. He told me Chris was checking out. I saw Chris and Scarface put their stuff in the car and drive away. The runt came in at two A.M. with only twenty slats. She was shying away from white tricks. She was leery of Max and Blondie. I couldn’t shake her out of it. She would rather turn spades for three or five dollars. She was afraid Max would catch her with a white trick.
10 THE UNWRITTEN BOOK
A week after Chris left I copped another bag of cocaine from Top. It was almost gone. The runt was only making expenses. I had one lonely C note and a double saw plus the porker silver. The weather was getting balmy. I needed fresh clothes. I was going to the bottom fast. In the three weeks after Chris left I kicked the runt’s ass a halfdozen times. I only left the hotel twice in almost a month. I was expecting Chris to call me and say she was on her way to me. Things were getting worse. It had been two weeks since I saw Top. I decided to call him. Maybe he could hip me to a new spot to work for runt. My bankroll was thin. At ten A.M. I called Top. One of his broads said he was out of town. He wouldn’t be back for a week. I got a sudden thought. I asked her if she knew Sweet’s phone number. She said she did, but she’d have to call and find out if Sweet wanted me to have it. She called back in ten minutes and gave it to me. I called him. He answered. He was in a good mood. He said, “Well, whatta you know, if it ain’t grinning Slim. You still got that one whore or have you grinned yourself whoreless?” I looked over at the runt. She was still asleep. She hadn’t been in the street for three days. Her period had run five days. She claimed she was too weak and sick to go out. I had given her a terrible whipping the night before. I needed advice badly. I said, “Sweet, my bitch is falling apart. She’s playing dead. If you don’t pull my coat I’m gonna starve to death. You gotta help me Sweet.” He said, “Nigger, you ain’t cracking to nick me for scratch are you? I don’t loan my scratch to suckers who got whores and can’t pimp on ’em. I ain’t gonna support you and that lazy bitch.” I said, “No Sweet I don’t want scratch. I want you to run the game through my skull. I got a tiny bit of scratch. I gotta get my coat pulled before I tap out.” He said, “You got wheels? You know how to get out here? Now remember you get a roust out here, crack my name. Don’t repeat your boner.” I said, “Yeah, I’m driving. I think I can find you pad. When should I come out there?” He said, “Quick as you can get here. You get here and grin in my face, I’m gonna throw you over the patio wall. “Say kid, Peaches and me got a taste for some of that barbecued chicken down there in Hell. Bring one with you when you come.” He hung up. My ticker was pounding like Chris had walked in the door naked with a million dollars. I shook the runt. She opened her eyes. I stood over her. I said, “Bitch, you better be in the street when I get back.” She said, “You can’t do anything but kill me. I’m ready to die. I don’t care what you do to me. I’m sick.” I said, “All right bitch, just hip me where you want your black stinking ass shipped.” I got in the Ford. I realized I hadn’t put on a tie. I didn’t have a lid. I looked into the rear-view mirror. I sure looked scroungy. Maybe he’d be alone. Then I remembered the lobby. What the hell did it matter. I drove for about fifteen minutes before I saw a clean open barbeque joint. A black stud in a tall white cap was stabbing chickens onto a turning spit in the window. I went in. I came out with two birds. Peaches might be really hungry for barbequed chicken. It made solid sense to brown-nose Miss Peaches. After making several wrong turns I found Sweet’s building. I parked the Ford in almost the same spot at the curb where Satan had sapped me a month ago. A young white stud in a monkey suit was out in front. Crusader Sweet was doing his bit to reverse the social order. I went to the desk in the lobby. I felt like a tramp as I waited for the pass. I got on the elevator. A different broad was at the controls. The spicy scent of the chicken wiggled her nose. She wasn’t as pretty as the ripe-smelling broad. She sure kept her crotch from advertising. Maybe it was just that she didn’t get heavy action. I stepped from the cage. The friendly brown snake wasn’t at his station to flop his mop for me. I figured it was his off day. The odds were a hundred to one he was in the sack somewhere with a six-foot blonde. She was probably a little like the blonde coming up from the pit on her way to the cage. It was Mimi. She flicked her green eyes across my face. They were cold as a frozen French lake. She passed me. She looked like a fancy French pastry in her sable stole. I wondered how I got the stupid courage to turn down her freak off. I walked to the doorway of the pit. The stone broad was still in her squirting squat. Sweet was sitting on the couch. Miss Peaches beside him saw me first. She bounded across the carpet. I felt her choppers graze my hand. She snatched the bag of chicken. She flung it on the alabaster topped cocktail table in front of Sweet. Sweet looked at me. I tightened my face into a solemn grim mask. I stepped down and walked toward him. He was wearing only a pair of polka- dot shorts. In daylight I noticed a mole on the broad in the picture over the couch. I said, “Hello Mr. Jones. I hope those birds are still warm.” He said, “Kid, your map sure looks like that bullshit bitch you got is been shooting you through hot grease. I like that look you got today. Maybe you’re getting hip the pimp game ain’t for grinning jackasses. “Get over here and sit on this couch. While baby and me eat our barbeque, rundown you and your whore. I wanta know where and how you copped her. Tell me everything you can remember about her and what’s happened since you copped her. Rundown your whole life as far back as you remember. It don’t matter which is first.” I ran down my life for him. Then I ran down from the night I met the runt until the moment I left the Haven. It took maybe forty-five minutes. I even described the runt in detail. Sweet and his greedy girl-friend had devoured both birds down to the bare bones. Sweet was wiping Miss Peaches’ whiskers with a paper napkin. She put her head in his lap. She was jammed against my thigh. Sweet leaned back on the couch. He put his bare feet on the top of the cocktail table. He said, “Sweetheart, you’re black like me. I love you. You got the hate to pimp. You a lucky Nigger to get your coat pulled by me. You flap your horns and remember what I’m gonna spiel to you. “There are thousands of Niggers in this country who think they’re pimps. The pussy-weak white pimps ain’t worth mentioning. Don’t none of them pimp by the book. They ain’t even heard about it. If they was black, they’d starve stiff. “There ain’t more than six of ’em who are hip to and pimp by the book. You won’t find it in the square-Nigger or white history books. The truth is that book was written in the skulls of proud slick Niggers freed from slavery. They wasn’t lazy. They was puking sick of picking white man’s cotton and kissing his nasty ass. The slave days stuck in their skulls. They went to the cities. They got hip fast. “The conning bastard white man hadn’t freed the Niggers. The cities was like the plantations down South. Jeffing Uncle Toms still did all the white man’s hard and filthy work. “Those slick Nigger heroes bawled like crumb crushers. They saw the white man just like on the plantations still ramming it into the finest black broads. “The broads were stupid squares. They still freaked for free with the white man. They wasn’t hip to the scratch in their hot black asses. “Those first Nigger pimps started hipping the dumb bitches to the gold mines between their legs. They hipped them to stick their mitts out for the white man’s scratch. The first Nigger pimps and sure-shot gamblers was the only Nigger big shots in the country. “They wore fine threads and had blooded horses. Those pimps was black geniuses. They wrote that skull book on pimping. Even now if it wasn’t for that frantic army of white tricks, Nigger pimps would starve to death. “Greenie, the white man has been pig-greedy for Nigger broads ever since his first whiff of black pussy. Black whores con themselves the only reason he sniffs his way to ’em is white broads ain’t got what it takes to please him. “I’m hip he’s got two other secret sick reasons. White women ain’t hip to his secret reasons. The dumb white broads ain’t even hip to why he locks all Niggers inside tight stockades. He’d love it if the Nigger broads wasn’t locked in there. The white man is scared shitless. He don’t want them humping bucks coming out there in the white world rubbing their bellies against those soft white bellies. “That’s the real reason for keeping all the Niggers locked up. To show you how sick in the head he is, he thinks black broads are dirt beneath his feet. His balls will bust if he don’t sneak through that stockade, to those half- savage, less than human, black broads. “You know, Greenie, why he’s gotta come to ’em? The silly sick bastard is like a whore that needs and loves punishment. He’s a joke with scratch in his mitt. As great as he thinks he is, he can’t keep his beak and swipe outta the stink of a black ass. “He wallows and stains himself. The poor freak’s joy is in his suffering. The chump believes he’s done something dirty to himself. He slips back into his white world. He goes on conning himself he’s God and Niggers are wild filthy animals he has to keep in the stockades. “The sad thing is, he don’t even know he’s sick in the skull. Greenie, I’m pulling your coat from the bottom to the top. That rundown on the first Nigger pimps will make you proud to be a pimp. “Square-ass Niggers will try to put shame inside you. Ain’t one of ’em wouldn’t suck a mule’s ass to pimp. They can’t because a square ain’t nothing but a pussy. He lets a square bitch pimp on him. You gotta pimp by the rules of that pimp book those noble studs wrote a hundred years ago. When you look in a mirror you gotta know that cold-hearted bastard looking at you is real. “Now that young bitch you got is gone lazy. She’s stuffing on you. That bitch ain’t sick. I ain’t never seen a bitch under twenty that could get sick. Your whore is bullshitting. A whore’s scratch ain’t never longer than a pimp’s cold game. You gotta have strict rules for a whore. She’s gotta respect you to hump her heart out in the street. “One whore ain’t got but one pussy and one jib. You got to get what there is in her fast as you can. You gotta get sixteen hours a day outta her. There ain’t no guarantee you going to keep any bitch for long. The name of the pimp game is ‘Cop and Blow.’ “Now this young bitch you git is shitty all right. She knows you ain’t got no other whore. I want you to go back to that hotel. Make that bitch get outta that bed and get in the street. Put your foot in her ass hard. If that don’t work, take a wire coat hanger and twist it into a whip. Ain’t no bitch, freak or not, can stand up to that hanger. “Maybe your foot and fist can’t move that young whore anymore. She’s a freak to them. Believe me, Greenie, that coat hanger will blow her or straighten her out. It’s better to have no whore than a piece of whore. Get some cotton and make her pack herself. The show can’t stop when a whore bleeds. “I’m gonna lay some pills on you. Give her a couple when you get her outta that bed. Don’t give her anymore reefer. It makes some whores lazy. Don’t worry, kid, if you do like I say and blow her, I’ll give you a whore. Kid, don’t hold that whore to one block. Tell that whore all the streets go. Turn her loose. It’s the only way to pimp. If she blows, whatta you lost. She stands up, you got a whore and some real scratch. “You go back and put the coat-hanger pressure on her. If it don’t blow her and she stands up for a week, you ought to have half a grand in a week. Take that scratch and drive to one of the whore towns close around. Go to Western Union. Send that scratch back to yourself at your hotel. Use some broad’s name as the sender. “That lazy bitch you got will think she’s got competition. Watch the sparks fly from her ass. She’ll try to top that bitch that doesn’t exist. Greenie, you listen to Sweet Jones. You’ll be a helluva pimp. “Never get friendly and confide in your whores. You got twenty whores, don’t forget your thoughts are secret. A good pimp is always really alone. You gotta always be a puzzle, a mystery to them. That’s how you hold a whore. Don’t get sour. Tell them something new and confusing every day. You can hold ’em as long as you can do it. “Sweet is hipping you to pimp by the book. I’m the greatest Nigger pimp in the world. Now Greenie, is your skull going to hold everything I told you?” I said, “Thirty years from now I’ll still remember every word. Sweet you won’t be sorry you helped me. I’m gonna pimp my black ass off. I’ll make you proud of me. I’ll call you later and hip you to what the runt did under hanger pressure. Oh yeah, don’t forget to give me those pills.” He got up. Miss Peaches stretched her legs. She jumped down and followed him. A sharp hooked nail in one of her rear claws snagged out an inch of cloth from my pants knee. I wouldn’t have cared if she had clawed me naked. I was in a thrilled daze. With Sweet Jones on ready tap to pull my coat I was going to set a record on the fast track. Sweet came back. He gave me a tiny bottle of small white pills. He put his hands on my shoulders. He looked down at me. His subzero eyes warmed to maybe zero. He said, “I love you, Sweetheart! You know kid, I don’t ever think I’m gonna grin in your face. I love you like a son. Any time I grin in a sucker’s face I’m gonna cross him or croak him. Call me any time you need a rundown. Good luck, Greenie.” I walked across the pit. I stepped up to the doorway. I glanced back. Sweet had Peaches in his arms. She was purring like a new bride. Sweet was squeezing her in a lover’s embrace. He was covering her laughing face with kisses. I checked Mickey when I got in the Ford. It was four P.M. I drove toward the runt. I tromped hard on the gas pedal. I thought, “No wonder Sweet is the greatest Nigger pimp in the world. He even knows the history of the black pimp. “I ain’t going to spare the runt’s ass. I’m gonna go right in with the pressure. I hope she’s not in the street. Sweet promised me a whore if I blow the runt. Any whore of Sweet’s is already trained to a fine edge. Maybe he’ll give me Mimi.”
11 TO LOSE A WHORE
I pulled the Ford into the curb across the street from the Haven. I didn’t see the runt anywhere in the street. I peeped into the greasy spoon. She wasn’t at the counter. I looked up at our window. I crossed the street and went through the lobby. I took the stairs to the fourth floor. I made three stabs at the lock with the key before I made it. I stepped inside. I was excited. I chain-bolted the door. I walked to the bedroom. The runt was propped up in bed smoking a stick of gangster. Lady Day was tar brushing that mean, sweet man again. I stood by the side of the bed, next to the record player. I saw the edge of a paper plate sticking out of the wastebasket. I took it out and put it on the bed. Two navy beans were in a puddle of grease on the side of the plate. A pile of sucked, cleaned neck bones were heaped in the center of it. The runt had gone out to the greasy spoon and copped a hearty meal. She sure had a healthy appetite for a sick bitch. Her eyes were wild and big, looking up at me. She fingered gently at the hole in my pants knee. I shut the box off. I ripped the record off the turntable. I broke it in half and hurled the pieces into the wastebasket. She kept her eyes on the hole at my knee. She ignored the broken record. She played it cool. She said, “You’ll have to get it rewoven, huh? Daddy, I’m feeling better. I felt good enough to go across the street for food. Maybe by tomorrow I’ll feel good enough to go in the street. Baby, I would’ve went out after I ate, but my legs were too weak.” I said, “Bitch, I already passed the death sentence on you. It’s good you had your last meal. I’m gonna send your dead ass to your daughter, Gay. Take off that gown and lie on your belly, bitch.” I went to the closet. I took down a wire hanger. I straightened it into one long piece. I doubled and braided it. I wrapped a necktie around the handle end. I turned back to the bed. She was still propped in the bed. Her mouth was gaped open. She had both her hands clapped over her chest. She was like a broad in a movie. She opens a door and there’s Dr. Jekyll just going into his frightful change. I saw her tongue tremble inside her jib. Her lips made a liquid plopping sound as they mutely pounded together. She rolled across the bed away from me. I raised my right arm up and back. I heard my shoulder socket creak. Her gown was hiked up to her waist. Her naked rear end had scrambled to the far edge of the bed. I raced around the foot of the bed. She rolled to the middle. She was on her back. Her arms held her jack-knifed legs against her chest. The whites of her eyes glowed like phosphorus. I brought the wire whip down. I heard it swish through the air. It struck her across the shin bones. She cried out like she was celebrating New Year’s Eve. She screamed, “Ooh-whee! Ooh-whee!” She jerked flat, rigid on the bed then smalled her fists against her temples. She sucked her bottom lip up into her jib. I slashed the air again. It sounded like maybe a dum-dum bullet striking across her gut button. She moaned, “Whee-Lordy! Whee-Lordy!” She turned over on her belly. I tore the gown from her back. She was naked. She flailed her arms like a holy-roller. The whip whistled a deadly lyric as I brought it down again and again across her back and butt. I saw the awful welts puffing the black velvet skin. I stopped and turned her over. The pillow stuck to her face. I snatched it away. There was a ripping sound. I saw feathers sticking to her tear wet face. She had chewed a hole in the pillow. She was thrashing her legs and mumbling. Her chest heaved in great sobs. She was staring at me and shaking her skull. Her eyes had that pitiful look of Christ’s on those paintings of the Crucifixion. Her lips were moving. I got on the bed. I stuck my ear near. She whispered, “I don’t need any more whipping. I give, Daddy. You’re the boss. I was a dumb bitch. It looks like you got a whore now. Kiss me and help me up.” I felt tears roll down my cheeks. Maybe I was crying in joy that I broke her spirit. I felt sorry for her. I wondered if I was falling in love like a sucker. I kissed her hard. I carried her into the bathroom. I placed her tenderly in the tub. I turned the water on. A stream burst from the shower nozzle overhead. She squealed. I pushed in the shower bypass on the tub faucet. The warm water started filling the tub. I dumped a bottle of rubbing alcohol into the tub. She looked up at me. I took the tiny bottle of pills out of my pocket. I shook out two into my palm. I took a glass off the face bowl. I handed her the pills. She put them in her mouth. She washed them down with the glass of water I gave her. I said, “Phyllis, why do you make your sweet daddy mean? Daddy’s gonna kill his little bitch if she don’t straighten up and whore like the star she is. “Bitch, lie down in that water for a while. Then get in the street and get some real scratch for your man. You don’t have to stay in this block. Just walk and work until you get respectable scratch to bring in. I can raise you if you take a fall. They gotta let you make a phone call. If I go out I’ll check the desk here by phone every hour or so. Bitch, get down and star. You want your man, get him some real scratch.” I went and sat on the bed. The sheet looked like a red zebra had lain down and his stripes had faded on it. I heard her sloshing the water in the tub. She was humming the record I’d smashed. Sweet’s pills sure weren’t hurting her. Whores are strange people all right. She was silent while she combed her hair and fixed her face. She put on a red knit suit. She stood in front of me. She held her hand out. I saw dark stains on her stockings at the shins. Her eyes were bright. She said, “Daddy, I don’t have a dime. Give me a coupla dollars, please. Don’t worry, when I come in I’ll have nice scratch.” I stood up. I gave her a fin. I walked to the door with her. She turned her face up. I leaned down. I sucked her bottom lip, then bit it hard. She squeezed my arm and gouged her teeth into my cheek. She went down the hall. I shut the door and went to the front window. I rubbed my cheek to see if the skin was broken. I saw her cross the street at the corner. She was walking fast. That whipping and those pills had made her well. She looked like a child. She was so tiny and sexy in her red suit. I wondered as she disappeared whether she’d come back. It was seven P.M. I thought, “I better stick here in the pad. Whipping a broad with a hanger is not a bit like a foot in the ass. Christ! I’d kill the bastard on the spot if he hit my bare ass with one. Sweet was right. She got outta that bed all right. I wonder if those slavery pimps invented the hanger whip. “No, even hangers hadn’t been invented then. I guess Sweet did. I’m gonna wait the runt out. If she tries to slip in here to steal her clothes, I’ll croak her. I wonder why Chris hasn’t gotten in touch? Maybe some fast pimp has already stolen that pretty bitch from Leroy. Maybe Leroy had one of his fits and croaked her. “I wonder what the bitch will be like that I get from Sweet if the runt blows? This is a hell of a feeling I got. I don’t know if I got a whore or not. It would be a bitch if Sweet goes back on his word and leaves me whoreless on this fast track. I’m gonna get high. I’d better take the flight with gangster. Cocaine will only sharpen my grief.” I took a shower. I stepped out of the tub. I got a towel from the wall rack. I saw splotches of red on the one beside it. I toweled off. I rolled a giant bomber. I put a fresh case on the pillow the runt had gnawed. I propped myself against the head of the bed. I sucked the bomber down to a “roach.” The reefer and the sibilant murmuring of tires against the street lulled me into deep sleep. I woke up. I was still half-propped against the pillows. It was broad daylight. The runt hadn’t come in. I had blown whoreless with that wire hanger. I lit a cigarette. It was seven A.M. I lay there staring at the entwined lovers on the “Kiss” Statue. I thought, “The runt’s got a pair of tits like that broad. Jeez, she was sure a freak. Some pimp is going to have a sweet bitch when he straightens her out. I wonder if that little bitch will miss me? She damn sure can’t forget me. “Hell, I can’t worry about the mule going blind. I’ll wait until noon or so. I’ll rip open that whore grab-bag Sweet promised me. Maybe I was hasty to shut the door on Melody and his entasis. At this point I can get hip to anything except work. No one could know I was freaking with a stud. “Christ, I wish beautiful Chris would call. What a thrill if she’d tell me she was rushing to me. To get her tight I’d maybe eat everything but the tacks in her shoes. I’m hungry. I’m not going to let my troubles abuse my skull and my belly.” I got Silas on the phone. I ordered home fries and sausage. I got up and brushed my teeth. I skull-noted to call Top when he got back in town. Maybe he could find out who booked Leroy. Maybe I’d trace Chris that way. I’d get Preston’s owl-head and take her from Leroy at gunpoint. I was listening to “Mood Indigo” and thinking about the runt. I was remembering that day when I left Mama crying at the window. I couldn’t wait to get around the corner to the runt. Then I was sure I had a black gold mine sitting in the Ford waiting for me. In this tough pimp game you couldn’t count your scratch until you had it in your mitt. Holding whores was like trying to cinch-grip quicksilver. I thought, “Poor Mama. I haven’t called her or anything. I’m gonna call her when things get straight.”
12 TO GAIN A STABLE
I heard Silas knock on the door. I went and opened it. Silas was a strange, beautiful sight. The slick sorcerer-bastard had my breakfast on a tray. He had turned himself into a cute black bitch in a red knit suit. It was the runt. I murdered the grin of relief in its jib womb. I twisted my face into a copy of Sweet’s when he bounced my skull off his John wall. I said, “Bitch, I’m gonna croak you. Since three o’clock I been calling all the hospitals and jails in town. I even called the morgue. Speak up bitch, what’s your story?” She looked up at me. She was smiling. She walked past me into the bedroom. I followed her. She sat the tray on the dresser. She ran her fingers deep into her bosom. She brought out a damp wad of bills. She gave it to me. She said, “Daddy, my last trick was a fifty slat, all night trick. I caught him at two this morning. Baby, I gave you a hundred and twenty eight slats. “Silas had your breakfast on the elevator on my way up. With the two slats I gave him, I made a hundred and thirty. “Oh, Daddy, I’ve found some good streets to work a coupla miles from here. It’s in the neighborhood of a joint called the Roost. You were a sweet daddy to be worried about your baby. Oh! I almost forgot. Keep your fingers crossed. I may bring you a girl one of these mornings. She’s wild about me. Her old man ain’t nothing. He’s a burglar.” I said, “Phyllis, there’s more than one note in a song. You gotta string together a thousand nights like last night. Now take a bath. I’m gonna treat those scratches. Remember I don’t want any junkie bitch. Make sure she’s clean before you cop.” I forgot about my breakfast. I went out and got into the Ford. I drove to the drugstore and got ointments and salves. I called Sweet and told him the runt stood up. He reminded me to send that scratch to myself as soon as possible. I went back to the Haven. I sent Silas for hot food. I dressed her wounds. They sure looked bad. Those “go” pills she had taken died. She fell asleep while I was doctoring her back. I ate and took a nap. By the end of the week, I felt like a pimp. I had an eight-bill bankroll not counting the porker silver. One night about nine I got into the Ford. I drove less than a hundred miles to Terre Haute a small whore-town. I sent five bills to myself at the Haven. I used Christine as the broad’s name. Top was back in town so I stopped on the way home and copped cocaine, yellows, and bennies. The runt came in that morning around four. She had a hundred-and-five slats. She was on her way to stardom. We were in bed when I cracked on her. I said, “Baby, I think our luck is changing all around. I’m pretty sure Daddy’s copped another whore. I met her in a bar about a week ago. “It’s a small world all right. She said she just moved out of this joint not long ago. She went wild over me. She’s a fine young bitch. She begged me to go to Terre Haute with her. She’s working a fast house up there. I told her I’d run up there after she sent her first week’s scratch. She gave me her phone number up there. I gave her my address. “Tonight I called up there. I asked her about my scratch. She told me five bills were on the way. Baby, if she’s jiving we ain’t hurt. If she sends it and it’s respectable scratch your daddy’s got a small stable.” She said, “Is she a white bitch? What does the bitch look like?” I said, “Bitch, don’t get shitty now. What’s wrong with a white broad helping two spades? She’s a boot. She looks like what she is. A scratch- getting fine bitch in love with your man at first sight.” It was a little after noon when the messenger brought the scratch notice. The runt went to the door and brought him into the bedroom. I opened it. The office was a half-mile away. I asked the runt if she’d like some air. She was eager to go. It was a good thing I had gotten that driver’s license. I had to go through a long routine. They even made me crack the amount I was expecting. I got the cash. The runt was silent on the way home. Sweet sure knew the angles to put pressure on a whore’s skull. In the next month I made two more trips to Terre Haute. Twice I went across town and stayed in a hotel over night until around noon. I was conning the runt I was visiting her stable mate. The runt was really humping. She was averaging no less than a bill a night. Two months after the hanger whipping I took a furnished three-bedroom vacancy in Top’s building. It was a gold-andred dream after the Haven. The runt really freaked this pad off. I guess she felt at home at last. It was on the sixth floor. I copped six two-hundred-dollar vines at sixty slats a piece. The booster lived on the second floor beneath me. The same week Top cut me into a stud who had a black LaSalle car in mint condition. He was out on an appeal bond and his lip wired him he was joint bound. I gave the stud four bills in his mitt. I paid off the last two notes on the wheels. I had two cars. I gave the runt her Ford back. She could cover and get down in a wider area. I started hanging around out at Sweet’s pad, sucking up the pimp game. I got home from Sweet’s one morning around five. I heard the runt rapping to someone in one of the bedrooms. I pushed the door open. The runt was in bed with a tall, pretty brown-skin broad. She looked fifteen. They were naked. They stopped kissing and looked at me. The runt said, “Daddy this is Ophelia. I told you about her in the Haven. Her old man got one-to-three in the joint for burglary. She wants to join our family. Can she?” I said, “Ophelia, if you’re not full of shit and you obey my rules you’re welcome. Have you bitches been in the streets working tonight? I hope you just got in that bed to freak off. Phyllis, get outta that bed and get my double- action scratch.” The runt went into the closet and brought me a roll of bills. She said, “A bill of this I made.” I fast counted a yard and seventy-five slats. I took off my clothes and got between them. I spent an hour quizzing Ophelia and running down my rules. She was eighteen. The circus started. I was circus master. I had become too much pimp to freak off with a new package. They were the performers. She had put only six bits in my pocket. How cheaply did she get me if she blew tomorrow. It was the night before my twentieth birthday in August. I had gone to the West Side to cop some dresses for Phyllis and Ophelia. I had left the booster’s pad. I was loading the dozen or so pieces in the trunk of the LaSalle. I slammed the trunk lid shut and locked it. I heard screaming and smashing sounds coming from a cabaret just down the street. I saw a hatless, gray-haired man come staggering to the sidewalk. He was holding his head. The side of his head looked shiny. I walked down the sidewalk toward him. He was bleeding from a deep cut in his head. He was moaning and trying to stop the flow of blood with his hands. A dark thin joker ran out behind the old man. I saw something gleam in his hand as he raised his arm again and again. I moved closer. The thin joker was savagely pistol whipping the old stud. He was beaten to his knees. He looked like someone had painted his face red. The thin joker turned his face. The light coming from the open door of the cabaret shone on it. It was Chris’ Leroy beating the old man. Twenty customers had come out. They formed a circle around the massacre. I moved to the outside of the circle. Then I saw Chris standing on the other side of the circle. She was screaming and tugging at Leroy’s pistol arm. Leroy had gone insane. I moved around the circle closer to Chris. I stood behind her. I saw greasy stains on the back of her dress collar. Her hair looked frowsy and dull. Scarface was sure taking her to the dogs. I heard the screech of brakes. I saw two huge white rollers muscle through the crowd. Leroy was astraddle the unconscious figure, still pounding his pistol against it. They shoved Chris backward. One of them put an armlock on Leroy’s gun arm and took the pistol. The other vised his neck in a strangle hold. They dragged him to the prowl car and threw him into the back seat. A short middle-aged white broad stepped to the side of the fallen figure. She was wringing her hands. She was wearing a bar apron. She stooped and stroked the figure’s brow. One of them got on the front seat. He turned sideways guarding Leroy. He put a microphone to his lips. He was calling an ambulance, no doubt. The other roller came back and stopped beside the white woman. He said, “Anybody you know?” She sobbed. “Yes, he’s my father-in-law.” He said, “What happened?” She said, “Everybody knows Papa Tony loves to kid around the girls. He’s got a heart as big as New York. Everybody loves and understands him. Papa Tony came in the bar. He started kissing the cheek of all the girls at the bar. “He kissed that one behind you. That maniac man of hers stopped singing. He leaped off the stage. He started to beat poor Papa Tony with his pistol. It’s the first night the maniac has worked for my husband. If my husband, Vince, had been here that jerk’s brains would splatter the sidewalk.” The roller looked back at Chris. He started making notes in a small book. I knew he’d quiz her after he got the full picture. I touched Chris lightly on the shoulder. She turned and looked up at me. She got weak in the knees. She slumped against me. I took her arm and steered her down the sidewalk. I heard the distant whine of an ambulance siren. I said, “Chris, you had better split. That’s a white man Leroy beat up. The white folks are going to cross you into it. After all you’re the reason he nipped.” We got into the La Salle. I moved it down the street toward the prowl car. I put on the brakes. A couple came from in front of the prowl car. They crossed the street in front of me. I had stopped beside the prowl car. Chris could have reached out and touched it. I turned my head and looked into the rear seat of the prowl car. Leroy was staring at Chris. His eyes shifted to me. He leaped toward the front seat. The roller backhanded him. I saw Leroy’s head dip out of sight as I pulled away. I made from that frantic leap of his that he remembered me. The LaSalle moved quickly away from the West Side. Chris was crying. I stayed silent until I hit the fringe of the South Side. Then I said, “All right, Chris, I got you away from the heat. Tell me where you live and I’ll take you home. Don’t cry. You can bail him out when they book him.” She sobbed, “All right, you want to take me home? Turn around and take me to Leroy’s jalopy. It’s parked behind the bar where he blew his silly top. “We got in town broke this afternoon. He didn’t get the settlement. Maybe he’ll never get it. I’m so disgusted. He was to get paid nightly for the gig. He does a blues singing bit now.” I said, “Bitch, you look like a bum. You conned me you’d keep in touch. You were gonna be my whore, remember? I shoulda left you back there to go to jail with your sucker-man.” I realized I had a solid chance to cop her now. All I had to do was stay strong and bluff her. Leroy was a cinch to get a bit. He couldn’t make bail. Chris had no out but me. She sure looked like my third whore. I coasted into the curb. I left the engine running. We were parked in front of a fleabag hotel. I had maybe a twenty-five-hundred-slat roll in my pocket I flashed for her. I peeled off a saw buck. I held it toward her. She ignored it. She said, “Blood, it wasn’t that I didn’t think about you. I wanted to call you. I wanted to keep my word. Leroy never let me out of his sight. He would even follow me to the toilet. You don’t know how much I hate him. I hope he gets life. Don’t cut me loose, Blood. I’ll keep my promises. I’m free now. I’m yours, baby. Tell me to jump in the river. I’ll do it.” I said, “No Chris, I’m afraid of you. I think Leroy has made a tramp jive- bitch outta you. I’m pimping too good to bring a headache into the stable. I’ll always be your friend, Chris. My ticker is bleeding for you, baby. I gotta think of number one. “My whores are humping sixteen hours a day in the street. They love it. I don’t figure you got the guts and heart for the street track. “Chris, for the rest of my life I’ll be sad when I think of you. I’ll have a lump in my throat when I think of what might have been. Take this saw buck, baby, and the best of luck always. Goodbye, Chris. Please split before I get weak and let you be my whore.” I reached across her and opened the car door. My skull was hitting on all hundred-and-seventy-five cylinders. I was cinching her. I remembered her name, Christine, on those Terre Haute money orders I’d been sending myself. She was the runt’s ghost gadfly come to life. She pulled the door shut. She hurled herself against me. She held on to me and wailed like maybe I was her dead mama on the way back to the grave after a brief visit. She blubbered, “Blood, please don’t cut me loose. I’m not a lazy bitch. Give me a chance. I want to amount to something. Please take me with you. I won’t let you down. I can hold my own against any bitch.” I pulled out. I was headed home. I was a fox with a rare, pretty hen in my jib. I knew the runt and Ophelia were in the street. In the trunk I had six dresses I’d copped for Ophelia. I was sure they’d fit Chris. I said, “Bitch, I’m gonna gamble on you. I’m taking you to your new pad. You gotta understand one thing. You can’t bring in scratch under a bill a night. You do, I may light my cigarettes with it or use it to wipe my ass. “You’re gonna meet and work in the street tonight with your sisters. I’m gonna give you a rundown. Flap your horns and remember it. It will bring you into the family with some stardust on your tail. “Chris, you’re lucky. A whore of mine croaked in Terre Haute just a week ago. Her heart stopped while she was turning a trick. She was a martyr. Her name was Christine. I went up there and blew a coupla grand on her funeral. “I guess I felt guilty about blowing all that scratch on a broad I’d had for only a coupla months or so. I didn’t tell the stable about her death. Maybe I went all out on her funeral because she had your name. “I just don’t know. Anyway, the stable never met her. They sure have a lot of respect for that long scratch she sent me every week from the whorehouse. “Chris, you’re that great humping bitch reborn. A week before she croaked she begged me to turn her loose here in the street. I turned her down because I knew she had a screwy ticker. “So, Chris, I know you’ll prove to the stable you are just as great in the street as you were in the house in Terre Haute. I’m taking you home to get pretty for the trick people, baby-bitch.”
13 THE ICEBERG
When she saw the pad she flipped. A pink silk dress from the trunk fitted her perfectly. After a bath and a shampoo she was again the gorgeous Chris I’d met at the Haven. I gave her two “go” pills and took her to the street for the cut into Phyllis and Ophelia. It was midnight when I curbed in the block where they were working. They were walking together across the street. They looked over at the LaSalle. I blinked my headlights. They crossed the street and came toward me. The runt stuck her head through the window on Chris’s side. Ophelia was stooping down, pinning Chris. I said, “Both of you get in.” They got into the back seat. In the rear-view mirror I saw them look at each other, then at the back of Chris’ head. I said, “Phyllis, Ophelia, meet Christine. She’s gonna work the street with you. She’s tired of giving up fifty percent of her scratch. “She wants Daddy to have all she makes. I pulled her outta the whorehouse. What the hell, the whole family should be together anyway. “Phyllis, I’ve told Christine a hundred times how great you are in the street. She’s hip you know all the rollers and all the angles. I want you to take her under your wing out here for a week or so. I know there ain’t a bitch out here that could pull her coat like you can. Now get outta the car and starve these other joker’s whores to death.” I watched them walk away chattering and laughing. It was like they were real sisters. I looked at my diamond-studded Longines. It was ten-after- twelve. How about it? I was twenty years old. I was living in a six-bill a month pad. I had three young fine mud kickers. I was a pimp at last. I tilted down the rear-view mirror. I powdered my face. I sat there gazing at myself. Finally I pulled off. I was going to Sweet’s to report my progress. I didn’t get much of a chance to rap to him. Two rollers from Sweet’s precinct were drinking and horsing around with two of Sweet’s yellow whores. Sweet told them I was his son. It tickled them witless when Sweet told them what Satan and his Demon had done to me. They told me not to worry. They would remember me and would wire the other precinct rollers not to roust me. The rollers finally got crocked. The whores took them around the Chinese screen into bedrooms. Then I said, “Sweet, I copped a beautiful yellow bitch tonight. I got her humping on the track with my girls. Sweet, the bitch is crazy about me. I know I’ll hold her for years.” He said, “Slim, a pretty Nigger bitch and a white whore are just alike. They both will get in a stable to wreck it. They’ll leave the pimp on his ass with no whore. You gotta make ’em hump hard and fast. Stick ’em for long scratch quick. Slim, pimping ain’t no game of love. Prat ’em and keep your swipe outta ’em. Any sucker who believes a whore loves him shouldn’t a fell outta his mammy’s ass. “Slim, I hope you ain’t sexed that pretty bitch yet. Believe me, Slim, a pimp is really a whore who’s reversed the game on whores. Slim, be as sweet as the scratch. Don’t be no sweeter. Always stick a whore for a bundle before you sex her. A whore ain’t nothing but a trick to a pimp. Don’t let ’em Georgia you. Always get your money in front just like a whore. “Whores in a stable are like working chumps in the white man’s factory. They know in their sucker tickers they’re chumping. They both gotta have horns to blow their beefs into. They gotta have someone to listen while they bad mouth that Goddamn boss. “A good pimp is like a slick white boss. He don’t ever pair two of a kind for long. He don’t ever pair two new bitches. He ain’t stuck ’em for no long scratch. A pair of new bitches got too much in common. They’ll beef to each other and pool their skull, plots, and split to the wind together. “The real glue that holds any bitch to a pimp is the long scratch she’s hip she’s stuck for. A good pimp could cut his swipe off and still pimp his ass off. Pimping ain’t no sex game. It’s a skull game. “A pimp with a shaky-bottom woman is like a sucker with a lit firecracker stuck in his ass. When his boss bitch turns sour and blows, all the other bitches in the stable flee to the wind behind her. “There ain’t more than three or four good bottom women promised a pimp in his lifetime. I don’t care if he cops three hundred whores before he croaks. “A good pimp has gotta have like a farm system for bottom women. He’s gotta know what bitch in the family could be the bottom bitch when mama bitch goes sour. “He’s gotta keep his game tighter on his bottom bitch than on any bitch in the stable. He’s gotta peep around her ass while she’s taking a crap. He’s gotta know if it’s got the same stink and color it had yesterday. “Slim, you’re in trouble until you cop the fourth whore. A stable is sets of teams playing against each other to stuff the pimp’s pockets with scratch. You got a odd bitch. You ain’t got but a team and a hall. “A young pimp like you is gotta learn not to cop blind. Your fourth bitch is gotta be right to pair with the third whore. “She can’t be no ugly bitch unless she likes pussy. She can’t be smarter than the pretty bitch. She can be younger, even prettier, but she’s gotta be dumber. “Slim, all whores have one thing in common just like the chumps humping for the white boss. It thrills ’em when the pimp makes mistakes. They watch and wait for his downfall. “A pimp is the loneliest bastard on Earth. He’s gotta know his whores. He can’t let them know him. He’s gotta be God all the way. “The poor sonuvabitch has joined a hate club he can’t quit. He can’t do a turn around and be a whore himself in the white boss’s stable unless he was never a pimp in the first place. “So, Kid, rest and dress and pimp till you croak. I ain’t had no rest in a coupla days. I think I’ll try to get some doss. Kid, these skull aches are getting bad. Good luck, Kid. Call me tomorrow, late. “Oh yeah, happy birthday, Kid. That rundown was a birthday present.” My skull was reeling from his rundown on the way home. It was five A.M. when I got there. The runt and Ophelia were asleep. They were locked together like Siamese twins. I picked up my scratch off the dresser. It was two and a quarter bills. I went and looked in on Chris. She was in bed reading a book. She looked up and put the book across her belly. She reached under the pillow. She gave me a roll of bills. I checked it. There was six bits. It wasn’t bad for a new bitch who got to the track late. She held out her arms. She was naked. I had to cop her some sleep wear. To avoid her arms I lit a cigarette. She said, “Daddy, did I do all right?” I said, “Chris, you made a start. It’s like the first buck of that million you’re gonna make. I oughta frame it like a sucker who’s opened a new hot- dog stand. I want you to put that book down. Get some doss. I want you to take a fin to Leroy tomorrow. Hip him I’m your man now. “The family is gonna Cabaret tonight. It’s my birthday today. I’ll get a rundown of your first night when I wake up. I’m gonna cop you a partner for the street real soon, baby. Good night, Chris.” When I woke up, it was one P.M. I turned on my side. Two big brown eyes were looking at me. It was Ophelia. She started kissing my eyelids. She said, “Daddy, you’re so pretty. You got eyelashes just like a bitch’s. Phyllis took Chris to visit that sucker in the shit-house. Daddy, can I kiss my candy?” I said, “Christ in Heaven, ain’t I got a whore in this family without a hot jib. Go on bitch. Then get your kit and trim my toenails and paint ’em. We’re all going to get pretty for my birthday party tonight.” She said, “How old are you, Daddy? I bet you’re nineteen.” I said, “Bitch, I’m a hundred-and-nineteen. I just got a pretty baby face.” Chris and the runt got back from Leroy around three P.M. Chris had a serious look on her face. I said, “Well how did he take the news? Did he hang himself from the bars before your eyes?” She said, “Daddy, he fell apart. He would have killed me if he could have reached me. He cried like his heart was broken. He said he was going to kill you wherever he saw you. I feel bad, Daddy. He really upset me. I’m going to lie down. I thought, “That square chump is sure a whingding. I’m gonna put the hurt to him fast if I run into him.” We partied at a swank white joint near the Gold Coast. We got home at four A.M. I was sober. The whores were stoned. I went and got into my bed. I dozed. An hour later I woke up. The three whores were crowded into bed with me. They were stroking and kissing me all over. Mr. Thriller sure ached to be a circus performer. I was having trouble convincing Mr. Thriller he had to take only one at a time. He was a pimp not a freak. The ring-master put the show on and stayed cool. It was eight o’clock before I got to sleep. It was a month before I copped the fourth whore. She was a cute tiny seventeen-year-old broad, about Chris’ color. The stable had brought her home from a coffee joint at closing time. They took their breaks there. The little broad was a waitress in the joint. She was curious about the whore game. She was wild to wear flashy clothes. She thought I was rich when she dug the pad. The excitement in her eyes hipped me I could make a fast cop. I took her into the living room. I cracked her into saying she’d be my woman and stop slaving for thirty a week. Then I gave her the pitch to tie the knot. She was sitting in a chair. I stood looking down at her. Her eyes never left my face. It was maybe like a rattlesnake charming a robin. I said, “Jo Ann, I gotta congratulate you. You’re not only lucky, you’re smart. You knew when you saw me that I was going to be your man, I’m hip that you were just waiting to meet me. “You have wanted since you were a little girl to live an exciting, glamorous life. Well, Sugar, you’re on Blood’s magic carpet. I’m gonna make your life with me out-shine your flashiest day dreams. “I’m a pimp. You gotta be a whore. I don’t have squares. I’m gonna be your mother, your father, your brother, your friend, and your lover. The most important thing I’m gonna be to you is your man. The manager of the scratch you make in the street. Now, sweet bitch, have you followed me so far?” She whispered, “Yes, Blood, I understand.” I reached down and took her hand. I took her to the window overlooking the city. I held her against me. I said, “Look out there, baby angel. Out there is where you work. Those streets are yours because you’re my woman. I’ve got five G’s in fall money. If you get busted for anything, even murder, I can free you. Baby Bitch, this family is like a small army. We got rules and regulations we never break. “I am really two studs. One of them is sweet and kind to his whores when they don’t break the rules. The other one comes out insane and dangerous when the rules are broken. Little baby, I’m sure you’ll never meet him. “Never forget this family is as one against the cold, cruel world. We are strong because we love each other. There’s no problem I can’t solve. There’s no question I can’t answer about this game. “Tomorrow I’m going to start filling your skull with everything about this game and street. I’m going to make a star outta you angel. Don’t ask any outsider anything. Come to Chris or me. “My little baby, I’ll protect you with my last drop of blood. If any mother- fucker in those streets out there, stud or bitch, hurts you, or threatens you, come to me. He will have to cut my throat first, shoot me first. I take an oath to protect you for as long as you are my woman. Baby, I know that’s for always. Now repeat after Daddy, baby.” She squeezed tightly against me. She was in a trance looking up at me. She chanted along with me. “From this moment I belong to Blood. I am his whore. I will do everything he tells me. I won’t ever fuck with his scratch. I will hump my heart out every night. I’ve gotta make a bill a night.” She slept with Chris that night. After the first week I knew she was the perfect partner for Chris. Sweet was right. Chris and Jo Ann ran Phyllis and Ophelia into a panting lather in the street. I started wanting that fifth whore. Leroy got a year for the beating he gave Papa Tony. About six months later Top and I were at the Roost bar. A loudmouth joker beside me was arguing with a stud on his other side. I had my back to him, facing Top. Top and I had been shooting stuff for several hours in his pad. I was so frosted with cocaine I felt embalmed. It was maybe like I was at the Roost and I really wasn’t. I had raised my glass of Coke to my jib. I was being fascinated by the tiny bubbles popping inside the glass. I was trying to count them before they all popped away. I heard an explosion behind me. My skull was numb. It was maybe like the noise behind me happened a year ago on an ice floe in the Arctic somewhere. I saw a light gray lid that stirred a faint memory. It wobbled across the log and stopped in front of where Top had been. I thought, “That’s a Knox forty. I had one once that color.” That crazy joker Top was on the floor between the log and his stool. His eyes were wide in fear. He was looking up at me like he thought I had gone bats and was going to croak him. I laughed at him. I heard running feet behind me. I looked over my shoulder. The joker who had been arguing with Loud Mouth was running through the door with a rod in his hand. I looked behind me. Loud Mouth was on his back, out cold. He had a long, red gouge across his temple. Some of the frost melted away in my skull. The bullet that grazed Loud Mouth had torn my lid off. The joint was still. Top was standing and dusting himself off. The joint had emptied. I reached over and picked my lid off the bar. I took a casual look at the entrance, exit holes in the top of the crown. I stuck it on my head. Top was staring at me. I tilted my glass and drained it. I turned to Top. Loud Mouth was groaning and coming to on the floor. I said, “Jack, let’s get outta here before the rollers come. I ain’t got time for a quiz. You know Top, if my skull had been pointed, I’da had a bad break.” Top followed me out the door. We got into his Hog in front of the Roost. Top was still staring at me. His jib was gaping. He said, “Kid, I saw it but I don’t believe it. I’ve seen some cool studs in my time, but I ain’t never seen nothing to equal that. “Kid, you were cold in there, icy; icy, like an iceberg. Kid, I got it. You’re getting to be a good young pimp. All good pimps got monikers. I’m gonna hang one on you. “Kid you’ve outgrown ‘Young Blood’ as a moniker. How about ‘Iceberg Slim’? Kid, it’s a beautiful fit. ‘Iceberg Slim,’ how about it, and I thought it up. Cocaine sure chills you. I guess you picked the right high for you.”
14 THE MISTAKE
By the end of the year I had copped a new thirty-nine Hog. I had blown Jo Ann ninety days after I got her. She was too possessive and she didn’t really have the guts for a long stretch in the street. I didn’t cry when she left. While I had her, Chris kept her humping. I was thousands ahead of her when she slipped away from Chris in the street. A week later I copped a young whore that was a whiz in the street and was hip to boosting. She went ape over Chris. She’d go downtown and come home with shopping bags loaded with fine dresses and underclothes for herself and her sisters. Later she hipped Chris to boosting. I let them go down together with a stud who drove for them. They filled my closet with beautiful vines. Top got five years on a narcotics rap. The federal heat tricked him into a four-piece sale to an undercover agent. I sure missed him. I hung out at Sweet’s more than ever. My name was ringing. The moniker Top hung on me stuck. Everybody was calling me Iceberg, even Sweet. Only I and the several peddlers I copped from knew that my icy front was really backed by the freezing cocaine I snorted and banged every day. I pimped strictly by the book for the next three years. I traded in a Hog each year. I never had less than five girls in the family. I moved out of Top’s building and let the family stay there. I took a suite in a swank midtown hotel. I had the privacy, the jewelry, and all the flash and glamour of a successful pimp. I had managed to solve the fast track. I was fast becoming one of its legends. Top had gotten out. He was in Seattle with relatives serving out his short parole paper. Only one of his women stuck with him. The rest got in the wind when he fell. The runt was still bottom woman. Ophelia was still hung up on her. Chris was proving every day she had the qualities for a bottom woman. I noticed the runt was acting like she might be wearing thin fast. The other two whores I had had been stable mates. I copped them when their pimp shot an overdose of H. I was at Sweet’s when Pearl Harbor was bombed. I had stayed all night. I was still in bed. The friendly brown snake had brought my breakfast. I was just finishing when Sweet walked into the bedroom. He sat down on the side of the bed. He said, “’Berg, Uncle Sam just got his throat cut. The Slant Eyes just put the torch to Pearl Harbor. Whores gonna make more scratch now than ever before. ’Berg I got a feeling this Second World War is gonna hurt the pimp game in the long run.” I said, “Sweet, how do you figure that?” He said, “You know a whore ain’t nothing but a ex-square. A good pimp wears out a lot of whores in his lifetime. If there ain’t no big pool of squares for the pimps to turn out, then stables gotta get smaller. “The defense plants are gonna claim thousands of young potential whores. Those square bitches are gonna get those pay checks. They’ll get shitty independent. A pimp can’t turn them out. “The older square broads are going into the plants too. Thousands of them got teenage daughters. They’ll have the scratch to fill the bellies of those young bitches. They’ll put nice clothes on their backs. Why the hell should they whore for a pimp. They can pimp on Mama. “The worse thing is, those plants are inviting whores with strict pimps to split and square up. If the war lasts a long time, pimps will have to turn pussy to hold a whore. “’Berg, ain’t but one real Heaven for a pimp. He’s in it when there’s a big pool of raggedy, hungry young bitches.” The war was raging. The defense plants were grinding out war goods around the clock. Thousands of young and old broads were slaving in them. As far as I was concerned, the pool was still full of fine fish. I had three original girls and three new cops. It was December, nineteen-forty-four. Sweet was still pimping good for an old man. He was down to seven women, but this was great pimping for a stud his age. Top had settled out West. I had held Chris, Ophelia, and the runt a long time. Since thirty-eight I had copped and blown sixty to seventy whores and turnouts. The turn-over in turnouts was big. Some of them would hump for a month and split. Some a week. Others a couple hours before they cut out. Sweet had been so right years ago. The pimp game was sure “cop and blow.” I spent Christmas day with Mama. She was really happy to see me. She hadn’t seen me since thirty-eight. She cried as always when I left her. The runt was getting tired and evil. Several of those turnouts she had run away from me. All new turn-outs I was giving to Chris to polish in the street. I started sending the runt to small towns near army camps. Some of them were out of state. Sometimes Ophelia went with her. A week before I met Carmen, the runt and Ophelia had come back from a weekend in Wisconsin. The runt and the other five girls were with me when I copped the seventh girl. She was almost a perfect copy of the runt at eighteen. She had a prettier face than the runt had at eighteen. Her features were more regular. Time and street had bulldogged the once cute Peke face of the runt. We were at a cabaret. Carmen was behind a twenty-six game table in the barroom. I left my table and went to the John. I passed Carmen on the way. She gave me a strong lick. On the way back I stopped and tossed a quarter on her table and rolled the dice trying for a score of twenty-six. I hit twenty-six, so I bought us a drink with the score. I stood beside the table and quizzed her. She was from Peoria. She’d been in town a week. We had old Party Time in common. She had met him up in Peoria where he was still living. He had a whore in a house up there. She had worked in the same house. She had run off from her pimp and she was wide open for a fast cop. We rapped for fifteen or twenty minutes. I could tell she went for me. She looked at the clock. It was almost closing time. I invited her to have breakfast at the family’s pad. We’d had breakfast. I was leaving with Carmen. I was going to my place to put her under contract. The runt followed me outside to the hallway. She called me. I gave Carmen the key to the Hog. She went toward the elevator. I didn’t move toward the runt. I said, “Bitch, you wanna rap to me, come to me.” She had a tight evil look on her face. She walked slowly up to me. Top was right. These bottom broads, when they started to rot, really funked up a stud’s skull. She said, “You ain’t thinking about bringing that bullshit bitch into this family are you? That phony bitch ain’t shit.” I said, “What the hell. You mean you’re gonna turn down a chance to Larceny a new bitch away. You stinking bitch, nobody tells me what bitch to have. You got the nerve to crack some bitch is phony. I had to almost croak you to make you real.” I noticed two of the latest cops were in the open door. They were eyeballing down the hall at our show. She shouted, “Nigger, you were a raggity nowhere scarecrow until you got me. You didn’t have no wheels. You muscled me for mine. Nigger, I’m the bitch that made you great. Without me, right now you’d go to the bottom fast as shit through a greasy funnel.” I made a bad mistake. I shoulda maybe used Top’s jellied skull technique to get rid of her. Instead I left-hooked her hard as I could against the jaw. There was a pop like a firecracker going off. She fell to the carpet in a quiet heap. I kicked her big rear end a dozen times. I walked to the elevator. I looked down the hall. I saw Ophelia and Chris dragging her toward the apartment. The runt got her broken jaw wired up. She split with Ophelia. Chris said she tried to take two of the newer girls with her too. I had made a pimp’s classic blunder. I had blown a tired bottom bitch in the rough. Carmen was an easy cop. A pimp wants everybody who can hump his pockets fat. He’s in real clover when he cops a fine young whore who wants him. Carmen really wanted me. She was starting with Chris. Six months later Sweet called me early in the morning. His voice was laced with excitement. I jerked erect in bed. He said, “’Berg, I got a wire the F.B.I is nosing around some of the broad lock-ups. They’re quizzing whores. Your name has been cracked more than once. It looks like they already got a solid beef to go on. It’s my guess they’re trying to build a five or six count rap against you.” I said, “Sweet, I bet it’s that stinking runt. Christ! Sweet, I’ve sent her and Ophelia across state lines a dozen times since the war started. They’re trying to ram a white-slave rap into me, Sweet. What would you do?” He said, “I would give one of those nice sweet jokers on the West Side expense scratch and a ball-peen hammer. I’d tell him as soon as I read they was found in an alley with their skulls caved in he could get a cinch two grand. “It would be easy to trap ’em. They’re whores. He’d be just another freakish trick wanting to party with two whores. “Tell you what, ’Berg get them whores outta that crib over there fast. Move outta your pad today. Go groundhog. Switch your whores to new stomping grounds. Stay outta the street after you move. Call me when you get outta there.” He hung up. I thought, “I’m a sucker. I shoulda destroyed the runt Top’s way.” I had moved the stable and myself to new pads by seven that night. Chris, my new bottom woman, was the only one in the family who knew the reason for the move. I took the Hog and put it in a garage I rented from an old widower. The garage was behind his house in a respectable neighborhood. I got a cab to one of my stuff connections. I was going underground. I had to have at least a piece of stuff. I had copped and was walking down the street looking for a cab. I passed a barber shop. I got a glimpse of the white-spatted dogs of a joker in the barber’s chair, next to the window. I thought, “Geez, that square joker is pitiful. He ain’t hip spats went out with high-button shoes.” I was walking fast. I had the sizzle on me. I needed a cab in the worse way. I was almost a half block from the barber shop. I thought I heard some joker yelling, “Run! Run!” I looked back over my shoulder. A tall skinny stud in a barber’s apron was on the sidewalk. His white spats flashed on his feet. He was screaming and flailing his arms like a minstrel clown singing “Mammy.” He was loping down the sidewalk. The out-of-fashion bastard was yelping,” Son! Son!” He galloped by the neon lights toward me. His wrinkled brown-skin face changed colors like a chameleon. He ran into me and clutched me like I was a winning sweepstakes ticket. He was panting and sweating like a whore on soldier’s payday. I could smell witch hazel and the stink of emotion sweat. I saw white specks of barber’s talc on the bald crown of his head. I couldn’t see his face. He had it buried in my chest. He was blubbering, “Oh son, precious son. Sweet Jesus answered an old man’s prayer. He’s let me see and hold my one and only son before I got to my heavenly rest.” I had the damnedest thought while he made love to me. I wondered if my skull had chipped any paint off that wall he threw me against when I was six- months old. I stiff-armed him away. I stared coldly into his face. I saw a weak blaze of anger light his dull brown eyes. He said, “God don’t like ugly, son. You saw your father back there. You ignored me, didn’t you?” I said, “Shit no I didn’t see you. I thought you had croaked. Look Jack, I’m happy to see you, but I’m in an awful hurry. See you around.” He said, “I did my part to bring you into this world. You ain’t gonna treat me like a dog. Where do you live? You look prosperous. What’s your line? Are you with some big company? Are you married to some nice girl? Do I have any grandchildren, son?” I said, “You haven’t heard about Iceberg Slim? He’s famous.” He said, “You don’t associate with black filth like that I hope.” I said, “Look Jack, I am Iceberg. Ain’t you proud of me? I’m the greatest Nigger that ever came outta our family. I got five whores humping sparks outta their asses.” I thought he was going to have a heart attack. The apron was quivering over his ticker. He was supporting himself against a lamp post. His face was gray in shock under the streetlight. I jerked my shirt and coat sleeves up past spike hollow. I stuck the needle-scarred arm under his nose. He drew back from it. I said, “Goddamnit Jack, what’s the matter? Shit, I shoot more scratch into that arm a day than you make in a week. I’ve come a long way since you bounced my skull off that wall. Stick your chest out in pride, Jack. I been in two prisons already. Shit, Jack, I’m on my way to the third any day now. You ain’t hip I’m important? Maybe one of these days I’ll really make you a proud father. I’ll croak a whore and make the Chair.” I walked away from him. I caught a cab at the corner. The cabbie u-turned. I looked at my old man. He was sitting on the curb beside the lamp post. His white spats gleamed starkly in the gutter. He had his head on his knees. I saw his back jerking up and down. The poor joker was bawling his ass off. I got home. I called Sweet. I banged a load of cocaine. It was the best I’d copped since Glass Top went to the joint.
15 IN A SEWER
After I had called Sweet and banged the cocaine, I had chilling thoughts. “I’ve got five whores just like poor Preston had when Sweet crossed and destroyed him. I wonder if Sweet will dream up a cross to steal my whores from me? He knows where I’m padding. It would be as easy as lifting a telephone receiver. Sweet swears he loves me like I’m his son. “These seven years on this fast track have hipped me to one solid truth. To a pimp there’s nothing more important than copping whores. While I’m holed up, I’ll keep my stable headaches a secret, I won’t give him a cue to volunteer his help. It would be a bitch to have him handling my stable. I’m sure glad Chris is a boss bottom bitch. “Oh! This pressure is really screwing my skull around. Sweet wouldn’t cross me. I gotta stop mistrusting the only friend I got. I mean more to Sweet as his friend than any whore. “Maybe I should make a run for it and set up shop in some other city. Christ! Why do I have to be red hot with federal heat? Why couldn’t it be city or state heat? On this fast track I’ve only been busted and mugged once. A dozen other times I paid off on the street. “That F.B.I. is a sonuvabitching genius. No, I’d better keep my hot ass in town right here in this cruddy pig sty. “The runt’s a whore. Maybe her new pimp or a trick will croak her. Then I could walk into the F.B.I. office and stick my black ass out to be kissed. They’d have no case without the runt as a witness.” “The runt took Ophelia on all those out-of-state trips. I gave the runt instructions and expense money. I ain’t never told Ophelia to cross a state line. The runt was screwing Ophelia. That was really the runt’s bitch.” “It’s a good thing I holed up in this rat’s nest. The F.B.I. would never look for a good pimp in a sewer.” It was December, nineteen-forty-five. The war was over. The world was licking its bloody wounds. Drugs and the pimp game had hardened away my baby face. My hair was thinning. I was turning twenty-eight but I looked forty. For seven years I had devoted myself to getting hip to that pimp’s book. I had labored with the zeal of a Catholic Brother agonizing for the Priesthood. I had thought and acted like a black God. I was now trapped in my dingy one-room kitchenette. It was in a very old two-story building. I was on the first floor in the rear in number ten. Down the hall at night, rats would come scampering and squealing from the alley. They came under the back door which hung crookedly on its hinges. I had a vague disturbing doubt in my skull. Was it possible I wasn’t even a poor imitation of a God? Maybe I was just a sucker black pimp on his way to a third bit in the joint. Chris was the only one of the stable that visited me. We’d bang cocaine together. I wouldn’t let her know how worried I was. God couldn’t have skull aches. I couldn’t let the others see me in a crummy setting. After all, how could a God live like a square chump? Chris knew all the reasons why. To her God’s farts still had the fragrant odor of roses. I worked out with Chris a smooth system. Even the best pimp has to keep some personal contact with his whores. The system was simple and for a while effective. Chris and I would go out into the hall to the phone on the wall. She could call the stable at their pad. It would always be three or four o’clock in the morning. One of the girls would pick up. Chris would pretend to be a long-distance operator. It was rare luck that Chris had a talent for mimicry. They didn’t get hip to it. It would always be a person-toperson call from me to one of them. Chris and I conned them the calls came from New York, Boston, and Philadelphia. I would get on the line and talk to all four of them. There were extensions in all four bedrooms. I could con and tighten my game on all of them at the same time. The first call we made was supposed to be from New York. It took maybe a minute for me to have all their horns to receivers. I said, “Well girls, I know you’ve missed Daddy. You’ve all probably wondered, when in the hell is Daddy coming back to town? Jesus Christ! Has he forgotten a whore needs to see her man some time? Sure we’re in his corner. We prove that when we hump our asses off in the street. We check our scratch into Chris to send to him. “Goddamnit, what could be so important that he neglects his whores? Well girls, I’m gonna show the kinda confidence Daddy’s got in you. I’m gonna hip you to a million-dollar secret. I know all of you will keep your jibs buttoned.” Chris cut in crisply and said, “Three minutes are up, Sir. Please signal when through.” I continued, “You are the luckiest whores alive. Your man’s got a genius white engraver for his pal. He used to be an engraver for the government. We’ve got some plates he’s just finished. We’ve turned out three-hundred of the prettiest hundred-slat bills the human eye has ever seen. They’re perfect. Even the government couldn’t get hip to a difference from real scratch. There ain’t any. “We got one problem we’re gonna solve if it takes a year. We’ve run outta the special paper the government prints its scratch on. My white genius pal even knows how to make the paper. We are playing it cool and traveling and copping inks and other stuff we need. It’s tough to cop some of it, but for millions who’s going to give up? As soon as we get the paper made up we’re gonna run off a couplamillion or so slats. “I’m gonna breeze back into town the only millionaire pimp in the world. I’m gonna buy a beach and a mansion in Hawaii for my stable. If we run outta scratch, we’ll just run off another bale. “So stay cool and keep humping. Oh yeah, Chris got a cab to the airport an hour ago. She should be getting home in a coupla hours or so. She’s bringing each of you a piece of that beautiful lettuce. Spend it on anything you want. Take it anywhere, even a bank. Believe me, it’s perfect.” I hung up. I had electrified them with the story. I could hear the excited thrill in their voices when they chorused goodbye. I told Chris to crack the genius had a way to make all the serial numbers on the bills different. I already knew what my story would be whenever I got the heat off me. I could stall them a lifetime. I could say the genius got busted on another beef. I had to wait until he got out. He wouldn’t tell me where the plates were hidden. He could even croak while doing his bit. Chris called the next day. The whores were walking on air. They rapped all night about that perfect “queer.” I was sure I had found the way to hold my stable. I felt like a genius myself. Each time I talked to the stable after that, the genius and I had just copped another vital item we needed. It wouldn’t be long now I assured them. Sweet had dropped the word in the street that I was on the West Coast taking off long scratch from a rich square broad. It was getting almost impossible to sleep. I would almost jump from my skin when a tenant would knock. I would think it was the heat. The tenant would be calling me to the phone in the hall. When I did fall off into fitful sleep I’d have nightmares. Those dreams about Mama would hog-tie me on a sweaty rack of misery. I had an awful fear of another jolt in the joint. The guilty daydreams on the heels of the nightmares were torturing my skull. I stopped banging cocaine. It only magnified my terror and worry. I remembered how serene Top used to look after a bang of H. He’d sit and coast like he was in a beautiful peaceful dream. Maybe he’d been right. Maybe sable H came after mink cocaine. Chris came on Christmas Eve. She stayed until Christmas Day afternoon. She brought me pajamas, cologne and robes from herself and the girls. She had given them scratch from me. My one-room kitchenette hideout was crammed wall to wall with trunks and suitcases. I had all those fine threads and no place to go. I was a lonely pimp bastard! Sweet came to see me at midnight in January, the tenth I think. He took off his velvet-collared Melton benny. He hung it in the tiny closet. It had been ten-below-zero or colder for a week. It was a brand new year, nineteen-forty-six. The new Hogs were out for the first time in several years. The garage rent was paid for a year for my old Hog. Chris had gone out several times to run its engine for awhile. I thought “Christ it would be a kick to trade off and flash through the fresh air in a new Hog.” It was the first time Sweet had visited me. He was getting white around his temples. There was less fiery voltage in his gray eyes. That H and the fast track had him looking terrible. He was getting old all right. He sat down on a suitcase at the head of the bed. I was lying down. Miss Peaches was an old lady, but still gorgeous in her mink coat and fur bootees. He slipped off her coat and shoes. He put them on the dresser. She sat on the floor looking up at me. He said, “’Berg got bad news for you. The street wire says city rollers are carrying a mug shot of you around. You’re really hot now. I gotta wire that pimping Poison is nosing around your girls in the street. If you ain’t got Chris tight, he’ll steal her. She’s gonna hip him where you’re hiding. “Maybe you oughta get outta this joint tonight. Take another hide out. Don’t let Chris or any whore you got know where you are. I’m your bosom buddy, sweetheart, and I love you. I’ll keep the stable in line for you. “In the meantime I could figure an angle to get your balls outta the hot sand. All you gotta do is call your girls. Tell ’em you want Uncle Sweet to look out for ’em for a coupla weeks. It’s easy, Pal.” I just lay there for a long moment feeling myself tremble. If he had been lovable Henry, my stepfather, saying he hated me, I couldn’t have felt worse. True, I had conquered the fast track, but that sucker inside me I couldn’t kill was hurting the hell out of me. I looked at him. Somehow I kept my voice steady and the pain outta my eyes. I said, “Jeez Sweet, I’d have a bitch of a time trying to cop another friend like you. I feel like bawling just to think about it. I ran down my life story to you. You know I love you like I loved Henry. Maybe I love you, Sweet, more than I love Mama. “Don’t think I’m a chump square when I say it. Sweet, you taught me to be cold-hearted. You’re the only person on Earth who could hurt me. The jokers in the street call me Iceberg. “They’d laugh their asses off if they knew I was weak for a stud I love like a father. Sweet please don’t hip them I got a sucker weakness. Don’t ever do anything to croak my love for you. Sweet, if you ever do, they’ll all get hip. “I’ll maybe fall apart and run through the streets wailing like a crazy bitch. Sweet, I’ll wait and think for a day or so. Poison can’t steal Chris. I’ll kick things around in my skull. Maybe you should be looking out for the stable. The whole time I was talking, he had run his index fingers along the sword edges of his pant’s creases. His gray eyes had found the suitcases and cluttered room fascinating works of art. He swallowed air and tented his bejeweled fingers under his first chin. He said, “’Berg, this joint is wrecking your skull. Sweet would chop his right arm off before he’d cross you. You’re the only friend I got, sweetheart. Shit, Honey, you could have a hundred whores and I could be whoreless. I’d ask you to give me a bitch. I wouldn’t try to steal no whore from you, Darling. You need anything? I gotta split. I got two whores I gotta pick up downtown.” I said, “No Sweet, I don’t need anything. I’ll rap to you tomorrow. If you hear anything, wire me fast. I’m sure glad you dropped by.” I heard his heavy feet pounding down the linoleum in the hall. They stopped. I heard them getting louder. He was coming back. I looked around the suitcase where he had been sitting. I didn’t see anything he had left. He thumped the door. I opened it. He had Miss Peaches in his arms. He was flashing the first gold-toothed grin I’d ever seen on his face. He said, “’Berg I forgot to tell you. They found old Pretty Preston frozen stiff in the alley back of the Roost. The poor bastard had wrapped himself in newspapers. The Greek fired him a week ago for staying near the fire and not pulling marks on the sidewalk. The drunk half-white bastard thought the newspapers could stand off ten-below-zero.” He turned and walked down the hall. I shut the door and fell across the bed. At three Chris called. I told her to stay away until my next phony long- distance call to the girls. I told her Poison might try to tail her, and maybe the F.B.I. She told me they didn’t have a chance. She went in front doors of a half- dozen buildings then out the back doors before she came to me. When she got to my place she’d come in the back door and walk through the front door. She’d go through the alley then through the back door again before she came to my door. Maybe they couldn’t keep a tail on her. I told her to stay away to play safe. I told her not to call from the pad. It would be a bitch if one of the girls picked up an extension. Sweet called the next morning at one A.M. The broad next door answered the phone. She knocked on my door. I slipped on an overcoat and walked into the hall. It felt like zero out there. He said, “’Berg, I just got the wire. Poison stole your young bitch, Fay. I hope she ain’t hip to anything that can cross you. ‘Berg,’ you gotta make some moves. I’ll keep my horns to the wire.” He hung up. I was in trouble. I went and got back in bed. I thought, “Poison’s gonna quiz that stinking bitch. She’s gonna spill that ‘queer scratch’ con I’ve been playing. To tighten his game on her he’s gonna wake her to the con. He’s gonna tell her I’m hiding out in the city. “It’s a good thing Chris is in on the con. I could blow whoreless in an hour if she wasn’t. I need her to take the rest of the stable underground. Maybe I shoulda split outta town when I first got hot. I gotta move the rest of the stable fast. “Poison is a cinch to pull their coats to the con I played. It’s the ace to play for a fast cop of maybe the other three. They’ll be salty as hell with me if he gets a chance to wake ’em up. Hurry Chris and call!” At three Chris called. I ran to the phone in my pajamas. I almost froze to death talking to her. She said, “Daddy, I had to call you from home. Poison just left with Fay and her clothes. The black bastard has wised up the whole family to that game we played. Dot, Rose, and Penny are larcenied to the gills. They’re crying and packing their clothes. I can’t hold them. They hate me. Poison came into my bedroom before he split. He acted and rapped like I was already his whore. If I’d had a pistol I’d have croaked the strong bastard. “He said, ‘Well Miss Bitch, your Nigger is finished. You’re the only whore he’s got left. I know a fast pretty bitch like you don’t want no pimp you gotta solo for. With my Fay cop, I got eight whores. I’m on the inside of this game. None of my whores take falls. I’m top pimp in town. “‘You’re the best whore in town. There ain’t nobody but me you can take for your man. Bitch, come to me and you can be queen boss bitch of the eight-whore stable. Get your domes and get outta here with me and Fay. Iceberg is going to the federal joint.’” She said, “Daddy, what happens now? Maybe Poison will come back and gorilla me. I’m so upset, I know any minute I’ll scream myself into a padded cell.” The zero drafts blasting through the gap under the back door kept me from passing out. I felt cold sweat dripping down my shaking legs. My throat was having dry convulsions. My voice sounded like it came from an echo chamber. I stammered, “Chris, don’t lose your cool. This is Iceberg remember? Like always I’ll put an angle together. Now listen carefully. Pack your things. Go down and get the building flunky. Pay him to take you to a hotel near the garage where the Hog is stashed. “Check in and leave your things. Go to the Hog. Drive back and pick up your stuff. Go downtown and check into a hotel. Drive the Hog back and stash it back in the garage. Take an El train back to your hotel. Call me then.” I went back and washed my face in cold water. I looked in the mirror. I looked like I had on a Halloween fright mask. I sure didn’t look a bit like a fresh-faced kid any more. The whites of my oncebright eyes were blood-shot and faded. The deep black circles looked like some tricky practical joker had conned me to ram inked spyglasses against the sockets. I started looking for a yellow. I had to put a damper on my nerves. I had a little cocaine. I didn’t need racing. I needed some skull pacifying. I was out of yellows. Somewhere in one of the suitcases I had a notebook. The phone number of a connection no farther than fifteen blocks away was in it. Maybe he had yellows. If not, what the hell, I’d cop a cap of H. One cap couldn’t hook me. Horse was a cinch to kick the jitters outta my skull. It would be two hours at least before Chris would call back. I found his number. I called him. I told him, in code, I’d pick up six caps within the hour. I had a fat roll of scratch in a sock pinned inside the sleeve of a trench coat. I started to take it with me. I stuck it in my benny pocket. It bulged like a grapefruit. I’d be back before long. I pinned it back inside the sleeve. I had close to sixty-eight hundred slats stashed there. I fished out three saw bucks. I slipped pants and a shirt over my pajamas. I put on shoes and a heavy benny. I was in a helluva hurry. I pulled the door shut. I heard the spring-latch lock. Less than five minutes after I had talked to the peddler, I was on the way. It was four A.M. when I left. The wintry winds almost snatched my lid off my skull. It felt good though. It was the first time I’d walked in the fresh air for months. A bleak overcast blotting out the sky. Slipping and sliding on the icy sidewalks, I finally got to the connection. He lived on the second floor over an all-night chili joint. The joint was crowded. There was no one on the sidewalk. I went up the rickety stairs and copped five caps of H. He put the caps into the cellophane shell from a cigarette pack. He twisted the end and balled the package. I took it and went down the stairs to the street. I had the sizzle in my hand. I started to walk by the chili spot on my way home. Two neatly dressed brown skin studs were standing on the sidewalk in front of the joint. Its bright lights floodlighted the sidewalk. It was like walking a show-up stage at a police station. From the side vent in my eye I saw them pinning me. They stiffened. One of them reached toward his chest. I looked back. He was showing his buddy a small square of paper. I started walking fast away from them. I remembered the sizzle. I downed it and walked faster. I knew they couldn’t see in the darkness that I had dropped it. I glanced over my shoulder. I saw a rod in the hand of the taller one as they ran toward me. I ran. They were bellowing, “Halt! Police! Halt! Stop or we’ll shoot!” I had reached the corner and was halfway around it. I saw a fourman squad of white detectives. They were cruising toward me in a police car. They threw a blinding spotlight on me. I froze. They all looked at me. I saw a shotgun muzzle ease out of a fast-lowering rear side window. The two rollers chasing me skidded around the corner. In a way I was glad to see them. Those rollers in the cruiser probably hadn’t croaked anybody in a week. I really didn’t want them to break their luck on me. The two held onto me like I was Sutton. The white rollers shut off the spotlight and moved slowly down the street past us. The shorter one had handcuffed my hands behind me. He showed his buddy the picture. They looked up at me. The taller one said, “Yeah, it’s the bastard all right. Look at the eyes.” They searched me head to toe. They saw the lone saw buck I had. They hustled me back around the corner. We passed a skinny black joker standing on the corner. He nodded at me. I recognized him. He was in my building. I had sent him for groceries and change for the phone a dozen times. I got a fast glimpse of the picture as the roller slipped it back inside his coat pocket. It was me. I remembered the pearl-gray sharkskin suit and black shirt. Top and I had been together four years ago. The two white rollers who had hit on us hated Top because he had white whores. They wouldn’t take a pay off. They booked us on suspicion of homicide and mugged us. Top and I were out in less than two hours. It was the one and only time I had been taken in on the fast track. They put me into the rear seat of an unmarked Chevy. They were in the front seat as the tall one drove away. I said, “Gentlemen, it’s not gonna put any scratch in your mitts to take me in. Let me give you the price of a couple fine vines to cut me loose.” Slim said, “Shit, you couldn’t cop one bullshit vine in a hock shop with the scratch you’re carrying.” I said, “I got more scratch at my pad. Knowing I’m Iceberg you can believe that, can’t you? Just run me by there, I’ll get it, lay a coupla C’s apiece on you and fade away. How about it?” Slim and Shorty looked at each other. Shorty said, “You think we’re suckers? You got a federal warrant for white slavery outstanding. We didn’t hear a word you said about that chicken shit four C’s.” I said, “All right, so we’re all like black brothers. The bad difference is the F.B.I. wants to lynch your brother in court. You gonna throw me to the white folks for hanging? I’ll give you two grand apiece to beat the F.B.I. outta their pound of black meat.” Slim said, “Where’s your pad?” I thought fast. It had been a mistake to crack about my pad. If I told them they could take my whole stash and still bust me or croak me. I was a fugitive. They might even come back to the stash after they took me in. I had the key to the kitchenette in my pocket. I tested them. I said, “You know Sweet Jones. He’s a friend of mine. I can get four G’s from him five minutes after we get to his place. I can’t take you to my pad. I got a close friend there. Suppose after we got there you’d change your minds about the deal. You’d have to book him for harboring me.” Slim said, “We can’t cut you loose. We couldn’t do it if you gave us forty G’s. I just remembered you were in that spotlight back there. One of those downtown men could have made you. Sorry brother, but what the hell? Federal joints ain’t bad to pull a bit in. Thanks for popping up like you did. You make a great pinch for us.”
16 AWAY FROM THE TRACK
They locked me up in central jail. At dawn a jail trusty brought a basket of bologna sandwiches down the line of cells. A moment later another trusty brought a gigantic kettle of black stinking chicory. I passed up the delicacies. The tiny cell was too small for two men. Eight of us were in it. I was lying on the concrete floor. I was using my rolled up benny as a pillow. My lid shielded my eyes from the bright bare bulb in the corridor. My cellmates were bums and junkies. Two of them were getting sick. They were puking all over. The bums were stinking almost as bad as the junkies. A drunk lying beside me dug his fingernails into his scalp and crotch over and over. He scratched his back against the floor. He had to be lousy. It was rough going for a pimp all right. I thought, “If someone had told me a year ago I’d be back in a shit-house I’d have thought he was nuts. Christ! I hope nothing happens to Chris. She’s the only link to the outside I can trust to get my clothes and scratch. “I know after she calls and can’t get me at the pad she’ll check out all the shit-houses. It’s a good thing I’m not in the federal lockup at county jail. Here she can grease a mitt and see me. I hope she makes it before the U. S. Marshal shows to move me.” At nine the turnkey came and called out my name. I went to the cell door. He looked hard at me through the bar. He twisted the cell-lock open. I stepped out into the corridor and followed him. He took me to a break-proof glass window with a speaking hole in it. I saw Chris on the other side of it. She was crying. I couldn’t blame her. I felt like crying with her. I bent down and put my mouth to the hole. She stuck an ear against it on her side. I said, “Baby, there’s nothing to cry about. You’re Daddy’s brave bitch, remember? Now listen. I want you to give the copper at the property desk a double saw or so for the key to my pad. “I want you to get my scratch outta the sleeve of my green trench coat. Rent a safe-deposit box. Then move my stuff to your hotel. The Fed’s are gonna take me back to Wisconsin. They call it the point of origin for the runt’s beef. “They’ll set a bond for me there. I’ll get a slick lip in Wisconsin, Baby you keep checking. Get to Wisconsin a day before I do with the scratch. I’ll need it for the lip and bail, understand Sugar? Once I get bail, I’ll get our stable back and beat this rap.” I took my jib from the hole and put my horn there. She said, “Daddy, I’ll do everything the way you say. I understand. Daddy, I’ll go and get the key to your latest hideout. Where did you move? I thought you were going to wait for my call?” It didn’t register. Maybe I was cracking up under all the strain and grief. Maybe I had moved before I got busted. I raised my head and looked at her. Her eyes were questioning. I pointed my index finger at the hole. I decided to risk my theory that I hadn’t moved. I said, “Chris, goddamnit! I haven’t moved! All my stuff is still on West Ave. Now come on, girl, this is not the time for jokes from Daddy’s witty bitch. You knocked on the door, I wasn’t there. Naturally, I couldn’t be, I was down here.” She said, “Daddy, I didn’t have to knock. The door was wide open. Both trunks and all the suitcases were gone. In fact the only thing left was your hair brush. I put it in my purse. Daddy, all this is too much for me. I must be losing my mind.” I stood there glaring hate at her. Her eyes were wide, staring at me. I thought, “Poison or Sweet has stolen this Judas-bitch from me. I’m in a cross. One of them has rehearsed this bitch. She’s a sonuvabitching actress. A sucker looking at that innocent look she’s got would have to buy the con. I hate this bitch worse than I do the runt. If I could just get my hands around her throat. I’d love to see her tongue turned black, flopping across her chin. “Well, I can’t croak her through that glass wall. No matter what, I’ve gotta stay Iceberg, I can’t let her take back a chump emotional scene to report. She and her new man are not gonna get their kicks at my expense.” I turned and walked away from her. I saw the turnkey at the far end of the corridor with his back to me. Good thing for me he hadn’t been close enough to lock me back in the cell right away. I was twenty feet from her when it exploded in my skull. I thought, “It’s the skinny flunky! It’s the skinny flunky! It’s the bastard that saw me get busted! He rushed back and sprang that spring latch. I gotta go back to Chris and really play some game. If she gets hip I don’t trust her she’ll blow for sure. She’s the only stick I got to fight with.” I turned back toward her. She was still standing there. She was crying harder than before. I walked to the glass and spoke into the hole. I said, “Chris, a joker in the building saw me get busted. He cleaned me out. Baby, we’ve been so close. I had a crazy thought that if you’d been there I wouldn’t have been robbed. What the hell, Sugar, I’m the bastard that kept you away. It wasn’t your fault at all. “Christ! I’ll be glad when this is over. Give a lip here in town a half a yard or so. Have him come to county jail and bring me whatever papers are needed to sell the Hog. Get the slip on the Hog from the property desk. It’s in my wallet. We should get twenty-five hundred or so for it. Bring that scratch and all you can hump up onto Wisconsin.” They moved me to Wisconsin. Chris came to county jail there and put three-thousand dollars in my jail account. Mama came to see me. She was in pieces. She thought the government was going to give me fifty years. At my hearing, bail was set at twenty-thousand. A bondsman put up the face amount. His fee was two G’s. I got the state’s best criminal lip. I gave him a G retainer. Chris and I went back to the track. I stayed out on bail for four months. I had two turnouts and three seasoned whores during that time. None stayed longer than a month. Everybody in the street knew about that rap over my head. I guess the whores didn’t want to fatten a frog for snakes. Sweet and I didn’t see much of each other. I didn’t feel close to him any more. I was a pimp on the skids. Poison was top pimp. Every slat I got my hands on I wired to the lip. I had to. I was getting one continuance after another. Finally I went to trial. The runt and Ophelia were there. They were afraid to look at me. They gave the government a penitentiary case all right. They grinned at each other when I got eighteen months. Mama fainted. Chris boo-hooed. I had a good lip though. With the counts against me I could have gotten ten years. Chris went back to the track. She swore she’d stick until I got out. Leavenworth was what the government called a class-A joint. It was big and escape proof. It was run by master psychologists. There was no screw brutality. It wasn’t necessary. The invisible mental shackles were subtle but harder than the steel bars. Alcatraz was the grim trump the officials held over our heads. It was a joint of con cliques. The most dangerous clique was the Southern cons. They hated Negroes! I had references as a cellhouse orderly from other joints. I got a spot in a cellhouse with mostly pimps, dope dealers and stick-up men. I was out at night until ten exchanging newspapers and magazines for the cons. I’d been in the joint about six months. I stopped in front of a cell to rap to a pimp pal. He was excited and standing gripping the bars of his cell door. He was a yellow version of Top. They called him Doll Baby. He said, “’Berg, you told me I couldn’t steal the beautiful bitch. Well, the bitch sent me a kite this morning. She’s transferring to the shoe shop. I already got the spot picked out where I can sock it into her. “I told you that square-ass peckerwood she’s got couldn’t out-play me. The bitch is got four bills on the books. She’s getting me a big order on commissary this week. Shit, on the street or in the joint it’s all the same to pimping Doll Baby.” I had seen the beautiful bitch. He was a lanky white boy with watery blue eyes and bleached corn-silk hair. A fat red-faced Southern con was madly in love with him. The beautiful bitch would lie in the fat con’s arms in the yard and pick at the pimples on his face. The con was feared by everyone. He was the leader of a treacherous band of Southern cons. I said, “Doll, you better cut that bitch loose. Her old man is from Mississippi. He’s a cinch to cut your heart out in that yard. He can’t let a Nigger steal his broad. Take my advice, pal. I like you. You’ve only a year to go.” The next time on the yard I saw Doll and his bitch billing and cooing on the grass. They didn’t see any of the ball game. The game was over. The fat con and his band of Southern shiv men had been evil eyeing Doll’s show. I was fifty yards back of Doll when it happened. Hundreds of cons were pressed together filing from the bleachers and playing field. I saw Doll throw up his hands and scream. He disappeared. The gray tide moved on. Three screws were standing over him. He was on his back. Blood was gushing from his open mouth. Blood seeped from holes in his jacket. He lived, but he had a bitch of a time making it. He stayed hitchless for the rest of his bit. Chris stopped sending me scratch or anything. I got a wire she’d squared up and married a pullman porter. She even had a baby. I wondered if the sucker knew what a boss bitch he had. I was filing out to sick call one morning. A group of cons on the other side of the road was filing to work. I saw a con marching behind a dark- complexioned con raise something that glinted in the sun. It was a shiv. He was chopping away at the con. Finally the con folded dead. Screws rushed up and took the hatchet man away. I was two months from release. I had stopped to rap to an old con forger who knew Sweet. We were shooting the breeze about stick-up men and how they stacked up in the skull department with pimps and con men. We were rapping loud. I knew the night screw was at his desk four tiers down on the ground floor. I said, “Pops, a stick-up man is gotta be nuts. The stupid bastard maybe passes a grocery store. He sees the owner checking his till. Right away a stupid idea flashes inside his crazy skull. ‘That’s my scratch.’ “The screwy heist man walks in. Maybe the grocer is a magician or an ex- acrobat with a degree in karate, worse an ex-marine. The silly sonuvabitch doesn’t realize the awful odds. He ain’t got enough in his dim skull to think about the trillion human elements. Any one of them can put him in his grave. The suicidal sonuvabitch maybe has his back to the street with his rod in his mitt. Pops, the stick-up man is champ lunatic in the underworld.” Pops agreed and I walked away down the tier. I heard a hiss from the cell next to Pops’. A new transfer was standing at his cell door. He was skinny with a rat face. I stopped. He was sneering at me. His hands were trying to crush the rolled-steel bars. He stuttered, “You you lousy pim-pim-pimp motherfucker. You you pu- pu-pussy-eating sonuvabitch. You-you ain’t going to live your bit out.” I went fast to get a rundown on the nut from a stud on the tier below. He said, “Ah, ’Berg, I hope you haven’t crossed that dizzy bastard. He croaked a stud in Lewisburg. They hung fifty on him. He’s a heist man. You better watch him close. He’s a cinch to make the Rock or loony bin.” It was a week later just after the cellhouse filed out to the shops. The cellhouse screw had signaled “sick call.” I was standing in the back of the cellhouse on the flag. I was lighting a cigarette to smoke before I started mopping and waxing the flag. Somewhere above me an excited voice shouted, “Look out, ’Berg.” I looked up and chilled. A plummeting shadow flashed like black lightning in my eyes. I heard a whooshing whistle as it scraped gently against the cloth of my shirt at the tip of my shoulder. A dozen cymbals clashed as it grenaded against the flagstone at my side. I looked down. A steel mop wringer lay in three pieces. There was a Rorschach crater in the flagstone. Its outline was like a headshrinker’s blot. I stared at it and idly wondered what the prison head-shrinker could make of it. He was a slick joker. Months ago he had told me, “Pimps have deep mother hatred and severe guilt feelings.” I looked up. It wouldn’t take a head-shrinker to figure this one. The rat- faced heist man was grinning down at me. He was on his gallery on the fourth tier near the ceiling. He had stayed for “sick call” to bomb my skull off. The crater symbol was easy. Rat-face hated pimps without guilt feelings tied in. That night I took a pack of butts to the con who had screamed out the warning to me. The nutty bomber went to solitary. Two weeks later he tried to gut a con with a shiv made from a file. They shipped him to the Rock. I was ecstatic to see him go. During my bit I had read the second cellhouse full of books. I had read mountains of books on psychiatry, psychology, and the psychoneuroses. I couldn’t have done a smarter thing. I’d have to be my own head-shrinker when the white folks entombed me for a year in that steel casket in the future. I got all my good time. I was released in the early spring of nineteen-forty- seven. I stopped off at Mama’s for a week. Then I went back to the fast track. I had sixty slats and the joint vine on my back. The clothes I’d bought while on bail were with Chris. Maybe her pullman porter was my size. Anyway, I wasn’t going to do a “Dick Tracy” for a few used vines. Sweet was still in the penthouse. He had blown down to only three whores. Poison had made a bad pimping blunder. He had turned out a white square and put his foot in her ass. It was the last straw for the downtown brass. They bounced him off the force. He had one whore. He bird-dogged her. He took his scratch off after every trick like a Chili Pimp. I rented a pad by the week. It was in the same slum district where the flunky had beat me for my roll and clothes. I had no flash and glamour, no pimp front. I was just another pimp down on his luck. I was starving for a whore. In a pimp’s life, yesterday means nothing. It’s how you are doing today. A pimp’s fame is as fleeting as an icicle under a blow-torch. The young fine whores are wild to hump for a pimp in the chips. A pimp in bad shape can’t get the time of day from them. A pimp’s wardrobe has to be spectacular. His wheels must be expensive and sparkling new. I had to get the gaudy tools to start pimping again.
17 TRYING A NEW GAME
I had three choices. I could cop a piece of stuff on consignment from a contact I had made in the joint. I could peddle it retail and get nine or ten grand in weeks. I could take a dog, a broken-down whore with trillions of mileage on her. Maybe I could keep my foot in her ass and grind up a bankroll. I decided to take the third out. Do a slick fast hustle. I met a pimp named Red Eye in a junkie joint. He had just finished a state bit the week before. He was whoreless like me and itching to pimp again. We were crying on each other’s shoulder at the bar. He said, “Ice, ain’t it a bitch? No matter how much pimp a stud is, these dizzy bitches demand he’s got a front. Now we ain’t hustlers, but I got an idea. Ice, you’re a helluva actor and you can rap good as a con man. I know a stud who’s hip to every smack peddler and fence on the West Side. I got a rod and a real copper’s shield. “All we need is a Short and a third stud to drive. Neither one of us is well known over there. Besides, there’s a flock of youngsters dealing now who were squares when we left the track. I’m a rollertype stud. With the weight you put on in the joint you’d make a perfect copper. “Ice, if we only knock over three of ’em, we split maybe ten to fifteen G’s between us. Our finger man is a junkie punk. We give him and the driver peanuts. Ice, those forty-seven Hogs are a pimp’s dream. I gotta have one. Whatta you say? Are you in?” I said, “Red Eye, I’ll go for it. I sure as hell ain’t going to put a mop in my hand out here. I don’t have wheels, but I’ve got a little scratch. I’ll spring to rent a short. You know someone with one? How about a driver?” He said, “Ice, lay a double saw on me to cop a short. I know a stud for the driver. Meet me right here in this joint tomorrow night at nine. We can take off our first mark.” I said, “Don’t crack my name to that driver. Call me Tom, Frank, anything.” I didn’t get two-hours sleep that night. It worried me to be part of a hustle that required a rod. I thought, “Maybe I’d better back out. I could maybe find a young hash- slinger in a greasy spoon. I could turn her out in a hurry. She’d be a long shot for stardom. At least she’d make enough scratch for chump expenses. “You can’t start pimping with a turnout. It never works out. A pimp with no whore and no bankroll is a sucker to try the turnout on a mulish square broad. No, I guess the Red Eye deal is all I got.” Red Eye got to the joint at ten-thirty. The driver was a huge stud with a rapper like a girl’s. I noticed his big meat-hooks shaking on the steering wheel on our way to the West Side. Red Eye ran down our first mark. His light-maroon eyes were whirling. He had a skull full of H. He said, “Paul, our first mark is a bird’s nest on the ground. It’s a broad. The finger showed her to me last night. She and her old man got the best smack on the West Side. It’s so good studs from all over town are rushing to cop every night. “He and the broad deal out of a bar three blocks from their pad. They deal mostly in eights and sixteenths. On a weekend night like this one they take off maybe five G’s. The stud is got a rep as a fast-rod joker. He ain’t got no direct syndicate connections as far as I know. “We ain’t got to worry about him tonight. He’s in New York copping a supply. The broad will leave the bar around midnight loaded with scratch. She’ll have a few packs of smack on her too for the evidence to shake her. Her real name is Mavis Sims. “She’s gonna go to her short parked behind the bar. She ain’t afraid of being heisted. Everybody is scared shitless of her old man. She’s got a small rod strapped to her thigh. She ain’t going to pull it on the police though. That’s us, strange rollers from downtown. We gotta move fast on her when she bits that lot behind the bar. She’s a slick bitch. We gotta be real rollers. We can’t wake her up we’re fakes. She’s a strong bitch, I’d have to blow a hole in her if she reached for her rod. “There will be a pack of hard studs in the bar. They would love to croak us on that lot to please her old man. We gotta move her fast outta the neighborhood to play her outta the scratch. We gotta be careful the rollers don’t join our party. Her old man is doing a lot of greasing in the district. “Perry is gonna park our short in the street beside the lot. We arrest the broad and you play on her while Perry drives. I ain’t going to rap. Ice, after we cop her it’s up to you for the shake. You got to convince her.” Perry was really nervous. He pulled into the curb next to the bar lot. His skull was jiggling on his bull neck like he had Parkinson shakes. I was silent. Red Eye’s rundown had me wondering how it shaped up as a bird’s nest to him. It looked like maybe a bird’s nest for Dillinger. If the mark hadn’t been a broad I’d have split and got on an El train. I wondered if she’d seen me before I went to the joint. What if she made me right away as Iceberg and plugged me in the skull. Her old man might have outfit friends. If he did we’d be found in an alley with our balls rammed down our throats. We were standing in the shadows ten feet from the broad’s short. I said, “Red, I better take the rod. When we step out on her, shine the flashlight right in her eyes.” She was walking fast when she came into the lot. Her light blue chiffon dress was billowing in the April breeze. She was walking wide-legged like a whore after a long night in a two-dollar house. My legs were trembling like a stud dog’s hung up in a bitch. I looked down at the badge pinned to the wallet in my palm. It glittered like molten silver in the moonlight. The thirty-two pistol in my right hand weighed a sweaty ton. She was twirling a key ring. In the utter silence the clinking sounded like the U.S. Marshal’s handcuffs. She had her hands on the door handle. I stepped out of the shadows. Red Eye was behind me. I wondered if she could hear my ticker hammering. Red Eye put the light in her face. Her yellow forehead wrinkled in surprise. Her sexy jib flapped open. I grabbed her wrist and tried to crush it. I roared, “Police! What’s your name and why are you sneaking around back here?” She stammered, “Gloria Jones, and I was coming to my car. I always park it here. Now get out of the way. I’m going home. The captain of this district is a personal friend of my husband’s.” Red Eye had turned off the flashlight and moved behind her. She was looking down at the badge. She was trying to yank her wrist free. I said in a low heavy voice, “You lying dope-peddling bitch. Your real moniker is Mavis Sims. We’re from downtown. Your old man’s no pal of ours. We’re gonna bust you, bitch. I’ll lay odds we’ve caught you dirty. Come on bitch, before we get rough. Anything I hate it’s a stinking smack dealer.” We hurled her into the back seat of our short. Red got in beside her. I was up front with Perry. I turned facing the rear seat. There was silence as Perry drove out of the district toward central headquarters. Miss Sims was squirming in the seat. Her right hand was out of sight behind her. She was getting very jerky. I remembered that rod she was carrying. I started the shake. I said, “Al, this suspect is acting peculiarly. Perhaps you’d better pull over. She might have concealed some evidence behind the seat.” He pulled over. Red moved toward her. She slid to the window on the other side. She said, “Officers, I’m clean. It’s worth fifty apiece to cut me loose. If you bust me, I’ll be out in an hour. Take me back to the bar. I can get the hundred and fifty from the bar owner.” I said, “No dice, sister. We got specific orders to bring you in. Now don’t make him slap a broad around. He’s gonna frisk you. He don’t have to wait for a matron to do it downtown. It’s proper if he thinks you’re armed and we’re in danger.” He patted the inside of her thighs. It was there, a twenty-two automatic jammed under the top of her stocking. He took it out and shoved it in his pocket, searched her bosom, purse, shoes, and hair. She was sure clean except for the rod. I felt like a real chump. All this trouble for nothing. He was scratching his chin. The junkie punk had put a bum finger on the broad. I was at the point of shoving her out. Then it struck me. Where did my street whores hide their scratch? In the cat! In the cat, where else? The clincher was this broad’s wide-legged walk. I had noticed it on the lot. She was leaning forward staring at Perry’s face. I said, “Joe, it’s gotta be up her cat. Bitch, stretch out and put your legs across his lap.” She said, “The hell I will. You phony Niggers ain’t rollers. That big one at the wheel used to bounce at Mario’s.” She was wise. The double saw I gave Red Eye had tapped me out. We had to know if she had treasure up her cat. I wondered how he’d handle it. I didn’t wonder long. He turned brute. He punched her hard in the nose. It was like he had cut her throat. Blood splattered over the front of her dress. I felt a light spray on my face. She opened her mouth to scream. He smothered it with a terrible slam to the gut. She went limp. He pulled her across him. He darted his paw between her legs. When he brought his mitt out it made a kissing sound. He had a long shiny plastic tube between his index and middle fingers. It stank like rotten fish. The broad was moaning and holding both hands to her nose. He unwrapped the package. The pouch was bursting with scratch. In the center of the roll I saw the cellophane edges of packaged dope. He got out and opened the door on the broad’s side. He dragged her out to the sidewalk. He got in the front seat. Perry gunned away. I kept a sharp eye on Red Eye as he counted the scratch in his lap. Red Eye and I netted two grand apiece. Red Eye took the packages of H. The broad dealer had forty-four hundred in the pouch. Perry and the junkie finger man got two bills apiece. It was a week before we tried for the second mark. We shouldn’t have. He was a reefer peddler and fence. We thought he had big scratch on him. We didn’t have a driver. We had the mark in the short. Red Eye was driving. We were playing the peel off. The mark was in the back seat. I was in the front seat. I asked for his identification. He handed me his hide. I saw it had only a few slats in it. We were pulling to the curb to search him. A two-man squad car passed. The mark saw them and started screaming. They stopped and dragged Red Eye and me out to the street. They kicked and beat hell out of us. They took us down. The mark was slick. Right there on the street he cracked. We took a C note from him. If he’d known about our roll, he could have beefed for four G’s. The rollers saw our rolls and tried to pin every stick-up on the books against us. We went on every show-up for a week. We didn’t get a finger. They booked us for armed robbery of the mark.
18 JAILBREAK
An agent for a fixer came to the lockup. He assured us we could avoid five to ten for armed robbery. We could get the charge reduced to a workhouse bit for a price. We tapped out and got a year apiece in the workhouse. It was like a prison, only tougher. A joint is always rough when there’s graft and corruption. Only cons with scratch are treated and fed like human beings. The walls were just as high. Most of the inmates were serving short thirty and ninety-day bits. The joint was filthy. The food was unbelievable. The officials had an unfunny habit of putting pimps on the coal pile. I did a week on it. I was ready to make a blind rush at the wall. Maybe I could claw up the thirty feet before I got shot. I was really desperate. After the first week I came out of shock. I started thinking about a sensible way to escape. I just couldn’t get my skull in shape for another bit. It was too soon after the last one. By the middle of the second week I’d had a dozen ideas. None of them stood up under second thoughts. I shared a tiny cell with a young con. He was only eighteen. He idolized me. He’d heard about me in the streets. I slept on the top of a double bunk. There were three counts. One in the morning, one after night lockup, the third at midnight. One night I missed standing up for count at the cell door. I was so beat from heaving coal I’d collapsed on my bunk. I woke up an hour after the count. It gave me an idea. I kicked it around in my skull. Like all good ideas it kept growing, crying out for my attention. I thought, “I wonder how much and what of me that screw saw when he counted me?” I tested him three nights in a row. I’d lie on the bunk when he came through to count. Each time I’d lie so he saw less of me. The last time he counted me there was only my back, rear end, and legs visible to him. I got excited. I knew it would be easy to get extra pants and a shirt. I could stuff them into a passable dummy. I knew my first problem was to find a way to get out of line when filing from the coal pile. My second problem was I couldn’t leave a dummy in position in the cell during the day. Cellhouse cons and screws would pass on the gallery and discover it. I decided to solve my outside problem first. At the end of the day a screw would line us up at the coal pile to be counted. We would then file two-hundred yards into the mess hall for supper. After supper we would file through hallways to the cell house for count. There were several cellhouses. All of the cellhouses phoned in their tallies to the office. If all the tallies equaled that number of cons in the entire joint then the count was right. A loud whistle blew and the day screws could go home. There was no cover between the coal pile and the mess hall. A screw with a scoped, high-powered rifle manned a wall that ran parallel to our line of march. It looked impossible. I lost hope. On my twenty-eighth day in the joint I noticed something. I had been on an official pass-out of some kind. It was very near supper time. I passed the dress-in station and shower room. The front door was open. I glanced in. In the rear of it a screw was hooklocking a wooden door. I stopped and pretended to tie my shoe. He then walked up two or three stairs and swung a steel door shut inside the shower room. He started lining up his cons for the march to the dining room. I had noticed the shed before on the marches to the dining room. It was maybe thirty feet from the line of march. The door had always been shut. I had thought it stayed locked all the time. I couldn’t have checked it with that rifleman on the wall and a screw marching with me. In the cell that night I was as excited as a crumb crusher at Christmas time. I thought, “Maybe that shower screw sometimes forgets to lock that shed door. Maybe he’s even later locking it than today. I couldn’t see what the hell was in the shed. I know there’s gotta be old clothing or something. I can hide under when he comes to hook that slammer. I gotta get outta this joint. I can’t pull my bit here. “If the kid will handle the dummy end, I’ll take a chance. I’m gonna talk to my cellmate about that dummy. If he’ll help me, I can escape like a shadow.” I looked down over the rim of my bunk at him. I had written several bullshit letters for him to his girlfriend. So far they had kept her writing and sending him candy and cigarette money. He was a good kid. I didn’t think he’d rat. I said, “Shorty, what if I told you I could beat this joint?” He said, “Iceberg, you’re jiving. You can’t make it out of here. There are five steel gates between this cell and the streets. How’re you planning to do it?” I said, “Kid, as beautiful as it is I can’t do it without your help. Now here it is.” I ran it down to him. At first he was leery. I told him to take the dummy from the floor under his bunk. Put it on mine. As soon as the whistle blew, unstuff the shirt and pants. Put the blanket stuffing back on my bunk. Sometime during the night before the midnight count, throw the pants and shirt over the gallery to the flagstone. When the midnight hell broke loose he’d be clean. No one could prove or even suspect he had dismantled the dummy. I asked him to give me the name of a relative for record. I told him I would send him a C note from the first whore scratch I got. I got his promise to handle the cell end of the plan. An hour later I gave a cellhouse orderly two packs of butts for an extra blanket. I had the stuffing. I took off my shirt and pants and stuffed them for rehearsal. He sat at the cell door with a mirror watching the gallery both ways. In twenty minutes he had the position and the rest of it down pat. I didn’t close my eyes all night. At midnight I saw the screw counting heads. He was due for a shock soon. I knew that if something went wrong they’d probably beat me to death out there on the yard. I had to go through with it. No con misses his freedom more than a pimp. His senses are addicted to silky living. I took packs of butts to the coal pile the next day. A yard runner got me a shirt and pants. I put them on over the ones I wore. That night in the cell I made up the dummy. I put it under the kid’s bunk and gave him a pep talk until midnight. I even promised him I’d keep in touch and when he got out I’d teach him to pimp. I thought the last day on the coal pile would never end. I would be sunk if there was a routine cellhouse shakedown. Finally we lined up. My throat was dry and my knees were wobbly. We were approaching that shed. The screw on the wall walked twenty paces away. Then about faced and walked back facing the coal pile gang. I’d have to break for the shed when he walked away. I’d have to be in there when he turned if it wasn’t locked. If he didn’t shoot me, the yard screws would beat me to a pulp. The coal-pile screw was ahead of me. He could turn and look back at any moment. No other moment in my life has been so tense, so wildly adventuresome. I didn’t even know if there wasn’t a fink in the line. I tell you it was something. If my ticker had been faulty I’d have passed out. The screw on the wall was walking away. The shed seemed miles away. I slipped out of line and raced for it. I could hear an excited whispering from the cons behind me. I touched the shed doorhandle. For an instant I hesitated. I was afraid I’d find it locked. My sweat-hot hands pulled it toward me. It was open! Just before I stepped inside I looked up at the wall. The screw was standing looking in the direction of the shed. I shut the door. Had he seen me? I looked around the shed. There was nothing to hide under or behind. I could hear the cons in the shower room. They were getting ready for supper. The steel door was half open. That screw would be out at any second to hook the shed door. There was no place to hide. It had been all for nothing. I heard a voice and the scrape of feet at the steel door. The screw was coming out into the shed! I looked up at the shed ceiling. I looked over the steel door. There was a line of rusty bars a foot long over the door flush against a grimy window. I leaped up and grabbed two of them. I swung my feet and legs up just as the screw walked in to lock the door. I was jack-knifing my legs just six inches from the top of his blue uniform cap. I hung there like a bat. I held my breath. He passed beneath me. I saw flakes of rust fall from the bars onto the top of his cap. It seemed forever to my agonized aching arms and legs. I heard the steel door crash shut. I started breathing again. I hung up there for another long moment. He might come back for some reason. I swung my paralyzed legs down and released my grip on the bars. I sat on the stone steps fighting for breath. The shed was quiet as a tomb. I could hear my ticker staccato. The worse wasn’t over. That “all is well” whistle had to blow. If it didn’t blow they’d come looking for me with fists, clubs, and guns. I peeped through a crack in the door. I put my ear to it. The yard was bare. I could hear the clatter of steel plates in the mess hall. Finally all was quiet. The count was going on. I thought, “Even if the kid goes through with his end, this one night the count screw will poke that dummy to stand up to the cell door. That whistle ain’t gonna blow. It’s been too long already. Those cold-hearted bastards are on the way already. They’ll beat and stomp me crippled.” The whistle blew! The beautiful sound of it was like a faucet. It flooded my eyes with tears. I did a dusty jig on the shed floor. It was dusk. It wasn’t over. The only way to get over the wall was to scale and climb to the top of a cellhouse in the far corner of the yard. Lucky for me the cellhouse sat in a deep recess, otherwise its roof would have towered above the wall. It was the only building close to a section of wall. Other buildings stairs stepped almost to the roof of the cellhouse. Maybe I’d been too eager to escape. I’d not put together a rope or hook. I’d have to use hands and feet. It sat six feet away and twenty feet above the wall. There was only one screw on the wall after the count cleared. He’d be in his cubicle reading the newspaper or a magazine. If he looked up he couldn’t miss seeing me in the glare of the yard lights. My uniform was dark green, stained black with coal dust. Maybe on the street I’d look like any sooty steel mill or coal worker. I hadn’t done too badly so far with short-term planning. I had until midnight to get over the wall and out of the city. I had no scratch. I’d passed out a small fortune in tips to hotel maids, bellhops, and bartenders. Now all of them were rich compared to me. I knew several I could go to and get a few dollars. They could be found at their places of work. There had been all the show-ups the month before and after my conviction. My face would be remembered by the rollers in those neighborhoods. I thought about Sweet. I remembered his crack at the hideout to set me up for the cop of my stable. I threw him out of my skull. I couldn’t trust any of the pimps I knew. I’d always been a threat to them. Iceberg was really on his own. I’d have to make it to one of Mama’s sisters, thirty miles away in Indiana. It was now pitch black inside the shed. I raised the hook and pushed the door open. I looked out into the yard. I stepped through the door into the yard. All was quiet. I pushed the door shut. I heard a dull metallic noise. I pulled it toward me. The hook had fallen into its loop. The shed door had hooked from the inside. I thought, “That freak accident would confound the investigators for sure.” I raced to the side of the mess hall. I’d have to get on its flat roof. I took hold of some window bars and pulled up to a standing position on the sill, I reached over and grabbed the drain pipe. I swung over and shinnied up to the roof. I looked to my left. I could see the silhouetted figure of the wall screw in his cubicle. I looked across and up at the cellhouse roof abutting the wall. It was a long way. I walked across the roof toward the next building. I was near the far edge of the roof. I looked back at the wall cubicle. The screw was out walking the wall. He had that deadly rifle cradled in his arms. I flung myself flat on my back on the black roof. I hoped I was invisible to him. I lay there panting. I wondered what a screw’s manual said about an escaping con target. If he saw me would he scope for a skull, heart, or gut shot? Finally he went back into the cubicle. Lucky for me the mess-hall roof was connected to the chapel building. The connection was a concrete ledge. It was less than a foot wide and about twelve feet long. My heavy prison brogans seemed as wide as the ledge. They slipped on the glazed ledge. The wild late April winds made the walk as secure as a stroll across a teeter-totter two stories above the ground. I stood at the end of the ledge and looked up. I stretched my right arm up and stood on tip-toes. The chapel roof was two feet above my fingertips. I’d have to go back a few feet on that glassy ledge. I’d have to get up enough speed coming back to make a twofeet leap. I’d have to grab the outside rim of the roof’s drain gutter. I wondered if it could stand my weight. I carefully backed up six feet. I stood there trembling looking up at the rim. I looked back. The screw wasn’t on the wall. I had to forget how narrow the ledge was. I threw a leg out. I whipped the other toward it. I pumped them over the gritty glaze. I heard the whispering hiss of the leather soles tromping the ledge. My arms were outstretched to the black sky. My eyes were riveted upward to the gutter rim. I leaped upward. I felt my feet soar off the ledge. I taloned the rim. I hung from it dangling in space. My fingernails sent red-hot needles of pain through the tortured flesh at their roots. I chinned up and hurled a leg across the roof top. I rolled onto it. I lay there gasping as I watched the rifleman walk his beat. He went in. I struggled up the steep sloping roof to the top. The edge of the cellhouse roof was three feet away. I leaped straight ahead. I flopped on my belly. The tips of my brogans were in the drain gutter. The cellhouse roof was even steeper. It was coated with squares of slippery shale. I looked up toward the top. It seemed a city block away. I started bellying up it. I dug my brogan tips into the small cracks between the shale squares. I finally inched to the top. My chest was flaming. I lay astraddle the six- inch top of a double precipice. The two sides of the roof formed a steep pyramid. I was on top of it. The six-inch top seemed as thin as a wire. Through a dizzy haze I saw the lights of the city winking in an ocean of blackness. I got to my feet. I started walking the tight wire like a circus performer. The winds were savage up here. They kicked and punched me. I teetered and swayed on the wire. I looked down over the right precipice to the street far below. Through a fuzzy blur I saw auto headlights darting through the night like tiny fireflies. My skull almost blacked out. I jerked my skull away and glued my eyes to the wire. It was like an age before I reached the end of the cellhouse. If the screw came out now I’d be in full view. Even from the inside he could spot me. I stood shivering. I looked down twenty feet to the top of the three-foot wide wall. I couldn’t turn back. I couldn’t just stand there. It was a cinch I couldn’t expect to keep balance if I hit the wall feet first. I dropped, legs opened wide. I heard my trousers rip. The inside concrete edge of the wall top gouged into my inner thigh. My rear end crashed against the concrete. My skull reeled in pain as I sat in the cold saddle. I swung my gouged left leg from the inner side of the wall. I scooted back on my belly to my fingertips. I hung there for a moment. I felt blood running down my left leg into my shoe. I let go. I struck feet first. My butt and back took the rest of the shock. I lay there on my back in a drunken fog of exhaustion, pain and breathless joy. It was at least ten minutes before I could stand. I limped away for a hundred yards. I turned and looked back at the joint. I thought, “Those dirty white folks are gonna pace the floor. Their assholes are gonna twitch. They’re gonna call me a million black-Nigger bastards and sonuvabitches. One thing they can’t deny in their cruel secret hearts. I outsmarted them. It’s gonna hurt ’em to the rotten quick that a Nigger did a black Houdini outta here. No screws’ skulls busted and no bars sawed. “They’re gonna foul their chances to catch me after the midnight count. They’ll search the yard and joint for a week. Their asses will turn blue. Their skulls won’t let ’em believe a Nigger was clever enough to ghost outta here.” I turned and hobbled toward the State of Indiana.
19 THE ICE PICK
I was lucky. I caught five rides to get to my Aunt. It was five minutes to midnight when she opened the door. At first she didn’t recognize me. She made me welcome. In a week my leg had healed and I felt strong. Her husband was my size. He gave me an outfit and fifty dollars. I went to the whore section of town. A bunch of New Orleans pimps were in town. They had their thieving whores with them. Three days later I stole one. Her name was No Thumbs Helen. She was at that time one of the slickest “from the person” thieves in the country. We got about in a forty-seven Hog. She was a magician. For almost a year she left a trail of empty wallets across five states. We were in Iowa when Helen stung a rich sod-buster for seventy-two hundred. I was in bed when she threw it on the bed. Excited? Sure I was. My heart boomed like bombs going off. She didn’t know it. I was icy cool. I casually scooped it up and counted it. I had a poker face. I said, “Now listen, bitch. Run this sting down. I gotta know how hot this scratch is. Did you get all the sucker had? I’ll be a salty sonuvabitch to read in the papers that you missed a bundle.” Her rundown told me it was best to split. We got in the Hog and went to Minneapolis. The second day I copped a young whore. She wanted to be a thief. I took her to Helen at our hotel. Helen chilled when she saw the pretty bitch. She blew her top. She drew her knife. The young whore fled. I disarmed Helen and punched her around. Helen went to work. I fell asleep. I woke up fast. Helen was jabbing her knife into me. I rolled away. She had stabbed me in the forearm and the side of an elbow. I took a golf club and knocked her out. I never tried to stable her after that. I didn’t feel like a real pimp with one whore. I decided to steal the technique of stealing from Helen. I could use it to train other whores when I cut her loose. Finally I picked her skull. The technique went as follows. She would lurk in some shadowy doorway or alley entrance. When a trick came by she’d go into a con act. She’d stand wide-legged and bend her knees to an almost squatting stance. She’d whip up the front bottom of her dress. She’d expose the gaping, hairy magnet to the bugging eyes of the sucker. The pull was magnified by her stroking her cat. She’d say to the sucker, “Please pretty sweetie, I am so hot this pussy is burning up. I ain’t had no dick in six months. Come here and do something to it.” He’d step into the doorway already blind hot to sock it in for free. His instinctive weariness blackjacked to sleep by the raw event. She’d bombard the sucker with a flow of sweetly passionate sexy bullshit as she tightly embraced him. She had located his wallet, usually in a rear trouser pocket, with the sensitive tips of her fingers. She’d dry grind her belly against his scrotum. She’d complain that his belt buckle was hurting her. She would be panting in phony passion as she unbuckled it. It would release the tension on his pants pockets. She’d caress the head of his swipe with her fingers. She’d stroke the tip of his ear with her tongue. The very tips of the airy light index finger and thumb of the free hand flicked the buttoned pocket open. The index and middle fingers scissored on the wallet and slid it from the pocket. The trick would be excited and hot. He wouldn’t have felt the glowing end of a cigarette on his ass. With both hands behind his neck, she’d remove the scratch from the hide. She’d up the sexy chatter and the strong grind against his scrotum. She’d roll the bills into a tight suppository shape. She’d slip the wallet back into the pocket. She wouldn’t forget to rebutton the pocket. She was ready to blow the sucker off, get rid of him. She’d crack that she had to pee. Stooping quickly, she’d ram the rolled bills up her cat. She’d sight a passing car. She’d fake alarm. She would say, “Oh my God. There’s Riley, the vice cop. Listen honey, go to the Park Hotel up the street and register as Mr. and Mrs. Jones. I will be there in ten minutes, Pretty Daddy. I sure want some of your good dick.” The sucker would pat the reassuring bump of his wallet. It was still there in the buttoned pocket. He’d amble off to the hotel. The thief would make it home. She’d completely change her appearance. She’d go back into the street to sting another sucker. There was an accident. She got pregnant. I found a croaker who made her one again. The game went down as usual. The bubble burst in a small town in Ohio. The sky-rocket came crashing down when I ran into an old pal. He was now called New York Joe. I hadn’t seen him since I was fourteen. My mother had taken him in for a few weeks when his widowed-mother died. He got sick and had to go to a hospital. I’d take a bus to see him and bring him tid- bits. I’d sit with him and console him. I liked him. Our friendship was brief. He got out of the hospital and left town. He was wholesaling cocaine and the sample he gave me was almost pure. I made an appointment to cop a piece. I didn’t know he had learned in New York to cross everybody, even old friends. I found out the stuff he gave me was phony. I rushed back to him figuring he had made a mistake and would square things with me. I said, “Joe, you’ve made a mistake, man.” He took me inside. He said, “What’s the trouble, Jim?” I said, “Man, this is bullshit. This ain’t the same stuff that I sampled.” He said, “Well listen, Ronald went out to the stash. That mother-fucker is crossing me.” He drew his gun from a shoulder holster. At the time I didn’t know it was all con. He said, “Should I go out there and kill that sonuvabitch? What do you want me to do?” He started working his eyes. His eyes were bugging and going through all that crazy act. I said, “No man, just give me my scratch back.” He said, “I’m so mad I should croak you both.” I was relatively young. I had never run into this New York stuff before. I was spooked. I said, “Forget about it.” He was going through contortions. I was in his town. I had a thief with at least seven beefs on her. I was out the three grand. I might have gotten croaked. Later I knew it was stuff: New York stuff. In later years, I figured it out. He maybe had always hated me because I had more education than he had. A week later Helen got busted on seven counts. I signed the Hog over to a lip. She got five to ten. I should have wired a bomb to the starter before I turned it over to the lip. A stud told me Joe had fingered Helen. He almost ruined me. He tapped me out, got my thief busted. He literally ran me out of town broke, and with no whore. I heard whore-catching was good in Detroit. I took my last tendollar bill and caught a Greyhound. Detroit was the promised land for pimps all right. The town was teeming with young fast whores. The local pimps were soft competition. I was walking, but I was sharp as a Harlem sissy. Anyway, these whores were a different breed than the ones back in the city. They were gullible, and a fellow didn’t have to play his heart out to cop them. The first package I copped was a beautiful seventeen-year-old green-eyed version of Pepper. Her name was Rachel. I was to keep her thirteen years. My next package was a huge, black, dangerous jasper named Serena. In addition to being a whore, she ran a fast sheet setup for a dozen whores. They tricked out of her joint. Within eight weeks after I hit Detroit I was cruising the streets in a sparkling new forty-eight Fleetwood. I had a fat bankroll. Within ninety days after the Serena cop, I had copped two more young broads. A week later a small-time pimp came to town from Rhode Island. He had a beautiful young whore with him. He was jealous. He followed her in the street. I stalked her. He forgot to follow her. I stole her. I’d had her several months when the town got shaky. The rollers forced Serena out of her joint. I put her in the street. Then I heard about a small town in Ohio—Lima—that was jumping with good tricks and wide open. I could possibly open up a couple of houses there. My luck was soaring. With my pad rent and a pad a piece for the girls, I needed a tighter setup to cut down my nut. My skull was whirling as I drove the Hog to pick up my stable in the street. They got in. I tossed their scratch in the glove compartment. Dawn was breaking as the big Hog scooted through the streets. My five whores were chattering like drunk magpies. I smelled that stink that only a street whore has after a long, busy night. The inside of my nose was raw. It happens when you’re a pig for snorting cocaine. My nose was on fire. The stink of those whores and the gangster they were smoking seemed like invisible knives scraping to the root of my brain. I was in an evil, dangerous mood despite that pile of scratch crammed into the glove compartment. “Goddamnit, has one of you bitches shit on herself or something?” I bellowed. I flipped the wing window toward me. For a long moment there was silence. Then Rachel, my bottom whore, cracked in a pleasing-ass kissing voice, “Daddy Baby, that ain’t no shit you smell. We been turning all night. Ain’t no bathrooms in those tricks’ cars we been flipping out of. Daddy, we sure been humping for you. What you smell is our nasty whore asses.” I grinned widely, inside of course. The best pimps keep a steel lid on their emotions. I was one of the iciest. The whores went into fits of giggles at Rachel’s shaky witticism. A pimp is happy when his whores giggle. He knows they are still asleep. I coasted the Hog into the curb outside the hotel where Kim, my newest, prettiest girl, was cribbing. Jesus! I would be glad to drop the last whore off. I could get to my own hotel to nurse my nose with cocaine and be alone. Any good pimp is his own best company. His inner-life is so rich with cunning and scheming to out-think his whores. As Kim got out I said, “Goodnight Baby, today is Saturday. I want everybody in the street at noon instead of seven tonight. I said noon, not five minutes after or two minutes after. At twelve sharp I want you down, got it Baby?” She didn’t answer. She did a strange thing. She walked into the street around the Hog to the window on my side. She stood looking at me for a long moment, her beautiful face tense in the dim dawn. Then in her crisp New England accent she said, “Are you coming back to my pad this morning? You haven’t spent a night with me in a month. So come back, okay?” A good pimp doesn’t get paid for screwing. He gets his pay-off for always having the right thing to say to a whore right on lightning tap. I knew my four whores were flapping their ears to get my reaction to this beautiful bitch. A pimp with an overly-fine bitch in his stable has to keep his game tight. Whores constantly probe for weakness in a pimp. I fitted a scary mask on my face and said, in a low, deadly voice, “Bitch, are you insane? No bitch in this family calls any shots or muscles me to do anything. Now take your stinking yellow ass upstairs to a bath and some shut-eye. Get in the street at noon like I told you.” The bitch just stood there. Her eyes slitted in anger. I could sense she was game to play the string out right there in the street before my whores. If I had been ten-years dumber I would have leaped out of the Hog, broken her jaw, and put my foot in her ass. The joint was too fresh in my mind. I knew the bitch was trying to booby-trap me when she spat out her invitation. “Come on, kick my ass. What the hell do I need with a man I only see when he comes to get his money? I am sick of it all. I don’t dig stables and never will. I know I’m the new bitch who has to prove herself. Well Goddamnit, I am sick of this shit. I’m cutting out.” She stopped for air and lit a cigarette. I was going to blast her ass off when she finished. I just sat there staring at her. Then she went on, “I have turned more tricks in the three months I have been with you than in the whole two years with Paul. My pussy stays sore and swollen. Do I get my ass kicked before I split? If so, kick it now because I’m going back to Providence on the next thing smoking.” She was young, fast with trick appeal galore. She was a pimp’s dream and she knew it. She had tested me with her beef. She was laying back for a sucker response. I disappointed her with my cold overlay. I could see her wilt as I said in an icy voice, “Listen square-ass bitch, I have never had a whore I couldn’t do without. I celebrate, Bitch, when a whore leaves me. It gives some wormy bitch a chance to take her place and be a star. You scurvy Bitch, if I shit in your face, you gotta love it and open your mouth wide.” The rollers cruised by in a squad car. I flashed a sucker smile on my face. I cooled it until they passed. Kim was rooted there wincing under the blizzard. I went on ruthlessly, “Bitch, you are nothing but a funky zero. Before me you had one chili chump with no rep. Nobody except his mother ever heard of the bastard. Yes, Bitch, I’ll be back this morning to put your phony ass on the train.” I rocketed away from the curb. In the rear-view mirror I saw Kim walk slowly into the hotel. Her shoulders were slumped. Until I dropped the last whore off you could have heard a mosquito crapping on the moon. I had tested out for them, solid ice. I went back for Kim. She was packed and silent. On the way to the station, I riffled the pages in that pimp’s book in my head. I searched for an angle to hold her without kissing her ass. I couldn’t find a line in it for an out like that. As it turned out the bitch was testing and bluffing right down the line. We had pulled into the station parking lot when the bitch fell to pieces. Her eyes were misty when she yelped, “Daddy, are you really going to let me split? Daddy, I love you.” I started the prat action to cinch her when I said, “Bitch, I don’t want a whore with rabbit in her. I want a bitch who wants me for life. You have got to go. After that bullshit earlier this morning, you are not that bitch.” That prat butchered her. She collapsed into my lap crying and begging to stay. I had a theory about splitting whores. They seldom split without a bankroll. So I cracked on her, “Give me that scratch you held out and maybe I’ll give you another chance.” Sure enough she reached into her bosom. She drew out close to five bills and handed it to me. No pimp with a brain in his head cuts loose a young beautiful whore with lots of mileage left in her. I let her come back. At long last I was driving toward my hotel. I remembered what Sweet Jones, the master pimp who turned me out, had said about whores like Kim. “Slim,” he had said, “A pretty Nigger bitch and a white whore are just alike. They both will get in a stable to wreck it and leave the pimp on his ass with no whore. You gotta make ’em hump hard and fast to stick ’em for long scratch quick. Slim, pimping ain’t no game of love, so prat ’em and keep your swipe outta ’em. Any sucker who believes a whore loves him shouldn’t a fell outta his mammy’s ass.” My mind went back to Pepper. Then back even further and I remembered what he had said about the Georgia. “Slim, a pimp is really a whore who has reversed the game on whores. So Slim, be as sweet as the scratch, no sweeter, and always stick a whore for a bundle before you sex her. A whore ain’t nothing but a trick to a pimp. Don’t let ’em Georgia you. Always get your money in front just like a whore.” I was on the elevator riding to my pad. I thought about the first bitch who had Georgiaed me when I was three. She had flim-flammed me out of my head. She would be old and gray now. If I could find her, I would sure get the bitch’s unpaid account off my conscience. I snorted a couple of caps of cocaine. Two hours later I took a yellow. I fell asleep. When I woke up at noon, I knew I had to make a move. Rachel’s parents were trying to cross me. Kim might split back to the sucker. My whole stable, except Kim, were local girls. A pimp is asking for trouble when he doesn’t move his action away. Control is easier and tighter away from the familiar setting. A girl in strange surroundings depends more on her man. She needs his advice and guidance more. Girls copped in smaller towns have to be moved fast. That night I went to Ohio. I put down the foundation for the move. I rented two houses and furnished them beautifully. I made contact with a fellow who collected the oil for the heat. I got the okay to go at a C a week for each house. I moved my whole family there. I was just in time. A month later Detroit folded and the lid slammed down. There was a good dope connection in the new town. I started capping H with my C. I’d mix them and shoot speedballs. When I went to bed I got sound sleep. I seldom had those bad dreams. I got hooked on H. It didn’t worry me. I was getting long scratch. I was thirty years old. For the second time in my pimping career I could see solid success and lots of long green in my future. How could I know that elephant bitch, Serena, would get jealous? She brought the whole green-back house of cards crashing down around me. I missed a murder rap by a fraction of an inch. The fraction was in Serena’s chest. Within the year that I had set up my houses, tricks from all over the county were beating a path to them. They were wild to sample those luscious young freaks. Pimping had never been better. I was in a wonderful mood as I walked in the sunshine. I noticed Serena was coming up the street with a sack of groceries in her arm. She had croaked two people in New Orleans. She walked toward me smiling. When she got close to me she got the ice pick out of the sack. She jabbed it toward my chest. At the time I was quite quick, so I leaped back. The point of it slashed the edge of my pocket right over my ticker. She was trying to drive the point right through my ticker. I was without a pistol at the time. I could buy a pistol from any hardware store. I bought a .32 and a box of fifty bullets. I took it up to her pad and loaded it at the kitchen table. She said, “Daddy, what’s that for?” I said, “That’s to croak any bitch that tries to hurt me.” She said, “Oh Daddy, you know I was just upset. Forget about it.” I said, “No, I’m not going to forget about it. I’d kill my own mother if I thought she was going to hurt me.” Later that evening about midnight the other girls and I were returning from a cabaret. I put the key in the door. I opened it and smelled the heavy odor of Tabu. The heavy scent that only Serena used. I hesitated. My eyes became accustomed to the gloom. I saw Serena standing over in the corner of the living room with an ice pick in her hand. She had slipped into Rachel’s house through an open basement window. I drew my gun. I said, “Serena!” She said, “Yes, mother-fucker, I’m killing you and them whores this morning.” She started crying. I said, “Serena, don’t come by that end table. If you do I’m going to kill you. You know I always keep my word.” She said, “I wouldn’t give a mother-fuck.” She lunged past the end table. I shot her. When I shot her the only thing that saved her life was the fact that she had a forty-six inch bust. The fatty tissue absorbed the bullet at almost point-blank range. When I shot her, blood splattered. I struck her in an artery. It blew all over my face, all over her. Her dress had a ringlet of sparks. I set her on fire. She had elephant toughness. It didn’t even knock her down. The bitch grabbed at me. She had dropped the ice pick. She grabbed her chest and said, “Daddy, don’t kill me!” I was tempted. I really intended to kill her. I started to shoot her through the head. I didn’t. I don’t really know why except there were witnessess, those four whores. She staggered past us through the door and down the street. We all got into the Fleetwood and raced out of town leaving everything. I sped toward Mama. I hadn’t seen her since that Christmas visit. Her hair was snow white. Jesus! Was she excited and happy to see me. I told her what had happened. She got a friend to drive her back there. She loaded all the clothing on a trailer. She visited Serena in the hospital. Serena begged my mother to tell me to come back. She wouldn’t file charges. It was all her fault and she loved me. I knew that if I had gone back Serena would have driven a butcher knife through my heart in my sleep.
20 STABLE MOVES
It had been a sucker move to come to Mama. Fortunately she had moved from over the beauty shop. She now lived in an almost all-white neighborhood. Here I was with four idle whores in a closed town where I had fallen three times. It was the point of origin for the white slave rap that the copper-hearted runt had crossed me with. There were a couple of sneak ten- dollar houses in town. I stayed inside the house at Mama’s. Every joker in town knew me. They all had diarrhea of the mouth. I couldn’t put my action in the street in this hot town. They’d had an easy go in Ohio. They were soft. I could put them down only in a town where I had a fix. I knew that none of them, if busted, could stand up under the clever grilling of the F.B.I. I had a ten G bankroll. I was housing and feeding four whores in an expensive hotel. I was a pig for banging speedballs. No fresh scratch was coming in. With only a ten G stick I knew I would soon be in trouble. I had to make a move fast. It was bad for morale of the stable to keep them on their asses. After a week of confinement at Mama’s house, I slipped out of town to cop H and C for myself, and gangster for the girls. While in the city I looked up Sweet. I was careful because all the heat in the neighborhood knew me. Sweet insisted I give him all the details of my escape. He shook his skull in awe when he heard them. Miss Peaches had died of old age. His eyes were sad when he told me about it. Glass Top was still out West in Seattle. Patch Eye did a little bookie business for him. Sweet had lost his glory. He looked a hundred years old. His backbone was the old white broad who owned the building. Sweet had just beat a murder rap. He had killed some pretty jerk from St. Louis who had insulted him in the Roost. The poor chump had called Sweet an ugly, gray-ass bastard. Sweet had drawn his pistol on him. He prodded him into an alley. He made him kneel and then he pissed on him. This was too much to take, so the kid lost his temper. Sweet shot him through the top of the head. Sweet was laughing, in a good mood as he told me about it. It had cost him five grand to beat it. He told me he got a wire that Red Eye got life for croaking a whore in Pittsburgh. Sweet had a complete answer to my problem. He said that since Serena hadn’t beefed I should go back into Ohio. No state was better at the time for house or street. Before I left I went to his John. The door had a padlock on the outside. He looked at me, grinned, and said, “Pal, my crapper is out of order.” I went downstairs to the John in the bookie joint. On the way out I asked Patch Eye why Sweet didn’t get his toilet fixed. The old ex-pimp, without looking up answered, “Shit, ain’t nothing wrong with the crapper. That cold bastard has his two whores locked in there for fucking with his scratch. They been in there three days.” I walked toward my car. I wondered how long Sweet would keep them there and how long the whores could live with just water. I got back from the city. I stopped downtown at Rachel’s suite. I stayed for the night. I outlined the move. The next morning I was looking out the window down on the street. There was a stooped white-haired joker dumping barrels of hotel garbage into a huge truck. It was Steve. I’d know him in hell! A hot-flash shot through me. I don’t know what happened after that. Rachel told me I snatched my thirty-two from my coat pocket in the closet. I ran to the service elevator in my pajamas. She followed me all the way to the street. I didn’t say a word. The truck had pulled away when we reached the sidewalk. She got me back upstairs. It had been a sucker play for a fugitive. Lucky for me no rollers showed on the scene. I dressed and told Rachel I’d be back later and I wanted the rest of the stable in her joint. I stopped at a leather-goods shop and bought a small valise. It was about the size that a doctor carries. I stopped at several banks and cracked some of my big bills into enough singles to fill the bag. I went to Mama’s to prepare the flash. I filled it almost to the brim with singles. I put the remaining big bills on top. I was getting ready to ship my stable. With my plan I could ship them without a strong fix. Even new whores think twice before leaving a rich pimp. That afternoon they were all in Rachel’s plush suite. She was the boss bitch. They had twenty-five dollar a day, neat rooms on the same floor. I walked in. They were smoking gangster and eager for my speech. They were anxious to get back on the track. I had loosened the catch on the bag. I casually hurled it onto the table before them. A bale of hundred-dollar bills jumped from the bag. Reefer enhances what you see. I saw on those whores’ faces that they were seeing every dollar of the mountain of greenbacks they had given me for the years I had been their man. Confidence flooded their eyes. I finished my briefing and my instructions. I had built my shining castles in the air. Brother, I could have sent those whores to Siberia, in bikinis, in the wintertime. Keeping her wife-in-laws and my scratch straight up there in Toledo was the first acid test for Rachel as a bottom woman. I stayed around Mama’s for a week. She was bugging me to embrace the Holy Ghost and the Fire. She begged me to square up and repent my sins. No, it was a little late for that. I moved onto Ohio again. Cleveland was only a short hop to Toledo. I set up a mad apartment in the larger city. Cleveland was jumping. I was ready for the best pimping of my career. Kim ran off with a wealthy white trick but I didn’t miss her. Both towns were crawling with young fine whores. The name of the game was still “cop and blow.” Within four mouths I had the three girls in Toledo and five in Cleveland. I was pimping good. I had a connection for staff. All was perfect except for one thing. Rachel’s name was ringing. Every pimp, con man and rich dope- peddler was shooting for her. They offered soft, irresistible propositions. Her head was getting as big as a pumpkin. I didn’t want to lose her. I had another more serious reason for wanting to hold her. If I blew her, she might pull a runt on me and go to the F.B.I. I got it through the wire that a slick con-man out of New York was using his beautiful Jasper white girl as bait to cop Rachel. The same wire said that Rachel was getting weak for the broad. I went to Toledo one early morning to Rachel’s. Sure enough there they were, the three of them in Rachel’s bed. Believe me they hadn’t gotten in there to recite bedtime stories. I was cool, icy as always. I let her con me that it was a party, all business of course. That wire had described that bastard con player and his freak woman. I was in trouble. If it had been any other bitch in the stable except Rachel it wouldn’t have been worth a fleeting thought. I couldn’t lose Rachel, my bottom woman, in this shitty fashion to some ass-hole con player. It could kill my career as a pimp. The news would flash in a dozen states. No, I couldn’t afford to lose her. I still had that expensive friend riding with me, that monkey on my back. Sweet would have had the solution to this tough problem right off the top of his head. Sweet, the week before, had shot himself in the temple. He left a bitter note, “Good-bye squares! Kiss my pimping ass!” I felt nothing when I got the wire. I left her apartment and drove out into the country. I spun the wheels in my skull. I got the key to the riddle. It was cruel but perfect. If it worked I’d never have to worry that she’d blow or cross me with the F.B.I. Rachel called me the next day. She told me she had just sent me three bills. She got them for the party I had crashed. When she cracked I knew I had to go through with the cross. The three bills she was sending had to be scratch she had been holding out. That con bastard was too pretty and slick to spend three fat-ones with a whore. I had to make an honest whore of her from now on. I faked excitement when I told her about a sucker who was visiting Akron. It’s a small town, thirty miles from Cleveland. I told her I got a wire that the sucker had hit the numbers for twenty G’s. He had it all with him in his hotel room. I sold her that she could take it off smooth and easy. She said she would be down the next day to get briefed in detail. I had already driven to Akron and set the stage for her. I had rented a hotel room in a fair hotel. I contacted a dignified looking old ex-slum hustler down on his luck. He spruced up a wino friend of his for the play. The whole arrangement: clothes, room, and a bill apiece for the actors, came to a half-grand. The slum hustler was to wait in a pool room nearby for my call. Rachel got to my apartment at three P.M. We got to Akron around six. I told her one of the bellhops had told the sucker she would be there before seven. He was waiting for her. I slipped a small vial of mineral oil into her palm. I told her it was Chloral Hydrate. Only two drops would knock the sucker out. I told her I would be waiting in the hotel bar for her. She stopped at the desk. Sure enough he was expecting her. She went up. She came down within an hour nervous and jumpy. The sucker was out cold. She had searched the room. She couldn’t find the scratch. I went back to the room with her. I went through another search. The wino was lying there motionless. We gave up searching. We moved toward the door. I looked back at the wino. I said, “Say Baby, he looks bad to me.” I knelt beside him blocking her view with my back. I wiped my brow and turned my face toward her. My eyes were wide in alarm. I said, “Baby, he’s dead I think.” Most women, even whores, are terrified of dead bodies. She stood there paralyzed. I said, “Don’t get panicky. Shut that door. I’ve got it! I know an underworld croaker here in town. Maybe he can bring him to. I know he will keep his mouth shut for a price, even if …” She knew we couldn’t leave a murdered man here. She had stopped at the desk first before coming up. She was painfully aware of the big gap between theft and murder. I picked up the phone and got the pool room. I gave the fake doctor the hotel and room number. He came within five minutes carrying his empty bag. She couldn’t see into it. I had told her to hide in the closet. Too many people had seen her already. He stooped down beside the wino. He fumbled with his pulse, his eyelids. Finally he stood up and said, “He’s dead. I can’t help him. I’ll have to call the police.” I could almost hear Rachel’s heart booming in the closet. We haggled for her benefit for ten minutes. Finally we had a deal. For five bills, he would keep his mouth shut. He would also contact a hoodlum who would get the body out of there and dispose of it. He left. Rachel and I got out of there fast. Driving back to Cleveland, Rachel was in a trance. She squeezed tightly against me. I kept telling her she had nothing to worry about. After all we were together for life and her secret would always be safe with me. She found out about the hoax years later. Rachel straightened up with that murder pressure on her. Toledo was on fire and in one month my three girls got nine cases between them. I pulled them out into Cleveland. Cleveland was lousy with pimps and whores and boosters from all over the country. The mob of hustlers set the torch to Cleveland. By nineteen-fifty-three the streets were so hot a whore was lucky to stand up a week between falls. I was a fugitive. For almost a year I never left my apartment. I couldn’t risk arrest and a fingerprint check. I was down to four girls. That year in the apartment was cramping my style. Mama had hit a romantic and financial jack-pot. She had moved to Los Angeles. She called me every week pleading with me to visit her. She wanted me to meet my new stepfather and stay for a while. I kept stalling her. I had heard that the smack in California was only six percent. The pimps out there were only half serious. This makes for bad pimping conditions. Several Eastern pimps had gone to the coast in good shape. They had returned torn down. They said the Western whores were lazy and were satisfied with making chump change. The Western pimps had spoiled them. I gave myself logical arguments against the move to California. Why should I expose my well-trained whores to that dangerous half-ass scene out West? What if I blew my family out there in the hinterlands? I was thirty-four now. In any square profession I would have been in my prime. As a pimp I was getting elderly. I was stern and strict on my women. Rachel wired me that a stud with a stable of boosters was in town with a load of wild Lilli Anne suits and Petrocelli vines at twenty percent of retail. She got me his number the next day. I called him and got an appointment to look his stock over. I only left the apartment for important reasons. I decided I would cop a piece of stuff and a fresh outfit before seeing him. He was staying at a crummy hotel on the East Side. He let me into a cracker-box three-room apartment. He sounded me down to make sure of my pedigree. “So, you’re Iceberg, huh? I was in your town not long ago. Philly sure is hot.” He knew me by reputation and that I was from Chicago. I said, “Yes, I’m Iceberg from the Windy.” He said, “Say Jim, how ‘bout old Red Eye? I saw him in New York last month. He’s pimping a zillion. Surely you know him.” I gave him that look, like I had caught him frenching a sissy. I said, “Listen carefully, Jack. I don’t have time for bull-shit. I knew Red Eye. You saw him last month, Jack? You better see a head-shrinker. You’re flipping your top. Red Eye caught the big one in Pittsburgh five years ago. He’s doing it all.” He gave me a grin like he had swallowed a bottle of snot. He got the sizes from me. He said to cool it in his pad. He had to go to his stash across the street to get the merchandise. I glanced into the tiny bedroom. There was a naked broad lying on the bed. I said to myself, “I wonder what kind of dog that is.” I went to the bed and looked down at her. She was drunk, stoned. It looked like the runt. This broad was buxom, almost fat. I knew one way to be sure. I had lashed the blood out of her with that hanger whipping years ago. She would still have the scars. I flipped her over on her belly. They were there. I stood there looking down at her. I remembered that tough bit in Leavenworth. Here at my mercy was that stinking bitch, Phyllis. Just the sight of her made me crazy. I grabbed a cologne bottle off the dresser. I jerked the big top off. I got my bag out. I dumped enough of the twenty percent stuff into the top to croak a sick junkie. She was clean. I spotted a bottle of mixer water on the floor. I filled the top and struck a match. I held it beneath the top. I rammed my gun into it. I drew up her reckoning. I stabbed the outfit into a vein just back of her knees. Her red blood streaked up into the joint. I was just about to press the pacifier bulb. I looked out the window. I caught a glimpse of the joker darting across the street. He had a steamer trunk headed toward the front door of the hotel. I froze, jerked the spike out of her. I thrust the loaded outfit inside my shoe underneath my instep. I pinned the bag to my shorts between my legs. I collapsed into the living-room chair just as he came through the door. I was sweating like hell. He was suspicious. He kept looking from the corner of his eye at his broad. He thought I had been riding her in his absence. I wondered how long he’d had her. He was a wrong-doer. He’d cut her loose when he got hip to what he had. Sooner or later someone would pull his coat. He’d find out the runt had sent me to the joint. I was getting what I wanted from the merchandise. He slipped into the bedroom and checked her cat out. I left with the dozen items I had bought. I knew I had bought going-to- California clothes. I had quizzed him about his plans. He was going to stay in Cleveland for weeks. I had to leave town. Now. Phyllis was sure to get the wire from him that I was in town. I knew she wouldn’t hesitate to drop a dime in the phone to the heat. She had to know about the escape. I drove away. I tried to picture the expression on her face when her man cracked to her that Iceberg had been up there alone with her while she was stoned. I got a flight that night for L.A. It’s fabulous when a pimp’s bottom girl can be trusted to handle his scratch and his whores. She was welded to me by that murder cross. The stable would drive out later in the Hog. Mama was radiantly happy out there and my stepfather was a wonderful square. They lived in a big house. L.A. was worse than the reports I had gotten. I got around in Mama’s Coupe de Ville. After the second night I went into the whore and pimp stomping grounds. I stayed around Mama for another week then went up to Seattle. Glass Top’s name wasn’t ringing. In fact he was almost unknown. One stud told me Glass Top had croaked. I copped a gorgeous hash-slinger up there. I turned her out that week. Lucky I did. I lost a girl back in Cleveland. Her appendix burst. I pulled the three left into Seattle. After I had been in town six months, fate dealt me one off the top for a change. My bag was empty and the stuff in town was around six percent. I had to shoot three spoons to stay well. The girls were humping up a storm, I was getting no inside grief. I was sitting in the Hog one day. An old withered stud walked past me. He came back and stooped down looking at me. He shouted, “Ice, my old pimping buddy.” I took a close look. It was Glass Top. He got in. He patted the scraggly processed hair on his nearly-bald head. He’d done a long bit in the state joint. He wasn’t pimping. An old square broad was feeding him. He was a drunk. Until I left town I bought him bottles and rapped with him. He croaked two days after I left town. I ran into the croaker who aborted Helen. He had lost his license and done a short bit back East for an abortion. We started rapping a lot to each other. He knew most of the hustlers I knew so we had much in common. He kept telling me how bad I looked. He told me how handsome I’d been when I brought Helen to him. He needled me. He expressed doubt that I had the guts to kick. He was game to help me kick if I was game to kick. I decided to let him help me. He warned me I would have to follow his every instruction. He had a house in town. He still took a fast buck from his old hustle. Rachel was the only girl in the family who knew I was hooked. None of the rest knew. I was going to stay at the Doc’s to kick. They thought I was out of town. He used the system of reduction. We reached the tearing, puking, none-at- all stage. Let me tell you that beautiful croaker bastard was immune and rock- hard. I tried the raving, crying con on him. He would jab a needle into me to tranquilize me so he couldn’t hear my bleating. I tell you, if you have ever had the flu real bad, just multiply the misery, the aching torture by a thousand. That’s what it’s like to kick a habit. It took two weeks. I was weak, but with an appetite like a horse. In another two weeks I was stronger than I’d been in years. The Doc will always be my man. If he hadn’t come to my rescue, and I had kept that habit until nineteen- sixty, I would have been a corpse within a week in that steel casket waiting for me.
21 THE STEEL CASKET
Seattle had played out. It was nineteen-fifty-eight. My stepfather died, leaving Mama all alone back in California. Her letters were full of her grief and loneliness. I had blown down to Rachel and the young hash-slinger I’d turned out. I had put on fifty pounds since I kicked the habit. I weighed more than two-hundred pounds. Time had scissored away my hair in front. I didn’t look much like the mug shot of that sleek escapee. I smoked a little gangster and snorted cocaine now and then. I actually copped a cap of H once with my C. I wanted to mix it in a speedball. It was hard to flush the H down the drain. At almost forty I was ancient as a pimp. I looked like a black, fat seal in my expensive threads. For the first time in many years I had rediscovered my appetite for good food. I was slowing down. I spent most of my time reading in bed. The end of my pimping career wasn’t far in the future. I made the decision to go back to the fast track. I stayed away from old haunts. I had put my two girls to work in the street near downtown. Most of their tricks were white. I stayed in a nice hotel nearby. They lived together in the same hotel. Three months after I got back, a fire changed my pimping setup. The change set up the chain of events that busted me for the escape. I was taking a walk. I stopped to watch flames gut an apartment building. An old brown-skin stud was watching beside me. He was a sure-shot craps hustler. He also sold working togs to whores in houses in ten states. After the fire we went and had a drink together. We liked each other right away. For the next month we saw each other every day. I started going with him to the whorehouses to peddle his merchandise. I’d always had contempt for whores who worked houses. They gave up fifty percent of the scratch to a madam. I’d always believed a good whore went to the street to meet the trick. Even when I had the houses in Ohio my whores got their tricks in the street. Lazy, half-ass whores worked houses and let the trick come to them. My friend, Bet ’Em Big, convinced me whorehouses were the thing for me. His points were that the wear and tear on a pimp was less. The houses were protected and the madams were responsible for falls. Also a girl didn’t need the complicated turn out for houses. A pimp’s blows would be at least fifty percent less in the houses. He told me at my age I could grind up a bankroll in the houses. Then I could open a couple of my own and live to get a hundred years old. I wouldn’t live that long under the stress and strain of the street. Two months later I had both my girls in houses. I got my scratch every Monday in money orders by registered mail. Just like he said, it was an easy way to pimp. The fifty percent off the top, I couldn’t miss. I never had it. The girls would work maybe a month or two before coming in to visit me. I spent the time between with Bet ’Em Big. He was a real pal. He blew his top when I ignored his advice and tapped almost out for a new fifty-nine Hog. I loved him like a father. He knew all the percentages on craps and people. His friendship and wisdom maybe helped me to stay away from H. Maybe if I hadn’t gone to jail I would have gone back to it. I was tempted a dozen times. I moved Stacy, the younger whore, to a house in Montana. It was March. She was up there for the season. This meant every six weeks or so I’d have to go up there to service her and tighten my game. She was lonesome. She’d call and write to tell me how much she missed me. She fell out with the madam and started working in a house run by a stud in the same town. I told Bet I was going up to visit her. He said, “Ice, you can’t take good advice. You were a sucker to go broke on that new Hog. Now here is more good advice. Ice, not only should you not go up there, you better pull that fine bitch out of there. I know that stud. He’s a snake. Pull her out! I know a spot in Pennsylvania just as good. Inside of two days you can pull her and place her.” I didn’t take his advice. I took a train up to visit her. I rented a room in a motel. I registered as Johnny Cato. It was on the outskirts of town. The only Negroes ever in town were whores in houses and pimps come to visit them. She’d come to the motel in early morning after work. She confessed to me that she woke up one day and found her boss in bed with her. In her alarm she struck him on the head with a heavy brass clock. It didn’t chill him. He wiped the blood away and gave her fifty slats to get his rocks. He begged her to quit me and be his woman. It was a bitch of a time to tell me. It was the third and last day of my visit. It was Sunday night around nine. She didn’t work Sundays. We were playing around. I had my pajamas on. I had a cap of C in a pocket. I was just lighting a cigarette when a roller-type knock shook the door and me. I went to the door. I said, “Yes, who is it?” He said, “Police, open the door.” I opened it. It was two red-faced Swede rollers. One was porcine, the other lanky. I put my shaking hands into the pajama pockets. My fingertips touched the scorching hot cap of cocaine. I hoped I was keeping the fear out of my face. I gave them a wide toothy smile. They came in and stood in the middle of the room. Their eyes were racing about the room. Stacy was open-mouthed in the bed. I said, “Yes gentlemen, what can I do for you?” Lanky said, “We wanta see your ID.” I went to the closet and got the phony John Cato Fredrickson ID. I put it in his palm. I felt cold sweat running down my back. They looked at it, then looked at each other. Lanky said, “You are in violation of the law. You signed the motel register improperly. Why didn’t you sign your full name? What are you trying to hide? What are you doing here in town? It says here you’re a dancer. We don’t have a club in town that books entertainers.” I said, “Officers, my professional name is Johnny Cato. I’ve got nothing to hide. My full name had always been too long for the marquees. I’ve fallen into the habit of using the shorter version. “My legs went out last year. I don’t dance anymore. My wife and I decided to go into business. We are making a tour of this part of the country. We think that in your town we’ve found the ideal site for a Southern fried chicken shack. My wife has a secret recipe that should make us rich up here.” Porky said, “You’re a Goddamn black lying sonuvabitch. Every one of you Niggers come up here to open another cat house or suck your whore’s pussy. You and that bitch aren’t married. You’re a low life pimp and she’s your whore. I’ve seen her around. I’m telling you boy, get your Nigger ass out of town. We don’t want you here.” I said, “Yes Sir, I’ll forget about the restaurant like you say.” They turned and walked out. I knew Stacy’s boss had put his finger on me. It was too late to catch the train back to the city. There was one a day at eight P.M. I knew they’d be back. I was trapped. I’d heard radio bulletins warning that the highways were snowed under. I couldn’t even walk out of town. I snorted the sizzle and sat trying to figure a way out. The chief of police came back at three the next afternoon. I let him in. He said, “Boy, I’m not satisfied. I’m going to forget about the phony registration. Now there’s a more serious matter. If you and this young woman aren’t legally married you’ve broken a law I can’t overlook. When and where were you married?” I thought fast. I tried to remember a courthouse fire from the newspapers. I couldn’t. I said, “Sir, we were married three years ago in Waco, Texas. I just can’t understand why you doubt we’re married.” He said, “I’m going to take you in. I’m going to check your story. If you’re telling the truth, I’ll let you go. If not, you’ll get a jail sentence.” He took us down. We were mugged and fingerprinted. Afterwards we were taken to his office. He said, “Boy, you lied to me. I called Waco. There’s no record of your marriage.” They locked us up. An hour later we walked out on two-hundred dollar bonds each. We got a cab to the motel. I understood the bond delay. The joint had been searched. We got her stuff from the whorehouse and sat in the train station until eight P.M. We got back to the city early that morning. I knew when my fingerprints got to Washington the F.B.I. would rush back the news I was a fugitive. I had to get out of town. The police chief knew my destination when I left his town. “Bet ’Em Big” called Pennsylvania. Stacy was parked, ready to leave for the new spot the next day. The chief must have flown my fingerprints to Washington. The city rollers, with a captain of guards from the joint busted Stacy and me. I was held for the escape. Stacy for harboring me. There was one angle I couldn’t figure. All the way to the lock-up it bothered me. How did the city police and that screw know just where in that big city to put their hands on me? I had been transferred to county jail when I figured it out. I have made many stupid mistakes in my life. None was more stupid than the one that put me back in the shit house. I had a letter in my bag from Stacy. The rollers that searched our room while we were in jail made a notation of my city address. I had played the hick coppers cheap and here I was with my balls in the fire. Rachel rushed to me from the whorehouse. I fought the charge of escape. After all, they couldn’t prove it to the extent that they could tell in court how I had escaped. At my first hearing I told the judge I hadn’t escaped. I told him one night before midnight a screw unlocked the cell and took me to the front gate and released me. I had a friend who had supplied the scratch for the underground release. It was a very thin story, but it was strong enough to forestall my return to the joint. I was sure bad things would happen to me back there. Bet visited me. He offered to do anything for me. I was lost. No one could help me. Mama came from California to visit me. She was sick and old. In fact she was dying. She had heart trouble and diabetes. I don’t see how she made the trip. It was an old scene. I was in a barred cage. She was crying on the outside of it. She sobbed, “Son, this is the last time we are going to see each other. Your Mama’s so tired. God gave me the strength to make the long trip to see my poor baby fore I go to sleep in Jesus’ arms. Son, it’s too bad you don’t love me as much as I love you.” I was crying. I was squeezing her thin, pale hands in mine between the bars. I said, “Now look Mama, you know we all got Indian blood in us. Mama you ain’t gonna die. Mama, I’ll live to get a hundred like Papa Joe, your father. Come on now Mama, stop it. Ain’t I got enough worry? Mama I love you. Honest Mama. Forgive me not writing regular and stuff like that. I love you Mama, I love you. Please don’t die. I couldn’t take it while I’m locked up. I’ll take care of you when I get out. I swear it Mama. Just don’t die. Please!” The screw came up. The visit was over. His hard face softened in pity as he looked at her. He knew she was critically sick. I watched her move slowly away from me down the jail corridor. She got to the elevator. She turned and looked at me. She had a sad, pitiful look on her face. It reminded me of that stormy morning long ago she had stood in the rain and watched the van taking me to my first prison bit. I get a terrible lump in my throat even now when I relive that moment. A week passed after Mama visited me and went back to California. I went into court for the third and last time. The judge ordered me into the custody of the joint’s captain of screws. Stacy was released. The captain and his aide were grimly silent. Their prison sedan sliced through the sparkling April day. I was on the rear seat. I gazed at the scurrying, lucky citizens on the street. I wondered what they’d use on me at the joint, rubber hoses or blackjacks? I felt so low. I wouldn’t have cared if I’d dropped dead right on the car seat. We went through the big gate into the joint. The warm April sun shone down on the ancient grimy buildings. The yard cons leaned on their brooms. They stared through the car window at me. The sedan came to a stop. We got out. They took off my handcuffs. I was taken into the same cell house from which I’d made the escape thirteen years before. I was locked in a cell on the flag. In the early afternoon a screw marched me to the office of the chief of the joint’s security. He looked like a pure Aryan storm trooper sitting behind his desk. He didn’t have a blackjack or a rubber hose in his hand. He was grinning like maybe Herr Schickelgruber at that railroad coach in France. His voice was a lethal whisper. He said, “Well, well, so you’re that slick blackbird who flew the coop. Cheer up, you only owe us eleven months. You’re lucky you escaped before the new law. There’s one on the books now. It penalizes escapees with up to an extra year. “Ah, what a shame it isn’t retroactive. I am going to put you into a punishment cell for a few days. Nothing personal mind you. Hell, you didn’t hurt me with your escape. Tell me confidentially, how did you do it?” I said, “Sir, I wish I knew. I am subject to states of fugue. I came to that night and I was walking down the highway a free man. Sir, I certainly wish I could tell you how I did it.” His pale cold eyes hardened into blue agates. His grin widened. He said, “Oh, it’s all right my boy. Tell you what, you’re a cinch to get a clear memory of just how you did it before long. Put in a request to the cell- house officer to see me when you regain the memory. Well good luck my boy, ’til we meet again.” A screw took me to the bathhouse. I took a shower and changed into a tattered con uniform. A croaker examined me, then back to the cell house. The screw took me to a row of tiny filthy cells on the flag. My first detention cell was on the other side of the cell house. The screw stopped in front of a cell. He unlocked it. He prodded me into it. It was near the front of the cell house. I looked around my new home. It was a tight box designed to crush and torture the human spirit. I raised my arms above me. My fingertips touched the cold steel ceiling. I stretched them out to the side. I touched the steel walls. I walked seven feet or so from the barred door to the rear of the cell. I passed a steel cot. The mattress cover was stained and stinking from old puke and crap. The toilet and washbowls were encrusted with greenish-brown crud. It could be a steel casket for a weak skull after a week or two. I wondered how long they’d punish me in the box. I turned and walked to the cell door. I stood grasping the bars, looking out at the blank cell-house wall in front of me. I thought, “The Nazi figures after a week or so in this dungeon I’ll be crying and begging to tell him how I escaped. I’m not going to pussy-out. Hell, I got a strong skull. I could do a month in here.” I heard a slapping noise against the steel space between the cells. I saw a thin white hand holding a square of paper. I stuck my arm through the bars of my cell door. I took the paper. It was a kite with two cigarettes and three matches folded inside. It read, “Welcome to Happiness Lane. My name is Coppola. The vine said you’re Lancaster, the guy who took a powder thirteen years ago. I was clerking in an office up front. I took my powder a year and a half ago. “They brought me back six months ago. I’ve started to cash in my chips a dozen times. You’ll find out what I mean. I’ve been right in this cell ever since. I got another year to go with the new time stacked on top for the escape. I got a detainer warrant from Maine for forgery up front. “We’re in big trouble, buddy. The prick up front has cracked up four or five cons in these cells since I came back … There’s six of us on the row now. Only three are escapees. The rest are doing short punishment time like two days to a week. I’ll give you background on other things later, I know what screws will get anything you want for a price.” I lit a cigarette and sat on the cot. I thought, Coppola is a helluva stud to keep his skull straight for six months on Happiness Lane. He doesn’t know I’m just here for a few days.” That night we had a supper of sour Spanish rice. I heard the shuffling feet of cons filing into the cell house. They were going into their cells on the tiers overhead. The blaring radio loudspeakers and the lights went off at nine. Over the flushing of toilets and epidemic farting, I heard my name mentioned. The speaker was on the tier just above my cell. He said, “Jim, how about old Iceberg, the mack man? Jim, a deuce will get you a sawbuck the white folks will croak him down there. A pimp ain’t got the heart to do a slat down there.” Jim said, “Jack, I hope the pimp bastard croaks tonight. One of them pimps put my baby sister on stuff.” I dozed off. After midnight I woke up. Somebody was screaming. He was pleading with someone not to kill him. I heard thudding sounds. I got up and went to the cell door. I heard Coppola flush his john. I stage whispered, “Coppola, what’s happening, man?” He whispered, “Don’t let it bug you, Lancaster. It’s just the night screws having their nightly fun and exercise. They pull their punching bags from the cells on the other side. It’s where drunks and old men are held for court in the morning. “Buddy, you ain’t seen nothing yet. Don’t give them any lip if they ever come by and needle you. They’ll beat hell out of you. Then take all your clothes off and put you in a stripped cell. That’s one with nothing in it, just the cold concrete floor. Buddy, there are at least a dozen ways to die in here.” All the rest of the night I lay staring at the blank dirty wall in front of me. I wondered what Rachel and Stacy were doing. I had to make contact with a screw to mail some letters on the outside for me. The joint censors would never let whore instructions pass through. Every few minutes a screw would pass and flash his light on me. That morning I watched the cell-house cons file past my cell on the way to breakfast and then to their work. All new arrivals the day before were also in this line. That afternoon I got letters from Stacy and Rachel. They had also sent money orders. They missed their strong right arm. They were working bars downtown. “Bet” was handling any falls they might take. Coppola within the first week hipped me to the angles of survival. I had a screw who would take letters directly to the girls. He would get his pay-off from them. He would bring me cash from them. I got a letter from Mama. I could hardly read the shaky writing. She sent me religious tracts inside it. I was really worried about her. The tight cell and the fear of a year in it was getting to me. The little sleep I got was crowded with nightmares. I was eating good at high prices. I still lost weight. The first month I lost thirty pounds. Then I got bad news twice within the fifth week. I got a letter from Stacy. Bet had been found dead on his toilet stool at home. It really shook me. He had been a real friend. I got a very short note from Rachel. She was in Cleveland. It said, “I ran into an old doctor friend of yours the other night. He was looped. He bought me a drink. Lucky for me the bartender asked how you were doing. The doctor spilled his guts. He told me about a dead patient of his who came back to life. My worst wishes. P.S. Please drop dead. I’ll keep the Hog.” The joint waived the balance of Coppola’s time to face the rap in Maine. The skull pressure was getting larger. The cell was getting tighter. With Coppola gone I was in real trouble the third month. It was like a deadly hex was at work to crack me up. None of the screws would cop heavy drugs for me. I settled for whiskey. I stopped using the safety razor. I didn’t want to see the gaunt ugly stranger in my sliver of mirror. It wasn’t just the cell. It was the sights and sounds of the misery and torment on the row and in the nightmares. Mama was bedridden. She was too sick to write. I got telegrams and letters from her friends. They were all praying that I’d get out before Mama passed. I got a pass to the visitors cage. A screw took me and stood behind me the whole time. It was Stacy. She was pregnant and living with an old hustler. Her eyes told me how bad I looked. Her letters dropped off to one a month with no scratch. At the end of the fourth month my skull was shaking on my shoulders like I had palsy. A con on the row blew his top one night around midnight. He woke up the whole cell house. At first he was cursing God and his mother. The screws brought him past my cell. In my state the sight of him almost took me into madness. He was buck naked and jabbering a weird madman’s language through a foamy jib. It was like the talking in tongues Holy Rollers do. He was jacking-off his stiff swipe with both hands. I gnawed into my pillow like the runt to keep from screaming. The next day I put in a request to see the Nazi. Nothing happened. A week later I was sitting on the John with my head between my knees. I heard the morning line moving to breakfast. The line had stalled for a moment right outside my cell door. I looked up into a pair of strange almost orange eyes sunk into an old horribly scarred face. It was Leroy. I had stolen Chris from him many years ago. He still remembered me. He stared at me and smiled crookedly as the line moved out. I got my screw to check his rap sheet. The screw gave me the whole rundown. Since nineteen-forty Leroy had been arrested more than a hundred times for common drunk. He had also been committed to mental hospitals twice. I was forty-two. I was twenty when I stole Chris from him. I asked the screw to pull strings to send him to another cell house. I gave him a rundown on the Chris steal and how weak Leroy had been for her. The screw told me he couldn’t cut it. Leroy was doing only five days for drunk. Leroy had to stay in the cell house. I wondered how Leroy would try for revenge. I had to be careful in the morning for the next five days. I had to keep my feet and legs away from the cell door. Leroy might score for a shiv and try to hack something off when he passed my cell. I worried all day about what he would do. Could he somehow get gasoline and torch me? That night I heard the voice for the first time. The lights were out. The cell house was quiet. The voice seemed to be coming through a tiny grille at the head of the cot. A light always burned in the breezeway behind the grille. The pipes for all the plumbing for the cells were there. I got down on my hands and knees and looked through the grille’s tiny holes. I couldn’t see anybody. I got back on the cot. The voice was louder and clearer. It sounded friendly and sweet like a woman consoling a friend. I wondered if cons on one of the tiers above me were clowning with each other. I heard my name in the flow of chatter. I got back down and listened at the grille. A light flooded the corner. It was the screw. I spun around on my knees facing him. The light was in my eyes. He said, “What the hell are you doing?” I said, “Officer, I heard a voice. I thought someone was working back there.” He said, “Oh, you poor bastard. You won’t pull this bit. You’re going nuts ‘Slim.’ Now stop that nonsense and get in that cot and stay there.” The cellhouse lights woke me up. My first thought was Leroy. I got up and sat on the cot. Then I thought about the voice. I wasn’t sure now. Maybe it had been a dream. I wondered whether I should ask the screw about it. One thing for sure, dream or not, I didn’t want to go nuts. My mind hooked on to what I’d heard the old con philosopher say about that screen in the skull. I remembered what the books at federal prison said about voices and even people that only existed inside a joker’s skull. I thought, “After this when I get the first sign of a sneaky worry, thought or idea, I’ll fight it out of my skull.” Maybe I wasn’t dreaming when I heard that voice. If I hear it again I’ll have some protection. I’ll keep a strong sane voice inside to fight off anything screwy from going on. Every moment I’ll stand guard over my thoughts until I get out of here. I can do it. I just have to train that guard. He’s got to be slick enough not to let trouble by him. I’ll make him shout down the phony voices. He’ll know they’re not real right away. I got up and went to the face bowl. I heard the rumbling feet of the cons coming off the tiers. I was washing my face. I heard a series of sliding bumps on the floor behind me. It was like several newsboys all throwing your paper on the porch in rotation. Then I smelled it. I turned toward the door. I squinted through the soap on my eyelids. I had been bombed with crap. It was oozing off the wall. The solid stuff had rolled to my feet. Pieces of loosely rolled newspaper were the casings. Cons were passing my door snickering. I felt dizzy. A big lead balloon started inflating inside my chest. I remembered the inside guard. He was new and late on the job. I puked. I shouted over and over, “Watch out now, it’s only crap, it’s only crap. It’s just crap. Watch out, it can’t hurt you. It’s only stinking crap.” A screw stood at the cell door twitching his nose. He was screaming, “Shut Up!” He opened the cell. I got a bucket of hot water and a scrub brush. I cleaned the cell. The screw asked me who fouled my nest. I told him I didn’t know. My screw came to see me at noon. He told me how Leroy had enlisted the crap-bombers. Leroy told them I had put the finger on him years ago when he got the bit for the Papa Tony beating. My screw dropped the truth around the cell house. All the bombers were down on Leroy. They dared him to bother me again. I was safe from Leroy. I didn’t mourn when Leroy finished his five-day bit. It was the end of my sixth month. I beat down worry, voices, and countless thoughts of suicide with the skull-guard plan. A friend of Mama’s sent me a telegram. Mama had been stricken. The hospital doctors had given her up. Then she bounced back. She was very sick now, but still alive. The telegram gave my skull gimmick a tough test. I had a very sad day around the middle of the seventh month. A booster from New York busted on his second day in town was on the tier above me. A con on my row several cells down called me one night to borrow a book. A moment later I heard my name called from up above. He came down next morning and rapped to me. His job was in the cell house. The booster asked me if I were the Iceberg who was a friend of Party Time. I told him yes. He didn’t say anything for awhile. Finally he told me Party had often spoken of me as the kid he once hustled with who grew up to be Iceberg the pimp. He told me Party had copped the beautiful girlfriend of a dope dealer when he got a bit. Party turned her out. The dope dealer did his bit. The broad tried to cut Party loose to go back to a life of ease. Party went gorilla on her. He broke her arm. Two months later Party copped some H. He didn’t know his connection was a pal of the dealer who got the bit. It was H all right mixed with flakes of battery acid. I didn’t sleep that night. I had come to a decision in that awful cell. I was through with pimping and drugs. I got insight that perhaps I could never have hoped to get outside. I couldn’t have awakened if I had been serving a normal bit. After I got the mental game down pat I could see the terrible pattern of my life. Mama’s condition and my guilty conscience had a lot to do with my decision. Perhaps my age and loss of youth played their parts. I had found out that pimping is for young men, the stupid kind. I had spent more than half a lifetime in a worthless, dangerous profession. If I had stayed in school, in eight years of study I could have been an M.D. or lawyer. Now here I was, slick but not smart, in a cell. I was past forty with counterfeit glory in my past, and no marketable training, no future. I had been a bigger sucker than a square mark. All he loses is scratch. I had joined a club that suckered me behind bars five times. A good pimp has to use great pressure. It’s always in the cards that one day that pressure will backfire. Then he will be the victim. I was weary of clutching quicksilver whores and the joints. I was at the end of the ninth month of the bit. I got a front office interview. I was contesting my discharge date. I was still down for an eleven month bit. An agent of the joint had been in the arresting group. I spent thirty days in county jail before the transfer to the joint to finish out the year. I knew little or nothing about law. I was told at the interview I had to do eleven months. I wasn’t afraid I’d crack up serving the extra month. By this time I had perfect control of my skull. Mama might die in California at any time. I had to get to her before she died. I had to convince her I loved her, that I appreciated her as a mother. That she and not whore-catching was more important to me. I had to get there as much for myself as for her. I lay in that cell for two weeks. I wrote a paper based on what I believed were the legal grounds for my release at the expiration of ten months. It had subtle muscle in it too. I memorized the paper. I rehearsed it in the cell. Finally I felt I had the necessary dramatic inflection and fluid delivery. It was two days before the end of the tenth month. I was called in two weeks after I had requested the second interview. I must have looked like a scarecrow as I stood before him. I was bearded, filthy, and ragged. He was immaculate seated behind his gleaming desk. He had a contemptuous look on his face. I said, “Sir, I realize that the urgent press of your duties has perhaps contributed to your neglect of my urgent request for an interview. I have come here today to discuss the vital issue of my legal discharge date. “Wild rumors are circulating to the effect that you are not a fair man, that you are a bigot, who hates Negroes. I discounted them immediately when I heard them. I am almost dogmatic in my belief that a man of your civic stature and intellect could ill afford or embrace base prejudice. “In the spirit of fair play, I’m going to be brutally frank. If I am not released the day after tomorrow, a certain agent of mine here in the city is going to set in motion a process that will not only free me, but will possibly in addition throw a revealing spotlight on certain not too legal, not too pleasant activities carried on daily behind these walls. “I have been caged here like an animal for almost ten months. Like an animal, my sensitivity of seeing and hearing has been enhanced. I only want what is legally mine. My contention is that if your Captain of guards, who is legally your agent, had arrested me and confined me on such an unlikely place as the moon for thirty days, technically and legally I would be in the custody of this institution. Sir, the point is unassailable. Frankly I don’t doubt that my release will occur on legal schedule. Thank you, Sir, for the interview.” The contempt had drained out of his face. I convinced him I wasn’t running a bluff. His eyes told me he couldn’t risk it. After all, surely he knew how easy it was to get contraband in and out of the rotten joint. Getting a kite to an agent would be child’s play. I didn’t sleep that night. The next day I got a discharge notice. I would be released on legal schedule.
22 DAWN
I had amazed cons and guards alike, I had survived it. I was getting out in twenty-four hours. I was almost forty-three sitting in a cell. I thought, “I have been in a deadly trap. Have I really escaped it? Does fate have grimmer traps set? Can I learn to be proud of my black skin? Can I adjust to the stark reality that black people in my lifetime had little chance to escape the barbed-wire stockade in the white man’s world?” Only time and the imponderables inside me would answer the questions. I had no one except Mama. They dressed me out. My clothes flopped around on my skeletal frame. I still hadn’t told them how I had escaped. Cons cheered me as I shuffled toward freedom. They knew how I had suffered and what the awful odds had been that I wouldn’t have made it. A friend of Mama’s had sent me my fare. As the plane flew over the sea of neon, I looked down at the city where I had come so many years ago in search of an empty lonesome dream. I thought of Henry and the sound of that pressing machine. Of Mama when she was young and pretty. How wonderful it had been back there in Rockford. She would come into my room at bedtime, a tender ghost, and tuck me in warmly and kiss me goodnight. It seemed a long time before I finally got to her. When I walked into her room, death was there in her tiny gray face. Her eyes brightened and flashed a mother’s deathless love. Her embrace was firm and sure. My coming to her had been like a miracle. It was the magic that gave her strength. She clutched life for an added six months. I never left the house for those six months. We would lie side by side on twin beds and talk far into the night. She made me promise that I would use the rest of my life in a good way. She told me I should get married and have children. I tried hard to make up for all those years I had neglected her. It’s hard to square an emotional debt. That last sad day she looked up into my eyes from the hospital bed. In a voice I could scarcely hear through her parched lips, she whispered, “Forgive me Son, forgive me. Mama didn’t know. I’m sorry.” I stood there watching her last tears rolling down her dead cheeks from the blank eyes. I crushed her to me. I tried to get my final plea past death’s grim shield, “Oh Mama, nothing has been your fault, believe me, nothing. If you are foolish enough to think so, then I forgive you.” I staggered blindly from the hospital. I went to the parking lot. I fell across the car hood and cried my heart out. I stopped crying. I thought Mama had really gotten in the last word this time. These stinking whores would have gotten a huge charge if they could have seen old Iceberg out there wailing like a sucker because his old lady was dead.
EPILOGUE
I am lying in the quiet dawn. I am writing this last chapter for the publisher. I am thinking, “How did a character like me, who for most of his life had devoted himself to the vilest career, ever square up? By all the odds, I should have ended a broken, diseased shell, or died in a lonely prison cell.” I guess three of the very important reasons are lying asleep in the bedroom across the hall. I can see their peaceful, happy faces. They don’t know how hard and often discouraging it is for me to earn a living for them in the square world. This square world is a strange place for me. For the last five years I have tried hard, so hard, to solve its riddles, to fit in. Catherine, my beautiful wife, is wonderful and courageous. She’s a perfect mother to our adorable two-year-old girl, and our sturdy, handsome three- year-old boy. In this new world that isn’t really square at all, I have had many bitter experiences. I remember soon after my marriage how optimistic I was as I set out to apply for the sales jobs listed in the want ads. I knew that I was a stellar salesman. After all, hadn’t I proved my gift for thirty years? The principles of selling are the same in both worlds. The white interviewers were impressed by my bearing and apparent facility with words. They sensed my knowledge of human nature. But they couldn’t risk the possible effect that a Negro’s presence would have on the firm’s all white personnel. In disgust and anger, I would return home and sulk. Bitterly I would try to convince myself to go back into the rackets. Catherine always said the right things and gave me her love and understanding. There was another indispensable source of help and courage during these hard times. She’s a charming, brilliant woman. She had been a friend to my mother. She functioned as a kind of psychotherapist. She explained and pointed out to me the mental phases I was passing through. She gave me insight to fight the battle. To her I shall always be grateful. The story of my life indicates that my close friends were few. Shortly before I started this book I met a man I respected. I thought he was a true friend. I was bitterly disillusioned to discover he wasn’t. I’m glad in a way it turned out the way it did. I’ve always come back stronger after a good kick in the ass. I have had many interesting and even humorous experiences in this new life. They will have to wait for now. I see my little family is awake. I’ll have to light the heater. I can’t let them get up in the early morning chill. How about it, an Iceberg with a warm heart?
GLOSSARY
APPLE, New York City BANG, injection of narcotics BEEF, criminal complaint BELL, notoriety connected to one’s name BILL, a hundred dollars BIT, prison term BITE, price BLACK GUNION, powerful, thick, dark, gummy marijuana BOO KOOS, plenty BOOSTER, shoplifter BOOT, Negro BOSS, very good, excellent BOTTOM WOMAN, pimp’s main woman, his foundation BOY, heroin BREAKING LUCK, a whore’s first trick of working day BRIGHT, morning BULL SCARE, blustering bluff BUSTED, arrested and/or convicted C, cocaine CANNON, pickpocket CAN, derriere CAP, a small glycerin container for drugs CAT, female sexual organ CHILI PIMP, small-time one-whore pimp CHIPPIED, light periodic use of heavy drugs CHUMP CHANGE, just enough money for basic needs CIRCUS LOVE, to run the gamut of the sexual perversions COAST, somnolent nodding state of heroin addict COCKTAILED, to put a marijuana butt into the end of a conventional cigarette for smoking COME DOWN, return to normal state after drug use COP AND BLOW, pimp theory, to get as many whores as leave him COPPED, get or capture CRACK WISE, usually applied to an underworld neophyte who spouts hip terminology to gain status CROAK, kill CROSSES, to trick or trap CUT LOOSE, to refuse to help, to disdain DAMPER, a place holding savings, a bank, safe deposit box, etc.; to stop or quell DERBY, head, refers to oral copulation DIRTY, in possession of incriminating evidence DOG, older, hardened whore, or young sexual libertine DOSSING, sleeping DOWN, a pimp’s pressure on a whore, or his adherence to the rules of the pimp game; when a whore starts to work FIX, to bribe so an illegal operation can go with impunity; also an injection of narcotics FLAT-BACKER, a whore who gets paid for straight sexual intercourse FREAK, sexual libertine FRENCH, oral copulation G, one thousand dollars GANGSTER, marijuana GEORGIAED, to be taken advantage of sexually without receiving money GIRL, cocaine GORILLA, to use physical force GORILLA PIMP, no brains, all muscle GRAND, one thousand dollars H, heroin HARD LEG, an older, street-hardened used-up whore HEAT, police, or adverse street conditions for hustlers HIDE, wallet HOG, Cadillac HOOKS, hands HORNS, ears HYPE, addict JASPER, lesbian JEFFING, low level con JIB, mouth KEISTER, derriere KITE, note KITTY, Cadillac LARCENY, to turn against by vocal condemnation LINES, money LIP, lawyer MACKING, pimping MARK, victim; sucker MITT MAN, a hustler who uses religion and prophecy to con his victims, usually the victims are women MOP, hair MUCKTY-MUCKS, a temptuous term applied to the rich and privileged by the poor and underprivileged MURPHY, con game played on suckers looking for whores NUT ROLL, a pretense at stupidity or unawareness OKEE DOKE, a con game OIL, pay-off money to the police OUTFIT, hypodermic kit used by addicts PACIFIER BULB, the rubber top of a baby’s pacifier used by addicts to draw up drugs through the eye dropper PIECE, measurement of narcotics; usually an ounce PIECE OF STUFF, one ounce of narcotics PINNING, looking POKE, wallet or bankroll REEFER, marijuana ROLLER, policeman, usually plain clothes ROUST, stopped, harassed by police SHAKE, extort SHEET, police record SHIELD, badge SHIV, knife, usually made by convicts from various objects SHORT, car SIZZLE, narcotics carried on the person SLAT, one usually refers to money or length of prison term SLUM HUSTLER, a phony jewelry salesman SMACK, heroin SNATCH, female sexual organ SNORT, sniff or inhale SPADE, Negro SPEED BALLS, a combination of heroin and cocaine injected SPIC, Mexican SPIELING, talking, a term used by older hustlers and pimps SQUARE UP, get out of the life STABLE, a group of whores belonging to one pimp STALL, an accomplice of a cannon STAND UP, to endure or survive STASH, hiding place STING, rob STRIDES, trousers STUFF ON, to play on or con THREADS, clothes THREE WAY, orally, rectally, vaginally TO PULL COAT, to inform and teach TURNED OUT, introduced to the fast life or drugs UPTIGHT, in trouble, financial or otherwise VIC, mark, victim VINE, suit WHALE, throw, usually applied to throwing dice WIRE, information, message, etc. YEASTING, to build up or exaggerate YELLOW, a yellow capsule containing barbiturate powder PRAT, to pretend rejection to increase desire PEEL OFF, removal of only a portion of money from a wallet or roll
2/4/2023 0 Comments Dick Gregory's Nigger
Fifty-five years ago, in 1964, an incredibly honest and revealing memoir by one of the America's best-loved comedians and activists, Dick Gregory, was published. With a shocking title and breathtaking writing, Dick Gregory defined a genre and changed the way race was discussed in America.
Telling stories that range from his hardscrabble childhood in St. Louis to his pioneering early days as a comedian to his indefatigable activism alongside Medgar Evers and Dr. Martin Luther King, Jr., Gregory's memoir riveted readers in the sixties. In the years and decades to come, the stories and lessons became more relevant than ever, and the book attained the status of a classic. The book has sold over a million copies and become core text about race relations and civil rights, continuing to inspire readers everywhere with Dick Gregory's incredible story about triumphing over racism and poverty to become an American legend.
All rights reserved, no one is authorized to reproduce any portion of this book without the written consent of Dick Gregory Copyright 2011 by Dick Gregory First Edition Nigger/Dick Gregory p. cm. ISBN: 978-1-936445-196 “Hot damn,
we’re going to bust this thing.
“This is a revolution. It started long before I came into it, and I may die before it’s over, but we’ll bust this thing and cut out this cancer. America will be as strong and beautiful as it should be, for black folks and white folks. We’ll all be free then, free from a system that makes a man less than a man, that teaches hate and fear and ignorance. “You didn’t die a slave for nothing, Momma. You brought us up. You and all those Negro mothers who gave their kids the strength to go on, to take that thimble to the well while the whites were taking buckets. Those of us who weren’t destroyed got stronger, got calluses on our souls. And now we’re ready to change a system, a system where a white man can destroy a black man with a single word. Nigger. “When we’re through, Momma, there won’t be any niggers anymore.” Dear Momma—Wherever you are, if ever you hear the word “nigger” again, remember they are advertising my book. This page is for Marjorie Rubin,
who helped to make all the other pages possible. Contents
"... and they didn’t even have what I wanted." I Richard Claxton Gregory was born on Columbus Day 1932. A welfare case. You’ve seen him on every street corner in America. You knew he had rhythm by the way he snapped his cloth while he shined your shoes. Happy little black boy, the way he grinned and picked your quarter out of the air. Then he ran off and bought himself a Twinkie cupcake, a bottle of Pepsi-Cola, and a pocketful of caramels.
You didn’t know that was his dinner. And you never followed him home. Not Poor, Just Broke I
It’s a sad and beautiful feeling to walk home slow on Christmas Eve after you’ve been out hustling all day, shining shoes in the white taverns and going to the store for the neighbors and buying and stealing presents from the ten-cent store, and now it’s dark and still along the street and your feet feel warm and sweaty inside your tennis sneakers even if the wind finds the holes in your mittens. The electric Santa Clauses wink at you from windows. You stop off at your best friend’s house and look at his tree and give him a ballpoint pen with his name on it. You reach into your shopping bag and give something to everybody there, even the ones you don’t know. It doesn’t matter that they don’t have anything for you because it feels so good to be in a warm happy place where grown-ups are laughing. There are daddies around. Your best friend’s so happy and excited, standing there trying on all his new clothes. As you walk down the stairs you hear his mother say: “Boo, you forgot to say good-bye to Richard, say good-bye to Richard, Boo, and wish him a . . .” Then you’re out on the street again and some of the lights have gone out. You take the long way home, and Mister Ben, the grocer, says, “Merry Christmas, Richard,” and you give him a present out of the shopping bag, and you smile at a wino and give him a nickel, and you even wave at Grimes, the mean cop. It’s a good feeling. You don’t want to get home too fast. And then you hit North Taylor, your street, and something catches your eye and you lift your head up and it’s there in your window. Can’t believe it. You start running and the only thing in the whole world you’re mad about is that you can’t run fast enough. For the first time in a long while the cracked orange door says: “Come on in, little man, you’re home now,” and there’s a wreath and lights in the window and a tree in the kitchen near the coal closet and you hug your momma, her face hot from the stove. Oh, Momma, I’m so glad you did it like this because ours is new, just for us, everybody else’s tree been up all week long for other people to see, and, Momma, ours is up just for us. Momma, oh, Momma, you did it again. My beautiful momma smiles at me like Miss America, and my brothers and sisters dance around that little kitchen with the round wooden table and the orange-crate chairs. “Go get the vanilla, Richard,” said Momma, “Presley, peel some sweet potatoes. Go get the bread out the oven, Dolores. You get away from that duckling, Garland. Ronald, oh, Ronald, you be good now, stand over there with Pauline. Oh, Richard, my little man, did you see the ham Miz White from the Eat Shop sent by, and the bag of nuts from Mister Myers and the turkey from Miz King, and wouldn’t you know, Mister Ben, he . . .” “Hey, Momma, I know some rich people don’t got this much, a ham, and a turkey, Momma . . .” “The Lord, He’s always looking out for my boys, Richard, and this ain’t all, the white folks’ll be by here tomorrow to bring us more things.” Momma was so happy that Christmas, all the food folks brought us and Mister Ben giving us more credit, and Momma even talked the electric man into turning the lights on again. “Hey, Momma, look here, got a present for Daddy. A cigarette lighter, Momma, there’s even a place to scratch a name on it.” “What you scratch on it, Richard, Big Pres or Daddy?”
“Nothing, Momma. Might have to give Daddy’s present to old Mister White from the Eat Shop again.” She turned away and when she turned back her eyes were wet. Then she smiled her Miss America smile and grabbed my shoulder. “Richard, my little man, if I show you something, you won’t tell nobody, will you?” “What is it, Momma?”
“I got something for you.”
“Oh, Momma, you forgot, everything’s under the tree.” “This is something special, just for you, Richard.” “Thanks, Momma, oh, thanks, how’d you know I wanted a wallet, Momma, a real wallet like men have?” Momma always gave each of us something special like that, something personal that wasn’t under the tree, something we weren’t supposed to tell the other kids about. It always came out, though. Garland and I’d be fighting and one of us would say, “Momma likes me better than you, look what she gave me,” and we both found out the other got a secret present, too. But I loved that wallet. First thing I did was fill out the address card. If I got hit by a car someone would know who I am. Then I put my dollars in it, just like men do. Ran outside that night and got on a streetcar and pulled out my wallet and handed the conductor a dollar. “Got anything smaller, boy?”
“Sure, mister,” I said and I pulled out my wallet again and took a dime out of the coin purse and snapped it shut and put the dollar back in the long pocket and closed the wallet and slipped it into my back pocket. Did the same thing on the way back home. Did we eat that night! It seemed like all the days we went without food, no bread for the baloney and no baloney for the bread, all the times in the summer when there was no sugar for the Kool-Aid and no lemon for the lemonade and no ice at all were wiped away. Man, we’re all right. After dinner I went out the back door and looked at the sky and told God how nobody ever ate like we ate that night, macaroni and cheese and ham and turkey and the old duckling’s cooking in the oven for tomorrow. There’s even whiskey, Momma said, for people who come by. Thanks, God, Momma’s so happy and even the rats and roaches didn’t come out tonight and the wind isn’t blowing through the cracks. How’d you know I wanted a wallet, God? I wonder if all the rich people who get mink coats and electric trains got that one little thing nobody knew they wanted. You know, God, I’m kinda glad you were born in a manger. I wonder, God, if they had let Mary in the first place she stopped at, would you have remembered tonight? Oh, God, I’m scared. I wish I could die right now with the feeling I have because I know Momma’s going to make me mad and I’m going to make her mad, and me and Presley’s gonna fight . . . “Richard, you get in here and put your coat on. Get in here or I’ll whip you.”
See what I mean, God, there she goes already and I’m not even cold, I’m all wrapped up in You. “What’s wrong, Richard? Why you look so strange?” “You wouldn’t understand, Momma.” “I would, Richard, you tell me.”
“Well, I came out to pray, Momma, way out here so they wouldn’t hear me and laugh at me and call me a sissy. God’s a good God, ain’t He, Momma?” “Yes, Richard.”
“Momma, if I tell you something, would you laugh at me, would you say I’m crazy, would you say I was lying? Momma?” “What is it, Richard?”
“I heard Him talk to me, Momma.”
She put her arm around my shoulders and pulled me against her. “He talks to people, Richard, some people that are real special and good like you. Do me a favor, Richard?” “Sure, Momma.”
“Next time you talk to Him, ask Him to send Daddy home.”
# “Let me stay up and look out the window with you, Momma.” “Everybody’s in bed, Richard.” “All my life, Momma, I wanted to stay up with you on Christmas Eve and look out that window with you, Momma. I won’t laugh at you.” “What you mean, Richard?”
“You’re waiting on him, ain’t you? I know, Momma, every Christmas Eve you take a bath and put on that perfume and those clothes from the rich white folks and get down there on your knees in front of that window looking for Daddy.” “Richard, you better get on to bed.” “I know, Momma, that whiskey ain’t for people coming by, that’s for Daddy.” “Richard, you go on to bed and when he gets here I’ll wake you up.” “No, Momma, I want to sit up with you . . . Momma?” “Yes, Richard?” “I shoulda got a present for Mister White, ’cause I know Daddy’s coming to get his this year.”
# There were a lot of things I wanted to tell Momma that night while we sat and waited for Daddy, while we prayed on our knees, and dozed and hugged each other against the cold and jumped up like jacks every time we heard a noise on the street. But I never did. Sometimes I think she knew anyway. I wanted to say to her, Momma, you remember that day I came home and told you I was at Doctor Jackson’s house? And how he liked me, Momma, and told me I’d be a good doctor? How he’s going to help me learn to read, and how he told me when it gets too cold to study in my house I could come by his house? Remember that, Momma? It was a lie. I played all that day in a vacant lot. I guess she knew. She never pressed me for names when I told her about all the people who liked me, all the people I created in my mind, people to help poor folks. I couldn’t believe God had made a world and hadn’t put none of those people in it. I made up a schoolteacher that loved me, that taught me to read. A teacher that didn’t put me in the idiot’s seat or talk about you and your kind. She didn’t yell at me when I came to school with my homework all wrinkled and damp. She understood when I told her it was too cold to study in the kitchen so I did my homework under the covers with a flashlight. Then I fell asleep. And one of the other five kids in the bed must have peed on it. I’d go out and sweat and make five dollars. And I’d come home and say, Momma, Mister Green told me to bring this to you. Told me he liked you. Told me he wished he could raise his kids the way you’re raising us. That wasn’t true, Momma. Remember all those birthday parties I went to, Momma? I used to steal things from the ten-cent store and give the best presents. I’d come home and tell you how we played pillow kiss and post office and pin the tail on the donkey and how everybody liked me? That was a lie, Momma. One girl cried and ran away when she threw the pillow and it hit me. She opened her eyes and saw she was supposed to kiss me and she cried and ran away. And on my birthday, Momma, when I came home with that shopping bag full of presents and told you the kids in my class loved me so much they all got me things? That wasn’t true. I stole all those things from the ten-cent store and wrapped them up and put a different kid’s name on each one.
# “Oh, Richard, if he don’t show up this time . . .”
“He’s comin’, Momma, it’s like you said. He got held up in traffic, the trains were full.” “You know, Richard, your daddy’s a cook, he has to work on Christmas.” “He’ll be here, Momma, you go put those clothes back on.” # Remember when those people came by and told you how dirty we were, how they didn’t want us playing with their kids or coming into their houses? They said we smelled so bad. I was six then, and Presley was almost eight. You cried all night, Momma, and then you told us to stay home until you could get us some new clothes. And you went and hid all the clothes we had. Momma, it was summertime and we couldn’t just lay there, crying and watching out the window at the kids play running tag, and rip and run, and get called in for their naps, and get called in for their dinners. And we looked all over for our clothes, down in the basement, in the coal closet, under the stove, and we couldn’t find them. And then we went through your things, Momma, and put on the dresses you never wore, the dresses the rich white folks gave you. And then we went outside to play. The people laughed at us when we went outside in your dresses, pointed and slapped their legs. We never played so good as we played that summer, with all those people watching us. When we came off the porch those Negro doctors and lawyers and teachers waiting to get into White’s Eat Shop across the street would nudge each other and turn their heads. And when the streetcar stopped on the corner, right in front of our house, the people would lean out the windows and stare. Presley and I would wave at them. We did it all that summer, and after a while nobody bothered us. Everybody got to know that the Gregory boys didn’t have clothes so they wore their mother’s dresses. We just made sure we were home before you got there, Momma.
# “How do I look, Richard?” “You look okay, Momma.” “These are the best pair of shoes I got, Miz Wallace gave me them, but they’re summer shoes.” “What you mean, summer shoes? Those are the black-and-white ones I like so much, the ones you never wear. I didn’t know they were summer shoes.” “You never see folks wear white shoes in the wintertime.”
“People dye them, Momma. I’ll dye them for you so you can put them on and Daddy can see you.” “Oh, Richard, there won’t be time, they got to dry.”
“Don’t worry, Momma, you burn the dye and it dries right while you wear it.”
I’ve dyed a lot of shoes, Momma, down on my hands and knees in the taverns, dyeing shoes and shining shoes. I never told you too much about the things I did and the things I saw. Momma, remember the time I come home with my teeth knocked in and my lip all cut? Told you I tripped downstairs. Momma, I got kicked. Right in the face. It was Saturday afternoon, my big hustling day. I was ten, but I looked like I was seven. There were a lot of people in the tavern, drinking beer, and I was shining this white woman’s shoes. The men sitting at the bar were laughing. “Hey, Flo, gonna take the little monkey home with you, change your luck?”
She started laughing. “Maybe I will. Heard these little coons are hung like horses, I’m getting tired of you worms.” “Little monkey’s got a tail, Flo, swing from limb to limb.”
White-and-brown shoes. I didn’t want to get the brown polish on the white part so I put my other hand on the back of the white woman’s leg to steady myself. “He’s got a tail all right. One of you boys can warm me up, but I’m going to get me a black buck to do me right.” One of the white men, a man who wasn’t laughing, jumped off his bar stool. “Get your dirty black hands off that white lady, you nigger bastard.” He kicked me right in the mouth.
One of the men who had been laughing came off his stool and grabbed the man who kicked me. “For Christ’s sake, he’s just a little kid.” “Mind your goddamn business.” Whop. The fight was on.
The bartender jumped over the bar and grabbed me with one hand and my shoeshine box with the other. “Sorry, boy, it’s not your fault, but I can’t have you around.” Out on the sidewalk he gave me a five-dollar bill.
When I saw all the blood and pieces of tooth on my shirt, I got scared. Momma would be real angry. So I went over to Boo’s house and spent the night. I told Boo if I could get kicked in the mouth a couple more times today, and get five dollars each time, man, I’d be all right. “What time is it, Momma?” “Four o’clock, Richard.” “I guess I didn’t have to burn them, did I?”
# The tavern isn’t so bad, Momma. No kid ever runs up and laughs at me because I’m shining shoes. But they sure remind me I’m on relief. And there’s another reason I won’t quit working the taverns, Momma. In the wintertime it’s warmer in there, and in the summertime it’s cooler than our house. And even though men spit in my face and kick me in the mouth, Momma, every so often somebody rubs my head and calls me son. “Why do you believe he’s coming, Richard?”
“Oh, Momma, I talked to that Man in the backyard, I know he’s coming.” “Go on to bed, Richard.” “No, Momma, I’ll wait here with you. If I lay over there in the chair, when he comes will you wake me up?” “Sure I will, Richard. Now get some sleep.” “Okay, Momma.”
# So many things I wanted to tell you that night, Momma. There was a little girl used to wave to me when I cut through the alley to get onto Taylor, a clean little girl who used to sneak a piece of cake off her table and give it to me. A piece of cake and a glass of Kool-Aid. After a while, I’d finish up my paper route early just to come back and wave at her. After dinner, her momma and daddy would go up to the front room to sit around and leave her in the back to do the dishes all alone. I started to help her wash the dishes. I’d creep in up the back porch and she’d let me in and say: “Sh, nobody knows you’re here.” It was like playing house. I’d just come and stand there at the sink with her every night and help her with the dishes. Then one time her father came back to the kitchen. He grabbed me and he shook me and told me how I broke into his house because his daughter wouldn’t let no dirty street kid in. She was crying, scared to death, and she said: “I let him in, Daddy, I let him in, he’s my friend.” “No, sir, she’s lying,” I said. “I make her bring me food out, I make her let me in.” He slapped me. He slapped me until I fell down, and when she grabbed onto his arm, crying and screaming to make him stop, he kicked me out the door to the back porch. He started to choke me. Then he stopped. “Why you grinning at me like that, you little bastard?” “Last week when you woke up drunk on this here porch, that was me brought you home. Found you on Sarah Street and brought you home and was so proud leading your black ass down the street ’cause you acted just like my daddy would. Come out of your drunk every now and then, swinging and fighting. I had to run and duck. People see you and want to jump on you. But I tell them that’s my daddy, he’s all right. Leave him alone, that’s my daddy.” He let me go, and he backed away and there was a funny look on his face. He started sweating, and chewing on his lip, and looking around to see if anybody heard what I had said. He opened his mouth, but nothing came out. Then he reached into his pocket and pulled out his wallet. He gave me a dollar. I threw it back at him. I reached into my own hip pocket and pulled out a dollar. My dollar was bigger than his because nobody knew I had mine. And then I walked away.
# “God, my little Richard’s asleep now and I have to talk to You. I always made a big mistake, God. I sit here every Christmas, times in the summer, too, and pray for his daddy and never pray for other kids’ daddies. Send them theirs first, and then if You’re not too weary, oh, Lawd, send Big Pres home. But when You send him, God, don’t send him for me. Send him ’cause the boys need him.”
# “God, my Momma cried herself to sleep so I’m asking You to send Daddy home right away. God, wherever he is let him knock on that door. I’ll wait up for him, God, just let him please knock on that door.”
# Momma, I loved those firemen in St. Louis, so big and tall and strong, rushing out to save people, Negro firemen and white firemen, no difference, they’d rush out and never ask whose house it was, how much money he had, if he was on relief. I’d stand on the corner where they had to pass and I’d wave to them, and sometimes they’d wave back. Sometimes I thought they went out of their way to pass that corner, just so they could wave to me. Then I’d follow them to the fire, and stand there and pray they would put it out fast so none of them would get hurt. I used to count every fireman that went up the ladder and count them as they came back down. Once I saw them use the net to save somebody and they didn’t act like they were doing anybody a favor. I’d see them standing around in their uniforms, like they all belonged to the same family, and talk about fires. At the big fires, when the Red Cross came, they’d drink coffee and bite into sandwiches. It’s a beautiful thing to watch a man who really deserves the food he eats. One time I bought an old raincoat with hooks instead of buttons, and a pair of old hip boots. I hid them in the cellar. Nobody knew I had them. Whenever I wanted to feel good I’d put them on and walk around the cellar, pretending I was putting out fires, running up ladders to save people, catching them in my net. Then I’d take them off and walk over to the firehouse and watch them drill and clean the engine and roll up the hose. I’d walk right up to a fireman and say: “Excuse me, mister, but I shore like you all.” He’d turn around and say something nice to me. Sometimes, before I knew better, I used to think my daddy was a fireman somewhere, saving people and saying nice things to kids.
# “Momma, Momma, wake up, wake up, Momma. Didya hear it, didya hear it? Somebody’s knockin’ on the door.”
# There was a neighbor woman standing at the door when I opened it. “Let me speak to your mother, Richard.” I left the room like I was supposed to when a grown person came in. But I listened. “He’s here, Lucille, Big Pres been down my house all night scared to come home ’cause he ain’t got nothing for the kids but some money. He just got in this evening. Been over my place crying, Lucille, ’cause he went and gambled and won and when he finished winning all the stores was closed.” I ran right in and Momma grabbed me and hugged me. “I told you, Momma, didn’t I tell you he was coming? Go get him, Momma, go and tell him we got everything we want.” I ran back and woke up the kids—“Daddy’s home, Daddy’s home”—and they tumbled out of bed, all five of them rolling and fighting their way out of the blankets, caught up in the sheet and scrambling around for the socks they lost under the covers and bumping into each other and in such a hurry they got legs and arms all mixed up. But nobody was mad at all. We all ran into the kitchen and jumped up and down while Momma got dressed again, put on the fanciest of the clothes the white folks gave her, clothes she never wore, and fixed her hair and put on lipstick and perfume. “You don’t need that stuff, Momma, just go get Daddy and bring him home.”
After Momma left, we quieted down. We sat in the front room by the window and we waited. We hadn’t seen him much in five years. We waited a long time because Momma hadn’t seen him much in five years either. “Aw, he’s not really here,” said Dolores. She was twelve. “Anyway, I don’t want to see him.” “I want to see him,” said Ronald. He was seven, and he was sitting on the floor, shivering, and holding on to Pauline’s hand. Pauline was the baby, she was almost five. “Oh, man,” said Presley, who was fourteen, “I can’t wait, he’s gonna be so clean, a two-hundred-dollar suit on him.” “Dare anybody, he gonna be wearin’ thousand-dollar suits,” said Garland, who was nine. “And he’ll have a pocketful of money.” “Yeah, a pocketful of money, but no gifts,” I said. “He been busy makin’ money,” said Garland. “He’s a soldier,” said Ronald. “Momma said he’s a cook,” said Dolores. “Big deal.” “What’s matter with you, Richard, don’t you want to see Daddy?” said Presley. “Last week I wanted to see him, when the rent man was cussin’ Momma.” “He been busy makin’ money,” said Garland.
Pauline started to cry, and Ronald leaned over and rocked her in his arms. “Ooooh, you be quiet, little rat, your daddy comin’ home, he’s a soldier.” “He’s a cook,” said Dolores, pushing Presley a little to look out the window.
“Shut up, girl,” said Presley. “You remember when Daddy carry that old lady across the street?” “No.”
“See, you don’t know nothing. Man, was he ever big and clean. He got arms so strong he just picked this old lady right up after she fell off the streetcar and carry her across the street and up to her house. Everybody saw it.” Presley did a lot of talking that night. I was just thinking. I thought about that time that trampy woman came by and shouted at my momma. “Goddamn husband of yours home?” “No, he’s not,” Momma said politely.
“I just want you to know anytime he ain’t at your house or my house, he’s at some woman’s house.” “I appreciate you wouldn’t come by here talking like this because the kids can hear you.” “I don’t give a damn ’bout your kids. I got some kids for him, too.” Yeah, I thought, Big Pres is coming home. All those nights Momma kept the hallway light on after we went to bed. All those nights she listened to the police news on the radio, listening to hear his name. The times the police came by the house to ask if we’d see him lately. Suddenly a taxicab pulled up outside the window and we heard the door slam and a big, deep voice like nobody’s but my daddy’s was saying, “Keep the change, friend.” And then all the kids were on their feet and knocking each other down to get to the door, and Ronald dropped Pauline, and everybody was hollering and screaming, and the last thing I heard was my momma’s voice saying, “Don’t touch his clothes with your dirty hands, now don’t touch his clothes.” I slammed the bedroom door and climbed into bed with my sneakers on and cried. I pulled the blanket over my head, but I could hear all right. “Man, look at that thousand-dollar suit, see, what’d I tell you, Presley? . . .” “Lookit, Daddy, lookit, Daddy . . .” “Hey, Daddy, pick me up after Pauline . . .”
“Now you get off Big Pres, don’t go messing up his clothes with your dirty hands . . .” “’Cille? Where’s Richard?”
“Richard, Big Pres is here, come on out.” But she was scared to leave him to see if I was okay. When she turned her back he might walk out again. “Lookit all that money Daddy got. Bet it’s a million dollars . . .” “Where’d you get all that money, Daddy? . . .” I could hear him crackling the money in his hand and his big, deep voice saying, “You been a good girl, ’Lores, doin’ like your momma says . . . You been good, Presley, don’t want you growin’ up to be like your daddy now . . . payin’ your momma mind and doin’ your schoolwork . . . How about you, Garland? . . .” And I lay there and bit the cover and kicked the sheet and cried. Don’t want you growing up to be like your daddy now. Is that what he’s worried about? I bit the cover until my gums started bleeding and I didn’t stop until my nose was all stuffed up from crying. Don’t you worry, Daddy, don’t you worry. After a while, Momma brought him into the bedroom. “Big Pres, Richard waited up all night for you, he knew you were coming. He bought you something for Christmas, Big Pres. You know, he buys you something every Christmas.” She pulled on me. She rolled me over. “What’s wrong with you, Richard, didn’t you hear me call for you, didn’t you hear me say Daddy’s home? What are you crying about, Richard, what’s wrong with you?” She didn’t tell him what was wrong. No, you got to treat strangers with respect. “Big Pres, he’s just jealous, he’s just jealous ’cause you didn’t pick him up like you picked up the others.” I lay in bed and I looked up at the man and he was ten feet tall. Tallest man I ever saw. He was clean, and he was strong, and he was healthy. He sat down on the bed next to me. “Don’t you sit on that dirty bed, Big Pres,” said Momma, and she brushed off his suit and got one of the silk tablecloths the white folks had given her that we never used. She put the tablecloth on top of the sheet, yeah, the one sheet that stayed on the bed for six months. She didn’t want Big Pres to get his suit dirty. “I brought you some money, Richard.” “Don’t want it, Daddy.” “Got more for you than I got for the others.” “Still don’t want it.” “I’m your daddy, boy, don’t you want to see me?”
“I see you every time I see my momma on her knees in front of the window cryin’ and prayin’ you’ll come. You oughta thank me ’cause I brought you here, yeah, thank me you never get sick ’cause every night I say my prayers I say bless him wherever he is.”
“Richard, I’m going to stay home with you this time, if you want me I’ll stay home. You want me to stay, Richard?” I didn’t say anything.
“I’ll get a job. Your momma won’t have to work. You want me, Richard?”
I looked at him but I didn’t say anything. I guess he meant what he said. The moment he said it, anyway. And I lay there and I was thinking: If you stay, old man, I’ll leave. I don’t need you, Daddy, not now. I needed you when the boys chased me home, when the man cheated me out of my paper money, needed you every time Boo’s daddy came home at seven o’clock. “’Cille, what’s wrong with this boy?”
“Don’t you worry about him, Big Pres, he’s crazy.”
That got me mad, Momma forgetting all her love for me to pacify him.
“Yeah, he’s crazy. Hey, ’Cille, you got a drink around the house?” She brought out the whiskey. He drank it right out of the bottle. I got dressed that day and I left the house to play, but I ducked back every half hour to see if he was still there. Once I slipped Boo in to let him peep. “That’s my daddy, Boo. My daddy’s rich, too, man, pocket full of money.” “Your daddy ain’t got no money. You all on relief.” “Come here, Boo, let me show you something.” I walked up to my daddy and looked at him. It was the first time I walked in and said anything to him. I didn’t ask him, I told him. “Give Boo five dollars, Daddy.”
When he reached in and pulled out that pocketful of money, Boo’s eyes popped out. He hadn’t ever seen that much money in his life. Looked like he had all the money in the world. He looked so fine fumbling through those twenties and tens and fives, and I wondered if it was enough to go over to Mister Ben’s and wipe out the back bill and put a little on the front bill. “You got a good daddy,” said Boo. I kept slipping back all that day, peeping in to make sure he was still there. Once I thought I almost caught him leaving, all dressed with his brown bag in his hand, but when he saw me he put it down. I’d slip in and I’d hear him telling Momma all the things he was going to do for her. Stay home. Get a job. Get off relief. Give up other women. Take Momma to all the nightclubs. She wouldn’t have to work for the white folks no more. “Told you about working so hard for them white folks,” he’d say. “Don’t want my kids left in this house all by themselves.” She cried. “You mean it, Pres, you really mean it?”
She got up off her orange-crate chair and put her hands on his face and kissed him. I walked right in then. “Get your goddamn hands off my momma.”
He beat me, pulled off his belt and beat me across my backside. Momma held me on her lap while he beat me. “Ha. That’s a hell of a man there, that Richard. I beat his ass good, ’Cille, and he don’t even cry.” He had little men and he didn’t even know it. Every time he hit me I couldn’t cry almost wanting to laugh. I know, old man, couple of days from now you’ll be too far away for that belt to reach me. Momma made me go to bed and she whispered: “Please treat your Daddy nice. For me. Please do it for me.” “I’m the cause of his being here, Momma. I’m the one that asked the Man out back, I prayed for him.” “That’s right, Richard.” That night he beat her. He beat her all through the house, every room, swinging his belt and whopping her with his hand and cussing her and kicking her and knocking her down and telling her all about his women. “Think you’re so goddamn good, bitch,” said my daddy, cracking my momma across the back with his belt. She whimpered and fell against a little table, knocking over a lamp from the white folks. She bent over to pick up the lamp and Big Pres kicked her in her backside and she fell forward on the linoleum floor. She lay there, her face pressed against the linoleum, sobbing. “I don’t even feel right walking down the street with you,” he said, kicking her in the side with his foot. “Walk down the street everybody wants to run up, say hello to you, they look at me like I was dirt.” He grabbed her hair and pulled her up to her knees. Momma looked up at him, tears running down her cheeks. Slap. Right across her face. “I got bitches, women like you never seen, proud to walk down the street with Big Pres.” Slap. Momma fell down on her face again. “Get on your feet, bitch.” Momma got up, slowly.
Whop. Momma spun across the front room, back toward the kitchen, like a drunk. Whop. Big Pres had the belt out again, and now he drove her in front of him, around the kitchen table, Momma stumbling over the chairs and the orange crates, Big Pres kicking them out of his way. Whop. Back into the front room, Momma bounced against a soft chair, then against the wall. “And what the hell you taught Richard, bitch? Hell, whatever you taught him, you ain’t gonna turn them all against their daddy.” She never said a word, just crying, sobbing, trying to stay on her feet, trying not to get hit too hard but never really ducking his hand or his belt. She’d see it coming and close her eyes and put her hands up, but she never tried to get out of the way. The kids were crying and hollering and Ronald and Pauline were hugging each other and Dolores was hiding her face in her hands. Garland and Presley were scared to death. I watched him knock her down, and cuss her, and he was saying the things I wanted to say when she forgot her love for me and told him I was crazy. He left her on the floor, dirty and crying, came over and whopped me across my face so hard that when I knocked into the wall the pictures fell right off their hooks. One was a picture of Jesus, and the other was a piece of wood with the Ten Commandments. And then they were in the kitchen and Big Pres was crying and kissing my momma and saying he was sorry and how he was going to take care of us and give up his women and get a job. And Momma kept saying, “No, Big Pres, it’s all my fault, it’s all my fault, I shouldn’t talk like that, they’ll be time to get off relief when you’re home awhile and get a chance to rest up.” I got up off the floor and walked into that kitchen. Big Pres was sitting at the table with his face in his hands, and Momma was standing over him, stroking his head. They both were crying. I took down the butcher knife off the wall, the big one with the black handle, and swung at his head. Seen plenty of people swing knives in the taverns and I knew how to cut. Swung right at his head, everything I had, I swung for every kid in the whole world who hated his no-good daddy. Momma grabbed my wrist with both her hands and twisted the knife out of my hand. Big Pres looked up real slow. I guess it’s a hell of a thing for a man to look up into his own son’s eyes and see murder. “I’ll leave now, ’Cille,” he said very softly. “You should have let him hit me, should have let him kill me. I never was any good, never treated you or him right. I need to be dead.” He got up. “Don’t beat Richard, ’Cille, don’t beat him. I know what I done.”
Momma grabbed Big Pres’ leg and he kicked her away. He turned and walked out the door. My momma tried to hold the door open while he closed it behind him. “No, Big Pres, he didn’t mean nothing, Richard’s crazy, you know that . . .”
He turned and kicked her foot out of the door, and slammed it shut. My momma fell down and slid across the floor, holding the doorknob in her hand. “Don’t leave, Daddy, don’t leave, Daddy . . .” the kids were screaming. I followed him out the door and down the street. He didn’t see me, his head was down, and he walked like the greatest crime in the world had just been committed against him. His head didn’t come up again until he walked into a tavern. I walked in behind him and stood near the door where he couldn’t see me. He walked right up to a woman sitting at the bar. She was smoking a cigarette and tapping her high heels against the rail. “Where you been, Big Pres? I been waiting on you for hours.”
“I had to beat the bitch’s ass for bad-mouthing you, Mollie,” he said. “But I got a tough little man there, Richard, you should see the little man, beat his ass and he didn’t cry.” “I been waiting all day, Big Pres. Don’t you start telling me about some little bastard you got. Don’t even know if it’s yours or the . . .” “Watch your mouth, Mollie. My ’Cille’s a good woman, no loose piece of trim like you.” “Sure, who you think buys the bread when you’re . . .”
He knocked that bitch right off the stool. He swung that big hand of his and her cigarette went one way and her shoes came off and she went face-first on the floor. He stomped that woman like no other man in the world. I got to see my daddy at his best that night. Two men stood up from tables and started toward Big Pres. He threw back his head and he laughed and he stood over that bitch and his hand came out of his pocket with a razor in it. “Dare any dirty motherfucker in this place to come and stop me from stomping this bitch. Hear?” Nobody moved.
He walked out of there ten feet tall. My daddy. I walked over to the woman on the floor and helped her up. She shook me away. “I’m real sorry, ma’am.” She spat in my face. She didn’t know I was Big Pres’ boy.
I watched him walk down the street, head up high, hands swinging loose. Big Pres. A real Capone with the whores and the bitches. Heard “I love you” from some broad off the street. But never from his own kids. And that’s worth all the sevens falling on all the craps all over the world. He missed it. Missed seeing his kids grow up, missed having his kids crawl into bed with him and lie down and go to sleep because Daddy’s sleeping. He missed what I have now. Feeling a little girl put a finger in my mouth, knowing that Daddy will never bite hard. Hearing a little kid say: “Throw me up in the air, Daddy,” sure that Daddy will catch her. Big Pres had to be a lonely man. There must have been times he woke up in a lonely bed, and wanted to give every whore he ever had, every seven, every eleven he ever threw, every wild time he ever had, just to go all the way back and have one of his kids walk up to him and say: “Daddy, I love you.” There must have been times like that. Because I would turn in all the Dick Gregorys in the world and all the nightclubs and all the money just to go back to those days and find a daddy there. When you have a good mother and no father, God kind of sits in. It’s not good enough, but it helps. But I got tired of hearing Momma say, God, fix it so I can pay the rent; God, fix it so the light will be turned on; God, fix it so the pot is full. I kind of felt it really wasn’t His job. And it’s a hell of a thing when you’re growing up and you’re out on the street and you kind of hedge up to a man so he can rub your head and call you son. It’s a hell of a thing to hear a man say: I wish my boys were more like the Gregory boys. If Big Pres could only know how people admired the Gregory boys. Well, Big Pres walked away and left us. Left us to face the cold winters, the hot summers, the Easters with nothing new, the picnics with nothing in the basket. I wonder if it ever dawned on him that he fixed it so we couldn’t even go to church one Sunday every year—Father’s Day. I should never have swung at him with that knife. I should have fallen on my knees and cried for him. No kid in the world, no woman in the world should ever raise a hand against a no-good daddy. That’s already been taken care of: A Man Who Destroys His Own Home Shall Inherit the Wind. When I got back home that night, the knob was back on the door. And the light was on in the hallway. She was sitting up that night, looking out the window. Momma sat like that for the next three or four months, looking out the window, dozing in her chair, listening to the police news. Then she’d go to work without having been to bed. Sometimes I’d stay up with her, listen to the radio with her, look out the window with her. I tried to make her believe I didn’t know she was waiting on him. II
Like a lot of Negro kids, we never would have made it without our momma. When there was no fatback to go with the beans, no socks to go with the shoes, no hope to go with tomorrow, she’d smile and say: “We ain’t poor, we’re just broke.” Poor is a state of mind you never grow out of, but being broke is just a temporary condition. She always had a big smile, even when her legs and feet swelled from high blood pressure and she collapsed across the table with sugar diabetes. You have to smile twenty-four hours a day, Momma would say. If you walk through life showing the aggravation you’ve gone through, people will feel sorry for you, and they’ll never respect you. She taught us that man has two ways out in life—laughing or crying. There’s more hope in laughing. A man can fall down the stairs and lie there in such pain and horror that his own wife will collapse and faint at the sight. But if he can hold back his pain for a minute she might be able to collect herself and call the doctor. It might mean the difference between his living to laugh again or dying there on the spot. So you laugh, so you smile. Once a month the big gray relief truck would pull up in front of our house and Momma would flash that big smile and stretch out her hands. “Who else you know in this neighborhood get this kind of service?” And we could all feel proud when the neighbors, folks who weren’t on relief, folks who had daddies in their houses, would come by the back porch for some of those hundred pounds of potatoes, for some sugar and flour and salty fish. We’d stand out there on the back porch and hand out the food like we were in charge of helping poor people, and then we’d take the food they brought us in return. And Momma came home one hot summer day and found we’d been evicted, thrown out into the streetcar zone with all our orange-crate chairs and secondhand lamps. She flashed that big smile and dried our tears and bought some penny Kool-Aid. We stood out there and sold drinks to thirsty people coming off the streetcar, and we thought nobody knew we were kicked out— figured they thought we wanted to be there. And Momma went off to talk to the landlord into letting us back in on credit. But I wonder about my momma sometimes, and all the other Negro mothers who got up at 6 am to go to the white man’s house with sacks over their shoes because it was so wet and cold. I wonder how they made it. They worked very hard for the man, they made his breakfast and they scrubbed his floors and they diapered his babies. They didn’t have too much time for us.
I wonder about my momma, who walked out of a white woman’s clean house at midnight and came back to her own where the lights had been out for three months, and the pipes were frozen and the wind came in through the cracks. She’d have to make deals with the rats: leave out some food for them so they wouldn’t gnaw on the doors or bite the babies. The roaches, they were just like part of the family. I wonder how she felt telling those white kids she took care of to brush their teeth after they ate, to wash their hands after they peed. She could never tell her own kids because there wasn’t soap or water back home. I wonder how my momma felt when we came home from school with a list of vitamins and pills and cod liver oils the school nurse said we had to have. Momma would cry all night, and then go out and spend most of the rent money for pills. A week later, the white man would come for his eighteen dollars rent and Momma would plead with him to wait until tomorrow. She had lost her pocketbook. The relief check was coming. The white folks had some money for her. Tomorrow. I’d be hiding in the coal closet because there were only supposed to be two kids in the flat, and I could hear the rent man curse my momma and call her a liar. And when he finally went away, Momma put the sacks on her shoes and went off to the rich white folks’ house to dress the rich white kids so their mother could take them to a special baby doctor. Momma had to take us to Homer G. Phillips, the free hospital, the city hospital for Negroes. We’d stand on line and wait for hours, smiling and Uncle Tomming every time a doctor or a nurse passed by. We’d feel good when one of them smiled back and didn’t look at us as though we were dirty and had no right coming down there. All the doctors and nurses at Homer G. Phillips were Negro, too. I remember one time when a doctor in white walked up and said: “What’s wrong with him?” as if he didn’t believe anything was. Momma looked at me and looked at him and shook her head. “I sure don’t know, Doctor, but he cried all night long. Held his stomach.” “Bring him in and get his damn clothes off.”
I was so mad the way he was talking to my momma that I bit down too hard on the thermometer. It broke in my mouth. The doctor slapped me across my face. “Both of you go stand in the back of the line and wait your turn.” My momma had to say: “I’m sorry, Doctor,” and go to the back of the line. She had five other kids at home and she never knew when she’d have to bring another down to the city hospital. And those rich white folks Momma was so proud of. She’d sit around with the other women and they’d talk about how good their white folks were. They’d lie about how rich they were, what nice parties they gave, what good clothes they wore. And how they were going to be remembered in their white folks’ wills. The next morning the white lady would say, “We’re going on vacation for two months, Lucille, we won’t be needing you until we get back.” Damn. Two- month vacation without pay. I wonder how my momma stayed so good and beautiful in her soul when she worked seven days a week on swollen legs and feet, how she kept teaching us to smile and laugh when the house was dark and cold and she never knew when one of her hungry kids was going to ask about Daddy. I wonder how she kept from teaching us hate when the social worker came around. She was a nasty bitch with a pinched face who said: “We have reason to suspect you are working, Miss Gregory, and you can be sure I’m going to check on you. We don’t stand for welfare cheaters.” Momma, a welfare cheater. A criminal who couldn’t stand to see her kids go hungry, or grow up in slums and end up mugging people in dark corners. I guess the system didn’t want her to get off relief, the way it kept sending social workers around to make sure Momma wasn’t trying to make things better. I remember how that social worker would poke around the house, wrinkling her nose at the coal dust on the chilly linoleum floor, shaking her head at the bugs crawling over the dirty dishes in the sink. My momma would have to stand there and make like she was too lazy to keep her own house clean. She could never let on that she spent all day cleaning another woman’s house for two dollars and carfare. She would have to follow that nasty bitch around those drafty three rooms, keeping her fingers crossed that the telephone hidden in the closet wouldn’t ring. Welfare cases weren’t supposed to have telephones. But Momma figured that someday the Gregory kids were going to get off North Taylor Street and into a world where they would have to compete with kids who grew up with telephones in their houses. She didn’t want us to be at a disadvantage. She couldn’t explain that to the social worker. And she couldn’t explain that while she was out spoon-feeding somebody else’s kids, she was worrying about her own kids, that she could rest her mind by picking up the telephone and calling us—to find out if we had bread for our baloney or baloney for our bread, to see if any of us had gotten run over by the streetcar while we played in the gutter, to make sure the house hadn’t burned down from the papers and magazines we stuffed in the stove when the coal ran out. But sometimes when she called there would be no answer. Home was a place to be only when all other places were closed. #
I never learned hate at home, or shame. I had to go to school for that. I was about seven years old when I got my first big lesson. I was in love with a little girl named Helene Tucker, a light-complected little girl with pigtails and nice manners. She was always clean and she was smart in school. I think I went to school then mostly to look at her. I brushed my hair and even got me a little old handkerchief. It was a lady’s handkerchief, but I didn’t want Helene to see me wipe my nose on my hand. The pipes were frozen again, there was no water in the house, but I washed my socks and shirt every night. I’d get a pot, and go over to Mister Ben’s grocery store, and stick my pot down into his soda machine. Scoop out some chopped ice. By evening the ice melted to water for washing. I got sick a lot that winter because the fire would go out at night before the clothes were dry. In the morning I’d put them on, wet or dry, because they were the only clothes I had. Everybody’s got a Helene Tucker, a symbol of everything you want. I loved her for her goodness, her cleanness, her popularity. She’d walk down my street and my brothers and sisters would yell, “Here come Helene,” and I’d rub my tennis sneakers on the back of my pants and wish my hair wasn’t so nappy and the white folks’ shirt fit me better. I’d run out on the street. If I knew my place and didn’t come too close, she’d wink at me and say hello. That was a good feeling. Sometimes I’d follow her all the way home, and shovel the snow off her walk and try to make friends with her momma and her aunts. I’d drop money on her stoop late at night on my way back from shining shoes in the taverns. And she had a daddy, and he had a good job. He was a paper hanger. I guess I would have gotten over Helene by summertime, but something happened in that classroom that made her face hang in front of me for the next twenty-two years. When I played the drums in high school it was for Helene and when I broke track records in college it was for Helene and when I started standing behind microphones and heard applause I wished Helene could hear it, too. It wasn’t until I was twenty-nine years old and married and making money that I finally got her out of my system. Helene was sitting in that classroom when I learned to be ashamed of myself. It was on a Thursday. I was sitting in the back of the room, in a seat with a chalk circle drawn around it. The idiot’s seat, the troublemaker’s seat. The teacher thought I was stupid. Couldn’t spell, couldn’t read, couldn’t do arithmetic. Just stupid. Teachers were never interested in finding out that you couldn’t concentrate because you were so hungry, because you hadn’t had any breakfast. All you could think about was noontime, would it ever come? Maybe you could sneak into the cloakroom and steal a bite of some kid’s lunch out of a coat pocket. A bite of something. Paste. You can’t really make a meal of paste, or put it on bread for a sandwich, but sometimes I’d scoop a few spoonfuls out of the paste jar in the back of the room. Pregnant people get strange tastes. I was pregnant with poverty. Pregnant with dirt and pregnant with smells that made people turn away, pregnant with cold and pregnant with shoes that were never bought for me, pregnant with five other people in my bed and no Daddy in the next room, and pregnant with hunger. Paste doesn’t taste too bad when you’re hungry. The teacher thought I was a troublemaker. All she saw from the front of the room was a little black boy who squirmed in his idiot’s seat and made noises and poked the kids around him. I guess she couldn’t see a kid who made noises because he wanted someone to know he was there. It was on a Thursday, the day before the Negro payday. The eagle always flew on Friday. The teacher was asking each student how much his father would give to the Community Chest. On Friday night, each kid would get the money from his father and on Monday he would bring it to the school. I decided I was going to buy me a daddy right then. I had money in my pocket from shining shoes and selling papers, and whatever Helene Tucker pledged for her daddy I was going to top it. And I’d hand the money right in. I wasn’t going to wait until Monday to buy me a daddy.
I was shaking, scared to death. The teacher opened her book and started calling out names alphabetically. “Helene Tucker?”
“My daddy said he’d give two dollars and fifty cents.” “That’s very nice, Helene. Very, very nice indeed.” That made me feel pretty good. It wouldn’t take too much to top that. I had almost three dollars in dimes and quarters in my pocket. I stuck my hand in my pocket and held on to the money, waiting for her to call my name. But the teacher closed her book after she called everybody else in the class. I stood up and raised my hand. “What is it now?” “You forgot me.”
She turned toward the blackboard. “I don’t have time to be playing with you, Richard.” “My daddy said he’d . . .”
“Sit down, Richard, you’re disturbing the class.” “My daddy said he’d give . . . fifteen dollars.” She turned around and looked mad. “We are collecting this money for you and your kind, Richard Gregory. If your daddy can give fifteen dollars you have no business being on relief.” “I got it right now, I got it right now, my daddy gave it to me to turn in today, my daddy said . . .” “And furthermore,” she said, looking right at me, her nostrils getting big and her lips getting thin and her eyes opening wide, “we know you don’t have a daddy.” Helene Tucker turned around, her eyes full of tears. She felt sorry for me. Then I couldn’t see her too well because I was crying, too. “Sit down, Richard.” And I always thought the teacher kind of liked me. She always picked me to wash the blackboard on Friday, after school. That was a big thrill, it made me feel important. If I didn’t wash it, come Monday the school might not function right. “Where are you going, Richard?”
I walked out of school that day, and for a long time I didn’t go back very often. There was shame there. Now there was shame everywhere. It seemed like the whole world had been inside that classroom, everyone had heard what the teacher had said, everyone had turned around and felt sorry for me. There was shame in going to the Worthy Boys Annual Christmas Dinner for you and your kind, because everybody knew what a worthy boy was. Why couldn’t they just call it the Boys Annual Dinner, why’d they have to give it a name? There was shame in wearing the brown and orange and white plaid mackinaw the welfare gave to three thousand boys. Why’d it have to be the same for everybody so when you walked down the street the people could see you were on relief? It was a nice warm mackinaw and it had a hood, and my momma beat me and called me a little rat when she found out I stuffed it in the bottom of a pail full of garbage way over on Cottage Street. There was shame in running over to Mister Ben’s at the end of the day and asking for rotten peaches, there was shame in asking Mrs. Simmons for a spoonful of sugar, there was shame in running out to meet the relief truck. I hated that truck, full of food for you and your kind. I ran into the house and hid when it came. And then I started to sneak through alleys, to take the long way home so the people going into White’s Eat Shop wouldn’t see me. Yeah, the whole world heard the teacher that day, we all know you don’t have a daddy. It lasted for a while, this kind of numbness. I spent a lot of time feeling sorry for myself. And then one day I met this wino in a restaurant. I’d been out hustling all day, shining shoes, selling newspapers, and I had googobs of money in my pocket. Bought me a bowl of chili for fifteen cents, and a cheeseburger for fifteen cents, and a Pepsi for five cents, and a piece of chocolate cake for ten cents. That was a good meal. I was eating when this old wino came in. I love winos because they never hurt anyone but themselves. The old wino sat down at the counter and ordered twenty-six cents’ worth of food. He ate it like he really enjoyed it. When the owner, Mister Williams, asked him to pay the check, the old wino didn’t lie or go through his pocket like he suddenly found a hole. He just said: “Don’t have no money.”
The owner yelled: “Why in hell you come in here and eat my food if you don’t have no money? That food cost me money.” Mister Williams jumped over the counter and knocked the wino off his stool and beat him over the bead with a pop bottle. Then he stepped back and watched the wino bleed. Then he kicked him. And he kicked him again. I looked at the wino with blood all over his face and I went over. “Leave him alone, Mister Williams. I’ll pay the twenty-six cents.” The wino got up, slowly, pulling himself up to the stool, then up to the counter, holding on for a minute until his legs stopped shaking so bad. He looked at me with pure hate. “Keep your twenty-six cents. You don’t have to pay, not now. I just finished paying for it.” He started to walk out, and as he passed me, he reached down and touched my shoulder. “Thanks, sonny, but it’s too late now. Why didn’t you pay it before?” I was pretty sick about that. I waited too long to help another man.
I remember a white lady who came to our door once around Thanksgiving time. She wore a woolly, green bonnet around her head, and she smiled a lot. “Is your mother home, little boy?” “No, she ain’t.” “May I come in?”
“What do you want, ma’am?”
She didn’t stop smiling once, but she sighed a little when she bent down and lifted up a big yellow basket. The kind I saw around church that were called Baskets for the Needy. “This is for you.” “What’s in there?” “All sorts of good things,” she said, smiling. “There’s candy and potatoes and cake and cranberry sauce and” —she made a funny little face at me by wrinkling up her nose—“and a great big fat turkey for Thanksgiving dinner.” “Is it cooked?”
“A big fat juicy turkey, all plucked clean for you . . .” “It is cooked?” “No, it’s not . . .”
“We ain’t got nothing in the house to cook it with, lady.”
I slammed the door in her face. Wouldn’t that be a bitch, to have a turkey like that in the house with no way to cook it? No gas, no electricity, no coal. Just a big fat juicy raw turkey. I remember Mister Ben, the grocery-store man, a round little white man with funny little tufts of white hair on his head and sad-looking eyes. His face was kind of gray-colored, and the skin was loose and shook when be talked. “Momma want a loaf of bread, Mister Ben, fresh bread.”
“Right away, Richard,” he’d say and get the bread he bought three days old from the bakeries downtown. It was the only kind he had for his credit-book customers. He dropped it on the counter. Clunk. I’d hand him the credit book, that green tablet with the picture of the snuff can on it, to write down how much we owed him. He’d lick the tip of that stubby pencil he kept behind his ear. Six cents. “How you like school, Richard?” “I like school fine, Mister Ben.” “Good boy, you study, get smart.”
I’d run home to Momma and tell her that the bread wasn’t fresh bread, it was stale bread. She’d flash the big smile. “Oh, that Mister Ben, he knew I was fixin’ to make toast.”
The peaches were rotten and the bread wasn’t fresh and sometimes the butter was green, but when it came down to the nitty-gritty you could always go to Mister Ben. Before a Jewish holiday he’d take all the food that was going to spoil while the store was shut and bring it over to our house. Before Christmas he’d send over some meat even though he knew it was going on the tablet and he might never see his money. When the push came to the shove and every hungry belly in the house was beginning to eat on itself, Momma could go to Mister Ben and always get enough for some kind of dinner. But I can remember three days in a row I went into Mister Ben’s and asked him to give me a penny Mr. Goodbar from the window. Three days in a row he said: “Out, out, or I’ll tell your momma you been begging.” One night I threw a brick through his window and took it.
The next day I went into Mister Ben’s to get some bread for Momma and his skin was shaking and I heard him tell a lady, “I can’t understand why should anybody break my window for a penny piece of candy, a lousy piece of candy, all they got to do is ask, that’s all, and I give.” III
My best friend in those days was Boo. His real name is Charles Simmons and he’s a teacher in St. Louis now. Boo. He was fifty years old when he was nine. He was born old. He used to sit on the curb and pull all the insides out of a loaf of bread, and roll it up into little white balls and line the balls up in a neat row on the sidewalk. Then he’d go down the line and eat the little white bread balls one by one. We’d sit and talk while Boo ate his bread balls, figuring out all the tough things we were going to do. “Hey, Richard.”
“Wha?” “Let’s go down the zoo and let all the tigers loose.”
“Nah, that’s no fun, Boo. Let’s get that streetcar conductor, we’ll set him on fire and we’ll drop him into Mister Ben’s icebox.” “Nah, let’s go beat up Calvin.” Calvin was Boo’s little brother. Boo was really tough. All the gangs were always trying to get him to join, he was such a good fighter. And if he couldn’t whip a guy himself, he had a lot of older brothers who could. Mess with Boo, that was like declaring a war. Boo never started fights himself, he was too lazy, but he kept me from being beat up a lot of times. I was the neighborhood sissy. Ran errands for everybody—even Calvin. We had a lot of fun, Boo and I, rolling down the street inside of big truck tires, playing stickball with a broom handle and soda bottle cap. Goes even farther if you pack the inside of the cap with dirt, but you better not let the other team catch you doing that. Best game we had was snatch and run—you kind of walk slow down a street whistling and looking around with your hands in your pockets pretending you’re just taking the air. Then you pass a fence that has a sign beware of bad dog. You slither past it, snatch the gate open, and run. I think that’s the reason I got to be so fast later on. You can break world records if you got a bad dog chasing you. Once I was bitten by a Great Dane when we snatched a gate on Cote Brilliant Street. The owner saw us, so when I went down to the clinic, I couldn’t tell them I knew which dog bit me. They would have taken me back there to pick up the dog for a rabies test and the owner would have told Momma what I had done. So I had to take the fourteen rabies shots. Boo and I never pulled anything big for kicks. We cheered at fights and we egged guys on to things, but we were the first to run away when the cops came. There were Negro cops in the neighborhood, and they were tough. They were even tougher on us kids than the white cops because they knew us better and how we acted reflected on them. There was Big Black and Middlebrooks and Clarence Lee and Grimes, the toughest of them all. That Grimes could put seven cats from the corner in the hospital with two blows. Once he caught a kid drinking wine in the schoolyard and he smashed the bottle while the kid was drinking out of it. With a baseball bat. Toughest thing Boo and I ever did was bomb the streetcar. We’d fill up paper shopping bags with the powdery dark dust that lays over St. Louis when it gets hot and dry in the summer. Then we’d stand at the corner with our shopping bags and when the streetcar came we’d swing the bags around and around like softball pitchers winding up and then, just when the streetcar stopped, we’d let our paper bags go. Blam. By the time the dust cleared, Boo and I would be under the porch, watching the people rub their eyes and try to clean off their clothes, listening to them cough and curse. And Boo and I would be laughing our heads off. Most of the time, though, Boo and I just hustled. Saturday was our big day. We’d get up in the early morning before daylight and run out to the white neighborhoods, not the rich neighborhoods where my momma worked, but the working people’s neighborhoods. Depending on the time of year, we’d scrub steps, shovel snow, wash automobiles, and wash windows. A lot of times I went out with Presley, my older brother, or alone, because Boo’s father was a chauffeur, and he didn’t have to hustle so much. It was the windows I didn’t like, standing out there on a second-story ledge, afraid to stay out there, afraid to come in and go out again on the next window. Sometimes I prayed out there. A couple of times I pissed in my pants. After working the white neighborhood, we’d come back to the Negro neighborhood and haul groceries from about two o’clock to about four o’clock. After that we’d get out our shoeshine boxes and while we were walking around looking for customers we’d sell wood and coal. We’d steal it from anywhere, we’d pull down a fence for wood. That night we’d work the white taverns shining shoes, and then sell the Sunday papers until about three o’clock in the morning. Come home, get up at six o’clock to deliver more papers until about nine thirty. My biggest problem was figuring out what to charge people. I never wanted anyone to hate me over a dollar. I’d say: “Pay me what you think it’s worth.” Hardly ever did they pay me what I thought it was worth, and I’d walk away disgusted. But then I figured at least I could always go back there, those people didn’t dislike me for overcharging them. But I got taken a lot that way. After we finished selling papers, we’d clean up and go to church. I liked church, sitting there and listening to the sweet music, and the preacher shouting, and everyone dressed so fine and clean. The Negro church has always meant a lot to the Negro—it was his club, his social life, a place where he could forget about The Man downtown. For me, then, it was a place to get all wrapped up in a God who was stronger than any teacher, or social worker, or man who owned a second-story window. We went to the movies a lot, too. Loved movies. Alan Ladd and Humphrey Bogart. So cool. We used to walk like they did and talk out of the sides of our mouths like they did, and smoke like they did, sucking that last puff right down to our toes. Went to the serials, Spy Smasher, fifteen weeks to find out the good guy won. Never missed a Tarzan movie. Used to sit there and laugh at those dumb Hollywood Africans grunting and jumping around and trying to fight the white men, spears against high-powered rifles. Once we had a riot in the movies when Tarzan jumped down from a tree and grabbed about a hundred Africans. We didn’t mind when Tarzan beat up five or ten, but this was just too many, a whole tribe, and we took that movie house apart, ran up on the stage and kicked the screen and fought the guys who still dug Tarzan. We used to root for Frankenstein, sat there and yelled, “Get him, Frankie baby.” We used to root for the Indians against the cavalry, because we didn’t think it was fair in the history books that when the cavalry won it was a great victory, when the Indians won it was a massacre. We always cheered for the American soldiers and booed the Japanese and the Germans. We never noticed that there weren’t any Negro soldiers on the screen, even though we saw them on the street. My favorite movie then was Kings Row. I was about ten. Figured out all by myself that the old doctor cut the railroad man’s legs off because the young guy didn’t love his daughter and she went crazy. I was pretty proud of myself for figuring that all out. I guess I should have. Sat through it enough times. We had joys back there in St. Louis, joys that made us want to live just as surely as the pains taught us how to live. There was Camp Rivercliff, in the Missouri hills, where we sat around a campfire at night and sang songs and visited caves where Jesse James had stashed some bank money, and learned about brushing teeth and using soap and water. I went there two summers, two weeks each time. The Reverend James Cook ran it. He’d pick us off the streets and pack us in trucks and take us into the clear air. The counselors were Negroes who had finished high school and gone to college. I really liked them. If you messed up, they beat you but good. But I guess the best thing we ever did was go to see the Muni Opera. Boo and I would walk and run half the day to get there, to sit up in the free seats for kids. Carousel and Showboat and Roberta, those were the kind of shows we’d see, the kind of music that really made you feel good. We’d sit up there and watch the conductors, so sophisticated in their tuxedos. We were so far away from the singers and dancers that we couldn’t tell if they were white or colored. During the intermission we could walk down and watch the rich people smoke and talk and laugh. That was part of the show, too. Sometimes in the summer we’d go almost every night. It was almost like church. And then we could go home, and turn on the radio and hum along with the same kind of music we had heard at the Muni, and close our eyes and the kitchen would disappear and we could see the whole show, all over again. I got picked on a lot around the neighborhood; skinniest kid on the block, the poorest, the one without a daddy. I guess that’s when I first began to learn about humor, the power of a joke. “Hey, Gregory.” “Yeah.” “Get your ass over here, I want to look at that shirt you’re wearing.” “Well, uh, Herman, I got to . . .” “What you think of that shirt he’s wearin’, York?” “That’s no shirt, Herman, that’s a tent for a picnic.” “That your daddy’s shirt, Gregory?” “Well, uh . . ” “He ain’t got no daddy, Herman, that’s a three-man shirt.” “Three-man shirt?” “Him ’n’ Garland ’n’ Presley supposed to wear that shirt together.”
At first, if Boo wasn’t around to help me, I’d just get mad and run home and cry when the kids started. And then, I don’t know just when, I started to figure it out. They were going to laugh anyway, but if I made the jokes they’d laugh with me instead of at me. I’d get the kids off my back, on my side. So I’d come off that porch talking about myself. “Hey, Gregory, get your ass over here. Want you to tell me and Herman how many kids sleep in your bed.” “Goo-gobs of kids in my bed, man, when I get up to pee in the middle of the night gotta leave a bookmark so I don’t lose my place.” Before they could get going, I’d knock it out first, fast, knock out those jokes so they wouldn’t have time to set and climb all over me. “Other night I crawled through one of them rat holes in the kitchen, would you believe it them rats were sleeping six to a bed just like us.” And they started to come over and listen to me, they’d see me coming and crowd around me on the corner. “We don’t worry about knocking the snow off our shoes before we go into my house. So cold in there, no snow’s going to melt on the floor anyway.” Everything began to change then. Once you get a man to laugh with you, it’s hard for him to laugh at you. The kids began to expect to hear funny things from me, and after a while I could say anything I wanted. I got a reputation as a funny man. And then I started to turn the jokes on them. “Hey, Gregory, where’s your daddy these days?” “Sure glad that motherfucker’s out the house, got a little peace and quiet. Not like your house, York.” “What you say?”
“Yeah, man, what a free show I had last night, better than the Muni, laying in bed with the window open, listening to your daddy whop your mommy. That was your daddy, York, wasn’t it?” And then I’d turn, real quick, to another kid.
“Hey, Herman, did the police wagon ever get by your house last night? They stopped by my house and asked where you lived . . .” I got to be good, the champ of the block, the champ of the neighborhood as I got older. I’d stand on the corner, hands in my pockets, feet on the sewer lid, back to the street, Boo right next to me. After a while, they’d come from all around to try to score on the champ. “You Richard Gregory?” “Yeah.” “I’m George . . .”
“You’re midnight, blackest cat I ever saw, bet your mammy fed you buttermilk just so you wouldn’t pee ink.” Sometimes I could even use the humor on myself. Like when I was delivering papers and I broke my arm and I couldn’t cry from laughing over the run-down heels on my shoes that made me slip when I turned the corner. A worn heel could break an arm, but I never heard of an arm could break a heel. But mostly I’d use family jokes, about how my mother was such a bad cook, maybe the worst cook in the whole world. “Who ever heard of burning Kool- Aid?” But that wasn’t really very funny. There never was any mealtime in our house. If you were there, you ate. Grab a hot dog, a piece of baloney, bread, and run out again. Sometimes when the weather was hot, we were afraid to open the wooden icebox. The sour smell of yesterday’s beans could knock you out. And it bugged me when the other kids in the neighborhood were called in to eat dinner. We’d be playing, and all of a sudden they’d all have to leave to eat. I’d just wait on their back porches until they were through eating and ready to come out to play again. It’s a funny feeling to be by yourself on a back porch and hear people eating, people talking. There’s no talk in the world like the warm, happy talk of a family at the dinner table. I’d peep through the window and see my friend Robert in there, close by his daddy. Then his daddy’d get up and stick a toothpick in his mouth, pick up the paper, light a cigar, and walk around like he owned the world. Once he came to the back porch, smiling to himself, looking at his cigar. Then he glanced down. And there I was. “Who you, boy?”
“I’m Miz Gregory’s boy, Richard.” “What you sitting out here for?” “I’m waitin’ on Robert to get through eatin’.”
“Why didn’t you come in and get something to eat?” “I’m not hungry, thank you.” “You come on in here, boy, and get something to eat.” He brought me in and sat me down at the table. He brought me in the second day, too, and the third and that’s when I thanked God for all the manners Momma taught me. Yes, sir. No, sir. Yes, ma’am. Thank you, ma’am. They looked pleased to have me there, too. The old man really dug me. Bet he wouldn’t have minded it too much if I was his son, too. Damn, they all really dug me. Robert’s little sister jumped up so quick to wash the dishes and bring me water that everybody teased her. “How come, Marjorie, you only show off and wash dishes when Richard’s here?” Then, on the fifth day, I met Robert’s daddy coming off the streetcar from work and I asked him what time you all going to eat. I didn’t really ask him this because I was hungry. I asked him because I had sat at his table every day ashamed of how dirty I was, dirty from the top of my head to the bottom of my feet. This one day I wanted to go clean. Then I ran home and took a bath. I had polished my tennis sneakers and put them up on the roof so they wouldn’t stink so bad. I washed my socks and ironed my shirt, and put on a pair of sissy short pants Momma brought home from the white folks. They were the best pair I had because I never wore them. Didn’t like them, but I was really glad I had them. I wanted to sit at that table as clean as they were. When I walked by the house nobody was outside so I knocked on the front door. “Is Robert in, Miz Brown?” “Yes, but he’s eating now.” “He’s eating now?” “He’ll be out after a while, you can wait on the back porch.” Then I heard the old man say, “Who was that out there?” “That Gregory boy again.” “Little Richard, eh? Have him come in and get something to eat.”
The table didn’t seem as warm and happy that night. Robert’s momma was arguing with the daddy about little things. After dinner, I helped them clear the dishes. I dropped one. Yeah, just my luck. I broke it. And when I saw the way Mrs. Brown looked at me, like I had no right to be there, I got a little mad. She didn’t know I was going to bring her a whole set of dishes tomorrow, yeah, a whole set. Lunchtime I’m going by the ten-cent store and steal me a whole set of dishes and bring it to her in time for dinner tomorrow. I was out on the back porch helping the old man sharpen his lawn mower when I heard it. “Robert, I’m sick of that Gregory boy in here eating every night. Doesn’t even say thanks anymore. Ain’t he got no mother and father?” Goddamn. Now I’m crying. And now I start running. And I run and I run and I run and then the alley ends and I turn out of that one and look for another. Didn’t even say thanks. Yeah, I used to say thanks but you all made me feel so at home, like I belonged there with you. I never say thanks at home. You made me come off that back porch, you looked like you had so much fun and enjoyment with me there, you let me think I was part of the family, almost like one of Mister Brown’s sons. Why’d she have to go say that? Ain’t he got no mother and father? IV
There were other fathers along the way, men who reached out and gave me their hands. There was Mister Coleman, principal of the Cote Brilliant Grammar School where I was transferred when I was thirteen. He called me into his office once when I was in the seventh grade. I walked right up to his big oak desk, and he leaned back in his swivel chair and looked me up and down. “I’ve got a problem you might be able to help me with, Richard. It’s about your job as a patrol boy.” “Sure, Mister Coleman.”
“I’ve had complaints about how rough you are at the school crossing, Richard. You push the students, you use bad language. Now, I’ve watched you, Richard, and I know you’re one of our best patrol captains. You don’t let anybody cross until all the cars have stopped, you get right out there and make those trucks stay behind the white line. I don’t want to have to take your badge away.” “Well, Mister Coleman . . .” “How old are you, Richard?” “Fourteen.” I was embarrassed at being behind.
“You’re a leader, Richard, a smart boy, a little older than some of the other students. They’ll do just what you tell them if you’re kind and strong. You’ve got to help them out on that corner, you can’t be hateful. You’re just like a father with a lot of children to watch after. Now go out there and keep those little kids safe.” At three o’clock I ran out on my post and stood out there like a happy traffic cop, as straight as a man could stand, proud because everybody was looking at me, because kids couldn’t cross the street without me. Milkmen, laundrymen, they’d pull up their trucks and I’d make sure all the kids were on the sidewalk before I’d wave them through. The drivers would lean out and wave at me and call hello as they passed by. I was somebody. I changed a lot those years at Cote Brilliant. St. Louis had a segregated school system and that school had been built for white kids. But after the war, when the neighborhood changed, it became a Negro school. It had trees and lawns and a beautiful brick building. I had to walk through a nice neighborhood to get there from North Taylor. I stopped shining shoes that year because I wanted to go to school clean, without polish all over my hands. I started taking books home with me. I still didn’t read them because it was too cold at home, but it was a good feeling to have them around. In the three years I went to Cote Brilliant, I only missed school when I didn’t have enough warm clothes. The teachers were different, too. I guess Mr. Coleman set the tone. They talked to me, they listened to me, I got a chance to see Negroes in authority who didn’t seem bitter or out to get me. I got up in class and I talked, even if I really didn’t have anything to say. “Miss Carter?” “Yes, Richard?” “If two and two is four, then what you’re really saying is that you have to subtract two from four two times to get zero. Or you could multiply two times two and then subtract it from four or from two plus two and still get zero. Isn’t that right?” “Uh, I think so, Richard, but perhaps you better say that again, slowly . . .”
I never read books so I didn’t really know things the way the other kids did, but all of a sudden I wanted to know. From all those years on the street I had a feeling that maybe there was more to things than just what was brought out in class. And so I tried to punch holes in the stories the other kids believed in (“I don’t think anybody could throw a silver dollar all the way across no river”) and show those kids they really weren’t as smart as they thought (“Did you ever see that gold in Fort Knox, how you know it’s really there?”). I didn’t know the answers either, but I got to be a big man at Cote Brilliant. I got the reputation of a talker who could go on and on about anything at all. There was a school play about the United Nations, and I was invited to be an actor in it. I started to learn how to read the newspapers, and I could talk about the editorial page. And I was the big negotiator, the guy who broke up all the fights. Teachers would send for me to break up fights. Sometimes the big guys would come after me. A guy twice my size would grab me and push me against a wall and be all ready to knock my face in. I’d roll my eyes and look down at his feet.
“Baby, you better kill me quick. If you don’t, I’m gonna steal those cool shoes you wearin’.” Now who could beat up a guy who said that?
Then I went to Sumner High and I was nobody again. There were a lot of wealthy Negro kids at Sumner, doctors’ sons who had their own cars. Every girl looked as clean and smart as Helene Tucker. The athletes and the rich boys and the brains were the big wheels at Sumner High School. The only attention I got was in Pop Beckett’s gym class. Pop was one of the first Negro graduates of Springfield College, in Massachusetts, probably the greatest physical education school in the country. He was tough. Rich or poor, everybody got hit one time or another in his class. He slapped me a couple of times for messing up, and it felt good to have somebody care enough to beat me for a reason. It got to the point where I started looking for it. Pop would stand up on the platform in front of the gym class, his face stony, his chest bulging out of his T-shirt, and I’d suck on my cheeks until my lips squeaked. “Who was that?” Pop would roar. “Me. It was me, Pop.” Whop.
Or I’d yell out: “Pop, you stink.” “That you, Gregory?” “Yeah, Pop, it was me.” “Get up here.” Whop.
I became a big man in gym class because I was the only one who would yell at Pop and take my beating. I guess he knew why I was doing it because he never threw me out.
# When school ended in June, Boo and Presley and I got jobs with the government flood control project on the levee. We told them we were eighteen years old. At $1.25 an hour, I figured I’d be able to get some nice new clothes for school next fall. That summer was like a long bad movie. We had to load and pile sandbags up and down the banks of the Mississippi and it was so hot the soles of our boots got sticky and our shirts were like another layer of skin. Always wet, always muddy, and if you took your clothes off you died from sunstroke. We saw a lot of men die. Work all day, all night, puffing on cigarettes to keep the mosquitoes off, sleep where you drop, eat when the Red Cross truck came along with sandwiches and coffee. One of us always kept watch behind in case another man went crazy in the sun and started splitting heads with his shovel. We were loading hundred-pound sandbags one day and I’d been urinating blood for a week when the levee started shaking and the bags began to turn dark brown from the water seeping through. A Negro army sergeant grabbed my arm. “See my truck over there, boy? When the levee bust we ain’t gonna pick up no whites, hear, but you hang near the truck and jump in.” And suddenly somebody was screaming, “It’s breaking, it’s breaking,” and water and bags and men were spilling and tumbling around us and Boo and Presley and I were running through muddy water, running until we fell down and got up again. Once we were so tired we just fell down and stayed there. The water came seeping up through the ground and we were running again, no place to lie down, nothing to eat. We passed three white men standing on top of a rock eating cheese sandwiches. They wouldn’t let us come up with them. One of them threw half a cheese sandwich down. Boo tore it in three parts and we were just about to bite on it when one of the white men grabbed his stomach and pitched over. We started running again. We got separated that night, and we didn’t see each other again for a couple of weeks, when the water went down and we all were sent home. We were heroes when we got home. Momma was so glad to see us because she had read about a truckload of Negroes who had been drowned. Boo and Presley and I strutted around the neighborhood, and people bought us watermelon slices just to sit on their front porches and tell them how bad it was, how many people we saved. We lied our heads off. It was beautiful. We had a lot of trouble getting our checks for that summer. An old white man with a turkey neck down at the Federal Building kept telling Presley and me to come back tomorrow. Finally, Momma came down with us and straightened things out and a few weeks later we got almost five hundred dollars. For the first time, Presley and I went downtown to shop in the big department stores. We were treated like dogs. We’d go into a place and a salesman would hurry away from his white customer. “What do you boys want?” “Hat.”
“What color?” “Brown.” “What’s your head size?” “Don’t know.” “You have to know.” “I’ll try it on.” “Like hell you will.”
Wherever we went in the store, the detective would follow us. Couldn’t touch, couldn’t try things on. Funny though, they put our money right next to white folks’ money in the cash register. We got home and we spread out our clothes on the floor for everybody to see. There were more shirts and socks and underwear on that floor than in the whole wide world. I felt a lot better going back to high school that year, wearing new clothes, feeling clean on the outside. When I heard that the track team got to take showers every evening after practice, I asked the coach if I could join. Sumner had the best Negro track team in the state and a brilliant coach, Lamar Smith. “You run before?”
“Sure, Coach, I do a lot of running.” “Where?” “Around the neighborhood.” He shook his head. “We've given out all the lockers and uniforms for this year.” “All I want to do is take a shower in the afternoon.” He looked me over and kind of smiled. “All right. But you'll have to bring your own sweat suit. And stay off the track and out of my boys' way.” That's how I started in sports. Sumner had a fine athletic field. While the team ran inside the field, around the track, I ran outside, around a city block. Every day when school let out at three o'clock, I'd get into an old pair of sneakers and a T-shirt and gym shorts and run around that block. In the beginning, I'd just run for an hour, then go and take a hot shower. And then one day two girls walked by and one of them said. “What's he think he's doing?” And the other one said: “Oh, he must be training for the big races.” I just kept running that day, around and around the block, until every time I hit the pavement pain shot up my leg and a needle went into my side, and I kept going around and around until I was numb and I didn't feel anything anymore. Suddenly, it was dark and the track team had all left. I could hardly walk home my feet hurt so much, but I couldn't wait until the next day to get out there again. Maybe I couldn't run as fast as the other guys, but I could run longer, longer than anybody in all of the city of St. Louis. And then everybody would know who I was. I kept running all that fall and all that winter, sometimes through the snow, until everybody in school knew who I was, the guy who never took a rest from three o'clock until six o'clock. I don't think I ever would have finished high school without running. It was something that kept me going from day to day, a reason to get up in the morning, to sit through classes with the Helene Tuckers and the doctors' sons who knew all the answers and read books at home, to look forward to going a little faster and a little longer at three o'clock. And I felt so good when I ran, all by myself like a room of my own, I could think anything I wanted while I ran and talk to myself and sometimes I'd write stories on “My Favorite Daddy” and “What I'd Buy with a Million Dollars,” and I could figure out why people did certain things and why certain things happened. Nobody would point to me and say I was poor or crazy; they'd just look at me with admiration and say: “He's training.” I never got hungry while I was running even though we never ate breakfast at home and I didn't always have money for lunch. I never was cold or hot or ashamed of my clothes. I was proud of my body that kept going around and around and never had to take a rest. After six o'clock I'd go to White's Eat Shop and wash dishes in return for dinner. Sometimes I'd go downtown and sneak into a white hotel and put on a busboy's uniform and get a good meal in the kitchen. The Man never knew the difference. “All niggers look alike.” And then I'd go home and go to sleep because I was tired and I needed a rest. I'd be running again tomorrow. When spring came, the coach called me over one day and asked me if I'd like to run on the track. I ran against the guys on the team and they were still faster than me, but I could keep going long after they were pooped out. Every so often the coach would walk by and tell me I was holding my arms wrong, or that my body was at the wrong angle, or my knees weren't coming up high enough. But I was on the inside now and I was getting a little faster every day. By the time school closed in June I was beating the boys on the track team. The coach told me to report for track first thing in September. There would be a locker for me and a uniform. That summer was the roughest I ever spent. The Korean War was on, and good jobs were opening up at ammunition plants. I lied four years, told them I was twenty-one, and went to work for a company manufacturing 105-millimeter howitzer shells. The unfinished shells weighed forty-five pounds each, and I had to pick up 243 every twenty minutes. I always had stomach trouble, never could wear a belt, and every time I bent over and picked up a shell my insides tore a little. But with overtime I could pull down as much as two hundred dollars some weeks. When the other workers found out how old I was, there was a lot of resentment. They'd slip up behind me with crowbars and shove the casings down the belt faster than I could pick them up. I'd be so tired when I came home it was a real effort to get out and practice my running. Then they put me on the night shift, eleven o'clock to seven in the morning. “Keep the streets a little safer at night, one less nigger running around,” the foreman said. Now I did my running in the mornings after work, when the other folks were just going to their jobs. I kind of liked that, but it hurt, not being able to be with Boo and my friends in the evening. And then the foreman told another boss to put me down in the furnace pit. “Nigger can take heat better,” he said. Well, the system wasn't going to beat me. I stood up next to that furnace, and I ate their goddamn salt tablets and just refused to pass out. They weren't going to make me quit, and I wasn't going to give them cause to fire me. I'd lean into that blazing pit until my face would sting, and when the lunch whistle blew I'd fall on the floor and vomit blood for half an hour and I'd clean it up myself. It was all worth it. I could walk home at the end of the week and put money in Momma's hand. We could go shopping with cash instead of the green tablet; we could walk into a supermarket instead of Mister Ben's. I could stand at the checkout counter and listen to the cash register and my heart didn't jump with every ring. Momma could pay some back bills and buy some new secondhand furniture and some clothes, and not have to go to the white folks’ every day. We had a little money around the house now, but we didn’t sign off relief. It was too hard to get back on. I kept my job when school started. The band had a special music class at eight o’clock in the morning, one hour before regular classes started, and I worked out a deal with the bandmaster, Mr. Wilson, to let me take it. That way I could come to school right from the plant, and finish up classes and track practice early enough to grab a few hours’ sleep before leaving for the eleven o’clock shift. In return, I cleaned up the band room every morning, set the music out on the stands for the musicians, and kept out of their way. I liked sitting on the side and watching the band play, everybody working together to make a good sound, the bandmaster, a real sophisticated conductor with his baton, telling everybody when to come in, when to stop. I started watching the drummer. He seemed to be having the most fun, sitting there so cool, beating on that big kettledrum. When he brought those sticks down everybody heard him. He played all by himself, but he kept the whole thing going. I started tapping my hands on my knees along with him, and sometimes I’d get there a little earlier and take some licks on the drum myself. And after a while, when I was home, I’d keep time to the radio, beating a fork on one of Momma’s pots. After school I’d be out on the track, inside the fence with my own uniform. There was a new coach, Warren St. James. And he started spending a lot of time with me, teaching me how to start, how to pace myself, when to make that closing kick. I learned fast because I was hungry to learn, and when the season opened I was running in dual meets, in the mile and the half-mile. I was doing well, finishing third and second, and once in a while I’d win a little race. But I was always tired, sometimes too tired to sleep before I went to work at the plant. Momma came into the bedroom one evening, about eight o’clock. I was sitting up in bed, thinking about last week’s race and the mistakes I made, how I just didn’t have it at the end, how I couldn’t get those knees up high enough for the stretch sprint. “Can’t you sleep, Richard?” “No, Momma.” “I don’t know why you don’t quit that old sport, Richard.” She sat down on the bed. She always sighed when she sat down. “I worry about you, Richard, you got so much trouble with your stomach and your mind drifts so.” “Momma?”
“Yes, honey.”
“Remember when you took me to that old woman, I was a real little kid, and she said I’d be a great man someday.” Momma took my head in her lap and rocked back and forth. “She saw a star right in the center of your head, and I knew it, oh, how I knew it. You’re gonna be a great man, Richard.” “Momma, I’m gonna be a great runner, the coach said I could be a great runner. Momma?” “Yes, honey?”
“I want to quit my job.”
And my momma rocked me in her arms and I guess she thought about the green tablet with the picture of the snuff can on it, and getting up at six o’clock to put sacks on her shoes and she said: “Okay, honey. And don’t you worry, my special little man, we’re gonna be all right.” That was my last night at work. The next morning I got to the band room and the bandmaster was staring out the window looking mad. There was a concert the next week, and the drummer was in the hospital. “You read music, Gregory?” “No, sir.” “Well, I know you been fooling around with the drums. Now I want to try something. Whenever I tip my head toward you like this, see, I want you to hit the drum like this, hear, and when I . . .” The drummer never got his job back. We got through that concert, and the one after that, and then it was football season and I was banging the big bass drum in the marching band. Life really began to open up for me. Everybody in school knew me now, the athletic crowd and the musical crowd, and the girls that hung around both. I didn’t go out very much. I didn’t have money, and I was pretty shy. I could make quick talk outside the corner drugstore, or at a party, but when it came to that big step of asking a girl to have a date with me, I just couldn’t get those words out. But I was all right, man. The band was taking big trips, to West Virginia and Illinois and Kansas, and we were playing Beethoven and Bach and Mozart, cats I never heard of. Once, just once, I invited Momma to a concert. I sat on the stage of the school auditorium, and I got sick and ashamed when I saw her come in wearing that shabby old coat, her swollen ankles running over the edges of those dyed shoes, that dress the rich white folks gave her, a little too much lipstick, the cheap perfume. They asked her to go sit up in the balcony. I should have got up and thrown that kettledrum right into the faces of all those doctors and society people and light-complected snobs sitting in the orchestra. But I didn’t. I just was glad she was up in the balcony where she couldn’t be seen by too many people. I never wanted her at track meets. That was mine, all mine. Flagpole Gregory, they called me, Ironman Gregory. I could run all day. I had style. I wore argyle socks in the races and a handkerchief wrapped around my head. I had a little trick. When I came down the stretch I’d look up at the flagpole and make a little salute. Then I’d go into my closing kick and win going away. They thought I was very patriotic, that the flag gave me extra strength. Once in a meet against Vashon High, the other big Negro high school in St. Louis, some kids took the flag down, figuring that would beat me. I never even knew it. Most of the meets were on Saturday, and I’d stay out until ten or eleven o’clock Friday night, talking with Mister Ben, or walking with Boo, or hanging around with the guys at the candy store and the poolroom. They’d tell me about a fight they were going to have with another gang, or some little bitch they were all going to screw, and maybe some of the boys would come by with some wine. I’d tell them I couldn’t make it, I was in training. I didn’t tell them I didn’t need it, I had something bigger going for me. Then, about eleven o’clock, when I was sure I was so tired I’d fall right to sleep, I’d go home. I’d wake up early on Saturday mornings with a smirk on my face. I’d walk around the house, look at the peeling linoleum floor, the dirty dishes in the sink, all the raggedy shoes under the bed. I’d punch Garland on the arm and tickle Ronald and maybe pinch the girls. I’d hug Momma. “We’re all right, Momma, we’re all right.” And then I’d take that one big step out of the house, jump the stoop, and I was in another world. I’d walk to the stadium through the early morning, my uniform bag swinging in my hand, and with each step my stomach would turn over again and the little hairs would start standing up on the back of my neck. When I got to the stadium I’d just wave at the guard and he’d open the gate for me. I didn’t even have to show him my competitor’s pass. “Good luck, Greg, as if you need it.” He’d wink at me and I’d wink back. And the sun would be coming up high and it would still be cold under my sweater. I could feel the sweat under my armpits and between my shoulder blades and behind my knees. “Hey, Greg, hey, Greg,” and I’d never look around, just climb quietly up to the grandstand and sit on a wooden bench like any other spectator. They’d be running off the shotput and high jump early and I’d just sit up there and watch. Just another spectator at the track and field meet. The loudspeaker would crackle and snap: “Will all entrants in the one-mile run please report to the official’s table, will all . . .” I’d stand up real slow, and feel this thing start to take me over, this monster that started at my toes like hot water flowing upward through a cold body. By the time I got down the steps I’d be on fire. I dressed fast in the locker room under the stands, put on my bright argyles, wrapped a handkerchief around my head. Then I’d walk out on the field and I knew I could crush the world. “There you are, Gregory, I’ve been looking all over for you. Where you been?” “I’m ready, Coach.” St. James looked me over. “You better be. I want to talk to you. That big boy from Vashon, he’s good, you have to watch his . . .”
“Don’t tell me about him, Coach. You go on over and tell him about me.”
I got to the line with the other runners, and now, for just a moment, I was scared. God, I’m bringing 118 pounds of bones to this line, been training right, going to bed every night, trying to keep the rules, now . . . Bang.
Let the pack get ahead of you for the first quarter, no need to get banged around and elbowed up there with the pacesetters burning themselves out. Take it easy, Greg baby, that’s the way, that’s the way. At the half they start falling back, the guys who don’t know how to run, the guys who smoke, the guys who don’t really have it. Take them now at the three-quarter, take one at the curve, get the other one coming off, and come around the straightaway and clean them all up. One by one. Don’t play with them, Greg baby, don’t play with them, just pass them by like snatching off weeds on the run like you used to do with Boo. Now you feel that thing, the monster, and you’re going, man, you’re going, ripping and running and here comes that bad dog. There’s only two up front now and they’re way over their heads, and here comes the flagpole, don’t forget to look up and salute, Greg, that’s your trademark. Somewhere Coach St. James is saying, “Goddamn. Look at that Gregory, look at that machine.” And my knees are coming up higher and higher and I’m running faster and faster and I pass those two like the Greyhound Bus passes telephone poles and the tape snaps against my chest and then, slowly, I’m off the stride, slowly, my head goes down, and, slowly, the thing inside of me lets go. The monster slips out, and I’m left all alone there, Richard Gregory, not Dick, not Flagpole or Ironman, just Richard. I fall on my knees and then on my face, and the grass smells sweet and my stomach explodes. “That . . . that . . . my last race, Coach . . . no . . . more.” “Come on, Gregory, on your feet. They’re getting ready for the relays.”
And I’m up again and waiting, and it starts all over, the hot water seeping up, the monster slipping back in. I can see our number three man hit the curve and slow down like I told him to and now I’m running and the stick hits my hand like an electric charge. I put my head down and I go and the charge stays with me because everyone else is ahead and they have to settle down and run a race, but I have to go out and catch them all. Now my knees are coming up again, higher and higher and higher than the flagpole, and I salute my knees and then I snap the tape again. This time, when I fall on the grass, I go right to sleep, into a dream world. I’m standing on the back of an open car riding up Fifth Avenue in New York City, ticker tape falling out of the buildings like a Christmas snow and everybody in the world is cheering me as I go by, except Big Pres who’s hanging his head. I’m asleep in the middle of a stadium and I don’t even hear them screaming my name.
#
I’d wake up screaming sometimes myself, my leg cramped and twisted under me. Momma would come in and sit down and take my legs and rub them gently. “Anything makes a man like this here, he got to be crazy to go out and do it,” she would say. “What is it, Richard, inside of you makes you go out there? I’m really afraid for you, Richard.” V
It was a thrill just to go to school, to walk down the street with guys and girls following me, jostling each other to walk next to me, to say: “Hey, Greg, how you feeling, baby? Gonna win the big one Saturday?” I’d just lay back and smile and wave my hand. Maybe say something funny about myself. That’s all I had to do. Act nice, never put anyone down. They loved it, I was a celebrity. I’d walk into Mister Ben’s and he’d stop whatever he was doing and ask me some question and make sure everyone in the place knew we were friends. If I said I was going out on Sunday to look over the track, there would be a crowd of little kids out there waiting for me. The same cop who used to come over and ask me what I was doing on the corner now came over and asked me how I was doing. The only one who never seemed too impressed was Momma. She had five other kids in the house and she wasn’t going to let me get too big. I’d come running home, telling her the coach said I needed a special kind of food for my training. She’d tell me I’d better stop by the coach’s house to get it. “You don’t understand, Momma. I’m putting the Gregory name on the map.” “Honey, I put you in the world, and the world was made before maps.” Only once did I ever invite Momma to one of my track meets. She refused. She knew I really didn’t want her there with her shabby coat and swollen legs, sitting with the doctors’ sons and the Helene Tuckers who cheered and screamed for Flagpole Gregory, the gladiator. I could almost hear them think—After you kill that lion and stomp that elephant I’ll bring you home, you running fool, and you can tell us what the victory was all about while we sip tea. But don’t come too close. I took one of those girls to my first prom.
That was a big event in my neighborhood, getting me ready for that junior prom. I couldn’t rent a tux because you had to leave a suit as deposit, and I didn’t have a suit. But, somehow, Momma came up with the tuxedo pants and the white jacket. The white folks she worked for sent over a flower for the girl I didn’t know you were supposed to bring a flower. Momma took half the day off just to dress me, hollering, “Hold still,” while she put the collar stays in. I was like a king with his court, my brothers and sisters standing around, watching me get dressed, crawling after studs that fell on the floor, opening the door for neighbors who wanted to see me. Man, I looked good in that tux. Didn’t have to worry about the pants too long, the shoes not right, the tie doesn’t match. Formal. It’s there. You know you’re perfect.
For an hour, Momma sent me around to Missis Rector’s and Missis Simmons’ and Aunt Elaine’s, all over the neighborhood so folks could get a look at me. Mister Ben closed his door and pulled the shade and told me all about his first prom. Never knew he went to a prom. He gave me two dollars. Then Momma gave me five dollars and told me to stop by the Chinese place on my way home and bring back dinner for the family. We were going to splurge and have a party after I got back. I didn’t have fun at that dance. I was so afraid the taxi wouldn’t stop for me that he almost didn’t. The girl’s mother and father looked at each other and started whispering when I went to pick her up. When we got to the prom she kept going to the bathroom with other girls, talking in a low voice with the doctor’s son. She didn’t want to dance to the blues, the gut bucket, the funky songs. Her crowd just came out on the floor for the sweet ballads. They talked about vacations and cars and clothes. After a while I went down to the far end of the gym and talked to the guys on the track team. Told them all about the women I screwed, the whiskey I could drink, the cats I had cut. Told them about this affair I had last week where the bitch screamed she would kill herself if I ever stopped giving it to her. Her husband almost caught us, but I climbed out a back window with her drawers in my hip pocket. I told the guys all the stories I had overheard in the taverns. When the dance was finally over, a chilly fright came over the whole place. Suddenly, everyone who wouldn’t talk to me or dance with me wanted to leave with me. When we walked out the door I found out why. There were hundreds of them out there, all the cats who couldn’t make it, the guys who couldn’t get dates, whose processed hair was too long, whose pants rode down too far on their hips. The line ran for blocks, mean looking guys just waiting. We went down the steps, and one of them knocked the doctor’s son’s hat off. When he reached down to pick it up, he got kicked right in his face. Then the fight started. I took my little group back inside.
From the window, I could see a mess of pink and blue formal gowns, rust- colored pegged suits, black and white tuxes, and greasy jackets boiling around together like a pot of beans and fatback. Society was paying its dues. Girls were rolling around on the ground with their gowns up over their heads, and a guy was running down the street with his tails split up to his neck. That was pretty funny. The hoodlums were having their ball now, downtown hoodlums pounding guys as they came out the door, and neighborhood hoodlums getting second licks, and the cats who just didn’t have it standing around and cheering and ripping the dress off a girl now and then. One girl stood there just in her underwear, her yellow gown down around her feet, while her date, who had lost a shoe, was hopping away down the street. The cops were there, but they were pretty busy keeping from losing their hats. The only guys really fighting the hoods were the cabdrivers, who were angry at losing all their customers. While I watched, the boys on the football team, who had played against those hoods, been down in the nitty-gritty dirt with them, stepped out with their dates. They marched right through the line and nobody bothered them. So I took my little crowd out. The biggest downtown hoodlum looked up from beating some guy’s head. “Richard Gregory, hey, there’s Flagpole Gregory. Come on, baby, you’re all right.” That big cat looked me in the eye, then looked at the crowd behind me. “You and your lady can go through, baby, but that’s all.” The other cats stopped for a minute and looked up at me while the chief was talking, while he was really saying: Man, you’re the same as we are and we’re proud of you, but don’t try to get anybody through because you should be out here fighting them with us. The rest of my crowd broke and ran, and my date and I walked like a king and queen past the gang boys and the petty cats, through the bricks and the noises and past the hood who stuck his head out of the backseat of a police car and waved his handcuffs and yelled: “I’ll get you next year, you . . .” to all the tuxedos he hadn’t ruined this year. We took a cab with some other people from the dance to the DeLuxe, one of the best Negro restaurants in St. Louis. I had heard about the place. A plate of shrimps cost two dollars and something there. I had Momma’s five dollars left in my pocket after the cab rides. The crowd my girl knew were all sitting at one table, and they pulled out chairs for us kind of slow. The doctor’s son, who had been kicked in the face, looked me over. “You look pretty clean, man.”
“Got punched a couple times, but I was lucky,” I said. But he knew. Then it started, from the far end of the table. “There’s a bug at this table, don’t you see the bug?” I looked for the bug.
“Is it a big bug?” said somebody at the other end. “You know it,” said the far end. “How you know it’s a bug?” “Smells like a bug.” After a while, when I realized they were talking about me, I picked up the menu and held it in front of me. It was like opening a box and seeing the most horrible face in the world staring back at you. The cheapest thing on the menu was chicken. $1.25. “I’ll have the shrimps,” she said.
I didn’t even know what they looked like. I got scared, and I thought about the five dollars in my pocket. Some of it was supposed to buy dinner for the kids. No choice. I had to spend. I ordered the chicken. I ate the chicken and the pie a la mode and I drank the Pepsi-Cola, but I never tasted them. “They wouldn’t let a bug in this place.” “If it had a tie on, they would.” “Bug crawled right through the fight.” “Didn’t get squashed?” “No, bugs never step on bugs.”
I needed the final say that night. When the waitress came over with the bill for the table, I looked up at her and said: “I’ll take it.” The table got very quiet. “I want to tell you, you did a real nice job here on service. I’ve worked in white hotels and this is the best restaurant I’ve ever been in.” The waitress puckered up her lips and put her hands on her hips. “Son of a bitch, will you just give me twelve dollars and fifty cents so I can get the hell out of here?” I played my game. “Dammit, bitch, you cursed me. You cursed me in front of my friends here, in front of these ladies.” And then I started to curse, my whole childhood spilling out of my mouth, everything vile I ever heard on the street or in a tavern or from Big Pres. The waitress’ mouth dropped open and the kids started to get up from the table. My date started to cry. She wanted to go home. I gave her a dollar to go home in a cab. The waitress was shaking. “Just give me my money, you dirty little motherfucker.” I whispered to her: “I ain’t got no money.” She shouted: “You ain’t got no money?” Everybody heard her as they walked out of the restaurant.
“I’m sorry. I said all those things to stall for time. Here’s four dollars, your money for the service. I’ll come back tomorrow. If I don’t have money then, I’ll wash dishes for it. Tomorrow.” She looked at me, and somewhere down the line I guess she could see what it was all about. “Okay. I believe you. When I walked out on the street, my date was still there. Crying. I took her home. When we got to her front door she turned around and leaned up against me. “Thanks,” she said, “I had a lovely time.” She wanted to kiss me good night. I couldn’t believe it. She was the first girl I ever kissed. I got back home that night about 4 am. The folks were sitting on my front porch waiting on me. And I lay back and smiled at them and waved my hand and sat down and told them all about the dance. The way it should have been. I made them cry. The tears rolled down their faces when I told them how the girls in pink and yellow floated like clouds to music sweet as a chorus of angels. The guys were so strong in their black and white tuxes. I told them about the snowy white tablecloths at the DeLuxe, and how the shrimps were as big as my fist. None of us knew that the batter wasn’t part of the shrimp. The waitress smiled and bowed, the cabdrivers lined up to pick us up, we laughed and sang and strutted down the avenue like kings and queens, like high society. Me and the doctor’s son got along so well he invited me over to his house next week. I showed them the lipstick on my handkerchief and told them how my date loved me, how elegant and fine she thought I was. They sat on the front porch and cried for what they had missed and I cried because I knew they hadn’t missed anything at all. Then I went inside to face Momma.
“Garland cried all night,” she said. “He didn’t have anything to eat.”
I sat down next to her at the kitchen table and told her I spent all the money. She cried. “Did you have fun, Richard?”
“I had fun here before I left, Momma, all the folks coming by to see me. Had fun out on the porch telling Boo and everybody about the dance I’m going to one day.” She put her arm around me. “It’s my fault, Richard. I know kids don’t go to that kind of dance without having twenty dollars in their pockets. I should have borrowed more.” “No, Momma, twenty dollars wouldn’t have been enough for me tonight. I still would’ve messed up. I would’ve had to pick up all the checks in that whole restaurant, Momma, I would’ve had to pay for everybody.” There were other proms after that, and I learned what to do to have fun, to take girls who wanted to be with me, who wanted to dance to funky songs. I learned to slip out of the dance two hours early and buy some wine for the meanest cat standing outside. He’d get drunk then and dog somebody else a little more, but he’d let my crowd through. And I learned to introduce my girl to the hoodlum chief. That’s all he wanted. When we left the dance he’d make all those cats stop fighting for a few minutes. Now that he and my girl were acquainted, he didn’t want her to see him acting so badly. And by my third prom I figured out how to stop the beatings altogether. I opened the windows so the cats outside could peep right in. I brought special guys and girls by the windows and introduced them to the hoods. After a while those cats would whisper to one of my friends, “Hey, dance with that girl over there for me,” and before you knew it, they were passing their bottles through the window and saying, “Have a drink on me, man.” The guys on the outside were in on the party, too. And they acted nice because they didn’t want those windows pulled to shut them out. VI
That was a long summer, the summer of 1951. I was waiting for the scholastic record book to come out. In the spring I had won the mile in four minutes twenty-eight seconds at the Missouri state meet for Negroes, one of the best high school times of the year, and I could hardly wait to see my name in the book when it came out in the fall. It was a long summer, and a hot one. The papers always had pictures of people frying eggs on the sidewalk in front of their houses. The mud on the riverbanks baked into a powdery dust that blew all over the city. All through June and July, Boo and Presley and I went downtown looking for jobs. Every day. Never got anything. “Sorry, boys, we’re not hiring colored today.” By August, Boo and Presley gave up. But I couldn’t go back to shining shoes and running to the store for the neighbors: My name would be in a book soon. I kept going downtown alone. It hit 109 degrees one day that August, so hot that skin peeled off my hand when I held a brass door handle too long. I had a nickel in my pocket that day, no job, and I started to walk home. Forty-five blocks, and every time I took a breath, the heat got caught in my throat. I thought I was going to pass out. And then I saw a beautiful sign on a restaurant window—air-conditioned—soda water 5c. It was cool inside, and the soda jerk looked like an angel in his clean, white uniform. “We don’t serve niggers here.”
I just stood there, trying to get my mouth wet enough to tell him what I’d gone through that day . . . “What’sa matter, you deaf, boy?” . . . to tell him how good it felt in here, to tell him I was sorry I was a Negro. Someone in the corner smashed a pop bottle against the marble counter and came toward me. He came around in front of me, waving the broken bottle in his hand like Humphrey Bogart would do in the movies. There were others in back of him, grinning. He shoved the broken bottle at me, and I put my hand in front of my face. I didn’t feel anything, but they started yelling. The soda jerk came flying over the counter like Alan Ladd, and he and Humphrey Bogart threw me out. I started walking again, choking on the heat and the dust, watching my blood run down the sidewalk and the insides come out of my hand. It was white. Then I fainted. A wonderful feeling, like falling away from the world. When I woke up, a white lady was kneeling in the gutter next to me, her arm under my head. Her other hand was stroking the lump on my forehead where it hit the pavement. “Everything will be all right, you’re going to be all right, young man.” There was a white policeman standing next to her, and I tried to tell them that I wasn’t bothering the lady, that I hadn’t touched her. But my mouth was still too dry. “Leave him alone, lady, I’ll take care of this. The ambulance’ll be right here.” “Where are you taking him, Officer?” “The nigger hospital.” “I beg your pardon?” “Homer O. Phillips.” “That’s too far. We’ll take him to Barnes.”
“Barnes ain’t for niggers, lady. You’d better mind your business.” “Officer, do you know who I am?” “Some nigger-lover who . . .”
The lady said her name then and the cop’s mouth dropped open and he took a step backward. “I have your badge number and you can consider yourself fired.” The cop began to apologize and help me into the ambulance. The lady got into the back with me. “Barnes Hospital, and quickly, please, this young man is seriously injured.” They turned on the siren. For me. Cars got out of the way. When she took me into the lobby of Barnes Hospital, I was a little ashamed of all the blood and dirt on my clothes. I had heard of Barnes, but never expected to be inside. They treated me well. Right upstairs, no waiting, one doctor to clean my hand, another to sew eight stitches and put on a clean white bandage. They all seemed to know the lady, and she stayed with me all the time. Afterward, she took me downstairs and called a cab. The driver looked at us strangely, but the lady got right in. She asked me where I lived, and she told the driver. She kept talking to me the whole ride, but I didn’t hear a word. I just kept staring at the beautiful white bandage on my hand. Nobody in my neighborhood had ever had such a beautiful white bandage. “I think I better get off here, ma’am.” “But this isn’t North Taylor.” “I know, ma’am, but my momma would think I did something wrong if she saw me come home with a white lady.” That was true, but I couldn’t tell her I wanted to slip in the back door and surprise everyone with my bandage. “Are you sure you’ll be all right?” “Yes, ma’am.”
“Are you really sure?”
“Yes, ma’am, and thank you very much. Thank you, too, sir,” I told the cabdriver. When I got out, the lady waved to me through the back window. I started to run. I felt so good I ran five blocks, then ten blocks past my house. Finally, hot, my hand throbbing, I went home. I slipped in the back door. “Hey, everybody, come in here, you want to see something, you really want to see something?” Momma put me to bed and I stayed there for three days. I only got up to put white shoe polish on my bandage when it started to get dirty. Everyone came to see me, and I told them about the white lady and the ambulance and going into Barnes Hospital. I didn’t know the lady’s name, and I think some people didn’t believe my story. After a week or so, Momma told me to go to the city hospital to have the stitches removed. I didn’t want to go there, but nobody at Barnes had said anything about my coming back. So I took the stitches out myself. One by one, with a needle and scissors. It wasn’t that hard. That September the scholastic record book came out and my name wasn’t in it. I went down to the Board of Education and a man told me that records set in all- Negro track meets were never listed. Coach St. James told me the same thing. You have to run with the white boys to get your name in the book.
The next time I went down to the Board of Education I took a couple of thousand friends with me and I got my name on television and in the St. Louis Post-Dispatch. What really happened was that the Sumner High PTA organized a march on the Board that September to protest overcrowded conditions. There were a lot of tensions and fears. Pop Beckett stood in front of the school with a baseball bat in his hand and when he saw me he told me not to get involved. “Got to go, Pop. My momma doesn’t know I was one of the best milers in the country this year.” He just looked at me, amazed.
My job on the march was to run up and down the line, keeping the kids in order and warning them not to steal from fruit stands along the way. The line got longer and longer, as kids from other Negro high schools joined. I never did get a chance to talk to the mayor about my time for the mile. The newspaper and television reporters along the way thought I was kidding when I said I was protesting because my name wasn’t in the scholastic record book. So I told them how there were eighty kids in the English class, and we learned math in the machine shop because there weren’t enough rooms in school, and the last ten kids to get to history had to stand up for an hour because there weren’t enough seats. They wrote in the papers that I was the leader of the demonstration. It’s not as if I really told them that. The police broke up the demonstration at Locust Street, in front of the Board building. They said it was a breach of the peace. And a man came out and told us that if we wanted better schools we should return to them. And another white man said that six adults from the PTA could come into the building and discuss the matter if the rest of us went back to classes. We did. The city was pretty well turned upside down by all this Negro marching and chanting and sign-waving. It wasn’t even a matter of wanting to sit down. Back at school everyone told me I was going to get expelled, and back home Momma was all upset. The white folks had told her that the march was Communist-inspired. I told her I didn’t even know how to spell Communist.
Nothing much happened right away, but the next week the high school cross- country program was integrated. I don’t know if it had anything to do with the march. It was the first time Negro and white ever competed against each other in the high schools of St. Louis, and things really began to open up for me. It was wild. There were rumors and excitement and electricity in the air. We didn’t know the white boys and they didn’t know us. We’d never had a chance to love or hate each other on a man-to-man basis, to watch each other run, to see each other naked. There were Negro rumors that the white boys had special conditioning and food that gave them the strength to beat us in the long distances. There were white rumors that we needed only three runners at a track meet: one would win the 100 and the 220, the second would win both hurdles, and the third would win the half and the mile. Then the three regulars would borrow a Negro water boy and win the relays. My first integrated meet was a cross-country run over at Wood River. I was so nervous I was shaking when we came to the line. Coach St. James had given us a big buildup for weeks. He had made us learn strategy all over again, made us promise to lay off the grandstanding. No argyle socks, no saluting, no crossing the tape holding your buddy’s hand, no waving at your girlfriends. This was big time. If we won we’d get our names in the white newspapers the next day—we wouldn’t have to wait until the Argus, the weekly Negro newspaper, came out on Thursday. And the coach had told me that there was a little white boy in the race who had one of the best scholastic three-mile times in the country, and if I could beat him I could win the race. But we had never run the course before. And we didn’t even know which was the white boy to beat. Bang. I didn’t break out too fast. Let the pack go on ahead, this is a long race. You could see right away how different it was, running against boys who had eaten better and taken better care of their bodies all their lives. They looked smooth, they ran smooth. I moved up into the pack, and then went on ahead. I didn’t know any of these white boys, which were the early pacesetters, which were the ones saving themselves for a final sprint. So I decided to stay with the leaders. There was a little white boy way ahead of everyone else, running as easy as flowing water. He took the corners sharply, and never seemed to get scratched by the bushes along the course. I got scratched all the time. I decided he had to be the white boy to beat.
I moved up, past the leaders, and started to dog that white boy. He was running too fast for me, and when I tried to match his pace my breath got short and it felt like somebody was sewing up the left side of my stomach and there was broken glass inside my shoes. He kept running easy. I knew I could never outrun him. Have to trick this race, Greg.
About the two-mile mark, I came up alongside him and slapped him on the butt. “Nice going, baby,” I said, and I fell back fast so he wouldn’t hear me panting. A little bit later I came up again and kicked him on the heel of his shoe. Not enough to break his stride or bother him or get myself disqualified. Just enough so I could say, “Excuse me, baby.” Again I dropped back fast so he wouldn’t hear my breath come out. That upset him, but he didn’t break. Not much time left now. Last chance. I came right up behind him and I held my breath. He felt me running right behind him and he heard my feet, but he never heard me breathe. There was a fire in my chest, and my mind got fuzzy, and when I tried to take a shallow breath my brain kept clicking to shut it off, but he was looking around him now and his eyes were wide and he was so scared he speeded up. I held my breath as long as I could, then I dropped back to where he couldn’t hear me and I let it all out and got myself together again. He had speeded up too early, and when he tried to slow down and settle back into his pace his smooth stride was broken, and he was off. He was destroyed. He wasn’t running his race anymore; he was scared and his mind was all messed up. I came up again and I knew I could pass him anytime I wanted to, now. But I didn’t know the course, and I didn’t want to take the chance of making a wrong turn and getting disqualified. So I stayed a few yards behind him until the last two hundred yards, a straight shot to the tape. I could see the officials and the band and the crowd and the photographers and I passed him going away, and watched my knees all the way down the stretch, higher and higher, right through the tape. And then I got to see how Whitey treats his heroes. First-class all the way. Had my picture on the front page of the Wood River paper, and on the sports pages of all the white St. Louis papers. Dick Gregory. No. 1. That was the start of a hell of a year, that last year in high school. I won the state cross-country meet at Forest Park, white and Negro. State champion. And then I finished second in a fifteen-mile race, the only high school runner in a field of college boys. People started listening to me that year, taking me to dinners, giving me awards. Outstanding citizen. They always introduced me as Dick Gregory, a boy who was born and raised on relief. Look at him now, they said. As if relief was all in the past, as if Momma wasn’t still dragging home from the white folks, as if I wasn’t taking five dollars at a time out of her pocketbook. I was too busy being a good example to go out and work, to be much of a son or a brother. I took the high school cooking course that year because I wanted to learn etiquette. I was getting to be a big man around and I wanted to learn how to hold a knife and fork. I always used to eat one course at a time, clean off the meat, then turn the plate and clean off the potatoes; turn it again and clean off the greens. I had to convince them at Sumner that I was going to be a cook after graduation so they would let me take the home economics course. That meant I had to take sewing, too. But I learned how to eat right. I never told them the real reason I took the course, so they put cook after my name in the yearbook. Didn’t matter. I was captain of the track team that year, and the cross-country team, and I played the kettledrum in the orchestra and the bass drum in the band, and the bongos for a dance club called the Rockettes. Even started taking girls to the movies. I was so cool I always took them up to the balcony, the sophisticated place in those Negro movie houses in St. Louis. If the picture wasn’t so good you could always smoke and hug your girl and make jokes. The trick there was to go to the movie house before you picked up your girl and slip the usher some money to save you a couple of balcony seats. Then you’d come back with your girl and wink at the usher and say: “Hi, baby,” and he’d take you right upstairs. Sometimes, the usher would be out to lunch and all the balcony seats would be filled. That was the worst feeling in the world. But usually you’d get up there, and when the movie was over you’d strut down from the balcony, real slow, so everyone could see how cool you were, how important. You knew somebody, you had connections. You never let anyone know you tipped the usher. In those days, all I really wanted out of life was always to be able to sit in the balcony. That year, I was in the balcony all right, winning races, playing drums, going out. Everything went my way. Once there was a night track meet, and the lights went out in the middle of the race. I sneaked all across the field, taking a shortcut, and fell over a hurdle. I was lying there when the lights went on again. The officials tried to disqualify me. Not a chance. I told them that any fool knows that when the power fails during a night athletic event, the race in progress is automatically canceled and then rerun. They looked at each other and coughed, and I guess they didn’t know their own rules too well. I had just made that up on the spur of the moment. The race was rerun. And then one day I decided I wanted to be president of my senior class. Only certain people had ever been class president: kids from high-class families who had perfect attendance records, were in the National Honor Society, belonged to the French Club and the Math Club and the service organizations. So I got my own organization. The hoodlums. I went around and talked to all those cats who used to stand outside the proms, all those guys who didn’t have anything going for them and I told them I wanted this thing, that I was their representative. They went and they got it for me, they spread the word that if anybody else won the election he might as well quit. I was class president. That was another turning point for me. A new feeling of responsibility for others. In track, I was running just for myself. But as president of the graduating class at Sumner High School I knew my shirt had to be clean, my shoes had to be polished, I couldn’t cut class or come late or sit in the toilet and watch crap games or yell out crazy things in class. There were obligations, meetings to go to, a Senior Day speech to write. I had to talk to the white man who came through selling senior class rings for twenty dollars each. I had to work out how he would take his orders and collect his money and then give out the rings. I wasn’t able to afford one myself. I had never really thought about college until that last semester in high school when scholarship offers began coming in from colleges around the country. Momma had only finished the third grade, and so just finishing high school was a big dream in our family. College was for people with money. After high school you get yourself some kind of a job. There were more than one hundred offers, colleges from California to Massachusetts, but my grades were too low for most of the schools. I was probably the only class president in the country that year who was in the lowest fifth of more than seven hundred students. I tried to study that year, to read books, but I just didn’t know how. At eight o’clock, after track practice, I’d sit down in the kitchen and try to read. God, I’m going to sit here until midnight if I have to, I’m going to read this book, even if it takes an hour to read every page, I’m going to sit here and read, one word at a time. And then the words started getting fuzzy and my mind started drifting, floating off to a million places. Didn’t matter, it was still my year. Coach St. James had gone to Southern Illinois University in Carbondale, and he said he could help me get in. He thought it would be the best school for me, a chance to be a big fish in a little pond. Southern Illinois wanted to give me an entrance exam, but I didn’t even show up for it, I was so sure I would flunk. I talked to the coach down there and told him that if he wanted me to run track for him I wouldn’t take any tests. He sent me to the dean, who made a deal: I could go to college, on an athletic-work scholarship, without taking the entrance exam. But the first quarter I made bad grades I’d have to take the exam and pass it, or leave school. Ironman Gregory won again. Didn’t have to study, didn’t even have to train for my track meets anymore. Wrapped my legs in tape and told the coach I hurt too much to practice. I stayed out late, went to dances, took girls up to the balcony, drank beer. Even bought a pack of cigarettes. I started letting the vice president of the class go to the student government meetings. When the teachers kept asking me if my Senior Class Day speech was ready yet, I told them I was working on it. Tomorrow. It’ll be ready tomorrow. I guess I thought I’d just go up there and tell jokes. I really thought I was great stuff, bigger than the Gregory family, bigger than the school, right up there with God. I remember the day we walked out to Forest Park for the final meet of my high school career, and all along the way there were papers on the newsstands with headlines that read: “Dick Gregory Closes Out One of Most Brilliant Careers in History of St. Louis H.S. Track.” One headline even read: “Dick Gregory Wins State Meet Second Year in Row.” Somebody must have lost his job on that one, because it rained when we got out to Forest Park and the meet was postponed. All that week there were stories in the newspapers about how Dick Gregory was going to close out his high school career in style, in a blaze of glory. I believed every word. Didn’t bother to train, stayed up late, made all the senior parties. Then we went out to Forest Park again and the sun was out and the press was there and the bands and the photographers and crowds were waiting for me to close out this brilliant high school career. It was a hell of a close-out all right. I finished seventeenth. I couldn’t believe it. Neither could anyone else. After the race I just hung around the finish line, waiting for them to disqualify the sixteen runners who finished ahead of me. The coach was mad and the press was disgusted and I was ashamed. The headlines didn’t even mention who won the race, just: “Dick Gregory Finishes Disappointing 17th.” I went back to school, and they started asking me about my speech again, and I just shrugged and walked away. I had gotten so big in my own mind that when I disappointed myself there was nothing left to fall back on. Too big for Momma, too big for the teachers, too big for God. But I was wrong again. The day before the senior ceremony, one of the English teachers handed me a speech. I walked up on the stage that day and it seemed as though the whole world was holding its breath. When the principal pinned the school colors on me, his hand was shaking so much he stuck the pin right into my chest. I stepped behind the microphone. Suddenly I had that feeling again, the hot water flowing upward, the monster growing to crush the world, and that teacher’s speech felt like it was mine. “You know, since the beginning of time, man has used symbols . . .”
Suddenly, the whole goddamn auditorium stopped shifting and whispering, everyone froze, spellbound. “. . . the crude stone tablets, unearthed by archaeologists, symbolized the feeble attempt of man to record his thoughts and his history . . .” The teachers lost their terrified expressions, the students’ mouths dropped open.
“. . . the cross, so familiar in Christian civilization . . . the bald eagle . . . to many a symbol of democratic ideals . They were leaning toward me now, everybody, as if they wanted to run up and hug me. “ . . . a symbol of man’s efforts to live harmoniously with his fellow man. Today, we have gathered for a great symbolic experience. Colors Day. The maroon and white of Sumner High School, a symbol that for years has caused a little fire to burn in the hearts of many. Now we have joined this multitude. Needless to say, we will wear the maroon and white, this symbol of the years we have spent in learning and thought and growth, with justifiable pride in the years to come.” I was done and you could hear the breath rush out of hundreds of lungs, and then they started cheering and shouting and the hoodlums nearly tore the auditorium down and the teachers were smiling and shaking each other’s hands and I looked down at Momma, and all I could see was tears in her eyes and she was moving her lips and I knew just what she looked like when she was alone and saying, Thank God, oh, thank God. VII
I was walking down the main street of Carbondale, Illinois, in 1953 and a white man touched my arm. “Dick Gregory?” “Yeah, that’s right.” “You don’t know me, but my son and I always come to watch you run. He’s sitting in the car over there, he can’t walk without crutches. I’d be much obliged if you’d say hello to him and give him an autograph. It would mean a lot to him.” “Be glad to.”
We walked over to the car and opened the front door. He was a skinny little boy, maybe nine years old. “John, this is Dick Gregory. He wants to say hello to you.”
I leaned in and shook his little hand. His legs were in heavy metal braces. “Real glad to meet you, John. Your daddy tells me you’re a big fan. You always come out to cheer for Southern. You know, we always run a lot faster when there’s folks behind us.” The little boy smiled, very shyly, and pulled out a tencent-store album. “Would you sign my autograph book?” “Sure, John. Got a pencil?”
John didn’t have a pencil. Neither did his father. It was a Sunday, and the only place we could get a pencil was the restaurant we were standing in front of. I turned to the father. “They’ll give you a pencil in there.”
He looked at me a little strangely, but he went in and got a pencil. He handed it to me as if he thought I should have walked into the restaurant and gotten the pencil myself. I signed the autograph book, told John I’d be looking for him in the stands next week, and walked away. Quickly. I could feel the father’s eyes on my back, could hear him thinking about some uppity nigger making him go fetch a pencil. Somehow I didn’t feel I could explain to him that Negroes weren’t allowed in that restaurant, that before I could have asked for a pencil I would have heard that woman behind the cash register say, “I’m sorry, but you know we’re not allowed to serve colored in here.” I don’t know if that father and his little crippled son would have believed me. What the hell, Dick Gregory owned Carbondale. Captain of the cross-country team, captain of the track team, financial grant, busboy in the president’s house, fastest half-miler in the school’s history, drummer in the orchestra and the marching band, big actor in the variety show, Outstanding Athlete of 1953. The only things Dick Gregory couldn’t do in Carbondale were eat out with his teammates and sit in the orchestra section of the movie house. I should have gotten that little crippled kid’s autograph. He was an American. Sometimes it seemed as though all the manhood I won for myself out on the track was taken away when I got into town. You run and you tear your body apart and you win and the crowd goes wild shouting your name and your teammates carry you off the field on their shoulders and Doc Lingle, the coach, throws his arms around you, and when the team goes off downtown for a steak and a beer you have to tell them you can’t make it, you have something better to do. I didn’t finish a single book while I was in college, but I learned a lot and I got myself an attitude. In the beginning, I could fool myself. When I left for Southern Illinois in March of 1952 for the spring quarter with a metal suitcase and a shopping bag full of Momma’s baloney sandwiches and a fried chicken, it was a thrill just to be going out of town. I had slipped out on the neighborhood; just Momma and me and some of the kids went down to the Greyhound Bus Terminal in St. Louis. And it was a bigger thrill when I got to Carbondale, left the shopping bag under my seat on the bus, and walked on the campus. I was in college, I was really in college. It was going to be beautiful. I made the team right away, as a freshman, and I made a lot of friends. There were mostly white kids at school and white instructors, and not too many of them had heard of me. I had never seen so many white folks in one place before, except in parades and during election campaigns when they’d have Colored Day picnics and let the black babies pee all over them for the vote. But I wasn’t too nervous because I had talked to white boys during track meets in high school. And I had my equalizer: I could always go out on the track and crush the world. I developed as a runner. Leland P. Lingle was a fine coach and a fine man. He was the first white man to stretch out his hand to me. It was Doc Lingle who told me to take courses in speech and drama and music. It was Doc Lingle who laughed at my jokes and said I’d be a first-rate entertainer someday. He was a kind man. He used to buy me a $1.25 steak dinner at the university cafeteria every time I broke a school record, and he never complained when I purposely lowered the record a tenth of a second at a time just to get more steaks. I eventually brought the half-mile record down to 1 minute 54.1 seconds. But I was still very confused. Track became something different for me in college. In high school I was fighting being broke and on relief, and each Saturday I’d go out and recharge my batteries, be a hero for another week. But in college I was fighting being Negro. That’s not a temporary condition. It was a hell of a thing for me to be running good track in college and walk past a downtown restaurant and see a teammate in there eating a sandwich and drinking a malt with his girl. He’d look up and smile and wave at me through the plate- glass window. I’d wave back and I’d say to myself: “Eat up good, ’cause tomorrow I’m going to crush you on the track.” But by the time tomorrow rolled around, I’d have swallowed the hurt down and I’d go out and show that guy how to shift his weight when he took the turn. There were the weekends the team went traveling, and we’d all be sitting in some roadside diner, and the only reason I was in there was because I was one of Doc Lingle’s boys. Local white folks would walk in and look at me and nudge each other. I never talked about it with my white friends because it’s not something you can tell them about. All you can do is sit in the team bus with your metal suitcase across your knees and bang on it like it was a drum and sing calypso songs and tell jokes. Happy-go-lucky Greg. Personality Kid. Funny man. Always laughing. Sure. Momma always said there was more hope in laughing. There were quite a few Negroes at Southern, and we stuck together. Roomed together and dated and partied and hung around together. We’d walk downtown in twos and threes, and as we passed those restaurants the white kids would come out and say: “Where you going, Greg?” and I’d wink and say: “Got a little party to go on, Big Daddy.” We hardly ever took our white friends down to the Negro neighborhood. They must have thought segregation worked both ways. That wasn’t true. There were two honky-tonk bars down in the Negro section and we were a little too ashamed of them to bring our white friends down.
There were a lot of things I didn’t tell the white boys, because I couldn’t take the chance that they wouldn’t understand. About Momma, and how she was in and out of the hospital these days, the diabetes and the heart trouble getting worse, a bad-smelling discharge coming out of her that Dolores thought was cancer. How could I explain how I felt about my momma, and that as much as I loved her I didn’t want to go back home? How could I explain that I was dying a slow death, too, in college, trying to figure out why I was running and going to business administration classes and working as a busboy in the president’s dining room and planning my steps so I’d always be near the university cafeteria or University Drug when I got hungry? How could I explain how I felt the day a white history instructor wrote the word Negro on the blackboard and spelled it with a small n? At the end of the hour I went to the board and erased the letter and wrote in a capital N. Everybody stared and nobody said anything about it. I don’t know how long it all would have gone on, or what I would have done if it hadn’t been for what happened in the movies. I always liked the movie house in Carbondale. I thought it was the coolest place in the world. In St. Louis, it was always a big deal to get up into the balcony, but in Carbondale we had it made. As soon as I got there, I found out that all the Negro athletes sat up in the balcony. A bunch of us would go to the movies together, and we’d march right up to the balcony, and laugh and make jokes about the picture. I always figured that one of the juniors or seniors had taken care of the usher. I remembered the first time I went to the movies alone, I bought a ticket with my last penny, and I just sort of stood around downstairs, looking for someone to borrow a quarter from so I could tip the usher. I was a little embarrassed when the usher, a white student I had seen around campus, came up to me. I had nothing for him. “You’re Dick Gregory, aren’t you?” “That’s right.” He smiled at me. “We always hear a lot about you. Nice to have you here. You can go right on upstairs, there are plenty of seats.” Did I feel big. Didn’t even have to tip the usher to get up to the balcony anymore. I knew someone, I had connections. “Thanks, baby, I’ll take care of you next time,” I told the usher. The next time, I took a girl. I had promised to take another girl to the movies that night, but at the last minute I got another date. I was so afraid of running into that first girl up in the balcony that I took my date and sat downstairs. She jerked away from me and started toward the stairs, but I grabbed her hand. “Come on, baby, you’re with me tonight.” She must have thought I meant that Dick Gregory was such a big man he could go anywhere he wanted. She seemed to be trembling when we sat downstairs but I was so busy worrying about meeting that other girl that I didn’t notice right away. Then I thought she was chilly. And I thought all the people downstairs turning and staring and pointing at us were whispering about that great track star, Dick Gregory. Then the usher came over. “There are plenty of seats in the balcony, Greg.” “That’s okay, baby, I’ll sit here tonight.” “Greg, I’m sorry, but you have to go upstairs.”
I figured that he wanted a tip from last time after all, so I started to lean over and explain why I couldn’t take a chance on being seen up in the balcony tonight. His voice got hard. “I said you have to go upstairs.” I still thought he was playing until he came back with the manager. “May I see you for a moment, Mister Gregory?” When white folks call you mister you know something is wrong. I told the girl I’d be right back, never knowing I was leaving her down there with all that hell, the white folks downstairs turning and hissing and grumbling, and the Negroes upstairs cheering, yelling, “Go, baby, go, you give it to ’em, Greg.” Until I got into the manager’s office, I thought the balcony was cheering me for last week’s race. “I’m sorry, Mister Gregory, but you know you can’t sit in the orchestra.” “Why not?” “Because colored seating is in the balcony.” My St. Louis dream died that night, my dream about always being able to afford the balcony. In Carbondale, the balcony was my place. I stood there, so confused, wondering if the usher back home in St. Louis had been cheating me all those years, or if this man was trying to destroy something I had. “If you want me in the balcony, you’ll have to put me there.” “Do you want me to call the police?” “Go ahead.”
He called the police. I almost laughed. How many times had I given an usher a tip to save me a balcony seat and when I got there the usher was gone and the balcony was full and I wanted to call the police. Now here’s a man calling a cop to get me up to the balcony. I went back and got my date and left. She was crying.
On the way out, the manager said: “Be sure and get your money back.” “Keep it. I’ll be back.” I went back alone the next night and sat downstairs. They gave me the okay. Let him sit downstairs, he’s crazy, anybody who bucks this system is crazy and we don’t punish insane people here in America. And the nights after that I started bringing Negro friends, guys who weren’t Dick Gregory, big athlete, guys who couldn’t be crazy. If I had thought about it, I should have brought Doc Lingle or the dean or the president of the university. And then Hollywood produced that great movie about Jesus Christ called The Robe. The movie house in Carbondale had paid a lot of money for that movie, and one night, while I was sitting downstairs, the manager invited me to his office. He was scared to death. He told me how much money he had spent for the picture, how afraid he was of going bankrupt, how he couldn’t afford to lose white customers at a time like this. If I promised not to sit downstairs while The Robe was showing, everything would be all right afterward. Negroes could sit anywhere they wanted to. I was sick and tired of negotiating for my rights. I agreed. I was sitting in that movie house—in the balcony—on the night that Momma died. It was a good thing I was in the balcony that night because Doc Lingle would never have thought to look for me downstairs. He called me out into the aisle, and told me to telephone home. “Is it Momma, Doc?” “Just call home, Dick.” “Is she dead?” “Just call home.” “Doc?” “I’m very sorry, Dick.”
When I finally got through on the phone, Dolores said: “Hurry home, Richard. Momma is dead.” “No need to rush now, ’Lores.”
I went back to my room and started to pack and my roommate said: “Think nice thoughts about her, Greg, how much good she did and how much pain she was in. Make you feel better.” I cried and I prayed that night, thinking of Momma and blaming myself. If I hadn’t gone to college, if I had stayed home and gotten a job, Momma wouldn’t have had to keep on working in white folks’ houses, riding the streetcar with basket lunches to sell to the colored porters in the downtown hotels, hiding the telephone when the relief worker came around. My momma was forty-eight years old when she died. I took the bus home the next morning. I couldn’t believe I was sitting in the house on North Taylor again and Momma wasn’t coming home. I jumped up every time the streetcar stopped, and suddenly I realized why I always stayed out and played until night. When Momma wasn’t there it wasn’t a home; it was nothing but a house. I didn’t have too much to say to my brothers and sisters. After we talked about Momma, we just sat around, not looking at each other. I wandered around the neighborhood, just to hear Missis Simmons and Missis Rector and Mister Ben talk about what a great woman she was. I thought maybe Big Pres would show up. She would have come back from the dead for that. Momma lay at the undertaker’s with a smile on her face, wearing all those fine, rich white folks’ clothes. She finally had a place to wear them. I bent over and kissed her and said: Thanks, Momma, someday I’m going to do something to make you proud of me. And I walked out and a voice in my head said: You’ll be all right, Richard, just be careful, wrap up good, and don’t wear tight belts against that poor stomach of yours. Everybody wondered why I didn’t cry. It hurt too much to cry. At the funeral the next day I stood away from everybody else while those dirty little men in muddy overalls leaned on their rusty shovels and smoked while the preacher read. I wanted to run up to them and pull their shovels away and tell them not to throw dirt in my momma’s face, but all her white folks had come to the cemetery and I knew Momma didn’t want me to mess up in front of all her good white folks. So they threw the dirt in her face and I turned and walked back to the house and packed. I knew it would be the last time I’d ever be in that house because it wasn’t my home anymore. I went out to the backyard and looked up at the sky and said: I’m sorry, Momma, sorry I was embarrassed because we were on relief, sorry I was ashamed of you because you weren’t dressed the way other kids’ mothers were dressed, sorry you had to die before I realized what a great lady you were. VIII
I went back to school numb and I stayed that way for most of the next four years, through the rest of that year at school, through two years in the army, through the last year at college. It wasn’t a sleepy numbness; it was a cold, hard, bitter numbness. It got me the Outstanding Athlete Award of 1953. I remember the day I walked past the Athletic Department office, a few weeks after Momma died, and for the first time I really noticed the pictures along the walls. There were rows and rows of Negro athletes’ pictures, but along the top of the wall, where the pictures of each year’s Outstanding Athlete hung, there were only white faces. A school eighty-four years old and not one Negro had ever won the award. It was time. So I walked up to the coach and told him that if I wasn’t elected Outstanding Athlete for 1953, I was going to quit. I threatened them so cool that they couldn’t even give it to another Negro—I went to them as an individual, made them think it had to do with me, not race. I made it. Outstanding Athlete of the Year, and all I could do was run track; never picked up a basketball, couldn’t play baseball, didn’t know how to swim. The next year another Negro, Leo Wilson, made it, and we’ve been making it ever since. But someone had to break the ice—with a threat. I remember that night in June they gave out the award at a big dinner, and when they handed it to me I thanked them and then I said to myself: Thanks, Greg, you got it for yourself, the same way you got to be class president in high school. A sports commentator flew down from St. Louis to do a thirty minute show on Dick Gregory, greatest athlete ever to hit Southern Illinois University. A St. Louis boy. And would you believe it, he was born on relief? I never got to be as good a runner as Doc Lingle and the newspapers said I would. Too busy playing around, getting my attitude. I started doing some satire then. I didn’t know it was satire. It was just standing on a stage during the all- fraternity variety show and talking to a crowd of white people about school and athletics and the world situation and how tough it was to run away from home these days unless you came from a family with a second car. For a while, standing on that stage and watching those people laugh with me, I thought it was even better than winning a track meet. But running track was safer: You can be saying the funniest things in the world but if Whitey is mad at you and has hate, he might not laugh. If you’re in good condition and you can run faster than Whitey, he can hate all he wants and you’ll still come out the better man.
My last big thrill in track was qualifying for the National Collegiate Meet for small colleges, in Texas. I was rated third in the nation in the half-mile for a little while, and I was proud and scared to be able to run with the best boys, white and black, from all over the country. I stood on that field on the opening day of the meet and it was like the best of all the Thanksgivings and Christmases, listening to the marching band play “The Star Spangled Banner,” and seeing the flag snap in the wind, and knowing that it was all for me, too. It was like all the war movies I had seen back in St. Louis and in Carbondale, pulling for the American soldiers, cheering for the good guys, feeling a part of something so big and strong and fine. I was beaten in the preliminaries of that meet, but I was proud just to have been there. And then I went back to school and it was like coming out of that movie, suddenly realizing there weren’t any Negro soldiers in that picture, “I’m sorry but you know we’re not allowed to serve colored in here.” All the joy and inspiration of being an American was gone. When you’re a little kid you can press your nose against a plate-glass window and tell yourself you are going to grow up someday and be able to go inside. You can tell yourself you are going to grow up someday and be a man, and do all the things a man can do. These are nice dreams for kids. But when you walk down the street and see your track team friends on the other side of that plate- glass window, where you can’t go, you can’t even tell yourself to wait until you grow up. You are already a man, and knowing that there is no dream just strips your manhood away and brings you all the way back down to the gutter. It’s a hard thing to be a big athlete on campus and to go downtown and feel like the chump who dropped the ball on Homecoming Day, to walk down a street and have farmers and little kids wave and call to you like you’re a big man and know in your heart that every one of them is really bigger than you. There was a man in Carbondale, a white man who owned a clothing store, and I used to borrow money at school so I could go in there and buy socks and ties I didn’t even need, just so I could walk around that section of town and have someplace to go. He was a kind man, and we talked about history and about sports and he even gave me credit. But he wasn’t enough to keep me from wondering about people who didn’t break down those segregation laws, who didn’t check on teachers who spelled Negro with a small n, who didn’t build dorms for the Negro coeds so they didn’t have to live in Negro rooming houses two miles from campus in a town without buses. Sure, the Negro men lived in the dorms, but that was because so many of us were gladiators. We had to be watched. And I wondered how we Negroes were able to sit in the stands and cheer for Southern Illinois to win a football game against a team that had more Negroes than ours did. Of course, every time a Negro got the ball, on either team, we hoped he went for a touchdown. We sat together in the stands, because when you’re mixed in with the whites you hear a guy behind you say: “Look at that nigger go,” and then a white tackler dives at the Negro runner and the Negro shakes him loose and goes all the way for the touchdown and you want to turn around and say: “Go ahead, call him another nigger.” But you don’t. You hang around and drift around and don’t even bother with your student deferment. I was drafted in 1954 and I didn’t care much what happened to me in the army. I’d sleep in my bunk all day, I’d fall out of formation wearing blue suede shoes, I’d salute with my left hand. When I was on KP I’d crawl into a big pot and go to sleep, and when the mess sergeant started banging on the pot I’d refuse to come out unless he paid me the minimum hourly wage. A colonel came by one day on inspection and asked me what I was doing in the pot. “We ran out of chipped beef, Sergeant,” I said to the colonel, “and I volunteered to be cooked for lunch.” The next day, I was brought to the colonel’s office. I walked in without saluting and sat down without permission. He just shook his head. “Gregory,” he said, leaning across his desk, “you are either a great comedian or a goddamn malingerer. There is an open talent show at the service club tonight. You will go down there, and you will win it. Otherwise, I will court-martial you. Now get the hell out of here.” I won it. I just stood up there and talked about the system and the army and the post and the officers. I told them how the army charged me eighty-five dollars when I lost my rifle. That’s why in the navy the captain always goes down with his ship. And I won the next talent show, and the one after that, and the next thing I knew I was in Special Services on an army tour. I kept running, too. On the athletic field I met Jim Ellis, who became one of my best friends. Jim was a big, handsome lieutenant who had been All-America at Michigan State. He was an All-Army halfback. He used to lend me an extra officer’s uniform and let me sleep in the bachelor officers’ quarters. We used to tear around Fort Lee together in his car. We balled it up pretty good, and whenever we ran out of money I’d call Doc Lingle, collect, sometimes in the middle of the night. Somehow, Doc always came through.
I started developing little routines now, in between clowning around and playing the bongos and singing a few calypso songs. I worked at a little Negro club in Petersburg, Virginia. I’d come onstage wearing long white underwear, a big black cowboy hat, and a painted mustache and sideburns. Once I got the audience’s attention, I could start talking, tell them about my home in St. Louis, so cold the snow wouldn’t melt on the floor, the bed so crowded we had to leave bookmarks to save our place when we got up to go to the toilet in the middle of the night. I never really prepared for those shows, or for the army shows. In 1955 I qualified for the All-Army Show at Fort Dix, New Jersey. The winners from that show would go on Ed Sullivan’s television show. I didn’t make it, probably the best thing that could have happened. I would have been destroyed if I had made the Sullivan show in 1955, knowing nothing about show business, being on there by accident. I would have had the wrong attitude. I probably would never have worked as hard as I did later. But I was disappointed then, and kind of hung up when I got out of the army in the spring of 1956. No place to go. Nothing much to do. The day I cleared post I had to fill out a form with my home address on it. I wrote Southern Illinois University, Carbondale, Illinois. It seemed like the only home I had, so I decided then to go back. It was different back at school now. There was a new athletic system, putting more emphasis on football, shoving Doc Lingle off in a corner. I got back on the track team, but I wasn’t really interested, couldn’t figure out what I was running for. I stayed through summer school, on into the fall quarter, and my grades were poor. I tell people I was flunking out because it’s simpler than explaining that there just wasn’t any more reason to stay. Most of my friends were gone, and in the fall we got a collection called “Dimes for Doc,” to send the coach to the Olympic Games in Helsinki. Doc left, and I decided I might as well go, too. Once I would have been afraid to go out into that white man’s world without my diploma, but now I knew that it really didn’t matter. I’d been around. I’d seen Negroes who had been graduated from white man’s colleges with that piece of white paper driving cabs and carrying mail. I’d seen Negroes who got all A’s in accounting go downtown to the big department stores only to hear, “Sorry, we’re not hiring porters today.” That piece of white paper isn’t enough unless they graduate you with a white face, too. Then the old monster jumped me again. It wasn’t going to let me tuck down my head and crawl out of Carbondale. So I sent myself a telegram.
I was laying around my dorm room when the telegram came. Was I cool. Never got a telegram before, but I just lay there as if I got one every day. My roommate got all excited. “Aren’t you going to open it, Greg?” “Read it to me, baby.” I knew the message by heart: come to baltimore maryland immediately guarantee $25,000 a year start—signed frank d’alesandro. “Is this a gag, Greg?”
“Nope. I was in the army with Frank. His daddy’s mayor of Baltimore. Said he could get me a job in show business anytime I wanted. Think I should take it?” He ran out of that room, waving that telegram, screaming up and down the halls of the dorm. Nobody ever bothered to see that the telegram had been filed at the Carbondale office. They all came in to congratulate me. The whole campus flipped. For two days I walked around showing that telegram to everybody who could read, from the president of the university to the guys who cleaned up the stadium. The dean of students read it, and we talked, and he said that maybe I should go. He put his arm around my shoulders, and we looked out his window at where they were breaking ground for the new Student Union. I had led the campaign for the new Union, and now I’d never see it built. “Dick, you’ve been more than a student here. You’ve been a living part of this school. Southern Illinois University has taken personality from you, and you’ve taken personality from Southern Illinois.” The kids threw me a farewell party, and everybody wished me good luck. I tried to feel ashamed, but I couldn’t. I was only lying to them for a little while. I’d make it big somehow, somewhere. Someday that twenty-five- thousand-dollar telegram would come true. That night I went down to the Greyhound Bus Terminal and bought a ticket to Chicago. My brother Presley was working in Chicago at that time, and I figured he could help me get a job. I told the kids who came to see me off that I had me a little girl in Chicago, and I was going to have me a little ball before I took a direct flight to Baltimore and settled down to show business. I waved to them through the bus window, and suddenly the monster drained right out of me and I felt like I was leaving the whole world behind, leaving everybody who would ever say: “There goes Dick Gregory.” I made the bus driver stop, and I got my bags off, and I ran back to campus, crying all the way. Back at the dorms I saw all those happy faces who believed in me, all those people who wanted to shake my hand again and wish me good luck again. I had to live up to them. They had said their good-byes, they had sent me off like a champ, and now I had to go. I made up some story about not wanting to ride a bus now that I was almost a star, and I borrowed some money. The kids took me down to the train station. A night train can be the loneliest place in the world when you look out the window and all you see is darkness moving fast. I showed my telegram to the porter. “You do a good job, son,” he said. “They’ll all be watching you. Show them what we can do.” I tipped him all the money I had left, just for believing me. "... and they didn’t even have what I wanted." I
I’m driving through a snowstorm on an empty gas tank and my girlfriend’s mother wants Scotch. My girlfriend’s brothers and sisters are hollering for food. And I’m figuring like mad. Got five dollars. It’s supposed to be dollar night at the drive-in movie, which leaves me four dollars to grandstand with. Plenty for hot dogs. But a bottle of Scotch can wipe me out. It’s their car, and if they want a tankful of gas out of me, that’ll wipe me out, too. But if I take a chance, and we run dry and I have to call a cab . . . “We better stop and get some gas, Dick,” says Maryann’s mother.
"You're so right, I’m looking for a station now,” I say, passing one on each side of the road. Every traffic light winks at me as if to say, “If you’re lucky, you’ll get arrested.” I jump every light, but nothing happens. Never find a cop when you want one. “Gas station, there’s a gas station,” yells one of the four little kids in the back. I pull in alongside the pump and lean out. “Fill her up, baby.” Then I jump out of the car and run to the back. “Just one dollar’s worth, please.” Through the window I can see Maryann’s mother talking away at her daughter in the front of the car. The four little kids are rubbing their hungry bellies in the backseat. They are all very impressed to be going out with such a big entertainer. Dick Gregory, master of ceremonies and star comic of the Esquire Show Lounge of Chicago, buys his suits at Lytton’s and has his own apartment. I get back into the car looking very put out. “What’s wrong, Dick?”
“Hell, I didn’t like that man’s attitude. I never spend my money with a man whose attitude I don’t like.” "You're so right,” says the mother. “Why I was telling Maryann only yesterday that. . .” Now if I can get Maryann off alone and explain the situation to her I’m all right. I don’t have to be phony with her. Of course, it would never dawn on me to embarrass the girl in front of her folks. Besides, people just don’t like to know that such a big entertainer makes thirty dollars a week, buys his clothes on the credit of a landlady who works nights at a drugstore, and rents a basement room. “Sure is cold,” says the mother.
“We’re almost there, get us some good hot coffee.” “Some Scotch would warm us much faster, Dick.” “Liquor store, there’s a liquor store,” yells a kid. Like God strung it down from heaven, right across the highway, is this big sign: last liquor store before drive- in. Even I can’t miss it, and I’m trying. I pull over and get out. I’ve never bought whiskey before. I walk right up to the guy behind the counter. Then, out of the corner of my eye, I see the sign: special on scotch—$1.25 a pint. I’m saved. Maryann and I won’t drink. Her mother can have the whole pint. I run back to the car. “Didn’t they have any cups, Dick?” asks Maryann’s mother.
Things are very tight now. Got $2.50, and something tells me I read the newspaper wrong, just my luck it’s not dollar night after all. By the time we pull up to the box office I’m in a cold sweat despite the freezing weather. I’m sure it’s not dollar night. “That will be one dollar, mister.”
“What the hell you mean, the paper said one dollar.” “That’s just what I said, mister, one dollar.” Now I’m scared again. The only other time I’d been to a drive-in movie was two years ago, in college. How did the driver do it? Where do you park? Where do you get the speaker and the heater? “We’re holding up traffic, Dick.” It’s no trouble at all, and I’m so thankful I give the kids the rest of the money to buy hot dogs and soda. My stomach is turning over, and my hands are still shaking, and thank God everybody’s quiet now, watching the movie, and I can close my eyes and figure out how I got here in the first place. #
It had been a short trip, that train ride from Carbondale to Chicago, but some of the days that followed were very long. Presley had left his rooming house, with no forwarding address, but his landlady let me stay there for a few days, until I got a Christmas job at the post office and a hotel room. I kept flipping the letters to Mississippi in the foreign slot, but I held the job until January. I hadn’t made any friends in Chicago and I couldn’t get another job. I was on my way back to the train station, with no destination in mind, when I ran into a guy I had run track with back in high school. I remember standing on a windy corner, getting colder and colder, just talking to keep from going to that station. I told the guy about college, about the army, about Lieutenant Jim Elks . . . “You mean Tank Ellis, the football player?” said the guy. “Man, I was over his house last night on a party.” “Where’s he live?”
“Fifty-one Oh Three Wabash.” I started running. When Jim Ellis’ door opened, things began to open up for me in Chicago. He treated me like a long-lost brother and he got me a job with him out at Ford Aircraft. After work, we’d go to the park together and run to get him in condition for the pro football tryouts in the spring. I ran and I ran and it felt good as that old machine started to get into shape. I was beating Jim every day. He wasn’t a track man, but it’s a nice feeling to beat an All-American. Jim had a fast, hip crowd that threw a lot of parties, and I was swinging with people that liked me and my jokes. When Jim left for summer camp, I started running with the University of Chicago track team and made more friends, like Herbert Jubert and Ira Murchison. Murch was the fastest hundred-yard-dash man in the world and had records to prove it. I started seeing Presley, who was a door-to-door salesman, and Ron, my youngest brother, who was a track star at the University of Notre Dame. And in September I moved in with Ozelle and William Underwood, a young couple who had a basement room to rent. They treated me like a member of the family. I lost the Ford job in October, but it wasn’t so bad. Whenever I was depressed, I could put on that track suit and run. After a while, I fell into the habit I had in high school—running early in the morning and at night when people were going and coming from work. I wanted to be seen. I had a good Christmas with the Underwoods that year, and I was able to call St. Louis and tell Dolores and Garland and Pauline I was doing all right, and take the train to visit Ron in South Bend. But then January came and I was still out of work, and there was something about unemployment compensation that began to remind me of relief: the way they made you stand in line, the way they narrowed their eyes when they asked questions. I was getting more and more depressed, and there seemed to be less and less time to run it out of my system. I wasn’t doing anything. I wasn’t getting anywhere. And then, on a Saturday night in late January, I hooked up with the monster again. In a nightclub. Ozelle and William were having some people over that night and I slipped out early. I didn’t feel social. I caught a double feature, and just started walking, up streets I didn’t remember, into a South Side neighborhood I had never seen before. There was a little neighborhood nightclub on a corner, jukebox and entertainment on the weekends. The place was packed with Saturday-night faces, happy faces. I walked in. The master of ceremonies was the comic, and his material was blue and old, but after a while I was laughing too, and I had forgotten the reason I was out that night. After the show, I went backstage and told the man how much I had enjoyed his routine. We started talking, and I told him I was a comedian too. I gave him my last five dollars, and he let me follow his act on the next show. “Got a man here that’s supposed to be funny,” he said to the crowd. “Let’s bring him on and find out.” I went out there scared, and I wasn’t funny at first. I started talking and creating and I don’t remember what I said, but after a while I was getting respectful laughs. The MC came out and took the microphone back. "You're a real funny man,” he said. “You’ll go far in show business.” I wasn’t sure then if he was being sarcastic or not, but I figured I had done pretty well getting even weak laughs on clean material after following his blue jokes. The next Saturday night I went to another Negro nightclub, the Esquire Show Lounge; I slipped Flash Evans, the MC, five dollars, and this time I got a nice introduction and I followed the band’s first set. I gave a masterpiece of a show that night. I just felt right and cool, and the crowd had come to laugh. I never let them stop laughing, hit them hard and fast with jokes on processed hair and outer space and marijuana and integration and the numbers racket and long white Cadillacs and The Man downtown, and my dumb cousin and my mother-in-law, and the world situation. By the time I stopped my handkerchief was soaked and I had run out of cigarettes and I felt like I had passed them all, snatched them off like weeds, and broken the tape. When I came offstage the owner of the Esquire took me in a corner. The cheap son of a bitch let me buy myself a drink, and asked me if I’d like to start as MC in two weeks. Friday, Saturday, and Sunday. Ten dollars a night. I sat there and I looked at that man and I couldn’t believe him. He said it again. I didn’t know how I was going to wait until my opening night. It came, finally, and I wasn’t funny at all. It’s one thing to be funny when you’re a guest on another man’s stage, something else again when it’s your stage and you have to be funny night after night. My training began, now, but it was beautiful because the people in the Esquire were like a new family, the customers in the Esquire were like the student body when I was president of the class, and the women looked up to me as the big entertainer. For a girl like Maryann, I was the biggest entertainer she knew. “Dick, wake up now, the movie’s over.”
“Wasn’t sleeping, baby.” I’m not about to tell her I was starring in a little movie of my own. I start the car and slip it into gear and the tires just whine. We don’t move. First, second, reverse, first again. We’re stuck in the snow. I get out of the car and walk around it. The back tires have spun themselves deep into the ice and slush. A lot of other cars at the drive-in are stuck, too. Seven white boys, mean-looking cats in jeans and boots and black leather jackets with a million zippers, are pushing the cars out, I watch them. They swagger up to a car whose tires are spinning and one of them says, “Okay, mister, you’re next. Five bucks.” They get their five, and they all get around the car and push it out toward the gate. Then they turn to another car. If the first car gets stuck again before it gets out on the highway, the seven cats will push it again—for another five. I don’t even have a dime. I get back into the car.
“We’re hungry,” say the little kids in the back. I have to get them home quick. The tires whine some more. “Okay, mister, you’re next. Five bucks.”
“Thanks anyway,” I say, “I think I can get it out myself.”
The windshield is steamed up, and the tires spin and whine some more.
“It’s getting awfully cold, Dick,” says Maryann’s mother. “Why don’t you let those boys push us out?” “I regard this as a personal challenge, man over the forces of nature,” I tell her. “We hungry,” say the kids. “Man must triumph over nature. I must get this car out myself or perish in the attempt,” I say. “But it’s only snow,” says Maryann’s mother.
"Yeah, but it’s white snow,” I say. A very good line, but no one laughs. The tires keep spinning. “Well, you’re ruining the tires,” says Maryann’s mother, angry now.
Then I get out of the car, and I walk over to the seven white cats with all their zippers. I might as well be a fool out here than in that car. I just look at them, and I say: “How in the world can you start out right and end up wrong? I’m not trying to steal anything and I’m not trying to do anything shady, but this is what happened ...” And they stand there quietly in the snow, around me in a circle, and people are shouting and honking their horns and waving money. I explain the whole thing to them, I tell them the whole story about my girl’s car and her mother and the gasoline and the Scotch and the hot dogs and dollar day, and they look at each other and nod their heads and the biggest of those cats says: “Get back in your car, mister, and roll down your windows so we can get a grip.” And I am almost crying as they are pushing, pushing for a friend, a hundred yards, then another hundred yards, out of the spin holes and past the box office and out the gate and they wave as I drive onto the highway and I lean out and yell: “Thanks, baby,” like I just laid fifty dollars apiece on them. And now I’m driving down the highway and I look down on my lap and there’s a five-dollar bill there that one of those beautiful cats slipped through the open window while he was pushing the car. “We better get some gas,” I say to Maryann’s mother. “How much you want?” “Just enough to get home on.”
I’m smiling and laughing and crying and telling jokes as I pull alongside that beautiful pump, and when the attendant runs out I just turn my head and say: “Fill ’er up, baby, all the way up, and don’t forget to check the oil.” II
The Esquire Show Lounge is a big, rectangular room attached to a neighborhood bar on the South Side of Chicago. The room has chrome luncheonette-type tables, and chairs with red plastic seats. The customers buy bottles at the bar and get glasses and paper buckets filled with ice and cherries at their tables. There are red lights around the room, faded murals on the walls, and entertainment on the weekend: an MC, a four-piece band, a shake dancer, some amateur talent now and then, and Guitar Red, an albino Negro who gets more out of an electric guitar than any man has a right to. He even plays with his feet. People come from all over Chicago to hear Guitar Red, and on Saturday nights there were lines around the block. But I was master of ceremonies and I introduced the acts and you had to get past me before you could see Guitar Red. I felt it was my show. And I felt like the Esquire Show Lounge was my home and my stadium. All week long I would train for that Friday-night show that started my weekend. For the first time since high school, I got that thirsty taste again, waiting each week to go out and crush the world. Only now I didn’t have to beat anybody, I had to make people happy. Every day during the week I’d be working out for that three-day meet: buying comedy records, buying joke books, watching television, listening to people, going to the library and digging into musty old books of humor, and finding out where those comedy records got their material from. I walked downtown and spent money for books and magazines I couldn’t even afford, and along the way I’d hang out in the Walgreen’s at Sixty-third and Cottage Grove and on corners and anywhere people were listening to them talk, trying out thoughts and ideas and jokes on strangers. Ozelle and William would stay up half the night listening to new routines, and Ira Murchison and Herb Jubert and Jim Ellis would tell me what they liked and what they thought should go. I’d go to parties and just talk and create and clown and if something got a good response I’d mark it down in the back of my mind. Morning, noon, and night, twenty-four hours a day, trying to develop a mind like I once developed a body, watching, listening, talking. Hours and hours of television, The Ed Sullivan Show, The Jack Paar Show, every comedy show, even funny old movies, and then the news shows, the soap operas, the westerns, the series. What makes people laugh, what are people thinking about? And then you watch the stars, how do they act, how do they dress? I went down to Lytton’s, a big department store in the Loop, and convinced them I was making a hundred dollars a week and had been working for four years. Ozelle and William helped me get clothes on credit. New shoes, new suits, new shirts. Change everything between shows. For the regular customers, you’re the biggest entertainer they know. You have to look it. Keeping my clothes clean and buying records and books cost me as much as I was making. But I was selling a talent that wasn’t really mine yet, and I had to develop it from every angle. I was hung up in something, and I had to find out how it worked. Now people were beginning to say “There goes Dick Gregory” again, and it was greater than track ever was because it was all for me; it didn’t include the mothers’ sons who had to lose so I could win. Between my shows I’d talk to people and sit at tables and walk around and shake hands. I met a lot of girls and I started going around with some of them. And I made rules for myself. Never go to a man’s table if you think the woman with him is giving you the eye. That man is paying your salary—not much but he doesn’t know that—and he deserves respect. He has the right to feel comfortable with his lady in the club. Never pick up the money that’s thrown onstage. There were nights when there was more money on that stage than I was making in a week, but I’d never let anyone know I needed that money. I was the big entertainer. Never let a man pay me to introduce him and his party from the floor. If he knew I’d take that kind of money he couldn’t respect me. It’s a wild thing about a small nightclub with ordinary, working-class people. You can get the same kind of respect there that you can get in the big, downtown nightclub. You're those people’s entertainer, the biggest one they know, probably the biggest they will ever know. The stars on the top have created such an atmosphere of glamour that even the entertainers on the bottom can step in and get respect. That’s why you have to knock yourself out to dress well and act right and keep yourself up. You can never say: Look here, I’m just a small-time entertainer and my suits don’t have to be pressed or my act too sharp or my manners right. Where you are, you’re just as big as Milton Berle and Bob Hope and Sammy Davis and Nipsey Russell. You're the big big fish in the little little pond. One Sunday, after my afternoon show, a girl came out of the audience and asked me to come back to her table and give some autographs. She said she’d like me to meet her sisters. I told her I’d be delighted. That’s why it’s so important to be nice and polite to people. You can never tell when you’re going to meet your future wife. I walked over and there was a young girl at the table, very bashful, very excited. She was twisting her napkin to death, and giggling out of embarrassment. When I sat down it was like God came over to the table. She had never been in a nightclub before. She was from Willard, Ohio, a small town, and her name was Lillian Smith. She was a secretary over at the University of Chicago. "You're fooling me, baby, you’re really working at the university?”
“No, I mean yes, I’m not fooling you.” “Well, look, Lillian, I’m over there nearly every day to run track. Let’s have lunch one day.” She tucked her head down and started giggling and she said: “Oh, no, you don’t really mean that.” “Tell you what, Lillian, give me your phone number. I’ll call you and tell you exactly what day we’ll have lunch.” She was so nervous while she was writing it down, she kept tearing the paper with her pencil point. I rolled up the paper and put it in my pocket. Lillian Smith stayed through the second show and the Sunday-evening show and she kept staring at me like she was afraid nobody in Willard, Ohio, would ever believe she had actually talked to this great man. When I left that night with the girl I was dating at the time, I went over and said good night to Lillian. I thought it might give her a thrill to call her, just because she was so sure I wouldn’t. That night, back at Ozelle and William’s I lay in bed and thought about that face staring up at me, that soft, little-girl face so out of place in a nightclub. It suddenly dawned on me that my mother would have looked that way if she had ever been to a nightclub. I had a dream that night about Momma, and I was Richard again, and she came off the streetcar and ran into the house and said: “Richard, oh, Richard, I spoke to the star of the show, Harry Belafonte, I talked to Harry Belafonte,” and I said: “No, Momma,” and she said: “Yes, I did, I really did, and he’s going to call me on the phone.” When I woke up that Monday morning I called Lillian and I could almost see her expression over the phone. I just talked to her, and told her I’d call her back soon and we’d have lunch. That was around the middle of April in 1958, and I only saw Lillian a few times. She was so bashful and shy, sometimes I just ran out of words. But I was getting better and better at the Esquire. I worked harder, got to be a night owl so I could go to the bars and restaurants where other show people hung out when they were finished working. I couldn’t afford to watch them work, but I could always buy coffee or a drink and talk to them and listen. I used to walk into those places where nobody knew me, and I used to tell myself that someday I’d walk in there and everybody would turn around and say “Hi, Greg.” They knew me at the Esquire, though, my crowd. People were beginning to come to see me, not just for Guitar Red or Paul Bascomb’s band or the shake dancer. I’d MC the show, and then I’d play bongos with Paul’s band, then give my act, and MC the show some more, watching the time, keeping things moving like the patrol boy, like the president of the senior class. I’d go out to the show folks’ after-work spots, get some sleep, spend the days working on my material, reading, listening, trying my routines on anybody who would sit still. I guess it got to be too much, because in the summer I came down with yellow jaundice. The day I went to the hospital, I called Lillian at her job. She was very concerned and very sweet, even though I hadn’t talked to her in more than a month. It was like calling Momma. I was in the hospital for six weeks, impatient and angry at missing all those weekends at the Esquire, but it was the first time I ever really slowed down enough to look back down the road, and up ahead. I thought about track and I thought about Doc Lingle, how he used to tell me to take speech and music to prepare for a career in show business. He knew. And that old lady who had seen a star in the middle of my head. She knew, too. I was going to go all the way. There were a lot of visitors at the hospital—friends, performers, and customers from the Esquire. Girls. A lot of noise, a lot of talking. When the room finally would clear out, there was Lillian, standing shyly in the corner. The first time she came she brought me candy bars and grapes. You're not supposed to bring things into a Veterans Administration hospital, but I knew Lillian hadn’t sneaked that paper bag past the desk. Some people can just walk into a place and never be stopped and never be questioned. She would stand there, her eyes full of concern, and we hardly talked because she was so shy and I couldn’t always find things to say to her. When visiting hours were over the first time, she asked if she could come back. I said no, it was too far to come at night. Her eyes seemed to fill up. I explained it wasn’t that I didn’t want her, it was just such a long trip. She asked me what she could bring the next time. I asked for something to read. When she came back she brought Life and Time and Newsweek and Look and The Saturday Evening Post and the Reader’s Digest, all the magazines I had always wanted to read every week, the magazines I felt I should keep up with but could never afford. She brought me two cartons of cigarettes. I had never had two cartons at a time. She slipped everything into the drawer, and we tried to hold a conversation for a little while, and then I told her to go before it got too late. After she left, I reached into the drawer for a cigarette. There were two rolls of dimes in there for the telephone, and some cigarette money. One hundred dollars. I counted it five times. I couldn’t believe it because it was just like Momma would have acted if she were a rich girl like Lillian Smith. When I got out on a three-day pass from the hospital, I took Lillian to a movie. She was so happy, it was like offering her the world. I went right back to work after I got out of the hospital, and it was like romping and stomping through the neighborhood after the levee and the prom and the Wood River meet and the senior class speech all wrapped into one Friday night where the customers stood and clapped and cheered when I walked back up on my stage. Only they weren’t clapping for any gladiator, they were saying, Man, we’re really glad you’re back, we missed you, like how was it? Did a hell of a show that night, just talking about the hospital, the nurses, the doctors, the other patients, and when it was over everybody crowded around and told me they were planning to come out and visit me next week, or they would have sent me a card but they didn’t have the address, and they said it like they meant it. Somebody brought me some flowers. Oh, man, I kept romping and stomping all that fall, and my shows got better and better, and the lines got longer and longer, and more and more people were coming out just to hear me. Lil and I were going out pretty often now, and I’d carry her out to the club to see my act, and we’d talk about my work and she’d type up material for me at her job. I was such a big man now I went right up to the Esquire owners and I told them I was due for a raise. Been here almost a year, I’m packing the place every night, and ten dollars a night just isn’t enough money for a comic like me. I want twelve dollars a night. They told me ten dollars a night was plenty. I told them if they didn’t give me a two-dollar raise I’d quit on them. They didn’t give me a raise. When I quit the Esquire I had the same funny feeling in my stomach I had when I left college with nowhere to go. Everything, everyone was behind me. I spent most of December lying around the house, reading and watching television. Toward Christmas I played a couple benefits, just to make me feel I was still an entertainer. It was at one of those benefit shows that somebody mentioned there was an old, vacant nightclub for rent out in Robbins, Illinois. It was owned by a woman named Sally Wells. I called her, and she said the rent was fifty-six dollars a night. I told her not to make a move until we could get together.
Ira Murchison drove me out in his car the next day, a nineteen-mile trip, and I talked nonstop the whole way. My own nightclub. I could do anything I wanted. I’d be my own boss. I’d do more topical material and less blue material. I’d gain respect as an owner and a performer. I’d develop new talent. I’d pay good salaries. I’d create an atmosphere for good comedy. Everybody would be happy. Ira didn’t say a word. He didn’t even ask me what I was going to use for money. Sally Wells was a woman in her seventies, and the Apex Club was the most raggedy-looking nightclub in the world, a small, dusty, creaky, empty room. It looked a little haunted. We were peeking around the room, the three of us, when Sally Wells suddenly turned to Ira and stared at him with her bright, glittering eyes. "You've been overseas,” she said, mysteriously, “and you’re going back again.”
"Yeah, that’s right, how you know?” said Ira. The year before, he had represented the United States in the Moscow track meet, and was planning to go again. Then she turned on me, and I had the same strange feeling I had twenty years before when one of Momma’s spiritualist readers said she saw a star in the middle of my head. “I see you flying all over this country, from one end to another, with a little brown case in your hand,” said Sally Wells. Now I was really impressed. I had always had the idea, for some reason, that all the top comics carried their material in brown leather briefcases. “I also see you getting married soon.”
“Nope, you’re wrong there. There’s a little matter of having to be in love first.” Sally Wells shook her head. “I see you getting married.” I humored her because I was trying to make a business deal, and then we changed the subject. We sat and we talked and figured things out. I’d pay her $168 a week, for using the club Fridays, Saturdays, and Sundays. There was insurance and licenses and cleaning and heat and electricity and water and taxes. By the time Ira and I left Robbins and headed back north to Chicago, Dick Gregory was in business. One of the first things I did was borrow eight hundred dollars from Lillian, my rich ace in the hole. We had gotten pretty close. Then I went to every newspaper in Chicago, white and Negro, and took out ads. In the big papers, good-sized ads with printed directions for getting out to Robbins cost sixty-five dollars a day. I was going first-class. I bought glasses and tables and chairs. Went around to entertainers I knew, and hired a band and some acts. I knew I’d need a car, and Maryann had one. I asked her if she would like to be my head cashier. She was fascinated by the idea. I hired a few other girls I knew as waitresses. Then I went to buy whiskey. I had never been much of a drinker, but I learned more about liquor in two weeks than most people learn in a lifetime. Scotch, bourbon, gin, vodka, rye, wine, brandies, and every kind has a dozen different brands. I finally talked a liquor-store owner on Sixty-third and St. Lawrence into letting me have a thousand dollars’ worth of liquor for the first weekend. I would pay for only what was used and opened, bring everything else back. I convinced him that when I hit it big with the club he’d get all my business. Then all I needed was beer, and different kinds of soda. That first Friday in January I loaded everything into the car and headed out to Robbins. Opening night was only hours away. Halfway out, I realized I had no change. I drove back to town and persuaded Ozelle, my landlady, to borrow change from her boss at the drugstore. She had to promise to stand good for a hundred dollars’ worth of silver. Halfway out again, I remembered I’d need ice for the beer and cubes for the drinks. Back again, out again. Then lemons. Then pick up two of the waitresses, one singer, and the girl who owned the car. At seven o’clock I opened the doors of the Apex Club and leaned back with a smirky smile to watch the people trample each other in the mad dash to get in. By nine o’clock there were four customers. They got very good service. At ten we had a dozen, mostly friends, but by eleven o’clock the Apex Club was more than half filled and, baby, I’m a nightclub owner. I never worked so hard in my life. Did I ever move that night! One of the acts hasn’t shown up, run out and call them . . . introduce the band . . . a guy comes in without a tie, hustle him out. . . run out of change, scuffle up some more . . . introduce the singer . . . need more lemons . . . guy without a tie is back, hustle him out again . . . introduce the dancer . . . customer isn’t satisfied, go pacify him . . . money drawer is stuck, unstick it . . . somebody wants a fancy drink, go buy a bottle of creme de menthe . . . introduce the guitar player . . . glasses are coming out of the kitchen dirty, send them back and bawl out the waitresses . . . guy without a tie is back, go get him one . . . two men get up to fight, jump in between them . . . more change . . . customer says he was shortchanged, a lie, but give him money anyway ... go up and do my act, a masterpiece of a show . . . another fight, calm them down and buy them drinks . . . drawer stuck . . . more change . . . more lemons . . . more change . . . more change . . . time to close, clear everybody out . . . count the liquor . . . count the money . . . put the beer back in the cases . . . Cokes back in the cartons . . . load everything in the car because one robbery here will wipe me out. . . drive back to Chicago . . . too tired to carry everything inside . . . sleep in the car. Saturday night we had a big, live crowd, a full house. It was twice as wild as Friday night, and I worked ten times as hard, and it was beautiful. I got up onstage and I gave two great shows, mostly topical material right out of the newspapers. And by the time we closed up we had twelve hundred dollars in the till. I couldn’t believe it. I didn’t know whether I was opening a club or closing it, I was so tired, but I knew I had twelve hundred dollars in a sack. We ran afternoon and evening shows that Sunday to fairly respectable houses. By Monday morning I was in the pawnshop and at friends’ houses, scraping up enough to pay the next week’s ads and rent. The twelve hundred dollars wasn’t mine very long, with all the back bills. The only performers I paid for the first weekend were the bandsmen—they belonged to a union that would have closed the place. But I wasn’t more than a thousand dollars in debt now, and things were rolling, and I knew after the second weekend I’d be almost clear, and after that I’d have to hire someone to help me count the money. I saved that expense at least. The next Friday we got thirteen inches of snow. Thirteen inches of snow and three customers. I stood in the back of my club that night and I swore that when I really hit it big and went to appear in another man’s nightclub I would refuse to take a penny if the weather was so bad that nobody showed up. I would never take a cent if there was a tornado or a hurricane or a blizzard. I thought about that for a while. I had time that night. Yeah. I thought, that’s okay when you’re thinking as an owner, Greg, but don’t forget all those ten-dollar nights at the Esquire when you showed up on bad nights even when the customers didn’t. You were going there to make your rent money, not spend it. Saturday came with five more inches of snow and sleet, too. The highways were bad and we were nineteen miles out of downtown Chicago. Twenty people showed up. There were twenty on Sunday, and two more inches of snow. It was only the beginning of one of the worst winters we ever had in Chicago. The third and fourth weekends had snow and sleet and hail and freezing rain. Most nights there were more employees than customers in the Apex Club. I paid the girls with promises, promises that the weather would break, that we’d hit it big, that they’d all get their back pay and more. They believed me. I borrowed more money to keep the place going. I pawned and sold everything I could get my hands on. I began to resent the bandsmen who didn’t drink heavily on the job. They weren’t leaving their salaries in the club. The liquor-store owner began to complain because I was bringing too much whiskey back, so I began to start each night with a pint each of gin, vodka, bourbon, and Scotch, six cans of beer, and a couple of cartons of soda. As I sold out, I’d run out to a small package store across the street and buy more. There were nights I didn’t have to buy more. And the rent went on, and the advertising went on. I was sinking so far into debt I couldn’t see straight. On Thursday, January 29, 1959, I decided it was time to play my ace in the hole again. My rich girl. I went to see Lillian Smith. She was very sweet, but apologetic. All she could give me was three hundred dollars. She had quit her job at the university and she was leaving town. I had to ask her twice before she told me why. “I’m pregnant, Greg. I’m going to have a baby.” The words felt as though someone had taken a bucket of ice water and splashed it against my naked guts. That’s all I need now, a baby, everything I’m trying for, everything I’m killing myself for, and no money, and no real home, and I don’t want to bring up any baby that’s going to be brought up as poor as I was brought up. We sat and we talked and I asked Lil questions. No, she wasn’t rich—she had saved some money for college and when she left after a year she had kept the money in the bank. She had already given most of it to me. Yes she had known about this for some time, she was about four months’ pregnant. But you’ve been so busy and working so hard, Greg, I just didn’t want to . . . and now I’m not listening to her and I’m thinking that as poor as the Gregory kids were, and as ornery and as rotten and as no-good as Big Pres was, at least we all had a name. Big Pres had given us that. I asked Lil to marry me.
She refused. She said she didn’t want to do anything to stand in my way.
This time I didn’t ask her, I told her. Friday we got the blood tests and bought the license, and on Monday, February 2, 1959, I was a married man. Old Lady Wells was right. At midnight on Monday, Lil and I got on a Greyhound Bus for St. Louis. Three hundred miles down, sleeting all the way through the night. I told her that everything would be all right, the weather would break soon, the nightclub would hit, and I’d bring her back to Chicago and be a husband and a father. She was very brave. Lil was going to a city where she knew no one, to live with people she barely knew existed. I had no idea how hard it was going to be for her, then. That Tuesday was one of the worst days St. Louis ever had. Rain and snow and driving sleet. The buses weren’t running, there were no cabs, and the insurance companies had announced that no cars would be covered that day. We finally found a guy bootlegging rides and he took us to the project where my sister Dolores lived with her three kids. Dolores was separated from her husband and was working as a waitress. Times were tough for her, too. But she was good and kind and she welcomed Lil. I saw some of my kinfolks in St. Louis and I asked everybody to help, and I talked to Lil some more. Then I went back to Chicago and the Apex Club. III
It’s impossible to be in the nightclub business for six months and never make a penny. Absolutely impossible. I’ll never believe it happened to me. Somehow it seemed as though the harder we worked, the worse the weather got. There were weeks in February and March when the weather would break clear and warmer on Wednesday and I’d tell the waitresses who had never been paid, and the friends who had gone to a finance company for me, and the head cashier who had taken a second job to give me liquor money—I was right, baby, here we go now, this is the weekend this beautiful thing happens. Then Friday would smash down on us with snow and sleet and ten degrees. There were nights I was so tired and confused and half crazy that I thought the winter was a giant trick created just for me, a way for God to test my soul. I’d go up on stage and be funny and develop and try not to think of what I was going to say to the bill collector at the side table when I came down again. By March I couldn’t afford to advertise anymore, or pay my room rent to Ozelle and William, or the club rent to Sally Wells. The Underwoods themselves were sinking deeper into debt over me and Sally Wells was laying out money for my heat, electricity, water, license, and taxes. The nightclub acts haven’t been paid in so long that they’re hassling with me and with each other. The husband-and- wife team is splitting up, and the girl singer is fighting every night with her boyfriend, and the only thing I can give these people is hope and free liquor. But the hope is wearing thin, and my friends are pawning their clothes to pay my whiskey bill. And behind everything else is the realization that I have to hit by May because I don’t want my baby born in a city hospital. There were nights when I ran across the street for another half-pint that all I wanted to do was pass the liquor store and turn the corner and put my head down and lift my knees and salute the lamppost and take off, just keep running, Greg, just keep running. I never sent Lil a penny, and by April I couldn’t afford to call St. Louis anymore. Then the Underwoods’ telephone was turned off for nonpayment. Some of my friends began to turn against me. I couldn’t blame them. You can’t keep saying “Tomorrow” to a man who borrowed five hundred dollars for you and now his paycheck is being garnisheed and he might lose his job. Abu can’t say “Tomorrow” to Thelma Isbell, a woman with three children who might be put out of her apartment, to people who are going to lose things they pawned for you. But you say tomorrow and you say next week, and then tomorrow and next week roll around and you have to explain it to them all over again. The snow is going to melt and the sun is going to come out and the Apex Club is going to have a real, live crowd again, maybe tomorrow, maybe next week. You say it when Ozelle is sick, and William is laid off, and the waitresses’ children are hungry. You say it when you’re lying on the floor, too weary to put up your hands just enough to keep your friend from punching you in the face again. Just lie there and wish you were dead and know you couldn’t be that lucky. And know that as bad as things are, they are ten times worse for Lillian, living with strangers in a strange city, waiting for a baby whose father never calls. The second week in May, a man walked into the Apex Club with a gun. There were six customers in the club that night, and they jumped up and ran out. The waitresses and the bandsmen and the acts flattened out against the walls and froze when he walked around the tables, kicking chairs out of his way and waving the gun at the girl behind the money drawer. I came down off the stage and walked right up to him and looked him right in the eyes. “Look, mister, you don’t know what I’ve been through, or you wouldn’t come in here with that gun, you’d come in here with money.” He looked at me as if I were crazy, and he motioned me out of his way with the gun. I didn’t move. I was crazy. “Listen, mister, one of us has to die tonight. What I’ve gone through all winter with this place, you need to pull a gun and shoot me to run me out of here. God Himself couldn’t run me out of here, and He’s tried.” The man looked at me and shook his head. He had been down to the nitty-gritty himself, I guess, because he put his gun back in his pocket and said he was sorry. He turned and walked out. I scuttled up enough money that week to have the Underwoods’ phone turned back on, and the first call that came through was Dolores, and she said the baby was due in another week. She had taken Lil to the city hospital for an examination. I put down the phone and I sat next to it for a long time, as if there were someone I could call to say: “Give me another month or so on this, just a little more time and the weather’ll break and the crowds’ll come out to Robbins, and I’ll be able to take care of this thing right.” I went to a friend of mine that day, Pat Toomey, a man I had been avoiding. “I know I owe you some money,” I said, “but a man has two ways of borrowing. He can ask and he can tell. I’m telling you. I need bus fare to St. Louis. One way. My baby’ll be born next week.” “I didn’t know you were married, Greg.” “No one knows.” Pat gave me the money and I went right down to St. Louis. The first thing I did when I got off the bus was walk three miles to the Red Cross office. I gave them my name at the desk, and took a seat. While I was waiting to be called, I looked over the Red Cross workers at then desks and picked out a nice-looking, gray- haired lady. She had a warm, friendly face. She would understand. I’d make a deal: if the Red Cross lent me money so my baby could be born in a private hospital, I would give them half of everything I’d ever make in my life. The weather is going to clear and then I’m going to hit it big, starting next week, and you can’t afford to turn this deal down. “Mister Gregory?” It was a man, in the far corner.
I sat down and I explained the situation. I told him I had a nightclub in Chicago, that I was an entertainer temporarily broke, and that the baby was due the next week. "You know, Mister Gregory, we have a very fine city hospital right here in St. Louis, and your wife will be well taken care of. Let me give you the address.” I didn’t tell him that I knew the address, that I could remember the day a doctor slapped me and cursed my momma in that very fine city hospital. How could I explain to him, a man I was begging from, that I didn’t want my kid born in a city hospital? “Thank you, sir,” I said. “Thank you very much for your time. I guess you’re right.” I walked out of the Red Cross office, and around the block and down the street, walking and praying and thinking and suddenly I had an idea. I started running. When Ron was at Notre Dame he got a hernia, and a doctor from St. Louis operated on him for free. I ran to a phone booth and started looking through the book until the name came to me. He had an office across town. I ran right over. And paced in front of it for two hours until I had the courage to walk into the office of a white doctor who didn’t even know me. He was sitting there with a pleasant smile. “I’m Dick Gregory, Ron Gregory’s brother, and . . .”
“Why, of course, I remember Ron, you know that day he took the mile at the ...”
We sat there and we talked, and I talked about Notre Dame as if I had built that school with my own two hands, and I talked about Ron as if I had lived in his soul. Whenever we were ready to stop talking I’d talk some more, just to put off begging from a white man I didn’t even know. He must have sensed it on my face, or forty-five minutes was just as long as a doctor could take. “By the way, is there anything I can do to help you?”
"Yes. sir. I have a wife here in St. Louis that’s going to have a baby next week. I have no money.” He reached into his pocket and pulled out his wallet. “How much do you need?”
The world stood still and turned beautiful, and I remembered when I was a kid and had a wallet, and an angel came down and whispered something, and I was so happy and bursting inside I could never have believed man had ever fought a war or hated or been cruel. “I said how much will you need, Mister Gregory?”
“I don’t know, Doctor. How much does it cost to have a baby?”
He called his nurse in. “Would you call the hospital and make an appointment for . . . what’s your wife’s name?” "Lillian Gregory.” “. . . for Lillian Gregory. Tell them she’ll be in next week, and that they should hold the bill for me.” “Doctor, I don’t know how to thank you, I . . .”
The blood was running through my veins again, and I wanted to kiss him and hug him and give him all the joys and pleasures I ever had in my whole life. When I got out on the street again I talked to the trees and the birds and I nodded at the police car and I ran all the way to my sister’s house and I couldn’t wait for the elevator so I ran up eleven flights of stairs and burst into the apartment and grabbed a wife I hardly knew and hadn’t seen in almost four months. “Hey, baby, let me tell you what happened today.” She sat there, her face shining. “Oh, Greg, oh, Greg,” and I was talking fast again. I told her what to do and where to go and how she was going to be all right. Now, baby, I’ve got to find some money to get back to Chicago and open up the Apex Club tomorrow night. Somehow she understood, even though she shouldn’t have had to. I went by my aunt’s house, and they started screaming at me, what a disgrace you are, doing a woman like you’re doing. I tried to explain to them this thing I had, that it was bigger than you and me and my wife and the baby. They started screaming again, and I had to leave my aunt’s house running. I got some bus fare for myself and some carfare for Lil, and I went back to Dolores’. My sister was home and she took me aside. Lil wasn’t eating, she wasn’t talking or doing much of anything. She sat around the house taking care of Dolores’ kids and sleeping and crying, sleeping and crying. Lil was crying when I left the apartment, and as I slammed the door behind me I heard her scream, “Please don’t leave me again.” I went back into the apartment and into the room where she was sobbing on the bed, and she looked up and said: “I’m sorry, Greg, please forgive me.” All the way back to Chicago I tried to figure out how a woman could understand what a man was trying to do the way Lil understood. And she didn’t even know me yet. It was another miserable weekend in Chicago, raining from Friday to Sunday. This time, it didn’t matter too much. I had met a man who reached for his wallet, and my kid wasn’t going to be born in a city hospital. On Wednesday night Dolores called and told me everything was fine. Lil had been thoroughly examined and had been admitted to the hospital that afternoon. The baby was due at any time. Everything was working according to plan. I felt great. My stomach quieted down. The phone rang again on Thursday evening. “Richard?” “’Yeah, is . . “Richard, to the last day you live you’ll never be forgiven what happened to this woman, you’ll. . “What are you talking about?” “’Your baby’s born, Richard.” “Is that right? Wonderful! How’s Lil?”
“She’s here in the house, Richard, and the baby’s here in the house, and both of them laying there on the floor . . “But Lil’s at the hospital, she’s . .
“They sent her home, again, Richard. They said . . .” “’You call the ambulance?” “’Yeah, they on their way, Richard, you ...” “Let me talk to her, Dolores . . . Dolores?” “Richard, she just lying in there, lying on her back on the floor, lookin’ up at her baby. The hospital told me to put the baby on top of her stomach . . .” “Dolores, oh God, Dolores, is she really there on the floor?” “’Yeah, Richard.” “But I thought she was in the hospital.”
“She was there all night, Richard, all night long. They acted kind of funny to her, and she’s such a strange woman, that Lil. She wasn’t having labor pains so they told her she could go home, and she came home and then she had the pains and she was all alone in the house and she didn’t have no cab fare, honest to God, Richard, she didn’t have no cab fare, and she just. . .” “Dolores?”
“I can’t hear you, Richard.” “Dolores, did she holler much?” “She hasn’t said nothing. I’ve had three babies, Richard, and I always hollered, but she didn’t say a word. I came home, Richard, and if I didn’t go into the room I wouldn’t know she was in there having her baby on the floor. “I can’t believe it, Dolores, oh, my God . . .” “The ambulance’s here, Richard ...” I hung up the phone, and the next thing I knew I was running through the rain, just running like a crazy man, and I ran around a corner and right into a guy I knew from the university track team, Brooks Johnson. We both fell down on the sidewalk. Before we got up, I said: “Would you loan me ten dollars?” He never asked why, just reached in his pocket, and then I was up running again, from the South Side down to the Loop, and I caught the St. Louis bus just as it was pulling out. I fell asleep the moment I sat down, and slept for seven hours, all the way to St. Louis. Then I ran to Dolores’ house. “Richard, oh, Richard, the elevator was so small they had to stand her up on the stretcher going down eleven floors with the baby against her stomach . . .” “Where is she, Dolores?” “Homer G. Phillips. The city hospital. The old place haunted me down after all. I went right over there, marched up to the desk, and told them I wanted to see my wife. Where is she? “What is her name sir?” “Mrs. Richard Gregory.” “Certainly, sir. She’s on the fourth floor. Let me give you a slip of paper so you can visit your daughter.” Lil was in a ward with twenty other women. Some of them were tossing and groaning, and I was scared to go in. I finally did, and Lil looked up at me, and all she said was: “Hi, Greg, I’m sorry.” “Oh, Lil, don’t be sorry for nothing. It was ... oh, God, Lil, are you all right?” She smiled. “I’m just fine, Greg.” She waved her hand to make me come closer, and she whispered: “Greg, would you mind saying something nice to the lady in the bed over there? I’ve been telling her all about you.” I did, and then I went up to see my baby girl, and then I spent some more time with Lil, and then I looked at my baby again, and then I went back down to the fourth floor. “It’s Friday, Lil, I got to go back and open up the club.” “I understand, Greg. We’ll be all right, don’t you worry.” When the bandsmen walked into the Apex Club that night, I was standing by the door and I told every one of them that I was a daddy and if they wanted to hold on to their jobs they better bring gifts for my baby. I walked around that weekend in a daze, sometimes proud because I was a father, sometimes ashamed because of what Lil had gone through all alone. On Tuesday I went back down to St. Louis with a hundred dollars’ worth of baby gifts and fifty dollars I scuffled up for Lil. It was the first time I ever brought anything to my wife. It felt like fifty million dollars to a guy who had let his wife pay for the ring and the blood test and the license and the bus fare out of town more than four months ago. For the first time I began to feel like a husband and a father. Lil was home from the hospital, and I spent three days with her, the first time we ever spent any time together as husband and wife. It was the first time I lay in bed with my wife, and touched my wife, and put my back next to my wife’s back, and closed my eyes and slept next to my wife. And she was so beautiful, she just lay there and told me how happy she was, and I couldn’t believe it. I never will forget how I lay there and tried to tell her that I knew what she had been through, that I knew she had to hate me, that I didn’t blame her. She cried and shook her head and said: “Hate you for what, Greg? You're going to be the biggest entertainer in show business someday, and you did what you had to do. Someday you’ll sit back and you’ll see we didn’t go through anything.” I couldn’t believe this woman existed. We slept and we talked and we cried and laughed together for three days, and we began to know each other. So shy and bashful, that little girl I married, and now she was a woman. We talked about naming the baby. Michele Rene Gregory. “You know, Greg, when I was lying on that floor I thought—Dick Gregory’s child is going to say: ‘Dick Gregory’s my daddy,’ never going to say: ‘I was born on the floor.’ Just say: ‘Dick Gregory’s my daddy.’ You can do anything you want to do, Greg—you know that and I know that—and don’t let anything stop you.” I told Lil that I was thinking about quitting show business. Hell, I’m nothing but a peon, never worked in a big nightclub, never even been inside of one. She shook her head and touched my cheek. We held each other very tight those days and nights in St. Louis, and I began to discover who I had married, and I found out I loved her, and I learned, again, how a woman can give strength. “Those things you told me about your mother, Greg,” Lil would say, “if she could do all those things for six of you, I can do anything you want me to do. I understand you can’t always come down here. I look for you every day, and when the day is gone and the week is gone, I just keep seeing you coming. And I know you’re on your way.” I went back to Chicago that weekend, and the weather was clear and bright and warm, and the highways were dry and smooth and the Apex Club was packed. It was June and the long winter was over. Real live crowds now. The money was starting to come in. We’re going to hit, baby, because we suffered through the whole storm, and now the weather has broken. June went, and July came, and there were lines outside the door. Every time I stood on that stage I felt the monster seep right up me, and I was funny and every show was a masterpiece. I had spent six months in my own nightclub creating and developing my own comedy. The crowds came and the Apex Club . . . beginning to really hit. I lost the nightclub in July.
Old lady Wells was very nice, but there was all that money I owed her, and she was getting on in years. There were some buyers looking over the place now. The place had a name. This was the time to sell. Sally Wells gave me a chance. There was the money I owed her for the licenses and the heat and the electricity and the water and the taxes. There was four months’ worth of back rent: fifty-six dollars a night times three nights a week four weeks to a month times four months. “Has to be in by Sunday, Mister Gregory.”
That was it. There were no more tomorrows or next weeks, there were no more people to borrow money from. The last weekend the owners-to-be came out and looked the place over again, and smiled at each other at the size of the crowd. I remember giving my show while they walked around the room and talked to each other about how they would decorate the club when they took it over. Well, we went out like champs. After the last show on Sunday night we threw a big party, and drank and danced and talked. But mostly cried. We had worked together through one of the worst winters in Chicago and we hadn’t made any money, but for six months, every Friday, Saturday, and Sunday, we could look forward to being somebodies, to being part of something ethical and honest and decent, a place where the customer was always treated right and the employees got respect, a nightclub that had never had gambling or prostitution or bootleg whiskey, a nightclub that—for us—had been something like a home. It was early in the morning before that party broke up. I looked at those sad faces, and I made a speech. I thanked them for their faith. I told them what they had seen. A boy had turned into a man before their eyes. I told them, if you carry fifty pounds on your back and don’t weaken, you strengthen your back to carry a hundred, and then a thousand, and if that doesn’t break you, someday you’ll be able to carry the world. And walk with it. That’s how strong I feel. At dawn, I walked down the steps of the Apex Club for the last time, thinking of all the trails I had made across the street, the people I had known, the lessons I had learned, the tests I had passed. Good-bye, Apex good-bye and thank you so much. There will be no turning back now. I’m ready. IV
I lost the Apex Club in the summer of 1959, and the next year and a half was up and down, in and out, hustling and scuffing and pestering people to listen to me, hire me, pay me. But I was moving now, and tasting that thing. The Apex had put the monster back in me for good. In August I got my old job back at the Esquire, at ten dollars a night. I started bugging Herman Roberts, the owner of the biggest Negro nightclub in America, to come out and catch my act. He wouldn’t move. So I brought the mountain to him. The Pan-American Games were in Chicago that year, and I knew a lot of the athletes. I borrowed some money, and rented Roberts Show Club for one night to throw a party for the teams. Naturally, it was a one-man show. Afterward, Herman Roberts came up to me and asked how much I wanted to be master of ceremonies at his club. I said $125 a week. He nearly slipped and said: “Is that all?” All the top Negro acts played Roberts in those days—Sarah Vaughan, Count Basie, Sammy Davis Jr., Billy Eckstine, Nipsey Russell, Dinah Washington. There was Red Saunders’ big house band, an eight-girl chorus line, and more than a thousand seats. When I stood on that electrically powered stage and introduced the acts and gave the coming attractions, I felt like a top Negro act, too. I rented a furnished apartment for twenty-five dollars a week and brought Lil and Michele into Chicago. The kitchen was in the basement, but it was home and we were together. Told everybody I was on my way. Had me a few words with that dumb Esquire management. Too quick. The Roberts job folded a month later; I didn’t know he only kept his MCs four weeks at a time. Lil got her old job back at the University of Chicago, and we bought a ten-year- old Plymouth for fifty dollars. No insurance and no floorboards, but every day, with six-month-old Michele on the front seat, the old car made the rounds. Booking agents, nightclub owners, people who knew people. Now and then we’d come up with something, $10 here, $50 there, once a $175-a week gig at a white honky-tonk. I lasted only a week there. Told the management they’d have to stop those B-girls from tricking the tourists so badly if they wanted to retain an artist of my caliber. So Michele grew a little older in the front seat of that Plymouth. She never cried, never carried on, just lay there all wrapped up in blankets against the wind coming in from underneath. We pestered more people, kept going around to the union, the American Guild of Variety Artists. On Monday nights, AGVA members got a chance to audition in front of an audience of white nightclub owners and agents. Every time I asked them to put me on an AGVA night they asked me if I could sing or dance. “I’m a comedian, sir.”
“We’ll have an opening for you in about a year and a half.”
Whenever things got too tight, I’d pick up a little money washing cars, doing little things here and there. Then Herman Roberts called again. Only ten dollars a night to start during this time, and I’d have to help the waiters seat the customers during the Sammy Davis Jr. engagement. But I could stay for as long as I was funny. It was at Roberts that I learned one of the greatest lessons in show business. Sammy Davis Jr. and Nipsey Russell were appearing on the same bill at Roberts, probably the biggest attraction the club ever had. They were playing to 90 percent white audiences, and for many of those customers it was their first trip to the South Side of Chicago. For most, it was the first time they had ever been to the South Side at night. The club was packed with white executives who were slipping the waiters fifty-dollar tips for ringside tables. Nipsey would open the show, with a lot of racial comedy, and he absolutely slayed that white audience. They couldn’t laugh hard enough. Nipsey stole that show, even against Sammy Davis with all his talents. I couldn’t believe it. I tried to figure it out. A few nights after Nipsey had opened at Roberts, he was called down for an AGVA night. The word had gotten out how well he was going over uptown. I went downtown that Monday night to a white club and watched Nipsey work that audience of white nightclub owners. It was the same routine he had killed the customers with at Roberts, but that night Nipsey just sat up there and died. He couldn’t get the same response he got at Roberts. And then I began to figure it out. A white man will come to the Negro club, so hung up in this race problem, so nervous and afraid of the neighborhood and the people that anything the comic says to relieve his tension will absolutely knock him out. The harder that white man laughs, the harder he’s saying, “I’m all right, boy, it’s that Other Man downtown.” That white customer in the Negro club is filled with guilt and filled with fear. I’ve seen a white man in a Negro club jump up and say “Excuse me” to a Negro waitress who just spilled a drink in his lap. If that same thing happened in a white nightclub, that man would jump up, curse, and call his lawyer. That was the kind of audience that Nipsey slayed in the Roberts Show Club. But when Nipsey went downtown for AGVA night he was in the white man’s house, and the white man felt comfortable and secure. He didn’t have to laugh at racial material that he really didn’t want to hear. This gave me something to think about, to work with. Someday I’m going to be performing where the bread is, in the big white nightclubs. When I step up on that stage, in their neighborhood, some of them are going to feel sorry for me because I’m a Negro, and some of them are going to hate me because I’m a Negro. Those who feel sorry might laugh a little at first. But they can’t respect someone they pity; and eventually they’ll stop laughing. Those who hate me aren’t going to laugh at all. I’ve got to hit them fast, before they can think, just the way I hit those kids back in St. Louis who picked on me because I was raggedy and had no daddy. I’ve got to go up there as an individual first, a Negro second. I’ve got to be a colored funny man, not a funny colored man. I’ve got to act like a star who isn’t sorry for himself—that way, they can’t feel sorry for me. I’ve got to make jokes about myself, before I can make jokes about them and their society—that way, they can’t hate me. Comedy is friendly relations. “Just my luck, bought a suit with two pair of pants today . . . burned a hole in the jacket.” That’s making fun of yourself.
“They asked me to buy a lifetime membership in the NAACP, but I told them I’d pay a week at a time. Hell of a thing to buy a lifetime membership, wake up one morning and find the country’s been integrated.” That makes fun of the whole situation.
Now they’re listening to you, and you can blow a cloud of smoke at the audience and say: “Wouldn’t it be a hell of a thing if all this was burnt cork and you people were being tolerant for nothing?” Now you’ve got them. No bitterness, no Uncle Tomming. We’re all aware of what’s going on here, aren’t we, baby? Now you can settle down and talk about anything you want: fallout shelters, taxes, mothers-in-law, sit-ins, freedom riders, the Congo, H-bomb, the president, children. Stay away from sex, that’s the big pitfall. If you use blue material only, you slip back into being that Negro stereotype comic. If you mix blue and topical satire that white customer, all hung up with the Negro sex mystique, is going to get uncomfortable. In and out of Roberts in 1960, I had plenty of time to think. I realized that when I started working the white clubs, one of my big problems was going to be hecklers, ’specially in the beginning when I’d be in honky-tonk white clubs. Handling a heckler just right is very important to a comic. Unless you’re well known as an insulting comedian you can’t chop hecklers down too hard or the crowd will turn against you. Most hecklers are half drunk anyway, and you will lose a crowd if you get mean with a drunk. On the other hand, you have to put a heckler down. If a heckler gets the best of you, that crowd will start to feel sorry for you. I had worked it out pretty well in the Negro clubs. I’d put a drunken heckler down gently: “Man, I’d rather be your slave than your liver,” and that would go even better in a white club. Whenever I got a vicious heckler, I could say something like: “Now how would you like it if I came to your job and kicked the shovel out of your hand?” That would work fine, too. But someday, somewhere, I’d be in a white club and somebody would get up and call me a nigger. I worried about that. When that white man calls me nigger, every other white man in that club is going to feel embarrassed. The customers are going to tie in that uncomfortable feeling with that club—even after I’m gone—and the club owner knows this. He would rather keep me out of his club than take a chance on losing customers. It was the same thing when I got kicked in the mouth as a shoeshine boy—the bartender ran me out of the place, even though he felt sorry for me, because he couldn’t afford to have the customers fight. But now I’m a man and I have to take care of myself. I need a fast comeback to that word. That split second is all the difference between going on with the show or letting the customers feel pity and a little resentment for the entertainer who got put down. I used to make Lillian call me a nigger over the dinner table, and I’d practice the fast comeback. Somehow, I couldn’t get it right. I’d always come back with something a little bitter, a little evil. “Nigger.” “Maybe you’d feel more like a man if you lived down south and had a toilet with your name on it.” “No, Greg, that’s not right at all.”
I was lying around the house one night, watching television and feeling mad at the world. I’d been out of work for three weeks. The snow was so deep I hadn’t even been outside the house for four days. Lil was sitting in a corner, so calm and peaceful, reading a book. There was no one else to pick on. “Hey, Lil.”
“Yes, Greg.”
“What would you do if from here on in I started referring to you as bitch?” She jumped out of the chair. “I would simply ignore you.” I fell off the couch and started laughing so hard that old stomach of mine nearly burst. That was it. The quick, sophisticated answer. Cool. No bitterness. The audience would never know I was mad and mean inside. And there would be no time to feel sorry for me. Now I’d get that comeback. I got my chance a few weeks later, in a run-down neighborhood club on the outskirts of town. The customers were working-class white men, laborers, factory hands, men whose only marks of dignity were the Negroes they bossed on the job and kept away from on weekends. It happened in the middle of the late show on the second night. Loud and clear. “Nigger.”
The audience froze, and I wheeled around without batting an eye. "'You hear what that guy just called me? Roy Rogers’ horse. He called me Trigger.” I had hit them so quick that they laughed, and they laughed hard because that was what they really wanted to believe the guy had called me. But I had only bought myself a little time. There was an element in the house that really knew what he had called me. I had the crowd locked up with that fast comeback, so I took a few seconds to look them over and blow out some smoke. "You know, my contract reads that every time I hear that word, I get fifty dollars more a night. I’m only making ten dollars a night, and I’d like to put the owner out of business. Will everybody in the room please stand up and yell nigger?” They laughed and they clapped and I swung right back into my show. Afterward, the owner came over and gave me twenty dollars and shook my hand and thanked me. I had made my test. The weather broke, and Michele and I got back into the Plymouth and made our rounds. Another gig in a white club, a little place in Mishawaka, Indiana, ninety- eight miles from Chicago on the other side of South Bend. I drove the distance every night because at ten dollars I couldn’t afford a hotel. That club was a big thing in Mishawaka, and the white folks lined up early to get in. It was on a Saturday night, the place was packed, and I kept noticing a group of white girls sitting on the lounge chairs near the back. They were drinking pretty heavily, and laughing at all the wrong places. Suddenly, one of the girls shouted: "You're handsome.”
Every white man in the place froze. That’s that sex angle, thrown right in your face, and the whole room hates you for it. Okay, here we go. “Honey, what nationality are you?” “Hungarian.” “Take another drink. You'll think you’re Negro. Then you’ll run up here and kiss me and we’ll both have to leave town in a hurry.” That busted it. The room came all the way down again, and you could hear the relief in that explosion of laughter. If there was any hate left in that room, it was for that girl. I felt stronger and stronger now, more confident that I could handle anything that came up. I went back into the Roberts that summer for another engagement. The Republican Party Convention was in town then, and some of the delegates went slumming one night and caught my act. They talked about it. A few nights later, John Daly’s crew from the American Broadcasting Company came by. He was doing a television documentary about the race situation in the North, Cast the First Stone. He wanted to tape my routine. I was signed to a contract, got a dollar to make it legal, and a crew came out and taped me for two hours. I ran all the way home to tell Lil. This is it. Prime time, baby, network. John Daly. We have to plan strategy now, make sure everybody in the whole country sees me on television. “Lil, you know that paper you type things on at the university.” “Yeah, Greg ...”
“Can you get some of it?” “Sure.” “Now, we’ll need about eighty thousand sheets of that. . .”
Next morning I dressed Michele and drove out to the university. The lady out there knew Lil and was very nice, but a little confused. Eighty thousand sheets? Finally we decided to cut a stencil and have someone run it off on the mimeograph. As soon as I borrowed some money I’d buy my own paper and pay for the labor. I had no idea how much eighty thousand of anything was until I picked up those boxes of paper. It was like working the levee just to load it into the car. Now I had to hand them out. It was a simple handbill, it said something like—make sure you watch Cast the First Stone on September 27, 1960, on the American Broadcasting Company station, then write a letter to the network telling them how much you loved the show, especially Dick Gregory. For two weeks I passed out those handbills, on street corners in the Loop, in South Side bars, in restaurants, outside movie theaters, in schoolyards, outside factories at lunchtime. Sometimes people read them. Sometimes people just dropped them on the sidewalk, and I’d run over and pick them up. It was as if my blood was spilling on the pavement. Sometimes it seemed like the more handbills I passed out, the more were left. I borrowed a car with floorboards and drove down to St. Louis and passed them out in front at the high schools, drove down to Carbondale and passed them out in the Student Union. I borrowed some more money for postage stamps and envelopes and started mailing out hundreds at a time to friends and relatives and to every NAACP chapter in the country. I was still handing them out on street corners the night of the show, mad as hell at all the people who had the nerve to be away from their television sets on a night like this. By the time I got home, the show was fifteen minutes old. “I been on yet, Lil?” “Not yet, Greg.” And then it happened. John Daly said something about a new young comic sensation. Right after this message. This is it, baby, hold on. I could see eighty thousand letters, at least, in the mail before morning. Eight thirty. John Daly took about two minutes to introduce me, and there I was, staring at myself on national television, coast-to-coast. Prime time. The whole country was watching me. Two jokes. Two quick jokes. About twenty seconds. Then it blacked out, and there was a commercial. “That’s a good sign, Lil, a commercial. Means I’ll go all the way through the rest of the show. This was just a teaser.” “Sure, Greg.”
We sat there until nine o’clock when the program went off, and I never came on again. “Maybe that was just part one, Greg. Maybe next week they’ll have part two.” “Call up and find out.” She did. We stared at each other and cried. Eighty thousand handbills. Twenty seconds. I couldn’t believe it. And they had taped my act for more than two hours. What the hell, back to work. I went into a beatnik coffeehouse off Rush Street, The Fickle Pickle. Seven nights a week, $125 a week, one month. I began to meet some people who were going to help me. There was Tim Boxer, a young newspaperman from Canada who was out of work and sleeping in his car. We got friendly, and he said he’d do some public relations work for me. There was Bob Orben, one of the top comedy writers in the world. I couldn’t afford having him write special material for me, but he sent me his monthly pamphlet of general jokes, the best school for comics there is today. There was Joe Musse, who signed me to a contract with Associated Booking, the biggest agents in the country. And he introduced me to Freddie Williamson in Associated’s Chicago office. Freddie never came to see me work, but I used to go to his office nearly every day to bug him into getting me jobs. Between his phone calls and his other clients, I made Freddie listen to my material. I’d just stand in his office and do my act for him. He said he liked it, and that he would try to book me into the Playboy Club in Chicago. They were always looking for new talent. Meanwhile, in November of 1960, he got me a week at Eddie Salem’s Supper Club in Akron, Ohio. I’ll never forget that gig. It was the biggest job I ever had, in the biggest white club I had ever seen. My first real out-of-town engagement. Two hundred dollars a week and I was on the same bill with Don Cornell, the singer. A big white club with a big white star. The response to my material was pretty good. Eddie Salem let me eat in his club on credit. He lent me money so I could send Lil enough for the groceries, and so I could spend money like the top Negro entertainer I was pretending to be. After my act I’d sit at the bar like a big man and buy drinks for the customers. But sooner or later I would have to go back to my room in the Negro section, a ten- dollar-a-week room, the only room I could find where I didn’t have to pay a week in advance. It was on top of a restaurant, and I told the owner I had just come from a big engagement in Las Vegas and the only reason I was staying in his place was to spread a little money around my people. I let racial prejudice work for me that time. There was no heat in that room, and one naked light bulb, hung from the ceiling. The toilet was broken, and a woman across the hall kept dumping her overnight bucket in the public bathtub. Even when I came back drunk, the stench in that room sobered me up. It was first time since St. Louis that I had to pile on extra clothes to go to sleep, and when I woke up in the morning there was a blanket of bugs across the bed. I was cold and miserable and I cried like a baby. I had always stayed away from after-hours joints because I was afraid they would be busted by the police, but I went to every after-hours joint I could find in Akron. But sooner or later I had to go back to that room, just like sooner or later I used to have to go back to that house on North Taylor. No matter how many track meets I won. It seemed like I was a kid again in high school—all those years and all those things that had happened and I was still coming back to a place with no heat and no light and no running water. I wasted a lot of tears in Akron. I had no way of knowing I was less than two months away from hitting the big time. V
Christmas 1960. Michele had a fever and the apartment was cold and I was out of work again and there were three pounds of fatty white hamburger meat on the table. Poor people are always embarrassed at not having turkey and cranberry sauce for this one day—the same turkey they can’t afford in October, the same cranberry sauce they can’t afford in May. You try to think that Christmas Day is only twenty-four hours long, just like all the days you were satisfied with beans. But you never really stop believing in Santa Claus. When Momma was Santa Claus you could almost accept having nothing, but when Momma is gone and you’re Santa Claus you can’t accept not being able to give. Maybe that’s why honest people steal at Christmas time. Christmas isn’t right unless you give. We didn’t really steal that Christmas, but we bought a lot of things we weren’t sure we could pay for. First there was the television set. The radio had advertised a set for $114, and Lil and I called up for a demonstration. A man came by the next day with a big television set, plugged it into the wall, and told us that the price was three hundred dollars. When he found out that the old set we were using belonged to the landlord and that we couldn’t trade it in, the price went up to four hundred dollars. No down payment, seventeen dollars a month for two years. It was a trick, but it was worth it. It was the first piece of furniture Lil and I had ever bought in almost two years of marriage. And it was new, something no one else had ever owned before. On Christmas Eve, we went down to The Fair, a big department store in the Loop. I sat in the car, nervous, while Lil went inside to try to open a charge account. I was gambling that on Christmas Eve the store was full of stuff they had to get rid of. If Lil said it just right, about her husband being Dick Gregory, the comic, and being employed by the University of Chicago, they wouldn’t question her. After half an hour she came out with her face shining. “We got it, Greg, up to seventeen hundred dollars.” We bought everything we thought we’d need all year, coats and clothing and blankets and plates and pans and baby things and gifts for kinfolks we had only heard of, and lights for a Christmas tree. We had to hold the packages on our laps so they wouldn’t slip through the floor of the car. We only had two dollars in cash, so we bought a raggedy Christmas tree for a dollar, and on the way home we stopped at a grocery and bought three pounds of cheap hamburger meat, thirty-three cents a pound. It was so fatty that the grease overflowed the pan and put the fire out. But Lil ate that hamburger with all the grace in the world, and she fed it to Michele like it was the finest food a mother could offer her daughter. The Gregorys were eating hamburger because it was just what they wanted. “Honey, this is the last time we’ll ever be poor on Christmas, this is the last time you’ll ever have to cook Christmas meal in a basement kitchen and carry it up two flights of stairs.” “It’s all right, Greg.”
“I just made you a promise, Lil, not a threat. This will be the last Christmas you’ll spend like this.” “Greg?” “Yeah, Lil” “I got something for you. Under the tree.” “But, Lil, we got all our presents at The Fair." “This is something special, Greg.” I opened it up. It was a brown leather briefcase with my initials on it. That little brown bag I had always thought the top comics carried. Lil, oh, Lil, how did you ever know? How we talked that night. She told me how she had done extra typing for graduate students at the university, and she had saved the money. And I told her about old Sally Wells, the lady who owned the Apex Club, the old witch doctor who had predicted I would get married soon and that I’d be flying around the country with a little brown bag. I had never told Lil the story before, never told her about the little brown bag. There was such excitement in her eyes and in her voice. “Is this it, Greg, is this the bag?” "Yeah, baby, this is it.” There was no fear in me now, no fear about paying off the television, or paying off The Fair, or supporting my wife, or getting money to take my daughter to the doctor. I couldn’t get scared even when there were no jobs for the rest of the year, when January came and there was nothing for me to do. I had me my little brown bag. On January 13, 1961, my agent called. Irwin Corey, the comic at the Playboy Club, had gotten sick. They needed a replacement that night. I borrowed a quarter from the landlord downstairs. I took the wrong bus downtown, and it let me off twenty blocks from the Playboy Club. I started to run, and the wind knocked the water out of my eyes, and the cold crawled up my sleeves. They gave me the news at the door. They were very sorry. They hadn’t realized that the room had been booked by a convention of frozen food executives from the South. They would give me fifty dollars for the night. They would try to work me in again soon. But they didn’t think this would be the best kind of audience to break in with. If I hadn’t been so cold and so mad and so broke, I would have accepted it and gone back home. The room manager was very nice, and maybe he was right. The Playboy Club was a very sophisticated place, the most publicized nightclub in the country, and a room filled with well-to-do southerners would be tough to handle. But I was cold and mad and I had run twenty blocks and I didn’t even have another quarter to go back home. I told him I was going to do the show they had called me for, I had come too far to stop now. I told him I didn’t care if he had a lynch mob in that room, I was going on tonight. He looked at me and he shrugged. Then he stepped aside and opened the door to the top. VI
Good evening, ladies and gentlemen. I understand there are a good many southerners in the room tonight. I know the South very well. I spent twenty years there one night. . . It’s dangerous for me to go hack. You see, when I drink, I think I’m Polish. One night I got so drunk I moved out of my own neighborhood. . . Last time I was down south I walked into this restaurant, and this white waitress came up to me and said: “We don't serve colored people here. ” I said: “That’s all right, I don't eat colored people. Bring me a whole fried chicken. ” About that time these three cousins come in, you know the ones I mean, Klu, Kluck, and Klan, and they say: “Boy, we're givin' you fair warnin'. Anything you do to that chicken, we ’re gonna do to you. ” About then the waitress brought me my chicken. “Remember, boy, anything you do to that chicken, we ’re gonna do to you. ” So I put down my knife and fork, and I picked up that chicken, and I kissed it. I went all the way back to childhood that night in the Playboy Club, to the smile Momma always had on her face, to the clever way a black boy learns never to let the bitterness inside him show. The audience fought me with dirty, little, insulting statements, but I was faster, and I was funny, and when that room broke it was like the storm was over. They stopped heckling and they listened. What was supposed to be a fifty-minute show lasted for about an hour and forty minutes. Every time I tried to get off the stage, they called me back. When I finally said good night, those southerners stood up and clapped, and when I started toward the door they took money out of their pockets and gave it to me. And one of those southerners looked at me and said: “You know, if you have the right managers, you’ll die a billionaire.” It was the greatest compliment I had ever gotten. Hugh Hefner, the owner of the Playboy Club, caught the second show I gave that night. He signed me to a three-year contract, starting with $250 a week for six weeks in 1961. It was a hell of a thing for people to ask if I was working. I could stick out my chest and say: Yeah, baby, I’m over at the Playboy. After Hefner hired me, all kinds of things started to happen. I started to get press notices, the newspapers sent people to review my act, the columnists started quoting my jokes. I’d buy every paper every night, and if I saw my name in one I’d run over to another newsstand to make sure all the copies of that newspaper had my name in it. Time magazine ran my picture and a rave review. There were calls from agents and managers and nightclubs and record companies. The phone never stopped ringing. I got a lot of help that year. Tim Boxer, the newspaperman I met at The Fickle Pickle, was working hard as my press agent. Associated Booking was getting me jobs. Alex Drier, a big Chicago television personality, invited me by his house to talk about proper management. Alex lived on the Gold Coast of Chicago, and the night I drove out there the police stopped me three times along the way. They figured that any Negro there after dark could only be there to steal. I should have worn a chauffeur’s uniform. But it was worth it. When I finally got to his house, Alex was warm and friendly and encouraging and as helpful as usual. He introduced me to Ralph Mann and Marv Josephson, who became my managers. I got lawyers, Dick Shelton and Bernie Kleinman, to handle my account. When you’ve been busted as long as I had been busted, and suddenly people are waving contracts and money under your nose, you need good, honest, smart businessmen around you. You can’t go downtown to wheel and deal for yourself because you aren’t used to thinking like a big entertainer with a future; you’re still thinking like a guy who is busted. Then I got a call to come to New York for The Jack Paar Show. The day I went was a hell of a day. First time I was ever in a jet, first time I ever stayed in a big white hotel. I met Joe Glaser, the head of Associated Booking, a man worth millions. He told me if there was anything I wanted in the hotel, just pick up the phone and call downstairs. His office would take care of the bill. By the time I got on the Paar Show, so much had happened to me that I wasn’t as nervous as I should have been. But it was a hell of a thing to be on national television, on the biggest show in the country, and be allowed to make honest racial jokes right in everybody’s living room. Being on The Jack Paar Show made me in America. When I got back from New York, I called Lil from the airport. “Hey, baby, anything done happen in my life?” “Well, Greg, David Susskind called, he wants you on his show, the Paar people called, they want you back again, and are you ready for the big one?” "Yeah, baby, lay it on me.”
“They just came and repossessed your television set.” “Good. Honey, don’t you worry about it.” On the way back home, I stopped at my lawyers’ and asked them to get me the biggest color television set on the market. “How big, Dick?”
“Tell them to go by my apartment and measure the doors. I want the set so big, they got to take all the doors down to get it in the house.” And I told my lawyers to pay off the people who took the other set. Tell them to keep it. They pulled a trick on some poor people. But the trick was on them. They had given me time to pacify my family.
I didn’t have to pacify them anymore. There were more television shows, and big nightclub contracts, and concert offers, and articles about me in national magazines. I bought Lil a Thunderbird for her birthday that year. I got a kick out of the Thunderbird. Lil didn’t know how to drive, and that Thunderbird just sat out in front of that furnished apartment on Wentworth Avenue. That was getting back at the system. And then the big one. That August, Lynne Lucille, our second daughter, was born. In a private hospital. I was growing by the minute, meeting fascinating people like Hefner and Paar and Bob Hope. I was flying first-class to California and New York. One day, one of biggest record companies called. They wanted me to cut a comedy record for them. I was thrilled. I’m sure I would have done it for them, but the man who came to talk to me took me to the wrong restaurant—a fancy place called London House that scared me to death. The man ordered lobster tails, so I ordered lobster tails. When the waiter brought the lobster tails, I realized that I didn’t have the slightest idea how to eat them. So I watched the man from the record company. He squirted some lemon on his lobster, so I squirted lemon on my lobster. But by the time I finished squirting, he had already taken his first swing at the tail and cut it open. I had missed his move, and I didn’t know what to do. So I told him I had an upset stomach, and I walked out of the restaurant.
But a little while later, Colpix Records offered me a twenty-five-thousand-dollar advance for two albums. I took it. That really tied up a loose end for me, that twenty-five-thousand-dollar check. I wished I still had my telegram. I hadn’t really told a lie after all. There were some other loose ends that got tied up that year. In May, I went back to Southern Illinois University with Dizzy Gillespie, for a concert. Doc Lingle was there, and the dean, and the president. I was a hero again. And that summer, in San Francisco, I met Big Pres. We didn’t talk very long. There wasn’t very much to say. He was married again, he had other children. He was working hard and living right. I still felt a lot of resentment toward him. And I was surprised to find he was only about my height, five-foot-ten. I had always thought of him as a giant. I felt a little sorry for him, too, and I promised him that he was still the grandfather to my children, and that they would visit him. They would give him the respect they would have to give to any grandfather. I didn’t see him again that year, but I kept my promise about the children. That fall, I went to Buffalo for an engagement, and after a show a guy came up and said there was a lady who wanted to see me. For some reason I knew immediately who it was. I knew she had been living in Buffalo for some years, and I was so nervous that I went back to my dressing room to smoke and go to the bathroom before I went to her table. And when I sat down and looked at her, I found out that when a man waits for something and begs for something and prays for something for twenty-two years, from the time he’s seven years old until he’s twenty-nine, that thing just doesn’t qualify anymore. No, I didn’t want Helene Tucker anymore. I was after a Helena, and I had her at home and her name was Lillian. That was a big year, 1961. Made it to the top, and found my daddy and found Helene Tucker, and wiped out that twenty-five-thousand-dollar lie. I came off the road in November, back to Chicago, thinking how I was going to wrap up this beautiful year in a final beautiful package. I had me a brilliant idea, and I schemed out one hell of a plot. A friend of mine, an interior decorator, was in on the trick. We went and found an apartment in the Hyde Park section, an integrated building near the university. I told him to take that apartment and spare no expense. I want to move in on Christmas morning, and the only thing I want to take with me from the furnished apartment on Wentworth is the color television set, so I can watch them tear the doors down again. I want this place to be perfect. I want to walk in here on Christmas morning and start living in it, I want to open up that new refrigerator and cook ham and eggs. He did a hell of a job, went and bought furniture and carpeting and drapes, and when I went back I nearly flipped. I couldn’t believe we were going to live in anything so beautiful. Now I brought my lawyer in on the trick. Three days before Christmas, I had him call Lil. He was supposed to tell her I was having trouble with my income tax. The Internal Revenue had taken every penny I had made for the entire year. We were broke again. I lay there in bed that morning, listening to Lil talk to him over the phone. I lay there waiting for her to come in and give me the bad news. And I waited. Finally, I couldn’t stay in bed anymore. “Anybody call me while I was sleeping, Lil?” “No, Greg.” “But I heard the phone ring.” “Oh, it was just the lawyer.” “What about?” “He didn’t tell me.”
I called him back, and asked why he hadn’t given Lil the message. He said he had. When you have that Helena you’re just not going to hear any bad news from her lips. Nothing sounds bad to her when you’re around. “Lil?”
“Yeah, Greg?”
“We’re going to have to sell the toys we bought the kids, and we’re going to have to give your car back.” “That’s okay, Greg.”
“Baby, I’m sorry but it’s going to be the worst Christmas we ever had.”
“Don’t worry about anything, Greg, we’ll be all right.” I had planned to stage a big eviction scene, but just looking at all that peace and trust in her face, I canceled that plan out. There were still a lot of things that had to go into the new apartment that nobody but Lil could buy. So two days before Christmas, I told her that a friend of mine had called to ask if we could help out a young couple who had just moved to Chicago. The couple had some money, but no credit in town. Since the stores probably didn’t know yet that Dick Gregory was busted, we could open a charge account in our name for them, and we could help them buy their furnishings. Lillian said she’d be glad to help them.
We spent all that day shopping with this couple Lil didn’t know. Lil helped that woman pick out dishes and silverware and sheets and bedspreads and towels as carefully as if she were picking them out for herself. And somehow, Lil never caught on to the clever way that other woman made sure Lil liked something before she charged it. When we left the store, we had about ten cabs full of stuff, plus my car and my friend’s car. I sent Lil home in another cab, and we took the stuff to the new apartment. We had no tree Christmas Eve, no toys for the kids, no gifts for each other. I told Lil I couldn’t take her to the club with me that night because I couldn’t afford to run my tab up. But after the show, I picked her up and carried her to a party in the Hyde Park section given by a big Chicago columnist, Tony Weitzel, and his wife, Carmen. He was in on the trick. Lil was fascinated by Tony’s apartment. “If you really want to see something, Lil,” said Tony, “let me show you what one of these apartments looks like brand new.” He took a bunch of us up to the ninth floor. Lil walked in that door, and it was beautiful to see the way her face lit up. “Oh, it’s lovely, it’s so fine. Those people will be so happy in here.” She walked around and looked at the apartment, and her face was so full of happiness I almost cried. She was being happy for somebody else. Then she noticed some of the things she had bought in the store two days before, and she grabbed my arm. “Greg, oh, Greg ...” And her eyes got wide, and her mouth fell open, and she saw one of Michele’s toys underneath the Christmas tree in the middle of the living room floor. Lillian screamed, and she fainted. That was Christmas 1961, so different from all the Christmases I’d ever had. It was as if I had rolled it all together in one big ball, and bounced it, and while it was up in the air, said: It’s get-even time, Santa. VII
And suddenly you wake up one morning with a smirky smile because you’re standing on the other side of that plate-glass window and you say: Damn, this wasn’t hard, this wasn’t hard at all. In January 1961, you were putting cardboard in your shoes to keep out the cold, and in 1962 you have more shoes than you’ll ever wear. You buy suits like jelly beans. You can take your kids to the doctor before they get sick. You play a show on Broadway. You take your wife to Hawaii for a vacation. Baby, you got it made in the shade. But the old monster is still hanging around, he’s not satisfied yet. You got to work for him, too. You take twenty-one juvenile delinquents on a road trip to Detroit to let them meet Walter Reuther and the governor and have a dance with some local Helene Tuckers, and get a little dignity. You make those nightclub owners advertise in Negro papers in cities where they advertise in the white press and there is also a Negro press, and you put a non-segregation clause in your contract. You start doing a lot of benefit shows for CORE and the NAACP. You start doing shows in prisons. Two of those shows I’ll never forget as long as I live. The one that scared me the most—physically—was at the Maryland State Penitentiary. Until I walked into that cell block, I had no idea the prison was segregated. The white prisoners were sitting in the middle, and the Negro prisoners were sitting on the sides. I told the priest who had brought me in that I had never worked in front of segregated audience and I wouldn’t start now. He told me that the prisoners had been waiting for my show all week, and that if I didn’t go on there would be a riot. I told him to integrate the seats and I’d go on. He went and got the warden. The warden said there would be a riot if I didn’t go on. He said that the convicts had been sitting that way for thirty-two years, and he couldn’t do anything about it. He told me that for the first time in history they had let the Death Row prisoners out to watch a show. They were in the balcony. “Let me out the back door, Warden. Tell the boys I had a heart attack.”
He begged me to go on. He promised me if I did this show, the very next one they had would be integrated. But that monster was jumping, that dry taste, that hot water seeping up. “Okay, man, you say if you try to integrate them there’ll be a riot, and if I don’t go on there’ll be a riot. Tell you what. Either I can walk out that back door, and never give it a second thought, or I can go out there and try to integrate them. That way, at least I’ll be here to get killed with you.”
The last thing I heard before I went out on the stage was that priest’s voice. “Do it with humor,” he was saying. “Do it with humor.” It seemed like a mile out to that microphone, and I was petrified all the way. There were twelve hundred men in that room, and now that I was in front of them I’d never get to that back door if this thing rips. If anything happens, I’m dead. And the papers will say it was my jokes that incited a race riot. “Gentlemen, I’ve worked many pens before, and believe me when I tell you I enjoy entertaining you fellows. But I want to tell you we have a problem here today.” They were looking at me, puzzled. Out of the corner of my eye, I could see the warden whispering into a telephone. “I’ve never worked before a segregated audience and I don’t intend to. Now, if you fellows want one hell of a show I want to see you switch those seats.” I’m waiting for it to happen now, and my eyes are half closed, and I’m wondering whether the white cons are going to bust first, or if the Negro cons are going to take offense for me and bust first. And then there’s screaming and hollering and a white man in the front row jumps up and walks to the side and a Negro con yells, “Thank God, baby,” and they’re switching seats. Not all of them, a lot of the white men never moved, but that morning I saw five white prisoners lifting a crippled old Negro to the center row, and I saw smiles on black and white faces as they got up and changed their seats. Now back to the show, hit them quick. I look down at that beautiful white guy who made the first move. “Hey, baby, I dig integration and all that, but I still don’t know if I’d give up that good seat.” They were laughing now and I poured it on for forty-five minutes, strictly racial material because I didn’t want to let them relax for a minute, but I wanted them to know what had happened. After the show, I was scared again when I realized how close it had been. Most of the audience gave me a standing ovation, but there were a lot of white men who wouldn’t even look at me when I went down on the floor to shake hands. As I was leaving, the priest tried to apologize in his own way. “There’s a lot of good white people in America, Dick. All the white folks in the South aren’t bad. It’s just going to take time and education.” “Father, they’re the same kind of people who crucified Christ. And you stand there and defend them? Impossible.” But it was the show at the Michigan State Penitentiary that really scared me—in a different way. It had been a good show—prison audiences are so hungry for entertainment. As I came off the stage, the warden introduced me to an old Negro who had been in jail for fifty years. He was an artist, and he asked me if I’d like to see his work. I did. When I saw it I got weak in the knees.
He had drawings of women, of what he thought women looked like. But every one had a man’s face, a man’s eyes, a man’s nose, a man’s jaw, a man’s lips. They had long hair and they had breasts and they were wearing lipstick and dresses. But every one was really a man. It was so weird that a man should think he was drawing a woman and he was really drawing a man. But that convict had seen only men for fifty years; those male faces were all he knew. And I talked to Lil about it and the more we talked and the more I thought about it, the more frightened I got. If you had told that old man that his drawings were all wrong he would have called you a liar and been ready to fight. And then Lil and I carried it one step farther. If you were born and raised in America, and hate and fear and racial prejudice are all you’ve ever known, if they’re all you’ve ever seen . . . I kept thinking about that old convict all that year. It was a big year, a busy year. San Francisco, New York. Los Angeles, Las Vegas, the sophisticated supper clubs, the big one-night concerts. More publicity, more television, more magazine articles. Went back and did some free shows for some of the people who helped me along the way, laid some bread on those cats who gave me money when I needed it. And I kept pushing my material farther, more topical, more racial, more digging into a system I was beginning to understand better and attack more intelligently. I was speaking at more and more rallies and benefits now, getting to know and talk with the civil rights leaders—Roy Wilkins, Whitney Young, James Farmer, Martin Luther King—beginning to realize just how large and complicated this problem is. I was learning that just being a Negro doesn’t qualify you to understand the race situation any more than being sick makes you an expert on medicine. When I was in San Francisco that year, a civil rights leader asked me to come over to Oakland and speak before a rally of a thousand Negro plum-pickers. I told them I’d be glad to. He offered me some literature. I refused it. What did I need literature for? I could talk before any group about racial problems. But I was wrong. What could I tell these people about migratory workers taking their jobs away? What could I tell them about their women being forced to climb too high on plum-picking ladders? Their problems were racial, and yet they weren’t racial, they were geographical, and yet they affected all Negroes. And could the plum-pickers fully understand the Negroes who wanted to be allowed to try on hats and shoes in the department stores of Birmingham? That fall, Medgar Evers called and asked me to speak at the voter registration rallies in Jackson, Mississippi. When he told me that the Jackson NAACP headquarters was on Lynch Street, I felt a little nervous. But I told him I’d be down just as soon as I could make the time. I was afraid of the South, afraid of all the cities where I could fall down accidentally, break my head open, and be left to bleed to death in the gutter because the ambulance from the Negro funeral home had to come all the way across town. VIII
In November of 1962 I was sitting on the stage of a jam-packed auditorium in Jackson, Mississippi, with Roy Wilkins, waiting to go on. I was a little restless. I had flown in just for that night, and I wanted to make my speech and get out of town. And now I had to sit up there and wait while they were introducing some old Negro who had just gotten out of jail. I hardly listened. He had killed a man, they said, another Negro who had been sent by the whites to burn the old man’s house down. The old man had been leading a voter registration drive. I should have listened carefully. But I had no way of knowing that old man was going to change my entire life. The old man shuffled out to the microphone. I think he said he was seventy-eight years old. I’ll never forget what he said next. “I didn’t mind going to jail for freedom, no, I wouldn’t even mind being killed for freedom. But my wife and I was married a long time, and, well, you know I ain’t never spent a night away from home. While I was in jail, my wife died.” That destroyed me. I sat there, and my stomach turned around and I couldn’t have stood up if I had to. Here’s this little old Mississippi Negro, the kind of big- lipped, kinky-haired, black-faced verb-buster every other Negro in America looks down on. And this man bucked and rose up and fought the system for me, and he went to jail for me, and he lost his wife for me. He had gone out on the battle lines and demonstrated for a tomorrow he would never see, for jobs and rights he might not even be qualified to benefit from. A little old man from a country town who never spent a night away from his wife in his married life. And he went to jail for me and being away killed her.
After the old man finished speaking, I went to him and told him thanks. I told him that I hated to come to him with money after what had happened to him, but if he had a child or loved one anywhere in the world he wanted to see on Christmas, I wanted the privilege of sending him there. He said he had a son in California, and later I gave Medgar Evers a train ticket and a check for the old man. I don’t remember what I spoke about that night, I was so upset. As I came off the stage, Medgar introduced me to a woman named Leona Smith as if I should know her. When I didn’t react, he said she was the mother of Clyde Kennard. That name didn’t mean anything to me either. So Medgar told me a story that made me sick. Clyde Kennard was thirty-five years old, and for the past three years he had been in jail. The charge was stealing five bags of chicken feed. But the real reason was that he had tried to enroll in Mississippi Southern College. Before I left Jackson that night, I promised Mrs. Smith that I would do everything in my power to get her son out of jail. When I got back to Chicago, Medgar started calling me about the case and sending me more information. I couldn’t believe it. Kennard was born in Mississippi, and he attended the University of Chicago. When he got out of the paratroopers after Korea, he bought his parents a farm in Mississippi. His stepfather got sick, and Clyde went down to run the farm. He wanted to finish his college education, so in 1959 he applied to the nearest school, Mississippi Southern. He was turned down and harassed by the police, and finally somebody planted five stolen bags of chicken feed on his farm. The price of feed was raised to make the charge a felony, and Kennard was sentenced to seven years at hard labor. When another Negro admitted stealing the feed, the white authorities told him to shut up. On New Year’s Eve, from the stage of Mister Kelley’s in Chicago, I made a resolution for 1963: get Kennard out of jail. I thought that if all the facts were dug up and printed in the newspapers, America would get Kennard out of jail. A white UPI reporter who came by to interview me was so upset by the story that he volunteered to go into Mississippi and gather more information. The first bit of information he dug up was that Clyde Kennard was dying of cancer. Irv Kupcinet, the famous Chicago columnist, broke the Kennard story. My new researcher came up with Kennard’s medical records, and gave them to the press. Kennard was transferred to the prison hospital. Then a Chicago millionaire called business connections in Mississippi, and Kennard was released from jail. He was thirty-five years old when we flew him to Chicago to start cancer treatments, but he looked eighty-five. And it was too late. He died six months later. I met James Meredith that year, too—one of the most brilliant and courageous men in America, a man who gave dignity to every Negro in the country, who put every Negro in college, who played one of the biggest parts in setting up the revolution in the history of the American Negro struggle. Negroes looked a little different and acted a little different when James Meredith was graduated because they all were graduated with him, graduated from the derogatory stigma that all Negroes are ignorant, that all Negroes are lazy, that all Negroes stink. I was different, too. An old man’s wife had died. Two young men had tried to integrate schools that the biggest fools wouldn’t want to go to. One had failed and died, and the other had succeeded and suffered. For the first time, I was involved. There was a battle going on, there was a war shaping up, and somehow writing checks and giving speeches didn’t seem enough. Made in the shade? Hell, as long as any man, white or black, isn’t getting his rights in America I’m in danger. Sure I could stay in the nightclubs and say clever things. But if America goes to war tomorrow would I stay home and satirize it at the Blue Angel? No, I’d go overseas and lay on some cold dirt, taking the chance of dying to guarantee a bunch of foreigners a better life than my own momma got in America. I wanted a piece of the action now, I wanted to get in this thing. I got my chance sooner than I expected. Some people in Mississippi were having problems with food. A guy came by the nightclub one evening in Chicago and asked me to sign a fund-raising letter. I told him I never lend my name to anything. If it’s an organization I can work with, I’ll work. I told him I didn’t get through at the nightclub until 4 am but if he’d leave some literature under my apartment door I’d read it before I went to sleep. He did. I got another lesson on how dirty this situation was. Leflore County in Mississippi had cut off its shipments of federal surplus foods, most of which went to Negroes. This was in retaliation for voter registration drives in Greenwood, the county seat. The white authorities claimed they couldn’t afford the thirty-seven thousand dollars a year it cost them to store and distribute the free food to the poor people. I endorsed the letter that morning and sent a check for a hundred dollars. Later that day, the fund-raisers called me and asked if I would come by for a press conference. I asked for more information so I could answer questions intelligently . And I sent my new researcher down to Greenwood. Then I went into the streets of Chicago. Daddy-0 Dayley, the disc jockey, and I collected fourteen thousand pounds of food. I chartered a plane, and on February 11, 1963, we flew the food into Memphis. We loaded it into trucks there, and drove 134 miles to Clarksdale. From there it was taken to Greenwood. I was still afraid of the South, and I wanted to leave that night. That’s why I picked February 11 to go to Mississippi. The next day was Lincoln’s birthday and President Kennedy had invited Lil and me and eight hundred other people to a celebration at the White House. So we handed out the food, and I promised the voter registration workers from SNCC—the Student Non-Violent Coordinating Committee—that I’d come back when the demonstrations began. Then I headed back to Memphis, flew to Chicago to pick up Lil, and flew on to Washington. It was a wonderful affair. We shook hands with President Kennedy, and with Lyndon Johnson. Lil was almost nine months’ pregnant at the time, and I was hoping she’d give birth right in the White House. Waited around as long as we could, but the party was over and she didn’t even feel labor pains. So we went back to Chicago. I started getting reports from my researcher. Through February and March there was violence in Greenwood. Cars were wrecked, a Negro registration worker was shot in the back of the neck, the SNCC headquarters was set on fire. Bullets were fired into Negro homes. SNCC workers were beaten up. When Negroes marched in protest, the police put the dogs on them. They arrested the eleven top registration workers. And I had promised to go down to Greenwood. I was scared to death. Making speeches, giving money, even going down South for a night or two at a time— that was one thing. But getting out on those streets and marching against bullets and dogs and water hoses and cattle prods . . . I knew they were laying for me down there. The Mississippi newspapers and public officials were on me for the food lift. They claimed that I hadn’t brought down fourteen thousand pounds of food after all, that it had been much less. They said that if Dick Gregory was going to take care of their poor Negroes, let’s send them all up to Chicago. They said I was just doing it for publicity. And then the time came to make up my mind. The big push for voter registration was scheduled to start on April 1. Most of the SNCC people were in jail, and they needed leaders in Greenwood. And they needed a well-known name that would bring the situation national attention. On Sunday, March 31, I lay on a hotel bed in Philadelphia and changed my mind a hundred times. I thought of a lot of good reasons for not going. They’ll kill me down there, those rednecks, they’ll call me an outside agitator and pull me into an alley and beat my head in, they’ll shoot me down in the street. What’s that going to prove? And what about Michele and Lynne and Lil, lying in a hospital right now with Dick Jr., my son, who’s going to grow up with nothing but some press clippings for a daddy? If Whitey down south doesn’t kill me in Greenwood, then Whitey up north will kill me in show business. Everybody I talked to but Lil told me not to go. It would ruin me as a comic. Nobody’s going to come to laugh at an entertainer who goes marching and demonstrating and getting himself arrested. I had two airline tickets in my room, one for me and one for James Sanders, a brilliant young Negro comedy writer. I dropped them in the wastebasket. I’ll call SNCC headquarters, tell them I’m sick, I’ve changed my mind, I can’t break my contract and leave town. I called Lil instead, at the hospital. She told me not to worry about anything, to go down if I wanted to, and suddenly I was telling her about that Mississippi Negro, the man that other Negroes called nigger, that cotton-picker in his tar-paper shack who could rip this thing, who could give courage to every Negro in America, who could wake up the nation. I had faith then that when America saw what was happening in Greenwood, it would make sure that it never happened again, anywhere. I wanted to be a part of this thing, but I was scared. Sure, I had made speeches that every door of racial prejudice I can kick down is one less door that my children have to kick down. But, hell, my kids don’t have to worry . . . I lay there all that night, into the morning, going, not going, picking the tickets out of the wastebasket, throwing them back in, but never tearing them up. And as I lay there my own life started spinning around in my mind, and my stomach turned over, and I thought about St. Louis and Momma and Richard, running off to buy himself a dinner of a Twinkie cupcake and a bottle of Pepsi-Cola, little Richard whose daddy was so broken by the system that he ran away and came back just to take the rent money out of the jar in the kitchen. Goddamn, we’re always running and hiding, and then I thought about an old man whose wife had died, and about Clyde Kennard, and about James Meredith, they didn’t run away, and now it was almost dawn in Philadelphia and there was a familiar dry taste in my mouth, and that old hot water was seeping into a cold body and my room was the grandstand of the biggest stadium in the world—America—and the race was for survival and the monster said go. One Less Door I
“What are you going to do if they spit in your face, if they hit you, if they knock you down?” an old man asked me. “’You going to hit back?” “I’m going to try not to.”
The old man shook his head. “We can’t use you.” “’You can’t use me? Why the hell not?” “Mister Gregory, you got to know you’re not going to fight back.”
I couldn’t believe I was standing on a Greenwood street and listening to an old Mississippi Negro, a man I had come down to do a favor for, tell me he can’t use me. I told him I’d have to think about it. He nodded his nappy old head and said he’d be back, and shuffled away. I thought about it, and the more I thought the more I realized how beautiful this thing really was. It was my second day in Greenwood. Monday morning, Jim Sanders and I had caught the eight o’clock flight from New York to Memphis. The plane was filled. I didn’t find out why until we landed and a man came over and said he was from the Department of Justice. “How long are you going to be here, Mister Gregory?” “I’m not staying in Memphis. I’m going on to Greenwood.” “I know that. We have orders to stay until you leave.” A SNCC car picked us up and drove us to Greenwood. The press was there, the national magazines, the national television networks. They all asked me how long I was going to stay because they had to stay as long as I did. I couldn’t believe it. Just for me. I didn’t know, until I got to Greenwood, that the SNCC kids had announced to the press that I was expected. There were no demonstrations that first day, but I spoke at a crowded church rally that night. First I answered all the charges that the local newspapers and public officials had made against me. I told them if they didn’t believe I had brought fourteen thousand pounds of food, they should check the records of Delta Air Lines. I told them that they weren’t just dealing with Dick Gregory when they threatened to take all the Negroes off relief, they were dealing with America. They weren’t big enough to threaten the whole country. And I’d be glad to take a lie detector test if the governor thought I was doing all this for publicity. Then I got on the Negro church. There were fifteen Negro churches in Greenwood, and only two of them had opened their doors to the demonstrators. I stood up there and told that crowd how the Negro preachers had brought us all the way to the battle lines and then had abandoned us. They were scared of losing their jobs, of having their churches bombed, of coming up empty in their collection plates. Our church was failing us in this battle for civil rights. It was the preachers’ fault that whenever we made a gain we said: “Thank the United States Supreme Court,” instead of saying “Thank God.” I looked at those people in that church, those beautiful people who were taking chances with their lives, with what little they had in the world. There wasn’t a single Negro doctor in Greenwood. When Negroes demonstrate they forfeit their medical attention. A Negro couldn’t even afford to get sick. And they were going out, maybe to die, without any of their local Negro leaders. The preachers were scared, and the Negro schoolteachers and principals were too afraid for their jobs to go out in the streets. That night, standing in front of those people, I told them I’d be proud to lead them in demonstrations the next day. I really hadn’t planned to lead the marching, but looking at those beautiful faces ready to die for freedom, I knew I couldn’t do less. It was the next morning, while we were getting ready to march on the courthouse, that the old man came up to me. We were standing in front of the SNCC headquarters, about fifty of us and dozens of press and television people, when he told me he couldn’t use me. By the time he came back again, my anger was gone. I understood what he meant. “We’re ready to go, Mister Gregory, what do you think?” “Okay, I’ll do it.” So we marched. Old people, kids, voter registration workers, women. We marched for one block, and every step of the way I was scared, waiting for that bullet to come from a rooftop, waiting for that car to come by and shoot me from the ground.
The police stopped us after one block and told us we couldn’t parade through the city. So we jumped into cars, made the two-mile trip to the courthouse, and reassembled. We caught the cops off-guard. They closed the courthouse early that day so no Negroes could register to vote. We started walking away in small groups, and suddenly there was a hand on my stomach and I heard a cop say: “I oughta kill him,” and the next thing I knew someone had twisted my arm behind my back and was pushing me across the street. It was a Greenwood policeman. “Move on, nigger.” “Thanks a million.” “Thanks for what?” “Up north police don’t escort me across the street against a red light.” “I said, move on, nigger.” “I don’t know my way, I’m new in this town.”
The cop yanked on my arm and turned his head. “Send someone over to show this nigger where to go,” he hollered. They were pushing the marchers around, dozens of regular policemen and auxiliary policemen with clubs and guns, and the press and the cameramen moved in and out of the crowds of white men and women and children standing on the street corners. I pulled one of my arms free and pointed at the crowd. “Ask that white woman over there to come here and show me where to go.”
The cop’s face got red, and there was spittle at the corner of his mouth. All he could say was: “Nigger, dirty nigger ...” I looked at him. “Your momma’s a nigger. Probably got more Negro blood in her than I could ever hope to have in me.” He dropped my other arm then, and backed away, and his hand was on his gun. I thought he was going to explode. But nothing happened. I was sopping wet and too excited to be scared. We walked on back to the headquarters, the police yelling and shoving and harassing us all the way. We decided to march again that afternoon.
I learned a lot that day. I felt the poisonous hate in an American city, a nice- looking little town that had a Confederate flag flying just as high as the American flag on the US Post Office. I saw the beauty of those college kids from SNCC, day and night, around the clock, hardly ever sleeping or eating as they sat in hot and dirty rooms teaching old Negroes how to read and write so they could pass the voting tests. And I saw the southern white man who has nothing between him and the lowest Negro except a segregated toilet. No wonder so many of them have shit-house ways. When we started back to the courthouse late that afternoon, a skinny old woman who said she was ninety-eight years old came up to me. “Mister Gregory, you be embarrassed if I walk downtown with you, me and my snuff box? I want to come down and be with you today. I don’t mind dyin’.” And so we marched again.
Demonstrating in the South must be a little like being in a battle in a war. There’s noise and confusion and pushing and quick huddles over strategy and running back and forth on both sides. You're never really sure of what’s happening. You see snatches of things, hear sounds, you keep moving long after you’re exhausted because you’re too excited to know how tired you are. There are little victories that make you feel good for a while. That afternoon, we changed our route to the courthouse, and instead of marching through the center of town we cut through a white neighborhood. It took the police almost a half hour to catch up with us. “Dirty nigger.”
“Your mother’s a nigger,” I told the cop. “Damn black monkey.” “Who you calling a monkey? Monkey’s got thin lips, monkey’s got blue eyes and straight hair.” “Just keep movin’, boy, just keep movin’ ...”
The police seemed disorganized. They tried to break us up again and one of them shoved a woman pretty hard. She stumbled and smashed her head against a brick wall and fell on the sidewalk. One of the SNCC workers couldn’t stand that, and he turned on the cop. They dragged him off into a police car, and five cops climbed in after him and started working on his head and stomach. One of the cops was saying in a loud voice, mostly for the benefit of the other demonstrators: “George, gimme ma knife ... I’m gonna cut the balls right off this little nigger, he ain’t never gonna do nothin’ no more.” Now I was at the head of the line and I refused to move an inch until they brought the SNCC kid back. Two cops grabbed me and threw me into the back of a police car. One of them asked the driver: “You want any help with this nigger?” “Why you always think a Negro’s going to hurt somebody? Close the door and let this fool take me to jail.” He slammed the door and walked away.
The cop who was driving turned around and started slapping at my head. I held my hands up over my face. “Get your hands down, nigger,” he yelled and kept swinging at my head. He didn’t do much damage. Then he started the car and drove about three blocks, away from everything. He pulled the car over to the curb, and when he turned around again he was crying. “My God, what are you trying to do to me?”
He sat in that car and he looked at me and he told me that when he went home at night his kids looked at him funny, that they made him feel bad. I sat there, and I couldn’t believe I was hearing these words from a white cop who had been hitting me and niggering me a few minutes before. He said: “As right as you are, you’re down here helping these people and I got to stop you and I can’t and sometimes I think you’re a better man than I am.” He didn’t take me to jail. He drove me back to registration headquarters. I got out of the car and handed him two dollars. “What’s this for?” “I always tip chauffeurs. Hell, if you don’t take me to jail, you’re my chauffeur.”
I got into a SNCC car and rushed back to the demonstration. When I climbed out, the police commissioner, Hammond, came right over. “Boy, what you come back here for?”
“Hammond, anytime you arrest me you better carry me to jail because if you don’t that’s kidnapping and that’s a federal offense.” A little cop came over. “Nigger, you want to go to jail.”
I said: “Come here, boy, let me tell you something. I could take you to Chicago today and let you walk through my home, then come back here and walk through your home and out of the two of us you’d know which one was the nigger.” Then the cops turned their backs and walked away, leaving us there on the corner. The parade was over and we did exactly what they had been screaming at us to do—we broke up into twos and threes and went in different directions. That night, Jim Sanders and I drove fifty miles to a mass meeting in Clarksdale. There were more than eight hundred people jammed into the Centennial Missionary Baptist Church there, and we had to push our way through the police to get inside. I was sitting on the stage, waiting to speak, when the bomb came flying through an open window. It hit a man on the head bounced off a lady’s hand, then rolled to the middle of the floor. I just sat there, frightened, and saw my wife and my kids and everything decent in my life and wondered why I was sitting here, fixing to die and leave all that, and it flashed through my mind that it was worth it. When I looked up, I saw the reporters and the photographers standing still, writing in their notebooks and taking their pictures while hundreds of Negroes around them were on their feet running for the door. I jumped up and grabbed the microphone. “Where are you going? The man who threw it is outside God’s house. The Man who’s supposed to save you lives here.” They stopped in their tracks. Somebody picked up the bomb and threw it back out the window. I walked outside the church after a while, and looked at the cops lounging around outside, leaning on the hoods of their cars in the evening, talking softly and laughing. I walked across the street and into a Negro grocery store to make a phone call. The police commissioner was in there. He didn’t know who I was yet. “Hey, boy, come over here.” “Yes, sir.” "You just come from the church, huh? That Gregory’s in there. He funny, boy?”
“How could any man be funny when a dumb superintendent of police lets these heathen cops do the things they do?” He got red and walked out. I went back to the church.
We found out that the bomb had been a special US Army gas grenade, more powerful than tear gas, which could have killed the people nearby had it gone off. Whoever threw the bomb forgot to pull the pin. And people were surprised a few months later when they blew up that church in Birmingham. We held our meeting and I spoke. The Clarksdale Negroes weren’t as responsive as the Greenwood Negroes because they were more scared of the police, of losing their jobs. And they were all pretty shook up by the grenade. When the meeting was over, a man came in to tell me that I was going to be killed that night. A road block had been set up for me on the highway back to Greenwood. The messenger was a Negro, but he said he had been sent by the police commissioner. Outside the church I could hear one of the police officers screaming, almost hysterical. “If one of our men threw that bomb you’d better believe it would have gone off, we don’t make mistakes like that, no, sir, we don’t. Our boys don’t miss, no we don’t.” The folks from the church made a ring around Jim Sanders and me and took us around the comer. We ducked into the drugstore owned by Aaron Henry, the powerful Negro leader, and lay there for an hour until a car was brought up to the back door. Jim and I crouched in the back of the car, and we were taken to the home of a Clarksdale Negro. We didn’t sleep that night, lying on the floor of the house, keeping away from the windows. The Negro had a telephone, and we weren’t sure just how afraid he was, and who he was afraid of. We stayed awake to make sure nobody used that phone that night. In the morning, we were driven back to Greenwood along side roads. They knocked down that ninety-eight-year-old lady that day, right in the streets, and I’ll never forget the way she looked up at me from the gutter, her head bleeding. “Don’t let them make you mad, honey. They ain’t after me, it’s you they after.” They arrested Jim that day, the first time he ever went to jail. I told the press I thought it was a good experience for him, make him a better writer. But I was worried, he’s such a sweet, patient, good-natured man. They hauled eighteen other Negroes away, bouncing one kid along the pavement, slamming another down on the floor of a bus. They grabbed the Reverend Robert Kinloch so hard his collar came off. One cop threw his club at a registration worker who was taking pictures. It only hit his shoulder. And the police were on their best behavior that day because there were FBI agents in town with movie cameras. They wouldn’t arrest me. Shoved me a little and pushed me around some, and got mad when I started bad-mouthing Hammond, but they had decided that putting me in jail would bring too much publicity. One cop came up to me and spat right in my face. I started to jump him, but I remembered what I had promised the old man and I held myself back. Just stood there and let the spit run down my face and into my mouth. “I guess that makes me as white as you now, boy. I got your spit inside me.”
It was another long day. I called Lil, who had just come home from the hospital, and told her to take the first plane on down. I wanted her to see the beauty of this southern Negro, the old people learning to read and write, young and old marching, the women cooking all day so there would always be food ready on the chance a demonstrator might run in for a bite to eat. Lil said she’d be down by morning. That third day in Greenwood—Wednesday—turned into night and I was alone and scared. You never know what fear is until you walk through the streets of a quiet town at night and it suddenly dawns on you that if anyone attacked you, you couldn’t even call the police. You know if you tripped on a curb and broke your ankle, when the ambulance pulled up and found out who you were it would drive away. Or run you over. It’s a feeling that takes all the guts out of you. And on you walk and pace the streets because you have no place to sleep. You're afraid to go into a Negro home. They might see you go in there and blow the house up and you have no right to take a chance with someone else’s family. Or it might be the house of a very scared Negro and he might tell them where you are. And I thought about St. Louis and how we used to rap for Mister Roosevelt every night, and how he once said that there was nothing to fear but fear itself, and I said: “Bullshit.” Out loud. Sometimes it makes you feel a little better to talk to the dark. “Bullshit.” I walked around a corner with my head down and when I looked up I saw one of the most vicious white men I ever saw in my life, a big, fat man with a bald head and tobacco juice running out of his mouth. He swung that double-barreled shotgun like it was a toy. It was no toy. He stuck it right into my stomach. “I’m going to blow your black nigger guts out.” And I was too tired and too gut- scared to move. Then I felt that goddamn monster rise up and I looked in his eye. “Is that all you plan to do, boy, just kill me? Pull that fucking trigger, boy, you just pull that fucking trigger.” And that no-good dirty motherfucker was so hung up on his hate weed that he lowered his shotgun and turned and walked away. He just couldn’t do anything a Negro told him to do. On Thursday and Friday I marched with Lil. To the cops, she was just another demonstrator, another face in the crowd. A lot of people said I was crazy to have her come down, but I wanted to share this thing with her, I wanted her to see this beauty and ugliness. We stayed in the home of the Reverend Tucker. The police harassment picked up, and the television people started asking us to demonstrate early so they could make the six o’clock news with their film clips. As it turned out, we didn’t do much more demonstrating. When the police began taking pictures of the marchers, I turned the group back. The police would use the pictures to permanently blackball and harass the local Negroes, and I didn’t want that to happen. They would have to stay in Greenwood long after we left. I left Greenwood on Saturday morning, April 6. Things had quieted down. Deals had been made. The demonstrators were released from jail, and the city promised to supply the Negroes with buses so they wouldn’t walk through town on their way to the courthouse to register. In return, a federal injunction against local harassment was dropped and I promised to leave town. I had learned a lot and I felt so much stronger now; less afraid, like a soldier who has been through his first battle. A lot happened down there that I’ll never know about, a lot happened that I can’t talk about now because this war is still going on. And when I got back north, a lot happened that scared me all over again, in a different way. I found out, for example, that some of the northern press had reported that the bomb in Clarksdale was only a football bladder. And some had reported that we had lost in Greenwood and I had played the fool. I knew it couldn’t have been the newsmen who had been down there but it was editors up north who turned and twisted the stories that were sent to them. But what scared me most was when Negroes asked me if it was true that I had gone down to Greenwood for publicity. And it dawned on me that anytime you help a Negro in America, even the Negroes will question your intentions. I could have quit show business and joined the Peace Corps and gone to Vietnam and no one, white or black, would have questioned why I did it. But to help Negroes . . . I was just beginning to realize what a long hard row it would be. II
It’s a great thing to go to jail for right, but whether you’re there for right or wrong, when you hear that big steel door close and that key turn, you know you’re there. That was Birmingham, May of 1963. Martin Luther King asked me to come down. I arrived at 11:30 am on a Monday, and an hour and a half later I went to jail with more than eight hundred other demonstrators. It was my first time in jail to stay. "You Dick Gregory?” “I’m Mister Gregory.” Somebody snatched my collar and my feet didn’t hit the floor again until I was in solitary confinement. Later in the afternoon I was brought downstairs and put in a cell built for twenty- five people. There must have been five hundred of us in there. When they moved us out to eat, the corridors were so crowded you couldn’t walk. Just stand still and let the crowd move you along. The last one back in the cell didn’t have a place to lie down and sleep. There was a little boy, maybe four years old, standing in the corner of the cell sucking his thumb. I felt sorry for him. He didn’t even have someone his age to play with. I kind of rubbed his head and asked him how he was. “All right,” he said. “What are you here for?” “Teedom,” he said. Couldn’t even say Freedom but he was in jail for it.
The older kids sang church songs, sitting and waiting for the night to pass away. None of us knew how long we were going to be in jail. We were hoping new people would come in with information about the movement outside. We didn’t really know, squatting there in that Birmingham jail, that the first really great battle of the revolution was going on outside. That a man named Bull Connor was becoming a symbol to the world of how low and vicious and stupid one American could be to another. That an Alabama city was becoming a symbol to the world of the cancer eating away at our country. On the other side of that wall were dogs and fire hoses and guns and clubs, and the blood of black men and white men, good men and bad men of both colors, and children and women and old people. We were in the battle, but the rest of the world, outside that jail, saw more than we did. Bombs and soldiers and killings. And some of them outside were horrified that Martin Luther King used little children and some of them understood that Freedom was for little black children, too, that in an all-out war for survival there are no civilians. There were little children in Hiroshima. The jailers fed us in the morning, and it tasted good because some of us hadn’t eaten in twenty-four hours. They harassed us, too, and that second day they opened the cell door and tried to reach in and pull some of the kids out. The kids wouldn’t go, and we were trying to close the door while the guards were trying to open it. Part of my arm was hanging outside the bars and one of the guards slammed down on it with his billy club. Before I could remember about nonviolence I threw the door open and jumped out after him. Right into the arms of five guards. It was the first really good beating I ever had in my life, a professional job. End to end, up and down, they didn’t miss a spot. It didn’t really start hurting until about midnight when I tried to touch my face, and I couldn’t get my arm up that high. What the hell, if you’re willing to die for Freedom, you have to be willing to take a beating. For a couple of days, though, I thought that dying was probably easier. It was just body pain, though. The Negro has a callus growing on his soul and it’s getting harder and harder to hurt him there. That’s a simple law of nature. Like a callus on a foot in a shoe that’s too tight. The foot is nature’s, and that shoe was put on by man. That tight shoe will pinch your foot and make you holler and scream. But sooner or later, if you don’t take the shoe off, a callus will form on the foot and begin to wear out the shoe. It’s the same with the Negro in America today. That shoe—the white man’s system—has pinched and rubbed and squeezed his soul until it almost destroyed him. But it didn’t. And now a callus has formed on his soul, and unless that system is adjusted to fit him, too, that callus is going to wear out that system. I thought about that for five days in the Birmingham jail while Martin Luther King was waking up America. III
The nightclub audiences were a little more respectful when I came back from Birmingham. After Greenwood there had been hecklers who accused me of demonstrating for publicity. After Birmingham people came backstage to shake my hand and God Bless me and tell me to keep up the good work. White and black. I was surprised. I had thought that being in jail and getting beaten up would cool me off in show business. I began taking more and more time off, flying to fund-raising benefits, to rallies, to meetings. In May I opened at the Hungry I in San Francisco and I wasn’t there long before the demonstrations began in Jackson, Mississippi. Medgar Evers was the key man down there, and I called him to ask if I could help. In many ways, Medgar was the man responsible for my being in the civil rights fight. If he hadn’t invited me down to Jackson in 1962 I would never have met the old man who lost his wife, and I would never have heard of Clyde Kennard. Medgar asked me to come. I went to Enrico Banducci, the owner of the Hungry I, and I told him I wanted to leave, that my people needed me. A white man, and he had waited all year for my engagement, but he never batted an eye. “I admire you, Greg. Good luck.”
It was that last night in San Francisco, a Saturday night, that I first felt death. Just a funny little feeling in my stomach, a sixth sense that said someone was going to die. I called my lawyer to make sure my will was in order. Then I flew to Chicago to talk to Lil. If I was killed in Jackson, I didn’t want my children raised with hate. She sat on the couch, her eyes wide and tearful, and I told her what I wanted my children to hear. Just tell them that Daddy was doing right, Lil, tell them it takes a strong soldier to fight when he’s outnumbered and the other side has all the dogs, all the fire hoses, all the prods. Don’t let them come up with hate, Lil; just show them the beauty in what their daddy was doing. I went into the bedroom and I kissed Michele and Lynne, and I kissed Richard Claxton Gregory Junior. He was two and a half months old, and I hadn’t had time to know him. Jim Sanders was waiting for me downstairs, and when I got there I discovered a little switchblade knife in my pocket I had used in my act. I went back upstairs to leave it, and Lil was in the bathroom. Richard Junior had soiled his diaper and he was crying. I picked him up and he stopped crying and smiled. Lil came in and smiled, too. “That’s the first time you ever played with him, Greg.”
“There’ll be time, honey, time’ll come we’ll sit and talk father to son.” I kissed him again and promised Lil I’d call as soon as I got to Jackson. I didn’t. The demonstrators put Jim and me up at a Negro minister’s house Sunday morning. I figured I’d call later from a pay booth. Jim and I had just gone to sleep when the phone rang. It was Medgar Evers. “Greg, you better call home.”
I got chills. His voice sounded just like Doc Lingle’s when the coach came to the movie theater the night Momma died. “What happened?”
“I don’t know. Just call home. Your son’s sick.”
“No, Medgar, he’s not sick. I just held him last night.” “Call home, Greg.” “Why?”
“Just call home, Greg.” “Medgar?” “I’m sorry, Greg. Your son is dead.”
I was numb and I was sick but there was still hope. Until Lil answered the phone, hysterical. “I’ll be right home, honey, I love you very much.”
I called Medgar back and told him I was sorry, that I knew what he was doing in Jackson was more important to America than my son dying, but I was leaving. He said he understood. Jim and I left our clothes in Jackson and flew back to Chicago. It was a very short flight because I didn’t know how I was going to face Lil, a woman who had to be mother and father to her children because her husband was a stranger in the house. And I couldn’t understand how I had been so sure that I was going to be killed in the heat of battle, only to find out that someone safe and protected had died. Lil was sitting on the couch when I came in the door. Bob Johnson, editor of Jet magazine, was with her. Her eyes came alive for a second when I walked in, then they went dead again. I started toward her and the phone rang. It was a long-distance call from Alabama, collect. I accepted the charges. It was a white woman. “Mister Gregory?” “Yes, ma’am.” “I just heard on the radio your son died, and let me tell you it serves you right, I’m real glad that happened, you coming down here where you don’t belong and stirring up all. . .” “I’m glad, too. I had five million dollars’ worth of insurance on him.” There was a long silence, and then she said: “I’m sorry, please forgive me.” It was a very long night. Sometimes I got through to Lil for a few minutes, but mostly she just sat still, her hands in her lap, staring at the wall. When she talked her voice was chilly and far away. It was always the same story. She had gone to bed at midnight the night before, soon after I left. At 4 am she woke up to give Richard a feeding. He was the healthiest of all the babies, the best eater. She went back to sleep, knowing that he would wake her at 8 am with his crying, like he always did. But he didn’t and she woke up with a start at nine, ran in and picked him up. He was warm, but dead. She ran into the hallway, screaming, and the neighbors called the fire department. They brought an inhalator. One of the doctors at the hospital said he thought it was a kind of overnight pneumonia, a common thing with babies. Later, we found out he was right. Thousands of babies die every year that way.
There were a lot of phone calls that night. All kinds. Most were sympathetic. Some were cruel, and asked for Richard Junior. Some were from ministers because it was suddenly open season on Dick Gregory. It would be a big prestige move to get his son’s funeral. One minister taped his five-minute radio show and came by the house just in time to turn the radio on and sit in my living room and listen to himself talk about Dick Gregory’s heavy moments. I asked Bob Johnson to get a minister who wouldn’t turn the funeral into a carnival, who wouldn’t try to take Richard Junior to heaven right in the funeral parlor. He called the Reverend Mack. The phone rang again. Greenwood. He had a southern dialect, and for a moment I thought he was a Negro. “Mister Gregory?” “Yeah.”
“When you coming back down here?” “First chance I get.” “How come you ain’t in Jackson now?”
I heard someone whisper on the other end of the line: “Ask him about his son, ask him about his son.” I knew they were white. “How’s your son, Mister Gregory?” “Just fine, just fine.” “How come you ain’t in Jackson now?”
“Didn’t feel like going down, you know us niggers are lazy.” “Thought you were in Jackson this morning.” “Oh, man, how can you be so dumb? How could I be in Jackson this morning and talk to you from Chicago tonight? You know, white boy, niggers is scared of airplanes.” “Mister Gregory, tell me some jokes.” “Listen, white boy, us niggers up North are more sophisticated than you white folks down there. We never work after eleven thirty at night. You'll have to call me back during my working hours.” For some reason, when they didn’t hear the cry for pity or sympathy or tolerance in my voice, they became ashamed. In their own little way they said they were sorry. “Good night, Mister Gregory,” the voice said softly, and the line went dead.
I went back to Lil. I told her about the phone calls. It upset her, she started to sob. “Now you understand when I say this thing is bigger than you or me or the kids. When a grown man will call and ask to talk to Richard Junior, you know this thing is bigger than all of us.” She said she understood. Then her mind wandered away again. Michele and Lynne were very quiet, taking care of each other in another room. Lil hadn’t told them yet, and I took Michele into the bathroom. “Michele, honey, where’s Richard?” “Richard’s gone, Daddy.” “Gone where?” “To the hospital.” “When will he be back?”
“He’s not coming back, Daddy. You'll have to get another Richard.” “How do you know?” “I looked at Mommy’s face.”
It was midnight then, just twenty-four hours since I held him in my arms. I wanted to get back to Jackson, back to the demonstrations, but I had a woman here who was losing her mind. I talked to the minister and told him to go ahead and make the arrangements. I said good night to Bob Johnson, and I put the girls to bed. Now I’ve got to take care of Lil. And I have to do it fast so I can get back to Jackson with a clear mind. I walked into our room, and she was lying across the bed looking at the ceiling. Richard’s blanket was clenched to her breast. I decided to take a chance on pulling her out of her shock fast or pushing her deeper in. I knelt next to the bed. “Lil, can I talk to you?” I touched her and she jerked away. “Lil, he was my son, too. Can I share it with you, just a little?” She looked at me and held the look for the first time since I had gotten into town. She grabbed my hand. "You remember how I thought I was going to be killed in Jackson?” “Yeah.” “Remember how I came the long way through Chicago to explain not to bring the kids up with hate, and how for the first time I picked Richard Junior up and hugged him and kissed him and played with him?” “Yes, yes ...”
“I kissed him and said that Daddy’s going to make it a better world for you, not knowing that his world would be over in a few hours. Right?” “Yes ...”
“Honey, I left here and went to Mississippi last night knowing it was very easy for me to get killed, thinking I was going to get killed. You know, Lil, if you had been sick, if Richard had been sick and they called me to come out of the South, I never would have come. Right?” “Yes ...”
“Remember last year when you had the miscarriage and there was trouble in New Orleans, I just put a blank check in your hand as they were wheeling you out of the house because I had a plane to catch? You know that nothing short of death would have pulled me out of the South today?” “Yes, Greg, I know that.”
“Good, honey, because I wonder if it ever dawned on you that maybe if I hadn’t come out of the South today I would have been killed.” “No, it didn’t.”
“Well, does it make sense to you?” “Yes.” “You know, Lil, maybe this is the work of God. Maybe to spare my life he took our son’s life. Do you believe God could do something like that?” “Yes.”
And then I grabbed her hand hard because I was ready to do the most awful thing I had ever done in my life. I held her hand and looked into her eyes. “Forget about God. I want you to make the choice.” “What do you mean, Greg?” “You have the decision now, Lil. Forget about God. If you had the decision to make this morning that I was to be killed in Mississippi, and the only way you could spare my life was to take Richard’s, which one of us would you have taken?” I knelt there and I looked at a woman’s face that was so distorted it wasn’t even human, a face with two holes for eyes that were filled with hate for me. She jerked and twisted and I jumped up and pinned her down on the bed and I screamed at her. “Forget about God. It’s your decision, you make the decision, me or Richard Junior, me or Richard Junior . . And she twisted and rolled and tried to get free and screamed and kicked, and then suddenly she went limp. For the first time her eyes were clear, and her body relaxed and the tears rolled freely down her cheeks. “Richard Junior ...” she said. #
After the funeral, Jim Sanders and I went back to Jackson. All the way down I wondered if I had a right to shock a woman out of crying, out of a grief a mother has to feel when her only son dies in the same room. And because Lil had pulled out of it so strongly, and because I was now away from it all, I think I went into shock myself, realizing for the first time what had happened. Over and over again I thought about that feeling of death I had, and how it was a little baby, safe and sound, not a soldier on the battle line, who had died. Then we were in Mississippi again. We didn’t stay long this time. There was a strangeness in the air, the demonstrations weren’t going well. Kids were coming to demonstrate and they were being sent back to get notes from their parents. I saw two young Negroes, one a soldier, walking on the streets and I asked them why they weren’t demonstrating. The soldier said because he was in the army. Sure, I told him, the same army that will send you all over the world to guarantee a foreigner his rights. His friend said he wasn’t demonstrating because he was too violent. That’s right. I told him, and when the doors of segregation get kicked down and they’re ready to hire their first Negro detective are you going to refuse the job because you’re too violent? They both said they’d demonstrate. Lena Horne came down to speak, and that did a lot of good for the people, to hear someone they idolized say: “I’m with you.” This is especially important in an area where the church is afraid to wake up and carry the ball. I talked to Medgar Evers, told him that something bad was going to happen in Jackson, things seemed so wrong. But I didn’t know what it was, and somehow there didn’t seem to be anything I could do here. I remember Medgar cried—I guess he felt it, too. I told him I was sorry to be leaving again, but he knew that anytime he called me I would come back. Anytime. He said he knew. We went back to San Francisco, started working again at the Hungry I. I apologized to Enrico Banducci for having left in the middle of an engagement, but I told him that as long as I stayed hot as a comic I’d work for him every year. I don’t know if my mind was really on my work those first two days at the Hungry I, thinking about Lil, about Medgar, about Richard Junior. Somehow I still couldn’t understand that feeling I had a week before in San Francisco about death, about someone being killed. I was so sure it would be me and then it turned out to be a little baby born in one of the world’s best baby hospitals, born into money and love and care. It didn’t make sense. And, of course, it didn’t. The second night back at the Hungry I, Billy Daniels drove over from a singing engagement in Berkeley to tell me that Medgar Evers had been murdered. IV
When we walked behind the body of Medgar Evers through the streets of Jackson the line stretched so far back it looked like ants in a parade, old folks, young folks, black and light and white folks, nappy hair and pressed hair and blow hair, Thom McAn and Buster Brown and barefoot, they walked and they walked. It looked like we had enough folks to march on God that day. We turned a corner and the same white policemen who had fought Medgar so hard were directing traffic at his funeral procession. They were holding up their white gloves, telling Whitey in his car he’d have to stop for Medgar Evers now. And Whitey sat in his car and watched the funeral go by, the same Whitey who didn’t say a word when a man was fighting for right and truth and justice, who didn’t open his mouth when that man was shot in the back in front of his house. And Whitey in his car had to be scared that day when he saw that procession go by, scared to realize that when you shoot right and truth and justice down, more right and truth and justice will rise up.
#
It was hot that day, more than a hundred degrees. I was wet from the cuffs of my pants to the lapels on my jacket, hot and wet inside my shoes. When I pulled out my handkerchief and squeezed it, water ran down my hand. The press was there that day, and I remember the way everybody gasped a little when a photographer from Life magazine almost stood on Medgar’s coffin to get a picture of Mrs. Evers. I gasped, too, but when I saw that picture, that beautiful picture of a single tear running down Mrs. Evers’ face, I knew that photographer could have stood inside that coffin and it would have been all right. Jim Sanders and I went back to San Francisco and the Hungry I that night. Jim asked me how I could be funny that night. I told him that when a man sells his talents he’s a prostitute, and when you’re a prostitute you lay like the customer wants you to lay. I was funny that night. V
It was like being in the forest in the daytime when the sun is shining and everybody’s having picnics and laughing and playing ball, and then suddenly it’s night and you’re alone. You're running through the pitch-black cold, running away from something that’s whipping down on your head and shoulders, maybe running in the wrong direction, and your legs hurt and your stomach hurts and it starts to rain, hard and cold, and finally you can’t run anymore and you lay down and say: “All right, catch me.” And suddenly the rain quits and the sun comes out and you see you’ve been running away from the branches of trees that look so friendly and beautiful in the sunshine again. The birds start singing and the rabbits start running. You just cock your hand under your head and lie there, and you can’t hold back that smirky smile when a little squirrel comes over and licks your cheek and a little bird flies down on your chest. And you ask yourself, “What was I so afraid of a few minutes ago?” And then suddenly it’s pitch-black cold again, and you’re running again and you know the answer. That was the summer of 1963. The summer began in St. Louis, a week after Medgar Evers’ funeral. The AAU was holding its national track and field championships, and selecting a team to compete against the Russian team in Moscow. I asked the Negro athletes to boycott the Moscow meet. I told them I’d rather see this country embarrassed than destroyed. They didn’t understand. I talked to them, I negotiated with them, I stood on street corners and passed out handbills. I screamed at them. Damn you, listen. An American Negro can go to Moscow and run in an integrated track meet on enemy territory, but he can’t run in an integrated track meet in parts of his own home country. You can bust this thing if you want to. It’s one thing to defend your country in a track meet, that’s fine, but you have a chance to save your country. But they were young. They didn’t want to embarrass their country, to bring this thing into the open, to push this thing out on an international level. They couldn’t seem to understand that if Khrushchev came to this country with his Russian track team and demanded that the meet be held in New Orleans he would beat us because no Negroes could compete. I flew back from the track meet in St. Louis disgusted and downhearted. Those athletes could have saved it right there. They would have embarrassed this country so bad it would have cleaned house. But they didn’t and so this country just swept a little more filth under the rug, and didn’t look to see that the other end was on fire. After the failure in St. Louis, I took Lil and the kids to Honolulu for a vacation. Over there you can think, you can try to seek wisdom, you can reach out and touch nature. I went to rest and I ended up doing a couple of benefit performances and radio shows. They told me there was very little racial prejudice in Hawaii. Like a woman is just a little bit pregnant. When we came back to Chicago there was a letter waiting for me that brought tears to my eyes. I had made Who’s Who in America. That’s why so many people are willing to lay down their lives to save this great country from the cancer of hate that is destroying it. Where else in the world could a Negro, born and raised on relief, make Who’s Who? In 1952 I was a welfare case, and in 1963 I was on a list of famous men. In America, with all of its evils and faults, you can still reach through the forest and see the sun. But we don’t know yet whether that sun is rising or setting for our country. I lay on a couch in our living room and I read and I reread that letter from Who’s Who and I cried and I was thrilled and I felt strong. I turned on the radio and heard that they were demonstrating in Chicago for better schools, and that they had arrested some people. I called James, and Lil and I got dressed and went downtown. In Chicago they arrested us for disorderly conduct. In Birmingham, in Jackson, anywhere in the South I’ve been arrested, it’s been for parading without a permit. In my own town—in the North—I found less dignity and less truth than I found in Mississippi. In the South we were treated as demonstrators—as bad as that might be—and kept together with other demonstrators. In Chicago we were treated as convicts. Our clothes were pulled off, our belongings were taken away. We might have had a very bad time in prison if the authorities were in control, but the convicts ran that prison and they were sympathetic. I guess they had never seen people brought into the House of Correction who refused to post bond, and who were being jailed for right. It leaves a bitter taste in your mouth to see Negro policemen arresting Negro and white civil rights demonstrators in the North. But it makes you sick to the stomach to see what really goes on in these northern jails. I had never been with convicts before. I couldn’t believe that they ran the prison, that if you wanted cigarettes or a clean shirt or a telephone call to the outside you just had to go through one of the convict leaders. I think you could have gotten more pure heroin in that Chicago jail than on a South Side street. Any prisoner who didn’t know how to lie and cheat and steal and threaten before he went to jail, sure learned fast there. Many of them carried knives. And they’d fight like dogs over their women—the pretty, younger homosexuals. We had some trouble in jail—me, James, and a white demonstrator. First they tried to make the white boy work in the junkyard. So James and I refused to go to our clerical jobs. We hadn’t been sentenced yet, and so legally we didn’t have to work off our sentences. We were thrown in solitary confinement. The convict leader was a southern Negro who had been a pimp, robber, dope pusher, mugger. He had done a lot of reading, because he had spent most of his life in jail; in a year, out a year, in again. He told me he was doing a life sentence on the installment plan. He came to see me in solitary and he said he was impressed with the beauty and truth of the movement. He said he might not be in jail if there were equal rights. Then he said he’d get me out of solitary. I just thanked him. I didn’t believe he could. I had a lot to learn about prisons. That evening, after dinner, the convict leader went right up to the chief security officer. “Eat your last can of sauerkraut, Polack, because one of us has to die unless Mister Gregory and his people get out of solitary.” We were taken out of solitary.
It was the trial that really bothered me. It was supposed to be a short bench trial and it lasted all day. It was the first time I had ever been on trial in the North, and the first time the police ever lied on me. I guess in the South they don’t have to. The cops call you nigger, the judge calls you nigger, and everybody knows you’re going to get time. But up North, where they can’t come out and call you nigger, they have to go through the motions of a fair trial. They lied from the beginning of that trial to the end. I cried. One of the Chicago policemen accused Jim Sanders of talking back to him and raising his hand to him. Another swore that they had made no arrests until I showed up and the crowd at the demonstration site got out of hand. It was brought out in the trial that the complaint against me had never been signed. Eleven days in prison and the complaint hadn’t been signed. The judge adjourned the trial, and then he refused to rule on the case. And then he turned me loose, back to Mayor Richard
Then I went out to Los Angeles for a nightclub engagement, but I flew back east for one day, the day that turned that summer into a beautiful thing, that turned the darkness of the forest into daylight. The day we marched on Washington. That was a glory day. For the first time in history the policy wheel closed down in Washington, and one of the classiest, richest whores in the country asked me to lend her thirty dollars. She said she wanted to go to Washington with clean money. Whitey expected violence and he had a picnic on his hands. Couldn’t understand how a people with a three-hundred-year-old gripe could gather together in one place without breaking heads. Wars have started over weekend border disputes. Oh, baby, we came with brand-new shoes and wigs and Sunday clothes because it was the first time all of us—not just Mister Nobel Prize Winner or Mister Big Entertainer—were ever invited somewhere. I brought Lil and the kids. I didn’t want them to miss a part of the twentieth century. When we got off the plane I was so nervous and proud I rushed right to the hotel and changed suits—I didn’t want to wear a wrinkled one. Ossie Davis had asked me to help him MC the television part of the show, but I turned him down. There was some bad feeling among whites toward me for demonstrating and I didn’t want to bug anyone in their living room that day, I didn’t want the least little thing to mar this beautiful day. And you can believe I wanted to stand up before that audience. We watched the people walking through the streets. A rabbi with a sign written in Hebrew, and just from the expression on his face you knew that sign said something nice. Saw a man bump into another man and they both said, “Excuse me.” Martin Luther King had told us not to put mayonnaise on our chicken because he didn’t want anyone passing out, and we didn’t put mayonnaise on our chicken. And we put those chicken bones in our pockets. Oh, baby, to stand on the top of the Lincoln Memorial and look down, it was like everyone in the world was standing there, smiling in the sunshine and singing. Saw Negroes and whites in their best clothes, with their best manners, on their best behavior. And the Negroes, people that Whitey says don’t qualify for first- class citizenship, demonstrated to the world that day that we’re more first-class than a lot of whites. And Bayard Rustin, the man who engineered that march. When will Whitey realize that men like Rustin can help him solve his world problems? They came over to me and asked me to say a few words. I told them I didn’t want to. They insisted. I was really happy they did. I said a few humorous words, then went to sit on the grass with my family. The climax of that beautiful day was Martin Luther King’s speech, “I Have a Dream.” Never have so many people cried, whether they wanted to or not. When it was all over I just sat there because I didn’t know which way to go. Thought of a million and one things, oh, how my mind wandered that glorious day. That day I felt like the Negro had been given his equal rights. I felt that way right into September, right into the Sunday morning when the forest turned pitch-black cold again. Someone threw a bomb in a Negro church in Birmingham. Four kids were dead. VI
Another funeral. It wasn’t like Medgar Evers’ funeral. This one was by invitation only. But they came anyway, the poor, the raggedy, the verb-buster. Outside the church I saw an old Negro woman in torn tennis shoes holding on to an old Negro man who had a wine bottle in his pocket. I was glad when the television cameras took pictures of that old couple. Those kids died for all Negroes, not just those who were invited. But I guess the greatest lesson of that Birmingham bombing was for the Negro who thought that civil rights didn’t pertain to him—the principal, the teacher, the doctor, the preacher, the lawyer. Those were his kids in that church, and whether he wanted to demonstrate or not, whether he thought we were going too fast or not, he found out that as long as your skin is black . . . Three of the children lay inside the church. I talked to one of the mothers. Both of her daughters were in the bombing. One daughter got glass in her eyes, and the mother spent five hours in a hospital operating room waiting to find out if she would ever see again. A few minutes after she learned that one daughter would be not blind for life, she learned that her other daughter was dead. After a while, Lil and I walked over to the church that had been bombed. We saw a strange and terrible thing. All the windows but one had been completely blown out. The stained-glass window of Christ was almost intact. Only Christ’s eyes and the top of His head were blown out. And it frightened me because I wondered what it meant. Christ with no eyes. The blind leading the blind? Christ with no mind. We left and I told Lil that she had seen a great work of art because it had taken a hundred years of hate and violence to produce an artist capable of creating that picture. But it wasn’t the only frightening symbol I saw in Birmingham that day. I saw a state policeman with a tommy gun cradled in his arm, a smile on his face, leaning against a mailbox across the street from the church. The mailbox was painted red, white, and blue. VII
A scared Negro is one thing. A mad Negro is something else. I had always gone down south scared. But in September, when I went down to Selma, Alabama, Whitey had a mad Negro on his hands. Those brave, beautiful kids from SNCC had started their big voter registration drive in Selma, and had asked me to help them. I was too sick to travel, but I didn’t want to let them down. I sent Lillian in my place. She was pregnant again. We didn’t know it at the time, but she was carrying twin girls. Lillian was in jail a week before I was able to get to Selma. It was a Friday night. I talked to Lillian through a jailhouse window, and she said everything was all right. Then I went to speak at a rally. I walked through a deputized posse of two hundred rednecks, into a church that had been tear-gassed a few days before. I got up on stage in front of a crowd of scared Negroes. They needed some courage. Courage to go out and buck the system, courage to let their children demonstrate, courage to stand up and be counted in a town where the front row of their church was filled that night with policemen pretending to be newspaper reporters and taking notes. I directed my speech at those cops in the front row. I was mad. I told that audience how surprised I was to see a dumb southern cop who knew how to write. The crowd was nervous. They had never heard such talk in front of a white man before. It always amazes me to see how the southern white folks will knock themselves out, pose all kinds of things to slip into a Negro meeting, and we haven't gotten around to wanting to slip into a Klu Klux Klan meeting. I think that speaks for itself. The whole world wants to slip in and be around right and good and godliness, but only fools want to be around filth. They looked at each other and giggled nervously.
A southern white man. Only thing he has to be able to identify with is a drinking fountain, a toilet, and the right to call me a nigger. They liked that. A few people clapped, and somebody yelled: “You tell ’em, brother.” Every white man in America knows we are Americans, knows we are Negroes, and some of them know us by our names. So when he calls us a nigger, he’s calling us something we are not, something that exists only in his mind. So if nigger exists only in his mind, who’s the nigger? They laughed and they clapped.
Now let’s take it one step farther. This is a Bible here. We know it’s a book. Now if I sat here and called it a bicycle, I have called it something it is not. So where does the bicycle exist? In my mind. I’m the sick one, right? And they were cheering now, and screaming and laughing and the white cops up front looked pale. The crowd wasn’t afraid of them. I talked for about an hour that Friday night. I told them how important it was for them to get out and support the voter registration drive on Monday. If they registered, they could vote, and if they voted the politicians would represent their interests, too. Saturday, Lillian came out of jail, and Saturday night I went back to the church to speak again. Before I began, I asked the audience to sing, “Were You There When They Crucified the Lord?” Then I started, and I wasn’t mad anymore, and I laid it down to them. It’s amazing how we come to this church every Sunday and cry over the crucifixion of Christ, and we don't cry over these things that are going on around and among us. If He was here now and saw these things, He would cry. And He would take those nails again. For us. For this problem. It just so happened that in His day and time, religion was the big problem. Today, it is color. What do you think would happen to Christ tonight if He arrived in this town a black man and wanted to register to vote on Monday? What do you think would happen? Would you be there? You would? Then how come you ’re not out there with these kids, because He said that whatever happens to the least, happens to us all.. . Let’s analyze the situation.
We ’re not saying, “Let’s go downtown and take over city hall. ” We ’re not saying, “Let’s stand on the rooftops and throw bricks at the white folks. ” We ’re not saying, “Let’s get some butcher knives and some guns and make them pay for what they’ve done. ” We ’re talking to the white man, and this is what we ’re saying.
We ’re saying, “We want what you said belongs to us. You have a constitution. I’m a black man, and you make me sit down in a black school and take a test on the United States Constitution, a constitution that hasn't worked for anyone but you. And you expect me to learn it from front to back. So I learned it. “You made me stand up as a little kid and sing ‘God Bless America’ and ‘America the Beautiful’ and all those songs the white kids were singing. I Pledge Allegiance to the Flag. That’s all I’m asking you for today. ” Something important happened in 1963, and the sooner we wake up and realize it, the better off this whole world is going to be. Because for some reason God has put in your hands the salvation of not just America—this thing is bigger than just this country—but the salvation of the whole world. . . The Negro in America has the highest standard of living, the highest educational standard, the highest medical standard of any black man the world over and of most white men outside America. And yet there are backward countries getting more respect from this American white man than you people could ever command. Do you know why? It’s because we grinned when he wanted us to grin. We cried when he wanted us to cry. We’ve spent money when he wanted us to spend money. And we’ve done without when he said do without. He owns all the missiles in the world, and when he talks to you about owning a switchblade you become ashamed. He started all the wars, and when he talks to you about cutting somebody on Saturday night you become ashamed. He makes me feel small. He calls me everything on the job but my name, so I’m aggravated before I get home. Then he tells me about my education. Well, if it takes education his-style to produce a clown that would throw dynamite in a church, I hope we never get that. I have a newspaper and I wish I brought it tonight. It embarrasses me just to look at it. It’s a newspaper from 1848, a New Orleans newspaper. On the back page are ads offering rewards for the return of runaway slaves. Can you believe in 1848 we were running away, rebelling, and we didn’t have anyplace to run to? 1848. Slaves were running away. Can you imagine what this old Negro had to go through? Can you imagine the day a Negro woman went to a black man and said: “Honey, I’m pregnant, ” and both of them fell on their knees and prayed that their baby would be born deformed? Can you imagine what this Negro went through, hoping his baby is born crippled? Because if he was born crippled, he would have less chance of being a slave and more chance of having freedom. Think about that. Think about the woman you love coming to you and saying she’s pregnant with your baby and you both pray the baby is born crippled. This is what the slaves went through. And a hundred years later, we have parallels. A hundred years later and you people are worrying about your kids being in jail overnight, being in jail because they demonstrated for freedom. So many parents who don’t even know where their kids are, for the first time they’ll know where their kids are twenty-four hours a day. In jail. And know that they’re there for a good cause and a good reason. How many mothers let their sons play football, and all he can get from that is a chance to help his team win a victory. A victory that will be forgotten tomorrow. So can’t you let your son fight for freedom, something that the whole world will profit from, forever? Sometimes I wonder how much this system has corrupted us. Sometimes I wonder when we will wake up to see that the day is over when we can say: “I’m not involved. ” Those four kids who were killed in that church in Birmingham, they weren't demonstrating. You don't have to participate. Just be black. Or be white, and for our cause. When the bomb is thrown, somebody has to die. And do you know that 50 percent of the killings are our fault? That’s right. We let this white man go crazy on us, instead of straightening him out when we should have. Each one of us scratched our heads five years too long. Sure, tomming was good once upon a time. That’s how we got here. The old folks knew that was the only way they could raise you. What we call Uncle Tomism today was nothing but finesse and tact then. The old folks had to scratch their heads and grin their ways into a white man’s heart. A white man who wouldn't accept them any other way. But at what point do we stop tomming?
A Negro is better off going to a foreign country fighting for America than he is coming to the South fighting for the Negro cause. When he’s in a foreign country, fighting to give those people rights he doesn’t even get, the whole of America is behind him. When he comes down here, there are only a few behind him. So it’s coming down to this. You have to commit. You ’re going through the same thing today that the folks went through when the Lord was crucified. “ Who else is with Christ? ” the Romans asked.
And everybody just stood there. And prayed silently. And they went back and said: “I prayed. ” No, sister, I didn't even see your lips move.
Were you there when they crucified the Lord? It’s a nice song to sing. But this time, you have an opportunity to be there. Sure would be a heck of a thing, twenty, thirty years from now when they ’re singing a song about these days, and your grand kids and great-grand kids can stand up and say: “Yeah, baby, he was there, my grandfather was there. ” And when they ask you, you can nod your head and say: “Yeah, I was there. ”
I ’d like to tell you a story before I leave. I talked to the father of one of the kids who died in that church in Birmingham. He said to me: “You know, Gregory, my daughter begged me to let her demonstrate, and I told her no. I told her she was too young. And she looked at me, and she said: ‘Then you do it, Daddy. ’. . .” And that’s what that man will have to live with for the rest of his life. Because if Birmingham had had enough Negroes behind them, there wouldn't have been a bombing . . . These kids here in Selma aren't doing anything just for themselves. There’s nothing selfish about what they ’re doing here. Freedom will run all over this town. But you have to get behind them. Because there are too many white folks in front of them. Get behind your kids in this town.
Good-bye and God Bless You and Good Night.
#
The next morning Lil and I went home. It’s hard to say good-bye to people in the South, people you’re leaving behind on the battle line. They have that look in their eyes, thanks a million, please don’t go. They were singing “We Shall Overcome” as we drove out of Selma, and somehow we could still hear them on the plane back to Chicago. That Sunday we took the kids to a drive-in movie. Michele and Lynne sat in the back of the car, one on each side of Lil. On the way, Michele pointed out the window. “What’s that, Mommy?”
“That’s a filling station, Michele, it sells gasoline. Daddy’s car runs on gasoline, all cars run on gasoline. Look over there, Michele, across the street. That’s another filling station. You see, honey, there are different kinds of gas, there’s Shell, and over there, that’s Standard, and now, look over there ...” I’m driving with tears in my eyes. Here’s a woman who just spent eight days in jail, and she’s able to sit back there, so patient and kind, and tell her kids about the different kinds of gasoline. I wish I had that kind of beauty. I wish the world was that free from malice and hate. VIII
They burst into my hotel room, a dozen of them, laughing and screaming and singing, and for a moment all I saw were the flickering flames the first one was carrying in his hands. I jumped up and my stomach turned over and then I was angry because they had scared me, and then I cried. It was a cake with candles. It was my first birthday party. I was thirty-one. Jim Sanders was there, and his new wife, Jackie, and my managers and agents and writers and some of the other performers from the nightclub. We drank and we talked and they didn’t believe this was my first real party. And I told them about Richard, the kid I once knew in St. Louis who used to buy himself a Twinkie cupcake and steal a little pink candle and pretend he was having a party. Oh, Momma, I wish you could see your little Richard now. He’s all right. I didn’t lie to you, Momma, about people buying me birthday presents, about people inviting me over to their houses. It’s true now, so it’s no lie anymore. And you know, Momma, that old lady who saw a star in the middle of my forehead, she was right. We thought I was going to be a great athlete, and we were wrong, and I thought I was going to be a great entertainer, and that wasn’t it, either. I’m going to be an American citizen. First-class. Hot damn, we’re going to bust this thing. I feel it when I stand in front of a crowd of people hungry for freedom, and I feel it when we march down a street for our rights. Hot water seeping up into a cold body, that dry taste in my mouth. The monster. But it’s not content to beat some mother’s son in a footrace anymore, and it’s not satisfied to make people laugh and love me. Now it wants some respect and dignity, and it wants freedom. It’s willing to die for freedom. It’s getting stronger every day. It would frighten you, Momma. But now it has truth and justice and the Constitution of the greatest country in the world on its side. It’s not just a Negro monster. I saw it in a northern white boy who marched with us for freedom through the snow in Georgia. He had no soles on his shoes, and his feet were blue and he never said a word. I asked him why he didn’t go home and take that big engineering job he had been offered. He said that there would be nothing to build on unless every American citizen got his rights first. When I saw him, Momma, I laughed at every northern liberal who ever said: “Slow down, you people, don’t alienate your friends.” Yeah, baby, were you there when they crucified the Lord? Or were you just singing?
Yeah, that monster’s growing stronger, Momma, I saw it in New York where we marched against school segregation, northern-style, marched to give little black kids a chance for a better education and college and good jobs. And a chance for little white kids to sit with us and know us and learn to love and hate us as individuals, not just fear and hate us as a color like their parents do. I saw it in Chester, Pennsylvania, with Stanley Branche where we marched for equal opportunities, a chance to be ordinary if we wanted, to be great if we could. Just a chance to be Americans. I saw it in Atlanta where we marched against segregation in restaurants. I was in my first sit-in there, and I did my first official negotiating. I learned that when honesty sits around a conference table, black men and white men can understand and feel each other’s problems, and help each other. I saw the monster in Mississippi where we marched for voter registration, so a Negro can cast his ballot for the government he lives under and supports with his tax money, and dies for in wars. I saw it in San Francisco where white doctors and lawyers marched on the lines with us and went to jail with us and showed the world that this isn’t a revolution of black against white, this is a revolution of right against wrong. And right has never lost. This is a revolution. It started long before I came into it and I may die before it’s over, but we’ll bust this thing and cut out this cancer. America will be as strong and beautiful as it should be, for black folks and white folks. We’ll all be free then, free from a system that makes a man less than a man, that teaches hate and fear and ignorance. You didn’t die a slave for nothing, Momma. You brought us up. You and all those Negro mothers who gave their kids the strength to go on, to take that thimble to the well while the whites were taking buckets. Those of us who weren’t destroyed got stronger, got calluses on our souls. And now we’re ready to change a system, a system where a white man can destroy a black man with a single word. Nigger. When we’re through, Momma, there won’t be any niggers anymore.
2/4/2023 0 Comments Richard Wright "Native Son"
Native Son (1940) is a novel written by the American author Richard Wright. It tells the story of 20-year-old Bigger Thomas, a black youth living in utter poverty in a poor area on Chicago's South Side in the 1930s. While not apologizing for Bigger's crimes, Wright portrays a systemic causation behind them.
Richard Wright Native Son With an Introduction "How 'Bigger' Was Born" by the author Jonathan Cape Thirty Bedford Square London First published in Gieal Biituin by Vicloi Gollancz iy4o Copyright i(j40 by Richard Wiighl Reissued 1970 Jonathan Cape Ltd, 30 Bedford Square, London wci SEN 224 61847 4 Acknowledgment is made to the Satmduv Re\ww of Liu-muin’ loi permission lo reproduce those pints of “How ‘Biggei’ Was Bom" which appeared m the issue of June isi 7940 'I he amcle was pub- lished m Its entiiety for the hist time in !()4o by lUupor & BuUheis. Printed in Great Britain by Lowe and Brydone (Printers) Ltd, London bound by James Burn & Co Ltd, Esher, Surrey CONTENTS Introduction; How “Bigger” Was Born, by Richard Wright Book One 7 Book Two 93 Book Three 254 To My Mother who, when I was a child at her knee, taught me to revere the fanciful and the imaginative Introduction HOW "BIGGER" WAS BORN By Richard Wright I am not so pretentious as to imagine that it is possible for me to account completely for my own book, Native Son. But I am going to try to account for as much of it as I can, the sources of it, the material that went into it, and my own years’ long changing attitude toward that material. In a fundamental sense, an imaginative novel represents the merging of two extremes; it is an intensely intimate expression on the part of a consciousness couched m terms of the most objective and commonly known events. It is at once some- thing pnvate and public by its very nature and texture. Con- founding the author who is trying to lay his cards on the table is the dogging knowledge that his imagination is a kind of community medium of exchange: what he has read, felt, thought, seen, and remembered is translated into extensions as impersonal as a worn dollar bill. The more closely the author thinks of why he wrote, the more he comes to regard his imagination as a kind of self- generating cement which glued his facts together, and his emo- tions as a kind of dark and obscure designer of those facts. Always there is something that is just beyond the tip of the tongue that could explain it all. Usually, he ends up by dis- cussing something far afield, an act which incites skepticism HOW “bigger” was born and suspicion in those anxious for a straight-out explanation, Yet the author is eager to explain. But the moment he makes the attempt his words falter, for he is confronted and defied by the inexplicable array of his own emotions. Emo- tions are subjective and he can communicate thena only when he clothes them in objective guise; and how can he ever be so arrogant as to know when he is dressing up the right emotion in the right Sunday suit? He is always left with the uneasy notion that maybe any objective drapery is as good as any other for any emotion. And the moment he does dress up an emotion, his mind is confronted with the riddle of that “dressed up" emotion, and he is left peering with eager dismay back into the dim reaches of his own incommunicable life. Reluctantly, he comes to the conclusion that to account for his book is to account for his life, and he knows that that is impossible. Yet, some curious, wayward motive urges him to supply the answer, for there is the feeling that his dignity as a living being is challenged by something within him that is not understood. So, at the outset, I say frankly that there are phases of Native Son which I shall make no attempt to account for. There are meanings in my book of which I was not aware until they literally spilled out upon the paper. I shall sketch the outline of how I consciously came into possession of the materials that went into Native Son, but there will be many things I shall omit, not because I want to, but simply because I don’t know them. The birth of Bigger Thomas goes back to my childhood, and there was not just one Bigger, but many of them, more than I could count and more than you suspect. But let me start with the first Bigger, whom I shall call Bigger No. 1, When 1 Was a bareheaded, barefoot kid in Jackson, Mis- sissippi, there was a boy who terrorized me and all of the boys I played with. If we were playing games, he would saunter up and snatch from us our balls, bats, spinning tops, and marbles. We would stand around pouting, sniffling, try- ing to keep back our tears, begging for our playthings. But Bigger would refuse. We never demanded that he give them back; we were afraid, and Bigger was bad. We had seen him clout boys when he was angry and we did not want to run that risk. We never recovered our toys unless we flattered him and made him feel that he was superior to us. Then, perhaps, if HOW “bigger” was born he felt like it, he condescended, threw them at us and then gave each of us a swift kick in the bargain, just to make us feel his utter contempt. That was the way Bigger No. 1 lived. His life was a con- tinuous challenge to others. At all times he took his way, right or wrong, and those who contradicted him had him to fight. And never was he happier than when he had someone cornered and at his mercy; it seemed that the deepest mean- ing of his squalid life was in him at such times. I don’t know what the fate of Bigger No. 1 was. His swag- gering personality is swallowed up somewhere in the amnesia of my childhood. But I suspect that his end was violent. Any- way, he left a marked impression upon me; maybe it was because I longed secretly to be like him and was afraid. I don’t know. If I had known only one Bigger I would not have written Native Sort, Let me call the next one Bigger No. 2; he was about seventeen and tougher than the first Bigger. Since I, too, had grown older, 1 was a little less afraid of him. And the hardness of this Bigger No. 2 was not directed toward me or the other Negroes, but toward the whites who ruled the South, He'bought clothes and food on credit and would not pay for them. He lived in the dingy shacks of the white landlords and refused to pay rent. Of course, he had no money, but neither did we. We did without the necessities of life and starved ourselves, but he never would. When we asked him why he acted as he did, he would tell us (as though we were little children in a kindergarten) that the white folks had everything and he had nothmg. Further, he would tell us that we were fools not to get what we wanted while we were alive in this world. We would listen and si- lently agree. We longed to believe and act as he did, but we were afraid. We were Southern Negroes and we were hungry and we wanted to live, but we were more willing to tighten our belts than risk conflict. Bigger No. 2 wanted to live and he did; he was in prison the last time I heard from him. There was Bigger No. 3, whom -the white folks called a “bad nigger.” He carried his life in his hands in a literal fashion. I once worked as a ticket-taker in a Negro movie house (all movie houses in Dixie are Jim Crow; there are movies for whites and movies for blacks), and many times Bigger No. 3 came to the door and gave my arm a hard pinch HOW “bigger” was born and walked into the theater. Resentfully and silently, I’d nurse my bruised arm. Presently, the proprietor would come over and ask how things were going. I’d point into the darkened theater and say: “Bigger’s in there.” “Did he pay?” the pro- prietor would ask. “No, sir,” I’d answer. The proprietor would pull down the comers of his lips and speak through his teeth: “We’ll kill that goddamn nigger one of these days.” And the episode would end right there. But later on Bigger No. 3 was killed during the days of Prohibition: while de- livering liquor to a customer he was shot through the back by a white cop. And then there was Bigger No. 4, whose only law was death. The Jim Crow laws of the South were not for him. But as he laughed and cursed and broke them, he knew that some day he’d have to pay for his freedom. His rebellious spirit made him violate all the taboos and consequently he always oscillated between moods of intense elation and de- pression. He was never happier than when he had outwitted some foolish custom, and he was never more melancholy than when brooding over the impossibility of his ever being free. He had no job, for he regarded digging ditches for fifty cents a day as slavery. “I can’t live on that,” he would say. Ofttimes I’d find him readmg a book; he would stop and in a joking, wistful, and cynical manner ape the antics of the white folks. Generally, he’d end his mimicry in a depressed state and say: "The white folks won’t let us do nothing.” Bigger No. 4 was sent to the asylum for the insane. Then there was Bigger No. 5, who always rode the Jim Crow streetcars without paying and sat wherever be pleased. I remember one morning his getting into a streetcar (all streetcars in Dixie are divided into two sections: one section is for whites and is labeled — ^FOR WHITES; the other sec- tion is for Negroes and is labeled — FOR COLORED) and sitting in the white section. The conductor went to him and said: “Come on, nigger. Move over where you belong. Can’t you read?” Bigger answered: “Naw, I can’t read.” The con- ductor flared up: “Get out of that seat!” Bigger took out his knife, opened it, held it nonchalantly in his hand, and re- plied: “Make me.” The conductor turned red, blinked, clenched his fists, and walked away, stammering: “The god- damn scum of the earth!” A small angry conference of white men took place m the front of the car and the Negroes sit- HOW "bigger” was born ting in the Jim Crow section overheard: “That’s that Bigger Thomas nigger and you’d better leave ’im alone.” The Ne- groes experienced an intense flash of pride and the streetcar moved on its journey without incident. I don’t know what happened to Bigger No. 5. But I can guess. The Bigger Thomases were the only Negroes I know of who consistently violated the Jim Crow laws of the South and got away with it, at least for a sweet brief spell. Even- tually, the whites who restricted their lives made them pay a terrible price. They were shot, hanged, maimed, lynched, and generally hounded until they were either dead or their spirits broken. There were many variations to this behavioristic pattern. Later on I encountered other Bigger Thomases who did not react to the locked-in Black Belts with this same extremity and violence. But before I use Bigger Thomas as a spring- board for the examination of milder types, I’d better indicate more precisely the nature of the environment that produced these men, or the reader will be left with the impression that they were essentially and organically bad. Bi Dixie there are two worlds, the white world and the black world, and they are physically separated. There are white schools and black schools, white churches and black churches, white businesses and black businesses, white grave- yards and black graveyards, and, for all I know, a white God and a black God. . . . This separation was accomplished after the Civil War by the terror of the Ku Klux Klan, which swept the newly freed Negro through arson, pillage, and death out of the United States Senate, the House of Representatives, the many state legislatures, and out of the public, social, and economic life of the South. The motive for this assault was simple and urgent. The imperialistic tug of history had tom the Negro from his African home and had placed him ironically upon the most fertile plantation areas of the South; and, when the Negro was freed, he outnumbered the whites in many of these fertile areas. Hence, a fierce and bitter struggle took place to keep the ballot from the Negro, for had he had a chance to vote, he would have automatically controlled the richest lands of the South and with them the social, political, and economic destmy of a third of the Republic. Though the South is politically a part of America, the problem that faced HOW “bigoer” was born her was peculiar and the struggle between the whites and the blacks after the Civil War was in essence a struggle for power, ranging over thirteen states and involving the lives of tens of millions of people. But keeping the ballot from the Negro was not enough to hold him in check; disfranchisement had to be supplemented by a whole panoply of rules, taboos, and penalties designed not only to insure peace (complete submission), but to guar- antee that no real threat would ever arise. Had the Negro lived upon a common territory, separate from the bulk of the white population, this program of oppression might not have assumed such a bmtal and violent form. But this war took place between people who were neighbors, whose homes ad- joined, whose farms had common boundaries. Guos and dis- franchisement, therefore, were not enough to make the black neighbor keep his distance. The white neighbor decided to limit the amount of education his black neighbor could re- ceive; decided to keep him off the police force and out of the local national guards; to segregate him residentially; to Jim Crow him in public places; to restrict his participation in the professions and jobs; and to build up a vast, dense ide- ology of racial superiority that would justify any act of vio- lence taken against him to defend white dominance; and further, to condition him to hope for little and to receive that little without rebelling. But, because the blacks were so close to the very civiliza- tion which sought to keep them out, because they could not help but react in some way to its incentives and priTes, and because the very tissue of their consciousness received its tone and timbre from the strivings of that dominant civiliza- tion, oppression spawned among them a myriad variety of reactions, reaching from outright blind rebellion to a sweet, other-worldly submissiveness. In the main, this delicately balanced state of affairs has not greatly altered since the Civil War, save in those parts of the South which have been industrialized or urbanized. So vola- tile and tense are these relations that if a Negro rebels against rule and taboo, he is lynched and the reason lor the lynching is usually called “rape,” that catchword which has garnered such vile connotations that it can raise a mob anywhere in the South pretty quickly, even today. Now for the variations in the Bigger Thomas pattern. Some HOW “bigger” was born of the Negroes living under these conditions got religion, felt that Jesus would redeem the void of living, felt that the more bitter life was in the present the happier it would be in the hereafter. Others, dinging still to that brief glimpse of post- Civil War freedom, employed a thousand ruses and strata- gems of struggle to wm their rights. Still others projected their hurts and longings into more naive and mimdane forms — blues, jazz, swing — and, without intellectual guidance, tried to build up a compensatory nourishment for themselves. Many labored under hot suns and then killed the restless ache with alcohol. Then there were those who strove for an educa- tion, and when they got it, enjoyed the financial fruits of it in the style of their bourgeois oppressors. Usually they went hand in hand with the powerfull whites and helped to keep their groaning brothers in line, for that was the safest course of action. Those who did this called themselves “leaders.” To give you an idea of how completely these “leaders” worked with those who oppressed, I can tell you that I lived the first seventeen years of my life in the South without so much as hearing of or seeing one act of rebellion fiom any Negro, save the Bigger Thomases, But why did Bigger revolt? No explanation based upon a hard and fast rule of conduct can be given. But there were always two factors psychologically dominant in his person- ality. First, through some quirk of circumstance, he had be- come estranged from the religion and the folk culture of his race. Second, he was trying to react to and answer the call of the dominant civilization whose glitter came to him through the newspapers, magazmes, radios, movies, and the mere imposing sight and sound of daily American life. In many respects his emergence as a distinct type was inevitable. As I grew older, I became familiar with the Bigger Thomas conditionmg and its numerous shadings no matter where I saw It in Negro life. It was not, as 1 have already said, as blatant or extreme as in the originals; but it was there, never- theless, like an undeveloped negative. Sometimes, in areas far removed from Mississippi, I’d hear a Negro say: “I wish I didn’t have to live this way. I feel like I want to burst.” Then the anger would pass; he would go back to his job and try to eke out a few pennies to support his wife and children Sometimes I’d hear a Negro say; “God, I wish I had a flag HOW “bigger” was born and a country of my own.” But that mood would soon vanish and he would go his way placidly enough. Sometimes I’d hear a Negro ex-soldier say: “What in hell did I fight in the war for? They segregated me even when I was offering my life for my country.” But he, too, like the others, would soon forget, would become caught up in the tense grind of struggling for bread. I’ve even heard Negroes, in moments of anger and bitter- ness, praise what Japan is doing in China, not because they believed in oppression (being obiects of oppression them- selves), but because they would suddenly sense how empty their lives were when looking at the dark faces of Japanese generals in the rotogravure supplements of the Sunday news- papers, They would dream of what it would be like to live in a country where they could forget their color and play a responsible role in the vital processes of the nation’s life. I’ve even heard Negroes say that maybe Hitler and Musso- lini are all right; that maybe Stalin is all right. They did not say this out of any intellectual comprehension of the forces at work in the world, but because they felt that these men “did things,” a phrase which is charged with more meaning than the mere words imply. There was in the back of their minds, when they said this, a wild and intense longing (wild and intense because it was suppressed!) to belong, to be iden- tified, to feel that they were alive as other people were, to be caught up forgetfully and exultingly in the swing of events, to feel the clean, deep, organic satisfaction of doing a job in common with others. It was not until I went to live in Chicago that I first thought seriously of writing of Bigger Thomas. Two items of my ex- perience combined to make me aware of Bigger as a mean- ingful and prophetic symbol. First, being free of the daily pressure of the Dixie environment, I was able to come into possession of my own feelings. Second, my contact with the labor movement and its ideology made me see Bigger clearly and feel what he meant. I made the discovery that Bigger Thomas was not black all the time; he was white, too, and there were literally mil- lions of him, everywhere. The extension of my sense of the personality of Bigger was the pivot of my life; it altered the complexion of my existence. I became conscious, at first dimly, and then later on with increasmg clarity and convic- HOW “BIGGER” WAS BORN tion, of a vast, muddied pool of human life in America. It was as though I had put on a pair of spectacles whose power was that of an x-ray enabling me to see deeper into the lives of men. Whenever I picked up a newspaper, I’d no longer feel that I was reading of the doings of whites alone (Negroes are rarely mentioned in the press unless they’ve committed some crime!), but of a complex struggle for life going on in my country, a struggle in which I was involved. I sensed, too, that the Southern scheme of oppression was but an appendage of a far vaster and in many respects more ruthless and im- personal commodity-profit machine. Trade-union struggles and issues began to grow meaningful to me. The flow of goods across the seas, buoying and de- pressmg the wages of men, held a fascination. The pro- nouncements of foreign governments, their policies, plans, and acts were calculated and weighed in relation to the lives of people about me. I was literally overwhelmed when, in read- ing the works of Russian revolutionists, I came across descrip- tions of the “holiday energies of the masses,” “the locomotives of history,” “the conditions prerequsitc for revolution,” and so forth. I approached all of these new revelations in the light of Bigger Thomas, his hopes, fears, and despairs; and I be- gan to feel far-flung kinships, and sense, with fright and abashment, the possibilities of alliances between the Ameri- can Negro and other people possessing a kindred conscious- ness. As my mind extended in this general and abstract manner, it was fed with even more vivid and concrete examples of the lives of Bigger Thomas. The urban environment of Chi- cago, affording a more stimulating life, made the Negro Big- ger Thomases react more violently than even in the South. More than ever I began to see and understand the environ- mental factors which made for this extreme conduct. It was not that Chicago segregated Negroes more than the South, but that Chicago had more to offer, that Chicago’s physical aspect noisy, crowded, filled with the sense of power and fulfillment — did so much more to dazzle the mind with a taunting sense of possible achievement that the segregation it did impose brought forth from Bigger a reaction more ob- streperous than in the South. So the concrete picture and the abstract linkages of rela- tionships fed each other, each making the other more mean- mgful and affording my emotions an opportunity to react to HOW “bigger” was born them with success and understanding. The process was like a swinging pendulum, each to and fro motion throwing up its tiny bit of meaning and significance, each stroke helping to develop the dim negative which had been implanted in my mind in the South. During this period the shadings and nuances which were filling in Bigger’s picture came, not so much from Negro life, as from the lives of whites I met and grew to know. I began to sense that they had their own kind of Bigger Thomas be- havioristic pattern which grew out of a more subtle and broader frustration. The waves of recurring crime, the silly fads and crazes, the quicksilver changes in public taste, the hysteria and fears — all of these had long been mysteries to me. But now I looked back of them and felt the pinch and pressure of the environment that gave them their pitch and peculiar kind of bemg. I began to feel with my mind the inner tensions of the people I met I don’t mean to say that I think that environment makes consciousness (I suppose God makes that, if there is a God), but I do say that I felt and still feel that the environment supplies the instrumentalities through which the organism expresses itself, and if that environment is warped or tranquil, the mode and manner of behavior will be affected toward deadlocking tensions or orderly fulfillment and satisfaction. Let me give examples of how I began to develop the dim negative of Bigger. I met white writers who talked of their responses, who told me how whites reacted to this lurid American scene. And, as they talked, I’d translate what they said in terms of Bigger’s life. But what was more important still, I read their novels. Here, for the first time, I found ways and techniques of gauging meaningfully the effects of Ameri- can civilization upon the personalities of people. I took these techniques, these ways of seeing and feeling, and twisted them, bent them, adapted them, until they became my ways of apprehending the locked-in life of the Black Belt areas. This association with white writers was the life preserver of my hope to depict Negro life in fiction, for my race pos- sessed no fictional works dealing with such problems, had no background in such sharp and critical testing of experience, no novels that went with a deep and fearless will down to the dark roots of life. HOW “bigger” was born Here are examples of how I culled information relating to Bigger from my reading: There is in me a memory of reading an interesting pam- phlet telhng of the friendship of Gorky and Lenin in exile. The booklet told of how Lenin and Gorky were walking down a London street. Lenin turned to Gorky and, pointing, said: “Here is their Big Ben.” “There is their Westminster Abbey.” “There is their library.” And at once, while reading that pas- sage, my mind stopped, teased, challenged with the effort to remember, to associate widely disparate but meaningful ex- periences in my life. For a moment nothing would come, but I remained convinced that I had heard the meaning of those words sometime, somewhere before. Then, with a sudden glow of satisfaction of havmg gained a little more knowledge about the world m which I lived. I’d end up by saying: “That’s Bigger. That’s the Bigger Thomas reaction.” In both instances the deep sense of exclusion was identical. The feeling of looking at things with a painful and unwar- rantable nakedness was an experience, I learned, that tran- scended national and racial boundaries. It was this intolerable sense of feeling and understanding so much, and yet living on a plane of social reality where the look of a world which one did not make or own struck one with a blinding objec- tivity and tangibility, that made me grasp the revolutionary impulse in my life and the lives of those about me and far away. I remember reading a passage in a book dealing with old Russia which said: “We must be ready to make endless sacri- fices if we are to be able to overthrow the Czar.” And again I’d say to myself: “I’ve heard that somewhere, sometime be- fore.” And again I’d hear Bigger Thomas, far away and long ago, telling some white man who was trying to impose upon him: “I’ll kill you and go to hell and pay for it.” While living in America I heard from far away Russia the bitter accents of tragic calculation of how much human life and suffering it would cost a man to live as a man in a world that denied him the right to live with dignity. Actions and feelings of men ten thousand miles from home helped me to understand the moods and impulses of those wallung the streets of Chicago and Dixie. I am not saying that I heard any talk of revolution in the HOW “bigger” was born South when I w<is a kid there. But 1 did hear the lispings, the whispers, the mutters which some day, under one stimulus or another, will surely grow into open revolt unless the con- ditions which produce Bigger Thomases are changed. In 1932 another source of information was dramatically opened up to me and I saw data of a surprising nature that helped to clarify the personality of Bigger. From the moment that Hitler took power in Germany and began to oppress the Jews, I tried to keep track of what was happening. And on mnumerable occasions I was startled to detect, either from the side of the Fascists or from the side of the oppressed, re- actions, moods, phrases, attitudes that remmded me strongly of Bigger, that helped to bring out more clearly the shadowy outlines of the negative that lay in the back of my mind. I read every account of the Fascist movement in Germany I could lay my hands on, and from page to page I encoun- tered and recognized familiar emotional patterns. What struck me with particular force was the Nazi preoccupation with the construction of a society in which there would exist among all people (German people, of coursel) one solidarity of ideals, one continuous circulation of fundamental beliefs, notions, and assumptions. I am not now speaking of the popular idea of regimenting people’s thought; I’m speaking of the implicit, almost unconscious, or pre-conscious, assump- tions and ideals upon which whole nations and races act and live. And while reading these Nazi pages I’d be reminded of the Negro preacher in the South telling of a life beyond this world, a life in which the color of men’s skins would not matter, a life in which each man would know what was deep down in the hearts of his fellow man. And I could hear Bigger Thomas standing on a street comer in America expressing his agonizing doubts and chronic suspicions, thus: “I ain’t going to trust nobody. Everything is a racket and everybody is out to get what he can for himself. Maybe if we had a true leader, we could do something.” And I’d know that I was still on the track of learning about Bigger, still in the midst of the modem stmggle for solidarity among men. When the Nazis spoke of the necessity of a highly ritual- ized and symbolized life, I could hear Bigger Thomas on Chicago’s ;^uth Side saying; “Man, what we need is a leader like Marcus Garvey. We need a nation, a flag, an army of our own. We colored folks ought to organize into groups and HOW “bigger" was born have generals, captains, lieutenants, and so forth. We ought to take Africa and have a national honae." I’d know, while hstening to these childish words, that a white man would smile densively at them. But I could not smile, for I knew the truth of those simple words from the facts of my own life. The deep hunger in those childish ideas was like a flash of lightning illuminating the whole dark inner landscape of Bigger’s mind Those words told me that the civilization which had given birth to Bigger contained no spiritual sus- tenance, had created no culture which could hold and claim his allegiance and faith, had sensitized him and had left him stranded, a free agent to roam the streets of our cities, a hot and whirling vortex of undisciplmed and unchannelized im- pulses. The results of these observatioas made me feel more than ever estranged from the civilization in which 1 lived, and more than ever resolved toward the task of creating with words a scheme of images and symbols whose direction could enlist the sympathies, loyalties, and yearnings of the millions of Bigger Thomases in every land and race. . . . But more than anything else, as a writer, I was fascinated by the similarity of the emotional tensions of Bigger in America and Bigger in Nazi Germany and Bigger in old Russia. All Bigger Thomases, white and black, felt tense, afraid, nervous, hysterical, and restless. From far away Nazi Germany and old Russia had come to me items of knowledge that told me that certain modem experiences were creating types of personalities whose existence ignored racial and na- tional lines of demarcation, that these personalities carried with them a more universal drama-element than anything I’d ever encountered before; that these personalities were mainly imposed upon men and women living in a world whose fundamental assumptions could no longer be taken for granted: a world ridden with national and class strife; a world whose metaphysical meanings had vanished; a world in which God no longer existed as a daily focal point of men’s lives; a world m which men could no longer retain their faith in an ultimate hereafter. It was a highly geared world whose nature was conflict and action, a world whose limited area and vision impenously urged men to satisfy their organisms, a world that existed on a plane of animal sensation alone. It was a world in which millions of men lived and behaved like drunkards, taking a stiff drink of hard life to lift them HOW “bigger" was born up for a thrilling moment, to give them a quivering sense of wild exultation and fulfillment that soon faded and let them down. Eagerly they took another drink, wanting to avoid the dull, flat look of things, then still another, this time stronger, and then they felt that their lives had meaning. Speaking fig- uratively, they were soon chronic alcoholics, men who lived by violence, through extreme action and sensation, through drowning daily in a perpetual nervous agitation. From these items I drew my first political conclusions about Bigger: I felt that Bigger, an American product, a native son of this land, carried within him the potentialities of either Communism or Fascism. I don’t mean to say that the Negro boy I depicted in Native Son is either a Communist or a Fascist. He is not either. But he is product of a dis- located society; he is a dispossessed and disinherited man; he is all of this, and he lives amid the greatest possible plenty on earth and he is looking and feeling for a way out. Whether he’ll follow some gaudy, hysterical leader who’ll promise rashly to fill the void in him, or whether he’ll come to an understanding with the millions of his kindred fellow workers under trade-union or revolutionary guidance depends upon the future drift of events in America. But, granting the emo- tional state, the tensity, the fear, the hate, the impatience, the sense of exclusion, the ache for violent action, the emo- tional and cultural hunger, Bigger Thomas, conditioned as his organism is, will not become an ardent, or even a luke- warm, supporter of the status quo. The difference between Bigger’s tensity and the German variety is that Bigger’s, due to America’s educational restric- tions on the bulk of her Negro population, is in a nascent state, not yet articulate. And the difference between Bigger’s longing for self-identification and the Russian principle of self-determination is that Bigger’s, due to the effects of American oppression, which has not allowed for the forming of deep ideas of solidarity among Negroes, is still in a state of individual anger and hatred. Here, I felt, was drama! Who will be the first to touch off these Bigger Thomases in Amer- ica, white and black? For a long time I toyed with the idea of writing a novel in which a Negro Bigger Thomas would loom as a symbolic figure of American life, a figure who would hold within him the prophecy of our future. I felt strongly that he held within HOW “bioger” was born him, in a measure which perhaps no other contemporary type did, the outlines of action and feeling which we would en- counter on a vast scale in the days to come. Just as one sees when one walks into a medical research laboratory jars of alcohol containing abnormally large or distorted portions of the human body, just so did I see and feel that the conditions of life under which Negroes are forced to live in America contain the embryonic emotional prefigurations of how a large part of the body politic would react under stress. So, with this much knowledge of myself and the world gained and known, why should I not try to work out on paper the problem of what will happen to Bigger? Why should I not, like a scientist in a laboratory, use my imagination and invent test-tube situations, place Bigger in them, and, follow- ing the guidance of my own hopes and fears, what I had learned and remembered, work out in fictional form an emo- tional statement and resolution of this problem? But several things militated against my starting to work. Like Bigger himself, I felt a mental censor — product of the fears which a Negro feels from livmg in America — standing over me, draped in white, warning me not to write. This censor’s warnings were translated into my own thought proc- esses thus: “What will white people think if I draw the pic- ture of such a Negro boy? Will they not at once say: ‘See, didn’t we tell you all along that niggers are like that? Now, look, one of their own kind has come along and drawn the picture for usl’ ’’ I felt that if I drew the picture of Bigger truthfully, there would be many reactionary whites who would try to make of him something I did not intend. And yet, and this was what made it difficult, I knew that I could not write of Bigger convincingly if I did not depict him as he was: that is, resentful toward whites, sullen, angry, ignorant, emotionally unstable, depressed and unaccountably elated at times, and unable even, because of his own lack of inner or- ganization which American oppression has fostered in him, to unite with the members of his own race. And would not whites misread Bigger and, doubting his authenticity, say: “This man is preaching hate against the whole white race”? The more I thought of it the more I became convinced that if I did not write of Bigger as I saw and felt him, if I did not try to make him a living personality and at the same time a symbol of all the larger things I felt and saw in him, I’d be HOW “biqoer” was born reacting as Bigger himself reacted: that is, I’d be acting out of fear if I let what I thought whites would say constrict and paralyze me. As I contemplated Bigger and what he meant, I said to myself; “I must wnte this novel, not only for others to read, hut to free myself of this sense of shame and fear." In fact, the novel, as time passed, grew upon me to the extent that it became a necessity to write it; the writing of it turned into a way of living for me. Another thought kept me from writing. What would my own white and black comrades in the Communist party say? This thought was the most bewildering of all. Politics is a hard and narrow game; its policies represent the aggregate desires and aspirations of millions of people. Its goals are rigid and simply drawn, and the minds of the majority of politicians are set, congealed in terms of daily tactical maneu- vers. How could I create such complex and wide schemes of assoclatlonal thought and feeling, such filigreed webs of dreams and politics, without being mistaken for a “smuggler of reaction,” “an ideological confusionist,” or “an individu- alistic and dangerous element”? Though my heart is with the collectivist and proletarian ideal, I solved this problem by assuring myself that honest politics and honest feeling in imaginative representation ought to be able to meet on com- mon healthy ground without fear, suspicion, and quarreling. Further, and more importantly, I steeled myself by coming to the conclusion that whether politicians accepted or rejected Bigger did not really matter; my task, as I felt it, was to free myself of this burden of impressions and feelings, recast them into the image of Bigger and make him true. Lastly, I felt that a right more immediately deeper than that of poli- tics or race was at stake; that is, a human right, the right of a man to think and feel honestly. And especially did this personal and human right bear hard upon me, for tempera- mentally I am inclined to satisfy the claims of my own ideals rather than the expectations of others. It was this obscure need that had pulled me into the labor movement in the be- ' ginning and by exercising it I was but fulfilling what I felt to be the laws of my own growth. There was another constricting thought that kept me from work. It deals with my own race. I asked myself: “What will Negro doctors, lawyers, dentists, bankers, school teachers. HOW “bigger” was born social workers and business men, think of me if I draw such a picture of Bigger?” I knew from long and painful experi- ence that the Negro middle and professional classes were the people of my own race who were more than others ashamed of Bigger and what he meant Having narrowly escaped the Bigger Thomas reaction pattern themselves — indeed, still re- taining traces of it within the confines of their own timid personalities — they would not relish being publicly reminded of the lowly, shameful depths of life above which they en- joyed their bourgeois lives. Never did they want people, especially white people, to think that their lives were so much touched by anything so dark and brutal as Bigger. Their attitude toward life and art can be summed up in a single paragraph: “But, Mr. Wright, there are so many of us who are not like Bigger. Why don’t you portray in your fiction the best traits of our race, something that will show the white people what we have done in spite of oppression? Don’t represent anger and bitterness. Smile when a white per- son comes to you. Never let him feel that you are so small that what he has done to crush you has made you hate himl Oh, above all, save your pride!” But Bigger won over all these claims; he won because I felt that I was hunting on the trail of more exciting and thrilling game. What Bigger meant had claimed me because I felt with all of my being that he was more important than what any person, white or black, would say or try to make of him, more important than any political analysis designed to explain or deny him, more important, even, than my own sense of fear, shame, and diffidence. But Bigger was still not down upon paper. For a long time I had been writing of him in my mind, but I had yet to put him into an image, a breathing symbol draped out in the guise of the only form of life my native land had allowed me to know mtimately, that is, the ghetto life of the American Negro. But the basic reason for my hesitancy was that an- other and far more complex problem had risen to plague me. Bigger, as I saw and felt him, was a snarl of many realities; he had in him many levels of life. First, there was his personal and private life, that intimate existence that is so difficult to snare and nail down in fiction, that elusive core of being, that individual data of conscious- ness which in every man and woman is like that in no other. HOW “bigger” was noRiJ I had to deal with Bigger's dreams, his fleeting, momentary sensations, his yearning, visions, his deep emotional responses. Then I was confronted with that part of him that was dual in aspect, dim, wavering, that part of him which is so much a part of oil Negroes and all whites that I realixed that I could put it down upon paper only by feeling out its meaning first within the confines of my own life. Bigger was attracted and repelled by the American scene. He was an American, be- cause he was a native son; but he was also a Negro nationalist in a vague sense because he was not allowed to live as an American. Such was his way of life and mine; neither Bigger nor I resided fully in either camp. Of this dual aspect of Bigger’s social consciousness, I placed the nationalistic side first, not because I agreed with Bigger’s wild and intense hatred of white people, but because his hate had placed him, like a wild animal at bay, in a posi- tion where he was most symbolic and explainable. In other words, his nationalist complex was for me a concept through which I could grasp more of the total meaning of his life than I cbuld in any other way. I tried to approach Bigger’s snarled and confused nationalist feelings with conscious and informed ones of my own. Yet, Bigger was not nationalist enough to feet the need of religion or the folk culture of his own people. What made Bigger’s social consciousness most complex was the fact that he was hovering unwanted between two worlds — between powerful America and his own stunted place in life— and I took upon myself the task of trying to make the reader feel this No Man’s Land. The most that I could say of Bigger was that he felt the need for a whole life and acted out of that need; that was all. Above and beyond all this, there was that American part of Bigger which is the heritage of us all, that part of him which we get from our seeing and hearing, from school, from the hopes and dreams of our friends; that part of him which the common people of America never talk of but take for granted. Among millions of people the deepest convictions of life are never discussed openly; they are felt, implied, hinted at tacitly and obliquely in their hopes and fears. We live by an idealism that makes us believe that the Constitution is a good document of government, that the Bill of Rights is a good legal and humane principle to safeguard our civil lib- erties, that every man and woman should have the oppor- HOW “BICGER” WAS BORN tunity to realize himself, to seek his own individual fate and goal, his own peculiar and untranslatable destiny. I don’t say that Bigger knew this in the terms in which I’m speaking of it; I don’t say that any such thought ever entered his head. His emotional and intellectual life was never that articulate. But he knew it emotionally, intuitively, for his emotions and his desires were developed, and he caught it, as most of us do, from the mental and emotional climate of our time. Big- ger had all of this in him, dammed up, buried, implied, and I had to develop it in fictional form. There was still another level of Bigger’s life that I felt bound to account for and render, a level as elusive to discuss as it was to grasp in writing. Here again, I had to fall back upon my own feelings as a guide, for Bigger did not offer in his life any articulate verbal explanations. There seems to hover somewhere in that dark part of all our lives, in some more than in others, an objectless, timeless, spaceless element of primal fear and dread, stemming, perhaps, from our birth (depending upon whether one’s outlook upon personality is Freudian or non-Freudian!), a fear and dread which exercises an impelling influence upon our lives all out of proportion to its obscurity. And, accompanying this first fear, is, for the want of a better name, a reflex urge toward ecstasy, complete sub- mission, and trust. The springs of religion are here, and also the origins of rebellion. And in a boy like Bigger, young, un- schooled, whose subjective life was clothed in the tattered rags of American “culture,” this primitive fear and ecstasy were naked, exposed, unprotected by religion or a framework of government or a scheme of society whose final faiths would gain his love and trust; unprotected by trade or profession, faith or belief; opened to every trivial blast of daily or hourly circumstance. There was yet another level of reality in Bigger’s life: the impliedly political. I’ve already mentioned that Bigger had in him impulses which I had felt were present in the vast up- heavals of Russia and Germany. Well, somehow, I had to make these political impulses felt by the reader in terms of Bigger’s daily actions, keeping in mind as I did so the prob- able danger of my being branded as a propagandist by those who would not like the subject matter. Then there was Bigger’s relationship with white America, both North and South, which I had to depict, which I had to HOW “biooer” was born make known once again, alas; a relationship whose effects are earned by every Negro, like scars, somewhere in his body and mind. I had also to show what oppression had done to Rigger’s relationships with his own people, how it had split him off from them, how it had baffled him; how oppression seems to hinder and stifle in the victim those very qualities of charac- ter which are so essential for an effective struggle against the oppressor. Then there was the fabulous city in which Bigger lived, an indescribable city, huge, roaring, dirty, noisy, raw, stark, brutal; a city of extremes; torrid summers and sub-zero win- ters, white people and black pleople, the English language and strange tongues, foreign bora and native bora, scabby poverty and gaudy luxury, high idealism and hard cynicism! A city so young that, in thinking of its short history, one’s mind, as it travels backward in time, is stopped abruptly by the barren stretches of wmd-swept prairie! But a city old enough to have caught within the homes of its long, straight streets the symbols and images of man's age-old destiny, of truths as old as the mountains and seas, of dramas as abiding as the soul of man itself! A city which has become the pivot of the Eastern, 'Western, Northern, and Southern poles of the nation. But a city whose black smoke clouds shut out the sunshine for seven months of the year; a city in which, on a fine balmy May morning, one can sniff the stench of the stockyards; a city where people have grown so used to gangs and murders and graft that they have honestly forgotten that government can have a pretense of decency! With all of this thought out, Bigger was still unwritten. Two events, however, came into my life and accelerated the process, made me sit down and actually start work on the typewriter, and just stop the writing of Bigger in my mind as I walked the streets. The first event was my getting a job in the South Side Boys’ Club, an institution which tried to reclaim the thousands of Negro Bigger Thomases from the dives and the alleys of the Black Belt. Here, on a vast scale, I had an opportunity to ob- serve Bigger in all of his moods, actions, haunts. Here I felt for the first time that the rich folk who were paying ray wages did not really give a good goddamn about Bigger, that their kindness was prompted at bottom by a selfish motive. They HOW “bigger” was born were paying me to distract Bigger with ping-pong, checkers, swimming, marbles, and baseball in order that he might not roam the streets and harm the valuable white property which adjoined the Black Belt. I am not condemning boys’ clubs and ping-pong as such; but these little stopgaps were utterly inadequate to fill up the centuries-long chasm of emptiness which American civilization had created in these Biggers. I felt that I was doing a kind of dressed-up police work, and I hated it. I would work hard with these Biggers, and when it would come time for me to go home I’d say to myself, under my breath so that no one could hear: “Go to it, boys! Prove to the bastards that gave you these games that life is stronger than pmg-pong. . . . Show them that full-blooded life is harder and hotter than they suspect, even though that life is draped in a black skin which at heart they despise. . . .” They did. The police blotters of Chicago are testimony to how much they did. That was the only way I could contain myself for doing a job I hated; for a moment I’d allow myself, vicariously, to feel as Bigger felt — not much, just a little, just a little — but, still, there it was. The second event that spurred me to write of Bigger was more personal and subtle, I had written a book of short stories which was published under the title of Uncle Tom’s Children. When the reviews of that book began to appear, I realized that I had made an awfully naive mistake. I found that I had written a book which even bankers’ daughters could read and weep over and feel good about. I swore to myself that if I ever wrote another book, no one would weep over it; that it would be so hard and deep that they would have to face it without the consolation of tears. It was this that made me get to work in dead earnest. Now, until this moment I did not stop to think very much about the plot of Native Son. The reason I did not is because I was not for one moment ever worried about it. I had spent years learning about Bigger, what had made him, what he meant; so, when the time came for writing, what had made him and what he meant constituted my plot. But the far- flung items of his life had to be couched in imaginative terms, terms known and acceptable to a common body of readers, terms which would, in the course of the story, manipulate the deepest held notions and convictions of their lives. That HOW “bigger” was born came easy. The moment I began to write, the plot fell out, so to speak. I’m not trying to oversimplify or make the process seem oversubtle. At bottom, what happened is very easy to explain. Any Negro who has lived in the North or the South knows that times without number he has heard of some Negro boy being picked up on the streets and carted off to jail and charged with “rape.” This thing happens so often that to my mind it had become a representative symbol of the Negro’s uncertain position in America. Never for a second was I in doubt as to what kind of social reality or dramatic situation I’d put Bigger in, what kind of test-tube life I’d set up to evoke his deepest reactions. Life had made the plot over and over again, to the extent that I knew it by heart. So frequently do these acts recur that when I was halfway through the first draft of Native Son a case paralleling Digger’s flared forth in the newspapers of Chicago. (Many of the newspaper items and some of the incidents in Native Son are but fictionalized versions of the Robert Nixon case and reVvrites of news stories from the Chicago Tribune.) Indeed, scarcely was Native Son off the press before Supreme Court Justice Hugo L. Black gave the nation a long and vivid account of the American police methods of handling Negro boys. Let me describe this stereotyped situation: A crime wave is sweeping a city and citizens are clamoring for police action. Squad cars cruise the Black Belt and grab the first Negro boy who seems to be unattached and homeless. He is held for perhaps a week without charge or bail, without the privilege of communicating with anyone, including his own relatives. After a few days this boy “confesses” anything that he is asked to confess, any crime that handily happens to be un- solved and on the calendar. Why does he confess? After the boy has been grilled night and day, hanged up by his thumbs, dangled by his feet out of twenty-story windows, and beaten (in places that leave no scars — cops have found a way to do that), he signs the papers before him, papers which are usually accompanied by a verbal promise to the boy that he will not go to the electric chair. Of course, he ends up by being executed or sentenced for life. If you think I’m telling tall tales, get chummy with some white cop who works in a Black Belt district and ask him for the lowdown. When a black boy is carted off to jail in such a fashion, it HOW “bigger” was born is almost impossible to do anything for him. Even well-disposed Negro lawyers find it difficult to defend him, for the boy will plead guilty one day and then not guilty the next, according to the degree of pressure and persuasion that is brought to bear upon his frightened personality from one side or the other. Even the boy’s own family is scared to death; sometimes fear of police intimidation makes them hesitate to acknowledge that the boy is a blood relation of theirs. Such has been America’s attitude toward these boys that if one is picked up and confronted in a police cell with ten white cops, he is intimidated almost to the point of confessing anything. So far removed are these practices from what the average American citizen encounters in his daily life that it takes a huge act of his imagination to believe that it is true; yet, this same average citizen, with his kindness, his American sportsmanship and good will, would probably act with the mob if a self-respecting Negro family moved into his apartment building to escape the Black Belt and its terrors and limita- tions. . . . Now, after all of this, when I sat down to the typewriter, I could not work; I could not think of a good opening scene for the book. I had definitely in mind the kind of emotion I wanted to evoke in the reader in that first scene, but I could not think of the type of concrete event that would convey the motif of the entire scheme of the book, that would sound, in varied form, the note that was to be resounded throughout its length, that would introduce to the reader just what kind of an organism Bigger’s was and the environment that was bearing hourly upon it. Twenty or thirty times I tried and failed; then I argued that if I could not write the opening scene, I'd start with the scene that followed. I did. The actual writing of the book began with the scene in the pool room. Now, for the writing. During the years in which I had met all of those Bigger Thomases, those varieties of Bigger Thomases, I had not consciously gathered matenal to write of them; I had not kept a notebook record of their sayings and doings. Their actions had simply made impressions upon my sensibilities as I lived from day to day, impressions which crystallized and coagulated into clusters and configurations of memory, attitudes, moods, ideas. And these subjective states, in turn, were automatically stored away somewhere in me. I was not even aware of the process. But, excited over the HOW “bigger” was born book which I had set myself to write, under the stress of emo- tion, these things came surging up, tangled, fused, knotted, entertaining me by the sheer variety and potency of their meaning and suggestiveness. With the whole theme m mind, in an attitude almost akin to prayer, I gave myself up to the story. In an effort to capture some phase of Bigger's life that would not come to me readily, rd jot down as much of it as I could. Then I’d read it over and over, adding each time a word, a phrase, a sentence until I felt that I had caught all the shadings of reality I felt dimly were there. With each of these rereadings and rewritings it seemed that I’d gather in facts and facets that tried to run away. It was an act of concentration, of trying to hold within one’s center of attention all of that bewildering array of facts which science, politics, experience, memory, and imagination were urging upon me. And then, while writing, a new and thrilling relationship would spring up under the drive of emo- tion, coalescing and telescoping alien facts into a known and felt truth. That was the deep fun of the job: to feel within my body that I was pushing out to new areas of feeling, strange landmarks of emotion, tramping upon foreign soil, compound- ing new relationships of perceptions, making new and — until that very split second of time! — unheard-of and unfelt effects with words. It had a buoying and tonic impact upon me; my senses would strain and seek for more and more of such re- lationships; my temperature would rise as I worked. That is writing as I feel it, a kind of significant living. The first draft of the novel was written in four months, straight through, and ran to some 576 pages. Just as a man rises in the mornings to dig ditches for his bread, so I’d work daily. I’d think of some abstract principle of Bigger’s conduQt and at once my mind would turn it into some act I'd seen Bigger peTlorm, some act which I hoped would be familiar enough to the American reader to gain his credence. But in the writing of scene after scene I was guided by but one criterion: to tell the tnnh as I saw it and felt it. That is, to objectify in words some insight derived from my living in the form of action, scene, and dialogue. If a scene seemed im- probable to me, I’d not tear it up, but ask myself: “Does it reveal enough of what I feel to stand in spite of its unreality?” If I felt it did, it stood. If I felt that it did not, I ripped it out. The degree of morality in my writing depended upon the de- HOW “bigger” was born gree of felt life and truth I could put down upon the printed page. For example, there is a scene in Native Son where Bigger stands in a cell with a Negro preacher, Jan, Max, the State’s Attorney, Mr. Dalton, Mrs. Dalton, Bigger’s mother, his brother, his sister, Al, Gus, and Jack. White wnting that scene, I knew that it was unlikely that so many people would ever be allowed to come into a murderer’s cell. But I wanted those people in that cell to elicit a certain important emotional response from Bigger. And so the scene stood. I felt that what I wanted that scene to say to the reader was more important than Us surface reality or plausibility. Always, as I wrote, I was both reader and writer, both the conceiver of the action and the appreciator of it. I tried to wnte so that, in the same instant of time, the objective and subjective aspects of Bigger’s life would be caught in a focus of prose. And always I tried to render, depict, not merely to tell the story. If a thing was cold, 1 tried to make the reader feel cold, and not just tell about it. In writing in this fashion, sometimes I’d find it necessary to use a stream of consciousness technique, then rise to an interior monologue, descend to a direct rendering of a dream state, then to a matter-of-fact depiction of what Bigger was saying, doing, and feeling. Then I’d find it impossible to say what I wanted to say without stepping in and speaking outright on my own; but when doing this I always made an effort to retain the mood of the story, explaining everything only in terms of Bigger’s life and, if possible, in the rhythms of Bigger’s thought (even though the words would be mine). Again, at other times, in the guise of the lawyer’s speech and the newspaper items, or in terms of what Bigger would overhear or see from afar. I’d give what others were saying and thinking of him. But always, from the start to the finish, it was Bigger’s story, Bigger’s fear, Bigger’s flight, and Bigger’s fate that I tried to depict. I wrote with the conviction in mind (I don’t know if this is right or wrong; I only know that I’m temperamentally mclmed to feel this way) that the main burden of all serious fiction consists almost wholly of character-destiny and the items, social, political, and personal, of that character-destiny. As I wrote I followed, almost unconsciously, many prin- ciples of the novel which my reading of the novels of other writers had made me feel were necessary for the building of a well-constructed book. For the most part the novel is rendered ttow “bigger” was born in the present; I wanted the reader to feel that Bigger’s story was happening now, like a play upon the stage or a movie unfolding upon the screen. Action follows action, as in a prize fight. Wherever possible, I told of Bigger’s life in close-up, slow-motion, giving the feel of the grain in the passing of time. I had long had the feeling that this was the best way to “enclose" the reader’s mind in a new world, to blot out all reality except that which I was giving him. Then again, as much as I could, I restricted the novel to what Bigger saw and felt, to the limits of his feeling and thoughts, even when I was conveying more than that to the reader. I had the notion that such a manner of rendering made for a sharper effect, a more pointed sense of the character, his peculiar type of being and consciousness. Throughout there is but one point of view: Bigger’s. This, too, I felt, made for a richer illusion of reality. I kept out of the story as much as possible, for I wanted the reader to feel that there was nothing between him and Bigger; that the story was a special premiere given in his own private theater. I kept the scenes long, made as much happen within a short space of time as possible; all of which, I felt, made for greater density and richness of effect. In a like manner I tried to keep a unified sense of back- ground throughout the story; the background would change, of course, but I tried to keep before the eyes of the reader at all times the forces and elements against which Bigger was striving. And, because I had limited myself to rendering only what Bigger saw and felt, I gave no more reality to the other char- acters than that which Bigger himself saw. This, honestly, is all I can account for in the book. If I attempted to account for scenes and characters, to tell why certain scenes were written in certain ways. I’d be stretching facts in order to be pleasantly mtelligible. All else in the book came from my feelings reacting upon the material, and any honest reader knows as much about the rest of what is in the book as I do; that is, if, as he reads, he is willing to let his emotions and Imagination become as in fluenced by the ma- terials as I did. As I wrote, for some reason or other, one image, symbol, character, scene, mood, feeling evoked its opposite, its parallel, its complementary, and its ironic counter- HOW “bigger” was born part. Why? I don't know. My emotions and imagination just like to work that way. One can account for just so much of life, and then no more. At least, not yet. With the first draft down, I found that I could not end the book satisfactorily. In the first draft I had Bigger going smack to the electric chair; but I felt that two murders were enough for one novel. I cut the final scene and went back to worry about the beginning. I had no luck. The book was one-haft finished, with the opening and closing scenes unwritten. Then, one night, in desperation — I hope that I’m not disclosing the hidden secrets of my craft! — I sneaked out and got a bottle. With the help of it, I began to remember many things which I could not remember before. One of them was that Chicago was overrun with rats. I recalled that I’d seen many rats on the streets, that Fd heard and read of Negro children being bitten by rats in their beds. At first I rejected the idea of Bigger battling a rat in his room; I was afraid that the rat would Vhog” the scene. But the rat would not leave me; he presented himself in many attractive guises. So, cautioning myself to allow the rat scene to disclose only Bigger, his family, their little room, and their relationships, I let the rat walk in, and he did his stuff. Many of the scenes were tom out as I reworked the book. The mere rereading of what I’d written made me think of the possibility of developing themes which had been only hinted at in the first draft. For example, the entire guilt theme that runs through Native Son was woven in after the first draft was written. At last I found out how to end the book; I ended it just as I had begun it, showing Bigger living dangerously, taking his life into his hands, accepting what life had made him. The lawyer, Max, was placed in Bigger’s cell at the end of the .novel to register the moral — or what / felt was the moral — I horror of Negro life in the United States. The writmg of Native Son was to me an exciting, enthralling, and even a romantic experience. With what I’ve learned in the writmg of this book, with all of its blemishes, imperfections, with all of its unrealized potentialities, I am launching out upon another novel, this time about the status of women m modem American society. This book, too, goes back to my childhood just as Bigger went, for, while I was storing away impressions of Bigger, I was stormg away impressions of many HOW “bigger” was born other things that made me think and wonder. Some experience will ignite somewhere deep down in me the smoldering embers of new fires and I’ll be oflE again to write yet another novel. It is good to live when one feels that such as that will happen to one. Life becomej'sufficient unto life; the rewards of living are found in living. I don’t know if Native Son is a good book or a bad book. And I don’t know if the book I’m working on now will be a good book or a bad book. And I really don’t care. The mere wnting of it will be more fun and a deeper satisfaction than any praise or blame from anybody. I feel that I’m lucky to be alive to write novels today, when the whole world is caught in the pangs of war and change. Early American writers, Henry James and Nathaniel Haw- thorne, complained bitterly about the bleakness and flatness of the American scene. But I think that if they were alive, they’d feel at home in modem America. True, we have no great church in America; our national traditions are still of such a sort that we are not wont to brag of them; and we have no army that’s above the level of mercenary fighters; we have no group acceptable to the whole of ouf country upholding certain humane values; we have no rich symbols, no colorful rituals. We have only a money-grubbing, industrial civiliza- tion. But we do have in the Negro the embodiment of a past tragic enough to appease the spiritual hunger of even a James; and we have in the oppression of the Negro a shadow athwart our national life dense and heavy enough to satisfy even the gloomy broodings of a Hawthorne. And if Poe were alive, he would not have to invent horror; horror would invent him. New York, March 7, 1940. Native Son Even today is my complaint rebellious, My stroke is heavier than my groaning. —Job Book One FEAR IB rrrrrrriiiiiiiiiiiiMiiinngl An alarm clock clanged in the dark and silent room. A bed spring creaked. A woman's voice sang out impatiently: “Bigger, shut that thing offl" A surly grunt sounded above the tinny ring of metal. Naked feet swished dryly across the planks in the wooden floor and the clang ceased abruptly. “Turn on the light, Bigger.” “Awiight,” came a sleepy mumble. Light flooded the room and revealed a black boy standing in a narrow space between two iron beds, rubbing his eyes with the backs of his hands. From a bed to his right the woman spoke again: “Buddy, get up from there! I got a big washing on my hands today and I want you-all out of here.” Another black boy rolled from bed and stood up. The woman also rose and stood in her nightgown. “Turn your heads so I can dress," she said. The two boys averted their eyes and gazed into a far comer the room. The woman rushed out of her night- gown I'ud put on a pair of step-ins. She turned to the bed from which she had risen and called: 7 8 NATIVE SON “Vera! Get up from there!” "What time is it, Ma?” asked a muffled, adolescent voice from beneath a quilt. “Get up from there, I say!” “O.K., Ma." A brown-skinned girl in a cotton gown got up and stretched her arms above her head and yawned. Sleepily, she sat on a chair and fumbled with her stockings. The two boys kept their faces averted while their mother and sister put on enough clothes to keep them from feeling ashamed; and the mother and sister did the same while the boys dressed. Abruptly, they all paused, holding their clothes in their hands, their attention caught by a light tapping in the thinly plastered walls of the room. They forgot their con- spiracy against shame and their eyes strayed apprehensively over the floor. “There he is again. Bigger!” the woman screamed, and the tiny one-room apartment galvanized into violent action, A chair toppled as the woman, half-dressed and in her stocking feet, scrambled breathlessly upon the bed. Her two sons, barefoot, stood tense and motionless, their eyes searching anxiously under the bed and chairs. The girl ran into a corner, half- stooped and gathered the hem of her slip into both of her hands and held it tightly over her knees. “Ohl Oh!” she wailed. “There he goes!” The woman pointed a shaking finger. Her eyes were round with fascinated horror. “Where?” “I don’t see ’imi” “Bigger, he’s behind the trunk!” the girl whimpered. “Vera!” the woman screanned. “Get up here on the bed! Don’t let that thing bite you I" Frantically, Vera climbed upon the bed and the woman caught hold of her. With their arms entwined about each other, the black mother and the brown daughter gazed open- mouthed at the trunk in the comer. Bigger looked round the room wnldly, then darted to a curtain and swept it aside and grabbed two heavy iron skil- lets from a wall above a gas stove. He whirled and called softly to his brother, his eyes glued to the trunk. “Buddy!” FEAR 9 “Yeah?” “Here; take this skillet” “O.K.” “Now, get over by the doorl” “O.K.” Buddy crouched by the door and held the iron skillet by its handle, his arm flexed and poised. Save for the quick, deep breathing of the four people, the room was quiet. Bigger crept on tiptoe toward the trunk with the skillet clutched stiffly in his hand, his eyes dancing and watching every inch of the wooden floor in front of him. He paused and, without moving an eye or muscle, called: “Buddy!” “Hunh?” “Put that box in front of the hole so he can’t get out!” “O.K.” Buddy ran to a wooden box and shoved it quickly in front of a gaping hole in the molding and then backed again to the door, holding the skillet ready. Bigger eased to the trunk and peered behind it cautiously. He saw nothing. Care- fully, he stuck out his bare foot and pushed the trunk a few inches. “There he is!” the mother screamed again. A huge black rat squealed and leaped at Bigger’s trouser- leg and snagged it in his teeth, hanging on. “Goddamn!” Bigger whispered fiercely, whirling and kick- ing out his leg with all the strength of his body. The force of his movement shook the rat loose and it sailed through the air and struck a wall. Instantly, it rolled over and leaped again. Bigger dodged and the rat landed against a table leg With clenched teeth, Bigger held the skillet; he was afraid to hurl it, fearing that he might miss. The rat squeaked and turned and ran in a narrow circle, looking for a place to hide; it leaped again past Bigger and scurried on dry rasping feet to one side of the box and then to the other, searching for the hole. Then it turned and reared upon its hind legs. “Hit ’im. Bigger!” Buddy shouted. “Kill ’im!” the woman screamed. The rat’s belly pulsed with fear. Bigger advanced a step and the rat emitted a long thin song of defiance, its black beady eyes glittenng, its tiny forefeet pawing the air rest- NATTVB SON 10 lessly. Bigger swung the skillet; it skidded over the floor, missing the rat, and clattered to a stop against a wall, “Goddamn!” The rat leaped. Bigger sprang to one side. The rat stopped under a chair and let out a furious screak. Bigger moved slowly backward toward the door. “Gimme that skillet, Buddy," he asked quietly, not taking his eyes from the rat. Buddy extended his hand. Bigger caught the skillet and lifted it high in the air. The rat scuttled across the floor and stopped again at the box and searched quickly for the hole; then it reared once more and bared long yellow fangs, piping shrilly, belly quivering. Bigger aimed and let the skillet fly with a heavy grunt. There was a shattering of wood as the box caved in, The woman screamed and hid her face in her hands. Bigger tip- toed forward and peered. “I got ’im," he muttered, tis clenched teeth bared in a smile. “By God, I got ’im.” He kicked the splintered box out of the way and the flat black body of the rat lay exposed, Us two long yellow tusks showing distinctly. Bigger took a shoe and pounded the rat’s head, crushing it, cursing hysterically: “You sonofaAi/chl” The woman on the bed sank to her knees and buried her face in the quilts and sobbed; “Lord, Lord, have mercy . . .” “Aw, Mama,” Vera whimpered, bending to her. “Don’t cry. It’s dead now." The two brothers stood over the dead rat and spoke in tones of awed admiration. “Gee, but he’s a big bastard.” “That sonofabitch could cut your throat.” “He’s over a foot long.” “How in hell do they get so big?” “Eating garbage and anything else they can get.” “Look, Bigger, there’s a three-inch rip in your pant-leg.” “Yeah; he was after me, all right.” “Please, Bigger, take 'im out,” Vera begged. “Aw, don’t be so scary,” Buddy said. The woman on the bed continued to sob. Bigger took a PEAR 11 piece of newspaper and gingerly lifted the rat by its tail and held it out at arm’s length. “Bigger, take ’im out,” Vera begged again. Bigger laughed and approached the bed with the dangling rat, swinging it to and fro like a pendulum, en)oying his sister’s fear. “Biggerl” Vera gasped convulsively; she screamed and swayed and closed her eyes and fell headlong across her mother and rolled limply from the bed to the floor. “Bigger, for God’s sake'” the mother sobbed, rising and bending over Vera. “Don’t do that! Throw that rat outl” He laid the rat down and started to dress. “Bigger, help me lift Vera to the bed,” the mother said. He paused and turned round. “What’s the matter?” he asked, feigning ignorance. “Do what I asked you, will you, boy?” He went to the bed and helped his mother lift Vera. Vera’s eyes were closed. He turned away and finished dressing. He wrapped the rat in a newspaper and went out of the door and down the stairs and put it into a garbage can at the comer of an alley. When he returned to the room his mother was still bent over Vera, placing a wet towel upon her head. She straightened and faced him, her cheeks and eyes wet with tears and her lips tight with anger. “Boy, sometimes 1 wonder what makes you act like you do.” “What I do now?” he demanded belligerently. “Sometimes you act the biggest fool I ever saw." “What you talking about?” “You scared your sister with that rat and she faintedl Ain’t you got no sense at all?” “Aw, I didn’t know she was that scary,” “Buddy!” the mother called. “Yessum.” “Take a newspaper and spread it over that spot” “Yessum.” Buddy opened out a newspaper and covered the smear of blood on the floor where the rat had been crushed. Bigger went to the window and stood looking out abstractedly into the street. His mother glared at his back. “Bigger, sometimes I wonder why I birthed you,” she said bitterly. 12 NATIVE SON Bigger looked at her and turned away. “Maybe you oughtn’t’ve. Maybe you ought to left me where I was.” “You shut your sassy mouth!” “Aw, for chnssakes!” Bigger said, lighting a cigarette, “Buddy, pick up them skillets and put ’em in the sink,” the mother said. “Yessum.” Bigger walked across the" floor and sat on the bed. His mother’s eyes followed him. "We wouldn’t have to hve in this garbage dump if you had any manhood in you,” she said. “Aw, don’t start that again.” "How you feel, ’Vera?” the mother asked. Vera raised her head and looked about the room as though expecting to see another rat “Oh, Mamal” “You poor thing!” “1 couldn’t help it. Bigger scared me.” "Did you hurt yourself?” “I bumped my head.” "Here; take it easy. You’ll be all right.” "How come' Bigger acts that way?” Vera asked, crying again. “He’s just crazy,” the mother said. “Just plain dumb black crazy.” “I’ll be late for my sewing class at the Y.W.C.A.,” Vera said. “Here; stretch out on the bed. You’ll feel better in a little while,” the mother said. She left Vera on the bed and turned a pair of cold eyes upon Bigger. “Suppose you wake up some morning and find your sister dead? What would you think then?” she asked. “Suppose those rats cut our veins at night when we sleep? Naw! Noth- ing like that ever bothers you' All you care about is your own pleasure! Even when the relief offers you a job you won’t take it till they threaten to cut off your food and starve you! Bigger, honest, you the most no-countest man I ever seen in all my life!” “You done told me that a thousand times,” he said, not lookmg round. FEAR 13 “Well, I’m telling you aginl And mark my word, some of these days you going to set down and cry. Some of these days you going to wish you had made something out of your- self, instead of just a tramp. But it’ll be too late then.” “Stop prophesying about me,” he said. "I prophesy much as I please! And if you don’t like it, you can get out. We can get along without you. We can live in one room just like we living now, even with you gone,” she said. “Aw, for chrissakes!” he said, his voice filled with nervous irritation. “You’ll regret how you living some day,” she went on. “If you don’t stop running with that gang of yours and do right you’ll end up where you never thought you would. You think I don’t know what you boys is doing, but I do. And the gallows is at the end of the road you traveling, boy. Just remember that.” She turned and looked at Buddy. “Throw that box outside, Buddy.” “Yessura.” There was silence. Buddy took the box out. The mother went behind the curtain to the gas stove. Vera sat up in bed and swung her feet to the floor. “Lay back down, Vera,” the mother said. “I feel all right now, Ma. I got to go to my sewing class.” “Well, if you feel like it, set the table,” the mother said, going behind the curtain again. “Lord, I get so tired of this I don’t know what to do,” her voice floated plaintively from behind the curtain. “All I ever do is try to make a home for you children and you don’t care.” “Aw, Ma,” Vera protested. "Don’t say that.” “Vera sometimes I just want to lay down and quit." “Ma, please don’t say that.” “I can’t last many more years, living like this." “I’ll be old enough to work soon, Ma.” “I reckon I’ll be dead then. I reckon God’ll call me home.” Vera went behind the curtain and Bigger heard her trying to comfort his mother. He shut their voices out of his mind. He hated his family because he knew that they were suffering and that he was powerless to help them. He knew that the moment he allowed himself to feel to its fullness how they lived, the shame and misery of their lives, he would be swept out of himself with fear and despair. So he held toward NATIVE SON 14 them an attitude of iron reserve; he lived with them, but behind a wall, a curtain And toward himself he was even more exacting. He knew that the moment he allowed what his life meant to enter fully into his consciousness, he would either kill himself or someone else. So he denied himself and acted tough. He got up and crushed his cicarette upon the window sill. Vera came into the room and placed knives and forks upon the table. “Get ready to eat, you-all,” the mother called. He sat at the table The odor of frying bacon and boiling coffee drifted to him from behind the curtain. His mother’s voice floated to him in song. Life is like a mountain railroad With an en^tjinccr that's brave JVe must make the run successful From the cradle to the grave. . , . The song irked him and he was glad when she stopped and came into the room with a pot of coffee and a plate of crinkled bacon. Vera brought the bread in and they sat down. His mother closed her eyes and lowered her head and mumbled, “Lord, we thank Thee for the food You done placed before us for the nourishment of our bodies. Amen." She lifted her eyes and without changing her tone of voice, said, “You going to have to learn to get up earlier than this. Bigger, to hold a job.” He did not answer or look up. “You want me to pour you some coffee?” Vera asked. “Yeah.” “You going to take the job, ain’t you. Bigger?” his mother asked. He laid down his fork and stared at her. “I told you last night I was going to take it. How many times you want to ask me?” ‘"Well, don’t bite her head off,” Vera said. “She only asked you a question ” “Pass the bread and stop being smart.” “You know you have to see Mr. Dalton at five-thirty,” his mother said. fear 15 “You done said that ten times.” “I don’t want you to forget, son.” “And you know how you can forget,” Vera said. “Aw, lay off Bigger,” Buddy said “He told you he was going to take the job.” “Don’t tell ’em nothing,” Bigger said. “You shut your mouth. Buddy, or get up from this table,” the mother said. “I’m not going to take any stinking sass from you. One fool in the family’s enough.” “Lay off, Ma,” Buddy said. “Bigger’s setting here like he ain’t glad to get a job,” she said. “What you want me to do? Shout?” Bigger asked. “Oh, Biggerl” his sister said. “I wish you’d keep your big mouth out of thisl” he told his sister. “If you get that job,” his mother said in a low, kind tone of voice, busy slicing a loaf of bread, “I can fix up a nice place for you children. You could be comfortable and not have to live like pigs.” “Bigger ain’t decent enough to think of nothing like that,” Vera said, “God, I wish you-all would let me eat,” Bigger said. His mother talked on as though she had not beard him and he stopped listening. “Ma’s talking to you, Bigger,” Vera said. “So whatr “Don’t be that way, Biggerl” He laid down his fork and his strong black fingers gripped the edge of the table; there was silence save for the tinkling of his brother’s fork against a plate. He kept staring at his sister till her eyes fell. “I wish you’d let me eat,” he said again. As he ate he felt that they were thinking of the job he was to get that evening and it made him angry; he felt that they had tricked him into a cheap surrender. “I need some carfare,” he said. “Here’s all I got,” his mother said, pushing a quarter to the nde of his plate. He put the quarter in his pocket and drained his cup of coffee in one long swallow. He got his coat and cap and went to the door. 16 NATTVB SON “You know. Bigger,” his mother said, “if you don’t take that job the relief’ll cut us otf. We won't have any food.” “I told you I’d take itl” he shouted and slammed the door. He went down the steps into the vestibule and stood look- ing out into the street through the plate glass of the front door. Now and then a street car rattled past over steel tracks He was sick of his life at home. Day in and day out there was nothing but shouts and bickering. But what could he do? Each time he asked himself that question his mind hit a blank wall and he stopped thinking. Across the street di- rectly in front of him, he saw a truck pull to a stop at the curb and two white men in overalls got out with pails and brushes. Yes, he could take the job at Dalton’s and be miserable, or he could refuse it and starve. It maddened him to think that he did not have a wider choice of action. Well, he could not stand here all day like this. What was he to do with himself? He tried to decide if he wanted to buy a ten-cent magazine, or go to a movie, or go to the poolroom and talk with the gang, or just loaf around With his hands deep m his pockets, another cigarette slanting across his chin, he brooded and watched the men at work across the street. They were pasting a huge colored poster to a sign- board. The poster showed a white face. “That’s Buckley!” He spoke softly to himself. “He’s run- ning for State’s Attorney again.” The men were slapping the poster with wet brushes. He looked at the round florid face and wagged his head. “I bet that sonofabitch rakes off a million bucks in graft a year. Boy, if 1 was in his shoes for just one day I’d never have to worry again.” When the men were through they gathered up their pails and brushes and got into the truck and drove off. He looked at the poster: the white face was fleshy but stem; one hand was uplifted and its index finger pointed straight out into the street at each passer-by. The poster showed one of those faces that looked straight at you when you looked at it and all the while you were walking and turning your head to look at it it kept looking unblinkingly back at you until you got so far from it you had to take your eyes away, and then it stopped, like a movie blackout. Above the top of the poster were tall red letters: IF YOU BREAK THE LAW, YOU CAN’T WIN! He snuffed his cigarette and laughed silently. “You crook,” FEAR 17 he mumbled, shaking his head. “You let whoever pays you off win!” He opened the door and met the morning air. He went along the sidewalk with his head down, fingering the quarter in his pocket. He stopped and searched all of his pockets; in his vest pocket he found a lone copper cent. That made a total of twenty-six cents, fourteen cents of which would have to be saved for carfare to Mr. Dalton’s; that is, if he decided to take the job In order to buy a magazine and go to the movies he would have to have at least twenty cents more “Goddammit, I’m always broke!” he mumbled. He stood on the comer in the sunshine, watching cars and people pass. He needed more money; if he did not get more than he had now he would not know what to do with him- self for the rest of the day. He wanted to see a movie, his senses hungered for it. In a movie he could dream without effort; all he had to do was lean back in a seat and keep his eyes open. He thought of Gus and G.H. and Jack. Should he go to the poolroom and talk with them? But there was no use m his going unless they were ready to do what they had been long planning to do. If they could, it would mean some sure and quick money. From three o’clock to four o'clock in the afternoon there was no policeman on duty in the block where Blum’s Delicatessen was and it would be safe. One of them could hold a gun on Blum and keep him from yelling; one could watch the front door; one could watch the back; and one could get the money from the box under the counter. Then all four of them could lock Blum in the store and run out through the back and duck down the alley and meet an hour later, either at Doc’s poolroom or at the South Side Boy’s Club, and split the money. Holding up Blum ought not take more than two minutes, at the most. And it would be their last job. But it would be the toughest one that they had ever pulled All the other times they had raided newsstands, fruit stands, and apartments. And, too, they had never held up a white man before. They had always robbed Negroes. They felt that it was much easier and safer to rob their own people, for they knew that white policemen never really searched diligently for Negroes who committed crimes against other Negroes For months they had talked of robbing Blum’s, but had not been able to bnng themselves to do it. They had the feeling that the 18 NATIVE SON robbing of Blum’s would be a violation of ultimate taboo; it would be a trespassing into territory where the full wrath of an alien white world would be turned loose upon them; in short, it would be a symbolic challenge of the white world’s rule over them, a challenge which they yearned to make, but were afraid to. Yes; if they could rob Blum’s, it would be a real hold-up, in more senses than one. In comparison, all of their other jobs had been play. “Good-bye, Bigger.” He looked up and saw Vera passing with a sewing kit dan- gling from her arm. She paused at the comer and came back to him. “Now, what you want?” “Bigger, please. . . . You’re getting a good job now. Why don’t you stay away from Jack and Gus and G.H. and keep out of trouble?” “You keep your big mouth out of my businessi” “But, Bigger!” “Go on to school, will youl” She turned abruptly and walked on. He knew that his mother had been talking to Vera and Buddy about him, telU ing them that if he got into any more trouble he would be sent to prison and not just to the reform school, where they sent him last time. He did not mind what his mother said to Buddy about him. Buddy was all right. Tough, plenty. But Vera was a sappy girl; she did not have any more sense than to believe everything she was told. He walked toward the poolroom. 'When he got to the door he saw Gus half a block away, coming toward him. He stopped and waited. It was Gus who had first thought of robbing Blum’s. “Hi, Bigger!” “What you saying, Gus?” "Nothing. Seen G.H. or Jack yet?” “Naw You?” “Naw Say, got a cigarette?” “Yeah.” Bigger took out his pack and gave Gus a cigarette; he lit his and held the match for Gus. They leaned their backs against the red-brick wall of a building, smoking, their ogarettes slanting white across their black chuis To the east Bigger saw the sun burning a. dazzling yellow. In the sky FEAR 19 above him a few big white clouds drifted. He puffed silently, relaxed, his mind pleasantly vacant of purpose. Every slight movement in the street evoked a casual curiosity in him. Auto- matically, his eyes followed each car as it whirred over the smooth black asphalt. A woman came by and he watched the gentle sway of her body until she disappeared into a door- way. He sighed, scratched his chin and mumbled, “Kmda warm today.” “Yeah,” Gus said. “You get more heat from this sun than from them old radiators at home.” “Yeah; them old white landlords sure don’t give much heat.” “And they always knocking at your door for money.” “I’ll be glad when summer comes.” “Me too,” Bigger said. He stretched his arms above his head and yawned; his eyes moistened. The sharp precision of the world of steel and stone dissolved into blurred waves. He blinked and the world grew hard again, mechanical, distinct. A weaving mo- tion in the sky made him turn his eyes upward; he saw a slen- der streak of billowing white blooming against the deep blue. A plane was writing high up in the air. “LookI” Bigger said, •"What?” “That plane writing up there,” Bigger said, pointing. “OhI” They squinted at a tiny ribbon of unfolding vapor that spelled out the word: USE . . . The plane was so far away that at times the strong glare of the sun blanked it from sight. “You can hardly see it,” Gus said. "Looks like a little bird,” Bigger breathed with childlike wonder. “Them white boys sure can fly,” Gus said, “Yeah,” Bigger said, wistfully. “They get a chance to do everything.” Noiselessly, the tiny plane looped and veered, vanishing and appearing, leaving behind it a long trail of white plu- mage, hke coils of fluffy paste being squeezed from a tube; a plume-coil that grew and swelled and slowly began to fade NATIVE SON 20 into the air at the edges. The plane wrote another word: SPEED ... “How high you reckon he is?” Bigger asked. “I don't know. Maybe a hundred miles; maybe a thousand.” “I could fly one of them things if I had a chance,” Bigger mumbled reflectively, as though talking to himself. Gus pulled down the corners of his lips, stepped out from the wall, squared his shoulders, doffed his cap, bowed low and spoke with mock deference: “Yessuh.” “You go to hell,” Bigger said, smiling. “Yessuh,” Gus said again. “I could fly a plane if I had a chance,” Bigger said. “If you wasn’t black and if you had some money and if they’d let you go to that aviation school, you could fly a plane,” Gus said. For a moment Bigger contemplated all the “ifs” that Gus had mentioned. Then both boys broke into hard laughter, looking at each other through squinted eyes. When their laughter subsided, Bigger said in a voice that was half-question and half-statement: “It’s funny how the white folks treat us, ain’t it?” “It better be funny,” Gus said. “Maybe they right in not wanting us to fly,” Bigger said. “ ’Cause it I took a plane up I’d take a couple of bombs along and drop ’em as sure as hell . . . .” They laughed again, still looking upward. The plane sailed and dipped and spread another word against the sky: GASO- LINE “Use Speed Gasoline,” Bigger mused, rolling the words slowly from his lips. “God, I’d like to fly up there in that sky.” “Godfll let you fly when He gives you your wings up in heaven,” Gus said. They laughed again, reclining against the wall. Smoking, the lids of their eyes drooped softly against the sun. Cars whizzed past on rubber tires. Bigger’s face was metallically black in the strong sunlight. There was in his eyes a pensive, brooding amusement, as of a man who had been long con- fronted and tantalized by a riddle whose answer seemed al- ways just on the verge of escaping him, but prodding him ir- resistibly on to seek its solution. The silence irked Bigger; he PEAR 21 was anxious to do something to evade looking so squarely at this problem. “Let’s play ‘white,’ ’’ Bigger said, referring to a game of play-acting in which he and his friends imitated the ways and manners of white folks. “I don’t feel like it,” Gus said. “Generali” Bigger pronounced in a sonorous tone, looking at Gus expectantly. “Aw, hell! I don’t want to play,” Gus whined. “You’ll be court-martialed,” Bigger said, snapping out his words with military precision. “Nigger, you nuts!” Gus laughed. “General!” Bigger tried again, determinedly. Gus looked wearily at Bigger, then straightened, saluted and answered: “Yessuh.” “Send your men over the river at dawn and attack the enemy’s left flank,” Bigger ordered. “Yessuh.” “Send the Fifth, Sixth, and Seventh Regiments,” Bigger said, frowning. “And attack with tanks, gas, planes, and in- fantry.” “Yessuh!” Gus said again, saluting and clicking his heels. For a moment they were silent, facing each other, their shoulders thrown back, their lips compressed to hold down the mounting impulse to laugh. Then they guffawed, partly at themselves and partly at the vast white world that sprawled and towered in the sun before them. “Say, what’s a ‘left flank’?” Gus asked, “I don’t know,” Bigger said. “I heard it in the movies.” They laughed again. After a bit they relaxed and leaqpd against the wall, smoking. Bigger saw Gus cup his left hand to his ear, as though holding a telephone receiver; and cup his right hand to his mouth, as though talking into a trans- mitter. “Hello,” Gus said. “Hello,” Bigger said. ‘“Who’s this?” “This is Mr. J. P. Morgan speaking,” Gus said. “Yessuh, Mr, Morgan,” Bigger said; his eyes filled with mock adulation and respect. “I want you to sell twenty thousand shares of U. S. Steel in the market this morning,” Gus said. 22 NATIVE SON “At what price, suh?” Bigger asked. “Aw, just dump ’em at any price,” Gus said with casual irritation. “We’re holding too much.” “Yessuh,” Bigger said. “And call me at my club at two this afternoon and tell me if the President telephoned,” Gus said. “Yessuh, Mr. Morgan,” Bigger said. Both of them made gestures signifying that they were hang- ing up telephone receivers; then they bent double, laughing. “I bet that’s ]ust the way they talk,” Gus said. “I wouldn’t be surprised,” Bigger said. They were silent again. Presently, Bigger cupped his hand to his mouth and spoke through an imaginary telephone transmitter. “Hello.” “Hello,” Gus answered. “Who’s this?” “This is the President of the United States speaking,” Big- ger said. “Oh, yessuh, Mr. President,” Gus said. “I’m calling a cabinet meeting this afternoon at four o’clock and you, as Secretary of State, must be there.” “Well, now, Mr. President,” Gus said, “I’m pretty busy. They raising sand over there in Germany and 1 got to send ’em a note. . . .” “But this is important,” Bigger said. “What you going to take up at this cabinet meeting?” Gus asked. “Well, you see, the niggers is raising sand all over the country,” Bigger said, struggling to keep back his laughter. “We’ve got to do something with these black folks. . . .” “Oh, if it’s about the niggers. I’ll be right there, Mr. Presi- dent,” Gus said. They hung up imaginary receivers and leaned against the wall and laughed. A street car rattled by. Bigger sighed and swore. “Goddammit!” “What’s the matter?” “They don’t let us do nothing.” “Who?” “The white folks.” ‘JYou talk like you just now finding that out,” Gus said. “Naw. But I just can’t get used to it,” Bigger said. “I swear FEAR 23 to God I can’t. I know 1 oughtn’t think about it, but I can’t help it. Every time I think about it I feel like somebody’s poking a red-hot iron down my throat. Goddammit, look! We live here and they live there. We black and they white. They got things and we ain’t. They do things and we can’t. It’s just like living in jail. Half the tune I feel like I’m on the outside of the world peeping m through a knot-hole in the fence. . . “Aw, ain’t no use feelmg that way about it. It don’t help none,” Gus said. “You know one thing?” Bigger said. “What?” “Sometimes I feel like something awful’s going to happen to me,” Bigger spoke with a tinge of bitter pride in his voice. “What you mean?” Gus asked, looking at him quickly. There was fear in Gus’s eyes. “I don’t know, I just feel that way. Every time I get to think- ing about me being black and they being white, me being here and they being there, I feel like something awful’s going to happen to me. . , “Aw, for chrissakes! There ain’t nothing you can do about it. How come you want to worry yourself? You black and they make the laws. , . .” “Why they make us live in one comer of the city? Why don’t they let us fly planes and run ships. . . Gus hunched Bigger with his elbow and mumbled good- naturedly, “Aw, nigger, quit thinking about it. You’ll go nuts.” The plane was gone from the sky and the white plumes of floating smoke were thinly spread, vanishing. Because he was restless and had time on his hands, Bigger yawned again and hoisted his arms high above his head. “Nothing ever happens,” he complained. “What you want to happen?” “Anything,” Bigger said with a wide sweep of his dingy palm, a sweep that included all the possible activities of the world. Then their eyes were riveted; a slate-colored pigeon swooped down to the middle of the steel car tracks and began strutting to and fro with ruffled feathers, its fat neck bobbing with regal pnde. A street car rumbled forward and the pigeon rose swiftly through the air on wings stretched so taut and sheer NATIVE SON 24 that Bigger could see the gold of the sun through their trans- lucent tips. He tilted his head and watched the slate-colored bird flap and wheel out of sight over the edge of a high roof. “Now, if I could only do that," Bigger said. Gus laughed. “Nigger, you nuts.” “I reckon we the only things in this city that can’t go where we want to go and do what we want to do.” “Don’t think about it,” Gus said. “I can’t help it.” “That’s why you feeling like something awful’s going to happen to you,” Gus said “You think too much.” “What in hell can a man do?” Bigger asked, turning to Gus. “Get drunk and sleep it off.” “1 can’t. I’m broke ” Bigger crushed his cigarette and took out another one and offered the package to Gus. They continued smoking. A huge truck swept past, lifting scraps of white paper into the sun- shine; the bits settled down slowly. “Gus?” “Hunh?” “You know where the white folks live?” “Yeah,” Gus said, pointing eastward. "Over across the ‘line’; over there on Cottage Grove Avenue.” “Naw; they don’t,” Bigger said. “What you mean?” Gus asked, puzzled. “Then, where do they live?” Bigger doubled his flst and struck his solar plexus. “Right down here in my stomach,” he said. Gus looked at Bigger searchingly, then away, as though ashamed. “Yeah; I know what you mean,” he whispered. “Every time I think of ’em, I feel ’em,” Bigger said. “Yeah; and in your chest and throat, too,” Gus said. “It’s like fire.” “And sometimes you can’t hardly breathe. . . .” Bigger’s eyes were wide and placid, gazing into space. “That’s when 1 feel like something awful’s going to happen to me. . . .” Bigger paused, narrowed his eyes. “Naw; it ain’t like something going to happen to me. It’s . . . It’s like I was going to do something I can’t help. . . .” FEAR 25 “Yeah!” Gus said with uneasy eagerness. His eyes were full of a look compounded of fear and admiration for Bigger. “Yeah; I know what you mean. It’s like you going to fall and don’t know where you going to land. . . .’’ Gus’s voice trailed off. The sun slid behind a big white cloud and the street was plunged in cool shadow; quickly the sun edged forth again and it was bright and warm once more. A long sleek black car, its fenders glinting like glass in the sun, shot past them at high speed and turned a comer a few blocks away. Bigger pursed his lips and sang; “Zoooooooooom! ’’ “They got everything,” Gus said. “They own the world,” Bigger said. “Aw, what the hell,” Gus said. “Let’s go in the poolroom.” “O.K.” 'They walked toward the door of the poolroom. “Say, you taking that job you told us about?” Gus asked. “I don’t know.” “You talk like you don’t want it ” “Oh, hell, yes! I want the job,” Bigger said. They look^ at each other and laughed. They went inside. The poolroom was empty, save for a fat, black man who held a half-smoked, unlit cigar in his mouth and leaned on the front counter. To the rear burned a single green-shaded bulb. "Hi, Doc,” Bigger said. “You boys kinda early this morning,” Doc said. “Jack or G.H. around yet?” Bigger asked. “Naw,” Doc said. “Let’s shoot a game,” Gus said. “I’m broke,” Bigger said. “I got some money.” “Switch on the light. The balls are racked,” Doc said. Bigger turned on the light. They lagged for first shot. Bigger won They started playing Bigger’s shots were poor; he was thinking of Blum’s, fascinated with the idea of the robbery, and a little afraid of it. “Remember what we talked about so much?” Bigger asked in a flat, neutral tone, “Naw.” “Old Blum.” “Oh,” Gus said. “We ain’t talked about that for a month. How come you think of it all of a sudden?” 26 NATIVE SON “Let’s clean the place out.” “I don’t know.” “It was your plan from the start,” Bigger said. Gus straightened and stared at Bigger, then at Doc who was looking out of the front window. “You going to tell Doc? Can’t you never learn to talk low?” “Aw, I was just asking you, do you want to try it?” “Naw ” “How come? You scared ’cause he’s a white man?” “Naw. But Blum keeps a gun. Suppose he beats us to it?” “Aw, you scared; that’s all. He’s a white man and you scared.” “The hell I’m scared,” Gus, hurt and stung, defended him- self. Bigger went to Gus and placed an arm about his shoulders. “Listen, you won’t have to go in. You just stand at the door and keep watch, see? Me and Jack and G.H.’ll go in If any- body comes along, you whistle and we’ll go out the back way. That’s all.” The front door opened; they stopped talking and turned their heads. “Here comes Jack and G.H. now,” Bigger said. Jack and G.H. walked to the rear of the poolroom. “What you guys doing?” Jack asked. “Shooting a game. Wanna play?” Bigger asked, “You asldng ’em to play and I’m paying for the game,” Gus said. They all laughed and Bigger laughed with them but stopped quickly. He felt that the joke was on him and he took a seat alongside the wall and propped his feet upon the rungs of a chair, as though he had not heard. Gus and G.H. kept on laughing. “You niggers is crazy,” Bigger said. “You laugh like mon- keys and you ain’t got nerve enough to do nothing but talk.” “What you mean?” G.H. asked. “I got a haul all figured out,” Bigger said. “What haul?” “Old Blum’s.” There was silence. Jack lit a cigarette. Gus looked away, avoiding the conversation. “If old Blum was a black man, you-all would be itching to go. ’Cause he’s white, everybody’s scared.” PEAR 27 “I ain’t scared,” Jack said, “I’m with you.” “You say you got it all figured out?” G H. asked. Bigger took a deep breath and looked from face to face. It seemed to him that he should not have to expla'm. “Look, it’ll be easy. There ain’t nothing to be scared of. Be- tween three and four ain’t nobody in the store but the old man. The cop is way down at the other end of the block. One of us’ll stay outside and watch. Three of us’ll go in, see? One of ns’ll throw a gun on old Blum; one of us’ll make for the cash box under the counter, one of us’ll make for the back door and have it open so we can make a quick get-away down the back alley. . . . That’s all. It won’t take three min- utes.” “I thought we said we wasn’t never going to use a gun,” G.H. said. “And we ain’t bothered no white folks before.” “Can’t you see? This is something big,” Bigger said. He waited for more objections. When none were forth- coming, he talked again. “We can do it, if you niggers ain’t scared.” Save for the sound of Doc’s whistling up front, there was silence. Bigger watched Jack closely; he knew that the sit- uation was one in which Jack’s word would be decisive. Bigger was afraid of Gus, because he knew that Gus would not hold out if Jack said yes. Gus stood at the table, toying with a cue stick, his eyes straying lazily over the billiard balls scattered about the table in the array of an unfinished game. Bigger rose and sent the balls whirling with a sweep of his hand, then looked straight at Gus as the gleaming balls kissed and rebounded from the rubber cushions, zig-zagging across the table’s green cloth. Even though Bigger had asked Gus to be with him in the robbery, the fear that Gus would really go made the muscles of Bigger’s stomach tighten; he was hot all over. He felt as if he wanted to sneeze and could not; only it was more nervous than wanting to sneeze. He grew hotter, tighter; his nerves were taut and his teeth were on edge. He felt that something would soon snap within him. “Goddammit! Say something, somebody!” “I’m in,” Jack said again. "rU go if the rest goes,” G.H. said. Gus stood without speaking and Bigger felt a curious sensation — half-sensual, half-thoughtful. He was divided and pulled agamst himself. He had handled things just nght so 28 NATTVE SON far; all but Gus had consented. The way things stood now there were three against Gus, and that was just as he had wanted it to be. Bigger was afraid of robbing a white man and he knew that Gus was afraid, too. Blum’s store was smaU and Blum was alone, but Bigger could not think of robbing him without being flanked by his three pals. But even with his paU he was afraid. He had argued all of his pals but one into consenting to the robbery, and toward the lone man who held out he felt a hot hate and fear; he had transferred his fear of the whites to Gus. He hated Gus because he knew that Gus was afraid, as even he was; and he feared Gus because he felt that Gus would consent and then he would be com- pelled to go through with the robbery. Like a man about to shoot himself and dreading to shoot and yet knowing that he has to shoot and feeling it all at once and powerfully, he watched Gus and waited for him to say yes. But Gus did not speak. Bigger’s teeth clamped so tight that his jaws ached. He edged toward Gus, not looking at Gus, but feeling the pres- ence of Gus over all his body, through him, in and out of him, and hating himself and Gus because he felt it. Then he could not stand it any longer. The hysterical tensity of his nerves urged him to speak, to free himself. He faced Gus, his eyes red with anger and fear, his fists clenched and held stiffly to his sides. “’i’^ou black sonofabitch,” he said in a voice that did not vary in tone. “You scared ’cause he’s a white man." “Don’t cuss me. Bigger,” Gus said quietly. “I am cussing you!’’ “You don’t have to cuss me,” Gus said. “Then why don’t you use that black tongue of yours?” Bigger asked. “Why don’t you say what you going to do?” “I don’t have to use my tongue unless I want to!” “You bastard! You scared bastard!” “You ain’t my boss,” Gus said. “You yellow!” Bigger said. “You scared to rob a r^diite man.” “Aw, Bigger. Don’t say that,” G.H. said. “Leave ’im alone.” “He’s yellow,” Bigger said “He won’t go with us.” “I didn’t say I wouldn’t go,” Gus said. “Then, for chrissakes, say what you going to do,” Bigger said. Gus leaned on his cue stick and gazed at Bigger and Bigger’s FEAR 29 Stomach tightened as though he were expecting a blow and were getting ready for it. His fists clenched harder In a split second he felt how his fist and arm and body would feel if he hit Gus squarely in the mouth, drawing blood; Gus would fall and he would walk out and the whole thing would be over and the robbery would not take place. And his thinking and feeling in this way made the choking tightness rising from the pit of his stomach to his throat slacken a little. “You see, Bigger,” began Gus in a tone that was a com- promise between kindness and pride. “You see. Bigger, you the tause of all the trouble we ever have. It’s your hot temper. Now, how come you want to cuss me? Ain’t 1 got a right to make up my mind? Naw; that ain’t your way. You start cuss- ing. You say I’m scared. It’s you who’s scared. You scared I’m going to say yes and you’U have to go through with the job. . . “Say that again! Say that again and I’ll take one of these balls and sink it in your goddamn mouth,” Bigger said, his pride wounded to the quick. “Aw, for chrissakes,” Jack said. “You see how he is,” Gus said. “Why don’t you say what you going to do?” Bigger de- manded. “Aw, I’m going with you-all,” Gus said in a nervous tone that sought to hide itself; a tone that hurried on to other things. “I’m going, but Bigger don’t have to act like that. He don’t have to cuss me.” “Why didn’t you say that at first?” Bigger asked; his anger amounted almost to frenzy. “You make a man want to sock youl” “. . . I’ll help on the haul,” Gus continued, as though Big- ger had not spoken. “I’ll help just like I always help. But I’ll be goddamn if I’m taking orders from you. Bigger! You just a scared coward! You calling me scared so nobody’ll see how scared you is!” Bigger leaped at him, but Jack ran between them. G.H, caught Gus’s arm and led him aside. “Who’s asking you to take orders?” Bigger said. “I never want to give orders to a piss-sop like you!” “You boys cut out that racket back there!” Doc called. They stood silently about the pool table. Bigger’s eyes fol- lowed Gus as Gus put his cue stick in the rack and brushed 30 NATIVE SON chalk dust from his trousers and walked a little distance away. Bigger’s stomach burned and a hazy black cloud hovered a moment before his eyes, and left. Mixed images of violence ran like sand through his mind, dry and fast, vanishing. He could stab Gus with his knife; he could slap him; he could kick him; he could trip him up and send him sprawlmg on his face. He could do a lot of things to Gus for making him feel this way. “Come on, G H.,” Gus said. “Where we going?" “Let’s walk.” “O.K." "What we gonna do?” Jack asked. “Meet here at three?” “Sure,” Bigger said. “Didn’t we just decide?” “I’ll be here,” Gus said, with his back turned. When Gus and G.H. had gone Bigger sat down and felt cold sweat on his skin. It was planned now and he would have to go through with it. His teeth gritted and the last image he had seen of Gus going through the door lingered in his mind. He could have taken one of the cue sticks and gripped it hard and swung it at the back of Gus’s head, feel- ing the impact of the hard wood cracking against the bottom of the skull. The tight feeling was stUl in him and he knew that it would remain until they were actually doing the job, until they were in the store taking the money. “You and Gus sure don’t get along none,” Jack said, shak- ing his head. Bigger turned and looked at Jack; he had forgotten that Jack was still there. “Aw, that yellow black bastard,” Bigger said. “He’s all ri^t,” Jack said. “He’s scared,’’ Bigger said. “To make him ready for a job, you have to make him scared two ways. You have to make him more scared of what’ll happen to him if he don’t do the job than of what’ll happen to him if he pulls the job.” “If we going to Blum’s today, we oughtn’t fuss like this” Jack said. “We got a job on our hands, a real job.” “Sure. Sure, I know,” Bigger said. Bigger felt an urgent need to hide his growing and deepen- ing feeling of hysteria; he had to get rid of it or else he would succumb to it He longed for a stimulus powerful enough to focus his attention and drain off his energies. He wanted to FEAR 31 run. Or listen to some swing music Or laugh or joke. Or read a Real Detective Story Magazine. Or go to a movie. Or visit Bessie. All that morning he had lurked behind his curtain of indifference and looked at things, snapping and glanng at whatever had tried to make him come out into the open. But now he was out; the thought of the job at Blum’s and the tilt he had had with Gus had snared him into things and his self-trust was gone. Confidence could only come again now through action so violent that it would make him forget. These were the rhythms of his life; indifference and violence; periods of abstract brooding and periods of intense desire; moments of silence and moments of anger — like water ebbing and flowing from the tug of a far-away, invisible force. Being this way was a need of his as deep as eating. He was like a strange plant blooming in the day and wilting at night; but the sun that made it bloom and the cold darkness that made it wilt were never seen It was his own sun and darkness, a private and personal sun and darkness. He was bitterly proud of his swiftly changing moods and boasted when he had to suffer the results of them. It was the way he was, he would say; he could not help it, he would say, and his head would wag. And it was his sullen stare and the violent action that followed that made Gus and Jack and G.H. hate and fear him as much as he hated and feared him- self. “Where you want to go?” Jack asked. ‘Tm tired of setting.” “Let’s walk,” Bigger said. They went to the front door. Bigger paused and looked round the poolroom with a wild and exasperated expression, his lips tightening with resolution “Goin’?” Doc asked, not moving his head. “Yeah,” Bigger said. “See you later,” Jack said. They walked along the street in the morning sunshine. They waited leisurely at corners for cars to pass; it was not that they feared cars, but they had plenty of time. 'They reached South Parkway smoking freshly lit cigarettes. “I’d like to see a movie,” Bigger said. “Trader Horn’s running again at the Regal. They’re bring- ing a lot of old pictures back.” “How much is it?” “Twenty cents.” 32 NATIVE SON “O.K Let’s see it.” Bigger strode silently beside Jack for six blocks. It was noon when they reached Forty-seventh Street and South Parkway. The Regal was just opening. Bigger lingered in the lobby and looked at the colored posters while Jack bought the tickets. Two features were advertised: one, The Gay Woman, was pictured on the posters in unages of white men and white women lolling on beaches, swimming, and dancing in night clubs; the other, Trader Horn, was shown on the posters \n terms of black merv and black women dancing against a wild background of barbaric jungle Bigger looked up and saw Jack standing at his side. "Come on. Let’s go in,” Jack said. “O.K.” He followed Jack into the darkened movie. The shadows were soothing to his eyes after the glare of the sun. The picture had not started and he slouched far down in a seat and listened to a pipe organ shudder in waves of nostalgic tone, like a voice humming hauntingly within him. He moved restlessly, looking round as though expecting to see someone sneaking upon him. The organ sang forth full, then dropped almost to silence. “You reckon we’ll do all right at Blum’s?” he asked in a drawling voice tinged with uneasiness. “Aw, sure,” Jack said; but his voice, too, was uneasy, “You know, I’d just as soon go to jail as take that damn relief job,” Bigger said. “Don’t say that^ Everything’ll be all right.” “You reckon it will?” “Sure.” “I don’t give a damn.” “Let’s think about how we’U do it, not about bow we’ll get caught.” “Scared?” “Naw, You?” “Hell, nawl” They were silent, listening to the organ. It sounded for a long moment on a trembling note, then died away Then it stole forth again in whispenng tones that could scarcely be heard. “We better take our guns along this time,” Bigger said. PEAR 33 “O.K. But we gotta be careful. We don’t wanna kill no- body.” “Yeah. But I’ll feel safer with a gun this time.” “Gee, I wished it was three o’clock now. I wished it was over.” “Me too.” The organ sighed into silence and the screen flashed with the rhythm of moving shadows. There was a short newsreel which Bigger watched without much interest Then came The Gay Woman in which, amid scenes of cocktail drinking, dancing, golfing, swimming, and spinning roulette wheels, a rich young white woman kept clandestine appointments with her lover while her millionaire husband was busy in the offices of a vast paper mill. Several times Bigger nudged Jack in the ribs with his elbow as the giddy young woman duped her husband and kept from him the knowledge of what she was doing. “She sure got her old man fooled,” Bigger said. “Looks like it. He’s so busy making money he don’t know what’s going on,” Jack said. “Them rich chicks’ll do any- thing.” “Yeah. And she’s a hot looking number, all right,” Bigger said. “Say, maybe I’ll be working for folks like that if 1 take that relief job. Maybe I’ll be driving ’em around. ...” “Sure,” Jack said. “Man, you ought to take that job. You don’t know what you might run into. My ma used to work for rich white folks and you ought to hear the tales she used to tell ” “What she say?” Bigger asked eagerly. “Ah, man, them rich white women’ll go to bed with any- body, from a poodle on up. Shucks, they even have their chauffeurs. Say, if you run into anything on that new job that’s too much for you to handle, let me know. . . They laughed. The play ran on and Bigger saw a night club floor thronged with whirling couples and heard a swing band playing music. The rich young woman was dancing and laughing with her lover. “I’d like to be invited to a place like that just to find out what it feels like,” Bigger mused. “Man, if them folks saw you they’d run,” Jack said, “They’d think a gorilla broke loose from the zoo and put on a tuxedo.” They bent over low in their seats and giggled without re- NATIVE SON 34 straint. When Bigger sat up again he saw the picture flashing on. A tall waiter was serving two slender glasses of drinks to the rich young woman and her lover. “I bet their mattresses is stuffed with paper dollars,” Bigger said. “Man, them folks don’t even have to turn over in their sleep,” Jack said. “A butler stands by their beds at night, and when he hears ’em sigh, he gently rolls ’em over . . .” They laughed again, then fell silent abruptly. The music accompanying the picture dropped to a low, rumbling note and the rich young woman turned and looked toward the front door of the night club from which a chorus of shouts and screams was heard. “I bet it’s her husband,” Jack said. “Yeah,” Bigger said. Bigger saw a sweating, wild-eyed young man fight his way past a group of waiters and whirling dancers. “He looks like a crazy man,” Jack said. “What you reckon he wants?” Bigger asked, as though he himself was outraged at the sight of the frenzied intruder. “Damn if I know,” Jack muttered preoccupiedly. Bigger watched the wild young man elude the waiters and run in the direction of the rich woman’s table. The music of the swing band stopped and men and women scurried franti- cally into comers and doorways. There were shouts; Stop 'imi Grab 'im! The wild man hidted a few feet from the rich woman and reached inside of his coat and drew forth a black object. There were more screams: He's got a bomb! Stop 'itnl Bigger saw the woman’s lover leap to the center of the floor, fling his hands high into the air and catch the bomb just as the wild man threw it. As the rich woman fainted, her lover hurled the bomb out of a window, shat- tering a pane. Bigger saw a white flash light up the night outside as the bomb exploded deafeningly. Then he was looking at the wild man who was now pinned to the floor by a dozen hands. He heard a woman scream: He’s a Com- munist! “Say, Jack?” “Hunh?” “What’s a Communist?" “A Communist is a red, ain't he?” “Yeah; but what’s a red?” FEAR 35 “Damn if I know. It’s a race of folks who live in Russia, ain’t it?’’ “They must be wild.” “Looks like it. That guy was trying to kill somebody.” The scenes showed the wild man weeping on his knees and cursing through his tears. 1 wanted to kill 'im, he sobbed. Bigger now understood that the wild bomb-thrower was a Communist who had mistaken the rich woman’s lover for her husband and had tried to kill him. “Reds must don’t like rich folks,” Jack said. “They sure must don’t,” Bigger said. “Every time you hear about one, he’s trying to kill somebody or tear things up.” The picture continued and showed the rich young woman in a fit of remorse, telling her lover that she thanked him for saving her life, but that what had happened had taught her that her husband needed her. Suppose it had been he? she whimpered. “She’s going back to her old man,” Bigger said. “Oh, yeah,” Jack said. “They got to kiss in the end.” Bigger saw the rich young woman rush home to her mil- lionaire husband. There were long embraces and kisses as the rich woman and the rich man vowed never to leave each other and to forgive each other. “You reckon folks really act like that?” Bigger asked, full of the sense of a life he had never seen. “Sure, man. They nch,” Jack said. “I wonder if this guy I’m going to work for is a rich man like that?” Bigger asked. “Maybe so,” Jack said. “Shucks, I got a great mind to take that job,” Bigger said. “Sure. You don’t know what you might see.” They laughed. Bigger turned his eyes to the screen, but he did not look. He was filled with a sense of excitement about his new job. Was what he had heard about nch white people really true? Was he going to work for people like you saw in the movies? If he were, then he’d see a lot of things from the inside; he’d get the dope, the low-down. He looked at Trader Horn unfold and saw pictures of naked black men and women whirling in wild dances and heard drums beating and then gradually the African scene changed and was re- placed by images in his own mind of white men and women NATIVE SON 36 dressed in black and white clothes, laughing, talking, drinking and dancing. Those were smart people; they knew how to get hold of money, millions of it. Maybe if he were working for them something would happen and he would get some of it. He would see just how they did it Sure, it was all a game and white people knew how to play it. And rich white people were not so hard on Negroes' it was the poor whites who hated Negroes. They hated Negroes because they didn’t have their share of the money. His mother had always told him that rich white people liked Negroes better than they did poor whites. He felt that if he were a poor white and did not get his share of the money, then he would deserve to be kicked. Poor white people were stupid. It was the rich white people who were smart and knew how to treat people. He remembered hearing somebody tell a story of a Negro chauffeur who had married a rich white girl and the girl’s family had shipped the couple out of the country and had supplied them with money. Yes, his going to work for the Daltons was something big. Maybe Mr. Dalton was a millionaire Maybe he had a daughter who was a hot kind of girl; maybe she spent lots of money: maybe she’d like to come to the South Side and see the sights sometimes Or maybe she had a secret sweet- heart and only he would know about it because he would have to drive her around; maybe she would give him money not to tell. He was a fool for wanting to rob Blum’s just when he was about to get a good job Why hadn’t he thought of that before? Why take a fool’s chance when other things, big things, could happen? If something slipped up this afternoon he would be out of a job and in jail, maybe. And he wasn’t so hot about robbing Blum’s, anyway. He frowned in the darkened movie, hearing the roll of tom-toms and the screams of black men and women dancing free and wild, men and women who were adjusted to their soil and at home in their world, secure from fear and hysteria. “Come on. Bigger," Jack said. “We gotta go.” “Hunh?” “It’s twenty to three." He rose and walked down the dark aisle over the soft, in- visible carpet. He had seen practically nothing of the picture, FEAR 37 but he did not care. As he walked into the lobby his insides tightened again with the thought of Gus and Blum’s. ‘‘Swell, wasn’t it?” “Yeah, it was a killer,” Bigger said. He walked alongside Jack briskly until they came to Thirty- ninth Street. “We better get out gims,” Bigger said. “Yeah.” “We got about fifteen minutes.” “O.K.” “So long.” He walked home with a mounting feeling of fear. When he reached his doorway, he hesitated about going up. He didn’t want to rob Blum’s; he was scared. But he had to go through with it now. Noiselessly, he went up the steps and inserted his key in the lock; the door swung in silently and he heard his mother smging behmd the curtam. Lord, I want to be a Christian, In my heart, in my heart, Lord, I want to be a Christian, In my heart, in my heart. . . . He tiptoed into the room and lifted the top mattress of his bed and pulled forth the gun and slipped it inside of his shirt. Just as he was about to open the door his mother paused in her singing. “That you. Bigger?” He stepped quickly into the outer hallway and slammed the door and bounded headlong down the stairs. He went to the vestibule and swung through the door into the street, feeling that ball of hot tightness growing larger and heavier m his stomach and chest. He opened his mouth to breath* He headed for Doc’s and came to the door and looked inside. Jack and G.H. were shooting pool at a rear table. Gus was not there. He felt a slight lessening of nervous tension and swallowed. He looked up and down the street, very few people were out and the cop was not in sight. A clock in a window across the street told him that it was twelve minutes to three. Well, this was it; he had to go in. He lifted his left hand and wiped sweat from his forehead in a long slow gesture. He hesitated a moment longer at the door, then NATIVE SON 38 went in, walking With firm steps to the rear table. He did not speak to Jack or G H . nor they to him. He lit a cigarette with shaking fingers and watched the spinning billiard balls roll and gleam and clack over the green stretch of cloth, dropping into holes after bounding to and fro from the rubber cushions He felt impelled to say something to ease the swelling in his chest Hurriedly, he flicked his cigarette into a spittoon and, with twin eddies of blue smoke jutting from his black nostrils, shouted hoarsely, "Jack, I betcha two bits you can’t make itl" Jack did not answer; the ball shot straight across the table and vanished into a side pocket. “You would've lost,” Jack said. “Too late now,” Bigger said. “You wouldn’t bet, so you lost," He spoke without looking. His entire body hungered for keen sensation, something exciting and violent to relieve the tautness. It was now ten minutes to three and Gus had not come. If Gus stayed away much longer, it would be too late. And Gus knew that. If they were going to do anything, it certainly ought to be done before folks started coming into the streets to buy their food for supper, and while the cop was down at the other end of the block. “That bastard!” Bigger said. "I knew itl” “Oh. he’ll be along,” Jack said. "Sometimes I’d like to cut his yellow heart out,” Bigger said, fingering the knife in his pocket. “Maybe he’s hanging around some meat,” O.H. said. “He’s just scared,”' Bigger said. “Scared to rob a white man.” The billiard balls clacked. Jack chalked his cue stick and the metallic noise made Bigger gnt his teeth until they ached. He didn’t like that noise; it made him feel like cutting something with his knife. “If he makes us miss this job. I’ll fix 'im, so help me,” Bigger said. “He oughtn’t be late. Every time somebody’s late, things go wrong. Look at the big guys. You don’t ever hear of them being late, do you? Nawl They work like clocks!” “Ain’t none of us got more guts’n Gus,” G.H. said. “He’s been with us every time.” "Aw, shut your trap,” Bigger said. FEAR 39 “There you go again, Bigger," G.H. said. “Gus was just talking about how you act this morning. You get too nervous when something’s coming off. . . .” "Don’t tell me I’m nervous,” Bigger said. “If we don’t do it today, we can do it tomorrow,” Jack said. “Tomorrow’s Sunday, fooll” “Bigger, for chrissakes! Don’t holler!” Jack said tensely. Bigger looked at Jack hard and long, then turned away with a grimace. “Don’t tell the world what we’re trying to do,” Jack whis- pered m a mollifying tone. Bigger walked to the front of the store and stood looking out of the plate glass window. Then, suddenly, he felt sick. He saw Gus coming along the street. And his muscles stiffened. He was going to do something to Gus, just what, he did not know. As Gus neared he heard him whistling: “The Merry-Go-Round BroTce Down. . . .” The door swung in. “Hi, Bigger,” Gus said. Bigger did not answer. Gus passed him and started toward the rear tables. Bigger whirled and kicked him hard. Gus flopped on his face with a single movement of his body. With a look that showed that he was looking at Gus on the floor and at Jack and G.H. at the rear table and at Doc — looking at them all at once in a kind of smiling, roving, turning-slowly glance — Bigger laughed, softly at first, then harder, louder, hysterically; feeling something like hot water bubbling inside of him and trying to come out. Gus got up and stood, quiet, tus mouth open and his eyes dead-black with hate. “Take it easy, boys,” Doc said, looking up from behind his counter, and then bending over again. “What you kick me for?” Gus asked. “ ’Cause I wanted to,” Bigger said. Gus looked at Bigger with lowered eyes. G.H. and Jack leaned on their cue sticks and watched silently. “I’m going to fix you one of these days,” Gus threatened. ‘‘Say that again,” Bigger said. Doc laughed, straightemng and looking at Bigger, “Lay off the boy. Bigger.” Gus turned and walked toward the rear tables. Bigger, with 40 NATIVE SON an amazing bound, grabbed him in the back of his collar. “I asked you to say that again*" “Quit, Bigger!” Gus spluttered, choking, sinking to his knees. “Don't tell me to quit!" The muscles of his body gave a tightening lunge and he saw his fist come down on the side of Gus's head; he had Struck him really before he was conscious of doing so. “Don’t hurt ’im,” Jack said. “I’ll kill ’im,” Bigger said through shut teeth, tightening his hold on Gus’s collar, choking him harder. “T-tum m-m-m-me l-Ioose ” Giis gurgled, struggling. “Make me!” Bigger said, drawing his fingers tighter. Gus was very still, resting on his knees. Then, like a taut bow finding release, he sprang to his feet, shaking loose from Bigger and turning to get away. Bigger staggered back against the lyall, breathless for a moment. Bigger’s band moved so swiftly that nobody saw it; a gleaming blade flashed. He made a long step, as graceful as an animal leaping, threw out his left foot and tripped Gus to the floor. Gus turned over to rise, but Bigger was on top of him, with the knife open and ready. “Get up! Get up and I’ll slice your tonsils!" Gus lay still. “That’s all right, Bigger,” Gus said in surrender. “Lemme up." “You trying to make a fool out of me. ain’t you?" “Naw,” Gus said, his Ups scarcely moving. “You goddamn right you ain’t.” Bigger said. His face softened a bit and the hard glint in his bloodshot eyes died. But he still knelt with the open knife. Then he stood. “Get up!" he said. “Please, Bigger!” “You want me to slice you?” He stooped again and placed the knife at Gus’s throat. Gus did not move and his large black eyes looked pleadingly. Bigger was not satisfied, he felt his muscles tightening again. “Get up! I ain’t going to ask you no more!" Slowly, Gus stood. Bigger held the open blade an inch from Gus’s lips. , “Lick it,” Bigger said, his body tingling with elation, Gus’s eyes filled with tears. FEAR 41 “Lick it, I said! You think I’m playing?” Gus looked round the room without moving his head, just rolling his eyes in a mute appeal for help But no one moved. Bigger’s left fist was slowly lifting to strike, Gus’s lips moved toward the knife; he stuck out his tongue and touched the blade Gus’s lips quivered and tears streamed down his cheeks. “Hahahahal” Doc laughed. “Aw, leave 'im alone,” Jack called. Bigger watched Gus with lips twisted in a crooked smile. “Say, Bigger, ain’t you scared ’im enotigh?” Doc asked. Bigger did not answer. His eyes gleamed hard agam, preg- nant with another idea. “Put your hands up, way up!” he said. Gus swallowed and stretched his hands high along the wall. “Leave ’im alone. Bigger,” G.H. called weakly. “I’m doing this,” B.gger said. He put the tip of the blade into Gus’s shirt and then made an arc with his arm, as though cutting a circle. “How would you like me to cut your belly button out?” Gus did not answer. Sweat trickled down his temples. His lips hung wide, loose. “Shut them liver lips of yours!” Gus did not move a muscle. Bigger pushed the knife harder into Gus’s stomach. “Biggerl” Gus said in a tense whisper. “Shut your mouth!” Gus shut his mouth. Doc laughed Jack and G.H laughed. Then Bigger stepped back and looked at Gus with a smile. “You clown,” he said “Put your hands down and set on that chair.” He watched Gus sit “That ought to teach you not to be late next tune, see?” “We ain’t late. Bigger. We still got time. . . “Shut up! It is latel” Bigger insisted commandingly. Bigger turned aside; then, hearing a sharp scrape on the floor, stiffened Gus sprang from the chair and grabbed a bil- liard ball from the table and threw it with a half-sob and half-curse. Bigger flung his hands upward to shield his face and the impact of the ball struck his wrist. He had shut his eyes when he had glimpsed the ball sailing through the air toward him and when he opened his eyes Gus was flying through the rear door and at the same time he heard the ball NATIVE SON 42 hit the floor and roll away A hard pain throbbed in his hand. He sprang forward, cursing, “You sonofabitch!" He slipped on a cue stick lying In the middle of the floor and tumbled forward. “That’s enough now. Bigger,” Doc said, laughing. Jack and G.H also laughed. B.ggcr rose and faced them, holding his hurt hand. His eyes were red and he stared with speechless hate. “Just keep laughing,” he said. “Behave yourself, boy.” Doc said. “Just keep laughing,” Bigger said again, taking out his knife. “Watch what you’re doing now." Doc cautioned. “Aw, Bigger,” Jack said, backing away toward the rear door. “You done spoiled things now,” G.H. said. “1 reckon that was what you wanted. . . .” “You go to helll” Bigger shouted, drowning out G.H.’s voice. Doc bent down behind the counter and when he stood up he had something in his hand which he did not show. He stood there laughing. White spittle showed at the corners of Digger’s lips. He walked to the billiard table, his eyes on Doc. Then he began to cut the green cloth on the table with long sweeping strokes of his arm. He never took his eyes from Doc’s face. "Why, you sonofabitch!” Doc said. "I ought to shoot you, so help me GodI Get out, before I call a cop!” Bigger walked slowly past Doc, looking at him, not hurry- ing, and holding the open knife in his hand. He paused in the doorway and looked back. Jack and G.H. were gone. “Get out of here!” Doc said, showing a gun. “Don’t you like it?” Bigger asked. “Get out before I shoot you!” Doc said, “And don't you ever set your black feet inside here again!” Doc was angry and Bigger was afraid. He shut the knife and slipped it in his pocket and swung through the door to the street. He blinked his eyes from the bright sunshine; his nerves were so taut that he had difficulty in breathing. Halfway down the block he passed Blum’s store; he looked out of the comers of his eyes through the plate glass window and saw FEAR 43 that Blum was alone and the stcwe was empty of customers. Yes; they would have had time to rob the store; in fact, they still had time He had lied to Gus and G H. and Jack. He walked on; there was not a policeman in sight. Yes; they could have robbed the store and could have gotten away. He hoped the fight he had had with Gus covered up what he was trying to hide. At least the fight made him feel the equal of them. And he felt the equal of Doc, too; had he not slashed his table and dared him to use his gun? He had an overwhelming desire to be alone; he walked to the middle of the next block and turned into an alley. He began to laugh, softly, tensely; he stopped still in his tracks and felt something warm roll down his cheek and he brushed it away. “Jesus,” he breathed “1 laughed so hard I cried.” Carefully, he dried his face on his coat sleeve, then stood for two whole minutes stanng at the shadow of a telephone pole on the alley pavement. Suddenly he straightened and walked on with a single expulsion of breath. “What the hell!” He stumbled violently over a tiny crack in the pavement. “GoddamnI” he said. When he reached the end of the alley, he turned into a street, walking slowly in the sunshine, his hands jammed deep into his pockets, his head down, de- pressed. He went home and sat in a chair by the window, looking out dreamily. “That you, Bigger?” his mother called from behind the curtain. “Yeah," he said. “What you run in here and run out for, a little while ago?” “Nothing ” “Don’t you go and get into no trouble, now, boy.” “Aw, Ma! Leave me alone ” He listened awhile to her rubbing clothes on the metal washboard, then he gazed abstractedly into the street, thinking of how he had felt when he fought Gus in Doc’s poolroom. He was relieved and glad that in an hour he was going to see about that job at the Dalton place. He was disgusted with the gang; he knew that what had happened today put an end to his being with them in any more jobs. Like a man staring re- gretfully but hopelessly at the stump of a cut-off arm or leg, he knew that the fear of robbing a white man had had hold of him when he started that fight with Gus; but he knew it m a 44 NATIVE SON way that kept it from coming to his mind in the form of a hard and sharp idea. His confused emotions had made him feel instinctively that it would be better to fight Gus and spoil the plan of the robbery than to confront a white naan with a gun. But he kept this knowledge of his fear thrust firmly down in him; his coimage to live depended upon how successfully his fear was hidden from his consciousness. He had fought Gus because Gus was late; that was the reason his emotions accepted and he did not try to justify himself in his own eyes, or in the eyes of the gang. He did not think enough of them to feel that he had to; he did not consider himself as being responsible to them for what he did, even though they had been mvolved as deeply as he in the planned robbery. He felt that same way toward everyone. As long as he could remember, he had never been responsible to anyone. The moment a situation became so that it exacted some- thing of him, he rebelled. That was the way he lived; he passed his days trying to defeat or gratify powerful impulses in a world he feared. Outside his window he saw the sim dying over the roof- tops in the western sky and watched the first shade of dusk fall. Now and then a street car ran past. The rusty radiator hissed at the far end of the room. All day long it had been spnnglike; but now dark clouds were slowly swallowing the sun. All at once the street lamps came on and the sky was black and close to the house-tops. Inside his shirt he felt the cold metal of the gun resting against his naked skin; he ought to put it back between the mattresses. No! He would keep it. He would take it with him to the Dalton place. He felt that he would be safer if he took it. He was not planning to use it and there was nothing in particular that he was afraid of, but there was in him an uneasiness and distrust that made him feel that he ought to have it along. He was going among white people, so he would take his knife and his gtm; it would make him feel that he was the equal of them, give him a sense of completeness. Then he thought of a good reason why he should take it; in order to get to the Dalton place, he had to go through a white neighborhood. He had not heard of any Negroes being molested recently, but he felt that it was always possible. FEAR 45 Far away a clock boomed five times. He sighed and got up and yawned and stretched his arms high above his head to loosen the muscles of his body. He got his overcoat, for it was growing cold outdoors, then got his cap. He tiptoed to the door, wanting to slip out without his mother hearing him. Just as he was about to open it, she called, “Bigger!” He stopped and frowned. “Yeah, Ma.” “You going to see about that job?” “Yeah.” “Ain’t you going to eat?” “I ain’t got time now.” She came to the door, wiping her soapy hands upon an apron. “Here; take this quarter and buy you something.” “O K.” “And be careful, son.” He went out and walked south to Forty-sixth Street, then eastward. Well, he would see in a few moments if the Daltons for whom he was to work were like the people he had seen and heard in the movie But while walking through this quiet and spacious white neighborhood, he did not feel the pull and mystery of the thing as strongly as he had in the movie. The houses he passed were huge: lights glowed softly in windows. The streets were empty, save for an occasional car that zoomed past on swift rubber tires. This was a cold and dis- tant world; a world of white secrets carefully guarded. He could feel a pride, a certainty, and a confidence in these streets and houses. He came to Drexel Boulevard and began to look for 4605. V^en he came to it, he stopped and stood before a high, black, iron picket fence, feeling constricted in- side. All he had felt in the movie was gone; only fear and emptiness filled him now. Would they expect him to come in the front way or back? It was queer that he had not thought of that. Goddamn! He walked the length of the picket fence in front of the house, seeking for a walk leading to the rear. But tlicre was none. Other than the front gate, there was only a driveway, the entrance to which was securely locked. Suppose a policeman saw him wandering in a white neighborhood like this? It would be thought that he was trying to rob or rape some- 46 NATIVE SON body. He grew angry. Why had he come to take this goddamn job? He could have stayed among his own people and escaped feeling this fear and hate. This was not his world; he had been foolish in thinking that he would have liked it. He stood in the middle of the sidewalk with his jaws clamped tight; he wanted to strike something with his fist. Well . . . Goddamn! There was nothing to do but go in the front way. If he were doing wrong, they could not kill him, at least; ^ they could do was to tell him that he could not get the job. Timidly, he lifted the latch on the gate and walked to the steps. He paused, waiting for someone to challenge him. Nothing happened. Maybe nobody was home? He went to the door and saw a dim light burtung in a shaded niche above a doorbell He pushed it and was startled to hear a soft gong sound within. Maybe he had pushed it too hard? Aw, what the hell! He had to do better than this, he relaxed his taut muscles and stood at ease, waiting. The doorknob turned. The door opened. He saw a white face. It was a woman. “Hello!” “Yessum,” he said, “You want to see somebody?" “Er ... Er ... I want to see Mr. Dalton.” “Are you the Thomas boy?” “Yessum.” “Come in.” He edged through the door slowly, then stopped halfway. Hie woman was so close to him that he could see a tiny mole at the comer of her mouth. He held his breath. It seemed that there was not room enough for him to pass with- out actually touching her. “Come on in,” the woman said. “Yessum,” he whispered. He squeezed through and stood uncertainly in a softly lighted hallway. “Follow me,” she said. With cap in hand and shoulders sloped, he followed, walk- ing over a rug so soft and deep that it seemed he was going to fall at each step he took. He went into a dimly lit room. “Take a seat,” she said. “I’ll tell Mr. Dalton that you’re here and hell be out in a moment.” “Yessum.” He sat and looked up at the woman; she was staring at FEAR 47 him and he looked away in confusion. He was glad when she left. That old bastard! What’s so damn funny about me? I’m just like she is. . . . He felt that the position in which he was sitting was too awkward and found that he was on the very edge of the chair. He rose slightly to sit farther back; but when he sat he sank down so suddenly and deeply that he thought the chair had collapsed under him. He bounded halfway up, in fear; then, realizing what had happened, he sank distrust- fully down again He looked round the room; it was lit by dim lights glowing from a hidden source. He tried to find them by roving his eyes, but could not. He had not expected anything like this; he had not thought that this world would be so utterly different from his own that it would intimidate him. On the smooth walls were several paintings whose nature he tried to make out, but failed. He would have liked to examine them, but dared not. Then he listened; a faint sound of piano music floated to him from somewhere. He was sitting in a white home; dim lights burned round him; strange objects challenged him; and he was feeling angry and uncomfortable. “All right. Come this way.” ' He started at the sound of a man’s voice. “Suh?” “Come this way.” Misjudging how far back he was sitting in the chair, his first attempt to rise failed and he slipped back, resting on his side. Grabbing the arms of the chair, he pulled himself up- right and found a tall, lean, white-haired man holding a piece of paper in his hand The man was gazing at him with an amused smile that made him conscious of every square inch of skin on his black body. “Thomas?” the man asked. “Bigger Thomas?” “Yessuh,” he whispered; not speaking, really; but hearing his words issue involuntarily from his lips, as of a force of their own. “Come this way.” “Yessuh.” He followed the man out of the room and down a hall. The man stopped abruptly. Bigger paused, bewildered, then he saw coming slowly toward him a tall, thin, white woman, walking silently, her hands lifted delicately in the air and touching the walls to either side of her. Bigger stepped back NATIVB SON 48 to let her pass. Her face and hair were completely white; she seemed to him like a ghost. The man took her arm gently and held her for a moment. Bigger saw that she was old and her gray eyes looked stony. “Are you all right?” the man asked. “Yes,” she answered. “Where’s Peggy?” “She’s preparing dinner. I’m quite all right, Henry.” “You shouldn’t be alone this way. When is Mrs. Patterson coming back?” the man asked. “She’ll be back Monday. But Mary’s here. I’m all right; don’t worry about me. Is someone with you?” “Oh, yes. This is the boy the relief sent.” “The relief people were very anxious for you to work for us,” the woman said; she did not move her body or face as she talked, but she spoke in a tone of voice that indicated that she was speaking to Bigger. “I hope you’ll like it here.” “Yessum,” Bigger whispered faintly, wondermg as he did so if he ought to say anything at all. “How far did you go in school?” “To the eighth grade, mam.” “Don’t you think it would be a wise procedure to in- ject him into his new environment at once, so he could get the feel of things?” the woman asked, addressing herself by the tone of her voice to the man now. "Well, tomorrow’ll be time enough,” the man said hesitantly. “I think it’s important emotionally that he feels free to trust his environment,” the woman said. “Using the analysis contained in the case record the relief sent us, I think we should evoke an immediate feeling of confidence . . “But that’s too abrupt,” the man said. Bigger listened, blinking and bewildered. The long strange words they used made no sense to him; it was another language. He felt from the tone of their voices that they were having a difference of opinion about him, but he could not determine what it was about. It made him uneasy, tense, as though there were influences and presences about him which he could feel but not see. He felt strangely blind. “Well, let’s try it,” the woman said. “Oh, all right. We’ll see. We’ll see,” the man said. The man let go of the woman and she walked on slowly, the long white fingers of her hands just barely touching the walls. FEAR 49 Behind the woman, following at the hem of her dress, was a big white cat, pacing without sound. She’s blind! Bigger thought in amazement. “Come on; this way,” the man said. “Yessuh.” He wondered if the man had seen him staring at the woman. He would have to be careful here. Tl^ere were so many strange things. He followed the man into a room. “Sit down.” “Yessuh,” he said, sitting. “That was Mrs. Dalton,” the man said. “She’s blind.” “Yessuh.” “She has a very deep interest in colored people.” “Yessuh,” Bigger whispered. He was conscious of the effort to breathe, he licked his lips and fumbled nervously with his cap. “Well, I’m Mr. Dalton.” "Yessuh.” “Do you think you’d like driving a car?” “Oh, yessuh.” “Did you bring the paper?” “Suh?” “Didn’t the relief give you a note to me?” “Oh, yessuh!” He had completely forgotten about the paper. He stood to reach into his vest pocket and, in doing so, dropped hi; cap. For a moment his impulses were deadlocked; he did not know if he should pick up his cap and then find the paper, or find the paper and then pick up his cap. He decided to pick up his cap. “Put your cap here," said Mr. Dalton, indicating a place on hts desk. “Yessuh.” Then he was stone-still; the white cat bounded past him and leaped upon the desk, it sat looking at him with large placid eyes and mewed plaintively. “What’s the matter, Kate?” Mr. Dalton asked, stroking the cat’s fur and smiling. Mr. Dalton turned back to Bigger. “Did you find it?” “Nawsuh. But I got it here, somewhere.” He hated himself at that moment. Why was he acting and feeling this way? He wanted to wave his hand aiiu oloi out 50 NATIVE SON the white man who was making him feel like this. If not that, he wanted to blot himself out. He had not raised his eyes to the level of Mr. Dalton’s face once since be had been in the house. He stood with his knees slightly bent, his lips partly open, his shoulders stooped; and his eyes held a look that went only to the surface of things. There was an organic conviction in him that this was the way white folks wanted him to be when in their presence; none had ever told him that in so many words, but their manner had made him fed that they did. He laid the cap down, noticing that Mr. Dalton was watching him dosely. Maybe he was not acting right? Goddamn! Clumsily, he searched for the paper. He could not find it at first and he felt called upon to say something for taking so long. “I had it right here In my vest jMJcket,” he mumbled, ‘Take your time.” ‘‘Oh, here it is.” He drew the paper forth. It was crumpled and soiled. Nervously, he straightened it out and handed it to Mr. Dalton, holding it by its very tip end, “All right, now,” said Mr. Dalton, "Let’s see what you’ve got here. You live at 3721 Indiana Avenue?” “Yessuh.” Mr. Dalton paused, frowned, and looked up at the celling, “What kind of a building is that over theref ’ ‘You mean where I live, suh?” “Yes.” “Oh, it’s just an old building.” “Where do you pay rent?” “Down on Thirty-first Street” ‘To the South Side Real Estate Company?” ‘Yessuh.” Bigger wondered what all these questions could mean; he had heard that Mr. Dalton owned the South Side Real Estate Company, but he was not sure. “How much rent do you pay?” “Eight dollars a week.” “For how many rooms?” “We just got one, suh.” “I see. . . . Now, Bigger, tell me, how old are you?” “I’m twenty, suh.” “Married?” FEAH 51 “Nawsuh.” “Sit down. You needn’t stand. And I won’t be long.” “Yessuh.” He sat. The white cat still contemplated him with large, moist eyes. “Now, you have a mother, a brother, and a sister?” “Yessuh.” “There are four of you?” “Yessuh, there’s four of us,” he stammered, trying to show that he was not as stupid as he might appear. He felt a need to speak more, for he felt that maybe Mr. Dalton ex- pected it. And he suddenly remembered the many times his mother had told him not to look at the floor when talking with white folks or asking for a job. He lifted his eyes and saw Mr. Dalton watching him closely. He dropped his eyes again. “They call you Bigger?” “Yessuh.” “Now, Bigger, I’d like to talk with you a little. . . Yes, goddammit! He knew what was coming. He would bo asked about that time he had been accused of stealing auto tires and had been sent to the reform school. He felt guilty, condemned. He should not have come here. “The relief people said some funny things about you. I’d like to talk to you about them. Now, you needn’t feel ashamed with me,” said Mr. Dalton, smiling. “I was a boy myself once and I think I know how things are. So just be yourself. . . .” Mr Dalton pulled out a package of cigarettes. “Here; have one.” “Nawsuh; thank you, suh.” “You don’t smoke?” “Yessuh. But I just don’t want one now.” “Now, Bigger, the relief people said you were a very good worker when you were interested in what you were doing. Is that true?” “Welt, I do my work, suh.” “But they said you were always in trouble. How do you explain that?” “I don’t know, suh.” “Why did they send you to the reform school?” His eyes glared at the floor. “They said I was stealing!” he blurted defensively. “But I wasn’t.” 52 NATIVE SON “Are you sure?" “Yessuh.” "Well, how did you get mixed up in it?” “I was with some boys and the police picked us up.” Mr. Dalton said nothing. Bigger heard a clock ticking some- where behind him and he had a foolish impulse to look at it. But he restrained himself. “Well, Bigger, how do you feel about it now?” “Suh? 'Bout what?” “If you had a job, would you steal now?” “Oh, nawsuh. I don't steal.” “Well,” said Mr. Dalton, “they say you can drive a car and I’m going to give you a job.” He said nothing. “You think you can handle it?" “Oh, yessuh.” “The pay calls for $20 a week, but I’m going to give you $25. The extra $5 is for yourself, for you to spend as you like. You wiU get the clothes you need and your meals. You’re to sleep in the back room, above the kitchen. You can give the $20 to your mother to keep your brother and sister in school How docs that sound?” “It sounds all right Yessuh." “I think we’ll get along." “Yessuh.” “I don’t think we’ll have any trouble.” “Nawsuh.” “Now, Bigger,’' said Mr. Dalton, “since that’s settled, let’s see what you’U have to do every day. I leave every morning for my office at nine. It’s a twenty-minute drive. You are to be back at ten and take Miss Dalton to school. At twelve, you call for Miss Dalton at the University. From then until night you are more or less free. If either Miss Dalton or I go out at night, of course, you do the driving. You work every day, but we don’t get up till noon on Sundays. So you will have Sunday mornings to yourself, unless something unexpected happens. You get one full day off every two weeks.” ■Yessuh.” “You think you can handle that?” “Oh, yessuh.” “And any time you’re bothered about anything, come imd see me. Let’s talk it over.” fear 53 “Yessuh.” “Oh, Father!” a girl’s voice sang out “Yes, Mary,” said Mr. Dalton. Bigger turned and saw a white girl walk into the room. She was very slender. “Oh, I didn’t know you were busy.” “That’s all right, Mary. What is it?” Bigger saw that the girl was looking at him , “Is this the new chauffeur, Father?” “What do you want, Mary?” “Will you get the tickets for the Thursday concert?” “At Orchestra HaU?” “Yes.” “Yes. ra get them.” “Is this the new chauffeur?” “Yes,” said Mr. Dalton. “This is Bigger Thomas.” “Hello, Bigger,” the girl said. Bigger swallowed. He looked at Mr. Dalton, then felt that he should not have looked. “Good evening, mam ” The girl came close to him and stopped just opposite his chair. “Bigger, do you belong to a union?" she asked. "Now, Mary!” said Mr. Dalton, frowning. “Well, Father, he should,” the girl said, tiuming to him, then back to Bigger. “Do you?” “Mary. . . .” said Mr. Dalton. “I’m just asking him a question. Father!” Bigger hesitated. He hated the girl then. Why did she have to do this when he was trymg to get a job? “No’m,” he mumbled, his head down and his eyes glowering. “And why not?” the girl asked. Bigger heard Mr. Dalton mumble something. He wished Mr. Dalton would speak and end this thing. He looked up and saw Mr. Dalton staring at the girl. She’s making me lose my job! he thought. Goddanml He knew nothing about unions, except that they were considered bad. And what did she mean by talking to him this way m front of Mr. Dalton, who, surely, didn’t like umons? “We can settle about the union later, Mary,” said Mr. Dalton. 54 NATIVE SON “But you wouldn’t mind belonging to a union, would you?” the girl asked. "I don’t know, mam,” Bigger said. “Now, Mary, you can see that the boy is new,” said Mr. Dalton. “Leave him alone." The girl turned and poked out a red tongue at him. “All right, Mr. Capitalist!” She turned again to Bigger. “Isn’t he a capitalist. Bigger?” Bigger looked at the floor and did not answer. He did not know what a capitalist was. The girl started to leave, but stopped, “Oh, Father, if he hasn’t anything else to do, let him drive me to my lecture at the University tonight.” “I’m talking to him now, Mary. He’ll be through in a mo- ment.” The girl picked up the cat and walked from the room. There was a short interval of silence. Bigger wished the girl had not said anything about unions. Maybe he would not be hired now. Or, if hired, maybe he would be fired soon if she kept acting like that. He had never seen anyone like her before. She was not a bit the way he had imagined she would be. “Oh, Mar}'!” Mr. Dalton called. “Yes, Father,” Bigger heard her answer from the hallway. Mr. Dalton rose and left the room. He sat still, listening. Once or twice he thought he heard the girl laugh, but he was not sure. The best thing he could do was to leave that crazy girl alone. He had heard about unions; in his mind unions and Communists were linked. He relaxed a little, then stiffened when he heard Mr. Dalton walk back into the room. Word- lessly, the white man sat behind the desk and picked up the paper and looked at it in a long silence. Bigger watched him vfith lowered eyes; he knew that Mr, Dalton was thinking of something other than that paper, In his heart he cursed the crazy girl. Maybe Mr. Dalton was deciding not to hire him. Goddamn! Maybe he would not get the extra five dollars a week now. Goddamn that woman > She spoiled everything! Maybe Mr. Dalton would feel that he could not trust him. “Oh, Bigger,” said Mr. Dalton. “Yessuh ” “I want you to know why I’m hiring you.” "Yessuh.” “You see, Bigger, I’m a supporter of the National As- FEAR 55 sociation for the Advancement of Colored People. Did you ever hear of that organization?” “Nawsuh.” “Well, It doesn’t matter,” said Mr Dalton. “Have you had your dinner?” “Nawsuh.” “Well, I think you’ll do.” Mr Dalton pushed a button. There was silence. The woman who had answered the front door came in. “Yes, Mr. Dalton.” “Peggy, this IS Bigger. He’s going to drive for us. Give him something to eat, and show him where he’s to sleep and where the car is.” “Yes, Mr. Dalton.” “And, Bigger, at eight-thirty, drive Miss Dalton out to the University and wait for her,” said Mr. Dalton. “Yessuh.” “That’s all now,” “Yessuh.” “Come with me,” Peggy said Bigger rose and got his cap and followed the woman through the house to the kitchen. The air was full of the scent of food cooking and pots bubbled on the stove. “Sit here,” Peggy said, clearing a place for him at a white- topped table. He sat and rested his cap on his knees He felt a little better now that he was out of the front part of the house, but still not quite comfortable “Dinner isn’t quite ready yet,” Peggy said. “You like bacon and eggs?” “Yessum.” “Coffee?” “Yessum,” He sat looking at the white walls of the kitchen and heard the woman stir about behind him. “Did Mr. Dalton tell you about the furnace?” “No’m.” “Well, he must have forgotten it. You’re supposed to attend to that, too. ni show you where it is before you go.” “You mean I got to keep the fire going, mam?" “Yes But it’s easy. Did you ever fire before?” “No’m.” “You can learn. There’s nothing to it ’’ 56 NATIVE SON “Yessum.” Peggy seemed kind enough, but maybe she was being kind in order to shove her part of the work on him. Well, he would wait and see. If she got nasty, he would talk to Mr. Dalton about her. He smelt the odor of frying bacon and realized that he was very hungry. He had forgotten to buy a sandwich with the quarter his mother had given him, and he had not eaten since morning. Peggy placed a plate, knife, fork, spoon, sugar, cream, and bread before him; then she dished up the bacon and eggs. “You can get more if you want it.” The food was good. This was not going to be a bad job. The only thing bad so far was that crazy girl. He chewed his bacon and eggs whUe some remote part of his mind considered in amazement how different this rich girl was from the one he had seen in the movies. This woman he had watched on the screen had not seemed dangerous and his mmd had been able to do with her as it liked, but this rich girl walked over everything, put herself in the way and, what was strange beyond understanding, talked and acted so simply and di- rectly that she confounded him. He had quite forgotten that Peggy was in the kitchen and when his plate was empty he took a soft piece of bread and began to sop it clean, carrying the bread to his mouth in huge chunks. “You want some more?” He stopped chewing and laid the bread aside. He had not wanted to let her see him do that; he did that only at home. “No’m,” he said. “I got a plenty," “You reckon you’ll like it hereT’ Peggy asked. “Yessum. I hope so.” “This is a swell place,” Peggy said. “About as good as you'll find anywhere. The last colored man who worked for us stayed ten years.” Bigger wondered why she said “us.” She must stand in with the old man and old woman pretty good, he thought. ‘Ten years?” he said. “Yes; ten years. His name was Green. He was a good man, too.” “How come he to leave?” “Oh, he was smart, that Green was. He took a job with the government. Mrs. Dalton made him go to night school. Mrs. Dalton’s always trying to help somebody.” FEAR 57 Yes; Bigger knew that. But he was not going to any night school. He looked at Peggy; she was bent over the sink, wash- ing dishes. Her words had challenged him and he felt he had to say something. “Yessum, he was smart,” he said. “And ten years is a long time.” “Oh, it wasn’t so long,” Peggy said. “I’ve been here twenty years myself I always was one for sticking to a job. I always say when you get a good place, then stick there. A rolhng stone gathers no moss, and it’s true.” Bigger said nothing. “Everything’s simple and nice around here,” Peggy said. “They’ve got millions, but they live like hurrian beings. They don't put on airs and strut. Mrs. Dalton believes that people should be that way.” “Yessum.” “They’re Christian people and beheve in everybody work- ing hard, and living a clean life. Some people think we ought to have more servants than we do, but we get along. It’s just like one big family.” “Yessum.” “Mr. Dalton’s a fine man,” Peggy said. “Oh, yessum. He is.” “You know, he does a lot for your people.” “My people?” asked Bigger, puzzled. “Yes, the colored people. He gave over five million dollars to colored schools.” “Ohl” “But Mrs. Dalton’s the one who’s really nice. If it wasn’t for her, he would not be doing what he does. S' e made him rich She had millions when he married her Of course, he made a lot of money himself afterwards out of real estate. But most of the money’s hers. She’s blind, poor thing. She lost her sight ten years ago. Did you see her yet?” “Yessum.” “Was she alone?” “Yessum.” “Poor thing! Mrs. Patterson, who takes care of her, is away for the week-end and she’s all alone. Isn’t it too bad, about her?” “Oh, yessum,” he said, trying to get into his voice some native son 58 of the pity for Mrs. Dalton that he thought Peggy expected him to feel. “It’s really more than a job you’ve got here," Peggy went on. “It’s just like home. I’m always telling Mrs. Dalton that this is the only home I’ll ever know I wasn’t in this country but two years before I started working here. . . “Oh." said Bigger, looking at her. “I’m Irish, you know,” she said “My folks in the old country feel about England like the colored folks feel about this country. So I know something about colored peo- ple Oh, these are fine people, fine as silk. Even the girl. Did you meet her yet?” “Yessum ” “Tonight?” "Yessum,” Peggy turned and looked at him sharply. "She’s a sweet thing, she is,” she said ‘T've known her since she was two years old. To me she’s still a baby and will al- ways be one. But she’s kind of wild, she is, Always in hot water. Keeps her folks worried to death, she does. She runs around with a wild and crazy bunch of reds. . . “Reds!" Bigger exclaimed. "Yes. But she don’t mean nothing by it,” Peggy said. "Like her mother and father, she feels sorry for people and she thinks the reds’ll do something for ’em. The Lord only knows where she got her wild ways, but she’s got ’em. If you stay around here, you'll get to know her. But don’t you pay no attention to her red friends. They just keep up a lot of fuss,” Bigger wanted to ask her to tell him more about the girl, but thought that he had better not do that now. "If you’re through. I’ll show you the furnace and the car, and where your room is,” she said and turned the fire low under the pots on the stove. “Yessum ” He rose and followed her out of the kitchen, down a narrow stairway at the end of which was the b.isement It was dark: Bigger heard a sharp click and the light came on. “This way. . . . What did you say your name was?” "Bigger, mam.” “What?” “Bigger.” FEAR 59 He smelt the scent of coal and ashes and heard fire roar- ing. He saw a red bed of embers glowing m the furnace. “This is the furnace,” she said. “Yessum." “Every morning you’ll find the garbage here; you bum it and put the bucket on the dumb-waiter." “Yessum.” “You never have to use a shovel for coal. It's a self-feeder. Look, see?” Peggy pulled a lever and there came a loud rattle of fine lumps of coal sliding down a metal chute. Bigger stooped and saw, through the cracks of the furnace, the coal spreadmg out fanwise over the red bed of fire. “That’s fine,” he mumbled in admiration. “And you don’t have to worry about water, either. It fills itself.” Bigger liked that; it was easy; it would be fun, almost. “Your biggest trouble will be taking out the ashes and sweeping. And keep track of how the coal runs; when it’s low, tell me or Mr. Dalton and we’ll order some more,” “Yessum. I can handle it." "Now, to get to your room all you have to do is go up these back stairs. Come on ” He followed up a stretch of stairs. She opened a door and switched on a light and Bigger saw a large room whose walls were covered with pictures of girls’ faces and prize fighters. “This was Green’s room. He was always one for pictures. But he kept things neat and nice. It’s plenty warm here. Oh, yes; before I forget. Here are the keys to the room and the garage and the car. Now, I’ll show you the garage. You have to get to it from the outside.” He followed her down the steps and outside into the driveway. It was much warmer, “Looks like snow,” Peggy said. “Yessum.” “This is the garage," she said, unlocking and pushing open a door which, as it swung in, made lights come on auto- matically. “You always bring the car out and wait at the side door for the folks. Let’s see. You say you’re driving Miss Dalton tonight?” “Yessum.” 60 NATIVE SON “Well, she leaves at eight-thirty. So you’re free until then. You can look over your room if you want to.” “Yessuni I reckon I will.” Bigger went behind Peggy down the stairs and back into the basement. She went to the kitchen and he went to his room He stood in the middle of the floor, looking at the walls. There were pictures of Jack Johnson, Joe Louis, Jack Dempsey, and Henry Armstrong; there were others of Ginger Rogers, Jean Harlow, and Janet Gay nor The room was large and had two radiators. He felt the bed; it was soft Geel He would bring Bessie here some night Not right at once; he would wait until he had learned the ropes of the place A room all to himself! He could bnng a pint of liquor up here and drink it in peace. He would not have to slip around any more. He would not have to sleep with Buddy and stand Buddy’s kicking all night long He lit a cigarette and stretched himself full length upon the bed. Ohhhh. . . . This was not going to be bad at all. He looked at his dollar watch; it was seven. In a little while he would go down and examine the car, And he would buy himself another watch, too. A dollar watch was not gond enough for a job like this; he would buy a gold one. There were a lot of new things he could get. Oh, boy' This would be an easy life. Everything was all right, except that girl. She worried him. She might cause him to lose his job if she kept talking about unions She was a funny girl, all right. Never in his life had he met anyone like her She puzzled him. She was rich, but she didn’t act like she was rich. She acted like , . . Well, he didn’t know exactly what she did act like. In all of the white women he had met, mostly on jobs and at relief stations, there was always a certain coldness and reserve; they stood their distance and spoke to him from afar. But this girl waded right in and hit him between the eyes with her words and ways. Aw, hell! What good was there m thinking about her like this? Maybe she was all right Maybe he would just have to get used to her; that was all. I bet she spends a plenty of dough, he thought. And the old man had snven five million dollars to colored people. If a man could give five million dollars away, the millions must be as common to him as nickels. He rose up and sat on the edge of the bed. What make of car was he to drive? He had not thought to look when Peggy had opened the gmage door He hoped FEAR 61 it would be a Packard, or a Lincoln, or a Rolls Royce. Boy! Would he drive! Just wait! Of course, he would be careful when he was driving Miss or Mr Dalton But when he was alone he would bum up the pavement; he would make those tires smoke! He licked his lips; he was thirsty. He looked at his watch; it was ten past eight He would go to the kitchen and get a drink of water and then drive the car out of the garage. He went down the steps, through the basement to the stairs leading to the kitchen door Though he did not know it, he walked on tiptoe He eased the door open and peeped in. What he saw made him suck his breath in; Mrs. Dalton in flowing white clothes was standing stonestill in the middle of the kitchen floor. There was silence, save for the slow ticking of a large clock on a white wall For a moment he did not know if he should go in or go back down the steps; his thirst was gone. Mrs. Dalton’s face was held in an at- titude of intense listening and her hands were hanging loosely at her sides. To Big'>er her face seemed to be capable of hearing in every pore of the skin and listening always to some low voice speaking, Sitting quietly on the floor beside her was the white cat, its large black eyes fastened upon him. It made him uneasy just to look at her and that white cat; he was about to close the door and tiptoe softly back down the stairs when she spoke. “Are you the new boy?” •'Yessum.” “Did you want something?” “I didn’t mean to disturb you, mam. I — I ... I j’ust wanted a drink of water.” “Well, come on in. I think youll find a glass somewhere ” He went to the sink, watching her as he walked, feeling that she could see him even though he knew that she was blind. His skin tingled. He took a glass from a narrow shelf and filled it from a faucet. As he drank he stole a glance at her over the rim of the glass Her face was still, tilted, wait- ing. It reminded him of a dead man’s face he had once seen. Then he realized that Mrs. Dalton had turned and listened to the sound of his feet as he had walked. She knows exactly where I’m standing, he thought. “You like your room?” she asked; and as she spoke he NATtVE SON 62 realized that she had been standing there waiting to hear the sound of his glass as it had clinked on the sink. “Oh, yessum ” "I hope you’re a careful driver." “Oh, yessum I’ll be careful.” “Did you ever drive before?” “Yessum. But it was a grocery truck.” He had the feeling that talking to a blind person was like talking to someone whom he himself could scarcely see. “How far did you say you went in school. Bigger?” “To the eighth grade, mam.” “Did you ever think of going back?” “Well, I gotta work now, mam. “Suppose you had the chance to go back?” “Well, I don’t know, mam.” “The last man who worked here went to night school and got an education.” “Yessum.” “What would you want to be if you had an education?” “I don’t know, mam ” “Did you ever think about it?” “No’m.” "You would rather work?” “I reckon I would, mam.” “Well, we’ll talk about that some other time. I think you’d better get the car for Miss Dalton now.” “Yessum.” He left her standing in the middle of the kitchen floor, exactly as he had found her. He did not know just how to take her; she made him feel that she would judge all he did harshly but kindly. He had a feeling toward her that was akin to that which he held toward his mother. The difference in his feelings toward Mrs. Dalton and his mother was that he felt that his mother wanted him to do the things she wanted him to do, and he felt that Mrs. Dalton wanted him to do the things she felt that he should have wanted to do. But he did not want to go to night school Night school was all right, but be had other plans. Well, he didn’t know just what they were right now, but he was working them out. The night air had grown warmer A wind had risen. He lit a cigarette and unlocked the garage; the door swung in and again he was surprised and pleased to see the hghts FEAR 63 spring on automatically. These people’s got everything, he mused. He examined the car, it was a dark blue Buick, with steel spoke wheels and of a new make. He stepped back from it and looked it over; then he opened the door and looked at the dashboard He was a little disappointed that the car was not so expensive as he had hoped, but what it lacked in price was more than made up for in color and style. ‘‘It's all right," he said half-aloud. He got m and backed it into the drive- way and turned it round and pulled it up to the side door. ‘‘Is that you. Bigger?” The girl stood on the steps. ‘‘Yessum.” He got out and held the rear door open for her. "Thank you ’’ He touched his cap and wondered if it were the right thing to do. “Is it that university-school out there on the Midway, mam?” Through the rear mirror above him he saw her hesitate before answering. “Yes; that’s the one.” He pulled the car into the street and headed south, driv- ing about thirty-five miles an hour. He handled the car ex- pertly, picking up speed at the beginning of each block and slowing slightly as he approached each street intersection. ‘‘You drive well,” she said. “Yessum,” he said proudly. He watched her through the rear mirror as he drove; she was kind of pretty, but very little She looked like a doll in a show window: black eyes, white face, red lips. And she was not acting at all now as she had acted when he first saw her In fact, she had a remote look in her eyes. He stopped the car at Forty-seventh Street for a red light; he did not have to stop again until he reached Fifty-first Street where a long line of cars formed in front of him and a long line in back He held the steering wheel lightly, waiting for the line to move forward. He had a keen sense of power when driving; the feel of a car added something to him He loved to press his foot against a pedal and sail along, watching others stand still, seeing the asphalt road unwind under him The lights hashed from red to green and he nosed the car forward. 64 NATIVE SON “Biggerl" “Yessum.** “Turn at this comer and pull up on a side street.” “Here, mam?” “Yes; here.” Now, what on earth did this mean? He pulled the car off Cottage Grove Avenue and drew to a curb He turned to look at her and was startled to see that she was sitting on the sheer edge of the back seat, her face some six mches from his. “I scare you?” she asked softly, smilmg. “Oh, no’m,” he mumbled, bewildered. He watched her through the mirror. Her tiny white hands dangled over the back of the front seat and her eyes looked out vacantly. “I don’t know how to say what I’m going to say,” she said. He said nothing. There was a long silence. What in all hell did this ^1 want? A street car rumbled by. Behind him, reflected in the rear mirror, he saw the traffic lights flash from green to red, and back again. Well, whatever she was going to say, he wished she would say it and get it over. This girl was strange She did the unexpected every minute. He waited for her to speak She took her hands from the back of the front seat and fumbled in her purse. "Gotta match?” “Yessum.” He dug a match from his vest pocket. “Strike it,” she said. He bimked. He struck the match and held the flame for her. She smoked awhile in silence. “You’re not a tattletale, are you?” she asked with a smile. He opened his mouth to reply, but no words came. What she had asked and the tone of voice in which she had asked it made him feel that he ought to have answered in some way; but what? “I’m not going to the University,” she said at last. “But you can forget that. I want you to drive me to the Loop But if anyone should ask you, then I went to the University, see, Bigger?” “Yessum, it’s all right with me,” he mumbled. “I think I can trust you.” “Yessum.” FEAR 65 “After all, I'm on your side.” Now, what did that mean? She was on his side. What side was he on? Did she mean that she liked colored people? Well, he had heard that about her whole family. Was she really crazy? How much did her folks know of how she acted? But if she were really crazy, why did Mr. Dalton let him drive her out? “I’m going to meet a friend of mine who’s also a friend of yours,” she said. “Fnend of mine!" he could not help exclaiming. “Oh, you don’t know him yet,” she said, laughing. “Oh.” “Go to the Outer Drive and then to 16 Lake Street.” “Yessum.” Maybe she was talking about the reds? That was it! But none of his friends were reds. What was all this? If Mr. Dal- ton should ask him if he had taken her to the University, he would have to say yes and depend upon her to back him up. But suppose Mr Dalton had someone watching, someone who would tell where he had really taken her? He had heard that many rich people had detectives working for them. If only he knew what this was all about he would feel much better. And she had said that she was going to meet someone who was a friend of his He didn’t want to meet any Com munists. They didn't have any money. He felt that it was all right for a man to go to jail for robbery, but to go to jail for fooling around with reds was bunk. Well, he would dnve her; that was what he had been hired for. But he was going to watch his step in this business. The only thing he hoped was that she would not make him lose his job. He pulled the car off the Outer Drive at Seventh Street, drove north on Michigan Boulevard to Lake Street, then headed west for two blocks, looking tor number 16. “It’s right here. Bigger.” “Yessum.” He pulled to a stop in front of a dark building. “Wait,” she said, getting out of the car He saw her smiling broadly at him, almost laughing. He felt that she knew every feeling and thought he had at that moment and he turned his head away in confusion. Goddamn that woman! “1 won’t be long,” she said. 66 native son She started off, then tamed back. •Take it easy, Bigger. You’ll understand it better bye and bye.” “Yessura,” ho said, trying to smile; but couldn’t. “Isn’t there a song like that, a song your people sing?” “Like what, mam?” “We’ll understand it better bye and bye?” “Oh, yessum.” She was an odd girl, all right. He felt something in her over and above the fear she inspired in him She responded to him as if he were human, as if he lived in the same world as she. And he had never felt that before in a white person. But why? Was this some kind of game? The guarded feeling of freedom he had while listening to her was tangled with the hard fact that she was white and rich, a part of the world of people who told him what he could and could not do. He looked at the biiilding into which she had gone; it was old and impjunted; there were no lights in the windows or doorway. Maybe she was meeting her sweetheart? If that was all, then things would straighten out, But if she had gone to meet those Communists? And what were Communists like, anyway? Was she one? What made people Communists? He remembered seeing many cartoons of Communists in newspapers and always they had flaming torches in their hands and wore beards and were trying to commit murder or set things on fire. People who acted that way were crazy. All he could recall having heard about Communists was as- sociated in his mind with darkness, old houses, people speak- ing in whispers, and trade unions on strike. And this was something like it He stiffened; the door into which she had gone opened. She came out, followed by a young white man. They walked to the car; but, instead of getting into the back seat, they came to the side of the car and stood, facing him. “Oh, Bigger, this is Jan. And Jan, this is Bigger Thomas.” Jan smiled broadly, then extended an open palm toward him. Bigger’s entire body tightened with suspense and dread. “How are you, Bigger?” Bigger’s right hand gripped the steering wheel and he wondered if he ought to shake hands with this white man. “I’m fine,” he mumbled. FEAR 67 Jan’s hand was still extended. Bigger’s right hand raised itself about three inches, then stopped in imd-air. “Come on and shake," Jan said. Bigger extended a limp palm, his mouth open in astonish- ment. He felt Jan’s fingers tighten about his own. He tried to pull his hand away, ever so gently, but Jan held on, firmly, smiling. “We may as well get to know each other,” Jan said. “I’m a friend of Mary’s.” “Yessuh,” he mumbled. “First of all,” Jan continued, putting his foot upon the running-board, “don’t say sir to me. I’ll call you Bigger and you’ll call me Jan. That’s the way it'll be between us. How’s that?” Bigger did not answer. Mary was s milin g. Jan still gripped his hand and Bigger held his head at an oblique angle, so that he could, by merely shifting his eyes, look at Jan and then out into the street whenever he did not wish to meet Jan’s gaze. He heard Mary laughing softly. “It’s all right, Bigger,” she said. “Jan means it” He flushed warm with anger. Goddam her soul to belli Was she lau ghin g at him? Were they making fun of him? What was it that they wanted? Why didn’t they leave him alone? He was not bothering them. It’es, anything could hap- pen with people like these. His entire mind and body were painfully concentrated into a single sharp point of attention. He was trying desperately to understand. He felt foolish sit- ting behind the steering wheel like this and letting a white man hold his hand. What would people passing along the street think? He was very conscious of his black skin and there was in him a prodding conviction that Jan and men like him had made it so that he would be conscious of that black skm. Did not white people despise a black skin? Then why was Jan doing this? Why was Mary standing there so eagerly, with shining eyes? What could they get out of this? Maybe they did not despise him? But they made him feel his black skin by just standing there looking at him, one holding his hand and the other smiling. He felt he had no physicd existence at all nght then; he was something he hated, the badge of shame which he knew was attached to a black skm. It was a shadowy region, a No Man’s Land, the ground that separated the white world from the black 68 NATIVE SON that he stood upon. He felt naked, transparent; he felt that this white man, having helped to put him down, having helped to deform him, held him up now to look at him and be amused. At that moment he felt toward Mary and Jan a dumb, cold, and inarticulate hate. “Let me dnve awhile,” Jan said, letting go of his hand and opening the door. Bigger looked at Mary. She came forward and touched his arm. “It’s all right. Bigger,” she said. He turned in the seat to get out, but Jan stopped him, “No; stay m and move over." He slid over and Jan took his place at the wheel. He was still feeling his hand strangely; it seemed that the pressure of Jan’s fingers had left an indelible imprint. Mary was getting into the front seat, too. “Move over, Bigger,” she said. He moved closer to Jan, Mary pushed herself in, wedging tightly between him and the outer door of the car. There were white people to either side of him; he was sitting between two vast white looming walls. Never in his life had he been so close to a white woman. He smelt the odor of her hair and felt the soft pressure of her thigh against his own. Jan headed the car back to the Outer Drive, weaving in and out of the line of traffic. Soon they were speeding along the lake front, past a huge flat sheet of dully gleaming water. The sky was heavy with snow clouds' and the wind was blowing strong. “Isn’t it glonous tonight?” she asked, “God, yes!” Jan said. Bigger listened to the tone of their voices, to their strange accents, to the exuberant phrases that flowed so freely from their lips. “That sky!” “And that water!” “It’s so beautiful it makes you ache just to look at it,” said Mary. “This is a beautiful world. Bigger,” Jan said, turning to him. “Look at that skyline!” Bigger looked without turning his head; he just rolled his eyes. Stretching to one side of him was a vast sweep of tall buildings flecked with tiny squares of yellow light. FEAR 69 “We’ll own all that gome day. Bigger,” Jan said with a wave of his hand. “After the revolution it’ll be ours But we’ll have to fight for it. What a world to win, Biggerl And when that day comes, things’!! be different. TTiere’ll be no white and no black; there’ll be no rich and no poor.” Bigger said nothing. The car whirred along. “We seem strange to you, don’t we. Bigger?” Mary asked. “Oh, no’m,” he breathed softly, knowing that she did not believe him, but finding it impossible to answer her in any other way. His arms and legs were aching from being cramped into so small a space, but he dared not move. He knew that they would not have cared if he had made himself more comfort- able, but his moving would have called attention to himself and his black body And he did not want that. These people made him feel things he did not want to feel. If he were white, if he were like them, it would have been different. But he was black So he sat still, his arms and legs aching. “Say, Bigger,” asked Jan, “where can we get a good meal on the &uth Side?” “Well,” Bigger said, reflectively. “We want to go to a real place,” Mary said, turning to him gayly. “You want to go to a night club?” Bigger asked in a tone that indicated that he was simply mentioning names and not recommendmg places to go. “No; we want to eat.” “Look, Bigger. We want one of those places where colored people eat, not one of those show places.” \^at did these people want? When he answered his voice was neutral and toneless. “Well, there’s Ernie’s Kitchen Shack. . . “That sounds good!” “Let’s go there, Jan,” Mary said. “O.K Jan said, “Where is it?” “It’s at Forty-seventh Street and Indiana,” Bigger told them. Jan swung the car off the Outer Drive at Thirty-first Street and drove westward to Indiana Avenue. Bigger wanted Jan to drive faster, so that they could reach Ernie’s Kitchen Shack in the shortest possible time That would allow him a chance to sit in the car and stretch out his cramped and aching legs while they ate. Jan turned onto Indiana Avenue NATIVE SON 70 and headed south. Bigger wondered what Jack and Gus and G. H, would say if they saw him sitting between two white people in a car like this. They would tease him about such a tWng as long as they could remember it. He felt Mary turn in her seat She placed her hand on his arm. “You know, Bigger, I’ve long wanted to go into those houses,” she said, pointing to the tall, dark apartment build- ings looming to either side of them, “and just see how your people live. You know what I mean? I’ve been to England, France and Mexico, but 1 don’t know how people live ten blocks from me. We know so little about each other. I just want to see. I want to know these people. Never in my life have 1 been inside of a Negro home. Yet they must live like we hve. They’re human. . . . There are twelve million of them. . . . They live in our country. ... In the same city with us. . . .” her voice trailed off wistfully. There was silence. The car sped through the Black Belt, past tall buildings holding black life. Bigger knew that they were thinking of his life and the life of his people. Suddenly he wanted to seize some heavy object m his hand and grip it with all the strength of his body and in some strange way rise up and stand in naked space above the speeding car and with one final blow blot it out — with himself and them in it. His heart was beating fast and he struggled to control his breath. This thing was getting the better of him; he felt that he should not give way to his feelings, like this. But he could not help it. Why didn’t they leave him alone? What had he done to them? What good could they get out of sitting here making him feel so miserable? “Tell me where it is, Bigger,” Jan said, “Yessuh.” Bigger looked out and saw that they were at Forty-sbcth Street. “It’s at the end of the next block, suh.” “Can I park along here somewhere?” “Oh; yessuh.” “Bigger, pleasel Don’t say sir to me. ... I don’t like it. You’re a man just like I am; I’m no better than you. Maybe other white men like it. But I don’t Look, Bigger. . . .” “Yes. . . .” Bigger paused, swallowed, and looked down at his black hands. “O.K.,” he mumbled, hopmg that they did not hear the choke in his voice. FEAR 71 “You see, Bigger. . . Jan began. Mary reached her hand round back of Bigger and touched Jan’s shoulder. “Let’s get out,’’ she said hurriedly. Jan pulled the car' to the curb and opened the door and stepped out. Bigger slipped behind the steering wheel again, glad to have room at last for his arms and legs. Mary got out of the other door. Now, he could get some rest. So in- tensely taken up was he with his own immediate sensations, that he did not look up until he felt something strange in the long silence. When he did look he saw, in a split second of time, Mary turn her eyes away from his face. She was looking at Ian and Jan was looking at her. There was no mistaking the meaning of the look in their eyes. To Bigger it was plainly a bewildered and questioning look, a look that asked: What on earth is wrong with him? Bigger’s teeth clamped tight and he stared straight before him. “Aren’t you coming with us. Bigger?” Mary asked in a sweet tone that made him want to leap at her. The people in Ernie’s Kitchen Shack knew him and he did not want them to see him with these white people. He knew that if he went in they would ask one another: Who're them white folks Bigger’s hanging around with? “I — ... I don’t want to go in. . . he whispered breathlessly. “Aren’t you hungry?” Jan asked. “Naw; I ain’t hungry.” Jan and Mary came close to the car. “Come and sit with us anyhow,” Jan said. “I . . . I . . .” Bigger stammered. “It’ll be all right,” Mary said. . “I can stay here. Somebody has to watch the car," he said. “Oh, to hell with the carl” Mary said, “Come on in.” “I don’t want to eat,” Bigger said stubbornly. “Well,” Jan sighed. “If that’s the way you feel about it, we won’t go in.” Bigger felt trapped. Oh, goddamn I He saw in a flash that he could have made all of this very easy if he had simply acted from the beginning as if they were doing nothing unusual. But he did not understand them; he distrusted them, really hated them. He was puzzled as to why they were treating him this way. But, after all, this was his job and it was just 72 NATIVE SON as painful to sit here and let them stare at him as it was to go in. “O.K.,” he mumbled angrily. He got out and slammed the door Mary came close to him and caught his arm. He stared at her in a long silence; it was the first time he had ever looked directly at her, and he was able to do so only because he was angry. “Bigger,” she said, “you don’t have to come in unless you really want to. Please, don’t think . . Oh, Bigger . . . We’re not trying to make you feel badly ” Her voice stopped. In the dim light of the street lamp Bigger saw her eyes cloud and her lips tremble. She swayed against the car. He stepped backward, as though she were contaminated with an invisible contagion. Jan slipped his arm about her waist, supporting her. Bigger heard her sob softly. Good God! He had a wild impulse to turn around and walk away. He felt ensnared in a tangle of deep shadows, shadows as black as the night that stretched above his head. The way he had acted had made her cry, and yet the way she had acted had made him feel that he had to act as he had toward her. In his relations with her he felt that he was rid- ing a seesaw; never wore they on a common level; either he or she was up in the air. Mary dried her eyes and Jan whispered something to her. Bigger wondered what he could say to his mother, or the relief, or Mr. Dalton, if he left them. They would be sure to ask why he had walked off his job, and he would not be able to tell. “I’m all right, now, Jan,” he heard Mary say. “I’m sorry. Tm just a fool, I suppose. ... I acted a ninny.” She lifted her eyes to Bigger. “Don’t mind me, Bigger. I'm just silly, I guess. . . .” He said nothing. “Come on. Bigger,” Jan said in a voice that sought to cover up everything. “Let's eat.” Jan caught his arm and tried to pull him forward, but Bigger hung back, Jan and Mary walked toward the en- trance of the caf6 and Bigger followed, confused and re- sentful. Jan went to a small table near a wall. “Sit down. Bigger.” Bigger sat. Jan and Mary sat in front of him. “You like fried chicken?” Jan asked. “Yessuh,” he whispered. FEAR 73 He scratched his head How on earth could he learn not to say yessuh and yessum to white people in one night when he had been saying it all his life long? He looked before him in such a way that his eyes would not meet theirs. The waitress came and Jan ordered three beers and three por- tions of fried chicken. “Hi, Biggerl” He turned and saw Jack waving at him, but staring at Jan and Mary. He waved a stiff palm in return. Goddamn! Jack walked away humedly Cautiously, Bigger looked round; the waitresses and several people at other tables were staring at him. They all knew him and he knew that they were wondering as he would have wondered if he had been in their places. Mary touched his arm. “Have you ever been here before, Bigger?” He groped for neutral words, words that would convey in- formation but not indicate any shade of his own feelings. “A few times.” “It’s very nice,” Mary said. Somebody put a nickel in an automatic phonograph and they listened to the music. Then Bigger felt a hand grab his shoulder. “Hi, Bigger! Where you been?” He looked up and saw Bessie laughing in his face. “Hi,” he said gruffly. “Oh, ’scuse me. I didn’t know you had company,” she said, walking away with her eyes upon Jan and Mary. “Tell her to come over. Bigger,” Mary said. Bessie had gone to a far table and was sitting with anoth- er girl. “She’s over there now,” Bigger said. The waitress brought the beer and chicken. “This is simply grandl” Mary exclaimed “You got something there,” Jan said, looking at Bigger. “Did I say that right. Bigger?” Bigger hesitated. “That’s the way they say it,” he spoke flatly. Jan and Mary were eating. Bigger picked up a piece of chick- en and bit it. When he tried to chew he found his mouth dry. It seemed that the very organic functions of his body had altered; and when he realized why, when he understood NATIVE SON 74 the cause, he could not chew the food. After two or three bites, he stopped and sipped his beer. “Eat your chicken," Mary said. “It’s goodl" “I ain’t hungry,” he mumbled. “Want some more beer?" Jan asked after a long silence. Maybe if he got a little drunk it would help him. “I don’t mind,” he said. Jan ordered another round. “Do they keep anything stronger than beer here?" Jan asked. “They got anything you want," Bigger said. Jan ordered a fifth of rum and poured a round. Bigger felt the liquor wanning him. After a second drink Jan began to talk. "Where were you bom, Bigger?” “In the South.” “Whereabouts?" “Mississippi." “How far did you go in school?” “To the eighth grade." “Why did you stop?” "No money.” “Did you go to school in the North or South?” “Mostly in the South. I went two years up here,” “How long have you been in Chicago?” “Oh, about five years.” “You like it here?” “It’U do.” “You live with your people?" “My mother, brother, and sister.” “Where’s your father?” “Dead.” “How long ago was that?" “He got killed in a riot when I was a kid — in the South.” There was silence. The rum was helping Bigger. “And what was done about it?” Jan asked. "Nothing, far as I know.” “How do you feel about it?” “I don’t know.” “Listen, Bigger, that’s what we want to stop. That’s what we Communists are fighting. We want to stop people from treatmg others that way. I’m a member of the Party. Mary FEAR 75 sympathizes. Don’t you think if we got together we could stop things like that'^" “I don’t know,” Bigger said; he was feeling the rum rising to his head. "There's a lot of white people in the world.” "You’ve read about the Scottsboro boys?” “I heard about ’em ’’ “Don’t you think we did a good job in helping to keep ’em from killing those boys?” “It was all right.” “You know, Bigger,” said Mary, “we’d like to be friends of yours.” He said nothing. He drained his glass and Jan poured an- other round. He was getting drunk enough to look straight at them now. Mary was smiling at him. “You’ll get used to us,” she said. Jan stoppered the bottle of rum. “We’d better go,” he said. “Yes,” Mary said “Oh, Bigger, I’m going to Detroit at nine in the morning and I want yon to take my small trunk down to the station. Tell Father and he’ll let you make up your time. You better come for the trunk at eight-thirty.” “I’ll take It down.” Jan paid the bill and they went back to the car. Bigger got behind the steering wheel He was feeling good. Jan and Mary got into the back seat. As Bigger drove he saw her resting in Jan's arms “Drive around in the park awhile, will you. Bigger?” “O K.” He turned into Washington Park and pulled the car slowly round and round the long gradual curves. Now and then he watched Jan kiss Mary m the reflection of the rear mir- ror above his head. “You got a girl. Bigger?” Mary asked. “I got a girl,” he said “I’d like to meet her some time.” He did not answer Mary’s eyes stared dreamily before her, as if she were planning future things to do. Then she turned to Jan and laid her hand tenderly up>on his arm. “How was the demonstration?” “Pretty good. But the cops arrested three comrades.” “Who were they?” 76 NATIVE BON “A Y. C. L.-er and two Negro women. Oh, by the way, Mary We need money for bail badly.” “How much?” “Three thousand.” “I’ll mail you a check." “SweU." “Did you work hard today?" “Yeah. I was at a meeting until three this morning. Max and I’ve been trying to raise bail money all day today.” “Max is a darlmg, isn’t he?” “He’s one of the best lawyers we’ve got.” Bigger listened; he knew that they were talking commu- nism and he tried to understand. But he couldn’t. “Jan.” “Yes, honey,” “Pm coming out of school this spring and I’m going to join the Party.” “Gee, you’re a brick!” “But I’ll have to be careful." “Say, how’s about your working ivith me, m the office?” “No, I want to work among Negroes, That’s where people are needed. It seems as though they’ve been pushed out of eveiything.” “That’s true.” “When I see what they’ve done to those people, it makes me so mad. . . .” "Yes, It’s awful.” “And I feel so helpless and useless. I want to do some- thing.” “I knew all along you’d come through ” “Say, Jan, do you know many Negroes? I want to meet some.” “I don’t know any very well. But you’ll meet them when you’re in the Party.” “They have so much eniotioni What a people! If we could ever get them going. , . .’’ “We can’t have a revolution without 'em,” Jan said. “They’ve got to be organized. They’ve got spirit. They’ll give the Party something it needs.” “And their songs — the spirituals! Aren’t they marvelous?” Bigger saw her turn to him. “Say, Bigger, can you sing?” “I can’t sing,” he said. FEAR 77 “Aw, Bigger,” she said, pouting. She tilted her head, closed her eyes and opened her mouth. “Swing low, sweet chariot, Coming fer to carry me home, . . Jan joined in and Bigger smiled derisively. Hell, that ain’t the tune, he thought. “Come on. Bigger, and help us sing it,” Jan said. “I can’t sing,” he said again They were silent. The car purred along Then he heard Jan speaking in low tones. “Wiere’s the bottle?” “Right here.” “I want a sip.” “I’ll take one, too, honey ” “Going heavy tonight, ain’t you?” “About as heavy as you.” They laughed Bigger drove in silence. He heard the faint, musical gurgle of liquor. “Jan!” “What?” “That was a big sip!” “Here; you get even.” Through the rear mirror he saw her tilt the bottle and dnnk. "Maybe Bigger wants another one, Jan. Ask him.” "Oh, say. Bigger! Here; take a swig'” He slowed the car and reached back for the bottle; he tilt- ed it twice, taking two huge swallows. “Woooow!” Mary laughed. “You took a swig, all right,” Jan said Bigger wiped his mouth with the back of his hand and continued driving slowly through the dark park. Now and then he heard the half-empty bottle of rum gurgling. They getting plastered, he thought, feeling the effect of the rum creeping outward to his fingers and upward to his lips. Pres- ently, he heard Mary giggle Hell, she’s plastered already! The car rolled slowly round and round the sloping curves. The rum's soft heat was spreading fanwise out from his stomach, engulfing his whole body. He was not driving; he was simply sittmg and floating along smoothly through dark- 78 NATIVE SON ness. His hands rested lightly on the steering wheel and his body slouched lazily down m the seat. He looked at the mir- ror; they were drinking again They plastered, all right, he thought. He pulled the car softly round the curves, looking at the road before him one second and up at the mirror the next. He heard Jan whispering; then he heard them both sigh. His lips were numb. I’m almost drunk, he thought. His sense of the city and park fell away; he was floating m the car and Jan and Mary were in back, kissing. A long time passed. “It’s one o’clock, honey,” Mary said. “I better go in.” “O K. But let’s drive a little more. It’s great here.” “Father says I’m a bad girl.” “I’m sorry, darhng.” “I’ll call you in the morning before I go.” “Sure. What time?” “About eight-thirty.” “Gee, but I hate to see you go to Detroit.” “I hate to go too. But I got to. You see, honey, I got to make up for being bad with you down in Florida. I got to do what Mother and Father say for awhile.” “I hate to see you go just the same.” “I’ll be back in a couple of days.” “A couple of days is a long time.” “You’re silly, but you’re sweet,” she said, laughing and kissing him. "You better drive on, Bigger,” Jan called. Bigger drove out of the park onto Cottage Grove Avenue and headed north. The city streets were empty and quiet and dark and the tires of the car hummed over the asphalt. When he reached Forty-sixth Street, a block from the Dal- ton home, he heard a street car rumbling faindy behind him, far down the avenue. “Here comes ray car,” Jan said, turning to peer through the rear window. “Oh, gee, honey!” Mary said. “You’ve got such a long way to go. If I had the time, I’d ride you home. But I’ve been out so late as it is that Mama’s going to be suspicious.” “Don’t worry. I’ll be all right.” “Oh, say! Let Bigger drive you home." “Nonsensel Why should he drive me all that distance this time of morning?” PEAK 79 “Then you’d better take this car, honey." “No. I’ll see you home first ’’ “But, honey, the cars run only every half hour when it’s late like this,’’ Mary said. “You’ll get ill, waiting out here in the cold. Look, you take this car. I’ll get home all right. It’s only a block. . . .’’ “Are you sure you’ll be all right?” “Of course. I’m in sight of home now. There; see. . . •" Through the rear mirror Bigger saw her pointing to the Dalton home. “O.K.,” Jan said. “You’d better stop here and let me off, Bigger." He stopped the car. Bigger heard them speak in whispers. “Good-bye, Jan.” “Good-bye, honey.” “I’ll call you tomorrow?” “Sure.” Jan stood at the front door of the car and held out his palm. Bigger shook timidly. “It’s been great meeting you. Bigger,” Jan said. “O.K.,” Bigger mumbled. “I’m damn glad I know you. Look Have another drink.” Bigger took a big swallow. “You better give me one, too, Jan. It’ll make me sleep," Mary said. “You’re sure you haven’t had enough?” “Aw, come on, honey.” She got out of the car and stood on the curb. Jan gave her the bottle and she tilted it. “Whoa!” Jan said. “What’s the matter?” “I don’t want you to pass out." “I can hold it.” Jan tilted the bottle and emptied it, then laid it in the gut- ter. He fumbled clumsily m his pockets for something. He swayed; he was drunk. “You lose something, honey?” Mary lisped, she, too, was drunk. “Naw; I got some stuff here I want Bigger to read. Listen, Bigger, I got some pamphlets here. I want you to read ’em, see?” 80 NATIVE SON Bigger held out his hand and received a small batch of booklets. “O K.” “I really want you to read ’em, now. We’ll have a talk ’bout ’em in a coupla days. . . His speech was thick. “I’ll read ’em,” Bigger said, stiBmg a yawn and stuffing the booklets into his pocket. “I’ll see that he reads ’em,” Mary said. Jan kissed her agam. Bigger heard the Loop-bound car rum- blmg forward. “Well, good-bye,” he said. “Goo’-bye, honey,” Mary said. “I’m gonna ride up front with Bigger.” She got into the front seat. The street car clanged to a stop. Jan swung onto it and it started north. Bigger drove to- ward Drexel Boulevard. Mary slumped down m the seat and sighed. Her legs sprawled wide apart. The car rolled along. Bigger’s head was spinning. “You’re very nice, Bigger,” she said. He looked at her. Her face was pasty white. Her eyes were glassy. She was very drunk. “I don’t know,” he said. “Myl But you say the /unniest things,” she giggled, “Maybe,” he said. She leaned her head on his shoulder. “You don’t mind, do you?” “I don’t mind.” “You know, for three hours you haven’t said yes or no." She doubled up with laughter. He tightened with hate. Again she was looking inside of him and he did not like it. She sat up and dabbed at her eyes with a handkerchief. He kept his eyes straight in front of him and swung the car into the dnveway and brought it to a stop. He got out and opened the door. She did not move. Her eyes were closed. “We’re here,” he said. She tried to get up and slipped back into the seat “Aw, shucks I” She’s drunk, really drunk. Bigger thought. She stretched out her hand. “Here; ginime a lift. I’m wobbly. . . .” She was resting on the small of her back and her dress was pulled up so far that he could see where her stockings PEAR 8 1 ended on her thighs. He stood looking at her for a moment; she raised her eyes and looked at him. She laughed. “Help me, Bigger. I’m stuck.” He helped her and his hands felt the softness of her body as she stepped to the ground. Her dark eyes looked at him feverishly from deep sockets. Her hair was in his face, filling him with its scent. He gritted his teeth, feeling a little dizzy. “Where’s my hat? I dropped it shomewhere. . . ” She swayed as she spoke and he tightened his arms about her, holding her up. He looked around; her hat was lymg on the running board. “Here it is,” he said. As he picked it up he wondered what a white man would think seeing him here with her like this. Suppose old man Dalton saw him now? Apprehensively, he looked up at the big house. It was dark and silent. “Well,” Mary sighed. “I suppose I better go to bed. . . He turned her loose, but had to catch her again to keep her oS the pavement. He led her to the steps. “Can you make it?” She looked at him as though she had been challenged. “Sure. Turn me loose. . . .” He took his arm from her and she mounted the steps firmly and then stumbled loudly on the wooden porch. Big- ger made a move toward her, but stopped, his hands out- stretched, frozen with fear. Good God, she’ll wake up every- body! She was half-bent over, resting on one knee and one hand, looking back at him in amused astonishment. That girl’s crazy! She pulled up and walked slowly back down the steps, holding onto the railing. She swayed before him, snul- ing “I sure am drunk. . . He watched her with a mingled feeling of helplessness, admiration, and hate. If her father saw him here with her now, his job would be over. But she was beautiful, slender, with an air that made him feel that she did not hate him with the hate of other white people. But, for all of that, she was white and he hated her. She closed her eyes slowly, then opened them; she was trying desperately to take hold of herself Since she was not able to get to her room alone, ought he to call Mr. Dalton or Peggy? Naw. . . . That would betray her. And, too, m spite of bus hate for her, he was ex- 82 NATIVE SON cited standing here watching her like this. Her eyes closed again and she swayed toward him. He caught her. “I’d better help you,” he said. “Let’s go the back way. Bigger. I’ll stumble sure as hell . . . and wake up everybody ... if we go up the front. . . .” Her feet dragged on the concrete as he led her to the base- ment. He switched on the light, supporting her with his free hand. “I didn’t know I was sho drunk," she mumbled. He led her slowly up the narrow stairs to the kitchen door, his hand circling her waist and the tips of his fingers feeling the soft swelling of her breasts. Each second she was lean- ing more heavily against him. “Try to stand up,” he whispered fiercely as they reached the kitchen door. He was thinking that perhaps Mrs. Dalton was standing in flowing white and staring with siony blind eyes in the mid- die of the floor, as she had been when he had come for the glass of water. He eased the door back and looked. The kitchen was empty and dark, save for a faint blue hazy light that seeped through a window from the winter sky. “Come on.” She pulled heavily on him, her arm about his neck. He pushed the door in and took a step inside and stopped, wait- ing, listening. He felt her hair brush his Ups. His skin glowed warm and his muscles flexed; he looked at her face in the dim light, his senses drunk with the odor of her hair and skin. He stood for a moment, then wintered in excitement and fear; “Come on; you got to get to your room.” He led her out of the kitchen into the hallway; he had to walk her a step at a time. The hall was empty and dark; slowly he half-walked and half-dragged her to the back stairs. Again he hated her; he shook her. “Come on; wake upl” She did not move or open her eyes; finally she mumbled somethmg and swayed limply. His fingers felt the soft curves of her body and he was still, looking at her, enveloped in a sense of physical elation. This Uttle bitchl he thought. Her face was touching his. He turned her round and began to mount the steps, one by one. He heard a slight creaking and stopped. He looked, straining his eyes in the gloom. But FEAR 83 there was no one. When he got to the top of the steps she was completely limp and was still trying to mumble some- thing. Goddamn! He could move her only by lifting her bod- ily. He caught her in his arms and earned her down the hall, then paused. Which was her door? Goddamn! “Where’s your room?” he whispered She did not answer. Was she completely out? He could not leave her here; if he took his hands from her she would sink to the floor and lie there ail night. He shook her hard, speaking as loudly as he d-red. “Where’s your room?” Momentarily, she roused herself a id looked at him with blank eyes. “Where’s your room?” he asked again. She rolled her eyes toward a door He got her as far as the door and stopped. Was this really her room? Was she too drunk to know? Suppose he opened the door to Mr. and Mrs. Dalton’s room? Well, all they could do was fire him. It wasn’t his fault that she was dnuik. He felt strange, pos- sessed, or as if he were acting upon a stage in front of a crowd of people. Carefully, he freed one hand and turned the knob of the door. He waited; nothing happened He pushed the door in quietly; the room was dark and silent. He felt along the wall with his fingers for the electric switch and could not find it. He stood, holding her in his arms, fearful, in doubt. His eyes were growing used to the darkness and a little light seeped into the room from the winter sky through a wmdow. At the far end of the room he made out the shad- owy form of a white bed. He lifted her and brought her into the room and closed the door softly. “Here; wake up, now,’’ He tried to stand her on her feet and found her weak as jelly. He held her in his arms again, listening in the darkness. His senses reeled from the scent of her hair and skin. She was much smaller than Bessie, his girl, but much softer. Her face was buned in his shoulder; his arms tightened about her. Her face turned slowly and he held his face still, waiting for her face to come round, in front of his. Then her head leaned backward, slowly, gently; it was as though she had given up. Her lips, faintly moist in the hazy blue light, were parted and he saw the furtive glints of her white teeth. Her eyes were closed. He stared at her dim face, the forehead capped 84 NATIVE SON with curly black hair. He eased his hand, the fingers spread wide, up the center of her back and her face came toward him and her lips touched his, like something he had imagined. He stood her on her feet and she swayed against him. He lifted her and laid her on the bed Something urged him to leave at once, but he leaned over her, excited, looking at her face in the dim light, not wanting to take his hands from her breasts. She tossed and mumbled sleepily. He tightened his fingers on her breasts, kissing her again, feeling her move toward him. He was aware only of her body now; his lips trembled. Then he stiffened. The door behind him had creaked. He turned and a hysterical terror seized him, as though he were falling from a great height in a dream A white blur was standing by the door, silent, ghostlike. It filled his eyes and gripped his body It was Mrs Dalton He wanted to knock her out of his way and bolt from the room. “Mary!” she spoke softly, questioninaly. Bigger held his breath Mary mumbled again; he bent over her, his fists clenched in fear. He knew that Mrs. Dalton could not see him; but he knew that if Mary spoke she would come to the side of the bed and discover him, touch him. He waited tensely, afraid to move for fear of bumping into something in the dark and betraying his presence. “Maryl" He felt Mary trying to rise and quickly he pushed her head back to the pillow. “She must be asleep,” Mrs. Dalton mumbled. He wanted to move from the bed, but was afraid he would stumble over something and Mrs Dalton would hear him, would know that someone besides Mary was in the room. Frenzy dominated him. He held his hand over her mouth and his head was cocked at an angle that enabled him to see Mary and Mrs. Dalton by merely shifting his eyes. Mary mum- bled and tried to rise again Frantically, he caught a corner of the pillow and brought it to her lips He had to stop her from mumbling, or he would be caught, Mrs Dalton was mov- ing slowly toward him and he grew tight and full, as though about to explode. Mary’s fingernails tore at his hands and he caught the pillow and covered her entire face with it, firmly. Mary’s body surged upward and he pushed downward Upon the pillow with all of his weight, determined that PEAS 85 she must not move or make any sound that would betray him His eyes were filled with the white blur moving toward him in the shadows of the room. Again Mary’s body heaved and he held the pillow m a grip that took aU of his strength. For a long time he felt the sharp pain of her fingernails biting into his wrists The white blur was stiU. “Mary? Is that you?” He clenched his teeth and held his breath, intimidated to the core by the awesome white blur floating toward him. His muscles flexed taut as steel and he pressed the pillow, feeling the bed give slowly, evenly, but silently. Then suddenly her fingernails did not bite into his wrists. Mary’s fingers loosened. He did not feel her surging and heaving against him. Her body was still. “Maryl Is that you?” He could see Mrs. Dalton plainly now. As he took his hands from the pillow he heard a long slow sigh go up from the bed into the air of the darkened room, a sigh which after- wards, when he remembered it, seemed final, irrevocable. “Mary! Are you ill?” He stood up. With each of her movements toward the bed his body made a movement to match hers, away from her, his feet not lifting themselves from the floor, but slidmg softly and silently over the smooth de^ rug, his muscles flexed so taut they ached. Mrs. Dalton now stood over the bed. Her hands reached out and touched Mary. “Mary! Are you asleep? I heard you movmg about. . . .” Mrs. Dalton straightened suddenly and took a quick step back. “You’re dead drunk! You stink with whiskey!” She stood silently in the hazy blue light, then she knelt at the side of the bed. Bigger heard her whispering. She’s praying, he thought in amazement and the words echoed in his mind as though someone had spoken them aloud. Fmally, Mrs. Dalton stood up and her face tilted to that upward angle at which she always held it. He waited, his teeth clamped, his fists clenched She moved slowly toward the door; he could scarcely see her now. The door creaked; then silence. He relaxed and sank to the floor, his breath going in a long gasp. He was weak and wet with sweat. He stayed crouched and bent, hearing the sound of his breathing fill- ing the darkness. Gradually, the intensity of his sensations NATTVB SON 86 subsided and he was aware of the room. He felt that he had been in the grip of a weird spell and was ncrw free. The fingertips of his right hand were pressed deeply into the soft fibers of the rug and his whole body vibrated from the wild pounding of his heart He had to get out of the room, and quickly Suppose that had been Mr. Dalton? His escape had been narrow enough, as it was. He stood and listened Mrs. Dalton might be out there in the hallway. How could he get out of the room? He all but shuddered with the intensity of his loathing for this house and all it had made him feel since he had first come into it. He reached his hand behind him and touched the wall; he was glad to have something solid at his back. He looked at the shadowy bed and remembered Mary as some person he had not seen in a long time. She was still there Had he hurt her? He went to the bed and stood over her; her face lay sideways on the pillow. His hand moved toward her, but stopped in mid-air. He blinked bis eyes and stared at Mary's face; it was darker than when he had first bent over her. Her mouth was open and her eyes bulged glassily. Her bosom, her bosom, her — her bosom was not moving! He could not hear her breath coming and going now as he had when he had first brought her into the room! He bent and moved her head with his hand and found that she was relaxed and limp. He snatched his hand away. Thought and feeling were balked in him; there was something he was trying to tell himself des- perately, but could not. Then, convulsively, he sucked his breath in and huge words formed slowly, ringing in his ears; She’s dead. . . . The reality of the room fell from him; the vast city of white people that sprawled outside took its place. She was dead and he had killed her. He was a murderer, a Negro murderer, a black murderer. He had killed a white woman. He had to get away from here. Mrs. Dalton had been in the room while he was there, but she had not known it. But, had she? No! Yes! Maybe she had gone for help? No. If she had known she would have screamed. She didn’t know. He had to slip out of the house. Yes. He could go home to bed and tomorrow he could tell them that he had driven Mary home and had left her at the side door. In the darkness his fear made hve in him an element which he reckoned with as “them.” He had to construct a case for FEAR 87 “them.” But, Jan! Oh . . . Jan. would give him away. When it was found that she was dead Jan would say that he had left them together in the car at Forty-sixth Street and Cottage Grove Avenue. But he would tell them that that was not true. And, after all, was not Jan a red? Was not his word as good as Jan’s? He would say that Jan had come home with them. No one must know that he was the last person who had been with her. Fingerprints 1 He had read about them in magazines. His fingerprints would give him away, surely 1 They could prove that he had been inside of her room! But suppose he told them that he had come to get the trunk? That was it I The trunk! His fingerprints had a nght to be there. He looked round and saw her trunk on the other side of the bed, open, the top standing up. He could take the trunk to the base- ment and put the car into the garage and then go home. Not There was a better way. He would not put the car into the garage! He would say that Jan had come to the house and he had left Jan outside in the car. But there was still a better way! Make them think that Jan did it. Reds’d do anything. Didn't the papers say so? He would tell them that he had brought Jan and Mary home in the car and Mary had asked him to go with her to her room to get the trunk — and Jan was with them! — and he had got the trunk and had taken it to the basement and when he had gone he had left Mary and Jan — who had come back down — ^sitting in the car, kissing. . . . That's it! He heard a clock ticking and searched for it with his eyes; it was at the head of Mary’s bed, its white dial glowing in the blue darkness. It was five minutes past three. Jan had left them at Forty-sixth Street and Cottage Grove. Jan didn’t leave at Forty-sixth Street, he rode with us. . He went to the trunk and eased the top down and dragged it over the rug to the middle of the floor. He lifted the top and felt inside; it was half -empty. Then he was still, barely breathing, filled with another idea. Hadn’t Mr. Dalton said that they did not get up early on Sunday mornings? Hadn’t Mary said that she was going to Detroit? If Mary were missing when they got up, would they not think that she had already gone to Detroit? He . . . Yes! He could, he could put her in the trunkl She was small. Yes; put her m the trunk. She had said that she would be gone for. NATIVE SON 88 three days For three days, then, maybe no one would know, He would have three days of time. She was a crazy girl anyhow. She was always running around with reds, wasn’t she? Anything could happen to her. People would think that she was up to some of her crazy ways when they missed her. Yes, reds’d do anything. Didn’t the papers say so'^ He went to the bed; he would have to lift her into the trunk. He did not want to touch her, but he knew he had to. He bent over. His hands were outstretched, trembling in mid-air. He had to touch her and lift her and put her in the trunk. He tried to move his hands and could not. It was as though he expected her to scream when he touched her. Goddamn! It all seemed foolish! He wanted to laugh. It was unreal. Like a nightmare. He had to lift a dead woman and was afraid He felt that he had been dreaming of something like this for a long time, and then, suddenly, it was true. He heard the clock ticking Time was passing. It would soon be morning. He had to act. He could not stand here all night like this; he might go to the electric chair He shuddered and something cold crawled over his skin. Goddamn! He pushed his hand gently under her body and lifted it. He stood with her in his arms; she was limp. He took her to the trunk and involuntarily jerked his head round and saw a white blur standing at the door and his body was instantly wrapped in a sheet of blazing terror and a hard ache seized his head and then the white blur went away, I thought that ■was her. . . . His heart pounded. He stood with her body in his arms in the silent room and cold facts battered him like waves sweeping in from the sea: she was dead, she was white; she was a woman; he had killed her; he was black, he might be caught; he did not want to be caught, if he were they would kill him. He stooped to put her in the trunk. Could he get her in? He looked again toward the door, expecting to see the white blur; but nothing was there. He turned her on her side in his arms, he was breathing hard and his body trembled. He eased her down, listening to the soft rustle of her clothes. He pushed her head into a corner, but her legs were too long and would not go in. He thought he heard a noise and straightened; it seemed to him that his breathing was as loud as wind in a storm. He listened and heard nothing. He had to get her legs in' Bend PEAR 89 her legs at the knees, he thought. Yes, almost. A little more ... He bent them some more. Sweat dripped from his chin onto his hands. He doubled her knees and pushed her com- pletely into the trunk. That much was done. He eased the top down and fumbled in the darkness for the latch and heard it click loudly. He stood up and caught hold of one of the handles of the trunk and pulled. The trunk would not move. He was weak and his hands were slippery with sweat. He gntted his teeth and caught the trunk with both hands and pulled it to the door. He opened the door and looked into the hall; it was empty and silent. He stood the trunk on end and earned his right hand over his left shoulder and stooped and caught the strap and lifted the trunk to his back Now, he would have to stand up. He strained; die muscles of his shoulders and legs quivered with effort. He rose, swaying, biting his lips. Putting one foot carefully before the other, he went down the hall, down the stairs, then through another hall to the kitchen and paused. His back ached and the strap cut into his palm like fire. The trunk seemed to weigh a ton. He expected the white blur to step before him at any moment and hold out its hand and touch the trunk and demand to know what was in it. He wanted to put the trunk down and rest; but he was afraid that he would not be able to lift it again. He walked across the kitchen floor, down the steps, leaving the kitchen door open behmd him. He stood in the darkened basement with the trunk upon his back and listened to the roaring draft of the furnace and saw the coals burning red through the cracks. He stooped, waiting to hear the bottom of the trunk touch the concrete floor. He bent more and rested on one knee. Goddamn! His hand, seared with fire, slipped from the strap and the tr unk hit the floor with a loud clatter. He bent forward and squeezed his right hand in his left to still the fiery pain. He stared at the furnace. He trembled with another idea. He — he could, he — he could put her, he could put her in the furnace. He would burn her! That was the safest thing of aU to do. He went to the furnace and opened the door. A huge red bed of coals blazed and quivered with molten fury. Hp opened the trunk, She was as he had put her; her head buried in one comer and her knees bent and doubled toward her stomach. He would have to fift her agam. He stooped native son 90 and caught her shoulders and lifted her in his arms. He went to the door of tlie furnace and paused The fire seethed. Ought he to put her in head or feet first? Because he was tired and scared, and because her feet were nearer, he pushed her in, feet first The heat blasted his hands. He had all but her shoulders in He looked into the furnace; her clothes were ablaze and smoke was filling the interior so that he could scarcely see The draft roared upward, droning in his ears He gripped her shoulders and pushed hard, but the body would not go any farther. He tried again, but her head still remained out. Now. . . . Goddamn! He wanted to strike something with his fist. What could he do? He stepped back and looked. A noise made him whirl; two green burning pools — pools of accusation and guilt — stared at him from a white blur that sat perched upon the edge of the trunk His mouth opened in a silent scream and his body became hotly para- lyzed. It was the white cat and its round green eyes gazed past him at the white face hanging limply from the fiery furnace door. Godt He closed his mouth and swallowed. Should he catch the cat and kill it and put it in the furnace, too? He made a move. The cat stood up; its white fur bristled; its back arched. He tried to grab it and it bounded past him with a long wail of fear and scampered up the steps and through the door and out of sight. Ohl He had left the kitchen door open. That was it. He closed the door and stood again before the furnace, thinking, Cats can’t talk. ... I He got his knife from his pocket and opened it and stood by the furnace, looking at Mary’s white throat. Could he do it? He had to. Would there be blood? Oh, Lordl He looked round with a haunted and pleading look in his eyes. He saw a pile of old newspapers stacked carefully in a comer. He got a thick wad of them and held them under the head. He touched the sharp blade to the throat, just touched it, as if expecting the knife to cut the white flesh of itself, as if he did not have to put pressure behind it. Wistfully, he gazed at the edge of the blade resting on the white skin; the gleaming metal reflected the tremulous fury of the cpals. Yes; he had to. Gently, he sawed the blade into the flesh and stmck a bone. He gritted his teeth and cut harder. As yet there was no blood anywhere but on the knif e. But the bone made it PEAK 91 difflcult. Sweat crawled down his back. Then blood crept outward in widening circles of pink on the newspapers, spreading quickly now. He whacked at the bone with the luufe. The head hung limply on the newspapers, the curly black hair dragging about in blood He whacked harder, but the head would not come off. He paused, hysterical. He wanted to run from the base- ment and go as far as possible from the sight of this bloody throat. But he could not. He must not. He had to burn this girl. With eyes glazed, with nerves tingling with excitement, he looked about the basement. He saw a hatchet. Yes! That would do it He spread a neat layer of newspapers beneath the head, so that the blood would not drip on the floor He got the hatchet, held the head at a slanting angle with his left hand and, after pausing in an attitude of prayer, sent the blade of the hatchet mto the bone of the throat with all the strength of his body. The head rolled off. He was not crying, but ius lips were trembling and his chest was heaving He wanted to lie down upon the floor and sleep off the horror of this thing. But he had to get out of here Quickly, he wrapped the head in the newspapers and used the wad to push Ae bloody trunk of the body deeper into the furnace. Then he shoved the head in. The hatchet went next. Would there be coal enough to bum the body? No one would come down here before ten o’clock in the morning, maybe. He looked at his watch. It was four o’clock. He got another piece of paper and wiped his knife with it. He put the paper into the furnace and the knife into his pocket He pulled the lever and coal rattled against the sides of the tin chute and he saw the whole furnace blaze and the draft roared still louder. When the body was covered with coal, he pushed the lever back. Now! Then, abruptly, he stepped back from the furnace and looked at it, his mouth open. Hell! Folks’d smell it! There would be an odor and someone would look in the furnace. Aimlessly, his eyes searched the basement. There' That ought to do It! He saw the smutty blades of an electnc exhaust fan high up in the wall of the basement, back of the furnace He found the switch and threw it. There was a quick whir, then a hum. Things would be all right now; the exhaust fan would suck the air out of the basement and there would be no scent. 92 NATIVE SON He shut the trunk and pushed it into a comer. In the morning he would take it to the station. He looked around to see if he had left anything that would betray him; he saw nothing. He went out of the back door; a few fine flakes of snow were floating down. It had grown colder. The car was still in the dnveway. Yes; he would leave it there. Jan and Maty were sitting m the car, kissing. They said. Good night, Bigger. . .. And he said. Good night. . . . And he touched his hand to his cap. . . . As he passed the car he saw the door was still open. Mary’s purse was on the floor. He took it and closed the door. Nawl Leave it open; he opened it and went on down the driveway. The streets were empty and silent. The wind chilled his wet body He tucked the purse under his arm and walked. What would happen now? Ought he to run away? He stopped at a street comer and looked into the purse. There was a thick roll of bills; tens and twenties. . . . Good! He would wait until morning to decide what to do. He was tired and sleepy. He hurried home and ran up the steps and went on tiptoe into the room. His mother and brother and sister breathed regularly in sleep. He began to undress, thinking, Til tell 'em I left her with Jan in the car after I took the trunk down in the basement. In the morning I’ll take the trunk to the station, like she told me. . . . He felt something heavy sagging in his shirt; it was the gun. He took it out; it was warm and wet. He shoved it imder the pUlow. They can’t say I did it. If they do, they can’t prove it. He eased the covers of the bed back and slipped beneath them and stretched out beside Buddy; in five minutes he was sound asleep. Book Two FLIGHT It seemed to Bigger that no sooner had he closed his eyes than he was wide awake again, suddenly and violently, as though someone had grabbed his shoulders and had shaken him He lay on his back, in bed, hearing and seeing nothing. Then, like an electric switch being clicked on, he was aware that the room was filled with pale daylight Somewhere deep in him a thought formed- It’s morning. Sunday morning. He lifted himself on his elbows and cocked his head m an attitude of listening. He heard his mother and brother and sister breathing softly, in deep sleep He saw the room and saw snow falling past the window; but his mind formed no image of any of these. They simply existed, unrelated to each other; the snow and the daylight and the soft sound of breathing cast a strange spell upon him, a spell that waited for the wand of fear to touch it and endow it with reality and meaning He lay in bed, only a few seconds from deep sleep, caught in a deadlock of impulses, unable to rise to the land of the living. Then, in answer to a foreboding call from a dark part of his mind, he leaped from bed and landed on his bare feet in the middle of the room His heart raced; his lips parted; hrs legs trembled. He struggled to come fully awake He 93 94 NATIVE SON relaxed his taut muscles, feeling fear, remembering that he had killed Mary, had smothered her, had cut her head off and put her body in the fiery furnace. This was Sunday morning and he had to take the trank to the station He glanced about and saw Mary’s shmy black purse lying atop his trousers on a chair. Good God! Though the air of the room was cold, beads of sweat broke onto his forehead and his breath stopped. Quickly, he looked round; his mother and sister were still sleeping. Buddy slept in the bed from which he had just arisen. Throw that purse away! Maybe he had forgotten other things? He searched the pockets of his trousers with nervous fingers and found the knife. He snapped it open and tiptoed to the window. Dried ridges of black blood were on the blade! He had to get nd of these at once. He put the kmfe into the purse and dressed hurriedly and silently. Throw the knife and purse into a garbage can. That’s it! He put on his coat and found stuffed in a pocket the pamphlets Jan had given him. Throw these away, too! Oh, but . . . Naw! He paused and gripped the pamphlets in his black fingers as his mind filled with a cun- ning idea Jan had given him these pamphlets and he would keep them and show them to the police if he were ever ques- tioned That’s It! He would take them to his room at Dalton’s and put them in a dresser drawer. He would say that he had not even opened them and had not wanted to. He would say that he had taken them only because Jan had insisted. He shuffled the pamphlets softly, so that the paper would not rustle, and read the titles: Race Prejudice on Trial. The Negro Question in the United States. Black and White Unite and Fight. But that did not seem so dangerous. He looked at the bottom of a pamphlet and saw a black and white picture of a hammer and a curving knife. Below it he read a line that said: Issued by the Communist Party of the United States. Now, that did seem dangerous. He looked further and saw a pen-and-ink drawing of a white hand clasping a black hand m solidarity and remembered the moment when Jan had stood on the running board of the car and had shaken hands with him. That had been an awful moment of hate and shame. Yes, he would tell them that he was afraid of reds, that he had not wanted to sit m the car with Jan and Mary, that he had not wanted to eat with them He would say that he had done so only because it had been his job. He would FLIGHT 95 tell them that it was the first time he had ever sat at a table with white people. He stuffed the pamphlets into his coat pocket and looked at his watch. It was ten minutes until seven. He had to hurry and pack his clothes. He had to take that trunk to the sta- tion at eight-thirty. Then fear rendered his legs like water. Suppose Mary had not burned? Suppose she was still there, exposed to view? He wanted to drop everything and rush back and see. But maybe even something worse had happened; maybe they had dis- covered that she was dead and maybe the police were look- ing for him? Should he not leave town right now? Gripped by the same impelling excitement that had had hold of him when he was carrying Mary up the stairs, he stood in the middle of the room No; he would stay. Things were with him; no one suspected that she was dead He would carry through and blame the thing upon Jan. He got his gun from beneath the pillow and put it in his shirt. He tiptoed from the room, looking over his shoulder at his mother and sister and brother sleeping He went down the steps to the vestibule and into the street. It was white and cold Snow was falling and an icy wind blew. The streets were empty. Tucking the purse under his arm, he walked to an alley where a garbage can stood covered with snow Was it safe to leave it here? The men on the garbage trucks would empty the can early in the morning and no one would be prying round on a day like this, with all the snow and its being Sunday. He lifted the top of the can and pushed the purse deep into a frozen pile of orange peels and mildewed bread. He replaced the top and looked round; no one was in sight. He went back' to the room and got his suitcase from under the side of the bed. His folks were stiU sleeping. In order to pack his clothes, he had to get to the dresser on the other side of the room But how could he get there, with the bed on which his mother and sister slept standing squarely in the way? Goddamn! He wanted to wave his hand and blot them out. They were always too close to him, so close that he could never have any way of his own. He eased to the bed and stepped over it. His mother stirred slightly, then was still. He pulled open a dresser drawer and took out his clothes and piled them in the suitcase. While he worked there hov- 96 NATIVE SON ered before his eyes an image of Mary’s head lying on the wet newspapers, the curly black ringlets soaked with blood. “Bigger!” He sucked his breath in and whirled about, his eyes glaring. His mother was leaning on her elbow in bed. He knew at once that he should not have acted frightened. “What’s the matter, boy?” she asked In a whisper. “Nothing,” he answered, whispering too. “You jumped like something bit you.” “Aw, leave me alone I got to pack.” He knew that his mother was waiting for him to give an account of himself, and he hated her for that. Why couldn’t she wait until he told her of his own accord? And yet he knew that if she waited, he would never tell her. “You get the job?” “Yeah.” “What they paying you?” ‘Twenty.” “You started already?” “Yeah.” “Whenr’ “Last night." “I wondered what made you so late.” “I had to work,” he drawled with impatience. “You didn’t get in until after four.” He turned and looked at her. “I got in at two" “It was after four, Bigger,” she said, turning and straining her eyes to look at an alarm clock above hef head. “I tried to wait up for you, but I couldn’t. When I heard you come in, I looked up at the clock and it was after four.” '7 know when I got in, Ma.” “But, Bigger, it was after four." “It was just a little after tvio." “Oh, Lord! If you want it two, then let it be two, for all I care. You act like you scared of something.” “Now, what you want to start a fuss for?” “A fvm? Boyt" “Before I get out of bed, you pick on me.” “Bigger, I’m not picking on you, honey. I’m glad you got the job.” “You don’t talk like it” FUQHT 97 He felt that his acting in this manner was a mistake. If he kept on talking about the time he had gotten in last night, he would so impress it upon her that she would remem- ber it and perhaps say something later on that would hurt him. He turned away and continued packing. He had to do better than this; he had to control himself. “You want to eat?" “Yeah.” “I’ll fix you something.” “O. K.” “You going to stay on the place?” “Yeah.” He heard her getting out of bed; he did not dare look round now. He had to keep his head turned while she dressed. “How you like the people, Bigger?” “They all right.” “You don’t act like you glad.” “Oh, Mai For chnssakes! You want me to cry\" “Bigger, sometunes I wonder what makes you act like you do." He had spoken in the wrong tone of voice; he had to be careful. He fought down the anger rising in him. He was in trouble enough without getting into a fuss with his mother. “You got a good job, now,” his mother said “You ought to work hard and keep it and try to make a man out of your- self. Some day you’ll want to get mamed and have a home of your own. You got your chance now. You always said you never had a chance. Now, you got one.” He heard her move about and he knew that she was dressed enough for him to turn round. He strapped the suit- case and set it by the door; then he stood at the window, looking wistfully out at the feathery flakes of falling snow. “Bigger, what’s wrong with you?” He whirled. “Nothing,” he said, wondering what change she saw in him “Nothing You just worry me, that’s all,” he concluded, feeling that even if he did say something wrong he had to fight her off him now. He wondered just how his words really did sound. Was the tone of his voice this morning different from other mornings? Was there something unusual in his voice since he had killed Mary? Could people tell he had done somethmg wrong by the way he acted? He saw his mother NATIVE SON 98 shake her head and go behind the curtain to prepare breakfast. He heard a yawn; he looked and saw that Vera was leaning on her elbow, smiling at him. “You get the job?” “Yeah.” “How much you making?” “Aw, Vera. Ask Ma I done told her everything.” “Ooodyl Bigger got a jobi” sang Vera. “Aw, shut up," he said. “Leave him alone, Vera,” the mother said. “What’s the matter?” “What’s the matter with ’im all the time?” asked the mother. “Oh, Bigger,” said Vera, tenderly and plaintively. “That boy just ain’t got no sense, that’s all,” the mother said. “He won’t even speak a decent word to you.” “Turn your head so I can dress,” Vera said. Bigger looked out of the window. He heard someone say, “Awl” and he knew that Buddy was awake, ‘Turn your head. Buddy,” Vera said. “O K.” Bigger heard his sister rushing into her clothes. “You can look now,” Vera said. He saw Buddy sitting up in bed, rubbing his eyes. Vefa was sitting on the edge of a chair, with her right foot hoisted upon another chair, buckling her shoes. Bigger stared vacantly in her direction. He wished that he could rise up through the ceiling and float away from this room, forever. “I wish you wouldn’t look at me,” Vera said. “Hunh?” said Bigger, looking in surprise at her pouting lips. Then he noticed what she meant and poked out his bps at her. Quickly, she jumped up and threw one of her shoes at him. It sailed past his head and landed against the win- dow, rattling the panes. “I told you not to look at me!” Vera screamed. Bigger stood up, his eyes red with anger. “I just wish you had hit me,” he said. "You, Vera!” the mother called. “Ma, make ’im stop looking at me,” Vera wailed. “Wasn’t nobody looking at her,” Bigger said. “You looked under my dress when I was buttoning my shoesl” FLIGHT 99 “I just wish you had hit me,” Bigger said again. “I ain’t no dog!” Vera said, ‘ Come on in the kitchen and dress, Vera,” the mother said. “He makes me feel like a dog," Vera sobbed with her face buried in her hands, going behind the curtain. “Boy,” said Buddy, “I tried to keep awake till you got in last mght, but I couldn’t I had to go to bed at three. I was so sleepy I could hardly keep my eyes open.” “I was here before then,” Bigger said. “Aw, naw! I was up. . . .” “I know when I got ini” They looked at each other in silence. “O.K.,” Buddy said. Bigger was uneasy. He felt that he was ‘not handlmg him- self nght. “You get the job?” Buddy asked. “Yeah,” “Driving?” “Yeah." “What kind of a car is it?” “A Buick.” “Can I ride with you some time?” “Sure; soon as I get settled.” Buddy’s questions made him feel a little more at ease; he always liked the adoration Buddy showed him. “Gee! That’s the kind of job I want,” Buddy said. “It’s easy.” “Will you see if you can find me one?” “Sure Give me time.” “Got a cigarette?” “Yeah.” They were silent, smoking. Bigger was thinking of the furnace. Had Mary burned? He looked at his watch; it was seven o’clock. Ought he go over right now, without waitmg for breakfast? Maybe he had left something lying round that would let them know Mary was dead But if they slept late on Sunday mornings, as Mr. Dalton had said, they would have no reason to be looking round down there. “Bessie was by last mght,” Buddy said. “Yeah?” “She said she saw you in Ernie’s Kitchen Shack with some white folks.” 100 NATIVE SON “Yeah. I was driving ’em last night.” “She was talking about you and her getting married.” “Humph!” “How come gals that way. Bigger? Soon’s a guy get a good job. they want to marry?” “Damn if I know ” “You got a good job now. You can get a better gal than Bessie,” Buddy said. Although he agreed with Buddy, he said nothing. “I’m going to tell Bessie!” Vera called. “If you do. I’ll break vour neck.” Bigger said. “Hush that kind of talk in here.” the mother said. “Oh, yeah.” Buddy said. “I met Jack last night. He said you almost murdered old Gus.” “I ain’t having nothing to do with that gang no more,” Bigger said emphatically. “But Jack’s all right,” Buddy said. “Well, Jack, but none of the rest,” Gus and G H. and Jack seemed far away to Bigger now, in another life, and all becau.se he had been in Dalton’s home for a few hours and had killed a white girl. He looked round the room, seeing it for the first time. There was no rug on the floor and the plastering on the walls and ceiling hung loose in many places There were two worn iron beds, four chairs, an old dresser, and a drop-leaf table on which they ate This was much different from Dalton's home. Here all slept in one room; there he would have a room for himself alone He smelt food cooking and remembered that one could not smell food cooking in Dalton’s home; pots could not be heard rattling all over the house. Each person lived in one room and had a little world of his own. He hated this room and all the people in it, including himself.(^hy did I- he and his folks have to live like this‘s What had they ever done? Perhaps they had not done anything Maybe they had to live this way precisely because none of them in all their lives had ever done anything, right or wrong, that mattered much.j “Fix the table, 'Vera. Breakfast’s ready,” the mother called. “Yessum.” Bigger sat at the table and waited for food Maybe this would be the last time he would eat here He felt it keenly and it helped him to have patience. Maybe some day he would be FLIGHT 101 eating in jail. Here he was sitting with them and they did not know that he had murdered a white girl and cut her head off and burnt her body. The thought of what he had done, the awful horror of it, the daring associated with such actions, formed for him for the first tirfte m his fear-ndden life a barrier of protection between him and a world he fearedtHe had murdered and had created a new life for himself. It was something that was all his own, and it was the first time in his life he had had anything that others could not take from him^JVes; he could sit here calmly and eat and not be concerned about what his family thought or did. He had a natural wall from behind which he could look at them His crime was an anchor weighing him safely in time; it added to him a certain confidence which his gun and knife did not He was outside of his family now, over and beyond them; they were mcapable of even thinking that he had done such a deedjj^And he had done something which even he had not thought possible."*^ Though he had killed by "accident, not once did he feel the need to tell himself that it had been an accident. He was black and he had been alone in a room where a white girl had been killed; therefore he had killed her. That was what everybody would say anyhow, no matter what he said. And in a certain sense he knew that the girl’s death had not been accidental. He had killed many times before, only on those other times there had been no handy victim or cir- cumstance to make visible or dramatic his will to kill. His crime seemed natural, he felt that all of his hfe had been leading to something like this It was no longer a matter of dumb wonder as to what would happen to him and his black skin; he knew now. The hidden meaning of his life — a mean- ing which others did not see and which he had always tried to hide — had spilled out. No, it was no accident, and he would never say that it was. There was m him a kind of terrified pride in feeling and thinking that some day he would be able to say publicly that he had done it. It was as though he had an obscure but deep debt to fulfill to himself in accepting the deed. Now that the ice was broken, could he not do other things? What was there to stop him? While sitting there at the table waiting for his breakfast, he felt that he was arnving at some- thing which had long eluded him, Thmgs were becoming 102 NATIVE SON clear; he would know how to act from now on The thing to do was to act just like others acted, live like they lived, and while they were not looking, do what you wanted. They would never know. He felt in the quiet presence of his mother, brother, and sister a force, inarticulate and uncon- scious, making for living without thinking, making for peace and habit, making for a hope that blinded. He felt that they wanted and yearned to see life m a certain way; they needed a certain picture of the world, there was one way of living they preferred above all others; and they were blind to what did not fit. They did not want to see what others were doing if that doing did not feed their own desires All one had to do was be bold, do something nobody thought of. The whole thing came to him in the form of a powerful and simple feeling; there was in everyone a great hunger to believe that made him blind, and if he could see while others were blind, then he could get what he wanted and never be caught at it. Now, who on earth would think that he, a black timid Negro boy, would murder and bum a rich white girl and would sit and wait for his breakfast like this? Elation filled him. He sat at the table watching the snow fall past the window and many things became plain No, he did not have to hide behind a wall or a curtain now; he' had a safer way of being safe, an easier way. What he had done last night had proved that Jan was blind Mary had been blind Mr. Dalton was blind. And Mrs. Dalton was blind; yes, blind in more ways than one. Bigger smiled slightly. Mrs Dalton had not known that Mary was dead while she had stood over the bed in that room last night. She had thought that Mary was drunk, because she was used to Mary’s coming home drunk. And Mrs. Dalton had not known that he was in the room with her, it would have been the last thing she would have thought of. He was black and would not have figured in her thoughts on such an occasion. Bigger felt that a lot of peo- ple were like Mrs. Dalton, blind. . . . “Here you are. Bigger,” his mother said, setting a plate of grits on the table. He began to eat, feeling much better after thinking out what had happened to hun last night. He felt he could control himself now. “Ain't you-all eating?” he asked, looking around. PLIGHT 103 “You go on and eat. You got to go. We’ll eat later,” his mother said. He did not need any money, for he had the money he had gotten from Mary’s purse; but he wanted to cover his tracks carefully. “You got any money, Ma?” “Just a little, Bigger.” “I need some.” “Here’s a half. That leaves me exactly one dollar to last till Wednesday.” He put the half-dollar in his pocket. Buddy had fin- ished dressing and was sitting on the edge of the bed Sud- denly, he saw Buddy, saw him in the light of Jan. Buddy was soft and vague; his eyes were defenseless and their glance went only to the surface of things It was strange that he had not noticed that before. Buddy, too, was blind. Buddy was sitting there longing for a job hke his. Buddy, too, went round and round in a groove and did not see things. Buddy’s clothes hung loosely compared with the way Jan’s hung Buddy seemed aimless, lost, with no sharp or hard edges, like a chubby puppy. Looking at Buddy and thinking of Jan and Mr. Dalton, he saw in Buddy a certain stillness, an isolation, meaninglessness, “How come you looking at me that way. Bigger?” “Hunh?” “You looking at me so funny ” “I didn’t know it. I was thinkmg." “What?” “Nothing.” His mother came into the room with more plates of food and he saw how soft and shapeless she was Her eyes were tired and sunken and darkly ringed from a long lack of rest She moved about slowly, touching objects with her fingers as she passed them, using them for support. Her feet dragged over the wooden floor and her face held an ex- pression of tense effort. Whenever she wanted to look at anything, even though it was near her, she turned her entire head and body to see it and did not shift her eyes. There was in her heart, it seemed, a heavy and delicately balanced burden whose weight she did not want to assume by disturb- ing It one whit She saw him looking at her. "Eat your breakfast, Bigger.” 104 NATIVE SON “I’m eating.” Vera brought her plate and sat opposite him. Bigger felt that even though her face was smaller and smoother than his mother’s, the beginning of the same tiredness was already there. How different Vera was from Mary! He could see it in the very way Vera moved her hand when she carried the fork to her mouth; she seemed to be shrinking from life in every gesture she made. The very manner in which she sat showed a fear so deep as to be an organic part of her' she carried the food to her mouth in tiny bits, as if dread- ing its choking her, or fearing that it would give out too quickly. “Bigger!” Vera waded. “Hunh?” “You stop now,” Vera said, laying aside her fork and slap- ping her hand through the air at him. “What?” “Stop looking at me, Bigger!” “Aw, shut up and eat your breakfast!” “Ma, make ’im stop looking at me!” “I ain't looking at her, Mai” “You is\” Vera said. “Eat your breakfast, Vera, and hush,” said the mother. “He just keeps watching me, Ma!" “Gal, you crazy!” said Bigger. “I ain’t no crazy’n you!” “Now, both of you hush,” said the mother. “1 ain’t going to eat with him watching me,” Vera said, getting up and sitting on the edge of the bed. "Go on and eat your grub!” Bigger said, leaping to his feet and grabbing his cap. “I’m getting out of here ” “What’s wrong with you, Vera?” Buddy asked. “Tend to your businessl” Vera said, tears welling to her eyes. “Will you children please hush,” the mother wailed. “Ma, you oughtn’t let ’im treat me that way,” Vera said. Bigger picked up his suitcase. Vera came back to the table, drying her eyes. “When will I see you again. Bigger?" the mother asked. “I don’t know ” he said, slamming the door. He was halfway down the steps when he heard his name called. FLIGHT 105 “Say, Bigger!" He stopped and looked back. Buddy was running down the steps. He waited, wondering what was wrong. “What you want?” Buddy stood before him, diffident, smiling. “I— I . . “What’s the matter?” “Shucks, I just thought . . .” Bigger stiffened with fright. “Say, what you so excited about?” “Aw, I reckon it am’t nothing. I just thought maybe you was in trouble. . . .” Bigger mounted the steps and stood close to Buddy. “Trouble? What you mean?” he asked m a frightened whisper. “I — I just thought you was kind of nervous. I wanted to help you, that’s all I — I just thought . . “How come you think that?” Buddy held out a roll of bills in his hand. “You dropped it on the floor,” he said. Bigger stepped back, thunder-struck. He felt in his pocket for the money; it was not there. He took the money from Buddy and stuffed it hurriedly m his pocket "Did Ma see it?” “Naw.” He gazed at Buddy in a long silence. He knew that Buddy was yearning to be with him, aching to share his confidence; but that could not happen now. He caught Buddy’s arm m a tight gnp. “Listen, don't tell nobody, see? Here,” he said, taking out the roll and peeling off a bill. “Here; take this and buy something But don’t tell nobody.” “Gee! Thanks. I — I won’t tell. But can I help you?” “Naw; naw . . Buddy started back up the steps. “Wait,” Bigger said. Buddy came back and stood facing him, his eyes eager, shining. Bigger looked at him, his body as taut as th t of an animal about to leap But his brother would not betray him. He could trust Buddy. He caught Buddy’s arm again and squeezed it until Buddy flinched with pam. “Don’t you tell nobody, hear?” 106 NATIVE SON “Naw, naW. ... I won’t . . . “Go on back, now.” Buddy ran up the steps, out of sight Bigger stood brood- ing in the shadows of the stairway He thrust the feeling from him, not with shame, but with impatience. He had felt toward Buddy for an instant as he had felt toward Mary when she lay upon the bed with the white blur moving toward him in the hazy blue hght of the room. But he won’t tell, he thought. He went down the steps and i/j o the street. The air was cold and the snow had stopped Overhead the sky was clear- ing a little. As he neared the corner drug store, which stayed open all night, he wondered if any of the gang was around. Maybe Jack or G H. was hangir j out and had not gone home, as they sometimes did. Though he felt he was cut oflf from them forever, he had a strange hankering for their presence. He wanted to know how he would feel if he saw them again. Like a man reborn, he wanted to test and taste each thing now to see how it went; like a man risen up well from a long illness, he felt deep and wayward whims. ' He peered through the frosted glass’, yes, G.H was there. He opened the door and went in G H. sat at the fountain, talking to the soda-jerker. Bigger sat next to him They did not speak. Bigger bought two packages of cigarettes and shoved one of them to G H., who looked at him m surprise. “This for me?” G.H asked. Bigger waved his palm and pulled down the comers of his Ups. “Sure.” G.H. opened the pack. “Jesus, I sure needed one. Say, you working now?” “Yeah.” “How you like it?” “Aw, swell,” Bigger said, crossing his fingers. He was trembling with excitement; sweat was on his forehead. He was excited and something was impelling him to become more excited. It was like a thirst springing from his blood. The door oepned and Jack came in. “Say, how fs it. Bigger?” Bigger wagged his head. “Honky dory,” he said. "Here; gimme another pack of cigarettes,” he told the clerk. “This is for you, Jack.” FLIGHT 107 “Jesus, you in clover, sure ’nough,” Jack said, glimpsing the thick roll of bills “Where’s Gus?" Bigger asked. “He’ll be along in a minute. We been hanging out at Clara’s all night.” The door opened again; Bigger turned and saw Gus step inside. Gus paused. “Now, you-all don’t fight," Jack said. Bigger bought another package of cigarettes and tossed it toward Gus. Gus caught it and stood, bewildered. “Aw, come on, Gus Forget it,” Bigger said Gus came forward slowly, he opened the package and lit one. “Bigger, you sure is crazy,” Gus said with a shy smile. Bigger knew that Gus was glad that the fight was over. Bigger was not afraid of them now; he sat with his feet propped upon his suitcase, looking from one to the other with a quiet smile. “Lemme have a dollar," Jack said. Bigger peeled off a dollar bill for each of them. “Don’t say I never give you nothing," he said, laughing. "Bigger, you sure is one more crazy nigger,” Gus said again, laughing with joy. But he had to go: he could not stay here talking with them. He ordered three bottles of beer and picked up his suitcase. “Ain’t you going to drink one, too?” G.H. asked. “Naw, I got to go ” “We’ll be seeing you!” "So long!” He waved at them and swung through the door He walked over the snow, feeling giddy and elated. His mouth was open and his eyes shone. It was the first time he had ever been in their presence without feeling fearful. He was following a strange path into a strange land and his nerves were hungry to see where it led He lugged his suitcase to the end of the block, and stood waiting for a street car. He slipped his fingers into his vest pocket and felt the crisp roll of bills Instead of going to Dalton’s, he could take a street car to a railway station and leave town But what would happen if he left? If he ran away now it would be thought at once that he knew some- thing about Mary, as soon as she was rmssed. No; it would 108 NATIVE SON be far better to stick it out and see what happened. It might be a long time before anyone would think that Mary was killed and a still longer time before anyone would think that he had done it. And when Mary was missed, would they not think of the reds first? The street car rumbled up and he got on and rode to Forty- seventh Street, where he transferred to an eastbound car. He looked anxiously at the dim reflection of his black face in the sweaty wmdowpane. Would any of the white faces all about him think that he had killed a nch white girl? No! They might think he would steal a dune, rape a woman, get drunk, or cut somebody; but to kill a millionaire’s daughter and burn her body? He snuled a little, feeling a tingling sensa- tion enveloping all his body. He saw it all very sharply and simply; act like other people thought you ought to act, yet . do what you wanted. In a certain sense he had been doing just that m a loud and rough manner all his life, but it was only last night when he had smothered Mary in her room while her blmd mother had stood with outstretched arms that he had seen how clearly it could be done. Although he was trembling a little, he was not really afraid, He was eager, tremendously excited. I can take care of them, he thought, thinking of Mr. and Mrs Dalton. There was only one thing that worried him; he had to get that lingering image of Mary’s bloody head lying on those newspapers from before his eyes. If that were done, then he would be all right. Gee, what a fool she was, he thought, remembering how Mary had acted. Carrying on that wayl Hell, she mode me do itl I couldn’t help it! She should’ve known better! She should’ve left me alone, goddammit! He I did not feel sorry for Mary; she was not real to him, not j a human being; he had not known her long or well enough for 1 that. He felt that his murder of her was more than amply justi- fied by the fear and shame she had made him feel. It seemed that her actions had evoked fear and shame in him But when he thought hard about it it seemed impossible that they could have. He really did not know just where that fear and shame had come from; it had just been there, that was all. Each tune he had come in contact with her it had risen hot and hard. It was not Mary he was reacting to when he felt that fear and shame. Mary had served to set oil his emotions, emo- FLIGHT tions conditioned by many Marys And now that he had kiUed Mary he felt a lessening of tension in his muscles; he had shed an invisible burden he had long carried As the car lurched over the snow he lifted his eyes and saw black people upon the snow-covered sidewalks Those people had feelings of fear and shame like his. Many a time he had stood on street corners with them and talked of white people as long sleek cars zoomed past/^To Bigger and his kind white people were not really people/lhey were a sort of great natural force, like a stormy sky looming overhead, or like a d^p swirling river stretching suddenly at one’s feet in the dark^As long as he and his black folks did not go be- yond certain limits, there was no need to fear that white force. But whether they feared it or not, each and every day of their lives they lived with it; even when words did not sound its name, they acknowledged its reality. As long as thevjiyed here in this prescribed corner of the city, they tribute to it. There were rare moments when a feeling and longing for solidarity with other black people would take hold of him. He would dream of making a stand against that white force, but that dream would fade when he looked at the other black people near him Everf though black like them, he felt there .. was too much-difier cnce between h im anri thp-m -to allow for ^ comm on binding and a common life. Only when threat- ened'^wlth death could that happen, only in fear and shame, with their backs against a wall, could that happen. But never could they sink their differences in hope. As he rode,flooking at the black people on the sidewalks, he felt that one way to end fear and shame was to make all those black people act together, rule them, tell them what to do, and make them do it^Dimly, he felt that there should be one direction in which ne and all other black people could go whole-heartedly; that there should be a way in which gnawing hunger and restless aspiration could be fused; that there should be a manner of acting that caught the mind and body in certainty and faith. But he felt that such would never happen to him and his black people, and he hated them and wanted to wave his hand and blot them out. rYetT-hE--stiI L.hoped. vaguely Of late he had liked to hear tell of men who could rule others^ for in actions such as these he felt that there was a way to escape from this tight morass 110 NATIVE SON nf fp.ar and shame that sapped at the base of his life, liked to hear of how Japan was conquering Chirta; of how Hitler wa s runni ng the Jews to the ground; of how Musso- lini was invading 5ipainliHe~was not concerned with whether these acts ^ere flg hr-e^-wrong, they simply appealed to hlrn' as po ssible avenues bt escape VHc jEinhat sotne day there wofflcTbe a black man who would whip the black people into a tighi bancr~and toRether~ they would act and elfa " fear . autT sha maJp-Ie never thought~ot' this i n precise ment^ images, h e felt IT^l ^would feel it for a while and then fo rgeti-Bin^epe was always waiting so mewhere deep down in him. It was fear that had made hinTTigHrTjus'Tn'tRe poolroom. If he had felt certain of himself and of Gus, he would not have fought. But he knew Gus, as he knew himself, and he knew that one of them might fail through fear at the de- cisive moment. How could he think of going to rob Blum’s that way? He distrusted and feared Gus and he knew that Gus distrusted and feared him; and the moment he tried to band himself and Gus together to do something, he would hate Gus and himself Ultimately, though, his hate and hope turned outward from himself and Gus-. his hope toward a vague benevolent something that would help and lead him, and his hate toward the whites; for he felt that they ruled him, even when they were far away and not thinking of him, ruled him by condihonmg him in his relations to his own people. The street car crawled through the snow, Drexel Boule- vard was the next stop. He lifted the suitcase and stood at the door. In a few minutes he would know if Mary had burned. The car stopped; he swung off and walked through snow as deep as his ankles, heading for Dalton’s. When he got to the driveway he saw that the car was stand- ing just as he had left it, but all covered with a soft crust of snow. The house loomed white and silent He unlatched the gate and went past the car, seeing before his eyes an image of Mary, her bloody neck just inside the furnace and her head with its curly black hair lying upon the soggy news- papers. He paused. He could turn round now and go back. He could get mto the car and be miles from here before any- body knew it. But why run away unless there was good rea- son? He had some money to make a run fpr__it when the time came. And he had his gun. His fingers trembled so that FLIGHT 111 hejiad difficulty lti_u nlocking t he door; but they were not trembling from fear. It was a kmT of eagemess~Iie~felt,~a confid ence , a fulness, a_freedom; his whole life was caught up in a supreme and meaningful" act He pushed the door in, then was stone-still, sucking his breitinh softly In the red -glar^ofjhe furnacV stood a shadowy figure. Is that Mrs. Dalton? But it was taller and stouter_ffian Mrs Dalton. Oh, itjyas Peggy! She stood with her back to hirn; a little bent! She seemed to "Be peering Jiard into the furnace She didn’t heanfie com e In, he th ought Maybe I ought to go.f^But before he, c ould move Teg gy turned around. “Oh, good morning, BiggerT* He did not answer. “I’m glad you came. I was just about to put more coal into the fire ” “I’ll fix it, mam.” He came forward, straining his eyes to see if any traces of Mary were in the furnace. When he reached Peggy’s side he saw that sh e was staring through the crac ks of the door at th e red bed of Imd c oals~ "The lire was very hot last night," Peggy said. “But this morning it got low.” “I’ll fix It,” Bigger said, standing and not daring to open the door of the furnace while she stood there beside him in the red darkness. He heard the dull roar of the draft going upwards and wondered if she suspected anything. He knew that he should have turned on the light, but what if he did and the light re- vealed parts of Mary in the furnace? “I’ll fix It, mam,” he said again. Quickly, he wandered if he would have to kill her to keep her from telling if she turned on the light and saw some- thing that made her think that Mary was dead? Without turning his head he saw an iron shovel resting in a near-by comer. His hands clenched Peggy moved from his side to- ward a light that swung from the ceiling at the far end of the room near the stairs “I'll give you some light,” she said. He moved silently and quickly toward the shovel and waited to see what would happen. The light came on, blind- ingly bright; he blinked Peggy stood near the steps holding her right hand tightly over her breast. She had on a kimono 112 NATIVE SON and was trying to hold it closely about her. Bigger under- stood at once. She was not even thinking of the furnace; she was just a little ashamed of having been seen in the basement in her kimono. “Has Miss Dalton come down yet?” she asked over her shoulder as she went up the steps. “No’m. I haven’t seen her.” “You just come?” “Yessum ’’ She stopped and looked back at him. “But the car, it’s in the driveway.” “Yessum,” he said simply, not volunteering any informa- tion. “Then it stayed out all night?” “I don’t know, mam.” “Didn’t you put it in the garage?” “No’m Miss Dalton told me to leave it out.” “Ohl Then it did stay out all night. That’s why it’s cov- ered with snow,” “I reckon so, mam ” Peggy shook her head and sighed. “Well, I suppose she’ll be ready for you to take her to the station in a few minutes.” “Yessum.” “I see you brought the trunk down.” “Yessum, She told me to bring it down last night." “Don’t forget it,” she said, going through the kitchen door. For a long time after she had gone he did not move from his tracks Then, slowly, he looked round the basement, turn- ing his head like an animal with eyes and ears alert, search- ing to see if anything was amiss. The room was exactly as he had left it last' night. He walked about, looking closer. All at once he stopped, his eyes widening. Directly in front of him he saw a small piece of blood-stained newspaper lying in the livid reflection cast by the cracks in the door of the furnace. Had Peggy seen that? He ran to the light and turned it out and ran back and looked at the piece of paper. He could barely see it That meant that Peggy had not seen it How about Mary? Had she burned? He turned the light back on and picked up the piece of paper. He glanced to the left and right to see if any one was watching, then opened the furnace door and peered in, his eyes filled with FLIGHT 113 the vision of Mary and her bloody throat. The inside of the furnace breathed and quivered in the grip of fiery coals. But there was no sign of the body, even though the body’s image hovered before his eyes, between his eyes and the bed of coals burning hotly. Like the oblong mound of fresh clay of a newly made grave, the red coals revealed the bent out- line of Mary’s body. He had the feeling that if he simply touched that red oblong mound with his finger it would cave in and Mary’s body would come into full view, unburnt. The coals had the appearance of having burnt the body beneath, leaving the glowing embers formed into a shell of red hot- ness with a hollowed space in the center, keeping still in the embrace of the quivering coals the huddled shape of Mary’s body. He blinked his eyes and became aware that he still held the piece of paper in his hand. He lifted it to the level of the door and the draft sucked it from his fingers^ he watched it fly into the red trembling heat, smoke, turn black, blaze, then vanish. He shut off the fan; there was no dan- ger of scent now. He shut the door and pulled the lever for more coal. The rattling of the tiny lumps against the tin sides of the chute came loudly to his ears as the oblong mound of red fire turned gradually black and blazed from the fanwise spread- ing of coal whirling into the furnace. He shut off the lever and stood up; things were all nght so far. As long as no one poked round in that fire, things would be all right. He himself did not want to poke in it, for fear that some part of Mary was still there. If things could go on like this until afternoon, Mary would be burned enough to make hirti safe. He turned and looked at the trunk again. Oh! He must not forget! He had to put those Communist pamphlets m his room right away. He ran back of the furnace, up the steps to his room and placed the pamphlets smoothly and neatly in a corner of his dresser drawer Yes, they would have to be stacked neatly. No one must think that he had read them. He went back to the basement and stood uncertainly in front of the furnace. He felt that he had left something un- done, something that would betray him. Maybe he ought to shake the ashes down? Yes. The fire must not become so clogged with cinders that it would not burn, At the moment he stooped to grasp the protruding handle of the lower bin to shake it to and fro, a vivid image of Mary’s face as he 114 NATIVE SON had seen it upon the bed in the blue light of the room gleamed at him from the smoldering embers and he rose ab- ruptly, giddy and hysterical with guilt and fear. His hands twitched; he could not shake the ashes now. He had to get out into the air, away from this basement whose very walls seemed to loom closer about him each second, making it difficult for him to breathe. He went to the trunk, grasped its handle and dragged it to the door, lifted it to his back, carried it to the car and fas- tened it to the running board. He looked at his watch; it was eight-twenty. Now, he would have to wait for Mary to come out. He took his seat at the steering wheel and waited for five minutes He would ring the bell for her. He looked at the steps leadmg up to the side door of the house, remem- bering how Mary had stumbled last night and how he had held her up. Then, involuntarily, he started m fright as a full blast of mtense sunshine fell from the sky, making the snow leap and glitter and sparkle about him in a world of magic whiteness without sound. It’s getting late! He would have to go in and ask for Miss Dalton. If he stayed here too long it would seem that he was not expecting her to come down. He got out of the car and walked up the steps to the side door. He looked through the glass, no one was in sight. He tried to open the door and found it locked. He pushed the bell, hearing the gong sound softly within. He waited a moment, then saw Peggy hurrying down the hall. She opened the door. “Hasn’t she come out yet?” “No’m. And it’s getting late.” “Wait. I’ll call her.” Peggy, still dressed in the kimono, ran up the stairs, the same stairs up which he had half-dragged Mary and the same stairs down which he had stumbled with the trunk last night. Then he saw Peggy coming back down the stairs, much slower than she had gone up. She came to the door. “She ain’t here. Maybe she’s gone What did she tell you?” “She said to drive her to the station and to take her trunk, mam.” “Well, she ain’t in her room and she ain’t in Mrs. Dalton’s room. And Mr Dalton’s asleep. Did she tell you she was go- ing this morning?” “That’s what she told me last night, mam.” FLIGHT 115 “She told you to bring the trunk down last night?" “Yessum.” Peggy thought a moment, looking past him at the snow- covered car, “Well, you better take the trunk on. Maybe she didn't stay here last mght.’’ “Yessum.” He turned and started down the steps. “Biggerl” “Yessum.” “You say she told you to leave the car out, all night?” “Yessum.” “Did she say she was going to use it again?" “No’ra. You see,” Bigger said, feehng his way, “he was in it ” “Who?” “The gentleman.” “Oh; yes. Take the trunk on. 1 suppose Mary was up to some of her pranks ” He got into the car and pulled it down the driveway to the street, then headed northward over the snow. He wanted to look back and see if Peggy was watching him, but dared not. That would make her think that he thought that something was wrong, and he did not want to give that impression now. Well, at least he had one person thinking it as he wanted it thought. He reached the La Salle Street Station, pulled the car to a platform, backed into a narrow space between other cars, hoisted the trunk up, and waited for a man to give hun a ticket for the trunk. He wondered what would happen if no one called for it Maybe they would notify Mr Dalton. Well, he would wait and see. He had done his part. Miss Dalton had asked him to take the trunk to the station and he had done it. He drove as hurriedly back to the Daltons’ as the snow- covered streets would allow him. He wanted to be back on the spot to see what would happen, to be there with his fin- gers on the pulse of time. He reached the driveway and nosed the car into the garage, locked it, and then stood wondenng if he ought to go to his room or to the kitchen. It would be better to go straight to the kitchen as though nothing had happened. He had not as yet eaten his breakfast as far as Peggy was concerned, and his coming into the kitchen would NA-nVE SON 116 be thought natural. He went through the basement, pausing to look at the roaring furnace, and then went to the kitchen door and stepped in softly. Peggy stood at the gas stove with her back to him. She turned and gave him a bnet glance. "You make it all right?” “Yessum.” “You see her down there?” “No’m.” “Hungry?" “A little, mam.” “A little?” Peggy laughed “You’ll get used to how this house is run on Sundays Nobody gets up early and when they do they’re almost famished.” “I’m all right, mam.” “That was the only kick Green had while he was working here,” Peggy said. “He swore we starved him on Sundays " Bigger forced a smile and looked down at the black and white linoleum on the floor. What would she think if she knew? He felt very kindly toward Peggy just then; he felt he had something of value which she could never take from him even if she despised him. He heard a phone ring in the hall- way. Peggy straightened and looked at him as she wiped her hands on her apron. “Who on earth’s calling here this early on a Sunday morn- ing?” she mumbled. She went out and he sat, waiting. Maybe that was Jan ask- ing about Mary He remembered that Mary had promised to call him. He wondered how long it took to go to Detroit. Five or six hours? It was not far Marv’s tram had already gone. About four o’clock she would be due in Detroit. Maybe someone had planned to meet her? If she was not on the train, would they call or wire about it? Peggy came back, went to the stove and continued cooking. “Things’ll be ready in a mmute,” she said. “Yessum.” Then she turned to him. “Who was the gentleman with Miss Dalton last night?” “I don’t know, mam. 1 think she called him Jan, or some- thing like that.” i “Jan? He just called,” Peggy said. She tossed her headjand her lips tightened. “He’s a no-good one, if there ever was one. One of them anarchists who’s agin the government,” FLIGHT 117 Bigger listened and said nothing. “What on earth a good girl like Mary wants to hang around with that crazy bunch for, God only knows. Nothing good’ll come of it, just yOu mark my word. If it wasn’t for that Mary and her wild ways, this household would run like a clock It’s such a pity, too. Her mother’s the very soul of goodness And there never was a finer man than Mr. Dalton. . . But later on Mary’ll settle down They all do. They think they’re missing something unless they kick up their heels when they’re young and foolish. . . .” She brought a bowl of hot oatmeal and milk to him and he began to eat He had difficulty in swallowing, for he had no appetite. But he forced the food down Peggy talked on and he wondered what he should say to her; he found that he could say nothing Maybe she was not expecting him to say anything Maybe she was talking to him because she had no one else to talk to, like his mother did sometimes Yes; he would. see about that fire again when he got to the basement He would fill that furnace as full of coal as it would get and make sure that Mary burned in a hurry. The hot cereal was making him sleepy and he suppressed a yawn. • “What all I got to do today, mam?” “Just wait on call. Sunday’s a dull day. Maybe Mr. or Mrs. Dalton’ll go out” “Yessum.” He finished the oatmeal. “You want me to do anything now?” “No. But you’re not through eatmg. You want some ham and eggs?” “No’m. I got a plenty.” “Well, It’s right here for you. Don’t be afraid to ask for it.” “I reckon I’ll see about the fire now.” “All right, Bigger Just you listen for the bell about two o’clock. Till then I don’t think there’ll be anything.” He went to the basement. The fire was blazing. The em- bers glowed red and the draft droned upward. It did not need any coal Again he looked round the basement, into every nook and corner, to see if he had left any trace of what had happened last night. There was none. He went to his room and lay on the bed. Well; here he was now What would happen? The room was quiet. No! He heard something! He cocked his head, listemng. He caught 118 NATrsna son faint sounds of pots and pans rattling in the kitchen below. He got up and walked to the far end of the room; the sounds came louder. He heard the soft but firm tread of Peggy as she walked across the kitchen floor. She’s right under me, he thought. He stood still, listening. He heard Mrs Dalton’s voice, then Peggv’s He stooped and put his ear to the floor. Were they talking about Mary? He could not make out what they were saying. He stood up and looked round A foot from him was the door of the clothes closet. He opened it, the voices came clearly He went into the closet and the planks squeaked, he stopped. Had they heard him? Would they think he was snooping? Oh' He had an idea! He got his suitcase and opened it and took out an armful of clothes If anyone came into the room it would seem that he was putting his clothes away He went into the closet and listened. “. . . . you mean the car stayed out all night in the drive- way?” “Yes; he said she told him to leave it there.” “What time was that?” *‘I don’t know, Mrs, Dalton. I didn’t ask him.” “I don’t understand this at all.” “Oh, she’s all right I don’t think you need worry.” "But she didn’t even leave a note, Peggy. That’s not like Mary Even when she ran away to New York that time she at least left a note.” “Maybe she hasn’t gone. Maybe something came up and she stayed out all night, Mrs. Dalton.” "But why would she leave the car out?” “1 don’t know.” “And he said a man was with her?” “It was that Jan, I think, Mrs. Dalton." "Jan?” “Yes; the one who was with her in Florida ” “She just won't leave those awful people alone." “He called here this morning, asking for her.” “Called here?” "Yes.” “And what did he say?” "He seemed sort of peeved when I told him she was gone.” “What can that poor child be up to? She told me she was not seeing him any more.” “Maybe she had him to call, Mrs. Dalton, . . FLIGHT 119 “What do you mean?” “Well, mam, I was kind of thinking that maybe she's ivith him again, like that time she was in Florida And maybe she had him to call to see if we knew she was gone. . ” “Oh, Peggyl” “Oh, I’m sorry, mam. . . . Maybe she stayed with some friends of hers?” “But she was in her room at two o’clock this morning, Peggy. Whose house would she go to at that hour?” “Mrs. Dalton, I noticed something when I went to her room this morning.” “What?” “Well, mam, it looks like her bed wasn’t slept in at all. The cover wasn’t even pulled back. Looks like somebody had just stretched out awhile and then got up. . . “Ohl” Bigger listened intently, but there was silence. They knew that something was wrong now. He heard Mrs. Dalton’s voice again, quavering with doubt and fear. “Then she didn’t sleep here last night?” “Looks like she didn't." “Did that boy say Jan was in the car?” ^ "Yes, I thought something was strange about the car being left out in the snow all night, and so 1 asked him. He said she told him to leave the car there and he said Jan was in it” “Listen, Peggy. . . .” “Yes, Mrs. Dalton.” “Mary was drunk last night. I hope nothing’s happened to her.” “Oh, what a pityl” “I went to her room just after she came in. . . . She was too drunk to talk. She was drunk, I teU you. I never thought she’d come home in that condition.” “She’ll be all right, Mrs. Dalton. I know she will.” There was another long silence. Bigger wondered if Mrs. Dalton was on her way to his room. He went back to the bed and lay down, listening. There were no sounds, He lay a long time, hearing nothing; then he heard footsteps m the kitchen again. He hurried into the closet. “Peggyl” “Yes, Mrs. Dalton.” “Listen, 1 just felt around in Mary’s room. Something’s NATIVE SON 120 wrong. She didn’t finish packing her trunk. At least half of her things are still there. She said she was planning to go to some dances in Detroit and she didn’t take the new things she bought.” “Maybe she didn’t go to Detroit” “But where is she?” Bigger stopped listening, feeling fear for the first time. He had not thought that the trunk was not fully packed. How could he explain that she had told him to take a half-packed trunk to the station? Oh, shucks! The girl was drunk. That was it. Mary was so drunk that she didn’t know what she was doing. He would say that she had told him to take it and he had just taken it; that's all. If someone asked him why he had taken a half-packed trunk to the station, he would tell them that that was no different from all the other foolish things that Mary had told him to do that night. Had not people seen him eating with her and Jan in Ernie’s Kitchen Shack? He would say that both of them were drunk and that he had done what they told him because it was his job. He listened again to the voices. . , and after a while send that boy to me. I want to talk to him.” “Yes, Mrs. Dalton.” Again he lay on the bed. He would have to go over his story and make it foolproof. Maybe he had done wrong in taking that trunk? Maybe it would have been better to have carried Mary down in his arms and burnt her? But he had put her in the trunk because of the fear of someone’s seeing her in his arms. That was the only way he could have gotten her down out of the room. Oh, hell, what had hap- pened had happened and he would stick to his story He went over the story again, fastening every detail firmly in his mind. He would say that she had been drunk, sloppy drunk. He lay on the soft bed in the warm room listening to the steam hiss in the radiator and thinking drowsily and lazDy of how drunk she had been and of how he had lugged her up the steps and of how he had pushed the pillow over her face and of how he had put her in the trunk and of how he had struggled with the trunk on the dark stairs and of how his fingers had burned while he had stumbled down the stairs with the heavy trunk going bump-bump-bump so loud that surely all the world must have heard it. . . . FLIGHT 121 He jumped awake, hearing a knock at the door. His heart raced. He sat up and stared sleepily around the room. Had someone knocked? He looked at his watch, it was three o’clock. Gee! He must have slept through the bell that was to ring at two. The knock came again, “O K.'” he mumbled. “This is Mrs. Dalton!” “Yessum. Just a minute.” He reached the door in two long steps, then stood a mo- ment trying to collect himself He blinked his eyes and wet his lips. He opened the door and saw Mrs Dalton smiling before him, dressed in white, her pale face held as it had been when she was standing in the darkness while he had smothered Mary on the bed. “Y-y.yes, mam,” he stammered. “I — I was asleep. . . “You didn’t get much sleep last night, did you?” “No’m,” he drawled, afraid of what she might mean. “Peggy rang for you three times, and you didn’t answer.” “I’m sorry, mam. . , “That’s all right. I wanted to ask 'you about last night. . . . Oh, you took the trunk to the station, didn’t you?” she asked. “Yessum. This morning," he said, detecting hesitancy and confusion in her voice. “I see,” said Mrs. Dalton, She stood with her face tilted upward in the semi-darkness of the hallway. He had his hand on the doorknob, waiting, his muscles taut. He had to be careful with his answers now. And yet he knew he had a certain protection; he knew that a certain element of shame would keep Mrs. Dalton from asking him too much and letting him know that she was worried. He was a boy and she 'was an old woman. He was the hired and she was the hirer. And there was a certain distance to be kept between them. “You left the car in the driveway last night, didn’t you?” “Yessum. I was about to put it up,” he said, indicating that his only concern was with keeping his job and doing his duties. “But she told me to leave it.” “And was someone with her?” “Yessum. A gentleman.” “That must have been pretty late, wasn’t it?” “Yessum. A little before two, mam.” “And you took the trunk down a little before two?” 122 NATIVE SON “Yessum, She told me to.” “She took you to her room?” He did not want her to think that he had been alone in the room with Mary. Quickly, he recast the story in his mind. “Yessum They went up. . . .” “Oh, he was with her?” “Yessum.” “1 see. . . ” “Anything wrong, mam?” “Oh, no! I — I — I . . . No; there’s nothing wrong.” She stood in the doorway and he looked at her light-gray blind eyes, eyes almost as white as her face and hair and dress. He knew that she was really worried and wanted to ask him more questions. But he knew that she would not want to hear him tell of how drunk her daughter had been. After all, he was black and she was white. He was poor and she was rich. She would be ashamed to let him think that something was so wrong in her family that she had to ask him, a black servant, about it. He felt confident. “Will there be anything right now, mam?” “No. In fact, you may take the rest of the day off, if you like. Mr. Dalton is not feeling well and we’re not going out.” “Thank you, mam.” She turned away and he shut the door; he stood listening to the soft whisper of her shoes die away down the hall, then on the stairs He pictured her groping her way, her hands touching the walls. She must know this house like a book, he thought. He trembled with excitement She was white and he was black; she was nch and he was poor; she was old and he was young, she was the boss and he was the worker. He was safe; yes. When he heard the kitchen door open and shut he went to the closet and listened again. But there were no sounds Well, he would go out. To go out now would be the answer to the feeling of strain that had come over him while talkmg to Mrs. Dalton. He would go and see Bessie. That was it! He got his cap and coat and went to the basement. The suction of air through the furnace moaned and the fire was white- hot; there was enough coal to last until he came back. He went to Forty-seventh Street and stood on the comer to wait for a car. Yes, Bessie was the one he wanted to see now. Funny, he had not thought of her much during the FLiaHT 123 last day and night Too many exciting things had been hap- pening He had had no need to think of her Bqt now he had to forget and relax and he wanted to see her. She was always home on Sunday afternoons He wanted to see her very badly, he felt that he would be stronger to go through tomorrow if he saw her. The street car came and he got on, thinking of how things had gone that day. No; he did not think they would suspect him of anything He was black. Again he feit the roll of crisp bills in his pocket, if things went wrong he could always run away He wondered how much money was in the roU; he had not even counted it He would see when he got to Bessie’s No; he need not be afraid He felt the gun nestling close to his skin That gun could always make folks stand away and think twice before bothering him. But of the whole business there was one angle that bothered him; he should have gotten more money out of it; he should have planned it He had acted too hastily and accidentally. Next time things would be much different, he would plan aftd arrange so that he would have money enough to keep him a long time. He looked out of the car window and then round at the white faces near him He wanted suddenly to stand up and shout, telling them that he had killed a rich white girl, a girl whose family was known to all of them. Yes; if he did that a look of startled horror would come over their faces But, no He would not do that, even though the satisfaction would be keen He was so greatly out- numbered that he would be arrested, tried, and executed He wanted the keen thrill of startling them, but felt that the cost was too great. He wished that he had the power to say what he had done witliout fear of being arrested; he wished that he could be an idea in their minds; that his black face and the image of his smothering Mary and cutting off her head and burning her could hover before their eyes as a terrible picture of reality which they could see and feel and yet not destroy He was not satisfied with the way things stood now; he was a man who had come in sight of a goal, then had won it, and in winning it had seen just within his grasp another goal, higher, greater. He had learned to shout and had shouted and no ear had heard him; he had just learned to walk and was walking but could not see the ground beneath his feet, he had long been yearning for NATIVE SON 124 weapons to hold in his hands and suddenly found that his hands held weapons that were invisible. The car stopped a block from Bessie’s home and he got off. When he reached the building in which she lived, he looked up to the second floor and saw a light burning in her window, TTie street lamps came on suddenly, lighting up the snow- covered sidewalks with a yellow sheen. It had gotten dark early. The lamps were round hazy balls of light frozen into motionlessness, anchored in space and kept from blowing away in the icy wind by black steel posts He went in and rang the bell and, in answer to a buzzer, mounted the stairs and found Bessie smiling at him in her door. “Hello, stranger!’’ “Hi, Bessie.” He stood face to face with her, then reached for her hands. She shied away. “What’s the matter?” “You know what’s the matter.” “bfaw, I don’t.” “What you reaching for me for?” “1 want to kiss you, honey,” “You don’t want to kiss me.” “Why?” “I ought to be asking you that.” “What’s the matter?” “I saw you with your white friends last night." "Aw; they wasn’t my friends.” “Who was they?” “I work for ’em.” “And you eat with ’em.” “Aw, Bessie . . ‘Wou didn’t even speak to me.” ‘T didV' “You just growled and waved your hand.” “Aw, baby I was working then. You understand ” “I thought maybe ydu was ’shamed of me, sitting there with that white gal all dressed in silk and satin.” “Aw, hell, Bessie. Corrie on. Don’t act that way.” “You really want to kiss me?" “Syre What you think I came here for?” “How come you so long bceing nle, then?” PUGHT 125 “I told you I been working, honey. You saw me last night Come on. Don’t act this way."’ “I don’t know," she said, shaking her head. He knew that she was trying to see how badly he missed her, trying to see how much power she still had over him. He grabbed her arm and pulled her to him, kissing her long and hard, feeling as he did so that she was not responding When he took his lips away he looked at her with eyes full of reproach and at the same time he felt his teeth clamping and his hps tingling slightly with rising passion. “Let’s go in,” he said. “If you want to.” “Sure 1 want to.” “You stayed away so long.** “Aw, don’t be that way.” They went in. “How come you acting so cold tonighf^” he asked. “You could have dropped me a postcard,” she said. “Aw, I just forgot It,” “Or you could’ve phoned.” “Honey, I was busy.” “Looking at that old white gal, I reckon.” “Aw, hell!” “You don’t love me no more.” “The hell I don’t.” “You could’ve come by just for five minutes.” “Baby, 1 was busy.” When he kissed her this time she responded a little. To let her know that he loved her he circled her waist with his arm and squeezed her tightly “I’m tired tonight,” she sighed. “Who you been seeing?” •Wobody.” “What you doing tired?” “If you want to talk that way you can leave right now. I didn’t ask you who you been seeing to make you stay away this long, did I?” “You all on edge tonight.” “You could have just said, ‘Hello, dog!’ ” “Really, honey I was busy.” “You was setting there at that table with them white folks 126 NATIVB SON like you was a lawyer or something. You wouldn’t even look at me when I spoke to you." “Aw, forget it. Let’s talk about something else.” He attempted to kiss her again and she shied away. “Come on, honey.” “Who you been with?” “Nobody. 1 swear. I been working. And I been thinking hard about you. I been missing you. Listen, I got a room aU my own where I’m working. Some nights you can stay there with me, see? Gee, I been missing you awful, honey. Soon’s I got time I came right over.” He stood looking at her in the dim light of the room. She was teasing him and he Liked it. At least it took him away from that terrible image of Mary’s head lying on the bloody newspaper. He wanted to kiss her again, but deep down he did not really mind her standing off from him; it made him hunger more keenly for her. She was looking at him wist- fully, half-leaning against a wall, her hands on her hips. Then suddenly he knew how to draw her out, to drive from her mind all thought of her teasing him. He reached into his pocket and drew forth the roll of bills. Smiling, he held it in his palm and spoke as though to himself: “Well, I reckon somebody else nught like this if you don’t.” She came a step forward “Bigger' Geel Where you get all that money from?” "Wouldn’t you like to know?” “How much is it?” “What you care?” She came to his side. “How much is it, really?” “What you want to know for?’* “Let me see it. I’ll give it back to you.” “I’ll let you see it, but it’ll have to stay in my hand, see?” He watched the expression of coyness on her face change to one of amazement as she counted the bills. “Lord, Biggerl Where you get this money from?” “Wouldn’t you like to know?” he said, slipping his arm about her waist, “Is it yours?” “What in hell you reckon I’m doing with it?” “Tell me where you get it from, honey.” “You going to be sweet to me?” FLIGHT 127 He felt her body growing gradually less stiff; but her eyes were searching his face “You ain’t got into nothing, is you?” “You going to be sweet to me?” “Oh, Bigger'” “Kiss me, honey.” He felt her relax completely, he kissed her and she drew him to the bed. They sat down. Gently, she took the money from his hand “How much is it’” he asked. “Don’t you know?” “Naw.” “Didn’t you count it?” “Naw.” “Bigger, where you get this money from?” “Maybe I’ll tell you some day,” he said, leaning back and resting his head on the pillow. “You into something.” “How much IS there?" “A hundred and twenty-five dollars.” “You going to be sweet to me?” “But, Bigger, where you get this money from?” “What do that matter?” “You going to buy me something?” “Sure.” •“What?” "Anything you want.” They were silent for a moment. Finally, his arm about her waist felt her body relax into a softness he knew and wanted. She rested her head on the pillow; he put the money in his pocket and leaned over her. “Gee, honey I, been wanting you bad.” “For real’” “Honest to God.” He leaned over her, full of desire, and lowered his head to hers and kissed her When he took his lips away for breath he heard her say “Don’t stay away so long from me, hear, honey?” “I won’t.” “You love me?” “Sure.” He kissed her again and he felt her arm lifting above his 128 NATIVE SON head and he heard the click as the light went out. He kissed her again, hard. “Bessie?” “Hunh?” “Come on, honey.” They were still a moment longer; then she rose. He waited. He heard her clothes rustling in the darkness; she was un- dressing. He got up and began to undress. Gradually, he began to see in the darkness; she was on the other side of the bed, her presence hke a shadow in the denser darkness sur- rounding her. He heard the bed creak as she lay down. He went to her, foldmg her in his arms, mumbling. “Gee, kid.” He felt two soft palms holding his face tenderly and the thought and image of the whole blind world which had made him ashamed and afraid fell away as he felt her as a fallow field beneath him stretching out under a cloudy sky waiting for rain, and he floated on a wild tide, rising and sinking with the ebb and flow of her blood, being willingly dragged into a warm night sea to rise renewed to the surface to face a world hie hated and wanted to blot out of existence, cling- ing close to a fountain whose warm waters washed and cleaned his senses, cooled them, made them strong and keen again to see and smell and touch and taste and hear, cleared them to end the tiredness and to reforge in him a new sense of time and space; — after he had been tossed to dry upon a warm sunlit rock under a white sky he lifted his hand slowly and heavily and touched Bessie’s lips with his fingers and mumbled. “Gee, kid.” “Bigger.” ^ He took his hand away and relaxed. He did not feel that he wanted to step forth and resume where he had left off hving; not just yet He was lying at the bottom of a deep dark pit upon a pallet of warm wet straw and at the top of the pit he could see the cold blue of the distant sky. Some hand had reached inside of him and had laid a quiet finger of peace upon the restless tossing of his spirit and had made him feel that he did not need to long for a home now. Then, like the long withdrawing sound of a receding wave, the sense of night and sea and warmth went from him and he lay in the FLIGHT 129 darkness, gazing with vacant eyes at the shadowy ceihng, hearing his and her breathing. “Bigger?” “Hunh?” “You like your job?" “Yeah Why?” “I just asked.” “You swell.” “You mean that?” “Sure.” “Where you^ working?” “Over on Drexel.” “Where?” “In the 4600 block.” “Oh!" “What?” “Nothing.” “But, what?” “Oh, I just happen to think of something.” “Tell me. What is it?” “It ain’t nothing. Bigger, honey.” What did she mean by asking all these questions? He wondered if she had detected anything in him Then he wondered tf he were not letting fear get the better of him by thinking always in terms of Mary and of her having been smothered and burnt But he wanted to know why she had asked where he worked. “Come on, honey Tell me what you thinking.” “It ain’t nothing much. Bigger. I used to work over In that section, not far from where the Loeb folks lived.” “Loeb?" "Yeah. One of the families of one of the boys that killed that Franks boy. Remember?” “Naw; what you mean?” “You remember hearmg people talk about Loeb and Leo- pold.” “OhI” “The ones who killed the boy and then tried to get money from the boy’s family ...” ... by sending notes to them Bigger was not listening The world of sound fell abruptly away from him and a vast picture appeared before his eyes, a picture teeming with so NATIVE SON 130 much meaning that he could not react to it all at once. He lay, his eyes unblinking, his heart pounding, his lips slightly open, his breath coming and going so softly that it seemed he was not breathing at all. you remember them aw you ain't even listening He said nothing how come you won’t listen when I talk to you Why could he, why could he not, not send a letter to the Daltons, asking for money? Bigger He sat up in bed, staring into the darkness, what’s the matter honey He could ask for ten thousand, or maybe twenty. Bigger what’s the matter I'm talking to you He did not an- swer, his nerves were taut with the hard effort to remember something. Nowl Yes, Loeb and Leopold had planned to have the father of the murdered boy get on a train and throw the money out of the window while passing some spot. He leaped from bed and stood in the middle of the floor Bigger He could, yes, he could have them pack the money in a shoe box and have them throw it out of a car somewhere on the South Side. He looked round in the dark- ness, feeling Bessie's fingers on his arm. He came to himself and sighed. “What’s the matter, honey?” she asked. “Hunh?” “What’s on your mind?” “Nothmg.” “Come on and tell me. You worried?” “Naw; naw. . . .” “Now, 1 told you what was on my mind, but you won’t tell me what’s on yours. That ain’t fair.” “I just forgot something. That’s all.” “That ain’t what you was thinking about,” she said. He sat back on the bed, feeling his scalp tingle with excite- ment. Could he do it? This was what had been missing and this was what would make the thing complete. But this thing was so big he would have to take time and think u over care- fully. “Honey, tell me where you get that money?” “What money?” he asked m a tone of feigned surprise. “Aw, Bigger. I know something’s wrong. You worried. You got something on your mind. I can tell it.” “You want me to make up something to tell you?” “All right; if that’s the way you feel about it.” “Aw, Bessie, , . PLIGHT 131 “You didn’t have to come here tonight.” “Maybe I shouldn’t’ve come.” “You don’t have to come no more.” “Don’t you love me?” “About as much as you love me.” “How much is that?” “You ought to know.” “Aw, let’s stop fussing,” he said. He felt the bed sag gently and heard the bed-covers rust- ling as she pulled them over her. He turned his head and stared at the dim whites of her eyes in the darkness. Maybe, yes, maybe he could, maybe he could use her. He leaned and stretched himself on the bed beside her; she did not move. He put his hand upon her shoulder, pressing it just softly enough to let her know that he was thinking about her. His nund tried to grasp and encompass as much of her life as it could, tried to understand and weigh it in relation to his own, as his hand rested on her shoulder. Could he trust her? How much could he tell her? Would she act with him, blindly, believing his word? “Come on. Let’s get dressed and go out and get something to drink,” she said. “O.K.” “You ain’t acting like you always act tonight.” “I got something on my mind.” “Can’t you tell me?” “I don’t know.” “Don’t you trust me?” “Sure.” “Then why don’t you tell me?” He did not answer Her voice had come in a whisper, a whisper he had heard many times when she wanted something badly. It brought to him a full sense of her life, what he had been thinking and feeling when he had placed his hand upon her shoulder. The same deep realization he had had that morning at home at the breakfast table, while watching Vera and Buddy and his mother came back to him; only it was Bessie he was looking at now and seemg how blind she was, He felt the narrow orbit of her life: from her room to the kitchen of the white folks was the farthest she ever moved. She worked long hours, hard and hot hours seven days a week, with only Sunday afternoons off; and when NATIVE SON 132 she did get off she wanted fun, hard and fast fun, something to make her feel that she was making up for the starved life she led. It was her hankering for sensation that he liked about her. Most nights she was too tired to go out; she only wanted to get drunk. She wanted liquor and he wanted her. So he would give her the liquor and she would give him herself. He had heard her complain about how hard the white folks worked her; she had told hun over and over again that she lived their lives when she was working in their homes, not her own. That was why, she told him, she drank. He knew why she liked him; he gave her money for drinks. He knew that if he did not give it to her someone else would; she would see to that. Bessie, too, was very blind. What ought he tell her? She might come in just handy. Then 'he realized that whatever he chose to tell her ought not to be anything that would make her feel in any way out of it; she ought to be made to feel that she knew it all Goddamn! He just simply could not get used to acting like he ought. He should not have made her think that something was hap- pening that he did not want her to know. “Give me time, honey, and I’ll tell you,” he said, trying to straighten things out. “You don’t have to unless you want to.” “Don’t be that way.” “You just can’t treat me any old way, Bigger.” “I ain’t trying to, honey.” “You can’t play me cheap.” ‘Take it easy. I know what I’m doing,” "I hope you do.” “For chrissakesl” “Aw, come on. I want a drink.” “Naw; listen. . . “Keep your business. You don’t have to tell me, But don’t you come running to me when you need a friend, see'^” “When we get a couple of drinks. I’ll tell you all about it.” “Suit yourself.” He saw her waiting at the door for him; he put on his coat tod cap and they walked slowly down the stairs, saying noth- mg. It seemed warmer outside, as though it were going to snow again. The sky was low and dark. The wind blew M he walked beside Bessie his feet sank into the soft snow. The streets were empty and silent, stretching before him white PLIGHT 133 and clean under the vanishing glow of a long string of street lamps. As he walked he saw out of the comers of his eyes Bessie striding beside him, and it seemed that his mind could feel the soft swing of her body as it went forward. He yearned suddenly to be back in bed with her, feeling her body warm and pliant to his. But the look on her face was a hard and distant one; it separated him from her body by a great suggestion of space He had not really wanted to go out with her tonight; but her questions and suspicions had made him say yes when she had wanted to go for a drink^s he walked beside her he felt that there were two Bessies: one a body that he had just had and wanted badly again; the other was in Bessie’s face; it asked question^ it bar- gained and sold the other Bessie to advantage^He "wished he could clench his fist and swing his arm and blot out, kill, sweep away the Bessie on Bessie’s face and leave the other helpless and yielding before him. He would then gather her up and put her in his chest, his stomach, some place deep in- side him, always keeping her there even when he slept, ate, talked, keeping her there just to feel and Imow that she was his to have and hold whenever he wanted toA ‘‘Where we going?” “Wherever you want to.” “Let’s go to the Paris Grill.” “O.K.” They turned a corner and walked to the middle of the block to the grill, and went in. An automatic phonograph was play- ing They went to a rear table. Bigger ordered two sloe gin fizzes. They sat silent, looking at each other, waiting. He saw Bessie’s shoulders jerking in rhythm to the music Would she help him? Well, he would ask her; he would frame the story so that she would not have to know everything. He knew that he should have asked her to dance, but the excite- ment that had hold of him would not let him. He was feeling different tonight from every other night; he did not need to dance and sing and clown over the floor in order to blot out a day and rught of doing nothing. He was full of excitement The waitress brought the drinks and Bessie lifted hers. “Here’s to you, even if you don’t want to talk and even if you is acting queer ” “Bessie, I'm worried.” “Aw, come on and drink,” she said. 134 NATIVE SON “O.K” They sipped. “Bigger?" “Himb?’’ “Can’t I help you in what you doing?” “Maybe." “I want to,” “You trust me?” "I have so far.” “I mean now?” “Yes; if you tell me what to trust you for?” “Maybe I can’t do that.” “Then you don’t trust me.” “It’s got to be that way, Bessie.” “If I trusted you, would you tell me?” “Maybe." “Don’t say ‘maybe,’ Bigger.” “Listen, honey,” he said, not liking the way he was talk- ing to her, but ^aid of telling her outright. “The reason Tm acting this way is I got something big on.” “What?” “It’ll mean a lot of money.” “I wish you’d either tell me or quit talking about it.” They were silent; he saw Bessie drain her glass. “I’m ready to go,” she said. “Aw ” "I want to get some sleep.” "You mad?” “Maybe.” He did not want her to be that way. How could he make her stay? How much could he tell her? Could he make her trust him without telling everything? He suddenly felt she would come closer to him if he made her feel that he was in danger. That’s iti Make her feel concerned about him. “Maybe I’ll have to get out of town soon,” he said. “The police?” "Maybe.” "What you do?" “I’m planning to do it now.” “But where you get that money?” FLIGHT 135 “Look, Bessie, if I had to leave town and wanted dough, would you help me if I split with you?” “If you took me with you, you wouldn’t have to split.” He was silent, he had not thought of Bessie’s being with him. A woman was a dangerous burden when a man was running away. He had read of how men had been caught because of women, and he did not want that to happen to him. But, if, yes, but if he told her, yes, just enough to get her to work with him? “O K.,” he said. “I’ll say this much: I’ll take you if you Jhelp me.” “You really mean that?" “Sure." “Then you going to tell me?” Yes, he could dress the story up. Why even mention Jan? Why not tell it so that if she were ever questioned she would say the things that he wanted her to say, things that would help him? He lifted the glass and drained the liquor and set it down and leaned forward and toyed with the cigarette in his fingers. He spoke with bated breath. “Listen, here’s the dope, see? The gal where I’m working, the daughter of the old man who’s rich, a millionaire, baa done run off with a red, see?” “Eloped?” "Hunh? Er . . . Yeah; eloped.” “With a red?” “Yeah; one of them Communists.” “Ohl What’s wrong with her?” "Aw; she’s crazy. Nobody don’t know she’s gone, so last night I took the money from her room, see?” “Oh!” “They don’t know where she is.” “But what you going to do?” “They don’t know where she is,” he said again. “What you mean?” He sucked his cigarette; he saw her looking at him, her black eyes wide with eager interest. He liked that look. In one way, he hated to tell her, because he wanted to keep her guessing. He wanted to take as long as possible m order to see that look of complete absorption upon her face. It made him feel alive and gave him a heightened sense of the value of himself. NATTVH SON 136 got an idea,” he said. “Oh, Bigger, tell me!" “Don’t talk so loud!" “Well, tell me!” “They don't know where the girl is‘. They might think she’s kidnaped, see?” His whole body was tense and as he spoke his lips trembled. “Oh, that was what you was so excited about when I told you about Loeb and Leopold. , . “Well, what you think?” “Would they really think she’s kidnaped?” “We can make 'em think it.” She looked into her empty glass. Bigger beckoned the waitress and ordered two more drinks. He took a deep swallow and said, “The gal’s gone, see? They don’t know where she is? Don’t nobody know. But they might think somebody did if they was told, see?” “You mean . . . You mean we could say we did it? You mean write to ’em, . . .” , . and ask for money, sure,” be said, “And get it, too. You see, we cash in, ’cause nobody else is trymg to.” “But suppose she shows up?” “She won’t.” “How you know?” “I just know she won’t." “Bigger, you know something about that girl. You know where she is?” “That’s all right about where she is. I know we won’t have to worry about her showing up, see?” “Oh, Bigger, this is crazy!” “Then, hell, we won’t talk about it no more!” “Oh, I don’t mean that.” “Then what do you mean?” “I mean we got to be careful.” “We can get ten thousand dollars,” “How?” “We can have ’em leave the money somewhere. They’ll think they can get the girl back. , . .’’ “Bigger, you know where that girl is?” she said, giving her voice a tone of half-question and half-statement. “Naw.” FLIGHT 137 “Then it’ll be in the papers. She’ll show up.” “She won't." “How you know?” “She just won’t.” He saw her lips moving, then heard her speak softly, lean- ing toward him. “Bigger, you ain’t done nothing to that girl, is you?” He stiffened with fear. He felt suddenly that he wanted something in his hand, something solid and heavy: his gun, a knife, a bnck. “If you say that again. I’ll slap you back from this table!” “Oh!” “Come on, now. Don’t be a fool.” “Bigger, you oughtn’t’ve done it. . . .” “You going to help me? Say yes or no.” “Gee, Bigger. . . .” “You scared? You scared after letting me take that silver from Mrs. Heard’s home? After letting me get Mrs. Macy’s radio? You scared now?” “I don’t know.” “You wanted me to tell you; well, I told you. That’s a woman, always. You want to know somethmg, then you run like a rabbit.” “But we’ll get caught’^ “Not if we do right.” “But how could we do it. Bigger?” “I’ll figure it out.” “But I want to know.” “It’ll be easy.” “But how?” “I can fix it so you can pick up the money and nobody’ll bother you.” “They catch people who do things like that.” “If you scared they will catch you.” “How could I pick up the money?” “We’ll tell ’em where to leave it ” “But they’ll have police watching.” “Not if they want the gal back. We got a club over ’em, see? And I’ll be watching, too. I work in the house where they live. If they try to doublecross us. I’ll let you know.” “You reckon we could do it?” “We could have ’em throw the money out of a car. You NATIVE SON 138 could bo in some spot to see if they send anybody to watch. If you see anybody around, then you don’t touch the money, see? But they want the gal, they won’t watch.” There was a long silence. “Bigger, I don’t know,” she said. “We could go to New York, to Harlem, if we had money. New York’s a real town. We could lay low for awhile.” “But suppose they mark the money?” “They won’t. And if they do, I’ll tell you. You see, Tm right there in the house.” “But if we run off, they’ll think we did it. They’ll be look- ing for us for years. Bigger . . .” “We won’t run right away. We’ll lay low for awhile,” “I don’t know, Bigger.” He felt satisfied; he could tell by the way she looked that if be pushed her hard enough she would come in with him. She was afraid and he could hana’* her through her fear. He looked at his watch; it was getting late He ought to go back and have a look at that furnace. “Listen, I got to go.” He paid the waitress and they went out. There was another way to bind her to him. He drew forth the roll of bills, peeled off one for himself, and held out the rest of the money to- ward her. “Here,” he said. “Get you something and save the rest for me.” “Ohl” She looked at the money and hesitated. “Don’t you want it?” “Yeah,” she said, taking the roll. “If you string along with me you’ll get plenty more.” ’They stopped in front of her door, he stood looking at her. “Well,” he said. “What you think?” “Bigger, honey. I — I don’t know,” she said plaintively. “You wanted me to tell you.” “I’m scared.” “Don’t you trust me?” “But we ain’t never done nothing like this before. They’ll look everywhere for us for something like this. It ain’t like coming to where I work at night when the white folks is gone out of town and stealing something. It ain’t . . .” “It’s up to you.” PLIGHT 139 “I'm scared, Bigger.” “Who on earth’ll think we did it?” “I don’t know. You really think they don’t know where the girl is?” “I know they don’t.” "You knowf ’ “Naw.” “She’ll turn up.” “She won’t. And, anyhow, she’s a cra2y girl. They might even think she’s in it herself, just to get money from her family. They might think the reds is doing it They won’t think we did. They don't think we got enough guts to do it. They think niggers is too scared. . , “I don’t know.” “Did I ever tell you wrong?” “Naw; but we ain’t never done nothing like this before.” “Well, I ain’t wrong now.” “When do you want to do it?” “Soon as they begin to worry about the gal.” “You really reckon we could?” “I told you what I think.” “Naw; Bigger! I ain’t going to do h. I think you . . .” He turned abrupdy and walked away from her. “Bigger!” She ran over the snow and tugged at his sleeve. He stopped, but did not turn round. She caught his coat and pulled him about. Under the yellow sheen of a street lamp they confront- ed each other, silently. All about them was the white snow and the night; they were cut off from the world and were con- scious only of each other. He looked at her without expression, waiting Her eyes were fastened fearfully and distrustfully upon his face He held his body in an attitude that suggested that he was delicately balanced up>on a hairline, waiting to see if she would push him forward or draw him back. Her lips smiled faintly and she lifted her hand and touched his face with her fingers. He knew that she was fighting out in her feelings the question of just how much he meant to her. She grabbed his hand and squeezed it, telling him in the pres- sure of her fingers that she wanted him. “But, Bigger, honey . . . Let’s don’t do that. We getting along all right like we is now. . . He drew his hand away. 140 NATIVE SON “I'm going,” he said. “When I'll see you, honey?” “I don't know.” He started off again and she overtook him and encircled him with her arms. “Bigger, honey . . “Come on, Bessie, What you going to do?” She looked at him with round, helpless black eyes. He was still poised, wondering if she would pull him toward her, or let him fall alone. He was enjoying her agony, seeing and feeling the worth of himself in her bewildered desperation. Her lips trembled and she began to cry. “What you going to do?” he asked again. “If I do It, it’s ’cause you want me to,” she sobbed. He put his arm about her shoulders. “Come on, Bessie,” he said. “Don’t cry.” She stopped and dried her eyes, he looked at her closely. She’ll do it, he thought. “I got to go,” he said. “I ain’t going in right now.” “Where ymi going?” He found that he was afraid of what she did, now (hat she was working with hum. His peace of mind depended upon knowing what she did and why. “I’m going to get a pint” That waa all right; she was feeling as he knew she al- ways felt. “Well, I’ll see you tomorrow night, hunh?" “O.K., honey. But be careful.” “Look, Bessie, don’t you worry none. Just trust me. No matter what happens, they won’t catch us. And they won’t even know you had anything to do with it.” "If they start after us, where could we hide, Bigger? You know we’s black. We can’t go just anywhere.” He looked round the lamp-lit, snow-covered street. “There’s plenty of places,” he said. “I know the South Side from A to Z. We could even hide out in one of those old buildings, see? Like I did last time. Nobody ever looks into em. He pointed across the street to a black, looming, empty apartment building. “Well,” she sighed. FLIGHT 141 “I’m going,” he said, long, honey ” He walked toward the car line; when he looked back he saw her still standing in the snow, she had not moved. She’ll be all right, he thought She’ll go along. Snow was falling again; the streets were long paths lead- ing through a dense jungle, lit here and there with torches held high in invisible hands He waited ten minutes for a car and none came He turned the comer and walked, his head down, his hands dug into his pockets, going to Dal- ton’s. He was confident During the last day and night new fears had come, but new feelings had helped to allay those fears. The moment when he had stood above Mary’s bed and found that she was dead the fear of electrocution had entered his flesh and blood. But at home at the breakfast table with his mother and sister and brother, seeing how blind they were; and overhearing Peggy and Mrs. Dalton talking in the kitchen, a new feeling had been born in him, a feeling that all but blotted out the fear of death As long as he moved carefully and knew what he was about, he could handle things, be thought. As long as he could take his life into his own hands and dispose of it as he pleased, as long as he could decide just when and where he would run to, he need not be afraid. He felt that he had his destiny in his grasp. He was more alive than he could ever remember having been, his mind and attention were pointed, focused toward a goal. For the first time in his life he moved consciously between two sharply defined poles, he was moving away from the threat- ening penalty of death, from the death-like times that brought him that tightness and hotness in his chest, and he was moving toward that sense of fulness he had so often but inadequately felt in magazines and movies. The shame and fear and hate which Mary and Jan and Mr. Dalton and that huge rich house had made rise so hard and hot in him had now cooled and softened. Had he not done what they thought he never could? His being black and at the bottom of the world was something which he could take with a new-born strength. What his knife and gun had once meant to him, his knowledge of having secretly murdered Mary now meant. No matter how they laughed at him for his NATIVE SON 142 being black and clownlike, he could look them in the eyes and not feel angry. The feeling of being always enclosed in the stifling embrace of an mvisible force had gone from him. As he turned into Drexel Boulevard and headed toward Dalton’s, he thought of how restless he had been, how he was consumed always with a body hunger. Well, in a way he had settled that tonight, as time passed he would make it more definite. His body felt free and easy now that he had lain with Bessie. That she would do what he wanted was what he had sealed m asking her to work with him in this thing. She would be bound to him by ties deeper than marriage. She would be his; her fear of capture and death would buid her to him with all the strength of her life; even as what he had done last night had bound hun to this new path with all the strength of his own life. He turned off the sidewalk and walked up the Dalton drive- way, went into the basement and looked through the bright cracks of the furnace door. He saw a red heap of seething coals and heard the upward hum of the draft. He pulled the lever, hearing the rattle of coal against tin and seeing the quivering embers grow black. He shut off the coal and stooped and opened the bottom door of the furnace. Ashes were piling up. He would have to take the shovel and clean them out in the morning and make sure that no unbumt bones were left He had closed the door and started to the rear of the furnace, going to his room, when he heard Peggy’s voice. "Biggerl" He stopped and before answering he felt a keen sensation of excitement flush over all his skin. She was standing at the head of the stairs, m the door leading to the kitchen. “Yessum.” He went to the bottom of the steps and looked upward. "Mrs. Dalton wants you to pick up the trunk at the sta- tion " ‘‘The trunk?” He waited for Peggy to answer his surprised question. Perhaps he should not have asked it in that way? ‘They called up and said that no one had claimed it. And Mr. Dalton got a wire from Detroit Mary never got there.” “Yessum.” She came all the way down the stairs and looked round the FLIGHT 143 basement, as though seeking some missing detail. He stiffened; if she saw something that would make her ask him about Mary he would take the iron shovel and let her have it straight across her head and then take the car and make a quick getaway. “Mr. Dalton’s worried,” Peggy said. “You know, Mary didn’t pack the new clothes she bought to take with her on the tnp. And poor Mrs. Dalton’s been pacing the floor and phoning Mary’s friends all day.” “Don’t nobody know where she is?” Bigger asked. “Nobody. Did Mary tell you to take the trunk like it was?" “Yessum,” he said, knowing that this was the first hard hurdle. “It was locked and standing in a corner. I took it down and put it right where you saw it this morning.” “Oh, Peggy'” Mrs. Dalton’s voice called. “Yes!” Peggy answered. Bigger looked up and saw Mrs. Dalton at the head of the stairs, standing in white as usual and with her face tilted trustingly upward. “Is the boy back yet?” “He’s down here now, Mrs. Dalton." “Come m the kitchen a moment, will you, Bigger?” she asked. “Yessum.” He followed Peggy into the kitchen. Mrs. Dalton had her hands clasped tightly in front of her and her face was still tilted, higher now, and her white lips were parted. “Peggy told you about picking up the trunk?” “Yessum. I’m on my way now.” “What time did you leave here last night?” “A little before two, mam ” “And she told you to take the trunk down?” “Yessum ” “And she told you not to put the car up?” “Yessum.” “And it was just where you left it last night when you came this morning?” “Yessum.” Mrs Dalton turned her head as she heard the inner kitch- en door open; Mr. Dalton stood in the doorway. “Hello, Bigger.” “Good day, suh.” 144 NATIVE SON “How are things?” “Fine, suh.” “The station called about the trunk a little while ago. You’ll have to pick it up.” "Yessuh. I’m on my way now, suh.” “Listen, Bigger. What happened last night?” “Well, nothing, suh. Miss Dalton told me to take the trunk down so I could take it to the station this morning; and I did.” "Was Jan with you?” “Yessuh. All three of us went upstairs when I brought 'em in in the car. We went to the room to get the trunk. Then I took it down and put it in the basement.” “Was Jan drunk?” “Well, I don’t know, suh. They was drinking. . , .** “And what happened?” “Nothing, suh. I just took the trunk to the basement and left. Miss Dalton told me to leave the car out. She said Mr. Jan would take care of it.” “What were they talking about?” Bigger hung his head. “1 don't know, suh.” He saw Mrs. Dalton lift her right hand and he knew that she meant for Mr. Dalton to stop questioning him so close- ly. He felt her shame. “That’s all right. Bigger,” Mrs. Dalton said. She turned to Mr, Dalton, “Where do you suppose this Jan would be now?” “Maybe he’s at the Labor Defender oCBce.” “Can you get in touch with him?” “Well,” said Mr. Dalton, standmg near Bigger and look- ing hard at the floor. “I could. But I’d rather wait I still think Mary's up to some of her foolisli pranks. Bigger, you’d better get Aat trunk.” “Yessuh.” He got the car and drove through the falling snow toward the Loop. In answering their questions he felt that he had succeeded in turning their minds definitely in the direction of Jan. If things went at this pace he would have to send the ransom note right away. He would see Bessie tomorrow and get things settled. Yes; he would ask for ten thousand dollars. He would have Bessie stand in the window of an old building at some well-hghted street comer with a flash- PLIGHT 145 light. In the note he would tell Mr. Dalton to put the money in a shoe box and drop it in the snow at the curb, he would tell him to keep his car moving and his lights blinking and not to drop the money until he saw the flashlight blink three times in the window, . . . Yes; that’s how it would be. Bes- sie would see the lights of Mr Dalton's car blinking and after the car was gone she would pick up the box of money. It would be easy. He pulled the car into the station, presented the ticket, got the trunk, hoisted it to the running board, and headed again for the Dalton home. When he reached the driveway the snow was falling so thickly that he could not see ten feet in front of him. He put the car into the garage, set the trunk in the snow, locked the garage door, lifted the trunk to his back and carried it to the entrance of the basement. Yes; the trunk was light; it was half-empty. No doubt they would question him again about that. Next time he would have to go into details and he would try to fasten hard in his mind the words he spoke so that he could repeat them a thousand times, if necessary. He could, of course, set the trunk in the snow right now and take a street car and get the money from Bessie and leave town. But why do that? He could handle this thmg. It was going his way. They were not sus- pecting him and he would be able to tell the moment their minds turned in his direction. And, too, he was glad he had let Bessie keep that money. Suppose he were searched here on the job? For them to find money on him was alone enough to fasten suspicion upon him definitely He unlocked the door and took the trunk inside; his back was bent be- neath its weight and he walked slowly with his eyes on the wavering red shadows on the floor He heard the fire sing- ing in the furnace. He took the trunk to the comer in which he had placed it the night before. He put it down and stood looking at it. He had an impulse to open it and look inside. He stooped to fumble with the metal clasp, then started vio- lently, jerking upright, “Bigger!" Without answering and before he realized what he was doing, he whirled, his eyes wide with fear and his hand half-raised, as though to ward off a blow. The moment of whirling brought him face to face with what seemed to his excited senses an army of white men. His breath stopped NATIVB SOM m and he blinked his eyes in the red darkness, thinking that he should be acting more calmly. Then he saw Mr. Dalton and another white man standing at the far end of the base- ment; in the red shadows their faces were white discs of danger floating still m the air. “Oh!” he said softly. The white man at Mr. Dalton’s side was squinting at him; he felt that tight, hot, choking fear returning. The white man clicked on the light. He had a cold, impersonal manner that told Bigger to be on his guard. In the very look of the man’s eyes Bigger saw his own personality reflected in nar- row, restricted terms. “What’s the matter, boy?” the man asked. Bigger said nothing; he swallowed, caught hold of himself and came forward slowly. The white man’s eyes were stead- ily upon him. Fame seized Bigger as he saw the white man lower his head, narrow his eyes still more, sweep back his coat and ram his hands into his pants’ pockets, revealing as ho did so a shining badge on his chest Words rang in Big- ger’s mind; This is a cop! He could not take his eyes off the shining bit of metal Abruptly, the man changed his at- titude and expression, took his hands from his pocket and smiled a smile that Bigger did not believe. “I’m not the law, boy. So don’t be scared.” Bigger clamped his teeth; he had to control himself. He should not have let that man see him staring at his badge. “Yessuh,” he said, “Bigger, this is Mr. Britten,” Mr. Dalton said. “He’s a pri- vate investigator attached to the staff of my office. . . “Yessuh,” Bigger said again, his tension slackening. “He wants to ask you some questions. So just be calm and try to tell him whatever he wants to know.” 'Tessuh.” “First of all, I want to have a look at that trunk,” Britten Said. Bigger stood aside as they passed him. He glanced quickly at the furnace. It was still very hot, dromng. Then he, too, went to the trunk, standing discreetly to one side, away from the two white men, looking with surface eyes at what they were doing. He shoved his hands deep into his pockets, he stood in a peculiar attitude that allowed him to respond at L once to whatever they said or did and at the same time to FLIGHT 147 be outside and away from them. He watched Britten turn the trunk over and bend to it and try to work the lock. I got to be careful, Bigger thought. One 'little slip now and I’U spoil the whole thing. Sweat came onto his neck and face. Britten could not imlock the trunk and he looked upward^ at Bigger. “It’s locked. You got a key, boy?” “Nawsuh.” Bigger wondered if this were a trap; he decided to play safe and speak only when he was spoken to. “You mind if I break it?” “Go right ahead,” Mr. Dalton said. “Say, Bigger, get Mr. Britten the hatchet” ‘Yessuh,” he answered mechanically. He thought rapidly, his enttre body stiff. Should he tell them that the hatchet was somewhere in the house and offer to go after it and take the opportunity and run away? How much did they really suspect him? Was this whole thing a ruse to confuse and trap him? He glanced sharply and in- tently at their faces; they seemed to be waiting only for the hatchet. Yes; he would take a chance and stay; he would lie his way out of this. He turned and went to the spot where the hatchet had been last night, the spot from which he had taken it to cut off Mary’s head. He stooped and pretended to search. Then he straightened. “It ain’t here now. . , . I — saw it about here yesterday,” he mumbled. “Well, never mind,” Britten said. "I think I can manage.” Bigger eased back toward them, waiting, watching. Britten lifted his foot and gave the lock a short, stout kick with the heel of his shoe and it sprang open. He lifted out the tray and looked inside. It was half-empty and the clothes were disarrayed and tumbled. “You see?” Mr. Dalton said. "She didn’t take all of her thLings.” “Yes. In fact, she didn’t need a trunk at all from the looks of this,” Britten said. "Bigger, was the trunk locked when she told you to take it down?” Mr. Dalton asked. “Yessuh,” Bigger said, wondering if that answer was the safest. “Was she too drunk to know what she was doing. Bigger?” 148 NATTVE SON “Well, they went into the room,” he said. “I went in after them. Then she told me to take the trunk down. That^ all happened.” “She could have put these things into a small suitcase,” Britten said. The fire sang in Bigger’s ears and he saw the red shadows dance on the walls. Let them try to find out who did it! His teeth were clamped hard, until they ached. "Sit down. Bigger,” Britten said. Bigger looked at Britten, feigning surprise. “Sit on the trunk,” Britten said. “Mer’ “Yeah. Sit down.” He sat. “Now, take your time and think hard. I want to ask you some questions.” “Yessuh.” “What time did you take Miss Dalton from here last nigjjt?” "About eight-thirty, suh.” Bigger knew that this was it. This man was here to find out everything. This was an examination. He would have to point his answers away from himself quite definitely. He would have to tell his story. He would let each of the facts of his story fall slowly, as though he did not realize the significance of them. He would answer only what was asked. “You drove her to school?” He hung his head and did not answer. “Come on, boy!” “Well, mister, you see. I’m just working here. . . .” “What do you mean?” Mr. Dalton came close and looked hard into his face, “Answer his questions. Bigger.” “Yessuh.” “You drove her to school?” Britten asked again. Still, he did not answer. “I asked you a question, boy!” “Nawsuh. I didn’t drive her to school,” “Where did you take her?" “WeU, suh. She told me, after I got as far as the park, to turn round and take her to the Loop.” “She didn’t go to schooVt" Mr. Dalton asked, his lips hang- ing open in surprise. FLIGHT 149 "Nawsuh.” “Why didn’t you tell me this before, Bigger?” “She told me not to.” There was silence. The furnace droned. Kuge red shad- ows swam across the walls. “Where did you take her, then?” Britten asked. “To the Loop, suh.” “Whereabouts in the Loop?” “To Lake Street, suh.” “Do you remember the number?” “Sixteen, I think, suh.” “Sixteen Lake Street?” “Yessuh.” “That’s the Labor Defender office,” Mr. Dalton said, turning to Britten. “This Jan's a Red.” “How long was she in there?” Britten asked. “About half -hour, I reckon, suh.” “Then what happened?” “Well, I waited in the car. . . ." “She stayed there till you brought her home?" “Nawsuh.” “She came out. . . *‘They came out. . . “This man Jan was with her, then?” “Yessuh. He was with her. Seems to me she went in there to get him. She didn’t say anything; she just went in and stayed awhile and then came out with him.” "Then you drove ’em. . . .” "He drove,” Bigger said. “Weren’t you driving?” “Yessuh. But he wanted to drive and. she told me to let him.” There was another silence. They wanted him to draw the pictiue and he would draw it like he wanted it. He was trem- bling with excitement In the past had they not always drawn the picture for him? He could tell them anything he wanted and what could they do about it? It was his word against Jan’s, and Jan was a red. “You waited somewhere for ’emT’ Britten asked; the tone of curt hostility had suddenly left his voice. “Nawsuh. I was in the car. . . “And where did they go?” NATIVE SON 150 He wanted to tell of how they had made him sit between them; but he thought that he would tell that later on, when he was telling how Jan and Mary had made him feel. “Well, Mr. Jan asked me where was a good place to eat. The only one I knew about where white folks,” he said “white folks” very slowly, so that they would know that he was conscious of what was meant, “ate on the South Side was Ernie’s Kitchen Shack." "You took them there?” “Mr. Jan drove the car, suh.” “How long did they stay there?” "Well, we must’ve stayed . . "Weren’t you waiting in the car?” “Nawsuh. You see, mister, I did what they told me. I was only working for ’em. . . .” “Oh!” Britten said, “I suppose he made you eat with ’im?" "I didn’t want to, mister. I swear I didn’t. He kept worry- ing me till I went in.” Britten walked away from the trunk, running the fingers of his left hand nervously through his hair. Again he turned to Bigger. "They got drunk, hunh?” “Yessuh. They was drinking.” "What did this Jan say to you?” “He talked about the Communists. . . “How much did they drink?” “It seemed like a lot to me, suh.” “Then you brought ’em home?” “I drove ’em through the park, suh.’* "Then you brought ’em home?” “Yessuh. That was nearly two.” “How drunk was Miss Dalton?” “Well, she couldn’t hardly stand up, suh. When we got home, he had to lift her up the steps,” Bigger said with low- ered eyes. “That’s all right, boy. You can talk to us about it,” Britten said. “Just how drunk was she?” “She passed out,” Bigger said. Britten looked at Dalton. “She could not have left this bouse by herself,” Britten said. “If Mrs. Dalton’s right, then she could not have left.” FLIGHT 151 Britten stared at Bigger and Bigger felt that some deeper question was on Britten’s mind. “What else happened?” He would shoot now; he would let them have some of it “Well, I told you Miss Dalton told me to take the trunk. I said that ’cause she told me not to tell about me taking her to the Loop. It was Mr. Jan who told me to take the trunk down and not put the car away.” "He told you not to put the car away and to take the trunk?” “Yessuh. That's right.” “Why didn’t you tell us this before, Bigger?” asked Mr. Dalton. "She told me not to, suh.” "How was this Jan acting?" Britten asked. “He was drunk,” said Bigger, feeling that now was the time to drag Jan in definitely. “Mr. Jan was the one who told me to take the trunk down and leave the car m the snow. I told you Miss Dalton told me that, but he told me. I would’ve been giving the whole thing away if I had told about Mr. Jan.” Britten walked toward the furnace and back again; the furnace droned as before. Bigger hoped that no one would try to look into it now; his throat grew dry. Then he started nervously as Britten whirled and pointed his finger into his face. “What did he say about the Party?” “Suh?” “Aw, come on, boyl Don’t stall! Tell me what he said about the Party!” “The party? He asked me to sit at his table. . . “I mean the Party I” “It wasn’t a party, mister. He made me sit at his table and he bought chicken and told me to eat. I didn’t want to, but he made me and it was my job.” Britten came close to Bigger and narrowed his grey eyes. “What unit are you in?” “Suh?” “Come on. Comrade, tell me what unit you are in?” Bigger gazed at him, speechless, alarmed “Who’s your organizer?” ‘1 don’t know what you mean,” Bigger said, his voice quavermg. 152 NATIVE SON “Don’t you read the Dailyl" “Daily what?” “Didn’t you know Jan before you came to work herer “Nawsuh. /Vflwsuhl” “Didn’t they send you to Russia?” Bigger stared and did not answer. He knew now that Brit- ten was trying to find out if he were a Communist. It was something he had not counted on, ever He stood up, trem- bling, He had not thought that this thing could cut two ways. Slowly, he shook his head and backed away. “Nawsuh. You got me wrong. I ain't never fooled around with them folks. Miss Dalton and Mr. Jan was the first ones I ever met, so help me God!” Britten followed Bigger till Bigger’s head struck the wall. Bigger looked squarely into his eyes. Britten, with a move- ment so fast that Bigger did not see it, grabbed him in the collar and rammed his head hard against the wall. He saw a flash of red. “You are a Communist, you goddamn black sonofabitchl And you’re going to tell me about Miss Dalton and that Jan bastard!” ‘Wmvsuhl I ain’t no Commimist! JVmvsuhl” “Well, what’s thisT’ Britten jerked from his pocket the small packet of pamphlets that Bigger had put in his dresser drawer, and held them under his eyes. “You know you’re lying! Come on, talk!” “Nawsuh! You got me wrong! Mr. Jan gave me them things! He and Miss Dalton told me to read ’em. . . “Didn’t you know Miss Dalton before?” “Nawsuh!” “Wait, Brittenl” Mr. Dalton laid his hand on Britten’s arm. “Wait There’s something to what he says She tried to talk to him about unions when she first saw him yesterday. If that Jan gave hun those pamphlets, then he knows nothing about it.” “You’re sure?” “I’m positive. I thought at first, when you brought me those pamphlets, that he must have known something. But 1 don’t think he does. And there’s no use blaming him for something he didn’t do.” Britten loosened his fingers from Bigger’s collar and shrugged his shoulders. Bigger relaxed, still standmg, his PLIGHT 153 head resting against the wail, aching. He had not thought that anyone would dare think that he, a black Negro, would be Jan’s partner. Bntten was his enemy. He knew that the hard hght in Britten’s eyes held him guilty because he was black. He hated Britten so hard and hot, while standing there with sleepy eyes and parted lips, that he would gladly have grabbed the iron shovel from the comer and split his skull in two. For a split second a roaring noise in his ears blotted out sound. He struggled to control himself; then he heard Britten talking. “. . . got to get hold of that Jan.” “That seems to be the next thmg,” said Mr. Dalton, sigh- ing. Bigger felt that if he said something directly to Mr. Dal- ton, he could swing things round again in his favor; but ho did not know just how to put it. “You suppose she ran off?” he heard Britten ask. “I don’t know,” Mr. Dalton said. Britten turned to Bigger and looked at him; Bigger kept his eyes down. “Boy, I just want to know, are you telling the troth?" “Yessuh. I’m telling the truth, I just started to work here last night. I ain’t done nothing. I did just what they told me to do.” “You sure he’s all right?" Britten asked Dalton. “He’s all right.” “If you don’t want me to work for you, Mr. Dalton,” Big- ger said, “I’ll go home. I didn’t want to come here,” he con- tinued, feeling that his words would awaken in Mr. Dalton a sense of why he was here, “but they sent me anyhow.” “That’s true,” Mr. Dalton told Brittea “He’s referred to me from the relief. He’s been in a reform school and I’m giving him a chance. . . .” Mr. Dalton turned to Bigger. “Just for- get it, Bigger, We had to make sure. Stay on and do your work. I’m sorry this had to happea Don’t let it break you down.” “Yessuh.” “O.K.," said Brittea “If you say he's O.K., then it’s O.K. with me.” “Go on to your room, Bigger,” said Mr. Daltoa “Yessuh.” Head down, he walked to the rear of the furnace and up- NATIVE SON 154 stairs into his room. He turned the latch on the door and hurried to the closet to listen. The voices came clearly. Brit- ten and Mr. Dalton had come into the kitchen. “My, but it was hot down there,” said Mr. Dalton. “Yes' ” . . I’m a littte sorry you bothered him. He’s here to try to get a new slant on things," “Well, you see ’em one way and I see 'em another. To me, a nigger’s a nigger.” “But he’s sort of a problem boy. He’s not really bad.” “You got to be rough with ’em, Dalton. See how I got that dope out of ’im? He wouldn’t’ve told you that.” “But I don’t want to make a mistake here It wasn’t his fault. He was doing what that crazy daughter of mine told him. I don’t want to do anything I’ll regret. After all, these black boys never get a chance. . . .” ‘They don’t need a chance, if you ask me. They get in enough trouble without it ” “Well, as long as they do their work, let’s let ’em be.” “Just as you say. You want me to stay on the job?” “Sure. We must see this Jan. I can’t understand Mary’s going away and not saying anything.” "I can have ’im picked up." “No, no! Not that way. Those reds’U get hold of it and theyll raise a stink in the papers.” “Well, what do you want me to do?” “I’ll try to get 'im to come here. I’ll phone his office, and if he’s not there I’ll phone his home.” Bigger heard their footsteps dying away, A door slammed and then all was quiet. He came out of the closet and looked in the dresser drawer where he had put the parnphlets. Yes, Britten had searched his room; his clothes were mussed and tumbled. He would know how to handle Britten next time. Britten was familiar to him; he had met a thousand Brittens in his life. He stood in the center of the room, think- ing. When Britten questioned Jan, would Jan deny having been with Mary at all, in order to protect her? If he did, that would be in his favor. If Britten wanted to check on his story about Mary’s not going to school last night, he could. If Jan said that they had not been drinking it could be proved that they had been drinking by folks in the cafe. If Jan lied about one thing, it would be readily believed that he would lie about FLIGHT 155 others If Jan said that he had not come to the house, who would believe him after it was seen that he had lied about his not dnnking and about Mary’s going to school? If Jan tried to protect Mary, as he thought he would, he would only succeed in making a case against himself. Bigger went to the window and looked out at the white curtain of falling snow He thought of the kidnap note. Should he try to get money from them now? Hell, yes! He would show that Britten bastard! He would work fast. But he would wait until after Jan had told his story. He should see Bessie tonight And he ought to pick out the pencil and paper he would use. And he must not forget to use gloves when he wrote the note so that no fingerprints would be on the paper. He'd give that Britten something to worry about, alt nght Just wait. Because he could go now, run off if he wanted to and leave it all behind, he felt a certain sense of power, a power bom of a latent capacity to live. He was conscious of this quiet, warm, clean, rich house, this room with this bed so soft, the wealthy white people moving in luxury to all sides of him, whites living in a smugness, a secunty, a certainty that he had never known The knowledge that he had killed a white girl they loved and regarded as their symbol of beauty made him feel the equal of them, like a man who had been somehow cheated, but had now evened the score. The more the sense of Britten seeped mto him the more did he feel the need to face him once again and let him try to get something from him. Next time be would do bet- ter; he had let Bntten trap him on ’that Communist business. He should have been on the lookout for that; but the lucky thing was that he knew that Bntten had done all his tricks at once, had shot his bolt, had played all his cards. Now that the thing was out in the open, he would know how to act. And furthermore, Britten might want him as a witness against Jan. He smiled while he lay in the darkness. If that happened, he would be safe in sending the ransom note. He could send it just when they thought they had pinned the disappearance of Mary upon Jan. That would throw everything into confusion and would make them want to reply and give the money at once and save the girl. The warm room lulled his blood and a deepening sense of fatigue drugged him with sleep. He stretched out more fully on NATIVE SON 156 the bed, sighed, turned on his back, swallowed, and closed his eyes Out of the surrounding silence and darkness came the quiet ringing of a distant church bell, thin, faint, but clear. It tolled, soft, then loud, then still louder, so loud that he wondered where it was. It sounded suddenly directly above his head and when he looked it was not there but went on tolhng and with each passing moment he felt an urgent need to run and hide as though the bell were sounding a warning and he stood on a street comer in a red glare of light like that which came from the furnace and he had a big package in his arms so wet and slippery and heavy that he could scarcely hold onto it and he wanted to know what was in the package and he stopped near an alley comer and unwrapped it and the paper fell away and he saw— it was his own head — ^his own head lying with black face and half-closed eyes and lips parted with white teeth showing and hair wet with blood and the red glare grew brighter like light shining down from a red moon and red stars on a hot summer night and he was sweating and breathless from running and the bell clanged so loud that he could hear the iron tongue clapping against the metal sides each time it swung to and fro and he was running over a street paved with black coal and his shoes kicked tiny lumps rattling against tin cans and he knew that very soon he had to find some place to hide but there was no place and in front of him white people were coining to ask about the head from which the newspapers had fallen and which was now shppery with blood b bs naked hands and he gave up and stood in the middle of the street m the red darkness and cursed the boommg bell and the white pwple and felt that he did not give a damn what happened to ^ and when the people closed m he hurled the bloody head squarely into their faces dongdongdong. . . He open^ his eyes and looked about him m the darkened ^m, hearmg a bdl ring. He sat up. The bell sounded agam. HOW long had it been ringmg? He got to his feet, swaybg from stiflfneM, trying to shake ofif sie^ and that awful dream. Yessum, he mumbled. He fumbled m the dark for th li^t chab and puUed it. Excitement quickened withm him Had somethbg happened? Was this the poLce? Bigger!” a muffled voice called. “Yessuh," FLIGHT 157 He braced himself for whatever was coming and stepped to the door As he opened it he felt it being pushed in by someone who seemed determined to get in in a hurry. Bigger backed away, blinking his eyes. “We want to talk to you,” said Britten, “Yessuh.” He did not hear what Britten said after that, for he saw directly behind Britten a face that made him hold his breath. It was not fear he felt, but a tension, a supreme gathering of all the forces of his body for a showdown. “Go on in, Mr Erlone,” Mr. Dalton said. Bigger saw Jan’s eyes looking at him steadily. Jan stepped mto the room and Mr. Dalton followed. Bigger stood with his lips slightly parted, his hands hanging loosely by his sides, his eyes watchful, but veiled. “Sit down, Erlone,” Britten said. “This is all right,” Jan said. “Ill stand.” Bigger saw Britten pull from his coat pocket the packet of pamphlets and hold them under Jan’s eyes. Jan’s lips twisted into a faint smile. “Well,” Jan said. “You’re one of those tough reds, hunh?” Britten asked. “Come on. Let’s get this over with,” Jan said. “What do you want?” ‘Take it easy,” Britten said. “You got plenty of time. I know your kind You like to rush and have things your way.” Bigger saw Mr Dalton standing to one side, looking anxiously from one to the other. Several times Mr, Dalton made as if to say something, then checked himself, as though uncertain. “Bigger,” Britten asked, “is this the man Miss Dalton brought here last night?” Jan’s lips parted. He stared at Britten, then at Bigger. “Yessuh,” Bigger whispered, struggling to control his feel- ings, hating Jan violently because he knew he was hurting him; wanting to strike Jan with something because Jan’s wide, incredulous stare made him feel hot guilt to the very core of him. “You didn’t bring me here, Bigger!” Jan said. “Why do you tell them that?” Bigger did not answer; he decided to talk only to Britten and Mr. Dalton. There was silence. Jan was staring at Bigger; NATIVE SON 158 Bntfen and Mr Dalton were watching Jan. Jan made a move toward Bigger, but Britten’s arm checked him. “Say, what is thisl” Jan demanded. “What're you making this boy lie for?" “I suppose you’re going to teU us you weren’t drunk last night, hunh?” asked Britten. “What business is that of yours?” Jan shot at him. “Where’s Miss Dalton?” Britten asked. Jan looked round the room, puzzled. “She’s in Detroit,” he said. “You know your story by heart, don’t you?” Britten said. “Say, Bigger, what’re they doing to you? Don’t be afraid. Speak upl" said Jan. Bigger did not answer; he looked stonily at the floor. “Where did Miss Dalton tell you she was gomg?’’ Britten asked. “She told me she was going to Detroit." “Did you see her last night?” Jan hesitated, "No.” “You didn’t give these pamphlets to this boy last night?” Jan shrugged his shoulders, smiled and said: “All right. I saw her. So what? You know why I didn’t say so in the first place . . “No. We don’t know,” Britten said. “Well, Mr. Dalton here doesn’t like reds, as you call ’em, and I didn’t want to get Miss Dalton in trouble." “Then, you did meet her last night?” “Yes ” "Where is she?" “If she’s not in Detroit, then I don’t know where she is.” “You gave these pamphlets to this boy?” “Yes; I did.” “You and Miss Dalton were drunk last night. . . “Aw, come onl We weren’t drunk. We had a little to drink. . . ,’’ “You brought her home about two?” Bigger stiffened and waited. "Yeah.” “You told the boy to take her trunk down to the baso- ment?" PLiaHT 159 Jan opened his mouth, but no words came. He looked at Bigger, then back to Britten. “Say, what is this?” “Where’s my daughter, Mr. Erione?" Mr. Dalton asked. “I tell you I don’t know,” “Listen, let’s be frank, Mr. Erione,” said Mr. Dalton. “We know my daughter was drunk last night when you brought her here. She was too drunk to leave here by herself. Do you know where she is?” “I — I didn’t come here last night,” Jan stammered. Bigger sensed that Jan had said that he had come home with Mary last night in order to make Mr. Dalton believe that he would not have left his daughter alone m a car with a strange chauffeur And Bigger felt that after Jan admitted that they had been dnnking, he was bound to say that he had brought the girl home. Unwittingly, Jan’s desire to protect Mary had helped him. Jan’s denial of having come to the home would not be believed now; it would make Mr Dalton and Britten feel that he was trying to cover up something of even much greater seriousness. “You didn’t come home with her?” Mr. Dalton asked. “Nol” “You didn’t tell the boy to take the trunk down?” “Hell, nol Who says 1 did? 1 left the car and took a trolley home ” Jan turned and faced Bigger. “Bigger, what’re you telling these people?” Bigger did not answer. “He’s just told us what you did last night,” Britten said. “Where’s Mary. . , , 'Where’s Miss Dalton?” Jan asked. “We’re waiting for you to tell us,” said Britten. “D-d-didn’t she go to Etetroit?” Jan stammered. “No,” said Mr. Dalton. “I called here this morning and Peggy told me she had.” “You called here just to see if the family had missed her, didn’t you?” asked Britten. Jap walked over to Bigger. “Leave ’im alone!” Britten said. “Bigger,” Jan said, “why did you tell these men I came here?” “You say you didn’t come here at all last night?” Mr. Dal- ton asked again. “Absolutely not Bigger, tell ’em when I left the car." 160 NATIVE SON Bigger said nothing. “Come on, Erlone. I don’t know what you’re up to, but you’ve been lying ever since you’ve been in this room. You said you didn’t come here last night, and then you say you did. You said you weren’t drunk last night, then you say you were. You said you didn’t see Miss Dalton last mght, then you say you did. Come on, now. TeU us where Miss Dalton is. Her father and mother want to know.” Bigger saw Jan’s bewildered eyes. “Listen, I’ve told you all I know,” said Jan, putting his hat back on. “Unless you tell me what this joke’s all about, I’m getting on back home. ...” “Wait a minute,” said Mr. Dalton. Mr. Dalton came forward a step, and fronted Jan. “You and I don’t agree. Let’s forget that. I want to know where my daughter is. . . .” “Is this a game?” asked Jan. “No; no. . . said Mr. Dalton. “I want to know. Fm wor- ried. . . ." “I tell you, I don’t know!” “Listen, Mr Erlone. Mary’s the only girl we’ve got. I don’t want her to do anything rash. Tell her to come back. Or you bnng her back.” “Mr. Dalton, I’m telling you the truth. . . “Listen,” Mr. Dalton said. “I’ll make it all right with you. . . .” Jan's face reddened. “What do you mean?” he asked. “Ill make it worth your while. . . “You son . . .” Jan stopped He walked to the door. “Let ’im go,” said Britten. "He can’t get away I’ll phone and have ’im picked up. He knows more than he’s telling. . . Jan paused in the doorway, looking at all three of them. Then he went out Bigger sat on the edge of the bed and heard Jan’s feet run down the stairs. A door slammed; then silence. Bigger saw Mr. Dalton gazing at him queerly. He did not like that look But Britten was jotting something on a pad, his face pale and hard in the yellow glare of the suspended electric bulb. “You’re telling us the truth about all this, aren’t you, Bigger?” Mr. Dalton asked. “Yessuh.” FLIGHT 161 “He’s all right,” Britten said. “Come on; let’s get to a phone. I’m having that guy picked up for questioning. It’s the only thing to do. And I’ll have some men go over Miss Dal- ton’s room. We’ll find out what happened. I’ll bet my nght arm that goddamn red’s up to something!” Britten went out and Mr Dalton foUowed, leaving Bigger still on the edge of the bed. When he heard the door slam, he got up and grabbed his cap and went softly down the stairs into the basement He stood a moment looking through the cracks into the humming fire, blindingly red now. But how long would It keep that way, if he did not shake the ashes down? He remembered the last time he had tried and how hys- terical he had felt He must do better than this. He stooped and touched the handle of the ash bin with the fingers of his right hand, keeping his eyes averted as he did so. He imagined that if he shook it he would see pieces of bone falling into the bin and he knew that he would not be able to endure it. He jerked upright and, lashed by fiery whips of fear and guilt, backed hurriedly to the door. For the life of him, he could not bring himself to shake those ashes. But did it really matter? No. He tried to console himself with the thought that he was safe. No one would look into the bin. Why should they? No one suspected him; things-were going along smoothly; he would be able to send the kidnap note and get the money without bothering about the ashes and before any- one discovered that Mary was dead and in the fire. Then he went into the driveway, through the falling snow to the street. He had to see Bessie at once; the kidnap note had to be sent right away; there was no time to lose. If Mr. Dalton, Bntten or Peggy missed him and asked him where he had been, he would say that he had gone out to get a pack- age of cigarettes. But with all of the excitement, no one would probably think of him. And they were after Jan now; he was safe. “Bigger!” He stopped, whirled, his hand reaching inside of his shirt for his gun. He saw Jan standing in the doorway of a store. As Jan came forward Bigger backed away. Jan stopped. “For chrissakesi Don’t be afraid of me. I’m not going to hurt you.” In the pale yellow sheen of the street lamp they faced each other; huge wet flakes of snow floated down slowly, NATIVE SON 162 forming a delicate screen between them. Bigger had his hand inside of bis shirt, on his gun. Jan stood staring, his mouth open. “Whafs all this about, Bigger? I haven’t done anything to you, have I? Where’s Mary?” ^'Bigger felt guilty; Jan’s presence condemned him. Yet ho '^knew of no way to atone for his guilt; he felt he had to act as he was acting. “I don’t want to talk to you,” he mumbled. “But what have I done to you?” Jan asked desperately. Jan had done nothing to him, and it was Jan’s iimocenco that made anger rise in him. His fingers tightened about the gun. “I don’t want to talk to you,” he said again. He felt that if Jan continued to stand there and make him feel this awful sense of guilt, he would have to shoot him in spite of himself. He began to tremble, aU over; his Ups part^ and his eyes widened, “Go ’way,” Bigger said. “Listen, Bigger, if these people are bothering you, Just tell me. Don’t be scared. I’m used to this sort of thing. Listen, now. Let’s go some'niiere and get a cup of coffee and talk this thing over,” Jan came forward again and Bigger drew his gun, Jan stopped; his face whitened. “For God’s sake, man! What’re you doing? Don’t shoot . . ■ I haven’t bothered you. . . . Don’t . . .” “Leave me alone,” Bigger said, his voice tense and hys- terical. "Leave me alone! Leave me alone!” Jan backed away from him “Leave me alone!” Digger’s voice rose to a scream. Jan backed farther away, then turned and walked rapidly off, looking back over his shoulder. When he reached the comer he ran through the snow, out of sight Bigger stood still, the gun in hand. He had utterly forgotten where he was; his eyes were stiU riveted on that point in space where he had last seen Jan’s retreating form The tension in him slack- ened and he lowered the gun imtil it hung at his side^ loosely in his fingers. He was coming back into possession of himself; for the past three minutes it seemed he had been under a strange spell, possessed by a force which he hated, but which he had to obey. He was startled when he heard soft FLIGHT 163 footsteps coming toward him in th# snow. He looked and saw a white wonian. The woman saw him and paused; she turned abruptly and ran across the street Bigger ^oved the gun in his pJwket and ran to the comer. He looked back; the woman was vanishing through the snow, in the opposite direction. In him as he walked was a cold, driving wilL He would go through with this; he would work fast He had encoun- tered in Jan a mudh stronger deteiminatioa than he had thought would be there. If he sent the kidnap note, it would have to be done before Jan could prove that he was completely ipnocent At that moment he did not care if he was caught fit only he could cower-Jan and-l^tten intojsaierinteHieai^ of him and lm~b!a^ skin and his nombirr^ners! “He reachSTacOThw” and Wfflrintor'g'afxigij^e. A white clerk came to him. “Give me a envelope, some paper and a pencil,** he said. He paid die money, put the padcage into bis pocket and went out to the comer to wait for a car. One came; he got on and rode eastward, wondering what kind of note he would write. He rang the bell for the car to stop, got off and walked through the quiet Negro streets. Now and then he passed an empty building, white and silent in die night He would make Be^e hide in one of these buHdings and watch for Mr. Dalton’s car. But the ones be passed were too dd; if one went into them they might collapse. He walked pn. He had to find a building where Besae could stand in a window and see the package of money when it was dirown from the car. He reached Langley Avenue and walked westward to Wabash Avenue. There were many empty buildings with black windows, like blind eyes, buildings like ^letons stand- ing with snow on theii hones in the winter winds. But none of them were on comers. Finally, at Mfchigan Avenue and East Thirty-sixdi Place, he raw the one he wanted. It was tall, white, sileat, standing on a wellJighted comer. By look- ing from any of the front windows Bessie would be able to see in all four dire^ons. OhI He had to have a flashlighti He went to a drug store and bought one fm: a dollar. He felt in the inner pocket of his coat fw his gloves. Now, he was ready. He crossed the street and stood waiting for a car. His feet were cold and he stamped them in the snow, sur- rounded by peqple waiting, too, for a car. He did not look NATTVB SON 164 at them; they were simply blind people, blind like his mother, his brother, his sister, Peggy, Britten, Jan, Mr. Dalton, and the sightless Mrs. Dalton and the quiet empty houses with their black gaping windows. He looked around the street and saw a sign on a building; THIS PROPERTY IS MANAGED BY THE SOUTH SIDE REAL ESTATE COMPANY. He had heard that Mr. Dalton owned the South Side Real Estate Company, and the South Side Real Estate Company owned the house in which he lived. He paid eight dollars a week for one rat-infested room. He had never seen Mr. Dalton xmtil he had come to work for him; his mother always took the rent to the real estate office. Mr. Dalton was somewhere far away, high up, distant, like a god. He owned property all over the Black Belt, and he owned property where white folks lived, too. But Bigger could not live in a building across the “line.” Even though Mr. Dalton gave millions of dollars for Negro education, he would rent houses to Negroes only in this prescribed area, this comer of the city tumbling down from rot. In a sullen way Bigger was conscious of this. Yes; he would send the kidnap note. He would jar them out of their senses. When the car came he rode south and got off at Fifty-first Street and walked to Bessie's. He had to ring five times before the buzzer answered. Goddammit, I bet she’s drunk! he thought. He mounted the steps and saw her peering at him through the door with eyes red from sleep and alcohol. His doubt of her made him fearful and angry. “Bigger?” she asked. “Get on back in the room,” he said. What’s the matter?” she asked, backing away, her mouth open. “Let me ini Open the door!” She threw the door wide, almost stumbling as she did so. “Turn on the light,” “What’s the matter, Bigger?” How many times do you want me to ask you to turn on the hght?” She turned it on. “Pull them shades.” She lowered the shades. He stood watching her. Now I dont want any trouble out of her. He went to the dresser and pushed her jars and combs and brushes aside and took PLIGHT 165 the package from his pocket and laid it in the cleared space. “Bigger?” He turned and looked at her. “What?” “You ain’t really planning to do that, sure ’nough?” “What the hell you think?” “Bigger, naw!” He caught her arm and squeezed it in a grip of fear and hate. “You ain’t going to turn away from me now! Not now, goddamn youl” She said nothing. He took off his cap and coat and threw them on the bed. “They’re wet, Bigger!” “So what?" “I ain’t doing this,” she said. “Like hell you ain’t!” “You can’t make me!” “You done helped me to steal enough from the folks you worked for to put you in jail already.” She did not answer; he turned from her and got a chair and pulled it up to the dresser. He unwrapped the package and balled the paper into a knot and threw it into a corner of the room. Instinctively, Bessie stooped to pick it up. Big- ger laughed and she straightened suddenly. Yes; Bessie was blind. He was about to write a kidnap note and she was wor- ried about the cleanliness of her room. “What’s the matter?” she asked. “Nothing,” He was smilin g grimly. He took out the pencil; it was not sharpened. “G imm e a knife.” “Ain’t you got one?” “Hell, naw! Get me a knife!” “What you do with your knife?" He stared at her, remembering that she knew that he had had a knife. An image of blood gleaming on the metal blade in the glare of the furnace came before his eyes and fear rose in him hotly. “You want me to slap you?” She went behind a curtain. He sat looking at the paper and pencil. She came back with a butcher knife. 166 NATIVE SON “Bigger, please ... I don't want to do it” “Got any liquor?” “Yeah ” “Get you a shot and set on that bed and keep quiet.” She stood undecided, then got the bottle from under a pillow and drank. She lay on the bed, on her stomach, her face turned so that she could see him. He watched her through the looking-glass of the dresser. He sharpened the pencil and spread out the piece of paper. He was about to write when he remembered that he did not have his gloves on. Goddamn! “Gimme my gloves.” “Hunh?" “Get my gloves out of the inside of my coat pocket.” She swayed to her feet and got the gloves and stood back of his chair, holding them limply in her hands. “Give ’em here." “Bigger . . “Give me the gloves and get back on that bed, will you?” He snatched them from her and gave her a shove and turned back to the dresser. “Bigger . . .” “I ain’t asking you but once more to shut up!” he said, pushing the knife out of the way so he could write. He put on the gloves and took up the pencil in a trembling hand and held it poised over the paper. He should disguise his handwriting. He changed the pencil from his right to his left hand. He would not write it; he woidd print it He swallowed with dry throat. Now, what would be the best kind of note? He thought, I want you to put ten thousand . . . Naw; that would not do. Not “I.” It would be better to say “we.” We got your daughter, he printed slowly in big round letters. That was better. He ouj^t to say something to let Mr. Dalton think that Mary was still alive. He wrote: She is safe. Now, teli him not to go to the police. No! Say some- thing about Mary first! He bent and wrote: She wants to come home. , , . Now, tell him not to go to the police. Don't go to the police if you want your daughter back safe. Naw; that ain’t good. His scalp tingled with excitement; it seemed that he could feel each strand of hair upon his head. He read the line over and crossed out “safe” and wrote “alive.” For a moment he was frozen, still. There was in his FLIGHT 167 Stomach a slow, cold, vast risbg movement, as though he held within the embrace of his bowels the swing of planets through space. He was gjddy. He caught hold of himself, focused his attention to write again. Now, about the money. How much? Yes; make it ten thousand. Get ten thousand in 5 and 10 bills and put it in a shoe box. . . . That’s good. He had read that somewhere. , . . and tomorrow night ride your car up and down Michigan Avenue from 35tk Street to 40th Street. That would make it hard for anybody to tell Just where Bessie would be hiding. He wrote: Blink your head- lights some. When you see a light in a window blink three times throw the box in the snow and drive off. Do what this letter say. Now, he would sign it But how? It should be signed in some way that would throw them off the trail. Oh, yes! Sign it “Red.” He printed. Red. Then, for some reason, he thought that that was not enough. Oh, yes. He would make one of those signs, like the ones he had seen on the Com- munist pamphlets. He wondered how they were made. There was a hammer and a round kind of knife. He drew a ham- mer, then a curving knife. But it did not look right. He ex- amined it and discovered that he had left the handle off the knife. He sketched it in. Now, it was complete. He read it over. OhI He had left out something. He had to put in the time when he wanted them to bring the money. He bent and printed again: ps. Bring the money at midnight. He sighed, lifted his eyes and saw Bessie standing behind him. He turned and looked at her. “Bigger, you ain’t really going to do that?” she whispered in horror. “Sure.” “Where’s that girl?” ^ “I don’t know.” ‘You do know. You wouldn’t be doing this if you didn’t know.” “Aw, what difference do it make?” She looked straight into his eyes and whi^ered, “Bigger, did you kill that girl?” His jaw clamped tight and he stood up. She turned from him and flung herself upon the bed, sobbing. He began to feel cold; he discovered that his body was covered with sweat. He heard a soft rustle and looked down at his hand; the kidnap note was shaking in his trembling fingers, But I NATIVE SON L6S ain’t scared, he told himself. He folded the note, put it into an envelope, sealed it by licking the flap, and shoved it in his pocket. He lay down cm the bed beside Bessie and took her in his arms. He tried to speak to her and found his throat so husky that no words came. “Come on, kid,” he whispered finally. “Bigger, what’s happened to you?” “It ain’t nothing. You ain’t got much to do.” "I don’t want to.” “Don’t be scared.” “You told me you was never going to kill nobody.” “I ain’t killed nobody.” “You did\ I see it in your eyes. I see it all over you.” "Don’t you trust me, baby?” “Where’s that girl. Bigger?” “I don't know.” “How you know she won’t turn up?” “She just WOTi’t.” “You did kill her.” “Aw, forget the girl.” ri9ie stood up. “If you killed her you’ll kill me,” she said. “I ain't in this.” I “Don’t be a fool. I love you.” "You tdd me you never was going to kill." “All right They white folks. They done killed plenty of us." "That don’t make it right.” He began to doubt her; he had never heard this tone in her voice before. He saw her tear-wet eyes looking at him in stark fear and he remembered that no one had seen him leave his roona. To stop Bessie who now knew too much wmild be easy. He could take the butcher knife and cut her throat He had to make certain of her, one way or the other, before he went back to Dalton’s. Quickly, he stooped over her, his fists clenched. He was feeling as he had felt when he stood over Mary’s bed with the white blur drawing near; an iota more of fear would have sent him plunging again into murder. “I don’t want no playing from you now.” *Tm scared. Bigger,” she whimpered. Sie tried to get up; he knew she had seen the mad light in FLIOHT 169 his eyes. Fear sheathed him in fire. His words came in a thick whisper. “Keep still, now. I ain’t playing. Pretty soon they’ll be after me, maybe. And I ain’t going to let ’em catch me, see? I ain’t going to let ’emi The first thing they’ll do in looking fm: me is to come to you. They’ll grill you about me and you, you drunk fool, you'll telll You’ll tell if you ain’t in it, too. If you ain’t in it for your life, you’ll tell.” “Naw; Bigger!’’ she whimpered tensely. At that moment she was too scared even to cry. “You going to do what I say?’’ She wrenched herself free and rolled across the bed and stood up on the other side. He ran round the bed and fol- lowed her as she backed into a comer. His voice hissed from his throat: “I ain’t going to leave you behind to snitchl" “I ain’t going to snitchl I swear I ain’t.” He held his face a few inches from hers. He had to bind her to him. “Yeah; I killed the girl,” he said. "Now, you know. You got to help me. You in it as deep as me! You done spent some of the money. . . She sank to the bed agmn, sobbing, her breath catching in her throat. He stood looking down at her, waiting for her to quiet. When she had control of herself, he lifted her and stood her upon her feet. He reached under the pillow and brought out the bottle and took out the stopper and put his hand round her and tilted her head. “Here; take a shot” “Naw.” “Drink ” He carried the bottle to her lips; she drank a small swal- low. When he attempted to put the bottle away, she took it from him. “That’s enough, now. You don’t want to get sloppy drunk.” He turned her loose and she lay back on the bed, limp, whimpering. He bent to her. “Listen, Bessie.” “Bigger, pleasel Don't do this to me! Please! All I do is work, work like a dc^l From morning till night. I ain't got no happiness. I ain’t never had none. I ain’t got nothing and you do this to me. After how good I been to you. Now you NATTVB SON 170 just spoil my whole life. Fve done everything for you I know how and you do this to me. Please, Bigger. . . She turned her head away and stared at the floor. “Lord, don’t let this happen to me! I ain’t done nothing for this to come to me! I just work! I ain’t had no happiness, no nothing. I just work. Fm black and I work and don’t bother nobody. . . “Go on,” Bigger said, nodding his head afflnnatively; he knew the truth of all she spoke without her telling it. “Go on and see what that gets you.” “But I don’t want to do it. Bigger. They’ll catch us. God knows they will.” “I ain’t going to leave you here to snitch on me.” “I won’t tell. Honest, I won’t. I cross my heart and swear by God, I won’t You can run away. . . “I ain’t got no money.” “You have got money. 1 paid rent out of what you gave me and I bought some liquor. But the rest is there.” “That ain’t enough. I got to have some real dough.” She cried again. He got the knife and stood over her. “I can stop it all right novi^,” he said. She started up, her mouth opening to scream. "If you scream, TU have to kill you. So help me GodI” “Naw; nawl Bigger, don’t! Don't!” Slowly, his arm relaxed and hung at his side; she fell to sobbing again. He was afraid that he would have to kill her before it was all over. She would not do to take along, and he could not leave her behind. "All right,” he said. “But you better do the right thing,” He put the knife on the dresser and got the flashlight from his overcoat pocket and then stood over her with the letter and flashlight in his hand. “Come on,” he said. “Get your coat on.” “Not tonl^t, Biggerl Not tonight . . .” “It won’t be tonight But I ^t to show you what to do.” “But it’s cold. It’s snowing. . . .” "Sure. And nobody’ll see us. Come onl” She pulled up; he watched her struggle into her coat Now and then she paused and looked at hitr, blinking back her tears. When she was dressed, he put on his coat and cap and led her to the street The air was thick with snow. The wind blew bard. It was a blizzard. The street lamps were faint FLIOHT 171 smudges of yellow. They walked to the corner and waited for a car. “I’d rather do anything but this,” she said. “Stop now. We’re in it.’’ “Bigger, honey, I’d run off with you. I’d work for you, baby. We don’t have to do this. Don’t you believe I love you?’’ “Don’t try that on me now.” The car came; he helped her on and sat down beside her and looked past her face at the silent snow flying white and wild outside the window. He brought his eyes farther round and looked at her; she was staring with blank eyes, like a blind woman waiting for some word to tell her where she was gomg. Once she cried and he gripped her shoulder so tightly that she stopped, more absorbed in the painful pres- sure of steel-Uke fingers than in her fatk They got off at Thirty-sixth Place and walked over to Michigan Avenue. When they reached the comer. Bigger stopped and made her stop by gripping her arm again. They were in front of the hi^, white, empty building with black windows. “Where we going?” “Right here.” “Bigger,” she whimpered. “Come on, now. Don’t start that!” “But I don’t want to.” “You got to.” He looked up and down the street, past ghostly lamps that shed a long series of faintly shimmering cones of yellow against the snowy night. He took her to the front entrance which gave into a vast pool of inky silence. He brought out the flashlight and focused the round spot on a rickety stair- way leading upward into a still blacker darkness. The planks creaked as he led her up. Now and then be felt his shoes sink into a soft, cushy substance. Cobwebs brushed his face. All around him was the dank smell of rotting timber. He stopped abruptly as something with dry whispering feet flit- ted across his path, emitting as the rush of its flight died a thin, piping wail of lonely fear. “Ooow!” Bigger whirled and centered the spot of light on Bessie’s face. Her lips were drawn back, her mouth was open, and her hands were lifted midway to white-rimmed eyes. NATIVE SON 172 “What you trying to do?” he asked. “Tell the whole world we in here?” “Oh, Bigger!” “Come on!” After a few feet he stopped and swung the light He saw dusty walls, walls almost like those of the Dalton home. The doorways were wider than those of any house in which he had ever lived. Some rich folks lived here once, he thou^t. Rich white folks. That was the way most houses on the South Side were, ornate, old, stinking; homes once of rich white people, now inhabited by Negroes or standing dark and empty with yawning black windows. He remembered that bombs had been thrown by whites into houses like these when Negroes had first moved into the South Side. He swept the disc of yellow and walked gingerly down a hall and into a room at front of the house. It was feebly lit from the street lamps outside; he switched off the flashli^t and looked round. The room had six large windows. By standing close to any of them, the streets in all four directions were visible. “See, Bessie. , . He turned to look at her and found that she was not there. He called tensely: “Bessie!” There was no answer; he bounded to the doorway and switched on the flashlight. She was leaning against a wall, sobbing. He went to her, caught her arm and yanked her back into the room. “Come onl You got to do better than this.” 'Td rather have you kill me right now,” she sobbed, “Don’t you say that again!” She was ^ent His black open palm swept upward in a swift narrow arc and smacked solidly against her face. “You want me to wake you up?” She bent her head to her knees; he caught hold of her arm again and dragged her to the window. He spoke like a man who had been running and was out of breath: “Now, look. All you got to do is come here tomorrow nigjit, see? Ain’t nofifing gcring to bother you. I’m seeing to everything. Don’t you worry none. You just do what I say. You come here and just watch. About twelve o’clock a car’ll come along. It’ll be blinking its headlights, see? When it comes, you just raise this flashlight and blink it three times. FLIGHT 173 see? Like this. Remember that. Then watch that car. It’ll throw out a package. Watch that package, ’cause the money’ll be in it. Itll go into the snow. Look and see if anybody’s about. If you see nobody, then go and get the package and go home. But don’t go straight home. Make sure nobody’s watching you, nobody’s following you, see? Ride three or four street cars and transfer fast. Get off about five blocks from home and look behind you as you walk, see? Now, look. You can see up and down Michigan and Thirty-sixth. You can see if anybody’s watching. I’ll be in the white folks’ house all day tomorrow. If they put anybody out to watch. I’ll let you know not to come.” "Bigger. . . “Come on, now.” ‘Take me home.” “You going to do it?” She did not answer. “You already in it,” he said. “You got part of the money.” “I reckon it don’t make no difference,” she sighed. “It’ll be easy.” “It won’t. I’ll get caught. But it don’t make no difference. I’m lost anyhow. I was lost when I took up with you. I’m lost and it don’t matter. . . .” “Come on.” He led her back to the car stop. He said nothing as they waited in the whirling snow. When he beard the car coming, he took her purse from her, opened it and put the flashlight inside. The car stopped; he helped her on, put seven cents in her trembling hand and stood in the snow watching her black face through the window white with ice as the car moved off slowly through the night. He walked to Dalton’s through the snow. His right hand was in his coat pocket, his fingers about the kidnap note. When he reached the driveway, he looked about the street carefully. There was no one. He looked at the house; it was white, huge, sUent. He walked up the steps and stood in front of the door. He waited a moment to see what would happen. So deeply conscious was he of violating dangerous taboo, that he felt that the very air or sky would suddenly speak, commanding him to stop. He was sailing fast into the face of a cold wind that all but sucked his breath from him; but he liked it Around him were silence and night and NATIVE SON 174 snow falling, falling as though it had fallen from the be- ginning of time and would always fall till the end of the world. He took the letter out of his pocket and slipped it under the door. Turning, he ran down the steps and round the house, I done it! I done it now! They’ll see it tonight or in the morning. ... He went to the basement door, opened it and looked inside; no one was there. Like an enraged beast, the furnace throbb^ with heat, suflhising a red glare over everything. He stood in front of the cracks and watched the restless embers. Had Mary burned completely? He want- ed to poke around in the coals to see, but dared not; he flinched from it even in thought. He pulled the lever for more coal, then went to his room. When he stretched out on his bed in the dark he found that his whole body was trembling. He was cold and hungry. While lying there shaldng, a hot bath of fear, hotter than his blood, engulfed him, bringing him to his feet. He stood in the middle of the floor, seeing vivid images of his gloves, his pencil, and paper. How on earth had he forgotten them? He had to bum them. He would do it right now. He puUed on the light and went to his overcoat and got the gloves and pencil and paper and stuffed them into his shirt. He went to the door, listened a moment, then went into the hall and down the stairs to the furnace. He stood a moment before the gleaming cracks. Hurriedly, he opened the door and dumped the gloves and pencil and paper in; he watched them smoke, blaze; he closed the door and heard them bum in a furious whirlwind of draft. A strange sensation enveloped him. Something tingled in his stomach and on his scalp. His knees wobbled, giving way. He stumbled to the wall and leaned against it weakly. A wave of numbness spread fanwise from his stomach over his entire body, including his head and eyes, making his mouth gap. Strength ebbed from him. He sank to his knees and pressed his fingers to the floor to keep from tumbling over. An organic sense of dread seized him. His teeth chattered and he felt sweat sliding down his armpits and back. He groaned, bedding as still as possible. His vision was blurred; but gradually it cleared. Again he saw the furnace. Then he realized that he had been on the verge of collapse. Soon the glare and drone of the fire came to his eyes and ears. He FLIGHT 175 closed his mouth and gritted his teeth; the peculiar paralyz- ing numbness was leaving. When he was strong enough to stand without support, he rose to his feet and wiped his forehead on his sleeve. He had strained himself from a too long lack of sleep and food; and the excitement was sapping his energy. He should go to the kitchen and ask for his dinner. Surely, he should not starve like this. He mounted the steps to the door and knocked timidly; there was no answer. He turned the knob and pushed the door in and saw the kitchen flooded with light. On a table were spread several white napkins under which was something that looked like plates of food. He stood gazing at it, then went to the table and lifted the cor- ners of the napkins. There were sliced bread and steak and fried potatoes and gravy and string beans and spinach and a huge piece of chocolate cake. His mouth watered. Was this for him? He wondered if Peggy was around. Ought he try to And her? But he disliked the thought of looking for her; that would bring attention to himself, something which he h ated. H e stood m uw Kitcnen, wondenflg th he ought to eat, but afraid to do so. He rested his black Angers on the edge of the white table and a silent laugh burst from his parted lips as he saw himself for a split second in a lurid objective light: he had killed a rich white girl and had burned her body after cutting her head off and had lied to throw the blame on someone else and had written a kidnap note de- manding ten thousand dollars and yet he stood here afraid to touch food on the table, food which ipidoubtedly was hVo^. /“Bigger?" \ “Hunh?” he answered before he knew who had called. 3 ‘‘WTip h -pi^ v a . ymi hpi-.n? Yffl i r dinner’s been w aiting for you since five o’clock. There’s a chair. Eat. . . aslmuc/t as you want. ... He stopped listening. In Peggy’s bandwas me Kidnap note, ru H eat your coffee go ahea d and, eat Had~she bpeaed itr Jina sne know what was iin~i t? Noi ^the envelope was still sealed. Slie came to the table tmd remov^ the napkins. His kn ees W CTg, shaking urith dement and sweat broke ouTon his forehe^ His skin -felt as though it were puckering up from -aJAast of hf i nt . Woff - ’t - y ou want the steak warmed The question reached him from NATIVE SON 176 far away and he shook his head without really knowing what she meant, don't you feel well “This is all right,” he murmured. “You oughtn't starve yourself that way.” “I wasn’t hungry.” “You’re hungrier than you think,” she said. She set a cup and saucer at his plate, then laid the letter on the edge of the table. It held his attention as though it were a steel magnet and his eyes were iron. She got the cof- fee pot and poured his cup full. No doubt she had just got- ten the letter from under the door and had not yet had time to give it to Mr. Dalton. She placed a small jar of cream at his plate and took up the letter again. *‘I’ve got to give this to Mr. Dalton,” she said. “I’ll be back in a moment,” “Yessum,” he whispered. She left. He stopped chewing and stared before him, his mouth dry. But he had to eat. Not to eat now would create suspicion. He shoved the food in and chewed each mouthful awhile, then washed it down with swallows of hot coffee. When the coffee gave out, he used cold water. He strained his ears to catch sounds. But none came. Then the door swung in silently and Peggy came back. He could see noth- ing in her round red face. Out of the comers of his eyes he watched her go to the stove and putter with pots and pans. “Want more coffee?” “No’m.” “You ain’t scared of all this trouble we’re having round here, are you. Bigger?” “Oh, no’m,” he said, wondering if something in his man- ner had made her ask that. “That poor Mary!” Peggy sighed. “She acts like such a ninny. Imagine a girl keeping her parents worried sick all the time. But there are children for you these days.” He hurried with his eating, saying nothing; he wanted to get out of the kitchen. The thing was in the open now; not of it, but some of it. Nobody knew about Mary yet. He saw in his mind a picture of the JDalton family distrau ght and horrified when they found that ^ary was kidnaped^ That would put them a cSiT ah r dls i aade '' ffbm hhnrThey tv ould think th at white men did it: they would never think that a black, t ifanid Nego did tKatT They would go afterJan. The FLIGHT 177 “Red” he_haisigned to the letter and the hammer and curv- ing kAife would make them look for Communists. "You got enough?” "Yessum.” ‘ Vou better clean the ashes out of the furnace in the morn- ing, Bigger.” “Yessum.” "And be ready for Mr. Dalton at eight.” "Yessum.” “Your room all right?” "Yessum.” The door swung in violently. Bigger started in fright Mr. Dalton came into the kitchen, his face ashy. He stared at Peggy and Peggy, holding a dish towel in her hand, stared at him. In Mr. Dalton’s hand was the letor, opened. '‘What’s the matter, Mr. Diiton?” “Who . . . Where did . . .Who gave you this?” "Whal?” “This letter^ WhyToobody. I got it from the door.” "V^enr “A few minutes ago. Anyt hing wrong?” Mr. Dalton look^ round the entire kitchen, not at any- thing in particular, but just round the entire stretch of four walls, his eyes wide and unseeing. He looked back at Peggy; it was as If he had thrown himself upon h« rnercy; was wait- ing for her to say some word that would take the horror a^y- “W-whftt’s the matt er, Mr. Dalton? ” Peggy asked again. Before Mr. DaltocTcould ans wer MrsTD al^n groped her way jhto^thg kjtc hCT. her white" hands~ held higSTBigger watched hw^gers through th « i^ir till they touched Dal ton’s s hoti^CT. They gripped his coat hard enough to t^ it from his bod)^ Bi^er, without moving an eyelid, felt his skin grow hot and his muscles stiffen. "Henryl Henryl” Mrs. Dalton caUed. “What’s the matter?” Mr. Dalton did not hear her; he still stared at Peggy. “Did you see who left this letter?” "No, Mr. Dalton.” “You, Bigger?” “Nawsuh,” he whispered, his mouth full of dry food. “Henry, tell mel Please! For Heaven’s sakel” 178 NATIVE SON Mr. Dalton put his arm about Mlrs. Dalton’s waist and held her close to him. “It’s . . . It’s about Mary. ... It’s ... She . . .” “What? Where is she?’’ "They . . . They got her! They kidnaped herl” “Henryl Nol” Mrs. Dalton screamed. “Oh, nol’’ Peggy whimpered, r unning to Mr. Dalton. “My baby,’’ Mrs. Dalton sob^d. “She’s been kidnaped,” Mr. Dalton said, as thougb he had to say the words over again to convince himself. Bigger’s eyes were wide, taking in all three of them in one constantly roving glance. Mrs. Dalton continued to sob and Peggy sank into a chair, her face in her hands. Then she sprang up and ran out of the room, crying: “Lord, don’t let them lull herl” Mrs. Dalton swayed. Mr. Dalton lifted her and staggered, trying to get her through the door. As he watched Mr. Dalton there flashed through Bigger’s mind a quick image of how he had lifted Mary’s body in his arms the night before. He rose and held the door open for Mr. Dalton and watched him walk unsteadily down the dim hallway with Mrs. Dalton in his arms. He was alone in the kitchen now. Again the thought that he had the chance to walk out of here and be clear of it all came to him, and again he brushed it aside. He was tensely eager to stay and see how it would all end, even if that end swallowed him in blackness. He felt that he was living upon a high pinnacle where bracing winds whipped about him. There came to his ears a mu£9ed sound of sobs. Then suddenly there was silence. What’s happening? Would M[r. Dalton phone the police now? He strained to listen, but no soun^ came. He went to the door and took a few steps into the hallway. There were still no sounds. He looked about to make sure that no one was watching him, then crept on tiptoe down the hall. He heard voices. Mr. Dalton was talking to someone. He crept farther; yes, he could hear. ... I want to talk to Britten please. Nfr. Dalton was phoning, come right over please yes at once something awful has happened I don’t want to talk about it over the phone. ’That meant that when Britten came back he would be ques- tioned again, yes right away I’ll be waiting. He had to get back to his room. He tiptoed along the hall, FLIGHT 179 through the kitchen, down the steps and into the basement The torrid cracks of the furnace gleamed m the crimson dark- ness and he heard the throaty undertone of the draft de- vouring the air. Was she burnt? But even if she were not, who would think of looking in the furnace for her? He went to his room, mto the closet, closed the door and listened. Silence. He came out, left the door open and, in order to get to the closet quickly and without sound, pulled off his shoes. He lay again on the bed, his mind whirling with images bom of a multitude of impulses. He could run away; he \ could remain; he could even go down and confess what he 1 had done. The mere thought that these avenues of action I were open to him made him feel free, that his life was his, that j he held his future in his hands. But they would never think I that he had done it; not a meek black boy like him. He bounded off the bed, listening, thinking that he had heard voices. He had been so deeply taken up with his own thoughts that he did not know if he had actually heard any- thmg or had imagined it. Yes; he heard faint footsteps below. He hurried to the closet. The footsteps ceased. There came to him the soft sound of sobbing. It was Peggy Her sobbing quieted, then rose to a high pitch. He stood for a long time, listening to Peggy’s sobs and the long moan of the wind sweeping through the night outside. Peggy’s sobs ceased and her footsteps sounded once more. Was she going to answer the doorbell? Footsteps came again; Peggy had gone to the front of the house for something and had come back. He heard a heavy voice, a man’s. At first he could not identify it; then he realized that it was Britten’s. . . and you found the note?” “Yes.” “How long ago?” “About an hour.” “You’re sure you didn’t see anyone leave it?” “It was sticking under the door.” “Think, now. Did you see anybody about the house or driveway?” “No. The boy and me, that’s all that’s been around here.” "And where’s the boy now?” “Upstairs in his room, I think." “Did you ever see this handwriting before?” “No, Mr. Britten.” 180 NATIVE SON “Can you guess, can you think, imagine who would send such a note?” “No. Not a soul in this whole wide world, Mr. Britten,” Peggy wailed. Britten’s voice ceased. There was the sound of other heavy feet. Chaiis scraped over the floor. More people were in the kitchen. Who were they? Their movements sounded like those of men. Then Bigger heard Britten speaking again. “Listen, Peggy - Tell me, how does this boy act?” “What do you mean, Mr. Britten?” “Does he seem intelligent? Does he seem to be actingT' “I don’t know, Mr. Britten. He’s just like all the other colored boys.” “Does he say ‘yes mam’ and ‘no mam’?" “Yes, Mr. Britten He’s polite.” “But does he seem to be trying to appear like he’s more ig- norant than he really is?” “I don’t know, Mr. Britten.” “Have you missed anything around the house since he’s been here?” “No; nothing.” “Has he ever insulted you, or anything?” “Oh, no! No!” “What kind of a boy is he?” “He’s just a quiet colored boy. That’s all I can say. . . .” “Did you ever see him reading anything?” “No, Mr. Britten.” “Does he speak more intelligently at some times than at others?” “No, Mr. Britten. He talked always the same, to me." “Has he ever done anything that would make you think he knows something about this note?” “No, Mr. Britten.” “When you speak to him, does he hesitate before he an- swers, as though he’s thinking up what to say?” “No, Mr. Britten. He talks and acts natural-like.” “When he talks, does he wave his hands around a lot, like he’s been around a lot of Jews?” “I never noticed, Mr. Britten.” “Did you ever hear ’im call anybody comrade'!” “No, Mr. Britten.” “Does he pull off his cap when he comes in the house?” FLIGHT 181 ‘1 never noticed. 1 think so, Mr. Britten." “Has he ever sat down in your presence without being asked, like he was used to beuig around white people?” “No, Mr. Britten Only when I told him to.” “Does he speak first, or does he wait until he’s spoken to?” “Well, Mr. Britten. He seemed always to wait until we spoke to him before he said anything." “Now, listen, Peggy Think and try to remember if his voice goes up when he talks, like Jews when they talk. Know what I mean? You see, Peggy, I’m trying to find out if he’s been around Communists. . . .’’ “No, Mr. Britten. He talks just like all other colored folks to me.” “Where did you say he is now?" “Upstairs in his room.” When Britten’s voice ceased Bigger was smiling. Yes; Brit- ten was trying to trap him, trymg to make out a case against him; but he could not find anything to go upon. Was Bntten coming to talk to him now? There came the sound of other voices. “It’s a ten-to-one chance that she’s dead.’’ “Yeah. They usually bump ’em off. They’re scared of ’em after they get ’em. They think they might identify them afterwards.” “Did the old man say he was going to pay?” “Sure. He wants his daughter back.” “That's just ten thousand dollars shot to hell, if you ask me.” “But he wants the girl.” “Say, I bet it’s those reds trying to raise money.” “Yeah!" “Maybe that’s how they get their dough They say that guy, Bruno Hauptmann, the one who snatched the Lindy baby, did it for the Nazis. They needed the money.” “I’d like to shoot every one of them goddamn bastards, red or no red.” There was the sound of a door opening and more footsteps. “You have any luck with the old man?” “Not yet.” It was Britten’s voice. “He’s pretty washed up, eh?” “Yeah: and who wouldn't be?” “He won’t call the cops?” 182 NATIVE SON “Naw; he’s scared stiff.” “It might seem hard on the family, but if you let them snatchers know they can’t scare money out of you, they’ll stop.” “Say, Brit, try ’ira again.” “Yeah; tell ’im there ain’t nothing to do now but to call the cops.” “Aw, I don’t know. I hate to worry ’im.” “Well, after all, it’s his daughter. Let him handle it.” “But, listen, Brit. When they pick up this Erlone fellow, he’s going to tell the cops and the papers’ll have the story anyway. So caU ’em now. The sooner they get started the better.” “Naw; I’ll wait for the old man to give the signal.” Bigger knew that Mr. Dalton had not wanted to notify the police; that much was certain. But how long would he hold out? The police would know everything as soon as Ian was picked up, for Jan would tell enough to make the police and the newspapers investigate. But if Jan were confront- ed with the fact of the kidnaping of Mary, what would happen? Could Jan prove an alibi? If he did, then the police would start looking for someone else. They would start ques- tioning him again; they would want to know why he had lied about Jan’s being in the house. But would not the word “Red” which he had signed to the ransom note throw them off the track and make them still think that Jan or his com- rades did it? Why would anybody want to think that Bigger had kidnaped Mary? Bigger came out of the closet and wiped sweat from his forehead with his sleeve. He had knelt so long that his blood had almost stopped and needlelike pains shot from the bottom of his feet to the calves of his legs. He went to the window and looked out at the swirling snow. He could hear wind rising; it was a blizzard all right. The snow moved in no given direction, but filled the world with a vast white storm of flying powder. The sharp currents of wind could be seen in whorls of snow twisting like minia- ture tornadoes. The window overlooked an alley, to the right of which was Forty-fifth Street. He tried the window to see if it would open; he lifted it a few inches, then all the way with a loud and screechy sound. Had anyone heard him? He waited; nothing happened. GoodI If the worst came to the PLIGHT 183 worst, he could jump out of this window, right here, and run away. It was two stories to the ground and there was a deep drift of soft snow just below him He lowered the win- dow and lay again on the bed, waiting. The sound of firm feet came on the stairs. Yes; someone was coming up! His body grew rigid. A knock came at the door. “Yessuhl” “Open upl” He pulled on the light, opened the door and met a white face. “They want you downstairs.’’ "Yessuh!” The man stepped to one side and Bigger went past him on down the hall and down the steps into the basement, feeling the eyes of the white man on his back, and hearing as he neared the furnace the muffled breathing of the fire and seeing directly before his eyes Mary’s bloody head with its jet- black curly hair, shining and wet with blood on the crumpled newspapers. He saw Britten standing near the furnace with three white men. “Hello, Bigger," “Yessuh,” Bigger said. “You heard what happened?” “Yessuh.” “Listen, boy. You’re talking just to me and my men here. Now, teil me, do you think Jan's mixed up in this?" Bigger’s eyes fell. He did not want to answer in a hurry and he did not want to blame Jan definitely, for that would make them question him too closely. He would hint and point in Jan’s direction. “I don’t know, suh,” he said. “Just tell me what you think." “I don’t know, suh,” Bigger said again. “You really saw him here last night, didn’t you?” “Oh, yessuh.” “You’d swear he told you to take that trunk down and leave the car out in the snow.” “I — I’d swear to what’s true, suh," said Bigger. “Did he act like he had anything up his sleeve?” “I don’t know, suh.” “What time did you say you left?” “A little before two, suh.” 184 NATIVE SON Britten turned to the other men, one of whom stood near the furnace with his back to the fire, warming his hands behind him. The man’s legs were sprawled wide apart and a cigar glowed in a corner of his mouth. “It must’ve been that red,” Bntten said to him. “Yeah,” said the man at the furnace. “What would he have the boy take the trunk down for and leave the car out? It was to throw us off the scent.” “Listen, Bigger,” said Britten. “Did you see this guy act in any way out of the ordinary? I mean, sort of nervous, say? Just what did he talk about?” “He talked about Communists. . . “Did he ask you to join?” “He gave me that stuff to read.” “Come on Tell us some of the things he said.” Bigger knew the things that white folks hated to hear Negroes ask for; and he knew that these were the things the reds were always asking for And he knew that white folks did not tike to hear these things asked for even by whites who fought for Negroes. "Well,” Bigger said, feigning reluctance, “he told me that some day there wouldn’t be no rich folks and no poor folks . . .” “Yeahr’ “And he said a black man would have a chance. . . "Go on.” “And he said there would be no more lynching. . . “And what was the girl saying?” "She agreed with ’im.” “How did you feel toward them?” “I don’t know, suh.” “I mean, did you like ’em?” He knew that the average white man would not approve of his liking such talk. “It was my job. I just did what they told me,” he mumbled. "Did the girl act in any way scared?” He sensed what kind of a case they were trying to build against Jan and he remembered that Mary had cried last night when he had refused to go into the caf6 with her to eat. “Well, I don’t know, suh. She was crying once. . . .” "Crying?" The men crowded about him. FLIGHT 185 “Yessuh." “Did he hit her?” “I didn’t see that.” “What did he do thenr’ “Well, he put his arms around her and she stopped.” Bigger had his back to a wall. The crimson luster of the fire gleamed on the white men’s faces The sound of air being sucked upward through the furnace mingled in Bigger’s ears with the faint whine of the wind outside in the night. He was tired; he closed his eyes a long second and then opened them, knowing that he had to keep alert and answer questions to save himself. “Did this fellow Jan say anything to you about white women?” Bigger tightened with alarm. “Suh?" “Did he say he would let you meet some white women if you joined the reds?" He knew that sex relations between blacks and whites were repulsive to most white men. “Nawsuh,” he said, simulating abashment. “Did Jan lay the girl?” “I don't know, suh.” “Did you take them to a foom or a hotel?” "Nawsuh, Just to the park ” “They were in the back seat?” “Yessuh.” "How long were you in the park?” “Well, about two hours, 1 reckon, suh ” “Come on, now, boy. Did he lay the girl?” “I don’t know, suh. They was back there kissing and going on." “Was she lying down?” “Well, yessuh. She was,” said Bigger, lowering his eyes because he felt that it would be better to do so He knew that whites thought that all Negroes yearned for white women, therefore he wanted to show a certain fearful deterence even when one’s name was mentioned in his presence. “They were drunk, weren't they?” “Yessuh. They’d been drinking a lot.” He heard the sound of autos coming into the driveway. Was this the police? 186 native son “Who’s that?” Britten asked. “I don’t know,” said one of the men. “I’d better see,” Britten said. Bigger saw, after Britten had opened the door, four cars standing in the snow with headlights glowing. “Who’s that?” Britten caUed. “The press!” “There’s nothing here for you!” Britten called in an uneasy voice. “Don’t stall us!” a voice answered. “Some of it’s already in the papers. You may as well tell the rest.” “What’s in the papers?” Britten asked as the men entered the basement. A tall red-faced man shoved his hand into his pocket and brought forth a newspaper and handed it to Britten. ‘The reds say you’re charging ’em with spiritmg away the old man’s daughter,” Bigger darted a glance at the paper from where he was; he saw: RED NABBED AS GIRL VANISHES. “Goddamn!” said Britten. “Phewl” said the tall red-faced man. “What a night! Red arrested! Snowstorm. And this place down here looks hke somebody’s been murdered.” “Come on, you,” said Britten. “You’re in Mr. Dalton’s house now.” “Oh, I’m sorry.” “Where’s the old man?” “Upstairs. He doesn’t want to be bothered.” “Is that girl really missing, or is this just a stunt?” “I can’t tell you anything,” Britten said. “Who’s this boy, here?” “Keep quiet. Bigger,” Britten said. “Is he the one Erlone said accused him?” Bigger stood against the wall and looked around vaguely, “You gomg to pull the dumb act on us?” asked one of the men. “Listen, you guys,” said Britten. “Take it easy. lH go and see if the old man will see you.” “That’s the time. We’re waiting. All the wires are carrying this story." Britten went up the steps and left Bigger standing with the crowd of men. FLIGHT 187 “Your name’s Bigger Thomas?’’ the red-faced man asked. “Keep quiet, Bigger,’’ said one of Britten’s men. Bigger said nothing. “Say, what’s all this? This boy can talk if he wants to.’’ “This smells like something big to me,’’ said one of the men. Bigger had never seen such men before; he did not know how to act toward them or what to expect of them. They were not rich and distant like Mr. Dalton, and they were harder than Britten, but in a more impersonal way, a way that maybe was more dangerous than Britten’s. Back and forth they walked across the basement floor in the glare of the furnace with their hats on and with cigars and cigarettes in their mouths. Bigger felt in them a coldness that disregarded every- body. They seemed like men out for keen sport. They would be around a long time now that Jan had been arrested and questioned. Just what did they think of what he had told about Jan? Was there any good in Britten’s telling him not to talk to them? Bigger’s eyes watched the balled news- paper in a white man’s gloved hand. If only he could read that paper! The men were silent, waiting for Britten to return. Then one of them came and leaned against the wall, near hun. Bigger looked out of the corners of his eyes and said nothing He saw the man hght a cigarette. “Smoke, kid?” “Nawsuh,” he mumbled. He felt something touch the center of his palm. He made a move to look, but a whisper checked him. “Keep still. It’s for you. I want you to give me the dope,” Bigger’s fingers closed over a slender wad of paper; he knew at once that it was money and that he would give it back He held the money and watched his chance Things were happening so fast that he felt he was not doing full justice to them. He was tired. Oh, if only he could go to sleep! If only this whole thing could be postponed for a few hours, until he had rested some! He felt that he would have been able to handle it then. Events were like the de- tails of a tortmed dream, happening without cause. At times it seemed that he could not quite remember what had gone before and what it was he was expecting to come. At the head of the stairs the door opened and he saw Britten. While the others were looking off. Bigger shoved the money back into 188 NATIVE SON the man’s hand The man looked at him, shook his head and flicked his cigarette away and walked to the center of the floor. “I’m sorry, boys,” Britten said. “But the old man won’t be able to see you till Tuesday.” Bigger thought quickly; that meant that Mr. Dalton was going to pay the money and was not going to call in the police. “Tuesday?” “Aw, come on!” “Where is the girl?” “I’m sorry,” said Britten. "'’you're putting us in the position of having to print any- thing we can get about this case,” said one of the men. “You all know Mr. Dalton,” Britten explained “You wouldn’t do that. For God’s sake, give the man a chance I can’t tell you why now, but it’s important. He’d do as much for you some time ” “Is the girl missing!” “I don’t know." “Is she here in the house?” Britten hesitated. “No; I don’t think she is.” “When did she leave?” “I don’t know.” “When will she be back?” “I can’t say.” “Is this Erlone fellow telling the truth?” asked one of the men. “He said that Mr. Dalton’s trying to slander the Com- munist Party by having him arrested. And he says it’s an attempt to break up his relationship with Miss Dalton.” “I don’t know,” Britten said. “Erlone was picked up and takep to police headquarters and questioned,” the man continued. “He claimed that this boy here lied about his being in the home last night. Is that true?” “Really, I can’t say anything about that,” Britten said. “Did Mr. Dalton forbid Erlone to see Miss Dalton?” “I don’t know,” Britten said, whipping out a handkerchief and wiping his forehead. “Honest to God, boys, I can’t tell you anything. You’ll have to see the old man.” All eyes lifted at once. Mr. Dalton stood at the head of the FLIGHT 189 stairs in the doorway, white-faced, holding a piece of paper in his fingers. Bigger knew at once that it was the kidnap note. What was going to happen now? All of the men talked at once, shouting questions, asking to take pictures. “Where’s Miss Dalton?” “Did you swear out a warrant for the arrest of Erlone?” “Were they engaged?” “Did you forbid her to see him?” “Did you object to his politics?” “Don’t you want to make a statement, Mr. Dalton?” Bigger saw Mr. Dalton lift his hand for silence, then walk slowly down the steps and stand near the men, just a few feet above them. They gathered closer, raising their silver bulbs. “Do you wish to comment on what Erlone said about your chauffeur?” “What did he say?” Mr. Dalton asked. “He said the chauffeur had been paid to lie about him.” “That’s not true,” Mr. Dalton said firmly. Bigger blinked as hghtning shot past his eyes. He saw the men lowenng the silver bid bs. “Gentlemen,” said Mr. Dalton. “Please! Give me just a moment. I do want to make a statement.” Mr. Dalton paused, his lips quivering. Bigger could see that he was very nervous. “Gentlemen,” Mr. Dalton said again, “I want to make a statement and I want you to take it carefully. The way you men handle this will mean life or death to someone, someone close to this family, to me. Someone . . .” Mr. Dal- ton's voice traded off. The basement filled with murmurs of eagerness. Bigger heard the kidnap note crackling faintly in Mr. Dalton’s fingers. Mr. Dalton’s face was dead-white and his blood-shot eyes were deep set in his head above patches of dark-colored skin. The fire m the furnace was low and the draft was but a whisper. Bigger saw Mr. Dalton’s white hair glisten like molten silver from the pale sheen of the fire. Then, suddenly, so suddenly that the men gasped, the door behind Mr. Dalton filled wilh a flowing white presence. It was Mrs. Dalton, her white eyes held wide and stony, her hands lifted sensitively upward toward her lips, the fingers long and white and wide apart. The basement was lit up with the white flash of a dozen silver bulbs. Ghostlike, Mrs. Dalton moved noiselessly down the steps NATIVE SON 190 until she came to Mr. Dalton’s side, the big white cat follow- ing her. She stood with one hand lightly touching a banister and the other held in mid-air. Mr. Dalton did not move or look round; he placed one of his hands over hers on the banister, covering it, and faced the men. Meanwhile, the big white cat bounded down the steps and leaped with one move- ment upon Digger’s shoulder and sat perched there. Bigger was still, feeling that the cat had given him away, had pointed him out as the murderer of Mary He tried to lift the cat down; but its claws clutched his coat. The silver lightning flashed in his eyes and he knew that the men had taken pic- tures of him with the cat poised upon his shoulder He tugged at the cat once more and managed to get it down. It land- ed on Its feet with a long whine, then began to rub itself against Digger’s legs. Goddamn! Why can’t that cat leave me alone? He heard Mr. Dalton speaking. “Gentlemen, you may take pictures, but wait a moment. I’ve just phoned the police and asked that Mr. Erlone be released immediately I want it known that I do not want to prefer charges against him. It is important that this be under- stood. I hope your papers will carry the story." Bigger wondered if this meant that suspicion was now pointing away from Jan? He wondered what would happen if he tried to leave the house? Were they watching him? “Further,” Mr. Dalton went on, “I want to announce public- ly that I apologize for his arrest and inconvenience.” Mr. Dalton paused, wet his lips with his tongue, and looked down over the small knot of men whose hands were busy jotting his words down upon their white pads of paper. “And, gentlemen, I want to announce that Miss Dalton, our daughter. . . . Miss Dalton. . . .” Mr. Dalton’s voice faltered. Behind him, a little to one side, stood Mrs Dalton; she placed her white band upon his arm. The men lifted their silver bulbs and again lightning flashed in the red gloom of the basement. “I — I want to announce,” Mr. Dalton said in a quiet voice that carried throughout the room, though it was spoken in a tense whisper, “that Miss Dalton has been kidnaped. , , .” “Kidnaped?” “Oh!” “Whenr “We think it happened last night,” said Mr. Dalton. ‘What are they asking?” FLIGHT 191 ‘Ten thousand dollars.” ‘‘Have you any idea who it is?” “We know nothing.” “Have you had any word from her, Mr. Dalton?” “No; not directly. But we’ve had a letter from the kid- napers. . . “Is that it there?” “Yes. This is the letter.” “When did you get it?” “Tonight.” “Through the mail?” “No; someone left it under our door.” “Are you going to pay the ransom?” “Yes,” said Mr. Dalton. “I’m going to pay. Listen, gentle- men, you can help me and perhaps save my daughter’s life by saying m your stories that I’ll pay as I’ve been instructed. And, too, what’s most important, tell the kidnapers through your papers that I shall not call in the police. Tell them I’ll do eveiy^ng they ask. Tell them to return our daughter. Tell them, for God’s sake, not to kill her, that they win get what they want. ...” “Have you any idea, Mr. Dalton, who they are?” “I have not.” “Can we see that letter?” “I’m sorry, but you can’t. The instructions for the delivery of the money are here, and I have been cautioned not to make them public. But say in your papers that these instruc- tions win be followed.” “When was Miss Dalton last seen?” “Sunday morning, about two o’clock.” “Who saw her?” “My chauffeur and my wife.” Bigger stared straight before him, not allowing his eyes to move. “Please, don’t ask him any questions,” said Mr. Dalton. “Tm speaking for my whole family. I don’t want a lot of crary versions of this story going around. We want our daughter back; that’s all that matters now. Tell her in the papers that we’re doing all we can to get her back and that everything is forgiven. Tell her that we . , Again his voice broke and he could not go on. 192 NATIVE SON “Please, Mr. Dalton," begged one man. “Just let us take one shot of that note. ...” “No, no. . . I can’t do that.” “How IS it signed?” Mr Dalton looked straight before him. Bigger wondered if he would tell. He saw Mr Dalton’s lips moving silently, de- bating something. “Yes, I’ll tell you how it’s signed,’’ said the old man, his hands trembling. Mrs. Dalton’s face turned slightly toward him and her fingers gripped m his coat. Bigger knew that Mrs. Dalton was asking him silently if he had not better keep the signature of the note from the papers; and he knew, too, that Mr, Dalton seemed to have reasons of his own for want- ing to tell. Maybe it was to let the reds know that he received their note. “Yes,” Mr, Dalton said. “It’s signed ‘Red.’ That’s all." “Red?" “Yes." “Do you know the identity?" “No ’’ “Have you any suspicions?’ “Beneath the signature is a scrawled emblem of the Com- munist Party, the hammer and the sickle,” said Mr Dalton. The men were silent. Bigger saw the astonishment on their faces. Several did not wait to hear more, they rushed out of the basement to telephone their stories in. “Do you think the Communists did it?” ’‘I don’t know. I’m not positively blaming anybody. I’m only releasing this information to let the public and the kidnapers know that I’ve received this note If they’ll return my daugh- ter, I’ll ask no questions of anyone.” “Was your daughter mixed up with those people, Mr. Dalton?’ “I know nothing about that.” “Didn’t you forbid your daughter to associate with this Erlone?” “I hope this has nothing to do with that.” “You think Erlone’s mixed in this?” “I don’t know.” “Why did you have him released?” “I ordered his arrest before I received this note.” “Do you feel that maybe he’ll return the girl if he’s out?" FLIGHT 193 “I don’t know, I don’t know if he’s got our daughter. I only know that Mrs. Dahon and I want our daughter back.” “Then why did you have Erlone released?” “Because I have no charges to prefer against him,” said Mr. Dalton stubbornly. “Mr Dalton, hold the letter up, and hold your hand out, hke you’re making an appeal, Good! Now, put your hand out, too, Mrs. Dalton. Like that. O.K , hold it!” Bigger watched the silver bulbs flash again. Mr. and Mrs. Dalton were standing upon the steps; Mrs. Dalton in white and Mr. Dalton with the letter in his hand and his eyes looking straight back to the rear wall of the basement Bigger heard the soft whisper of the fire in the furnace and saw the men adjusting their cameras. Others were standing round, still scribbling nervously upon their pads of paper. Hie bulbs flashed again and Bigger was startled to see that they were pointed in his direction. He wanted to duck his head, or throw his hands in front of his face, but it was too late. They had enough pictures of him now to know him by sight in a crowd. A few more of the men left and Mr. and Mrs. Dalton turned and walked slowly up the stairs and disappeared through the kitchen door, the big white cat following close behind them. Bigger still stood with his back to the wall, watching and trying to value every move in relation to him- self and his chances of getting the money. “You suppose we can use Mr. Dalton’s phone?” one of the men asked Britten. “Sure.” Britten led a group of them up the stairs into the kitchen. The three men who had come with Britten sat on the steps and stared gloorrlily at the floor. Soon the men who had gone to phone their stones in came back Bigger knew that they wanted to talk to him. Britten also came back and sat upon the steps. “Say, can’t you give us any more dope on this?” one of the reporters asked Britten. “Mr. Dalton’s told you everything,” Britten said. “This is a big story,” said one of the men. "Say, how did Mrs. Dalton take this?” “She collapsed,” said Britten. For awhile nobody said anything. Then Bigger saw the 194 NATTVB SON men, one by one, turn and stare at him. He lowered his eyes; he knew that they were longing to ask him questions and he dtd not want that. His eyes roved the room and saw the crumpled copy of the newspaper lying forgotten in a comer. He wanted ever so badly to read it; he would get at it the first opportunity and find out just what Jan had said. Presently, the men began to wander aimlessly about the basement, looking into comers, examining the shovel, the garbage pail, and the trunk. Bigger watched one man stand in front of the furnace. Hie man’s hand reached out and opened the door; a feeble red glare lit the man’s face as he stooped and looked inside at the bed of smoldering coals. Suppose he poked deeply into them? Suppose Mary's bones came into view? Bigger held his breath. But the man would not poke into that &e; nobody suspected him. He was just a black clown. He breathed again as the man closed the door. The muscles of Bigger’s face jerked violently, making him feel that he wanted to laugh. He turned his head aside and fought to control himself. He was full of hysteria. “Say, how about a look at the gu-l’s room?’’ asked one of the men. “Sure. Why not?’’ Britten said. All of the men followed Britten up the stairs and Bigger was left alone. At once his eyes went to the newspaper; he wanted to pick it up, but was afraid. He stepped to the back door and made sure that it was locked; then he went to the top of the stairs and looked humedly into the kitchen; he saw no one. He bounded down the steps and snatched up the paper. He opened it and saw a line of heavy black typo stretched across the top of the front page; SEEK HYDE PARK HEIRESS MISSING FROM HOME SINCE SAT- URDAY. GIRL BELIEVED HIDING OUT WITH COM- MUNISTS. POLICE NAB LOCAL RED LEADER; GRILLED ON RELATIONSHIP WITH MARY DALTON. AUTHORITIES ACT ON TIP SUPPLIED BY GIRL’S FATHER. And there was the picture of Jan in the center of page one. It was Jan all right. Just like him. He turned to the story, reading. Did the foolish dream of solving the problem of human mis- ery and poverty by dividing her father’s real estate millions FLIGHT 195 among the lowly force Mary Dalton to leave the palatial Hyde Park home of her parents, Mr, and Mrs Henry G Dalton, 4605 Drexel Boulevard, and take up life under an assumed name with her long-haired friends in the Communist movement? This was the question that police sought to answer late to- night as they grilled Jan Erlone, executive secretary of the La- bor Defenders, a Communist “front” organization in which it was said that Mary Dalton held a membership in defiance of her father’s wishes. The story went on to say that Jan was being held for inves- tigation at the Eleventh Street Police Station and that Mary had been missing from her home since eight o'clock Saturday night. It also mentioned that Mary had been in the “company of Erlone until early Sunday morning at a notorious South Side Caf^ in the Black Belt.” That was all. He had expected more. He looked further. No; here was something else. It was a picture of Mary. It was so lifelike that it reminded him of how she had looked the first time he had seen her; he blinked his eyes. He was looking again in sweaty fear at her head lying upon the sticky newspapers with blood oozing outward toward the edges. Above the picture was a caption: IN DUTCH WITH PA. Bigger lifted his eyes and looked at the furnace; it seemed impossible that she was there in the fire, burning. . . . The story in the paper had not been as alarming as he had thought it would be. But as soon as they heard of Mary’s being kidnaped, what would happen? He heard footsteps and dropped the paper back in the comer and stood just as he had before, his back against the wall, his eyes vacant and sleepy. The door opened and the men came down the steps, talkmg in low, excited tones. Again Bigger noticed that they were watching him. Britten also came back. “Say, why can’t we talk to this boy?” one demanded. “There’s nothing he can tell you,” Britten said. “But he can tell us what he saw. After all, he drove the car last night.” “O.K with me," Britten said. "But Mr. Dalton’s told you everything.” One of the men walked over to Bigger. “Say, Mike, you think this Erlone fellow did this?” “My name ain’t Mike,” Bigger said, resentfully. 196 native son “Oh, I don’t mean no harm,” the man said. “But do you think he did it?” “Answer his questions, Bigger,” Britten said. Bigger was sorry he had taken offense. He could not afford to get angry now. And he had no need to be angry. Why should he be angry with a lot of fools? They were looking for the girl and the girl was ten feet from them, bummg. He had killed her and they did not know it. He would let them call lum “Mike.” “I don’t know, suh,” he said. “Come on; tell us what happened.” “I only work here, suh,” Bigger said. “Don’t be afraid. Nobody’s going to hurt you.” “Mr. Britten can tell you,” Bigger said. The men shook their heads and walked away. “Good God, Brittenl” said one of the men. “All we’ve got on this kidnaping is that a letter was fotind, Erlone’s to be released, the letter was signed by ‘Red,’ and there was a hammer and sickle emblem on it That doesn’t make sense. Give us some more details.” “Dsten, you guys,” Britten said. “Give the old man a chance. He’s trying to get his daughter back, ahve. He’s given you a big story; now wait” “Tell us straight now; when was that girl last seen?” Bigger listened to Bntten tell the story all over again. He listened carefuUy to every word Britten said and to the tone of voice in which the men asked their questions, for he wanted to know if any of them suspected him. But they did not. All of their questions pointed to Jan. “But Britten,” asked one of the men, “why did the old man want this Erlone released?” “Figure it out for yourself,” Britten said. “Then he thinks Erlone had something to do with the snatching of his daughter and wanted him out so he could give her back?” “I don’t know,” Britten said. “Aw, come on, Britten.” “Use your imagination,” Britten said. Two more of the men buttoned their coats, pulled their hats low over their eyes and left. Bigger knew that they were going to phone in more information to their papers; they were going to tell about Jau’s trying to convert him to com- FLIGHT 197 munism, the Communist literature Jan had given him, the rum, the half-packed trunk being taken down to the station, and lastly, about the kidnap note and the demand for ten thousand dollars. The men looked round the basement with flashlights Bigger still leaned against the wall Britten sat on the steps. The fire whispered in the furnace Bigger knew that soon he would have to clean the ashes out, for the fire was not burning as hotly as it should. He would do that as soon as some of the excitement died down and all of the men left, “It’s pretty bad, hunh, Bigger?’’ Britten asked. “Yessuh.” “I’d bet a million dollars that this is Jan’s smart idea." Bigger said nothing. He was limp all over; he was stand- ing up here against this wall by some strength not his own. Hours past he had given up trying to exert himself any more; he could no longer call up any energy. So he just forgot it and found himself coasting along. It was getting a little chilly; the fire was dying The draft could scarcely be heard. Then the basement door burst open suddenly and one of the men who had gone to telephone came in, his mouth open, his face wet and red from the snow. “Say!” he called. “Yeah?” “What is it?" “My city editor just told me that that Erlone fellow won’t leave jail.” For a moment the strangeness of the news made them all stare silently. Bigger roused himself and tried to make out just what it meant. Then someone asked the question he longed to ask. “Won’t leave? What you mean?" “Well, this Erlone refused to go when they told him that Mr. Dalton had requested his release. It seems he had got wmd of ±e kidnaping and said that he didn’t want to go out.” “That means he’s guiltyl” said Britten “He doesn’t want to leave jail because he knows they’ll shadow him and find out where the girl is, see? He’s scared.” “What else?” “Well, this Erlone says he’s got a dozen people to swear that he did not come here last night.” Bigger’s body stiffened and he leaned forward slightly. 198 native son “That’s a lie!” Britten said. “This boy here saw him.” “Is that right, boy?" Bigger hesitated. He suspected a trap. But if Jan really had an alibi, then he had to talk; he had to steer them away from himself. “Yessuh.” “Well, somebody’s lying. That Erlone fellow says that he can prove it." “Prove helll” Britten said. “He’s just got some of his red friends to lie for him; that’s aU.” “But what in hell’s the good of his not wanting to leave jail?” asked one of the men. “He says if he stays in they can’t possibly say he’s mixed up in this kidnaping business. He said this boy’s lying. He claims they told him to say these things in order to blacken his name and reputation. He swears the family knows where the girl is and that this thing is a stunt to raise a cry against the reds.” The men gathered round Bigger. “Say, boy, come on with the dope now. Was that guy really here last night?” "Yessuh; he was here all right.” ‘You saw ’im?” “Yessuh,” “Where?” “I drove him and Miss Dalton up here in the car. We went upstairs together to get the trunk.” “And you left him here?” "Yessuh.” Bigger's heart was pounding, but he tried to keep his face and voice under control. He did not want to seem unduly excited over these new developments. He was wondering if Jan could really prove that he had not been here last night; and he was thinking the question in his own mind when he heard someone ask, “Who has this Erlone got to prove he was not here last night?” “He says he met some friend of his when he got on the street car last night. And he says he went to a party after he left Miss Dalton at two-thirty.” “Where was the party?” “Somewhere on the North Side.” FLIGHT 199 “Say, if what he says is true, then there’s something fishy here.’’ “Naw,” said Britten. “I’ll bet he went to his pals, the ones he planned all of this with. Sure; why wouldn’t they alibi for ’im?” “So you really think he did it?” “Hell yes!” Britten said. “These reds’ll do anything and they stick together. Sure; he’s got an alibi. Why shouldn’t he have one? He’s got enough pals working for ’im. His wanting to stay in jail’s nothing but a dodge, but he’s not so smart. He thinks that his gag’ll work and leave him free of suspicion, but it won’t.” The talk stopped abruptly as the door at the head of the stairs opened. Peggy’s head came through. “You gentlemen want some coffee?” she asked. “Suref" “Atta gall” “I’ll brmg some down in just a minute,” she said, closing the door. “■Who is she?” “Mrs. Dalton’s cook and housekeeper,” Britten said. “She know anythin g about all this?” “Naw.” Again the men turned to Bigger. He felt this time he had to say somethmg more to them. Jan was saying that he was lying and he had to wipe out doubt in their minds. They would think that he knew more than he was telhng if he did not talk. After all, their attitude towmd him so far made him feel that they did not consider him as being mixed up in the kidnaping. He was just another black ignorant Negro to them. The main thing was to keep their minds turned in another direction, Jan’s direction, or that of Jan’s friends. “Say,” one of the men asked, coming close to him and placing a foot upon the edge of the trunk. “Did this Erlone fellow talk to you about communism?” “Yessuh.” “Oh!” Britten exclaimed. ‘“What?” “I forgot! Let me show you fellows the stuff he gave the boy to read.” Britten stood up, his face flushed with eagerness. He ran his 200 NATIVE SON hand into his pocket and pulled forth the batch of pamphlets that Jan had given Bigger and held them up for all to see. The men again got their bulbs and flashed their lightning to take pictures of the pamphlets. Bigger could hear their hard breathing; he knew that they were excited. When they fin- ished, they turned to him again. “Say, boy, was this guy drunk?” “Yessuh.” “And the girl, too?” “Yessuh.” “He took the girl upstairs when they got here?” “Yessuh.” “Say, boy, what do you think of public ownership? Do you think the government ought to build houses for people to live in?” Bigger blinked. “Suh?” “Well, what do you think of private property?” “I don’t own any property. Nawsuh,” Bigger said. "Aw, he’s a dumb cluck. He doesn’t know anything,” one of the men whispered in a voice loud enough for Bigger to hear. There was a silence. Bigger leaned against the wall, hoping that this would satisfy them for a time, at least. The draft could not be heard in the furnace now at all. The door opened again and Peggy came into view carrying a pot of coffee in one hand and a folding card table in the other. One of the men went up the steps and met her, took the table, opened it, and placed it for her. She set the pot upon it Bigger saw a thin spout of steam jutting from the pot and smelt the good scent of coffee. He wanted some, but he knew that he should not ask with the white men waiting to drink. “Thank you, sirs,” Peggy mumbled, looking humbly round at the strange faces of the men. “I’E get the sugar and cream and some eups.” “Say, boy,” Britten said. “Tell the men how Jan made you eat with ’Lm.” “Yeah; teU us about it” "Is it true?” "Yessuh." "You didn’t want to eat with ’im, did you?” “Nawsuh." FLIGHT 201 “Did you ever eat with white people before?" “Nawsuh ” “Did this guy Erlone say anything to you about white women?” “Oh, nawsuh.” “How did you feel, eating with him and Miss Dalton?” “I don’t know, suh. It was my job.” “You didn’t feel just right, did you?” “Well, suh. They told me to eat and I ate. It was my job.” “In other words, you felt you had to eat or lose your job?” “Yessuh,” said Bigger, feeling that this ought to place him in the light of a helpless, bewildered man. “Good God!” said one of the men. “What a story 1 Don't you see it? These Negroes want to be left alone and these reds are forcing ’em to hve with ’em, see? Every wire in the country’ll carry itl” “This is better than Loeb and Leopold,” said one. “Say, I’m slantmg this to the primiuve Negro who doesn’t want to be disturbed by white civilization.” “A swell ideal” "Say, is this Erlone really a citizen?” “That’s an angle.” “Mention his foreign-sounding name.” “Is he Jewish?” “I don’t know.” “This is good enough as it is. You can’t have everythmg you want.” “It’s classic!”- “It’s a natural!” Then, before Bigger knew it, the men had their bulbs in their hands again, aiming at him He hung his head slowly, slowly so as not to let them know that he was trying to dodge them. “Hold up a little, boy!” “Stand straightl” “Look over this way. Now, that’s it!” Yes; the police would certainly have enough pictures of him. He thought it rather bitterly, smiling a smile that did not reach his lips or eyes. Peggy came back with her arms full of cups, saucers, QKKms, a jar of cream and a bowl of sugar. “Here it is, sirs. Help yourselves.” 202 NATIVE SON She turned to Bigger. “There’s not enough heat upstairs. You’d better clean those ashes out and make a better fire.” “Yessum.” Qean the fire out! Good God! Not now, not with the men standing round. He did not move from his place beside the wall; he watched Peggy walk back up the stairs and close the door behind her. Well, he had to do something, Peggy had spoken to him in the presence of these men, and for him not to obey would seem odd. And even if they did not say any- thing about it, Peggy herself would soon come back and ask about the fire. Yes, he had to do something. He walked to the door of the furnace and opened it. The low bed of fire was red-hot, but he could tell from the weak blast of heat upon his face that it was not as hot as it ought to be, not as hot as it had been when he had shoved Mary in. He was trying to make his tired brain work fast. What could he do to avoid bothering with the ashes? He stooped and opened the lower door; the ashes, white and gray, were piled almost level with the lower grate. No air could get through. Maybe he could sift the ashes down more and make that do until the men left? He would try it. He caught hold of the handle and worked it to and fro, seeing white ashes and red embers falling into the bottom of the furnace Behind him he could hear the men’s talk and the tinkle of their spoons against the cups. Well, there. He had gotten some of the ashes down out of the stove, but they choked the lower bin and still no air could get through. He would put some coal in. He shut the doors of the furnace and pulled the lever for coal; there was the same loud rattle of coal against the tin sides of the chute. The interior of the furnace grew black with coal. But the draft did not roar and the coal did not blaze God- damn' He stood up and looked helplessly into the furnace. Ought he to try to slip out of here and leave this whole foolish thing right now? Nawl There was no use of being scared; he had a chance to get that money. Put more coal in; it would bum after awhile. He pulled the lever for still more coal. Inside the furnace he saw the coal beginning to smoke; there were faint wisps of white smoke at first, then the smoke drew dark, bulging out. Bigger’s eyes smarted, watered; he coughed. The smoke was rolling from the furnace now in heavy FLIGHT 203 billowing gray clouds, filbng the basement. Bigger backed away, catching a lungful of smoke. He bent over, coughing. He heard the men coughing. He had to do something about those ashes, and quickly. With his hands stretched before him, he groped m the corner for the shovel, found it, and opened the lower door of the furnace. The smoke surged out, thick and acrid Goddamnl “You’d better do something about those ashes, boy!” one of the men called. “That fire can’t get any air, Bigger!” It was Britten’s voice. “Yessuh,” Bigger mumbled. He could scarcely see. He stood still, his eyes closed and stinging, his lungs heaving, trying to expel the smoke. He held onto the shovel, wantmg to move, to do something; but he did not know what. “Say, you! Get some of those ashes out of there!” “What’re you trying to do, smother us?” “I’m getting ’em out,” Bigger mumbled, not movmg from where he stood. He heard a cup smash on the concrete floor and a man cursed. “I can’t see! The smoke’s got my eyes!” Bigger heard someone near him; then someone was tug- ging at the shovel in his hands. He held onto it desperately, not wanting to let it go, feelmg that if he did so he was surrendenng his secret, his life. “Here! Give me that shovel! I’ll h-h-help y-you. ...” a man coughed. “Nawsuh. I-I-I can d-do it,” Bigger said. “C-come on. L-let go!” His fingers loosened about the shovel. “Yessuh,” he said, not knowing what else to say Through the clouds of smoke he heard the man clanging the shovel round inside of the ash bin. He cou^ed and stepped back, his eyes blazing as though fire had leaped into them. Behind him the other men were coughmg. He opened his eyes and strained to see what was happening. He felt that there was suspended just above his head a huge weight that would soon fall and crush him. His body, despite the smoke and his burning eyes and heaving chest, was flexed taut. He wanted to lunge at the man and take the shovel from him, lam him across the head with it and bolt from the basement But NATIVE SON 204 he stood still, heanng the babble of voices and the clanging of the shovel against iron. He knew that the man was dig- ging frantically at the ashes in the bin, trying to clean as much out as possible so that air could pass up through the grates, pipes, chimney and out into the mght. He heard the man yell: “Open that door! I’m chokingl" There was a scuffle of feet. Bigger felt the icy wind of the night sweep over him and he discovered that he was wet with sweat Somehow something had happened and now things were out of his hands. He was nervously poised, waiting for what the new flow of events would bring The smoke drifted past him toward the open door The room was clearing; the smoke thinned to a gray pall He heard the man grunting and saw him bent over, digging at th^ ashes in the bin He wanted to go to him and ask for the shovel; he wanted to say that he could take care of it now. But he did not move He felt that he had let things slip through his hands to such an extent that he could not get at them again. Then he heard the draft, this time a long low sucking of air that grew gradually to a drone, then a roar. The air passage was clear. “There was a hell of a lot of ashes in there, boy," the man gasped. “You shouldn’t let it get that way.” “Yessuh,” Bigger whispered. The draft roared loud now, the air passage was completely clear. “Shut that door, boyl It’s cold in herel" one of the men called, He wanted to go to the door and keep right on out of it and shut it behind him. But he did not move One of the. men closed it and Bigger felt the cold air fall away from his wet body. He looked round; the men were still standing about the table, red-eyed, sipping coffee. “What’s the matter, boy?” one of them asked. “Nothing,” Bigger said. The man with the shovel stood in front of the furnace and looked down into the ashes strewn over the floor. What’s he doing? Bigger wondered. He saw the man stoop and poke the shovel into the ashes. W Hal’s he looking at? Bigger’s muscles twitched. He wanted to run to the man’s side and see what it was he was looking at; he had in his mind an image of Mary’s head lying there bloody and unbumt before the FLIGHT 205 man’s eyes Suddenly, the man straightened, only to stoop again, as though unable to decide if the evidence of his eyes was true. Bigger edged forward, his lungs not taking in or letting out air, he himself was. a huge furnace now through which no air could go; and the fear that surged into his stomach, filling him, choking him, was like the fumes of smoke that had belched from the ash bin. “Say. . . the man called; his voice sounded tentative, dubious. “What?” one man at the table answered. “Come here' Look!" The man’s voice was low, excited, tense; but what it lacked in volume was more than made up for in the breathless manner in which he spoke. The words had rolled without effort from his lips. The men set their cups down and ran to the pile of ashes. Bigger, doubtful and uncertam, paused as the men ran past him. “What is it?” “What’s the matter?” Bigger tiptoed and looked over their shoulden; he did not know how he got strength enough to go and look; he just found himself walking and then found himself standing and peenng over the men’s shoulders He saw a pile of scat- tered ashes, nothing else. But there must be something, or why would the men be lookmg? “What IS it?” “See? This!" “What?” "Lookl It’s...” The man’s voice trailed off and he stooped again and poked the shovel deeper. Bigger saw come into full view on the surface of the ashes several small pieces of white bone. Instantly, his whole body was wrapped in a sheet of fear. Yes; he should have cleaned those ashes out; but he had been too excited and scared; he had trapped himself. Now, he must leave; they must not catch him. . , , With the rush of lightning, these thoughts flashed through his mind, leaving him weak and helpless. “It’s bone. . . “Aw,” one of the men said. "That’s just some garbage they’re burning. . . ." “Naw! Wait; let’s see that!” 206 NATIVE SON “Toorman, come here. You studied medicme once. . . The man called Toorman reached out his foot and kicked an oblong bone front the ashes; it slid a few mches over the concrete floor. “My God! It’s from a body. . . “And look! Here’s something. . . .” One of them stooped and picked up a bit of round metal and held it close to his eyes. “It’s an earring. . . There was silence. Bigger stared without a thought or an image in his nund. There was just the old feelmg, the feeling that he had had all his life; he was black and had done wrong; white men were looking at something with which they would soon accuse him. It was the old feeling, hard and constant again now, of wanting to grab something and clutch it In his hands and swmg it into someone’s face. He knew. They were looking at the bones of Mary’s body. With- out its making a clear picture in his mind, he understood how it had happened. Some of the bones had not burnt and had fallen into the lower bm when he had worked the handle to sift the ashes. The white man had poked in the shovel to clear the air passage and had raked them out. And now there they lay, tiny, oblong pieces of white bone, cush- ioned in gray ashes. He could not stay here now. At any moment they would begin to suspect him. They would hold him; they would not let him go even if they were not certain whether he had done it or not. And Jan was still in jail, swearing that he had an alibi. They would know that Mary was dead; they had stumbled upon the white bones of her body. They would be looking for the murderer. The men were silent, bent over, poking mto the pile of gray ashes. Bigger saw the hatchet blade come into view. God! The whole world was tumbling down. Quickly, Bigger’s eyes looked at their bent backs; they were not watching him. The red glare of the fire lit their faces and the draft of the 'furnace drummed. Yes; he would go, now! He tiptoed to the rear of the furnace and stopped, listening. The men were whispering in tense tones of horror. “It’s the girl!” “Good God!” “Who do you suppose did it?” Bigger tiptoed up the steps, one at a time, hopmg that the FLIGHT 207 roar of the furnace and the men’s voices and the scraping of the shovel would drown out the creaking sounds his feet made. He reached the top of the steps and breathed deeply, his lungs aching from holding themselves full of air so long. He stole to the door of his room and opened it and went m and pulled on the light. He turned to the window and put his hands under the upper ledge and lifted; he felt a cold rush of air laden with snow He heard muffled shouts down- stairs and the inside of his stomach glowed white-hot. He ran to the door and locked it and then turned out the light. He groped to the window and climbed into it, feeling again the chilling blast of snowy wind. With his feet upon the bottom ledge, his legs bent under him, his sweaty body shaken by wind, he looked into the snow and tried to see the ground below; but he could not. Then he leaped, headlong, sensing his body twistnig in the icy air as he hurtled. His eyes were shut and his hands were clenched as his body turned, sailing through the snow. He was in the air a moment; then he hit. It seemed at first that he hit softly, but the shock of it went through him, up his back to his head and he lay buried in a cold pile of snow, dazed. Snow was in his mouth, eyes, ears; snow was seeping down his back. His hands were wet and cold. Then he felt all of the muscles of his body contract violently, caught in a spasm of reflex action, and at the same time he felt his groin laved with warm water It was his urine. He had not been able to control the muscles of his hot body against the chilled assault of the wet snow over all his skin. He lifted his head, blinking his eyes, and looked above him. He sneezed He was himself now; he struggled against the snow, pushing it away from him. He got to his feet, one at a time, and pulled himself out He walked, then tried to run; but he felt too weak. He went down Drexel Boulevard, not knowing just where he was heading, but knowing that he had to get out of this white neighborhood. He avoided the car line, turned down dark streets, walking more rapidly now, his eyes before him, but turning now and then to look behind. Yes, he would have to tell Bessie not to go to that house. It was all over. He had to save himself. But it was familiar, this running away. All his life he had been knowing that sooner or later something like this would come to him. And now, here it was He had always felt outside of this white world, and now it was true. It made things simple. He felt in his NATIVE SON 208 shirt. Yes; the gun was stUl there He might have to use it He would shoot before he would let them take him; it meant death either way, and he would die shooting every slug he had. He came to Cottage Grove Avenue and walked southward. He could not make any plans untU he got to Bessie’s and got the money. He tried to shut out of his mind the fear of being caught. He lowered his head against the driving snow and tramped through the icy streets with clenched fists. Although his hands were almost frozen, he did not want to put them in his pockets, for that would have made him feel that he would not have been ready to defend himself were the police to accost him suddenly. He went on past street lamps covered with thick coatings of snow, gleaming like huge frosted moons above his head. His face ached from the subzero cold and the wind cut into his wet body like a long sharp knife going to the heart of him with pain. He was in sigjit of Forty-seventh Street now He saw, through a gauzelike curtain of snow, a boy standing under an awning selling papers. He pulled his cap visor lower and shpped into a doorway to wait for a car. Back of the news- boy was a stack of papers piled high upon a newsstand. He wanted to see the tdl black headline, but the driving snow would not let him. The papers ought to be full of him now. It did not seem strange that they should be, for all his life he had felt that things had been happening to him that /shotild have gone into them. But only after he had acted upon feelings which he had had for years would the papers carry the story, his story. He felt that they had not wanted to print it as long as it had remained buried and burning in his own heart. But now that he had thrown it out, thrown it at those who made him live as they wanted, the papers were printing it. He fished two cents out of his pocket; he went over to the boy with averted face. ^'Tribune." He took the paper into a doorway. . His eyes swept the streets above the top of it; then he read in tall black type; MILUONAIRE HEIRESS KIDNAPED. ABDUCTORS DEMAND $10,000 IN RANSOM NOTE. DALTON FAM- ILY ASK RELEASE OF COMMUNIST SUSPECT. Yes; they had it noW. Soon they would have the story of her death, of the reporters’ finding her bones in the furnace, of her head FLIGHT 209 being cut off, of his running away during the excitement. He looked up, hearing the approach of a car. When it heaved into sight he saw it was almost empty of passengers. Good! He ran into the street and reached the steps just as the last man got on. He paid his fare, watchmg to see if the con- ductor was noticing him; then went through the car, watchmg to see if any face was turned to him. He stood on the front platform, back of the motorman. If anything happened he could get off quickly here. The car started and he opened the paper again, reading; A servant’s discovery early yesterday evening of a crudely penciled ransom note demanding $10,000 for the return of Mary Dalton, missing Chicago heiress, and the Dalton family's sud- den demand for the release of Jan Erlone, Commimist leader held m connection with the girl’s disappearance, were the star- tling developments in a case which is baffling local and state police. The note, bearing the signature of “Red” and the famed ham- mer and sickle emblem of the Communist Party, was found sticking under the front door by Peggy O’Flagherty, a cook and housekeeper in the Henry Dalton residence in Hyde Park. Bigger read a long stretch of type in which was described the “questioning of a Negro chauffeur,” “the half-packed trunk,” "the Communist pamphlets,” “drunken sexual orgies,” “the frantic parents,” and “the radical’s contradictory story.” Bigger’s eyes skimmed the words: “clandestine meetings of- fered opportunities for abduction,” “police asked not to interfere in case,” “anxious family trying to contact kidnap- ers”; and: It was conjectured that perhaps the family had information to the effect that Erlone knew of the whereabouts of Miss Dal- ton, and certain police officials assigned that as the motive be- hind the family’s request for the radical’s release. Reiterating that police had framed him as a part of a drive to oust Communists from Chicago, Erlone demanded that the charges upon which he had been onginally held be made pub- lic. Failing to obtain a satisfactory answer, he refused to leave jail, whereupon police again remanded him to his ceU upon a charge of diwrderly conduct Bigger lifted his eyes and looked about; no one was watching him. His hand was shaking with excitement The 210 NATIVE SON car moved lumbenngly through the snow and he saw that he was near Fiftieth Street. He stepped to the door and said, “Out.” The car stopped and he swung off into the driving snow. He was almost in front of Bessie’s now. He looked up to her window; it was dark. The thought that she might not be in her room, but out drinkmg with friends, made him angry. He went into the vestibule. A dim light glowed and his body was thankful for the meager warmth. He could finish reading the paper now. He unfolded it; then, for the first time, he saw his picture. It was down in the lower left-hand corner of page two. Above it he read: REDS TRIED TO SNARE HIM. It was a small picture and his name was tmder it; he looked solemn and black and his eyes gazed straight and the white cat sat perched upon his nght shoulder, its big round black eyes twm pools of secret guilt. And, ohl Here was a picture of Mr and Mrs. Dalton standing upon the basement steps. That the image of Mr. and Mrs. Dalton which he had seen but two hours ago should be seen again so soon made him feel that this whole vague white world which could do things this quickly was more than a match for him, that soon it would track him down and have it out with him. The white-haired old man and the white-haired old woman standing on the steps with their arms stretched forth plead- ingly were a powerful symbol of helpless suffering and vtfould stir up a lot of hate against him when it was found out that a Negro had killed Mary. Bigger’s lips tightened. There was no chance of his getting that money now They had found Mary and would stop at nothing to get the one who had killed her. There would be a thousand white policemen on the South Side searching for him or any black man who looked like him. He pressed the bell and waited for the buzzer to ring. Was she there? Again he pressed the bell, holding his finger hard upon it until the door buzzed. He bounded up the steps, sucking his breath in sharply at each lift of his knees. When he reached the second landmg he was breathmg so hard that he stopped, closed his eyes and let his chest heave itself to stillness. He glanced up and saw Bessie staring sleepily at him through the half-opened door. He went in and stood for a moment in the darkness. “Turn on the light,” he said. PLIGHT 211 “Bigger! What’s happened?” “Turn on the light!” She said nothing and did not move. He groped forward, sweeping the air with his open palm for the cord; he found It and jerked on the light. Then he whirled and looked about him, expecting to see someone lurking m the corners of the room. “What’s happened?” She came forward and touched his clothes. “You’re wet.” “It’s all off,” he said. “I don’t have to do it?” she asked eagerly. Yes; she was thinking only of herself now. He was alone. “Bigger, tell me what happened?” “They know all about it. They’ll be after me soon.” Her eyes were too filled with fear to cry. He walked about aimlessly and his shoes left rings of dirty water on the wooden floor. “Tell me, Bigger! Please!” She was wanting the word that would free her of this nightmare; but he would not give it to her. No; let her be with him; let somebody be with him now. She caught hold of his coat and he felt her body trembling. “Will they come for me, too. Bigger? I didn’t want to do it!” Yes; he would let her know, let her know everything; but let her know it in a way that would bind her to him, at least a little longer He did not want to be alone now, “They found the girl,” he said. “What we going to do. Bigger? Look what you done to me . . , She began to cry. “Aw, come on, kid.” “You really killed her?” “She’s dead,” he said. “They found her.” She ran to the bed, fell upon it and sobbed. With her mouth all twisted and her eyes wet, she asked in gasps: “Y-y-you d-didn’t send the 1-letter?” “Yeah.” “Bigger,” she whimpered. “There ain’t no help for it now.” “Oh, Lord! They’ll come for me. They’ll know you did it 212 NATIVE SON and they’ll go to your home and talk to your ma and brother and everybody. They’ll come for me now sure.” That was true. There was no way for her but to come with him. If she stayed here they would come to her and she would simply lie on the bed and sob out everything. She would not be able to help it. And what she would tell them about him, his habits, his life, would help them to track him down. “You got the money?” “It’s in my dress pocket.” "How much IS it?” “Ninety dollars.” “Well, what you planning to do?” he asked. “I wish I could kill myself ” "Ain’t no use talking that way ” “There ain’t no way else to talk.” It was a shot in the dark, but he decided to try it. “If you don’t act better’n this. I’ll just leave.” “Naw; naw. . . . Bigger!” she cried, rising and running to him. “Well, snap out of it,” he said, backing to a chair. He sat down and felt how tired he was. Some strength he did not know he possessed had enabled him to run away, to stand here and talk with her; but now he felt that he would not have strength enough to run even if the police should sud- denly burst into the room. “You h-hurt?” she asked, catching hold of his shoulder. He leaned forward in the chair and rested his face in the palms of his hands, “Bigger, what’s the matter?” “I’m tired and awful sleepy,” he sighed. “Let me fix you something to eat.” “I need a drink.” “Naw; no whiskey You need some hot milk.” He waited, hearing her move about. It seemed that his body had turned to a piece of lead that was cold and heavy and wet and aching. Bessie switched on her electnc stove, emptied a bottle of milk into a pan and set it upon the glow- ing red circle. She came back to him and placed her hands upon his shoulders, her eyes wet with fresh tears. “I’m scared, Bigger.” “You can’t be scared now.” FLIGHT 213 “You oughtn’t’ve killed her, honey.” “I didn’t mean to. 1 couldn’t help it. I swearl” “What happened? You never told me.” “Aw, hell. I was in her room. . . “Her room?” “Yeah. She was drunk. She passed out. I. ... I took her there ” “What she do?" "She. . . . Nothing. She didn’t do anything. Her ma came in. She’s blind. . . “The girl?” “Naw; her ma. I didn’t want her to find me there. Well, the girl was trying to say something and I was scared. I just put the edge of the pillow in her mouth and. ... I didn’t mean to kill her. I just pulled the pillow over her face and she died. Her ma came into the room and the girl was trying to say something and her ma had her hands stretched out, like this, see? I was scared she was going to touch me. I just sort of pushed the pillow hard over the girl’s face to keep her from yelling. Her ma didn’t touch me; 1 got out of the way. But when she left 1 went to the bed and the girl. . . . She. . . . She was dead. . . . That was all. She was dead. ... I didn’t mean. . . .” “You didn’t plan to kill her?” “Naw; I swear I didn’t. But what’s the use? Nobody’ll be- lieve me.” “Honey, don’t you see?” “Whatr’ “They’U say ” Bessie cried again. He caught her face in his hands. He was concerned; he wanted to see this thing through her eyes at that moment. “What?" “They’ll. . . . They’ll say you raped her.” Bigger stared. He had entirely forgotten the moment when he had carried Mary up the stairs. So deeply had he pushed it all back down into him thatrit was not until now that its real meaning came back. They would say he had raped her and there would be no way to prove that he had not. That fact had not assumed importance in his eyes until now. He stood up, his jaws hardening. Had he raped her? Yes, he had raped her. Every time he felt as he had felt that mght, he 214 NATIVE SON raped. But rape was not what one did to women. Rape was what one felt when one’s back was against a wall and one had to strike out, whether one wanted to or not, to keep the pack from killing one He committed rape every time he looked into a white face He was a long, taut piece of rubber which a thousand white hands had stretched to the snapping point, and when he snapped it was rape But it was rape when he cried out in hate deep in his heart as he felt the strain of living day by day. That, too, was rape. “They found her?’’ Bessie asked. “Hunh?” “They found her?” “Yeah. Her bones. . . “Bones?” “Aw, Bessie. I didn’t know what to do. I put her in the furnace." Bessie flung her face to his wet coat and wailed violently, “Biggerl” “Hunh?” “What we going to do?” “1 don’t know.” “They’ll be looking for us.” “They got my picture.” “Where can we hide?” “We can stay in some of them old houses for awhile.” “But they might find us there.” “There’s plenty of ’em. It’ll be like hiding in a jungle.” The milk on the stove boiled over Bessie rose, her lips still twisted with sobs, and turned off the electric switch. She poured out a glass of milk and brought it to him He sipped it, slowly, then set the glass aside and leaned over again. They were silent. Bessie gave him the glass once more and he drank it down, then another glass. He stood up, his legs and entire body feeling heavy and sleepy. “Get your clothes on. And get them blankets and quilts. We got to get out of here.” She went to the bed and rolled the covers back, rolling the pillows with them; as she worked Bigger went to her and put his hands on her shoulders. “Where’s the bottle?” She got it from her purse and gave it to him; he drank a long swallow and she put it back. FLIGHT 215 “Hurry up,” he said. She sobbed softly as she worked, pausing now and then to wipe tears from her eyes. Bigger stood m the middle of the floor, thinking, Maybe they searching at home now; maybe they talking to Ma and Vera and Buddy, He crossed the floor and twitched back the curtains and looked out. The streets were white and empty. He turned and saw Bessie bent motionless over the pile of bedclothing. “Come on; we got to get out of here.” “I don’t care what happens.” “Come on. You can’t act like that.” What could he do with her? She would be a dangerous burden. It would be impossible to take her if she were going to act like this, and yet he could not leave her here. Coldly, he knew that he had to take her with him, and then at some future time settle things with her, settle them in a way that would not leave him in any danger. He thought of it calmly, as if the decision were being handed down to him by some logic not his own, over which he had no control, but which he had to obey. “You want me to leave you here?” “Naw; naw. . . . Bigger!" “Well, come on Get your hat and coat ” She was facing him, then she sank to her knees. “Oh, Lord,” she moaned. “What’s the use of running? They’ll catch us anywhere. I should’ve known this would happen.” She clenched her hands in front of her and rocked to and fro with her eyes closed upon gushing tears. “All my life’s been full of hard trouble. If I wasn’t hungry, I was sick And if I wasn’t sick, I was in trouble. I ain’t never bothered nobody I just worked hard every day as long as I can remember, till I was tired enough to drop; then I had to get drunk to forget it. I had to get drunk to sleep. That’s all I ever did. And now I’m in this. TTiey looking for me and when they catch me they’ll kill me.” She bent her head to the floor, “God only knows why I ever let you treat me this way. I wish to God I never seen you. I wish one of us had died before we was bom. God knows I do! All you ever caused me was trouble, just plain black trouble. All you ever did since we been knowing each other was to get me drunk so’s you could have me. That was all! I see it now. I ain ’t drunk now. I see everything you ever did to me. I didn’t native son 216 want to see it before. I was too busy thinking about how good I felt when I was with you. 1 thought I was happy, but deep down in me I knew I wasn’t But you got me into this murder and I see it all now. I been a fool, just a blind dumb black drunk fool. Now I got to run away and I know deep down in your heart you really don’t care.” She stopped, choked. He had not listened to what she had said. Her words had made leap to consciousness in him a thousand details of her life which he had long known and they made him see that she was in no condition to be taken along and at the same time in no condition to be left behind. It was not with anger or regret that he thought this, but as a man seeing what he must do to save himself and feeling resolved to do it. “Come on, Bessie. We can’t stay here like this ” He stooped and with one hand caught hold of her arm and with the other he lifted the bundle of bedclothes. He dragged her across the threshold, and pulled the door after him. He went down the steps; she came stumbling behind, whimper- ing When he reached the vestibule, he got his gun from in- side his shirt and put it in the pocket of his coat. He might ^ave to use it any minute now The moment he stepped out of that door he would have his life in his hands. Whatever happened now depended upon him; and when he felt it that way some of his fear left; it was simple again He opened the door and an icy blast of wind struck his face. He drew back and turned to Bessie. “Where’s the bottle?” She held out her purse; he got the bottle and took a deep drink. “Here,” he said. “You better take one.” She drank and put the bottle back into the purse. They went into the snow, over the frozen streets, through the sweeping wind. Once she stopped and began to cry. He grabbed her arm. “Shut up, now! Come on!” They stopped in front of a tall, snow-covered building whose many windows gaped blackly, like the eye-sockets of empty skulls. He took the purse from her and got the fl^h- light. He clutched her arm and pulled her up the steps to the front door. It was half-ajar. He put his shoulder to it and gave a stout shove; it yielded grudgingly. It was black flight 217 inside and the feeble glow of the flashlight did not help much. A sharp scent of rot floated to hun and he heard the scurrying of quick, dry feet over the wooden floor Bessie sucked in her breath deeply, about to scream; but Bigger gnpped her arm so hard that she bent halfway over and moaned. As he went up the steps there came frequently to his ears a slight creak, as of a tree bending in wind. With one hand he held her wnst, the bundle of bedclothes under his arm; with the other he beat off the clinging filmy spider webs that came thick onto his lips and eyes He walked to the third floor and into a room that had a window opemng to a narrow airshaft. It stank of old timber. He circled the spot of the flashlight; the floor was carpeted with black dirt and he saw two bricks lying in comers. He looked at Bessie; her hands covered her face and he could see the damp of tears on her black fingers. He dropped the bundle of bed- clothes. “Unroll ’em and spread ’em out.” She obeyed He placed the two pillows near the window, so that when he lay down the window would be just above his head. He was so cold that his teeth chattered. Bessie stood by a wall, leaning against it, crying. “ Take it easy,’’ he said He hoisted the window and looked up the air-shaft; snow flew above the roof of the house He looked downward and saw nothing but black darkness into which now and then a few flakes of white floated from the sky, falling slowly in the dim glow of the flashlight. He lowered the window and turned back to Bessie; she had not moved. He crossed the floor and took the purse from her and got the half-filled flask and drained it. It was good. It burned in his stomach and took his mind off the cold and the sound of the wind outside He ~saf on the edge^f the pallet and lit' a "^cigarette. It was the flrsf'Otfe'hT'had srnoR^'Th a long time; he sucked the hot smoke deep intoTusTiings ihd hlew”lrbuf slowly. The whiskey heated him all over, making his head whirl, Bessie cried, softly, piteously. “Come on and lay down,” he said. ^He took the gun from his coat pocket and put it where he could reach it. “Come on, Bessie You’ll freeze standing there like that,” He stood up and pulled off his overcoat and spread it NATIVE SON 218 upon the top of the blanket for additional cover; then switched off the flashlight. The whiskey lulled him, numbed his senses. Bessie’s soft whimpers came to him through the cold. He took a long last draw from the cigarette and crushed it. Bessie’s shoes creaked over the floor. He lay quietly, feeling the warmth of the alcohol spreading through him. He was tense inside; it was as though he had been compelled to hold himself in a certain awkward posture for a long time and then when he had the chance to relax he could not. He was tense with desire, but as long as he knew that Bessie was standing there in the room, he kept it from his mind. Bessie was worried and not to her should his mind turn now in that way. But that part of him which always made him at least outwardly adjusted to what was expected of him made him now keep what his body wanted out of full consciousness. He heard Bessie’s clothes rustling in the darkness and he knew that she was pulling off her coat. Soon she would be lying here beside him He waited for her. After a few mo- ments he felt her fingers pass lightly over his face; she was seeking for the pallet. He reached out, groping, and found her arm. "Here; lay down.” He held the cover for her; she slid down beside him and stretched out. Now that she was close to him the whiskey made him whirl faster and the tensity of his body mounted. A gust of wind rattled the windowpane and made the old building creak. He felt snug and warm, even though he knew he was in danger. The building might fall upon him as he slept, but the police might get him if he were anywhere else. He laid his fingers upon Bessie’s shoulders; slowly he felt the stiffness go out of her body and as it left the tensity in his own rose and his blood grew hot. "Cold?” he asked in a soft whisper. "Yeah," she breathed. "Get close to me.” “I never thought I’d be like this.” “It won’t be like this always.” "I’d just as soon die right now.” "Don’t say that.” "I'm cold all over. I feel like I’ll never get warm.” He drew her closer, till he felt her breath coming full in his face. The wind swept against the windowpane and the FLIGHT 219 building, whining, then whispered out into silence. He turned from his back and lay face to face with her, on his side. He kissed her, her lips were cold He kept kissing her until her lips grew warm and soft A huge warm pole of desire rose in him, insistent and demanding, he let his hand slide from her shoulder to her breasts, feeling one, then the other; he slipped his other arm beneath her head, kissing her again, hard and long. “Please, Bigger. . . .” She tried to turn from him, but his arm held her tightly; she lay still, whimpering He heard her sigh, a sigh he knew, for he had heard it many times before; but this time he heard in it a sigh deep down beneath the familiar one, a sigh of resignation, a giving up, a surrender of something more than her body. Her head lay limp in the crook of his arm and his hand reached for the hem of her dress, caught it in his fingers and gathered it up slowly. He was swept by a sudden gust of passion and his arms tightened about her. Bessie was still, mert, unresisting, without response He kissed her again and at once she spoke, not a word, but a resigned and prolonged sound that gave forth a meaning of horror accepted Her breath went in and out of her lungs in long soft gasps that turned finally into an urgent whisper of pleading. “Bigger. . . . Don't!" Her voice came to him now from out of a deep, far-away silence and he paid her no heed. The loud demand of the ten- sity of his own body was a voice that drowned out hers. In the cold darkness of the room it seemed that he was on some vast turning wheel that made him want to turn faster and faster; that in turning faster he would get warmth and sleep and be rid of his tense fatigue. He was conscious of nothing now but her and what he wanted. He flung the cover back, ignoring the cold, and not knowing that he did it. Bessie’s hands were on his chest, her fingers spreading protestingly open, pushing him away. He heard her give a soft moan that seemed not to end even when she breathed in or out; a moan which he heard, too, from far away and without heed- ing. He had to now. Imperiously driven, he rode roughshod over her whimpering protests, feeling acutely sorry for her as he galloped a frenzied horse down a steep hill in the face of a resisting wind don't don’t don’t Bigger. And then the wind became so strong that it lifted him high into the dark air, native son 220 turning him, twisting him, hurling him; faintly, over the wind’s howl, he heard: don’t Bigger don’t don’t At a moment he could not remember, he bad fallen; and now he lay, spent, his lips parted. He lay still, feeling rid of that hunger and tenseness and hearing the wail of the night wind over and above his and her breathing. He turned from her and lay on his back again, stretching his legs wide apart. He felt the tenseness flow gradually from him. ffis breathing grew less and less heavy and rapid until he could no longer hear it, then so slow and steady that the consciousness of breathing left him entirely. He was not at all sleepy and he lay, feeling Bessie lying there beside him. He turned his head in the darkness toward her. Her breath came to him slowly. He wondered if she were sleeping; somewhere deep in him he knew that he was lymg here wailing for her to go to sleep. Bessie did not figure in what was before him. He remembered that he had seen two bricks lying on the floor of the room as he had entered. He tried to recall just where they were, but could not. But he was sure they were there somewhere; he would have to find them, at least one of them. It would have been much better if he had not said any thing to Bessie about the murder. Well, it was her own fault She had bothered hmi so much that he had had to tell her. And how on earth could he have known that they would find Mary’s bones in the furnace so soon? He felt no regret as the image of the smoking furnace and the white pieces of bone came back to him. He had gazed straight at those bones for almost a full minute and had not been able to realize that they were the bones of Mary’s body. He had thought that they might find out some other way and then suddenly confront him with the evidence. Never ^d he think that he could stand and look at the evidence and not know it His thoughts came back to the room. What about Bessie? He listened to her breathing. He could not take her with him and he could not leave her behind. Yes. She was asleep. He reconstructed in his min d the details of the room as he had seen them by the glow of the flashlight when he had first come in. The window was directly behind him, above his head. The flashlight was at his side; the gun was lying beside the flashlight, the handle pointing toward him, so he could get it quickly and be in a position to use it. But he could FLIGHT 221 not use the gun; that would make too much noise He would have to use a bnck He remembered hoisting the window; it had not been hard. Yes, that was what he could do with it, throw It out of the window, down the narrow air-shaft where nobody would find it until, perhaps, it had begun to smell. He could not leave her here and he could not take her with him. If he took her along she would be crying all the time; she would be blaming him for aU that had happened; she would be wanting whiskey to help her to forget and there would be times when he could not get it for her. The room was black-dark and silent, the city did not exist He sat up slowly, holding his breath, listening. Bessie’s breath was deep, regular. He could not take her and he could not leave her. He stretched out his hand and caught the flashlight. He lis- tened again; her breath came like the sleep of the tired. He was holding the covers off her by sitting up this way and he did not want her to get cold and awaken He eased the covers back; she still slept. His finger pressed a button on the flash- light and a dim spot of yellow leaped to life on the opposite wall. Quickly, he lowered it to the floor, for fear that it might disturb her; and as he did so there passed before his eyes in a split second of time one of the bncks he had glimpsed when he had first come into the room He stiffened, Bessie stirred restlessly. Her deep, regular breathing had stopped He listened, but could not hear it. He saw her breath as a white thread stretching out over a vast black gulf and felt that he was clinging to it and was waiting to see if the ravel in the white thread which had started would continue and let him drop to the rocks far below. Then he heard her breathing again, in, out; in, out. He, too, breathed again, struggling now with his own breath to con- trol it, to keep it from sounding so loud in his throat that it would awaken her. The fear that had gripped him when she had stirred made him realize that it would have to be quick and sure Softly, he poked his legs from beneath the blanket, then waited Bessie breathed, slow, long, heavy, regular. He lifted his arm and the blanket fell away. He stood up and his muscles lifted his body in slow motion. Outside in the cold night the wind moaned and died down, like an idiot in an icy black pit. Turning, he centered the disc of light where he thought Bessie's face must be. Yes. She was asleep. Her black face, stained with tears, was calm. He switched oS the 222 native son light, turned toward the wall and his fingers felt over the cold floor for the brick. He found it, gripped it in his hand and tiptoed back to the pallet. Her breath guided him in the darkness; he stopped where he thought her head must be. He couldn’t take her and he couldn’t leave her; so he would have to kill her. It was his life against hers. Quickly, to make cer- tain where he must strike, he switched on the light, fearing as he did so that it might awaken her; then switched it off again, retaining as an image before his eyes her black face calm in deep sleep. He straightened and lifted the brick, but just at that mo- ment the reality of it all slipped from him. His heart beat wildly, trymg to force its way out of his chest. No! Not this’ His breath swelled deep in his lungs and he flexed his muscles, trymg to impose his will over his body. He had to do better than this. Then, as suddenly as the panic had come, it left. But he had to stand here until that picture came back, that motive, that drivmg desire to escape the law. Yes. It must be this way. A sense of the white blur hovenng near, of Mary burning, of Bntten, of the law tracking him down, came back. Again, he was ready. The bnck was m his hand. In his mind his hand traced a quick mvisible arc through the cold air of the room; high above his head his hand paused in fancy and imagmatively swooped down to where he thought her head must be. He was rigid; not moving This was the way it had to be. Then he took a deep breath and his hand gripped the brick and shot upward and paused a second and then plunged downward through the darkness to the accom- paniment of a deep short grunt from his chest and landed with a thud. Yes! There was a dull gasp of surprise, then a moan. No, that must not bel He lifted the bnck again and again, until m falling it struck a sodden mass that gave softly but stoutly to each landing blow. Soon seemed to be striking a wet wad of cotton, of some damp substance whose only life was the jarring of the brick’s impact He stopped, hearing his own breath heaving in and out of his chest. He was wet all over, and. cold How many times he had lifted the brick and brought it down he did not know All he knew was that the room was quiet and cold and that the job was done. In his left hand he still held the flashlight, grlppmg it for sheer life. He wanted to switch it on and see if he had really done it, but could not. His knees were shghtly bent, FLIGHT 223 like a runner’s poised for a race. Fear was in him again; he strained his ears. Didn’t he hear her breathing? He bent and listened It was his own breathing he heard; he had been breathing so loud that he had not been able to tell if Bessie was still breathing or not. His fingers on the brick began to ache; he had been gripping it for some minutes with all the strength of his body. He was conscious of something warm and sticky on his hand and his sense of it covered him, all over, it cast a warm glow that enveloped the surface of his skm He wanted to drop the brick, wanted to be free of this warm blood that crept and grew powerful with each passing moment. Then a dreadful thought rendered him incapable of action. Suppose Bessie was not as she had sounded when the brick hit her? Suppose, when he turned on the flashlight, he would see her lying there staring at him with those round large black eyes, her bloody mouth open in awe and wonder and pain and accusation? A cold chill, colder than the air of the room, closed about his shoulders hke a shawl whose strands were woven of ice. It became unbearable and something within him cried out in silent agony; he stooped until the brick touched the floor, then loosened his fingers, bringing his hand to his stomach where he wiped it dry upon his coat. Gradually his breath subsided until he could no longer hear it and then he knew for certain that Bessie was not breathing The room was filled with quiet and cold and death and blood and the deep moan of the night wind But he had to look. He lifted the flashlight to where he thought her head must be and pressed the button. The yellow spot sprang wide and dim on an empty stretch of floor; he moved it over a circle of crumpled bedclothes. There! Blood and lips and hair and face turned to one side and blood running slowly. She seemed limp; he could act now. He turned off the hght. Could he leave her here? No. Somebody might find her. Avoiding her, he stepped to the fai side of the pallet, then turned in the dark He centered the spot of light where he thought the window must be. He walked to the window and stopped, waiting to hear someone challenge his right to do what he was doing. Nothing happened. He caught hold of the wmdow, hoisted it slowly up and the wind blasted his face. He turned to Bessie again and threw the light upon the face 224 NATIVE SON of death and blood He put the flashhght in his pocket and stepped carefully in the dark to her side He would have to lift her in his arms; his arms hung loose and did not move; he just stood. But he had to move her. He had to get her to the window. He stooped and slid his hands beneath her body, expecting to touch blood, but not touching it. Then he lifted her, feeling the wind screaming a protest against him. He stepped to the window and lifted her into it; he was working fast now that he had started He pushed her as far out in his arms as possible, then let go. The body hit and bumped against the narrow sides of the air-shaft as it went down into blackness. He heard it strike the bottom. He turned the light upon the pallet, half-expecting her to still be there; but there was only a pool of warm blood, a faint veil of vapor hovering in the air above it. Blood was on the pillows too He took them and threw them out of the window, down the air-shaft. It was over. He eased the window down He would take the pallet into another room; he wished he could leave it here, but it was cold and he needed it. He rolled the quilts and blanket into a bundle and picked it up and went into the hall. Then be stopped abruptly, his mouth open. Good Godf Goddamn, yes, it was in her dress pocketl Now, he was in for it. He had thrown Bessie down the air-shaft and the money was m the pocket of her dressl What could he do about it? Should he go down and get it? Anguish gripped him. Naw' He did not want to see her again. He felt that if he should ever see her face again he would be overcome with a sense of guilt so deep as to be unbearable. That was a dumb thing to do, he thought. Throwing her away with aU that money in her pocket. He sighed and went through the hall and entered another room. Well, he would have to do without money; that was all. He spread the quilts upon the floor and rolled himself into them. He had seven cents between him and starvation and the law £uid the long days ahead. He closed his eyes, longing for a sleep that would not come. Dunng the last two days and raghts he had lived so fast and hard that it was an effort to keep it all real m his mind. So close had danger and death come that he could not feel that it was he who had undergone it all. And, yet, out of it aU, over and above all that had happened, impalpable but real, there remained to him a queer sense of power. He had done FLIGHT 225 this. He had brought all this about. In all of his life these two murders were the most meaningful things that had ever happened to him He was living, truly and deeply, no matter what others might think, looking at him with their blind eyes Never had he had the chance to live out the conse- quences of his actions, never had his will been so free as in this night and day of fear and murder and flight. He had killed twice, but in a true sense it was not the first time he had ever killed He had killed many times before, but only during the last two days had this impulse assumed the form of actual killing Blind anger had come often and he had either gone behind his curtain or wall, or had quarreled and fought And yet, whether in running away or in fighting, he had felt the need of the clean satisfaction of facing this thing in all its fulness, of fighting it out in the wind and sun- light, in front of those whose hate for him was so unfath- omably deep that, after they had shunted him off into a cor- ner of the city to rot and die, they could turn to him, as Mary had that night in the car, and say: "I’d hke to know how your people live ” But what was he after'^ What did he want? What did he love and what did he hate? He did not know. There was something he knew and something he felt, something the world gave him and something he himself had; something spread out in front of him and something spread out in back; and never in all his life, with this black skin of his, had the two worlds, thought and feeling, will and mind, aspiration and satisfaction, been together; never had he felt a sense of wholeness. Sometimes, in his room or on the sidewalk, the world seemed to him a strange labyrinth even when the streets were straight and the walls were square; a chaos which made him feel that something in him should be able to understand it, divide it, focus it. But only under the stress of hate was the conflict resolved. He had been so conditioned m a cramped environment that hard words or kicks alone knocked him upright and made him capable of action — action that was futile because the world was too much for hinr. It was then that he closed his eyes and struck out blindly, hitting what or whom he could, not looking or caring what or who hit back. And, under it all, and this made it hard for him, he did not want to make believe that it was solved, make beheve that NATIVE SON 226 he was happy when he was not. He hated his mother for that way of hers which was like Bessie’s. What his mother had was Bessie’s whiskey, and Bessie’s whiskey was his mother’s reli- gion. He did not want to sit on a bench and sing, or he in a ■corner and sleep. It was when he read the newspapers or [magazines, went to the movies, or walked along the streets with crowds, that he felt what he wanted: to merge himself with others and be a part of this world, to lose himself in ' it so he could find himself, to be allowed a chance to live hke others, even though he was black He turned restlessly on his hard pallet and groaned He had been caught up in a whirl of thought and feeling which had swept him onward and when he opened his eyes he saw that daylight stood outside of a dirty window just above his head. He jumped up and looked out. The snow had stopped falling and the city, white, stiU, was a vast stretch of roof-tops and sky. He had been thinking about it for hours here in the dark and now there it was, all white, still But what he had thought about It had made it real with a reality it did not have now in the daylight. When lying in the dark thinking of it, it seemed to have something which left it when it was looked at. 'Why should not this cold white world nse up as a beau- tiful dream in which he could walk and be at home, in which it would be easy to tell what to do and what not to do? If only someone had gone before and lived or suffered or died — made it so that it could be understood! It was too stark, not redeemed, not made real with the reality that was the warm blood of life. He felt that there was something missing, some road which, if he had once found it, would have led him to a sure and quiet knowledge. But why think of that now? A chance for that was gone forever. He had committed murder twice and had created a new world for himself. He left the room and went down to a window on the first floor and looked out The street was quiet and no cars were miming. The tracks were buned under snow. No doubt the blizzard had tied up traffic all over the city. He saw a little girl pick her way through the snow and stop at a comer newsstand; a man hurried out of a drug store and sold the gurl a paper. Could he snatch a paper while the man was inside? The snow was so soft and deep FLIGHT 227 he might get caught trying to get away. Could he find an empty building in which to hide after he had snatched the paper? Yes; that was just the thing. He looked carefully up and down the street; no one was in sight. He went through the door and the wind was like a branding-iron on his face. The sun came out, suddenly, so strong and fuU that it made him dodge as from a blow; a million bits of sparkle pained his eyes He went to the newsstand arid saw a tall black headline. HUNT BLACK IN GIRL’S DEATH. Yes; they had the story. He walked on and looked for a place to hide after he had snatched the paper. At the comer of an alley he saw an empty building with a gaping window on the first floor. Yes; this was a good place. He mapped out a careful plan of action; he did not want it said that he had done aU the things he had and then had got caught steahng a three-cent newspaper. He went to the drug store and looked inside at the man leaning against a wall, smoking Yes. Like thisl He reached out and grabbed a paper and in the act of grabbing it he turned and looked at the man who was looking at him, a cigarette slanting whitely across his black chin. Even before he moved from his tracks, he ran; he felt his legs turn, start, then slip in snow. Goddamn! The white world tilted at a sharp angle and the icy wind shot past his face. He fell flat and the crumbs of snow ate coldly at his fingers. He got up, on one knee, then on both; when he was on his feet he turned toward the drug store, still clutching the paper, amazed and angry with himself for having been so clumsy. The drug store door opened. He ran. “Hey!" As he ducked down the alley he saw the man standing in the snow lookmg at him and he knew that the man would not follow. “Hey, you!” He scrambled to the window, pitched the paper in before him, caught hold and heaved himself upward onto the ledge and then inside. He landed on his feet and stood peering through the window into the alley; all was white and quiet. He picked up the paper and walked down the hallway to the steps and up to the third floor, using the flashlight and hear- ing his footsteps echo faintly in the empty building. He stopped, clutch^ his pocket in pamc as his mouth flew open. NATIVE SON 228 Yes; he had it. He thought that he had dropped the gun when he had fallen in the snow, but it was still there. He sat on the top step of the stairs and opened out the paper, but for quite awhile he did not read. He listened to the creaking of the building caused by the wind sweeping over the city Yes; he was alone, he looked down and read, REPORTERS FIND DALTON GIRL’S BONES IN FUR- NACE NEGRO CHAUFFEUR DISAPPEARS FIVE THOUSAND POLICE SURROUND BLACK BELT. AU- THORITIES HINT SEX CRIME. COMMUNIST LEADER PROVES ALIBI. GIRL’S MOTHER IN COLLAPSE. He paused and reread the line, AUTHORITIES HINT SEX CRIME. Those words excluded him utterly from the world. To hint that he had committed a sex crime was to pronounce the death sentence; it meant a wiping out of his life even be- fore he was captured; it meant death before death came, for the white men who read those words would at once kill him in their hearts. The Mary Dalton kidnaping case was dramatically cracked wide open when a group of local newspaper reporters accidental- ly discovered several bones, later posiuvely established as those of the missing heiress, in the furnace of the Dalton home late today. , , . Search of the Negro’s home, 3721 Indiana Avenue, in the heart of the South Side, failed to reveal his whereabouts. Po- lice expressed belief that Miss Dalton met her death at the hands of the Negro, perhaps in a sex crime, and that the white girl’s body was burned to destroy evidence. Bigger looked up. His right hand twitched. He wanted a gun in that hand. He got his gun from his pocket and held it. He read again: Immediately a cordon of five thousand police, augmented by more than three thousand volunteers, was thrown about the Black Belt. Chief of Police Glenman said this morning that he believed that the Negro was still in the city, since all roads lead- ing in and out of Chicago were blocked by a record-breaking snowfall. Indignation rose to white heat last night as the news of the Negro’s rape and murder of the missing heiress spread through the city. flight 229 Police reported that many windows in the Negro sections were smashed. Every street car, bus, el tram and auto leaving the South Side is bemg stopped and searched Police and vigilantes, armed with rifles, tear gas, flashlights, and photos of the killer, began at 18th Street this morning and are searching every Negro home under a blanket warrant from the mayor They are making a careful search of all abandoned buildings, which are said to be hide- outs for Negro crimmals. Mamtaining that they feared for the lives of their children, a delegation of white parents called upon Supermtendent of City Schools Horace Minton, and begged that all schools be closed until the Negro rapist and murderer was captured. Reports were current that several Negro men were beaten in various North and West Side neighborhoods. In the Hyde Park and Englewood districts, men organized vigilante groups and sent word to Chief of Police Glenman offering aid. Glenman said this morning that the aid of such groups would be accepted. He stated that a woefully undermanned police force together with recurring waves of Negro crime made such a procedure necessary. Several hundred Negroes resembling Bigger Thomas were rounded up from South Side “hot spots”; they are bemg held for mvestigation In a radio broadcast last night Mayor Ditz warned of possible mob violence and exhorted the public to maintain order. "Every effort is being made to apprehend this fiend,” he said. It was reported that several hundred Negro employees through- out the city had been dismissed from jobs. A well-known bank- er’s wife phoned this paper that she had dismissed her Negro cook, "for fear that she might poison the children.” Bigger’s eyes were wide and his lips were parted; he scanned the print quickly; “handwriting experts busy,” “Er- lone’s fingerpnnts not found in Dalton home,” “radical still in custody”; and then a sentence leaped at Bigger, like a blow; Police are not yet satisfied with the account Erlone has given of himself and are of the conviction that he may be linked to the Negro as an accomplice, they feel that the plan of the mur- der and kidnaping was too elaborate to be the work of a Negro mind. At that moment he wanted to walk out into the street and up to a policeman and say, “Nol Jan didn’t help mel He native son 230 didn’t have a damn thing to do with it! I — I did itl” His lips twisted in a smile that was half-leer and half-defiance. Holding the paper in taut fingers, he read phrases: “Negro ordered to clean out ashes, . . . reluctant to respond. . . . dreading discovery. . . . smoke-filled basement. . . . tragedy of communism and racial mixture possibility that kid- nap note was work of reds. . . .” Bigger looked up. The building was quiet save for the continual creaking caused by the wind. He could not stay here. There was no telling when they were coming into this neighborhood. He could not leave Chicago; all roads were blocked, and all trains, buses and autos were being stopped and searched It would have been much better if he had tried to leave town at once. He should have gone to some other place, perhaps Gary, Indiana, or Evanston. He looked at the paper and saw a black-and-white map of the South Side, around the borders of which was a shaded portion an inch deep. Under the map ran a Ime of small print: Shaded portion shows area already covered by police and vigi- lantes m search for Negro rapist and murderer. White portion shows area yet to be searched. He was trapped. He would have to get out of this build- ing But where could he go? Empty buildings would serve only as long as he stayed within the white portion of the map, and the white portion was shrinking rapidly. He re- membered that the paper had been printed last night. That meant that the white portion was now much smaller than was shown here. He closed his eyes, calculating- he was at Fifty-third Street and the hunt had started last night at Eighteenth Street. If they had gone from Eighteenth Street to Twenty-eighth Street last night, then they would have gone from Twenty-eighth Street to Thirty-eighth Street since then. And by midnight tonight they would be at Forty- eighth Street, or right here. He wondered about empty flats. The paper had not mei> tioned them. Suppose he found a small, empty kitchenette flat in a building where many people hved? That was by far the safest thing. He went to the end of the hall and flashed the light on a dirty ceiling and saw a wooden stairway leading to the roof. FLIGHT 231 He climbed and pulled himself up into a narrow passage at the end of which was a door. He kicked at the door several times, each kick making it give slightly until he saw snow sunshine, and an oblong strip of sky. The wind came sting- ing into his face and he remembered how weak and cold he was How long could he keep going this way? He squeezed through and stood in the snow on the roof. Before him was a maze of white, sun-drenched roof-tops. He crouched behind a chimney and looked down into the street. At the comer he saw the newsstand from which he had stolen the paper; the man who had shouted at him was standmg by it. Two black men stopped at the newsstand and bought a paper, then walked uito a doorway. One of them leaned eagerly over the other’s shoulder. Their bps moved and they pointed their black fingers at the paper and shook their heads as they talked. Two more men joined them and soon there was a small knot of them standing m the doorway, talkmg and pointing at the paper. They broke up abruptly and went away. Yes; they were talking about him . Maybe all of the black men and women were talking about him this morning: maybe they were hating him for having brought this attack upon them. He had crouched so long in the snow that when he tried to move he found that his legs had lost all feehng. A fear that he was freezing seized him. He kicked out his legs to restore circulation of his blood, then crawled to the other side of the roof. Directly below him, one floor away, through a window without shades, he saw a room in which were two small iron beds with sheets dirty and crumpled. In one bed sat three naked black children looking across the room to the other bed on which lay a man and woman, both naked and black in the sunlight. There were quick, jerky move- ments on the bed where the man and woman lay, and the three children were watching. It was familiar; he had seen things like that when he was a little boy sleeping five in a room. Many mornings he had awakened and watched his father and mother. He turned away, thinking. Five of ’em sleeping in one room and here’s a great big empty building with just me in it. He crawled back to the chimney, seeing before his eyes an image of the room of five people, all of them blackly naked in the strong sunlight, seen through a NATIVE SON 232 sweaty pane: the man and woman moving jerkily in tight em- brace, and the three children watching. Hunger came to his stomach; an icy hand reached down his throat and clutched his intestines and tied them into a cold, tight knot that ached The memory of the bottle of milk Bessie had heated for him last night came back so strongly that he could almost taste it. If he had that bottle of milk now he would make a fire out of a newspaper and hold the bottle over the flame until it was warm. He saw himself take the top off the white bottle, with some of the warm milk spilling over his black fingers, and then lift the bottle to his mouth and tilt his head and drink His stomach did a slow flip-flop and he heard it growl. He felt in his hunger a deep sense of duty, as powerful as the urge to breathe, as intimate as the beat of his heart. He felt like dropping to his knees and lifting his face to the sky and say- ing: ‘‘I’m hungry!” He wanted to pull off his clothes and roll in the snow until something nourishing seeped into his body through the pores of his skin. He wanted to grip some- thing m his hands so hard that it would turn to food. But soon his hunger left; soon he was taking it a little easier; soon his mind rose from the desperate call of his body and concerned itself with the danger that lurked about him. He felt something hard at the comers of his lips and touched it with his fingers; it was frozen saliva. He crawled back through the door into the narrow passage and lowered himself down the shallow wooden steps into the hallway. He went to the first floor and stood at the window through which he had first climbed. He had to find an empty apartment m some building where he could get warm; he felt that if he did not get warm soon he would simply lie down and close his eyes. Then he had an idea; he wondered why he had not thought of it before. He struck a match and lit the newspaper; as it blazed he held one hand over it awhile, and then the other The heat came to his skin from far off. When the paper had burned so close that he could no longer hold it, he dropped it to the floor and stamped it out with his shoes. At least he could feel his hands now; at least they ached and let him know that they were his. He climbed through the wmdow and walked to the street, turned northward, joining the people passing. No one recog- nized him. He looked for a building with a ‘‘For Rent” sign. FLIGHT 233 He walked two blocks and saw none. He knew that empty fiats were scarce in the Black Belt; whenever his mother wanted to move she had to put in requests long months in advance. He remembered that his mother had once made him tramp the streets for two whole months loobng for a place to live. The rental agenaes had told him that there were not enough houses for Negroes to live in, that the city was condemning houses in which Negroes hved as being too old and too dangerous for habitation. And he remembered the time when the police had come and driven him and his mother and his brother and sister out of a flat in a build- ing which had collapsed two days after they had moved. And he had heard it said that black people, even though they could not get good jobs, paid twice as much rent as whites for the same kind of flats. He walked five more blocks and saw no “For ‘Rent” sign Goddamnl Would he freeze trying to find a place in which to get warm? How easy it would be for him to hide if he had the whole city in which to move about! They keep us bottled up here like wild animals, he thought He knew that black people could not go outside of the Black Belt to rent a flat; they had to live on their side of the “line.” No white real estate man would rent a flat to a black man other than in the section; where it had been de- cided that black people might hve. His fists clenched. What was the use of running away? He ought to stop right here in the middle of the sidewalk and shout out what this was. It was so wrong that surely all the black people round him would do something about it; so wrong that all the white people would stop and listen. But he knew that they would simply grab him and say that he was crazy. He reeled through the streets, his bloodshot eyes looking for a place to hide He paused at a comer and saw a big black rat leaping over the snow. It shot past him into a doorway where it slid out of sight through a hole. He looked wistfully at that gaping black hole through which the rat had darted to safety. He passed a bakery and wanted to go in and buy some rolls with the seven cents he had. But the bakery was empty of customers and he was afraid that the white proprietor would recognize him He would wait until he came to a Negro business establishment, but he knew that there were not many of them. Almost all businesses in the Black Belt NATIVE SOI 234 were owned by Jews, Italians, and Greeks, Most Negro busi- nesses were funeral parlors; white undertakers refused to bother with dead black bodies. He came to a chain grocery store. Bread sold here for five cents a loaf, but across the “line” where white folks lived, it sold for four. And now, ol all times, he could not cross that “line ” He stood looking through the plate glass at the people inside. Ought he to go in? He had to. He was starving. They trick us every breath we drawl he thought. They gouge our eyes out! He opened the door and walked to the counter. The warm air made him dizzy; he caught hold of a counter in front of him and steadied himself. His eyes blurred and there swam before him a vast array of red and blue and green and yellow cans stacked high upon shelves. All about him he heard the soft voices of men and women. “You waited on, sir?” “A loaf of bread," he whispered. “Anythmg else, sir?” “Naw.” The man’s face went away and came again; he heard paper rustling. “Cold out, isn’t itr’ “Hunh? Oh, yessuh.” He laid the nickel on the counter; he saw the blurred loaf bemg handed to him. “Thank you. Call again.” He walked unsteadily to the door with the loaf under his arm. Oh, Lord! If only he could get into the street! In the doorway he met people coming in; he stood to one side to let them pass, then went into the cold wind, looking for an empty flat. At any moment he expected to hear his name shouted; expected to feel his arms being grabbed. He walked five blocks before he saw a two-story flat building with a “For Rent” sign in a window. Smoke bulged out of chimneys and he knew that it was warm inside. He went to the front door and read the little vacancy notice pasted on the glass and saw that the flat was a rear one. He went down the alley to the rear steps and mounted to the second floor. He tried a window and it slid up easily. He was in luck. He hoisted himself through and dropped into a warm room, a kitchen. He was suddenly tense, listening, He heard voices, they seemed to be coming from the room in front of him. Had he FLIGHT 235 made a mistake? No. The kitchen was not furnished; no one, it seemed, lived in here. He tiptoed to the next room and found it empty; but he heard the voices even more clearly now. He saw still another room leading farther; he tiptoed and looked. That room, too, was empty, but the sound of the voices was coming so loud that he could make out the words. An argument was going on in the front flat. He stood with the loaf of bread m his bands, his legs wide apart, hstening. “Jack, yuh mean t’ stan’ there ’n’ say yuh’d give tha’ nigger up t’ the white folks?” “Damn nght Ah would!” “But, Jack, s’pose he ain’ guilty?” “Whut in hell he run off fer then?” “Mabbe he thought they wuz gonna blame the murder on him\" “Lissen, Jim. Ef he wuzn’t guilty, then he oughta stayed 'n' faced it, Ef Ah knowed where tha' nigger wuz Ah'd turn im up ’n’ git these white folks off me.” “But, Jack, ever' nigger looks guilty t’ white folks when somebody’s done a crime.” “Yeah; tha’s ’cause so many of us ack like Bigger Thomas; tha’s all. When yuh ack like Bigger Thomas yuh stir up trouble " “But, Jack, who’s stirring up trouble now? The papers say they heatin’ us up all over the city. They don’ care whut black man they git We’s all dogs m they sigfatl Yuh gotta Stan’ up ’n’ fight these folks.” “ 'N’ git killed? HeU, nawl Ah gotta family. Ah gotta wife ’n’ baby. Ah ain’t startin’ no fool fight. Yuh can’t git no jus- tice pertectin’ men who kill. . . “We’s all murderers t’ them. Ah tell yuh!” “Lissen, Jim. Ah’m a hard-workin’ man. Ah fixes the streets wid a pick an’ shovel ever’ day, when Ah git a chance. But the boss tor me he didn’t wan’ me in them streets wid this mob feelin’ among the white folks. . . . He says Ah’U git killed. So he lays me off. Yuh see, tha’ goddamn nigger Bigger Thomas made me lose mah job. . , . He made the white folks think we’s all jus’ like himl” “But, Jack, Ah tell yuh they think it awready. Yuh’s a good man, but tha’ ain’ gonna keep ’em from cornin’ t’ yo’ NATIVE SON 236 home, is it? Hell, nawl We’s all black ’n’ we jus’ as waal ack black, don’ yuh see?” “Aw, Jim, it’s awright t’ ©t mad, but yuh gotta look at things straight Tha' guy made me lose mah job Tha’ am’ fair! How is Ah gonna eat? Ef Ah knowed where the black sonofabitch wuz Ah’d call the cops ’n’ let ’em come ’n’ git ’imi” “Waal, Ah wouldn’t Ah’d die firs’!’ “Man, yuh crazy! Don’ yuh wan’ a home ’n’ wife ’n’ chillun? Whut’s fightin’ gonna gjt yuh? There’s mo' of them than us. They could kill us all. Yuh gotta learn t’ hve ’n’ git erlong wid people.” “When folks hate me, Ah don’ wanna git erlong.” “But we gotta eai\ We gotta live!” “Ah don’ care! Ah’d die firs’l” “Aw, hell! Yuh crazy!” “Ah don’ care whut yuh say. Ah’d die ’fo’ Ah’d let ’em scare me inter telhn’ on tha’ man. Ah tell yuh, Ah’d die firs’!” He tiptoed back into the kitchen and took out his gun. He would stay here and if his own people bothered him he would use it. He turned on the water faucet and put his mouth under the stream and the water exploded in his stom- ach. He sank to his knees and rolled in agony. Soon the pain ceased and he drank again. Then, slowly, so that the piaper would not rustle, he unwrapped the loaf of bread and chewed a piece. It tasted good, like cake, with a sweetish and smooth flavor he had never thought bread could have As he ate his hunger returned in full force and he sat on the floor and held a fistful of bread in each hand, his cheeks bulging and his jaws working and his Adam’s apple going up and down with each swallow. He could not stop until his mouth became so dry that the bread balled on his tongue; he held it there, savoring the taste. He stretched out on the floor and sighed. He was drowsy, but when he was on the verge of sleep he jerked abruptly to a dull wakefulness. Finally, he slept, then sat up, half-awake, following an unconscious prompting of fear. He groaned and his hands flayed the air to ward ofi an invisible danger. Once he got up completely and walked a few steps with out- stretched hands and then lay down in a spot almost ten feet from where he had originally slept Tliere were two FIIGHT 237 Biggera: one was determined to get rest and sleep at any cost, and the other shrank from images charged with terror. There came a long space of time m which he did not move; he lay on his back, his hands folded upon his chest, his mouth and eyes open. His chest rose and fell so slowly and gently that it seemed that during the intervals when it did not move he would never breathe again A wan sun came onto his face, making the black skin shine like dull metal; the sun left and the quiet room filled with deep shadows. As he slept there stole into his consciousness a disturbing, rhythmic throbbing which he tried to fight off to keep trom waking up. His mind, protecting him, wove the throb into patterns of innocent images He thought he was in the Paris Grill listening to the automatic phonograph playing; but that was not satisfying. Next, his mind told him that he was at home in bed and his mother was singing and shaking the mattress, wanting him to get up. But this image, like the others, failed to quiet him. The throb pulsed on, insistent, and he saw hundreds of black men and women beating drums with their fingers. But that, too, did not answer the question. He tossed restlessly on the floor, then sprang to his feet, his heart poundmg, his ears filled with the sound of singing and shouting. He went to the window and looked out; in front of him, down a few feet, through a window, was a dim-lit church. In it a crowd of black men and women stood between long rows of wooden benches, singing, clapping bands, and rolling their heads. Aw, them folks go to church every day in the week, he thought. He licked his lips and got another drink of water. How near were the police? What time was it? He looked at his watch and found that it had stopped running; he had forgotten to wind it. The singing from the church vibrated through him, suffusing him with a mood of sen- sitive sorrow. He tried not to listen, but it seeped into his feelings, whispering of another way of life and death, coax- ing him to lie down and sleep and let them come and get him, urging him to believe that all life was a sorrow that had to be accepted. He shook his head, trying to rid himself of the music. How long had he slept? What were the papers saying now? He had two cents left; that would buy a Times. He picked up what remained of the loaf of bread and the music sang of surrender, resignation. Steal away, Steal away, Steal native son 238 away to Jesus. ... He stuffed the bread into his pockets; he would eat it some time later He made sure that his gun was still intact, hearing, Steal away. Steal away home. I ain’t got long to say here. ... It was dangerous to stay here, but it was also dangerous to go out. The singmg filled his ears; it was complete, self-contained, and it mocked his fear and loneliness, his deep yearning for a sense of wholeness. Its fulness contrasted so sharply with his htmger, its richness with his emptiness, that he recoUed from it while answermg it. Would it not have been better for him had he lived in that world the music sang of? It would have been easy to have hved in it, for it was his mother’s world, humble, contrite, believing. It had a center, a core, an axis, a heart which he needed but could never have unless he laid his head upon a pillow of humihty and gave up his hope of livmg in the world. And he would never do that. He heard a street car passing in the street; they were run- ning again. A wild thought surged through him. Suppose the police had already searched this neighborhood and had over- looked him? But sober judgment told him that that was im- possible. He patted his pocket to make sure the gun was there, then climbed through the window. Cold wind smote his face. It must be below zero, he thought. At both ends of the alley the street lamps glowed through the murky air, re- fracted into mammoth balls of light. The sky was dark blue and far away. He walked to the end of the alley and turned onto the sidewalk, joining the passing stream of people. He waited for someone to challenge his right to walk there, but no one did. At the end of the block he saw a crowd of people and fear Clutched hard at his stomach. What were they doing? He slowed and saw that they were gathered about a newsstand. They were black people and they were buymg papers to read about how the white folks were trying to track him to earth. He lowered his head and went forward and slipped into the crowd. The people were talking excitedly. Cautiously, he held out two cents in his cold fingers. When he was close enough, he saw the front page; his picture was in the center of it. He bent his head lower, hoping that no one would see him closdy enough to see that it was he who was pictured there. “Times,” he said. FLIGHT 239 He tucked the paper under his arm, edged out of the crowd and walked southward, looking for an empty flat. At the next comer he saw a “For Rent” sign in a building which he knew' was cut up into small kitchenette flats. Tliis was what he wanted. He went to the door and read the sign; there was an empty flat on the fourth floor. He walked to the alley and began to mount the outside rear stairs, his feet softly crunching in snow. He heard a door open; he stopped, got his gun and waited, kneeling in the snow. “Who’s that?” It was a woman’s voice. Then a man’s voice sounded. "What’s the matter, Ellen?” “I thought I heard someone out here on the porch.” “Ah, you're simply nervous You’re scared of all this stuff you’ve been reading in the papers ” "But I’m sure I heard somebody.” “Aw, empty the garbage and shut the door. It's cold.’’ Bigger flattened against the building, in the dark. He saw a woman came out of a door, pause, look round; she went to the far end of the porch and dumped something into a garbage pail and went back inside I would’ve had to kill ’em both if she saw me, he thought He tiptoed up to the fourth floor and found two windows, both of them dark. He tried to lift the screen in one of them and found it frozen. Gently, he shook it to and fro until it loosened; then he lifted it out and laid it on the porch in the snow. Inch by inch, he raised the window, breathmg so loud that he thought surely people must hear him even in the streets. He climbed through into a dark room and struck a match. An electric light was on the other side of the room and he went to it and pulled the chain He put his cap over the bulb so that no light would seep throu^ to the outside, then opened the paper. Yes; here was a large picture of him. At the top of the pic- ture ran a tall line of black type: 24-HOUR SEARCH FAILS TO UNEARTH RAPIST. In another colunm he saw: RAID 1,000 NEGRO HOMES INCIPIENT RIOT QUELLED AT 47TH AND HALSTED. There was another map of the South Side. This time the shaded area had deepened from both the north and south, leaving a small square of white in the middle of the oblong Black Belt. He stood looking at that tiny square of white as though gazing down into the barrel of a gun. He was there on that map, in that white spot. 240 NATIVE SON Standing in a room waiting for them to come. Dead-set, his eyes stared above the top of the paper. There was nothing left for him hut to shoot it out. He examined the map again; the police had come from the north as far south as Fortieth Street; and they had come from the south as far north as Fiftieth Street. That meant that he was somewhere in be- tween, and they were minutes away. He read: Today and last night eight thousand armed men combed cel- lars, old buildings and more than one thousand Negro homes in the Black Belt in a vain effort to apprehend Bigger Thomas, 20-year-old Negro rapist and killer of Mary Dalton, whose bones were found last Sunday night m a furnace. Bigger’s eyes went down the page, snatching at what ho thought most important; “word spread that the slayer had been captured, but was immediately denied,” “before night police and vigilantes will have covered the entire Black Belt," “raiding numerous Communist headquarters throughout the city," “the arrest of hundreds of reds failed, however, to un- cover any clues," “public warned by mayor against ‘boring from wit^,’ , . . Then: A curious sidelight was revealed today when it became known that the apartment building m which the Negro killer hved is owned and managed by a sub-firm of the Dalton Real Estate Company. He lowered the paper; he could read no more. The one fact to remember was that eight thousand men, white men, with guns and gas, were out there in the night looking for him According to this paper, they were but a few blocks away. Could he get to the roof of this building? If so, maybe he Could crouch there until they passed. He thought of burying himself deep in the snow of the roof, but he knew that that was impossible He puUed the chain again and plunged the room in darkness. Using the flashlight, he went to the door and opened it and looked into the hall. It was empty and a dim light burned at the far end. He put out the flashlight and tiptoed, looking at the ceiling, searching for a trapdoor leading to the roof. Finally, he saw a pair of wooden steps leading upward. Suddenly, his muscles stiffened as though a wire strung through his body had jerked him. A siren shriek entered the hallway. And immediately he heard FLIGHT 241 voices, excited, low, tense. From somewhere down below a man called, “They’s comia’I” There was nothing to do now but go up; he clutched the wooden steps above him and climbed, wanting to get out of sight before anyone came into the hall. He reached the trap- door and pushed against it with his head; it opened. Ho grabbed something sohd in the darkness above him and hoisted himself upward, hoping as he did so that it would hold him and not let him go crashing down upon the hall floor. He rested on his knees, his chest heaving. Then he eased the door shut, peering just in time to see a door in the hall opening. That was close! The siren sounded agam; it was outside in the street, It seemed to sound a wammg that no one could hide from it; that action to escape was futile; that soon the men with guns and gas would come and penetrate where the siren sound had penetrated. He listened; there were throbs of motors; shouts rose from the streets; there were screams of women and curses of men. He heard footsteps on the stairs. The siren died and began again, on a high, shrill note this time. It made him want to clutch at his throat; as long as it sounded it seemed that he could not breathe. He had to get to the roofl He switched on the flashlight and crawled through a narrow loft till he came to an opening. He put his shoulder to it and heaved; it gave so suddenly and easily that he drew back in fear. He thought that someone had snatched it open from above and in the same instant of its opening he saw an expanse of gleaming white snow against the dark smudge of night and a stretch of luminous sky. A medley of crashing sounds came, louder than he had thought that sound could be: horns, sirens, screams. There was hunger in those sounds as they crashed over the roof-tops and chimneys; but under it, low and distinct, he heard voices of fear: curses of men and cries of children. Yes; they were looking for him in every building and on every floor and in every room. They wanted him. His eyes jerked upward as a huge, sharp beam of yellow light shot into the sky. Another came, crossing it like a knife. Then another. Soon the sky was full of them. They circled slowly, hem- ming him in; bars of light forming a prison, a wall between him and the rest of the world; bars weaving a shifting wall 242 NATIVE SON of light into which he dared not go. He was in the midst of it now; this was what he had been running from ever since that mght Mrs. Dalton had come mto the room and had charged him with such fear that his hands had gripped the pillow with fingers of steel and had cut off the air from Mary’s lungs. Below him was a loud, heavy pounding, lilce a far-away rumble of thunder. He had to get to the roof, he struggled upward, then fell flat, in deep soft snow, his eyes riveted upon a white man across the street upon another roof. Bigger watched the man whirl the beam of a flashlight. Would the man look in his direction? Could the beam of a flashlight make him visible from where the man was? He watched the man walk round awhile and then disappear. Quickly, he rose and shut the trapdoor. To leave it open would create suspicion. Then he fell flat again, listening. There was the sound of many running feet below him. It seemed that an army was thundering up the stairs There was nowhere he could run to now; either they caught him or they did not. The thundering grew louder and he knew that the men were nearing the top floor. He lifted his eyes and looked in all directions, watching roofs to the left and nght of him. He did not want to be surprised by someone creeping upon him from behind. He saw that the roof to his right was not joined to the one upon which he lay; that meant that no one could steal upon him from that direction. The one to his left was joined to the roof of the building upon which he lay, making it one long icy runway. He lifted his head and looked, there were other roofs joined, too He could run over those roofs, over the snow and round those chimneys until he came to the building that dropped to the ground. Then that 'Would be all. Would he jump off and kill himself? He did not know. He had an almost mystic feel- ing that if he were ever cornered something in him would prompt him to act the right way, the right way being the way that would enable him to die without shame. \ He heard a noise close by; he looked round just in time to see a white face, a head, then shoulders pull into view upon the roof to the right of him. A man stood up, cut sharply against the background of roving yellow lights. He watched the man twirl a pencil of light over the snow. Bigger raised his gun and trained it upon the man and waited; if FLIGHT 243 the light reached him, he would shoot. What would he do afterwards? He did not know. But the yellow spot never reached him. He watched the man go down, feet first, then shoulders and head; he was gone. He relaxed a bit; at least the roof to his right was safe now. He waited to hear sounds that would tell him that some- one was climbing up through the trapdoor. The rumbling below him rose in volume with the passing seconds, but he could not tell if the men were coming closer or receding. He waited and held his gun. Above his head the sky stretched in a cold, dark-blue oval, cupping the city like an iron palm covered with silk. The wind blew, hard, icy, without ceasmg. It seemed to him that he had already frozen, that pieces could be broken off him, as one chips bits from a cake of ice. In order to know that he still had the gun in his hand he 'had to look at it, for his hand no longer had any feeling. Then he was stiff with fear There were pounding feet right below him. They were on the top floor now. Ought he to run to the roof to his left? But he had seen no one search that roof; if he ran he might come face to face with someone coming up out of another trapdoor. He looked round, think- ing that maybe someone was creeping upon hun; but there was nobody The sound of feet came louder. He put his ear to the naked ice and hstened. Yes; they were walking about in the hallway; there were several of them directly under him, near the trapdoor He looked again to the roof on his left, wanting to run to it and hide; but was afraid. Were they coming up? He listened; but there were so many voices he could not make out the words He did not want them to surprise him Whatever happened, he wanted to go down lookmg into the faces of those that would kill him. Finally, under the terror-song of the siren, the voices came so close that he could hear words clearly. “God, but I’m tiredl” “I’m coldl” “I believe we’re just wasting time.” “Say, Jerryl You going to the roof this time?” “Yeah; I’ll go.” “That nigger might be in New York by now." “Yeah. But we better look.” “Say, did you see that brown gal in there?” “The one that didn’t have much on?” 244 NATIVE SON "Yeah.” "Boy, she was a peach, wasn’t she?” “Yeah; 1 wonder what on earth a nigger wants to kill a white woman for when he has such good-looking women in his own race. . . .” “Boy, if she’d let me stay here I’d give up this goddamn hunt.” "Come on. Give a lift. You’d better hold this ladder. It seems rickety.” “O.K.” “Hurry up. Here comes the captain.” Bigger was set. Then he was not set. He clung to a chim- ney that stood a foot from the trapdoor. Ought he to stay flat or stand up? He stood up, pushing against the chimney, trying to merge with it. He held the gun and waited. Was the man coming up? He looked to the roof to his left; it was still empty But if he ran to it he might meet someone. He heard footsteps m the passage of the loft. Yes; the man was coming. He waited for the tr,apdoor to open. He held the gun tightly; he wondered if he was holding it too tightly, so tightly that it would go off before he wanted it to. His fingers were so cold that he could not tell how much pressure he was putting behind the trigger. Then, like a shooting star streaking across a black sky, the fearful thought came to him that maybe his fingers were frozen so stiff that he could not pull the trigger. Quickly, he felt his right hand with his left, but even that did not tell him anything. His right hand was so cold that all he felt was one cold piece of flesh touching another. He had to wait and see. He had to have faith. He had to trust himself, that was all. The trapdoor opened, slightly at first, then wide. He watched it, his mouth open, staring through the blur of tears which the cold wind had whipped into his eyes. The door came all the way open, cutting off his view for a moment, then it fell back softly upon the snow He saw the bare head of a white man — the back of the head — framed in the nar- row opening, stenciled against the yellow glare of the rest- less bars of light. Then the head turned slightly and Bigger saw the side of a white face. He watched the man, moving like a figure on the screen in close-up slow motion, come out of the hole and stand with his back to him, flashlight in hand. The idea took hold swiftly. Hit him. Hit himl In the head. FLIGHT 245 Whether it would help or not, he did not know and it did not matter He had to hit this man betore he turned that spot of yellow on him and then yelled for the others In the split second that he saw the man’s head, it seemed that an hour passed, an hour filled with pain and doubt and anguish and suspense, filled with the sharp throb of life lived upon a needle-point He lifted his left hand, caught the gun which he held in his right, took it into the fingers of his left hand, turned it round, caught it again in his right and held it by the barrel: all one motion, switt, silent; done in one breath with eyes staring unblmkingly Hit him! He bfted it, high, by the barrel. Yes. Hit him! His bps formed the words as he let It come down with a grunt which was a blending of a airse, a prayer and a groan. He felt the impact of the blow throughout the length of his arm, jarring his flesh slightly. His hand stopped in mid- air, at the point where the metal of the gun had met the bone of the skull; stopped, frozen, still, as though again about to lift and descend. In the instant, almost of the blow being struck, the white man emitted something like a soft cough; his flashlight fell into the snow, a fast flick of vanishing light. The man fell away from Bigger, on his face, full length in the cushion of snow, like a man falling soundless- ly in a deep dream. Bigger was aware of the clicking sound of the metal against the bone of the skull; it stayed on m his ears, faint but distinct, like a sharp bnght point lingenng on in front of the eyes when a light has gone out suddenly and darkness is everywhere — so the click of the gun handle against the man’s head stayed on in his ears. He had not moved from his tracks; his right hand was still extended, up- ward, in mid-air; he lowered it, looking at the man, the sound of the metal against bone fading m his ears like a dying whisper. The sound of the siren had stopped at some time which he did not remember, then it started again, and the interval in which he had not heard it seemed to hold for him some preciously hidden danger, as though for a dreadful mo- ment he had gone to sleep at his post with an enemy near. He looked through the whirling spokes of light and saw a trapdoor open upon the roof to his left. He stood rigid, holding the gun, watching, waiting If only the man did not see him when he came up! A head came into view; a white NATIVE SON 246 man climbed out of the trapdoor and stood in the snow. He flinched, someone was crawling in the loft below him. Would he be trapped? A voice, a little afraid, called from the open hole through which the man whom he had struck, had climbed. “Jerry'" The voice sounded clearly in spite of the siren and the clang of the fire wagons. “Jerry!” The voice was a little louder now It was the man’s part- ner. Bigger looked back to the roof to his left; the man was still standing there, flashing a light round. If he would only leave! He had to get away from this trapdoor here If that man came up to see about his partner and found him sprawled in the snow he would yell before he got a chance to hit him He squeezed against the chimney, looking at the man on the roof to his left, holding his breath. The man turned, walked toward the trapdoor and climbed through. He waited to hear the door shut; it did. Now, that roof was clear! He breathed a silent prayer. “Jeeerry!" With gun in hand, Bigger crept across the roof. He came to a small mound of brick, where the upjutting ridge of the building's flat top joined that of the other. He paused and looked back. The hole was still empty, If he tried to climb over, would the man come out of the hole just in time to see him? He had to take the chance He grabbed the ledge, hoisted himself upon it, and lay flat for a moment on the ice, then slid to the other side, rolling over. He felt snow in his face and eyes, his chest heaved. He crawled to an- other chimney and waited; it was so cold that he had a wild wish to merge into the icy bncks of the chimney and have it all over. He heard the voice again, this time loud, insist- ent; “Jerry!” He looked out from behind the chimney. The hole was still empty. But the next time the voice came he knew that the man was coming out, for he could feel the tremor of the voice, as though it were next to him. “Jerry!" Then he saw the man’s face come through, it was stuck like a piece of white pasteboard above the top of the hole FLIGHT 247 and when the man’s voice sounded again Bigger knew that he had seen his partner m the snow. “Jerry! Say!” Bigger lifted his gun and waited, “Jerry. ...” , The man came out of the hole and stood over his part- ner, then scrambled in again, screaming: “Say! Say'” Yes; the man would spread the word Ought he to run? Suppose he went down into the trapdoor of another roof? Naw! There would be people standing in the hallways and they would be afraid; they would scream at the sight of hun and he would be caught They would be glad to give him up and put an end to this terror. It would be better to run farther over the roofs He rose; then, just as he was about to run, he saw a head bob up m the hole. Another man came through and stood over Jerry. He was tall and he stooped over Jerry’s form and seemed to be putting his hand upon his face. Then another came through. One of the men centered his flashlight on Jerry’s body and Bigger saw one bend and roll the body over. The spotlight lit Jerry’s face. One of the men ran to the sheer edge of the roof, over- looking the street; his hand went to his mouth and Bigger beard the sound of a whistle, sharp, thin. The roar in the street died; the siren stopped, but the circling columns of yellow continued to whirl. In the peace and q^uiet of the sud- den calm, the man yelled, “Surround the block'” Bigger heard an answering shout “You got a line on ’im?” “I think he’s round here!” A wild yell went up. Yes; they felt that they were near him now. He heard the man’s shnll whistle sounding again. It got quiet, but not so quiet as before. There were shouts of wild joy floating up. “Send up a stretcher and a detail of menl” “O.K.!” The man turned and went back to Jerry lying in the snow. Bigger heard snatches of talk “ . . . how do you suppose it happened?” “Looks like he was hit. . . “. . . . maybe he’s about. . . 248 NATIVE SON “Quick! Take a look over the roof” He saw one of the men rise and flash a light. The circling beams lit the roof to a daylight brightness and he could see that one man held a gun He would have to cross to other roofs before this man or others came upon him. They were suspicious and would comb every inch of space on top of these houses On all fours, he scrambled to the next ledge and then turned and looked back, the man was still standing, throwing the spot of yellow about over the snow. Bigger grabbed the icy ledge, hoisted himself flat upon it, and slid over He did not think now of how much strength was needed to climb and run, the fear of capture made him forget even the cold, forget even that he had no strength left From somewhere in him, out of the depths of flesh and blood and bone, he called up energy to run and dodge with but one impulse: he had to elude these men. He was crawling to the other ledge, over the snow, on his bands and knees, when he heard the man yell, “There he is!" The three words made him stop; he had been listening for them all night and when they came he seemed to feel the sky crashing soundlessly about him. V/hat was the use of running? Would it not be better to stop, stand up, and lift his hands high above his head in surrender? Hell, nawl He continued to crawl. “Stop, you!” A shot rang out, whining past his head. He rose and ran to the ledge, leaped over; ran to the next ledge, leaped over it He darted among the chimneys so that no one could see him long enough to shoot. He looked ahead and saw some- thing huge and round and white looming up in the dark, a bulk rising up sheer from the snow of the roof and swelling in the night, glittering in the glare of the searching knives of light. Soon he would not be able to go much farther, for he would reach that point where the roof ended and dropped to the street below. He wove among the chimneys, his feet slipping and sliding over snow, keeping in mind that white looming bulk which he had glimpsed ahead of him, Was it something that would help him? Could he get upon it, or behind it, and hold them off? He was listening and expect- ing more shots as he ran, but none came He stopped at a ledge and looked back; he saw in the FLIGHT 249 lurid glare of the slashing lances of light a man stumbling over the snow. Ought he to stop and shoot? Nawl More would be coming in a moment and he would only waste time. He had to find some place to hide, some ambush from which he could fight. He ran to another ledge, past the white looming bulk which now towered directly above him, then stopped, blinkmg: deep down below was a sea of white faces and he saw himself falling, spinning straight down into that ocean of boiling hate. He gnpped the icy ledge with his fingers, thinking that if he had been r unnin g any faster he would have gone right off the roof, hurtlmg four floors. Dizzily, he drew back. This was the end. There were no more roofs over which to run and dodge. He looked, the man was still coming. Bigger stood up. The siren was louder than before and there were more shouts and screams. Yes; those m the streets knew now that the police and vigilantes had trapped him upon the roofs. He remembered the quick glimpse he had had of the white looming bulk; he looked up. Directly above hun, white with snow, was a high water tank with a round flat top. There was a ladder made of iron whose slick rungs were coated with ice that gleamed like neon in the circling blades of yellow. He caught hold and climbed He did not know where he was going; he knew only that he had to hide. He reached the top of the tank and three shots sang past his head. He lay flat, on his stomach, in snow. He was high above the roof-tops and chimneys now and he had a wide view. A man was climbing over a near-by ledge, and beyond him was a small knot of men, their faces lit to a distinct whiteness by the swinging pencils of light. Men were coming up out of the trapdoor far m front of him and were moving toward him, dodging behmd chimneys. He raised the gun, leveled it, aimed, and shot; the men stopped but no one fell. He had missed He shot again No one fell. The knot of men broke up and disappeared behind ledges and chimneys. The noise in the street rose in a flood of strange joy, No doubt the sound of the pistol shots made them think that he was shot, captured, or dead He saw a man runmng toward the water tank in the open; he shot again. The man ducked behind a chimney. He had missed. Perhaps his hands were too cold to shoot straight? Maybe he ought to wait until they were closer? He 250 NATIVE SON turned his head just in time to see a man climbing over the edge of the roof, from the street side The man was mount- ing a ladder which had been hoisted up the side of the building from the ground He leveled the gun to shoot, but the man got over and left his line of vision, disappearing under the tank. Why could he not shoot straight and fast enough? He looked in front of him and saw two men running under the tank. There were three men beneath the tank now. They were surrounding him, but they could not come for him with- out exposing themselves. A small black object fell near his head in the snow, hiss- ing, shooting forth a white vapor, like a blowing plume, which was earned away from him by the wind. Tear gas! With a movement of his hand he knocked it off the tank. Another came and he knocked it off. Two more came and he shoved them off. The wind blew strong, from the lake. It earned the gas away from his eyes and nose He heard a man yell, “Stop it! The wind's blowing it awayl He’s throwing ’em back!’’ The bedlam in the street rose higher; more men climbed through trapdoors to the roof. He wanted to shoot, but re- membered that he had but three bullets left. He would shoot when they were closer and he would save one bullet for him- self They would not take him alive. “Come on down, boy!” He did not move; he lay with gun in hand, waiting. Then, directly under his eyes, four white fingers caught hold of the icy edge of the water tank. He gritted his teeth and struck the white fingers with the butt of the gun. Tliey vanished and he heard a thud as a body landed on the snow-covered roof. He lay waiting for more attempts to climb up, but none came. “It’s no use fighting, boy! You’re caught! Come on down!” He knew that they were afraid, and yet he knew that it would soon be over, one way or another: they would either capture or kill him. He was surprised that he was not afraid. Under it all some part of his mind was beginning to stand aside; he was going behind his curtain, his wall, looking out with sullen stares of contempt. He was outside of him- self now, looking on; he lay under a winter sky ht with tall FLIGHT 251 gleams of whirling light, hearing thirsty screams and hungry shouts. He clutched his gun, defiant, unafraid. “Tell ’em to hurry with the hose! The nigger's armed!” What did that mean? His eyes roved, watching for a mov- ing object to shoot at, but none appeared. He was not con- scious of his body now; he could not feel himself at all. He knew only that he was lying here with a gun in his hand, sur- rounded by men who wanted to kill him. Then he heard a hammering noise near by; he looked. Behind the edge of a chimney he saw a trapdoor open. “All right, boyl” a hoarse voice called. “We’re giving you your last chance. Come on downl” He lay still. What was coming? He knew that they were not going to shoot, for they could not see him. Then what? And while wondering, he knew; a furious whispei of water, gleaming like silver in the bright lights, streaked above his head with vicious force, passing him high in the air and hitting the roof beyond with a thudding drone. They had turned on the water hose; the fire department had done that. They were trying to drive him into. the open. The stream of water was coming from behind the chimney where the trapdoor had opened, but as yet the water had not touched him. Above him the rushing stream jerked this way and that; they were trying to reach him with it. Then the water hit him, in the side; it was tike the blow of a pile driver His breath left and he felt a dull pain in his side that spread, engulfing him. The water was trying to push him off the tank; he gripped the edges hard, feelmg his strength ebbing. His chest heaved and he knew from the pain that throbbed in him that he would not be able to hold on much longer with water pounding at his body like this. He felt cold, freezing; his blood turned to ice, it seemed. He gasped, his mouth open. Then the gun loosened m his fingers; he tried to gnp it again and found that he could not. The water left him; he lay gasping, spent. “Throw that gun down, boyl” He gritted his teeth. The icy water clutched agam at his body like a giant hand; the chill of it squeezed him like the circling coils of a monstrous boa constrictor. His arms ached. He was behind his curtain now, looking down at himself freezing under the impact of water in sub-zero wmds. Then the stream of water veered from his body. NATIVE SON 252 “Throw that gun down, boy!” He began to shake all over; he let go of the gun com- pletely Well, this was all. Why didn’t they come for him? He gripped the edges of the tank again, digging his fingers into the snow and ice. His strength left He gave up He turned over on his back and looked weakly up into the sky through the high shifting lattices of light. This was all. They could shoot him now. Why didn’t they shoot? Why didn’t they come for him? “Throw that gun down, boy!” They wanted the gun. He did not have it He was not afraid any more. He did not have strength enough to be, “Throw that gun down, boy!” Yes; take the gun and shoot it at them, shoot it empty. Slowly, he stretched out his hand and tried to pick up the gun, but his fingers were too stiff Something laughed in him, cold and hard; he was laughing at himself. Why didn’t they come for him? They were afraid. He rolled his eyes, looking longingly at the gun. Then, while he was looking at it, the stream of hissing silver struck it and whirled it off the tank, out of sight. . . . “There it is!” “Come on down, boy! You’re through!” “Don’t go up there! He might have another gun!” “Come on down, boyl” He was outside of it all now. He was too weak and cold to hold onto the edges of the tank any longer; he simply lay atop the tank, his mouth and eyes open, listening to the stream of water whir above him Then the water hit him again, in the side; he felt his body sliding over the slick ice and snow. He wanted to hold on, but could not His body teetered on the edge, his legs dangled in air. Then he was falling. He landed on the roof, on his face, m snow, dazed. He opened his eyes and saw a circle of white faces; but he was outside of them, behind his curtain, his wall, looking on. He heard men talking and their voices came to him from far away. “That’s him, all rightl” “Get ’im down to the street!” “The water did it!” ‘‘He seems half-frozen!” “All right, get ’im down to the streetl” FLIGHT 253 He felt his body being dragged across the snow of the roof. Then he was hfted and put, feet first, into a trapdoor. “You got ’im?” “Yeah! Let ’im drop on!” “O K.!” He dropped into rough hands inside of the dark loft. They were dragging him by his feet. He closed his eyes and his head slid along over rough planking. They struggled him through the last trapdoor and he knew that he was inside of a building, for warm air was on his face. They had him by his legs again and were dragging him down a hall, over smooth carpeL There was a short stop, then they started down the stairs with him, his head bumping along the steps He folded his wet arms about his head to save himself, but soon the steps had pounded his elbows and arms so hard that all of his Strength left. He relaxed, feeling his head bounding painfully down the steps. He shut his eyes and tried to lose consciousness. But he still felt it, drumming like a hammer in his bram. Then it stopped. He was near the street; he could hear shouts and screams coming to him like the roar of water. He was in the street now, being dragged over snow. His feet were up in the air, grasped by strong hands. “Kill ’im!” “Lynch ’im!” “That black sonofabitch!” They let go of his feet, he was in the snow, lying flat on his back Round him surged a sea ot noise He opened his eyes a little and saw an array of faces, white and loommg. “Kill that black ape!" Two men stretched his arms out, as though about to crucify him; they placed a foot on each of his wrists, making them sink deep down in the snow. His eyes closed, slowly, and he was swallowed m darkness. Book Three FATE Tthere was no day for him now, and there was no night; there was but a long stretch of time, a long stretch of time that was very short, and then — the end Toward no one in the world did he feel any fear now, for he knew that fear was useless; and toward no one in the world did he feel any hate now, for he knew that hate would not help him. Though they carried him from one police station to an- other, though they threatened him, persuaded him, bullied him, and stormed at him, he steadfastly refused to speak. Most of the time he sat with bowed head, staring at the floor; or he lay full length upon his stomach, his face buried in the crook of an elbow, just as he lay now upon a cot with the pale yellow sunshine of a February sky falling ob- liquely upon him through the cold steel bars of the Eleventh Street Police Station. Food was brought to him upon trays and an hour later the trays were taken away, untouched. They gave hun packages of cigarettes, but they lay on the floor, im- opened. He would not even drmk water. He simply lay or sat, saying nothing, not noticing when anyone entered or left his cell. When they wanted him to go from one place to another, they caught him by the wrist and led him; he 254 FATE 255 went without resistance, walking always with dragging feet, head down Even when they snatched him up by the collar, his weak body easily lending itself to be manhandled, he looked without hope or resentment, his eyes like two still pools of black ink m his flaccid face No one had seen him save the officials and he had asked to see no one. Not once during the three days following his capture had an image of what he had none come into his mind. He had thrust the whole thing back of him, and there it lay, monstrous and horrible. He was not so much in a stupor, as in the gnp of a deep physiological resolution not to react to anything. Having been thrown by an accidental murder into a posi- tion where he had sensed a possible order and meaning in his relations with the people about him; having accepted the moral guilt and responsibility for that murder because it had made him feel free for the first time in his life; havmg felt in his heart some obscure need to be at home with people and having demanded ransom money to enable him to do It — having done all this and failed, he chose not to struggle any more With a supreme act of will springing from the essence of his being, he turned away from his life and the long tram of disastrous consequences that had flowed from it and looked wistfully upon the dark face of ancient waters upon which some spint had breathed and created him, the dark face of the waters from which he had been first made in the image of a man with a man’s obscure need and urge; feeling that he wanted to sink back into those waters and rest eternally. And yet his desire to crush all faith in him was in itself built upon a sense of faith. The feelings of his body reasoned that if there could be no merging with the men and women about him, there should be a merging with some other part of the natural world m which he lived. Out of the mood of renunciation there sprang up in him_again the will to kffi. But this time it was not directed outward toward people, but inward, upon himself. Why not kill that wayward yearn- ing within him that had led him to this end? He had reached out and killed and had not solved anythmg, so why not reach inward and kill that which had duped him? This feeling sprang up of itself, organically, automaucally; like the rotted hull of a seed forming the soil m which it should grow again. NATIVE SON 256 And, under and above it all, there was the fear of death before which he was naked and without defense; he had to go forward and meet his end like any other living thing upon the earth. And regulating his attitude toward death was the fact that he was black, unequal, and despised. Pas- sively, he hungered for another orbit between two poles that would let him hve again; for a new mode of life that would catch him up with the tension of hate and love. There would have to hover above him, like the stars in a full sky, a vast configuration of images and symbols whose magic and power could lift him up and make him live so m- tensely that the dread of being black and unequal would be forgotten; that even death would not matter, that it would be a victory. This would have to happen before he could look them in the face again; a new pnde and a new humihty would have to be bom in him, a humility sprmging from a new iden- I tification with some part of the world m which he lived, and 1 this identification forming the basis for a new hope that I would function in him as pride and digmty. But maybe it would never come; maybe there was no such thing for him; maybe he would have to go to his end just as he was, dumb, driven, with the shadow of empUness in his eyes. Maybe this was all. Maybe the confused promptings, the excitement, the tingling, the elation — maybe they were false lights tht-i led nowhere. Maybe they were nght when they said that a black skin was bad, the covenng of an apelike animal. Maybe he was just unlucky, a man bom for dark doom, an obscene joke happening amid a colossal din of siren screams and white faces and circling lances of light under a cold and silken sky. But he could not feel that for long; just as soon as his feelings reached such a conclusion, the conviction that there was some way out surged back into him, strong and powerful, and, in his present state, condemning and paralyz- ing. And then one morning a group of men came and caught him by the wrists and led him mto a large room m the Cook County Morgue, m which there were many people. He blinked from the bright lights and heard loud and excited talkmg. The compact array of white faces and the con- stant flashing of bulbs for pictures made him stare m moimt- ing amazement His defense of indifference could protect him no longer. At first he thought that it was the tnal that FATE 257 had begun, and he was prepared to sink back into his dream of nothingness But it was not a court room It was too in- formal for that. He felt crossing his feelings a sensation akin to the same one he had had when the reporters had first come mto Mr Dalton’s basement with their hats on, smok- ing cigars and cigarettes, asking questions, only now it was much stronger. There was in the air a silent mockery that challenged him. It was not their hate he felt; it was some- thing deeper than that. He sensed that m their attitude to- ward him they had gone beyond hate. He heard in the sound of their voices a patient certainty; he saw their eyes gazing at him with calm conviction Though he could not have put it into words, he felt that not only had they resolved to put him to death, but that they were determined to make his death mean more than a mere punishment; that they regarded him as a figment of that black world which they feared and were anxious to keep under control The atmosphere of the crowd told him that they were going to use his death as a bloody symbol of fear to wave before the eyes of that black worli And as he felt it, rebellion rose in him. He had sunk to the lowest point this side of death, but when he felt his life again threatened in a way that meant that he was to go down the dark road a helpless spectacle of sport for others, he sprang back into action, alive, contending. He tried to move his hands and found that they were shackled by strong bands of cold steel to white wrists of policemen sitting to either side of him. He looked round; a pohceman stood in front of him and one in back. He heard a sharp, metallic click and bis hands were free There was a rising murmur of voices and he sensed that it was caused by bis movements. Then his eyes became riveted on a white face, tilted slightly upward. The skin had a quality of taut anx- iety and around the oval of white face was a framework of whiter hair. It was Mrs. Dalton, sitting quietly, her frail, waxen hands folded in her lap. Bigger remembered as he looked at her that moment of stark terror when he had stood at the side of the bed In the dark blue room hearing his heart pound against his nbs with his fingers upon the pillow pressing down upon Mary’s face to keep her from mumbling. Sitting beside Mrs. Dalton was Mr. Dalton, looking straight before him with wide-open, unblinking eyes. Mr. NATIVE SON 258 Dalton turned slowly and looked at Bigger and Bigger’s eyes fell. He saw Jan; blond hair; blue eyes; a sturdy, kind face look- ing squarely into his own. Hot shame flooded him as the scene in the car came back; he felt agam the pressure of Jan’s fingers upon his hand. And then shame was replaced by guilty anger as he recalled Jan’s confronting hum upon the sidewalk in the snow. He was getting tired; the more he came to himself, the more a sense of fatigue seeped mto him. He looked down at his clothes; they were damp and crumpled and the sleeves of his coat were drawn halfway up tus arms. His shirt was open and he could see the black skin of his chest. Suddenly, he felt the fingers of his right hand throb with pain. Two fingernails were tom off. He could not remember how it had happened. He tned to move his tongue and found it swollen. His bps were dry and cracked and he wanted water. He felt giddy. The lights and faces whirled slowly, hke a merry-go- round. He was falling swiftly through space. . . . When he opened his eyes he was stretched out upon a cot. A white face loomed above him. He tried to lift his body and was pushed back. “Take it easy Jioy. Here; drink this.” A glass touched his lips. Ought he to drink? But what difference did it make? He swallowed something warm; it was milk When the glass was empty he lay upon his back and stared at the white ceilmg; the memory of Bessie and the milk she had warmed for him came back strongly. Then the image of her death came and he closed his eyes, trying to forget His stomach growled; he was feehng better. He heard a low drone of voices. He gnpped the edge of the cot and sat up. “Hey! How're you feeling, boy?” “Hunh?" he grunted. It was the first time he had spoken since they had caught him. “How’re you feeling?” He closed his eyes and turned his head away, sensing that they were white and he was black, that they were the captors and he the captive. “He’s coming out of it.” “Yeah. That crowd must’ve got ’im.” “Say, boyl You want something to eat?” FATE 259 He did not answer. “Get ’im something. He doesn’t know what he wants,” “You better lie down, boy. You’ll have to go back to the inquest this afternoon.” He felt their hands pushing him back onto the cot. The door clos^; he looked round. He was alone. The room was quiet. He had come out mto the world again. He had not tried to; it had just happened. He was bemg turned here and there by a surge of strange forces he could not understand. It was not to save his life that he had come out; he did not care what they did to him. They could place him in the electric chair right now, for all he cared. It was to save his pnde that he had come. He did not want them to make sport of him. If they had killed him that night when they were dragging him down the steps, that would have been a deed bom of their strength over him. But he felt they had no nght to sit and watch him, to use him for whatever they wanted. The door opened and a policeman brought in a tray of food, set it on a chair next to him and left. There was steak ,and fried potatoes and cofiee. Gingerly, he cut a piece of steak and put it into his mouth. It tasted so good that he tried to swallow it before he chewed it, He sat on the edge of the cot and drew the chair forward so that he could reach the food. He ate so fast that his jaws ached. He stopped and held the food in his mouth, feelmg the juices of his glands flowing round it. When he was through, he lit a cigarette, stretched out upon the cot and closed his eyes. He dozed oS to an uneasy sleep. Then suddenly he sat upright He had not seen a newspaper in a long time. What were they saying now? He got up; he swayed and the room lurched. He was still weak and giddy. He leaned against the wall and walked slowly to the door. Cautiously, he turned the knob. The door swung m and he looked mto the face of a pohceman. “What’s the matter, boy?” He saw a heavy gun sagging at the man’s hip. The police- man caught him by the wrist and led him back to the cot. “Here; take it easy.” “I want a paper,” he said. “Hunh? A paper?” “1 want to read the paper.” “Wait a minute. I’ll see." 260 NATIVE SON The policeman went out and presently returned with an armful of papers. “Here you are, boy. You’re in ’em all.” He did not turn to the papers until after the man had left the room. Then he spread out the Tribune and saw: NEGRO RAPIST FAINTS AT INQUEST. He understood now, it was the inquest he had been taken to. He had fainted and they had brought him here. He read: Overwhelmed by the sight of his accusers, Bigger Thomas, Negro sex-slayer, fainted dramatically this morning at the m- quest of Mary Dalton, millionaire Chicago heiress. Emerging from a stupor for the first time since his capture last Monday night, the black killer sat cowed and fearful as hundreds sought to get a glimpse of hun "He looks exactly like an apel” exclaimed a terrified young white girl who watched the black slayer being loaded onto a stretcher after he had fainted Though the Negro killer’s body does not seem compactly built, he gives the impression of possessing abnormal physical strength. He is about five feet, nine inches tall and his skin is exceedingly black. His lower jaw protrudes obnoxiously, reminding one of a jungle beast. His arms are long, hanging m a dangling fashion to his knees. It is easy to imagine how this man, in the grip of a brain-numb- ing sex passion, overpowered little Mary Dalton, raped her, mur- dered her, beheaded her, then stuffed her body into a roaring furnace to destroy the evidence of his crime. His shoulders are huge, muscular, and he keeps them hunched, as if about to spring upon you at any moment He looks at the world with a strange, sullen, fixed-from-under stare, as though defying all efforts of compassion. All in all, he seems a beast utterly untouched by the soften- ing influences of modem civilization In speech and manner he lacks the charm of the average, harmless, genial, grinning south- ern darky so beloved by the American people. The moment the killer made his appearance at the inquest, there were shouts of “Lynch ’im' Kill ’iml" But the brutish Negro seemed indifferent to his fate, as though inquests, trials, and even the looming certainty of the electric chair held no terror for him He acted hke an earlier missing link in the human species. He seemed out of place in a white man’s civilization, An Irish police captain remarked with deep conviction; *Tm convinced that death is the only cure for the likes of him.*’ For three days the Negro has refused all nourishment. Po- lice believe that he is either trying to starve himself to death FATE 261 and cheat the chair, or that he is trying to excite sympathy for himself. From Jackson, Mississippi, came a report yesterday from Ed- ward Robertson, editor of the Jackson Daily Star, regarding Bigger Thomas’ boyhood there. The editor wired. “Thomas comes of a poor darky family of a shiftless and immoral variety. He was raised here and is known to local resi- dents as an irreformable sneak thief and liar. We were unable to send him to the cham gang because of his extreme youth. “Our experience here m Daie with such depraved types of Negroes has shown that only the death penalty, inflicted in a pubhc and dramatic manner, has any influence upon their pe- culiar mentality. Had that nigger Thomas lived in Mississippi and committed such a crime, no power under Heaven could have saved him from death at the hands of indignant citizens. “I think it but proper to mform you that in many quarters it is believed that Thomas, despite his dead-black complexion, may have a mmor porhon of white blood m his veins, a mixture which generally makes for a criminal and mtractable nature. “Down here in Dixie we keep Negroes firmly in their places and we make them know that if they so much as touch a white woman, good or bad, they cannot live. “When Negroes become resentful over imagined wrongs, Dothmg brings them to their senses so quickly as when citizens take the law into their bands and make an example out of a trouble-making mgger. “Crunes such as the Bigger Thomas murders could be less- ened by segregating all Negroes in parks, playgrounds, caf6s, the- atres, and street cars. Residential segregation is imperative. Such measures tend to keep them as much as possible out of direct contact with white women and lessen their attacks against them- “We of the South believe that the North encourages Negroes to get more education than they are organically capable of ab- sorbing, with the result that northern Negroes are generally more unhappy and restless than those of the South. If separate schools were maintained, it would be fairly easy to limit the Negroes’ education by regulating the appropriation of moneys through city, county, and state legislative bodies. “Still another psychological deterrent can be attained by con- ditiomng Negroes so that they have to pay deference to the white person with whom they come m contact. This is done by regulating their speech and actions. We have found that the injection of an element of constant fear has aided us greatly in handling the problem.” He lowered the paper; he could not read any more. Yes, of course, they were going to kill him; but they were having this sport with him before they did it. He held very still; he 262 NATIVE SON was trying to make a decision; not thinking, but feeling it out Ought he to go back behind his wall? Could he go back now? He felt that he could not But would not any effort he made not turn out like the others? Why go forward and meet more hate? He lay on the cot, feeling as he had felt that night when his fingers had gripped the icy edges of the water tank under the roving flares of light, knowing that men crouched below him with guns and tear gas, hear- ing the screams of sirens and shouts rismg thirstily from ten thousand throats. . . . Overcome with drowsiness, he closed his eyes; then opened them abruptly The door swung in and he saw a black face. Who was this? A tall, well-dressed black man came forward and paused Bigger pulled up and leaned on his elbow. The man came all the way to the cot and stretched forth a dingy palm, touching Bigger’s hand, “Mah po’ boy) May the good Lawd have mercy on yuh.” He stared at the man’s jet-black suit and remembered who he was: Reverend Hammond, the pastor of his mother’s church And at once he was on guard agarnst the man. He shut his heart and tried to stifle all feeling in him He feared that the preacher would make him feel remorseful. He wanted to tell him to go; but so closely associated in his mind was the man with his mother and what she stood for that he could not speak In his feelings he could not tell the difference between what this man evoked in him and what he had read in the papers; the love of his own kind and the hate of others made him feel equally guilty now. “How yuh feel, son?” the man asked, he did not answer and the man’s voice hurried on; “Yo’ ma ast me t’ come ’n’ see yuh. She wants t’ come too.” The preacher knelt upon the concrete floor and closed his eyes. Bigger clamped his teeth and flexed his muscles; he knew what was coming. “Lawd Jesus, turn Yo’ eyes ’n’ look inter the heart of this po’ sinner! Yuh said mercy wuz awways Yo’s ’n’ ef we ast fer it on bended knee Yuh’d po’ it out inter our hearts ’n’ make our cups run over! We’s astm’ Yuh t’ po’ out Yo’ mercy now, Lawdl Po’ it out fer this po’ sinner boy who Stan’s in deep need of itl Ef his sins be as scarlet, Lawd, wash ’em white as snow! Fergive ’im fer whutever he’s done, Lawd! Let the light of Yo’ love guide ’im th’u these dark FATE 263 days! ’N’ he’p them who’s a-tryin’ to he’p ’im, Lawd! Enter inter they hearts ’n’ breathe compassion on they sperits! We ast this in the nama Vo’ Son Jesus who died on the cross ’n’ gave us the mercy of Yo’ love! Ahmcn. . . Bigger stared imblinkingly at the white wall before him as the preacher’s words registered themselves in his conscious- ness. He knew without listening what they meant; it was the old voice of his mother telling of suffering, of hope, of love beyond this world. And he loathed it because it made him feel as condemned and guilty as the voice of those who hated him, “Son ” Bigger glanced at the preacher, and then away. “Fergjt ever’thing but yo’ soul, son. Take yo’ mind off ever’- thing but eternal life. Fergit whut the newspaper say. Fergit yuh’s black. Gawd looks past yo’ skin ’n’ inter yo’ soul, son. He’s lookin’ at the only parta yuh that’s His. He wants yuh V He loves yuh. Give yo’se’f t’ ’Im, son. Lissen, Icmme tell yuh why yuh’s here; lemme tell yuh a story tha’ll make yo’ heart glad. . . Bigger sat very still, listening and not listening. If someone had afterwards asked him to repeat the preacher’s words, he would not have been able to do so. But he felt and sensed their meaning. As the preacher talked there appeared before him a vast black silent void and the images of the preacher swam in that void, grew large and powerful; familiar images which his mother had given him when he was a child at her knee; images which in turn aroused impulses long dormant, impulses that he had suppressed and sought to shunt from his life. They were images which had once given him a reason for living, had explained the world. Now they sprawled before his eyes and seized his emotions in a spell of awe and wonder. ... an endless reach of deq) murmuring waters upon whose face was darkness and there was no form no shape no sun no stars and no land and a voice came out of the darkness and the waters moved to obey and there emerged slowly a huge spinning ball and the voice said let there be light and there was light and it was good light and the voice said let there be a firmament and the waters parted and there was a vast space over the waters which formed into clouds stretch- ing above the waters and like an echo the voice came from far away saying let dry land appear and with thundering 264 NATIVE SON rustling the waters drained off and mountain peaks reared into view and there were valleys and rivers and the voice called the dry land earth and the waters seas and the earth grew grass and trees and flowers that gave off seed that fell to the earth to grow again and the earth was lit by the light of a million stars and for the day there was a sun and for the night there was a moon and there were days and weeks and months and years and the voice called out of the twi- light and moving creatures came forth out of the great waters whales and all kinds of living creeping things and on the land there were beasts and cattle and the voice said let us make man in our own image and from the dusty earth a man rose Up and loomed against the day and the sun and after him a woman rose up and loomed against the night and the moon and they lived as one flesh and there was no Pain no Long- ing no Time no Death and Life was like the flowers that bloomed round them in the garden of earth and out of the clouds came a voice saying eat not of the fruit of the tree in the midst of the garden, neither touch it, lest ye die. . . . The preacher's words ceased droning. Bigger looked at him out of the comers of his eyes. The preacher’s face was black and sad and earnest and made him feel a sense of guilt deeper than that which even his murder of Mary had made him feel. He had killed within himself the preacher’s haunting picture of Lfe even before lie had killed Mary; that had been his first murder. And now the preacher made it walk before his eyes like a ghost in the night, creating within him a sense > of exclusion that was as cold as a block of ice. Why should this thing nse now to plague him after he had pressed a pillow of fear and hate over its face to smother it to death? To those who wanted to kill him he was not human, not ( included in that picture of Creation; and that was why he had killed it. To live, he had created a new world for himself, and for that he was to die. Again the preacher’s words seeped into his feelings: i “Son, yuh know whut tha’ tree wuz? It wuz the tree of knowledge. It wuzn’t enuff fer man t’ be like Gawd, he wanted t' know why. ’N’ all Gawd wanted ’im t’ do wuz bloom like the flowers in the fiel’s, live as chillun. Man wanted t’ know why ’n’ he fell from light t’ darkness, from love t’ damnation, from blessedness t' shame, "N’ Gawd cast ’em outa the garden ’n’ tor the man he had t’ git his bread by the sweat of his FATE 265 brow ’n’ tol' the woman she had t’ bring fo’th her chillun in pain ’n’ sonow. The worl’ turned ergin ’em ’n’ they had t’ fight the worl’ fer life. . . . . . the man and the woman walked fearfully among trees their hands covering their nakedness and back of them high in the twilight against the clouds an angel waved a flaming sword dnving them out of the garden into the wild night of cold wind and tears and pain and death and the man and woman took their food and burnt it to send smoke to the sky begging forgiveness. . . . “Son, fer thousan’s of years we been prayin’ for Gawd t’ take th’ cuss off us. Gawd heard our prayers ’n’ said He’d show us a way back t’ ’Im. His Son Jesus came down t’ earth ’n’ put on human flesh ’n’ lived ’n’ died t’ show us the way. Jesus let men crucify ’Im; but His death wuz a victory. He showed us tha' t’ live in this worl’ wuz t’ be crucified by it. This worl’ am’ our home. Life ever’ day is a crucifixion. There ain’ but one way out, son, ’n’ tha’s Jesus’ way, the way of love ’n’ fergiveness. Be like Jesus. Don’t resist. Thank Gawd tha’ He done chose this way fer yuh t’ come t’ ’Im. It’s love tha’s gotta save yuh, son. Yuh gotta b’lieve tha’ Gawd gives eternal life th’u the love of Jesus. Son, look at me. . . Bigger’s black face rested in his hands and he did not move, “Son, promise me yuh’ll stop halin’ long enuff fer Gawd’s love t’ come inter yo’ heart.” Bigger said nothing. “Won’t yuh proinise, son?” Bigger covered his eyes with his hands. “Jus’ say yuh’ll fry, son.” Bigger felt that if the preacher kept asking he would leap up and strike him. How could he believe in that which he had killed? He was guilty. The preacher rose, sighed, and drew from his pocket a small wooden cross with a chain upon it. "Look, son. Ah’m holdm’ in mah hands a wooden cross taken from a tree. A tree is the worl’, son ’N’ nailed t’ this tree is a sufferin’ man. Tha’s whut life is, son. Sufferin’. How km yuh keep from b’lievin’ the word of Gawd when Ah’m holdin’ befo’ yo’ eyes the only thing tha’ gives a meanin’ t’ yo’ life? Here, lemme put it roim’ yo’ neck. When yuh git alone, look at this cross, son, ’n’ b’heve. , . They were silent. The wooden cross hung next to the skm NATtVE SON 266 of Bigger’s chest. He was feeling the words of the preacher, feeling that life was flesh nailed to the world, a longing spirit imprisoned in the days of the earth. He glanced up, hearing the doorknob turn. The door opened and Jan stood framed in it, hesitating. Bigger sprang to his feet, galvanized by fear. The preacher also stood, tocdt a step backward, bowed, and said, “Good mavmin’, suh.” Bigger wondered what Jan could want of him now. Was he not caught and ready for trial? Would not Jan get his revenge? Bigger stiffened as Jan walked to the middle of the floor and stood facing him. Then it suddenly occurred to Bigger that he need not be standing, that he had no reason to fear bodily harm from Jan here in jail. He sat and bowed his head; the room was quiet, so quiet that Bigger heard the preacher and Jan breathing. The white man upon whom he had tried to blame his crime stood before him and he sat waiung to hear angry words. WeU, why didn’t he speak? He lifted his eyes; Jan was lookmg straight at him and he looked away. But Jan’s face was not angry. If he were not angry, then what did he want? He looked again and saw Jan’s lips move to speak, but no words came. And when Jan did speak his voice was low and there were long pauses between the words; it seemed to Bigger that he was listening to a man talk to himself. "Bigger, maybe I haven’t the words to say what I want to say, but I’m going to try. . . . This thing hit me like a bomb. It t-t-took me all week to get myself together. They had me in jail and I couldn’t for the hfe of me figure out what was happening. , . . I — I don’t want to worry you. Bigger, I know you’re in trouble. But there’s something I just got to say. ... You needn’t talk to me unless you want to. Bigger. I think I know something of what you’re feeling now. I’m not dumb. Bigger; I can understand, even if I didn’t seem to understand that night. . . Jan paused, swallowed, and lit a cigareue. “Well, you jarred me. ... I see now. I was kind of Wind. I— I just wanted to come here and tell you that I’m not angry. , . . I’m not angry and I want you to let me help you. I don’t hate you for trying to blame this thing on me. . . , Maybe you had good reasons. ... I don’t know. And maybe in a certain sense, I’m the one who’s really guilty. . . Jan paused again and sucked long and hard at FATE 267 his cigarette, blew the smoke out slowly and nervously bit his lips. “Bigger, I’ve never done anything against you and your people in my life. But I'm a white man and it would be asking too much to ask you not to hate me, when every white man you see hates you. I — I know my. . . . my face looks like theirs to you, even though I don’t feel like they do. But I didn’t know we were so far apart until that night. ... I can understand now why you pulled that gun on me when I waited outside that house to talk to you. It was the only thing you could have done; but I didn’t know my White face was making you feel guilty, condemning you. . . Jan’s lips hung open, but no words came from them; his eyes searched the comers of the room. Bigger sat silently, bewildered, feeling that he was on a vast blind wheel being turned by stray gusts of wmd. The preacher came forward. “Is yuh Mistah Erlone?” “Yes,” said Jan, turning. “Tha’ wuz a mighty fine thing you jus’ said, suh. Ef any- body needs he’p, this po’ boy sho does. Ah’m Reveren’ Ham- mon’.” Bigger saw Jan and the preacher shake hands. “Though this thing hurt me, I got somethmg out of it,” Jan said, sitting down and turning to Bigger. “It made me see deeper into men It made me see things I knew, but had forgotten. I — I lost something, but I got something, too. , . Jan tugged at his tie and the room was silent, waiting for him to speak. “It taught me that it’s your right to hate me. Bigger. I see now that you couldn’t do anything else but that; it was all you had. But, Bigger, if I say you got the right to hate me, then that ought to make things a little different, oughtn’t it? Ever since I got out of jail I’ve been thinking this thing over and I felt that I’m the one who ought to be in jail for murder instead of you. But that can’t be, Bigger. I can’t take upon myself the blame for what one hundred million people have done.” Jan leaned forward and stared at the floor. “I’m not trying to make up to you, Bigger. I didn’t come here to feel sorry for you. I don’t sup- pose you’re so much worse off than the rest of us who get tangled up in this world. I’m here because I’m trying to live up to this thing as I see it. And it isn’t easy, Bigger. I — I loved that girl you killed. I — ^I loved . . .” His voice broke NATIVE SON 268 and Bigger saw his lips tremble. “1 was in jail grieving for Mary and then I thought of all the black men who’ve been killed, the black men who had to grieve when their people were snatched from them in slavery and since slavery. I thought that if they could stand it, then I ought to.” Jan crushed the cigarette with his shoe. “At first, I thought old man Dalton was trying to frame me, and I wanted to kill him. And when 1 heard that you’d done it, I wanted to kill you. And then 1 got to thinking. I saw if I killed, this thing would go on and on and never stop. I said, ‘I’m going to help that guy, if he lets me.’ ” "May Gawd in heaven bless yuh, son,” the preacher said. Jan bt another cigarette and offered one to Bigger; but Bigger refused by keeping his hands folded in front of him and staring stonily at the floor Jan’s words were strange; he had never heard such talk before. The meaning of what Jan had said was so new that he could not react to it; he simply sat, staring, wondering, afraid even to look at Jan. ‘'I..et me be on your side. Bigger,” Jan said. “I can fight this thing with you, just like you’ve started it. I can come from all of those white people and stand here with you. Listen, I got a friend, a lawyer. His name is Max. He under- stands this thmg and wants to help you. Won’t you talk to him?” Bigger understood that Jan was not holding him guilty for what he had done. Was this a trap? He looked at Jan and saw a white face, but an honest face. This white man believed in him, and the moment he felt that belief he felt guilty again; but in a different sense now. Suddenly, this white man had come up to him, flung aside the curtain and walked into the room of bis life Jan had spoken a declaration of l&iendship that would make other white men hate him|[* a particle of white rock had detached itself from that looming (mountain of white hate and had rolled down the slope, jstoppmg still at his feetT\The word had become flesh. Tpor [the first time in his hfe ar white man became a human b^g to him^and the reality of Jan’s humaiuty came in a stab of piemorse; he had killed what this man loved and had hurt him. He saw Jan as though someone had performed an operation 'upon his eyes, or as though someone had snatched a deform- ing mask from Jan’s face,'^ PATE 269 Bigger started nervously; the preacher’s hand came to Ms shoulder. “Ah don’t wanna break in ’n’ meddle where Ah am’ got no bisness, suh," the preacher said in a tone that was militant, but deferring. “But there ain’ no usa draggin’ no communism in this thing, Mistah. Ah respecks yo’ feelm's powerfully, suh, but whut yuh’s astin’ jus’ stirs up mo’ hate. Whut this po’ boy needs is understandin’ . . “But he’s got to fight for it,” Jan said. “Ah’m wid yuh when yuh wanna change men’s hearts,” the preacher said "But Ah can't go wid yuh when yuh wanna stir up mo’ hate. . . .” Bigger sat looking from one to the other, bewildered. “How on earth are you going to change men’s hearts when the newspapers are fanmng hate mto them every day?" Jan asked. “Gawd kin change ’eml" the preacher said fervently, Jan turned to Bigger. “Won’t you let my friend help you, Bigger?” Bigger’s eyes looked round the room, as if seeking a means of escape. What could he say? He was guilty, "Forget me,’’ he mumbled. “I can’t,” Jan said “It’s over for me,” Bigger said. “Don't you believe in yourself?” “Naw,” Bigger whispered tensely. “You believed enough to kill. You thought you were set- tling something, or you wouldn’t’ve killed,” Jan said. Bigger stared and did not answer. Did tMs man believe in him that much? “I want you to talk to Max,” Jan said. Jan went to the door. A policeman opened it from the out- side. Bigger sat, open-mouthed, trying to feel where all this was bearing him. He saw a man's head come into the door, a head strange and white, with silver hair and a lean white face that he had never seen before, “Come on in,’’ Jan said. “Thanks.” The voice was quiet, firm, but kind; there was about the man’s thin lips a faint smile that seemed to have always been there. The man stepped inside; be was tall. “How are you, Bigger?” NATIVE SON 270 Bigger did not answer. He was doubtful again. Was this a trap of some kind? “This IS Reverend Hammond, Max," Jan said. Max shook hands with the preacher, then turned to Bigger, “I want to talk with you,” Max said. “I’m from the Labor Defenders. I want to help you ” “1 ain’t got no money,” Bigger said. “I know that. Listen, Bigger, don’t be afraid of me And don’t be afraid of Jan. We’re not angry with you. I want to represent you in coart. Have you spoken to any other lawyer?” Bigger looked at Jan and Max again. TTiey seemed all right. But how on earth could they help him? He wanted help, but dared not think that anybody would want to do anything for him now. “Nawsuh,” he whispered, “How have they treated you? Did they beat you?” “I been sick,” Bigger said, knowing that he had to explain why he had not spoken or eaten in three days. “I been sick and I don’t know.” “Are you willing to let us handle your case?” “1 ain’t got no money.” “Forget about that. Listen, they’re taking you back to the inquest this afternoon But you don’t have to answer any quesUons, see? Just sit and say nothing. I’ll be there and you won’t have to be scared. After the inquest they’ll take you to the Cook County Jail and I’U be over to talk with you.” "Yessuh.” “Here; take these cigarettes.” “Thank you, suh ” The door swung in and a tall, big-faced man with gray eyes came forward hurriedly Max and Jan and the preacher stood to one side. Bigger stared at the man’s face, it teased him. Then he remembered; it was Buckley, the man whose face he had seen the workmen pasting upon a billboard a few mornings ago Bigger listened to the men talk, feeling in the tones of their voices a deep hostility toward one another. “So, you’re homing in again, hunh, Max?” “This boy’s my cheat and he's signing no confessions,” Max said. “What the hell do I want with his confession?” Buckley asked. “We’ve got enough evidence on him to put him m a dozen electric chairs.” PATE 271 “I’ll see that his rights are protected,” Max said. “Hell, man! You can’t do him any good.” Max turned to Bigger. “Don’t let these people scare you, Bigger.” Bigger heard, but did not answer. "What in hell you reds can get out of bothenng with a black thing like that, God only knows,” Buckley said, rubbing his hands across his eyes. “You’re afraid that you won’t be able to kill this boy before the April elections, if we handle his case, aren’t you, Buck- ley?” Jan asked. Buckley whirled. “Why in God’s name can’t you pick out somebody decent to defend sometimes? Somebody who’ll appreciate it. Why do you reds take up with scum like this . . ?” “You and your tactics have forced us to defend this boy,” Max said. "What do you mean?" Buckley asked. “If you had not dragged the name of the Communist Party into this murder, I’d not be here,” Max said. "Hell, this boy signed the name of the Communist Party to the kidnap note. . . .” "I realize that,” Max said. “The boy got the idea from the newspapers. I’m defending this boy because I’m convinced that men like you made him what he is. His trying to blame the Communists for his crime was a natural reaction for him , He had heard men like you lie about the Communists so much that he believed them. If I can make the people of this country understand why this boy acted like he did. I’ll be doing more than defending^l^ ” Buckley laughed, bit offtH^ip of a fresh cigar, lit it and stood puffing. He advanced to the center of the room, cocked his head to one side, took the cigar out of his mouth and squinted at Bigger. “Boy, did you ever think you’d be as important a man as you are right now?” Bigger had been on the verge of accepting the friendship of Jan and Max, and now this man stood before him. What did the puny fnendship of Jan and Max mean in the face of a million men like Buckley? “I’m the State’s Attorney,” Buckley said, walking from one end of the room to the other. His hat was on the back of 272 native son his head. A white silk handkerchief peeped from the breast pocket of his black coat He paused by the cot, towering over Bigger How soon were they going to kill him, Bigger wondered. The breath of warm hope which Jan and Max had blown so softly upon faun turned to frost under Buck- ley’s cold gaze “Boy, I’d like to give you a piece of good advice I’m going to be honest with you and tell you that you don’t have to talk to me unless you want to, and I’ll tell you that what- ever you say to me might be used against you in court, see? But, boy, you’re caughtl That’s the first thing you want to understand We know what you’ve done. We got the evidence. So you might as well talk.” “He’ll decide that with me,’’ Max said. Buckley and Max faced each other “Listen, Max You’re wasting your time You’ll never get this boy off in a ^million years Nobody can commit a crime against a family like the Daltons and sneak out of it. Those poor old parents are going to be in that court room to see that this boy burnsl This boy killed the only thing they had. If you want to save your face, you and your buddy can leave now and the papers won’t know you were in here. . . “I reserve the right to determine whether 1 should defend him or not,” Max said. “Listen, Max. You think I’m trying to hoodwink you, don’t you?” Buckley asked, turning and gomg to the door. "Let me show you something,” A policeman opened the door and Buckley said, ‘Tell ’em to come in.” "O.K.” The room was silent. Bigger sat on the cot, looking at the floor. He hated this, if anything couid be done in his behalf, he himself wanted to do it; not others. The more he saw others exerting themselves, the emptier he felt. He saw the policeman fling the door wide open. Mr. and Mrs. Dalton walked in slowly and stood; Mr Dalton was looking at him, his face white. Bigger half-rose in dread, then sat agam, his eyes lifted, but unseeing. He sank back to the cot. Swiftly, Buckley crossed the room and shook hands with Mr. Dalton, and, turning to Mrs Dalton, said: "I’m dreadfully sorry, madam." Bigger saw Mr. Dalton look at him, then at Buckley. FATE 273 “Did he say who was Ln this thing with hun?” Mr. Dalton asked. “He’s just come out of it,” Buckley said. “And he’s got a lawyer now.” “I have charge of his defense,’’ Max said. Bigger saw Mr. Dalton look briefly at Jan “Bigger, you’re a foolish boy if you don’t tell who was in this thing with you,” Mr Dalton said. Bigger tightened and did not answer. Max walked over to Bigger and placed a hand on his shoulder. “I will talk to him, Mr. Dalton,” Max said. “I’m not here to bully this boy,” Mr Dalton said. “But it’ll go easier with him if he tells all he knows.” There was silence. The preacher came forward slowly, hat in hand, and stood in front of Mr Dalton “Ah’m a preacher of the gospel, suh,” he said. “ ’N' Ah’m mighty sorry erbout whut’s done happened t’ yo’ (daughter Ah knows of yo’ good work, suh. ’N’ the likes of this should’na come t’ yuh ” Mr. Dalton sighed and said wearily, “Thank you.” “The best thing you can do is help us,” Buckley said, turning to Max. “A grave wrong has been done to two people who’ve helped Negroes more than anybody I know.” "I sympathize with you, Mr. Dalton,” Max said. “But killing this boy isn’t going to help you or any of us.” “I tried to help him,” Mr Dalton said “We wanted to send him to school,” said Mrs. Dalton faintly. “I know,” Max said. “But those things don’t touch the fundamental problem involved here. This boy comes from an oppressed people. Even if he’s done wrong, we must take that into consideration.” “I want you to know that my heart is not bitter,” Mr. Dalton said. “What this boy has done will not influence my relations with the Negro people. Why, only today I sent a dozen ping-pong tables to the South Side Boys’ Club. . , .” “Mr Dalton'” Max exclaimed, coming forward suddenly. “My God, man! Will ping-pong keep men from murdering? Can’t you see'> Even after losing your daughter, you’re going to keep going in the same direction? Don’t you grant as much life-feehng to other men as you have? Could ping-pong have 274 NATIVE SON kept you from making your millions? This boy and millions like him want a meaningful life, not ping-pong . . “What do you want me to do?” Mr. Dalton asked coldly. “Do you want me to die and atone for a suffering I never caused? I’m not responsible for the state of this world. I’m doing all one man can. 1 suppose you want me to take my money and fling it out to the millions who have nothing?” “No; no; no. ... Not that,” Max said “If you felt that millions of others experienced life as deeply as you, but differently, you’d see that what you’re doing doesn’t help. Something of a more fundamental nature. . . “Communism!” Buckley boomed, pulling down the comers of his lips. "Gentlemen, let’s don’t be childish! This boy's going on trial for his life. My job is to enforce the laws of this state . . .” Buckley’s voice stopped as the door opened and the policeman looked inside. “What IS it?” Buckley asked. “The boy’s folks are here.” Bigger cringed. Not thisl Not here; not now\ He did not want his mother to come in here now, with these people standing round He looked about with a wild, pleading ex- pression, Buckley watched him, then turned back to the policeman. “They have a right to see ’im,” Buckley said. “Let ’em come in ” Though he sat, Bigger felt his legs trembling He was so tense in body and mind that when the door swung in he bounded up and stood m the middle of the room. He saw his mother’s face, he wanted to run to her and push her back through the door. She was standing still, one hand upon the doorknob; the other band clutched a frayed pocketbook, which she droppec! and ran to him, throwing her arms around him, crying, “My baby. . . Bigger’s body was stiff with dread and indecision He felt his mother’s arms tight about him and he looked over her shoulder and saw Vera and Buddy come slowly inside and stand, looking about timidly. Beyond them he saw Gus and G.H and Jack, their mouths open in awe and fear. Vera’s lips were trembling and Buddy’s hands were clenched. Buck- ley, the preacher, Jan, Max, Mr. and Mrs. D^ton stood along FATE 275 the wall, behind him, looking on silently. Bigger wanted to whirl and blot them from sight. The kind words of Jan and Max were forgotten now. He felt that all of the white people in the room were measuring every inch of his weakness. He identified himself with his family and felt their naked sh arne under the eyes of white folks While looking at his brother and sister and feelmg his mother’s arms about him; while knowing that Jack and G.H. and Gus were standing awk- wardly in the doorway staring at him in curious disbelief — while being conscious of all this. Bigger felt a wild and out- landish conviction surge in him: They ought to be gladi It was a strange but strong feeling, springing from the very depths of his life. Had he not taken fully upon himself the crime of being black? Had he not done the thing which they dreaded above all others? Then they ought not stand here and pity him, cry over him; but look at him and go home, contented, feeling that their shame was washed away. “Oh, Bigger, son!” his mother wailed. “We been so wor- ried. . . . We ain’t slept a single nighti The police is there all the time. . . . They stand outside our door. , , , 'They watch and follow us everywhere! Son, son. . . .” Bigger heard her sobs; but what could he do? She ought not to have come here. Buddy came over to him, fumbling with his cap. “Listen, Bigger, if you didn’t do it, just tell me and I’ll fix ’em. m get a gun and kill four or five of ’em. . . .’’ The room gasped. Bigger turned his head quickly and saw that the white faces along the wall were shocked and startled. ‘^on’t talk that way, Buddy,” the mother sobbed. “You want me to die right now? I can’t stand no more of this. You mustn’t talk that way. . . . We in enough trouble now ” “Don’t let ’em treat you bad. Bigger,” Buddy said stoutly. Bigger wanted to comfort them in the presence of the white folks, but did not know how. Desperately, he cast about for something to say. Hate and shame boiled in him against the people b ehin d his back; he tried to think of words that would defy them, words that would let them know that he had a world and life of his own in spite of them. And at the same time he wanted those words to stop the tears of his mother and sister, to quiet and soothe the anger of his brother; he longed to stop those tears and that 276 NATIVE SON anger because he knew that they were futile, that the people who stood along the wall back of him had the destiny of him and his family in their hands “Aw, Ma, don’t you-all worry none,” he said, amazed at his own words; he was possessed by a queer, imperious nervous energy. “I’ll be out of this in no time.” His mother gave him an incredulous stare. Bigger turned his head again and looked feverishly and defiantly at the white faces along the wall. They were starmg at him in surprise Buckley’s lips were twisted in a faint smile. Jan and Max looked dismayed. Mrs. Dalton, white as the wall behind her, listened, open-mouthed. The preacher and Mr, Dalton were shaking their heads sadly. Bigger knew that no one in the room, except Buddy, believed him. His mother turned her face away and cried. Vera knelt upon the floor and covered her face with her hands. “Bigger,” his mother’s voice came low and quiet; she caught his face between the palms of her trembling hands. “Bigger,” she said, “tell me. Is there anything, anything we can do?" He knew that his mother’s question had been prompted by his telling her that he would get out of all this. He knew that they had nothing; they were so poor that they were depending upon public charity to eat. He was ashamed of what he had done; he should have been honest with them. It had been a wild and foolish impulse that had made him try to appear strong and innocent before them. Maybe they would remember him only by those foolish words after they had killed him. His mother’s eyes were sad, skeptical; but kind, patient, waiting for his answer. Yes; he had to wipe out that lie, not only so that they might know the truth, but to redeem himself m the eyes of those white faces behind his back along the white wall. He was lost; but he would not cringe; he would not lie, not in the presence of that white mountain loontung behind him. “There ain’t nothing, Ma. But I’m all right,” he mumbled. There was silence Buddy lowered his eyes. Vera sobbed louder. She seemed so little and helpless. She should not have come here. Her sorrow accused him. If he could only make her go home It was precisely to keep from feeling this hate and shame and despair that he had always acted hard and tough toward them; and now he was without defense. FATE 277 His eyes roved the room, seeing Gus and G.H. and JacL They saw him looking at them and came forward. “I’m sorry, Bigger,” Jack said, his eyes on the floor. “They picked us up, too,” G.H. said, as though trying to comfort Bigger with the fact. “But Mr. Erlone and Mr. Max got us out. They tried to make us tell about a lot of thin gs we didn’t do, but we wouldn’t tell.” “Anything we can do. Bigger?” Gus asked. “I’m all right,” Bigger said. “Say, when you go, take Ma home, will you?” “Sure; sure,” they said. Again there was silence and Bigger’s taut nerves ached to fill it up. “How you 1-1-like them sewing classes at the Y, Vera?” he asked. Vera tightened her hands over her face, “Bigger,” his mother sobbed, trying to talk through her tears. “Bigger, honey, she won’t go to school no more. She ^ys the other girls look at and make her ’shamed, . . ." r He had lived and acted on the assumption that he was Mone, and now he saw that he had not been. What he had done made others suffer. No matter how much he would long for them to forget him, they would not be able to. His family was a part of him, not only in blood, but in spiritjHe sat on the cot and his mother knelt at his feet. Heir^ce was lifted to his; her eyes were empty, eyes that looked upward when the last hope of earth had faUed. “I’m praying for you, son. That’s all I can do now,” she said. “The Lord knows I did all I could for you and your sister and brother. I scrubbed and washed and ironed from mnming till night, day in and day out, as long as I had strength in my old body. I did all I Iknow how, son, and if I left anything undone, it’s just ’cause I didn’t know. It’s just 'cause your poor old ma couldn’t see, son. When I heard the news of what happened, I got on my knees and turned my eyes to God and asked Him if I had raised you wrong. I asked Him to let me bear your burden if I did wrong by you. Honey, your poor old ma can’t do nothing now. I’m old and this is too much for me. I’m at the end of my rope. Listen, son, your poor old ma wants you to promise her one thmg. . . . Honey, when ain’t nobody round you, when you alone, get on your knees and tell God everything. Ask Him NATIVE SON 278 to guide you. Tliat’s all you can do now. Son, promise me you'll go to Him." “Ahmen!" the preacher intoned fervently, "Forget me, Ma,” Bigger said. "Son, I can’t forget you. You’re my boy. I brought you into this world.” "Forget me, Ma." “Son, I’m worried about you. I can’t help it. You got your soul to save. I won’t be able to rest easy as long as I’m on this earth if I thought you had gone away from us without asking God for help. Bigger, we had a hard time in this world, but through it all, we been together, ain’t we?” “Yessum," he whispered. “Son, there’s a place where we can be together again in the great bye and bye. God’s done fixed it so we can. He’s fixed a meeting place for us, a place where we can live without fear. No matter what happens to us here, we can be together in God’s heaven. Bigger, your old ma’s a-begging you to promise her you’ll pray." “She’s tellin’ yuh nght, son,” the preacher said. “Forget me, Ma,” Bigger said, “Don’t you want to see your old ma again, son?” Slowly, he stood up and lifted his hands and tried to touch his mother’s face and tell her yes; and as he did so some- thing screamed deep down in him that it was a lie, that seeing her after they killed him would never be. But his mother believed; it was her last hope; it was what had kept her going through the long years. And she was now believing it all the harder because of the trouble he had brought upon her His hands finally touched her face and he said with a sigh (knowing that it would never be, knowing that his heart did not believe, knowmg that when he died, it would be over, forever) : “I’U pray, Ma.” Vera ran to him and embraced him. Buddy looked grateful. His mother was so happy that all she could do was cry. Jack and G.H. and Gus smiled. Then his mother stood up and encircled him with her arms. “Come here, Vera,” she whimpered. Vera came. “Come here, Buddy.” Buddy came. FATE 279 “Now, put your arms around your brother,’’ she said. They stood in the middle of the floor, crying, with theu’ arms locked about Bigger. Bigger held his face stiff, hatmg them and himseK, feeling the white people along the wall watching. His mother mumbled a prayer, to which the preacher chanted. “Lord, here we is, maybe for the last time. You gave me these children, Lord, and told me to raise ’em. If I failed. Lord, I did the best I could (Ahmen!) These poor children’s been with me a long time and they’s all I got. Lord, please let me see ’em again after the sorrow and suffenng of this world! (Hear her, Lawd!) Lord, please let me see ’em where I can love ’em in peace. Let me see ’em again beyond the gravel (Have mercy, Jesus!) You said You’d heed prayer. Lord, and I’m asking this in the name of Your son ’’ “Ahmen 'n’ Gawd bless yuh, Sistah Thomas,” the preacher said. They took their arms from round Bigger, silently, slowly, then turned their faces away, as though their weakness made them ashamed in the presence of powers greater than them- selves. “We leaving you now with God, Bigger,” his mother said. “Be sure and pray, son.” They kissed him. Buckley came forward. “You’ll have to go now, Mrs Thomas,” he said. He turned to Mr. and Mrs. Dalton. “I’m sorry, Mrs. Dalton. I didn’t mean to keep you standing there so long. But you see how things are . . ." Bigger saw his mother straighten suddenly and stare at the blind white woman. “Is you Mrs. Dalton?” she asked. Mrs Dalton moved nervously, lifted her thin, white hands and tilted her head. Her mouth came open and Mr. Dalton placed an arm about her. “Yes,” Mrs. Dalton whispered. “Oh, Mrs. Dalton, come right this way,” Buckley said hur- riedly. “No; please,” Mrs. Dalton said “What is it, Mrs. Thomas?” Digger’s mother ran and knelt on the floor at Mrs. Dalton’s feet. “Please, mami” she wailed. “Please, don’t let ’em kill my 280 NATIVE SON boy! You know how a mother feels! Please, mam. . . . We live in your house. . . . They done asked us to move. . . . We ain’t got nothing. . . Bigger was paralyzed with shame; he felt violated. “Ma!" he shouted, more in shame than anger Max and Jan ran to the black woman and tried to lift her up. “That’s all right, Mrs. Thomas,” Max said. “Come with me.” “Wait,” Mrs Dalton said. “Please, mam! Don’t let ’em kill my boy! He ain’t never had a chance' He’s just a poor boy! Don’t let 'em kill 'inil I’ll work for you for the rest of my life! I’ll do anything you say, mam!” the mother sobbed. Mrs. Dalton stooped slowly, her hands trembling in the air. She touched the mother’s head. “TTiere's nothing I can do now,” Mrs. Dalton said calmly. “It’s out of my hands. I did all I could, when 1 wanted to give your boy a chance at life You’re not to blame for this. You must be brave. Maybe it’s better. . . “If you speak to ’em, they’ll listen to you, mam,” the mother sobbed. "Tell ’em to have mercy on my boy, . . "Mrs Thomas, it’s too late for me to do anything now,” Mrs Dalton said. “You must not feel like this. You have your other children to think of. . . “I know you hate us, mam! You lost your daughter. . . “No; no. ... I don’t hate you,” Mrs. Dalton said. The mother crawled from Mrs. Dalton to Mr. Dalton. “You’s nch and powerful,” she sobbed. “Sparc me my boy . . Max struggled with the black woman and got her to her feet. Bigger’s shame for his mother amounted to hate. He stood with clenched fists, his eyes burning. He felt that in another moment he would have leaped at her. “That’s all right, Mrs. Thomas,” Max said. Mr. Dalton came forward. “Mrs. Thomas, there’s nothing we can do,” he said. “This thing IS out of our hands. Up to a certain point wc can help you, but beyond that. . . . People must protect themselves. But you won’t have to move. I’ll tell them not to make you move.” The black woman sobbed. Finally, she quieted enough to speak. “Thank you, sir. God knows I thank you. . . .” FATE 281 She turned again toward Bigger, but Max led her from the room, Jan caught hold of Vera’s arm and led her for- ward, then stopped in the doorway, looking at Jack and G.H. and Gus. “You boys going to the South Side?” “Yessuh,” they said, “Come on. I got a car downstairs. I’ll take you." “Yessuh.” Buddy lingered, looking wistfully at Bigger. “Good-bye, Bigger,” he said. “Good-bye, Buddy,” Bigger mumbled. The preached passed Bigger and pressed his arm. “Gawd bless you, son.” They all left except Buckley. Bigger sat again upon the cot, weak and exhausted. BucMey stood over him. “Now, Bigger, you see all the trouble you’ve caused? Now, I’d like to get this case out of the way as soon as possible. The longer you stay in jail, the more agitation there’ll be for and against you. And that doesn’t help you any, no matter who tells you it does. Boy, there's not but one thing for you to do, and that’s to come clean, I know those reds, Max and Erlone, have told you a lot of things about what they’re going to do for you. But, don’t beheve 'em. They’re just after pub- licity, boy; just after building themselves up at your expense, see? They can't do a damn thing for you! You’re dealing with the law now! And if you let those reds put a lot of fool ideas into your head, then you’re gambling with your own life.” Buckley stopped and relit his cigar. He cocked his head to one side, listening. “You hear that?” he asked softly. Bigger looked at him, puzzled. He listened, hearing a faint din. “CcMne here, boy, I want to show you something,” he said, rising and catching hold of Bigger’s arm. Bigger was reluctant to follow him. “Come on Nobody’s going to hurt you." Bigger followed him out of the door; there were several policemen standing On guard in the hallway. Buckley led Bigger to a winddw through which ‘he looked and saw the streets below crowdfed with masses of people in all directions. “See that, boy? Those people would like to lynch you. 282 NATIVE SON That’s why I’m asking you to trust me and talk to me. The quicker we get this thing over, the better for you. We’re going to try to keep ’em from bothering you. But can’t you see the longer they stay around here, the harder it’ll be for us to handle them?" Buckley let go of Bigger’s arm and hoisted the window; a cold wind swept in and Bigger beard a roar of voices. Invol- untarily, he stepped backward. Would they break into the jail? Buckley shut the window and led him back to the room. He sat upon the cot and Buckley sat opposite him. “You look like an intelligent boy. You see what you’re in. Tell me about this thing. Don’t let those reds fool you into saying you’re not guilty I’m talking to you as straight as I’d talk to a son of mme. Sign a confession and get this over with." Bigger said nothing; he sat looking at the floor. “Was Jan mixed up in this?” Bigger heard the faint excited sound of mob voices coming through the concrete walls of the building. “He proved an alibi and he’s free. Tell me, did he leave you holding the bag?” Bigger heard the far-away clang of a street car. “If he made you do it, then sign a complaint against him." Bigger saw the shining tip of the man’s black shoes; the sharp creases in his striped trousers; the clear, icy glinting of the eyeglasses upon his high, long nose. “Boy,” said Buckley in a voice so loud that Bigger flinched, “where’s Bessie?” Bigger’s eyes widened. He had not thought of Bessie but once since his capture. Her death was unimportant beside that of Mary’s; he knew that when they killed him it would be for Mary’s death, not Bessie’s. “Well, boy, we found her. You hit her with a brick, but she didn’t die right away. . . .’’ Bigger's muscles jerked him to his feet. Bessie alive. But the voice droned on and he sat down. “She tried to get out of that air-shaft, but she couldn’t. She froze to death. We got the brick you hit her with. We got the blanket and the quilt and the pillows you took from her room. We got a letter from her purse she had written to you and hadn’t mailed, a letter telling you she didn’t want to go through with trying to collect the ransom money. You FATB 283 see, boy, we got you. Come on. now, tell me all about it.” Bigger said nothing He buried his face in his hands. “You raped her, didn’t you? Well, if you won't tell about Bessie, then tell me about that woman you raped and choked to death over on University Avenue last fall.” Was the man trying to scare him, or did he really think he had done other killings? “Boy, you might just as well tell me. We’ve got a line on all you ever did And how about the girl you attacked in Jackson Park last summer? Listen, boy, when you were in your cell sleeping and wouldn’t talk, we brought women in to identify you. Two women swore complaints against you. One was the sister ot the woman you killed last fall, Mrs. Clinton. The other woman. Miss Ashton, says you attacked her last summer by climbing through the window ot her bedroom.” “I ain't bothered no woman last summer or last fall either,” Bigger said. “Miss Ashton identified you. She swears you’re the one." “1 don't know nothing about it.’* “But Mrs. Clinton, the sister of the woman you killed last fall, came to your cell and pointed you out Who’ll believe you when you say you didn't do it? You killed and raped two women in two days, who’ll believe you when you say you didn't rape and kill the others? Come on, boy. You haven't a chance holding out." “I don't know nothing about other women," Bigger re- peated stubbornly. Bigger wondered how much did the man really know. Was he lying about the other women in order to get him to teU about Mary and Bessie? Or were they really trying to pm other crimes upon him? "Boy, when the newspapers get hold of what we’ve got on you, you’re cooked. I’m not the one who’s doing this. The Police Department is digging up the dirt and bringing it to me. Why don’t you talk? Did you kill the other women? Or did somebody make you do it? Was Jan in this business? Were the reds helping you? You’re a fool Lf Jan was niixed up in this and you won’t tell.” Bigger shitted his feet and listened to the faint clang of another street car passing. The man leaned forward, caught hold of Bigger's arm and spoke while shaking him. “You’re hurting nobody but yourself holdmg out like this, NATIVE SON 284 boyl Tell me, were Mary, Bessie, Mrs. Clinton’s sister, and Miss Ashton the only women you raped or killed?” The words burst out of Bigger: “I never heard of no Miss Clinton or Miss Ashton before!” '‘Didn’t you attack a girl in Jackson Park last summer?” “Nawl” ‘‘Didn’t you choke and rape a woman on University Avenue last fall?” “Naw!” ‘‘Didn’t you climb through a window out in Englewood last fall and rape a woman?” “Naw; nawl I tell you I didn’t!” ‘‘You’re not telling the truth, boy. Lying won’t get you anywhere.” “I am telling the truth!” “Whose idea was the kidnap note? Jan’s?” “He didn’t have nothing to do with it,” said Bigger, feeling a keen desire on the man’s part to have him imphcate Jan. “What’s the use of your holding out, boy? Make it easy for yourself.” Why not talk and get it over with? They knew he was guilty. They could prove it. If he did not talk, then they would say he had committed every crime they could think of. “Boy, why didn’t you and your pals rob Blum’s store like you’d planned to last Saturday?” Bigger looked at him in surprise. They had found that out, too! “You didn’t think I knew about that, did you? I know a lot more, boy. I know about that dirty trick you and your friend Jack pulled off in the Regal Theatre, too. You wonder how I know it? The manager told us when we were checking up. I know what boys like you do. Bigger. Now, come on. You wrote that kidnap note, didn’t you?” “Yeah,” he sighed. “I wrote it." “Who helped you?” “Nobody.” “Who was going to help you to collect the ransom money?” “Bessie.” “Come on. Was it Jan?” “Naw.” “Bessie?” PATE 285 “Yeah." “Then why did you kill her?" Nervously, Bigger's fingers fumbled with a pack of ciga- rettes and got one out The man struck a match and held a light for him, but he struck his own match and ignored the of- fered flame. “When I saw I couldn’t get the money, I killed her to keep her from talking,” he said. “And you killed Mary, too?" “I didn’t mean to kill her, but it don’t matter now,” he said “Did you lay her?” “Naw." “You laid Bessie before you killed her. The doctors said so. And now you expect me to beheve you didn't lay Mary." “I didn’tV' “Did Jan?" “Naw.” “Didn’t Jan lay her first and then you? . . “Naw; naw . . “But Jan wrote the kidnap note, didn’t he?" “I never saw Jan before that night.” “But didn’t he write the note?” “Naw, I tell you he didn’t.” “You wrote the note?” “Yeah.” “Didn’t Jan tell you to write it?” “Naw.” “Why did you kill Mary?" He did not answer “See here, boy. What you say doesn’t make sense. You were never in the Dalton home until Saturday night Yet, in one night a girl is raped, killed, burnt, and the next night a kidnap note is sent. Come on Tell me everythmg that hap- pened and about everybody who helped you,” “There wasn’t nobody but me. I don’t care what happens to me, but you can t make me say things about other people.” “But you told Mr Dalton that Jan was in this thing, too." “I was trying to blame it on him.” “Well, come on Tell me everything that happened." Bigger rose and went to the window. His hands caught the cold steel bars m a hard grip. He knew as he stood there 286 NATIVE SON that he could never tell why he had killed. It was not that he did not really want to tell, but the telhng of it would have in- volved an eicplanation of his entire life, The actual killing of Mary and Bessie was not what concerned him most; it was knowing and feeling that he could never make anybody know what had driven him to it. His crimes were known, but what he had felt before he committed them would never be known. He would have gladly admitted his guilt if he had thought that in doing so he could have also given in the same breath a sense of the deep, choking hate that had been his life, a hate that he had not wanted to have, but could not help having. How could he do that? The impulsion to try to tell was as deep as had been the urge to kill. He felt a hand touch his shoulder; he did not turn roimd; his eyes looked downward and saw the man’s gleaming black shoes. “I know how you feel, boy. You’re colored and you feel that you haven’t had a square deal, don’t you?” the man’s voice came low and soft; and Bigger, listening, hated him for telling him what he knew was true. He rested his tued head against the steel bars and wondered how was it possible for this man to know so much about him and yet be so bitterly against him. “Maybe you’ve been brooding about this color question a long time, hunh, boy?” the man’s voice continued low and soft. “Maybe you ttiink I don’t understand? But I do. I know how it feels to walk along the streets like other peo- ple, dressed like them, talkmg like them, and yet excluded for no reason except that you’re black. I know your people. Why, they give me votes out there on the South Side every election. I .once talked to a colored boy who raped and killed a woman, just like you raped and killed Mrs. Clinton’s sis- ter ” *T didn’t do it!” Bigger screamed. ■, - “Why keep saying that? If you talk, maybe the judge’ll help you. Confess it all and get it over with. You’ll feel better. Say, listen, if you tell me everything, I’ll see that you’re sent to the hospital for an exammation, see? If they say you’re not responsible, then maybe you won’t have to die ” Bigger’s anger rose. He was not crazy and he did not want to be called crazy. “I don’t want to go to no hospital.” FATE 287 “It’s a way out for you, boy." "I don’t want no way out.” "Listen, start at the beginning. Who was the first woman you ever killed?” He said nothing. He wanted to talk, but he did not like the note of intense eagerness in the man’s voice He heard the door behind him open; he turned his head just m time to see another white man look in qucstioningly. "I thought you wanted me,” the man said. “Yes; come on in,” Buckley said. The man came in and took a seat, holding a pencil and paper on his knee. “Here, Bigger,” Buckley said, taking Bigger by the arm. “Sit down here and tell me all about it Get it over with.” Bigger wanted to tell how he had felt when Jan had held his hand; how Mary had made him feel when she asked him about how Negroes lived, the tremendous excitement that had hold of him during the day and night he had been in the Dal- ton home — but there were no words for him. "You went to Mr. Dalton’s home at five-thirty that Satur- day, didn’t you?” “Yessuh,” he mumbled. Listlessly, he talked. He traced his every action. He paused at each question Buckley asked and wondered how he could link up his bare actions with what he had felt; but his words came out Hat and dull. White men were looking at him, waiting tor his words, and all the feelings of his body vanished, just as they had when he was in the car between Jan and Mary. When he was through, he felt more lost and undone than when he was captured. Buckley stood up; the other white man rose and held out the papers for him to sign. He took the pen in hand. Well, why shouldn't he sign? He was guilty. He was lost. They were going to kill him. No- body could help him. They were standing in front of him, bending over him, looking at him, waiting. His hand shoolu He signed. / i Buckley slowly folded the papers and put them into hU pocket. Bigger looked up at the two men, helplessly, wondeo ingly. Buckley looked at the other white man and smiled. “That was not as hard as I thought it would be,” Buckley said. “He came through like a clock,” the other man said. 288 NATIVE SON Buckley looked down at Bigger and said, “Just a scared colored boy from Mississippi ” There was a short silence. Bigger felt that they had forgot- ten him already Then he heard them speaking. “Anything else, chief?” “Naw, rU be at my club. Let me know how the inquest turns out.” “O.K , chief.” “So long.” “I’ll be seeing you, chief.” Bigger felt so empty and beaten that he slid to the floor. He heard the feet of the men walking away softly. The door opened and shut He was alone, profoundly, inescapably. He rolled on the floor and sobbed, wondering what it was that had hold of him, why he was here. He lay on the cold floor sobbing; but really he was stand- ing up strongly with contrite heart, holding his life in his hands, staring at it with a wondering question, He lay on the cold floor sobbing; but really he was pushing forward with his puny strength against a world, too big and too strong for him. He lay on the cold floor sobbing; but really he was grop- ing forward with fierce zeal into a welter of circumstances which he felt contained a water of mercy for the thirst of his heart and brain. He wept because he had once again trusted his feelings and they had betrayed him. Why should he have felt the need to try to make his feelings known? And why did not he hear resounding echoes of his feelmgs in the hearts of others? There were times when he did hear echoes, but always they were couched in tones which, living as a Negro, he could not answer or accept without losing face with the world which had first evoked in him the song of manhood. He feared and hated the preacher because the preacher had told him to bow down and ask for a mercy he knew he needed; but his pnde would never let him do that, not this side of the grave, not while the sun shone. And Jan? And Max? They were telling him to believe in himself. Once before he had accepted com- pletely what his life had made him feel, even unto murder. He had emptied the vessel which life had filled for him and found the emptying meaningless. Yet the vessel was full FATE 289 again, waiting to be poured out. But not Not blindly this time! He telt that he could not move again unless he swung out from the base of his own feelings, he felt that he would have to have light in order to act now. Gradually, more from a lessening of strength than from peace of soul, his sobs ceased and he lay on his back, staring at the celling He had confessed and death loomed now for certain in a public future. How could he go to his death with white faces looking on and saying that only death would cure him for having flung into their faces his feeling of being black? How could death be victory now? He sighed, pulled up off the floor and lay on the cot, half- awake, half-asleep. The door opened and four policemen came and stood above him; one touched his shoulder. “Come on, boy.” He rose and looked at them questioningly. “You’re going back to the inquest ’’ They clicked the handcuffs upon his wrists and led him into the hall, to a waiting elevator. The doors closed and he dropped downward through space, standing between four tall, silent men in blue. The elevator stopped; the doors opened and he saw a restless crowd of people and heard a babble of voices. They led him through a narrow aisle. “That sonolafutc/il” “Gee, isn’t he blackl” “Kill ’im!” A hard blow came to his temple and he slumped to the floor. The faces and voices left him. Pain throbbed in his head and the right side of his face numbed. He held up an elbow to protect himself; they yanked him back upon his feet. When his sight cleared he saw policemen struggling with a slender white man. Shouts rose in a mighty roar. To the front of him a white man pounded with a hammerlike piece of wood upon a table. “Quiet! Or the room’ll be cleared of everybody except wit- nesses!” The clamor ceased. The policemen pushed Bigger into a chair. Stretching to the four walls of the room was a solid sheet of white fabes. Standing with squared shoulders all around were policemen with clubs in hand, silver metal on their chests, faces red and stern, gray and blue eyes alert. To the right of the man at the table, in rows of three each, six 290 NATIVE SON men sat still and silent, their hats and overcoats on their knees. Bigger looked about and saw the pile of white bones lying atop a table; beside them lay the kidnap note, held in place by a bottle of ink. In the center of the table were white sheets of paper fastened together by a metal clasp; it was his signed confession. And there was Mr. Dalton, white- faced, white-haired; and beside him was Mrs, Dalton, still and straight, her face, as always, tilted trustingly upward, to one side. Then he saw the trunk into which he had stuffed Mary’s body, the trunk which he had lugged down the stairs and had carried to the station. And, yes, there was the black- ened hatchet blade and a tiny round piece of metal. Bigger felt a tap on his shoulder and looked around; Max was s miling at him. 'Take it easy. Bigger. You won’t have to say anything here. It won’t be long.” The man at the front table rapped again. “Is there a member of the deceased’s family here, one who can give us the family history?” A murmur swept the room. A woman rose hurriedly and went to the blind Mrs. Dalton, caught hold of her arm, led her forward to a seat to the extreme right of the man at the table, facing the six men in the rows of chairs That must be Mrs Patterson, Bigger thought, remembering the woman Peggy had mentioned as Mrs. Dalton’s maid. “Will you please raise your right hand?” Mrs, Dalton’s frail, waxen hand went up timidly. The man asked Mrs. Dalton if the testimony she was about to give was the truth, the whole truth and nothing but the truth, so help you God, and Mrs. Dalton answered, “Yes, sir; I do.” Bigger sat stolidly, trying not to let the crowd detect any fear in him. His nerves were painfully taut as he hung onto the old woman’s words. Under the man’s questioning, Mrs. Dalton said that her age was fifty-three, that she lived at 4605 Drexel Boulevard, that she was a retired school teacher, that she was the mother of Mary Dalton and the wife of Henry Dalton. When the man began asking questions relating to Mary, the crowd leaned forward in their seats. Mrs. Dalton said that Mary was twenty-three years of age, single; that she carried about thirty thotisand dollars’ worth of insurance, that she owned real estate amounting to approximately a quarter PATE 291 of a million dollars, and that she was active right up to the date of her death. Mrs. Dalton’s voice came tense and famt and Bigger wondered how much more of this he could stand. Would it not have been much better to have stood up in the full glare of those roving knives of light and let them shoot him down? He could have cheated them out of this show, this hunt, this eager sport. “Mrs Dalton,” the man said, “I’m the Deputy Coroner and it is with considerable anxiety that I ask you these questions. But it IS necessary for me to trouble you in order to establish the identity of the deceased. . . .” “Yes, sir,” Mrs. Dalton whispered. Carefully, the coroner lifted from the table at his side a tiny piece of blackened metal; he turned, fronted Mrs. Dal- ton, then paused. The room was so quiet that Bigger could hear the coroner’s footsteps on the wooden floor as he walked to Mrs. Dalton’s chair. Tenderly, he caught her hand in his and said, “I’m placing in your hand a metal object which the police retrieved from the ashes of the furnace in the basement of your home. Mrs. Dalton, I want you to feel this metal care- fully and tell me if you remember ever having felt it before ” Bigger wanted to turn his eyes away, but he could not. He watched Mrs. Dalton’s face; he saw the hand tremble that held the blackened bit of metal. Bigger jerked his head round. A woman began to sob without restraint. A wave of murmurs rose through the room. The coroner took a quick step back to the table and rapped sharply with his knuckles. The room was instantly quiet, save for the sobbing woman. Bigger looked back to Mrs Dalton. Both of her hands were now fumbling nervously with the piece of mefal; then her shoul- ders shook. She was crying. “Do you recognize it?” “Y-y-yes ” “What is it?” “A-a-an earring. . . “When did you first come in contact with it?” Mrs. Dalton composed her face, and, with tears on her cheeks, answered, “When I was a girl, years ago. . . ." “Do you remember precisely when?” “Thirty-five years ago.” 292 NATIVE SON “You once owned it?" “Yes, it was one of a pair.’* “Yes, Mrs Dalton, No doubt the other earring was de- stroyed in the fire. This one dropped through the grates into the bin under the furnace Now, Mrs. Dalton, how long did you own this pair ot earrings?” “For thirty-three years.” “How did they come into your possession?" “Well, my mother gave them to me when 1 was of age My grandmother gave them to my mother when she was of age, and I in turn gave them to my daughter when she was of age. ...” “What do you mean, of age?” “At eighteen.” “And when did you give them to your daughter?" “About five years ago.” “She wore them all the time?” “Yes,” “Are you positive that this is one of the same earrings?” “Yes. There can be no mistake. They were a family heir- loom There are no two others like them. My grandmother had them designed and made to order.” “Mrs. Dalton, when were you last in the company of the deceased?” “Last Saturday night, or I should say, early Sunday morn- ing.” “At what time?” “It was nearly two o’clock, I think." “Where was she?” “In her room, in bed." “Were you in the habit of seeing, I mean, in the habit of meeting your daughter at such an hour?” “No. I knew that shed planned to go to Detroit Sunday morning. When I heard her come m I wanted to find out why she’d stayed out so late. . i “Did you speak with her?" “No. 1 called her several times, but she did not answer.” “Did you touch her?" • “Yes; slightly.” “But she did not speak to youT’ “Well, I heard some mumbling. . , “Do you know who it was?” FATE 293 “No.” “Mrs. Dalton, could your daughter by any means, in your judgment, have been dead then, and you not have known or suspected it?” “I don’t know." “Do you know if your daughter was alive when you spoke to her?” “I don’t know. I assumed she was.” “Was there anyone else in the room at the tune?” “I don’t know. But I felt strange there.” “Strange? What do you mean, strange?” "I — don’t know. I wasn’t satisfied, for some reason. It seemed to me that there was something I should have done, or said. But I kept saying to myself, ‘She’s asleep; that’s all.’ ” “If you felt so dissatisfied, why did you leave the room without trying to awaken her?” Mrs. Dalton paused before answering; her thin mouth was wide open and her face tilted far to one side. “I smelt alcohol in the room,” she whispered. “Yes?” “I thought Mary was intoxicated.” “Had you ever encountered your daughter intoxicated be- fore?” “Yes; and that was why 1 thought she was intoxicated then. It was the same odor.” "Mrs. Dalton, if someone had possessed your daughter sex- ually while she lay on that bed, could you in any way have detected it?” The room buzzed. The coroner rapped for order. “I don’t know,” she whispered. “Just a few more questions, please, Mrs. Dalton. What aroused your suspicions that something bad befallen your daughter?” "When I went to her room the next morning I felt her bed and found that she had not slept in it. Next I felt in her clothes rack and found that she had not taken the new clothes she had bought.” “Mrs. Dalton, you and your husband have given large sums of money to Negro educational institutions, haven’t you?" “Yes.” “Could you tell us roughly how much?” 294 NATIVE SON “Over five million dollars." “You bear no ill will toward the Negro people?” “No; none whatever." “Mrs Dalton, please, tell us what was the last thing you did when you stood above your daughter’s bed that Sunday morning?" “1 — I. . . She paused, lowered her head and dabbed at her eyes. “I knelt at the bedside and prayed she said, her words corning in a sharp breath ot despair. “That IS all. Thank you, Mrs. Dalton.” The room heaved a sigh. Bigger saw the woman lead Mrs. Dalion back to her seat. Many eyes in the room were tastened upon Bigger now, cold gray and blue eyes, eyes whose tense hate was worse than a shout or a curse To get rid of that concentrated gaze, he stopped lookmg, even though his eyes remained open. The coroner turned to the men sitting in rows to his right and said, "You gentlemen, the jurors, are any of you acquainted with the deceased or are any of you members of the family?” One ot the men rose and said, “No, sir.” “Would there be any reason why you could not render a fair and impartial verdict in this?” “No. sir.” “Is there any objection to these men serving as jurors in this case?” the coroner asked of the entire room. There was no answer. “In the name ot the coroner, I will ask the juro'rs to rise, pass by this table, and view the remains of the deceased, one Mary Dalton.” In silence the six men rose and filed past the table, each lookmg at the pile of white bones. When they were seated again, the coroner called, “We will now hear Mr. Jan Erlone!” Jan rose, came forward briskly, and was asked to swear to tell the truth, the whole truth, and nothing but the truth, so help him God. Bigger wondered if Jan would turn on him now. He wondered if he could really trust any white man, even this white man who had come and offered him his friendship. He leaned forward to hear. Jan was asked several times if he was a foreigner and Jan said no. The coroner FATE 295 walked close to Jan’s chair and leaned the upper part of ius body forward and asked Ln a loud voice, “Do you believe m social equahty for Negroes?’’ The room stirred. “I believe all races are equal. ...” Jan began. “Answer yes or no, Mr. Erlonel You’re not on a soap box. Do you believe in social equality for Negroes?” “Yes.” “Are you a member of the Communist Party?’ “Yes.” “In what condition was Miss Dalton when you left her last Sunday morning?” “What do you mean?” “Was she drunk?” “I would not say she was drunk. She had had a few drinks.” “What time did you leave her?” “It was about one-thirty, I think.” “Was she in the front seat of the car?” “Yes; she was m the front seat.” “Had she beep in the front seat all along?” "No." “Was she in the front seat when you left the cafd?” “No.” “Did you put her in the front seat when you left the car?” “No; she said she wanted to sit up front” “You didn’t ask her to?” “No.” “When you left her, was she able to get oat of the car alone?” “I think so.” “Had you had any relations with her while in the back seat that would have tended to make her, let us say, stunned, too weak to have gotten out alone?” “Nol” “Is it not true, Mr. Erlone, that Miss Dalton was in no condition to protect herself and you lifted her into that front seat?” “Nol I didn’t lift her into the front seat!” Jan’s voice sounded throughout the room. There was a quick buzzing of conversation. “Why did you leave an unprotected white gjrl alone in a car with a drunken Negro?” 296 NATIVE SON “I was not aware that Bigger was drunk and I did not consitler Mary as being unprotected.” “Had you at anv time in the past left Miss Dalton alone in the company of Negroes?” “No ” “You had never used Miss Dalton as bait before, had you?" Bigger was startled by a noise behind him. He turned his head, Max was on his feet. “Mr Coroner, I realize that this is not a trial But the questions being asked now have no earthly relation to the cause and manner of the death of the deceased.” “Mr. Max, we are allowing plenty of latitude here. The grand jury will determine whether the testimony offered here has any relation or not." “But questions of this sort inflame the public mind. . . “Now, listen, Mr Max. No question asked in this room will inflame the public mind any more than has the death of Mary Dalton, and you know it You have the right to question any of these witnesses, but I will not tolerate any publicity-seeking by your kind here!” “But Mr Erlone is not on trial here, Mr Coroner!” “He is suspected of being implicated in this murder! And weTe after the one who killed this girl and the reasons for itl If you think these questions have the wrong construc- tion, you may question the witness when were through. But you cannot regulate the questions asked here!” Max sat down. The room was quiet The coroner paced to and fro a few seconds before he spoke again; his face was red and his lips were pressed tight. “Mr. Erlone, didn't you give that Negro material relating to the Communist Party?" “Yes.” “What was the nature of that material?” “1 gave him some pamphlets on the Negro question.” “Material advocating the equality of whites and blacks?” “It was material which explained . . “Did that material contain a plea for hmity of whites and blacks’?” “Why, yes." "Did you, in ypur agitation of that drunken Negro, tell him that it was all right for him to have sexual relations with white women?” FATE 297 “No!” "Did you advise Miss Dalton to have sexual relations with him?” “Nol” “Did you shake hands with that Negro?" “Yes.” “Did you offer to shake hands with him?” “Yes. It is what any decent person . . “Confine yourself to answering the questions, please, Mr. Erlone. We want none of your Communist explanations here. Tell me, did you eat with that Negro?” “Why, yes.” “You invited him to eat?” “Yes.” “Miss Dalton was at the table when you invited him to sit down?” “Yes.” “How many times have you eaten with Negroes before?” “I don’t know. Many times.” "You like Negroes?” “I make no distinctions. . . “Do you like Negroes, Mr. Erlone?” “I objecti” Max shouted. “How on earth is that related to this easel” “You cannot regulate these questions!” the coroner shouted. “I’ve told you that before! A woman has been foully mur- dered. This witness brought the deceased into contact with the last person who saw her alive. We have the right to deter- mine what this witness’ attitude was toward that girl and that Negro!” The coroner turned back to Jan. “Now, Mr. Erlone, didn’t you ask that Negro to sit in the front seat of the car, between you and Miss Dalton?" “No; he was already in the front seat.” “But you didn’t ask him to get into the back seat, did you?” “No.” ‘"Why didn’t you?” “My God! The man is human! Why don’t you ask me . . . ?” “I’m asking these questions and you’re answering them. Now, tell me, Mr, Erlone, would you have invited that Negro to sleep with you?” “I refuse to answer that question!” 298 NATIVE SON "But you didn't refuse that drunken Negro the right to sleep with that girl, did you?” “His right to associate with her or anybody else was not in question. . . “Did you try to keep that Negro from Miss Dalton?" “1 didn’t . . “Answer yes or no!” “No!" “Have you a sister?” “Why, yes ” “Where is she?” “In New York.” “Is she married?” “No.” “Would you consent for her to marry a Negro?” “1 have nothing to do with whom she marries.” “Didn’t you tell that drunken Negro to call you Jan instead of Mr. Erlone?” “Yes: but . . ." “Confine yourself to answering the questions!” “But, Mr Coroner, you imply . . .” “I m trying to establish a motive for the murder of that innocent girl!” “No; you're not! You’re trying to indict a race of people and a poliiica! party!” “We want no statements! Tell me, was Miss Dalton in a condition to say good-bye to you when you left her in that car with the drunken Negro?” “Yes. She said good-bye " “Tell me, how much liquor did you give Miss Dalton that night?” “I don’t know.” “What kind of liquor was it?” “Rum.” “Why did you prefer rum?” “I don't know. ! just bought rum ” “Was it to stimulate the body to a great extent?” "No,” “How much was bought?" "A filth ol a gallon.” “Who paid for it?” “1 did.” FATE 299 "Did that money come from the treasury of the Com- munist Party?” “Nol" “Don’t they allow you a budget for recruiting expenses?” “No!” “How much was drunk before you bought the fiUlth of rum?” “We had a few beers.” “How many?” “I don’t know.” “You don’t remember much about what happened that night, do you?” “I’m telling you all I remember.” ‘"All you remember?” “Yes.” “Is It possible that you don’t remember some things?” “I’m telling you all I remember.” “Were you too drunk to remember everything that hap- pened?” “No ’’ “You knew what you were doing?” “Yes.” “You deliberately left the girl in, that condition?” “She was in no conditionl” “Just how drunk was she after the beers and rum?” "She seemed to know what she was doing.” “Did you have any fears about her being able to defend herself?” “No.” “Did you care?” “Of course, 1 did.” “You thought that whatever would happen would be aU right?” “I thought she was all right.” “Just tell me, Mr Erlone, how drunk was Miss Dalton?" “Well, she was a little high, if you know what I mean.” “Feeling good?” “Yes, you could say that.” “Receptive?” “I don’t know what you mean.” “Were you satisfied when you left her?” “What do you mean?” NATIVE SON 300 “You had enjoyed her company?” "Why, yes.” “And after enjoying a woman hke that, isn’t there a let- down?” “I don’t know what you mean.” “It was late, wasn’t it, Mr. Erlone? You wanted to go home?” “Yes.” “You did not want to remain with her any longer?” “No; I was tired.” “So you left her to the Negro?” “I left her in the car. I didn’t leave her to anybody.” “But the Negro was in the car?” “Yes.” “And she got in the front seat with him?” “Yes.” “And you did not try to stop her?” “No,” “And all three of you had been drinking?” “Yes.” “And you were satisfied to leave her like that, with a drunken Negro?” “What do you meanl” “You had no fear for her?” “Why, no.” “You felt that she, being drunk, would be as satisfied with anyone else as she had been with you?” “No; no. . . . Not that way. You’re leading . . “Just answer the questions. Had Miss Dalton, to your knowledge, ever had sex relations with a Negro before?” “No.” “Did you think that that would be as good a time as any for her to learn?” “No; no ” “Didn’t you promise to contact the Negro to see if he was grateful enough to join the Communist Party?” “I didn’t say I’d contact him. ” “Didn’t you tell him you’d contact him within two or three days?” “No.” “Mr. Erlone, are you sure you didn’t say that?” FATB 301 “Oh, yesl But it was not wiJi the construction you are putting upon it. . . “Mr Erlone, were you surprised when you heard of the death of Miss Dalton?" “Yes At first I was too stunned to believe it. I thought surely there was some mistake." “You hadn’t expected that drunken Negro to go that far, had you?" “I hadn’t expected anything." “But you told that Negro to read those Commumst pam- phlets, didn’t you?” “I gave them to him." “You told him to read them?" “Yes." “But you didn’t expect him to go so far as to rape and kill the girl?” “1 didn’t expect anything in that direction at all.” “That’s all, Mr. Erlone.” Bigger watched Jan go back to his seat. He knew how Jan felt. He knew what the man had been trying to do in asking the que.stions. He was not the only object of hate here. What did the reds want that made the coroner hate Jan so? “Will Mr. Henry Dalton please come forward?” the coroner asked. Bigger listened as Mr. Dalton told how the Dalton family always hired Negro boys as chauffeurs, especially when those Negro boys were handicapped by poverty, lack of education, misfortune, or bodily injury, Mr. Dalton said that this was to give them a chance to support their families and go to school. He told how Bigger had come to the house, how timid and frightened he had acted, and how moved and touched the family had been for him. He told how he had not thought that Bigger had had anything to do with the disappearance of Mary, and how he had told Britten not to question him. He then told of receiving the kidnap note, and of how shocked he had been when he was informed that Bigger had fled his home, thereby indicating his guilt. When the coroner’s questioning was over, Bigger heard Max ask, “May I direct a few questions?" “Certainly. Go right ahead," the coroner said. NATIVE SON 302 Max went forward and stood directly in front of Mr. Dalton. “You are the president of the Dalton Real Estate Company, are you not?” “Yes.” “Your company owns the building in which the Thomas family has lived for the past three years, does it not?” “Well, no. My company owns the stock m a company that owns the house ” "I see. What is the name of that company?” “The South Side Real Estate Company.” “Now, Mr. Dalton, the Thomas family paid you . , .” “Not to me! They pay rent to the South Side Real Estate Company.” “You own the controlling stock in the Dalton Real Estate Company, don’t you?” “Why, yes.” “And that company in turn owns the stock that controls the South Side Real Estate Company, doesn’t it?” “Why, yes.” “I think I can say that the Thomas family pays rent to you?’ “Indirectly, yes.” “Who formulates the policies of these two companies?” “Why, I do.” “Why is it that you charge the Thomas family and other Negro families more rent for the same kind of houses than you charge whites?” “I don’t fix the rent scales,” Mr. Dalton said. “Who does?” “Why, the law of supply and demand regulates the price of houses.” “Now, Mr. Dalton, it has been said that you donate millions of dollars to educate Negroes. Why is it that you exact an exorbitant rent of eight dollars per week from the 'Thomas family for one unventilated, rat-infested room in Which four people eat and sleep?” The coroner leaped to his feet. “I’ll not tolerate your brow-beating this witnessl Have you no sense of decency? This man is one of the most respected men in this city! And your questions have no hewing . . FATE 303 “They do have a beanng!” Max shouted. “You said we could question with latitude herel I’m trying to find the guilty person, tool Jan Erlone ts not the only man who’s influenced Bigger Thomasl There were many others before him. I have as much right to determine what effect their attitude has had upon his conduct as you had to determine what Jan Erlone’s had!” “I’m willing to answer his questions if it will clear things up,’’ Mr Dalton said quietly. “Thank you, Mr Dalton. Now, tel! me, why is it that you charged the Thomas family eight dollars per week for one room in a tenement?” “Well, there’s a housing shortage.” “All over Chicago?” “No Just here on the South Side.” “You own houses in other sections of the city?" “Yes.” “Then why don’t you rent those houses to Negroes?” “Well . . . Er . , . I — 1 — don't think they’d like to hve any other place.” “Who told you that?" “Nobody." “You came to that conclusion yourself?” “Why, yes.” “Isn't it true you refuse to rent houses to Negroes if those houses are in other sections of the city?” “Why, yes.” “Why?” “Well, it’s an old custom.” “Do you think that custom is right?" “I didn't make the custom,” Mr Dalton said. “Do you think that custom is right'?” Max asked again. “Well, I think Negroes are happier when they’re together.” “Who told you /hat?” “Why, nobody.” “Aren’t they more profitable when they’re together?” “1 don’t know what you mean.” “Mr. Dalton, doesn't this policy of your company tend to keep Negroes on the South Side, in one area?” “Well, it works that way. But I didn’t originate . . ." “Mr. Dalton, you give millions to help Negroes. May I NATIVE SON 304 ask why you don’t charge them less rent for fire-traps and check that against your charity budget?” “Well, to charge them less rent would be unethical.” “Vnethicair “Why, yes. I would be underselling my competitors.” “Is there an agreement among realtors as to what Negroes should be charged for rent?” “No. But there's a code of ethics in business.” “So, the profits you take from the Thomas family in rents, you give back to them to ease the pain of their gouged lives and to salve the ache of your own conscience?” “That’s a distortion of fact, sirl” “Mr. Dalton, why do you contribute money to Negro edu- cation?” “I want to see them have a chance.” “Have you ever employed any of the Negroes you helped to educate?” “Why, no." “Mr. Dalton, do you think that the temble conditions un- der which the Thomas family lived in one of your houses may in some way be related to the death of your daughter?” “I don’t know what you mean.” “That’s all,” said Max. After Mr. Dalton left the stand, Peggy came, then Britten, a host of doctors, reporters, and many policemen. “We will now hear from Bigger Thomasl” the coroner called. A wave of excited voices swept over the room. Bigger’s fingers gripped the arms of the chair. Max’s hand touched his shoulder. Bigger turned and Max whispered, “Sit stiU." Max rose. “Mr. Coroner?” “Yes?” “In the capacity of Bigger Thomas’ lawyer, I’d like to state that he does not wish to testify here.” "His testimony would help to clear up any doubt as to the cause of the death of the deceased,” the coroner said. “My client is already in police custody and it is his right to refuse. . . “All right. All right," the coroner said. Max sat down. FATE 305 “Stay in your seat. It’s ail right,” Max whispered to Bigger. Bigger relaxed and felt his heart pounding. He longed for something to happen so that the white faces would stop star- ing at him. Finally, the faces turned away. The coroner strode to the table and lifted the kidnap note with a slow, long, deli- cate, and deliberate gesture. “Gentlemen,” he said, facing the six men in the rows of chairs, “you have heard the testimony of the witnesses. I think, however, that you should have the opportunity to examine the evidence gathered by the Police Department.” The coroner gave the kidnap note to one of the jurors who read it and passed it on to the others. All of the jurors exam- ined the purse, the blood-stained knife, the blackened hatchet blade, the Communist pamphlets, the rum bottle, the trunk, and the signed confession. “Owing to the peculiar nature of this crime, and owing to the fact that the deceased’s body was all but destroyed, I deem it imperative that you examine one additional piece of evidence. It will help shed light upon the actual manner of the death of the deceased,” the coroner said. He turned and nodded in the direction of two white-coated attendants who stood at the rear door. The room was quiet. Bigger wondered how much longer it would last; he felt that he could not stand much more. Now and then the room blurred and a slight giddiness came over him, but his muscles would flex taut and it would pass. The hum of voices grew suddenly loud and the coroner rapped for order. Then a commotion broke out. Bigger heard a man’s voice saying, “Move aside, please'” He looked and saw the two white-coated attendants pushing an oblong, sheet-covered table through the crowd and down the aisle. What’s this? Bigger wondered. He felt Max’s hand come onto his shoulder. “Take it easy. Bigger. This’ll soon be over.” “What they doing?” Bigger asked in a tense whisper. For a long moment Max did not answer. Then he said uncertainly, “I don’t know.” The oblong table was pushed to the front of the room. The coroner spoke in a deep, slow voice that was charged with passionate meaning: “As Deputy Coroner, I have decided, in the interests of 306 NATIVE SON justice, to offer in evidence the raped and mutilated body of one Bessie Mears, and the testimony of police officers and doctors relating to the cause and manner of her death. . , The coroner’s voice was drowned out. The room was in an uproar. For two minutes the police had to pound their clubs against the walls to restore quiet. Bigger sat still as stone as Max rushed past him and stopped a few feet from the sheet- covered table. “Mr. Coroner,” Max said. “This is outrageousl Your inde- cent exhibition of that girl’s dead body serves no purpose but that of an mcitement to mob violence. . . .” “It will enable the jury to determine the exact manner of the death of Mary Dalton, who was slain by the man who slew Bessie Mearal” the coroner said in a scream that was compounded of rage and vindictiveness. “The confession of Bigger Thomas covers all the evidence necessary for this juryl” Max said. “You are criminally ap- peahng to mob emotion. . . “That’s for the grand jury to determinel” the coroner said. “And you cannot interrupt these proceedings any longerl If you persist in this attitude, you’ll be removed from this rooral I have the legal right to determme what evidence is necessary. ..." Slowly, Max turned and walked back to his seat, his lips a thin line, his face white, his head down. Bigger was crushed, helpless. His lips dropped wide apart. He felt frozen, numb. He had completely forgotten Bessie during the inquest of Mary. He understood what was being done. To offer the dead body of Bessie as evidence and proof that he had murdered Mary would make him appear a monster; it would stir up more hate against him. Bessie’s death had not been mentioned during the inquest and all of the white faces in the room were utterly surprised. It was not because he had thought any the less of Bessie that he had forgotten her, but Mary’s death had caused him the most fear; not her death in itself, but what it meant to him as a Negro, They were bringing Bessie’s body in now to make the white men and women feel that nothing short of a quick blotting out of his life would make the city safe again. They were using his having kUled Bessie to kill him for his having killed Mary, to cast him in a light that would sanction any action taken to destroy him. Though he had killed a black PATH 307 girl and a white girl, he knew that it would be for the death of the white girl that he would be punished. The black girl was merely “evidence.” And under it all he knew that the white people did not really care about Bessie’s being killed. White people never searched for Negroes who killed other Negroes. He had even heard it said that white people felt it was good when one Negro IdlJed another; it meant that they had one Negro less to contend with. Crime for a Negro was only when he harmed whites, took white lives, or injured white property. As tune passed he could not help looking and listening to what was going on in the room. His eyes rested wistfully on the still oblong white draped form under the sheet on the table and he felt a deeper sympathy for Bessie than at any time when she was alive. He knew that Bessie, too, though dead, though killed by him, would resent her dead body bemg used in this way. Anger quickened in him: an old feeling that Bessie had often described to him when she had come from long hours of hot toil in the white folks’ kitchens, a feeling of being forever commanded by others so much that thinking and feelmg for one’s self was impossible. Not only bad be lived where they told him to live, not only had he done what they told him to do, not only had he done these thmgs until he had killed to be quit of them; but even after obeying, after killing, they still ruled him. He was their property, heart and soul, body and blood; what they did claimed every atom of him, sleeping and wak- ing; It colored life and dictated the terms of death. The coroner rapped for order, then rose and stepped to the table and with one sweep of his arm flung the sheet back from Bessie’s body. The sight, bloody and black, made Bigger flinch involuntarily and lift his hands to his eyes and at the same instant he saw blinding flashes of the silver bulbs flicking through the air. His eyes looked with painful effort to the back of the room, for he felt that if he saw Bessie again he would nse from his chair and sweep his arm in an attempt to blot out this room and the people in it. Every nerve of his body helped him to stare without seeing and to sit amid the noise without hearing. A pain came to the front of his head, right above the eyes. As the slow minutes dragged, his body was drenched in cold sweat. His blood throbbed in his ears; his lips were parched and dry; he wanted to wet them with his tongue, 308 NATIVE SON but could not. The tense effort to keep out of his conscious- ness the terrible sight of Bessie and the drone of the voices would not allow him to move a single muscle. He sat still, surrounded by an invisible cast of concrete. Then he could hold out no longer. He bent forward and buried his face in his hands. He heard a far-away voice speaking from a great height. . , . “The jury will retire to the next room.” Bigger lifted his head and saw the six men rise and file out through a rear door. The sheet had been pulled over Bessie’s body and he could not see her. The voices in the room grew loud and the coroner rapped for order. The six men filed slowly back to their chairs. One of them gave the coroner a slip of paper. The coroner rose, lifted his hand for silence and read a long string of words that Bigger could not under- stand. But he caught phrases: . . the said Mary Dalton came to her death in the bedroom of her home, located at 4605 Drexel Boulevard, from suffocation and strangulation due to external violence, said violence received when the deceased was choked by the hands of one, Bigger Thomas, during the course of criminal rape. . . . “. . . we, the jury, believe that the said occurrence was murder and recommend that the said Bigger Thomas be held to the grand jury on a charge of murder, until released by due process of law. . . .” The voice droned on, but Bigger did not listen. This meant that he was going to jail to stay there until tried and exe- cuted. Finally, the coroner's voice stopped. The room was full of noise. Bigger heard men and women walking past him He looked about like a man waking from a deep sleep. Max had hold of his arm. “Bigger?” He turned his head slightly. “I’ll see you tonight. They’re taking you to the Cook County Jail. I’ll come there and talk things over with you. We’ll see what can be done. Meanwhile, take it easy. As soon as you can, He down and get some sleep, hear?” Max left him. He saw two policemen wheeling Bessie’s body back through the door. The two policemen who sat to either side of him took his arms and locked bis wrists to FATE 309 theirs. Two more policemen stood in front of him and two more stood in back, “Come on, boy.” Two policemen walked ahead, making a path for him in the dense crowd. As he passed white men and women they were silent, but as soon as he was some few feet away, he heard their voices nse. They took him out of the front door, into the hall. He thought that they were going to take him back upstairs and he made a motion to go in the direction of the elevator, but they jerked him back roughly. “This way!” They led him out of the front door of the building, to the street. Yellow sunshine splashed the sidewdks and buildings. A huge throng of people covered the pavement. The wind blew hard. Out of the shrill pitch of shouts and screams he caught a few distinct words; . . turn ’im loose. . , . . give 'im what he gave that girL , . , . let us take care of 'im. . . . . bum that black ape. , . A narrow aisle was cleared for him across the width of the pavement to a waiting car. As far as he could see there were blue-coated white men with bright silver stars shining on their chests. They wedged him tightly into the back seat of the car, between the two policemen to whom he was hand- cuffed. The motor throbbed. Ahead, he saw a car swing out from the curb and roll with screaming siren down the street through the sunshme. Another followed it. Then four more. At last the car in which he sat fell in line behind them. Back of him he heard other cars pullmg out from the curb, with throbbing motors and shrieking sirens. He looked at the passing buildings out of the side window, but could not recog- nize any familiar landmarks. To each side of him were peer- ing white faces with open mouths. Soon, however, he knew that he was heading southward. The sirens screamed so loud that he seemed to be riding a wave of sound. The cars swerved onto State Street. At Thirty-fifth Street the neighborhood became familiar. At Thirty-seventh Street he knew that two blocks to his left Was his home. What were his mother and brother and sister doing now? And where were Jack and G.H, and Gus? The rubber tires sang over the flat asphalt. There was a policeman at every comer, waving the cars on. Where NATIVE SON 310 were they taking him? Maybe they were going to keep him in a jail on the South Side? Maybe they were taking him to the Hyde Park Police Station? They reached Forty-seventh Street and rolled eastward, toward Cottage Grove Avenue. They came to Drexel Boulevard and swung north again. He stiffened and leaned forward. Mr. Dalton lived on this street. What were they going to do with him? The cars slowed and stopped directly in front of the Dalton gate. What were they bringing him here for? He looked at the big brick house, drenched in sunshine, stdi, quiet. He looked into the faces of the two policemen who sat to either side of him; they were staring silently ahead. Upon the sidewalks, to the front and rear of him, were long lines of policemen with drawn guns. White faces filled the apartment windows all round him. People were pouring out of doors, running toward the Dalton home. A policeman with a golden star upon his chest came to the door of the car, opened it, glanced at him briefly, then turned to the driver. “0 K., boys, take 'im out." They led him to the curb. Already a solidly packed crowd stood all over the sidewalks, the streets, on lawns, and be- hind the lines of the policemen. He heard a white boy yell, “There’s the nigger that killed Miss Maryl" They led him through the gate, down the walk, up the steps; he stood a second facing the front door of the Dalton home, the same door before which he had stood so humbly with his cap in his hand a little less than a week ago. The door opened and he was led down the hall to the rear stairs and up to the second floor, to the door of Mary’s room. It seemed that he could not breathe. What did they bring him here for? His body was once more wet with sweat. How long could he stand this without collapsing again? They led him into the room. It was crowded with armed policemen and newspapermen ready with their bulbs. He looked round; the room was just as he had seen it that night. There was the bed upon which he had smothered Maiy. The clock with the glowmg dial stood on the small dresser. The same curtains were at the windows and the shades were still far up, as far up as they had been that night when he had stood near them and had seen Mrs. Dalton in flowing white grope her way slowly into the dark blue room with her hands lifted before her. He felt the eyes of the men upon him and his FATE 311 body stiffened, flushing hot with shame and anger. The man with the golden star on his chest came to him and spoke in a soft low tone. “Now, Bigger, be a good boy. Just relax and take it easy. We want you to take your time and show us just what hap- pened that mght, see? And don’t mind the boys’ tabng pic- tures. Just go through the motions you went through that night. . . .” Bigger glared; his whole body tightened and he felt that he was going to rise another foot in height. “Come on,’’ the man said, “Nobody’s going to hurt you. Don’t be afraid.” Outrage burned in Bigger. “Come on. Show us what you did.” He stood without moving. The man caught his arm and tried to lead him to the bed. He jerked back violently, his muscles flexed taut. A hot band of fire encircled his throat. His teeth clamped so hard that he could not have spoken had he tried. He backed against a wall, his eyes lowered in a baleful glare. “What’s the matter, boy?” Bigger’s lips pulled back, showing his white teeth. Then he blinked his eyes, the flashlights went off and he knew in the instant of their flashing that they had taken his picture show- ing him with his back against a wall, his teeth bared in a snarl. “Scared, boy? You weren’t scared that night you were in here with that girl, were you?” Bigger wanted to take enough air into his lungs to scream, “Yes I I was scared!” But who would believe him? He would go to his death without ever trying to tell men like these what he had felt that mght. When the man spoke again, his tone had changed. “Come on, now, boy. We’ve treated you pretty nice, but we can get tough if we have to, see? It’s up to youl Get over there by that bed and show us how you raped and murdered that girll” “I didn’t rape her,” Bigger said through stiff lips. “Aw, come on. What you got to lose now? Show us what you did.” “I don’t want to.” “You have tol” 312 NATIVE SON “I don’t have to.” “Well, we'll make you!" “You can’t make me do nothing but die!” And as he said it, he wished that they would shoot him so that he could be free of them forever. Another white man with a golden star upon his chest walked over, “Drop it. We got our case.” “You think we ought to?” "Sure. What’s the use?” “O.K . boys. Take ’im back to the car.” They clamped the steel handcuffs on his wrists and led him down the hall. Even before the front door was opened, he heard the faint roar of voices. As far as he could see through the glass panels, up and down the street, were white people standing in the cold wmd and sunshine. They took him through the door and the roar grew louder; as soon as he was visible the roar reached a deafening pitch and con- tinued to rise each second. Surrounded by policemen, he was half-dragged and half-lifted along the narrow lane of. people, through the gate, toward the waiting car. “You black ape/” "Shoot that bastardl" He felt hot spittle splashing against his face. Somebody tried to leap at him, but was caught by the policemen and held back. As he stumbled along a high bright object caught his eyes; he looked up. Atop a building across the street, above the heads of the people, loomed a flaming cross. At once he knew that it had something to do with him. But why should they bum a cross? As he gazed at it he remembered the sweating face of the black preacher in his cell that morn- ing talking intensely and solemnly of Jesus, of there being a cross for him, a cross for everyone, and of how the lowly Jesus had carried the cross, paving the way, showing how to die, how to love and live the life eternal. But he had never seen a cross burning like that one upon the roof. Were white people wanting him to love Jesus, too? He heard the wind whipping the flames. No! That was not right; they ought not burn a cross. He stood in front of the car, waiting for them to push him in, his eyes wide with astonishment, his im- pulses deadlocked, trying to remember something. "He’s looking at itl” “He sees itl" PATB 313 The eyes and faces about him were not at all the way the black preacher’s had been when he had prayed about Jesus and His love, about His dying upon the cross. The cross the preacher had told him about was bloody, not flaming; meek, not militant. It had made him feel awe and wonder, not fear and panic. It had made him want to kneel and cry, but this cross n^ade him want to curse and kill. Then he became conscious of the cross that the preacher had hung round his throat; he felt it nesthng against the skin of his chest, an image of the same cross that blazed in front of his eyes high upon the roof against the cold blue sky, its darting tongues of fire lashed to a hissing fury by the icy wind. “Bum ’uni” “Kill ’imi” It gripped him; that cross was not the cross of Christ, but the cross of the Ku Kiux Klan. He had a cross of salvation round his throat and they were burning one to tell him that they hated himl Nol He did not want thatl Had the preacher trapped him? He felt betrayed. He wanted to tear the cross from his throat and throw it away. They lifted him into the waiting car and he sat between two policemen, still looking fearfully at the fiery cross. The sirens screamed and the cars rolled slowly through the crowded streets and he was feeling the cross that touched his chest, like a knife pointed at his heart. His fingers ached to rip it off; it was an evil and black charm which would surely bring him death now. The cars screamed up State Street, then westward on Twenty-sixth Street, one behind the other People paused on the side- walks to look. Ten minutes later they stopped in front of a huge white building; he was led up steps, down hallways and then halted in front of a cell door. He was pushed inside; the handcuffs were imlocked and the door clanged shut The men lingered, looking at him cunously. With bated breath he tore his shirt open, not caring who saw him He gnpped the cross and snatched it from his throat. He threw it away, cursing a curse that was almost a scream, “I don’t want itl” The men gasped and looked at him, amazed. “Don’t throw that away, boy. That’s your crossl” “1 can die without a crossl” 314 NATIVE SON "Only God can help you now, boy. You’d better get your soul right'" “I ain’t got no soul!” One of the men picked up the cross and brought it back. “Here, boy; keep this. This is God's cross!” "I don’t care!" "Aw, leave ’im alone!” one of the men said. They left, dropping the cross just inside the cell door. He picked it up and threw it away again. He leaned weakly against the bars, spent. What were they trying to do to him? He lifted his head, hearing footsteps. He saw a white man coming toward him, then a black man. He straightened and stiffened. It was the old preacher who had prayed over him that morning. The white man began to unlock the door. “I don’t want you!” Bigger shouted. “Son!” the preacher admomshed. “I don’t want you'” “What’s the matter, son?” “Take your Jesus and go!” “But, son! Yuh don’t know whut yuh’s sayin’! Lemme pray fer yuh!” “Pray for yourself!” The white guard caught the preacher by the arm and, pointing to the cross on the floor, said, “Look, Reverend, he threw his cross away." The preacher looked and said: “Son, don’t spit in Gawd’s face!” “I’ll spit in your face if you don’t leave me alone!” Bigger said. “The reds’ve been talking to ’im,” the guard said, piously touching his fingers to his forehead, his chest, his left shoulder, and then his right, making the sign of the cross. “That's a goddamn lie!” Bigger shouted. His body seemed a flaming cross as words boiled hysterically out of him. “I told you I don’t want youl If you come in here, I’ll kill you! Leave me alone!” Quietly, the old black preacher stooped and picked up the cross. The guard inserted the key in the lock and the door swung in Bigger ran to it and caught the steel bars in his hands and swept the door forward, slamming it shut. It smashed the old black preacher squarely in ihe face, sending him reelmg backwards upon the concrete. The echo of steel FATE 315 crashing against steel resounded throughout the long quiet corridor, wave upon wave, dying somewhere far away. "You’d better leave ’un alone now,” the guard said. “He seems pretty wild.” The preacher rose slowly and gathered his hat, Bible, and the cross from the floor. He stood a moment with his hand nursing his bruised face. “Waal, son. Ah’ll leave yuh t* yo’ Gawd,” he sighed, drop- ping the cross back inside the cell. "nie preacher walked away. The guard followed. Bigger was alone. His emotions were so intense that he really saw and heard nothing. Finally, his hot and taut body relaxed. He saw the cross, snatched it up and held it for a long moment in fingers of steel. Then he flung it again through the bars of the cell. It hit the wall beyond with a lonely clatter. Never again did he want to feel anything like hope. That was what was wrong; he had let that preacher talk to him until somewhere in him he had begun to feel that maybe something could happen. Well, something had happened; the cross the preacher had hung round his throat had bwn burned in front of his eyes. When his hysteria had passed, he got up from the floor. Through blurred eyes he saw men peering at him from the bars of other cells. He heard a low murmur of voices and in the same instant his consciousness recorded without bit- terness — ^like a man stepping out of his house to go to work and noticing that the sun is shming — the fact that even here in the Cook County Jail Negj’O and white were segregated into different cell-blocks. He lay on the cot with closed eyes and the darkness soothed him some. Occasionally his muscles twitched from the hard storm of passion that had swept him. A small hard core in him resolved never again to trust any- body or anything. Not even Jan. Or Max. They were all right, maybe; but whatever he thought or did from now on would have to come from him and him alone, or not at all. He wanted no more crosses that nught turn to fire while still on his chest. His inflamed senses cooled slowly. He opened his eyes. He heard a soft tappmg on a near-by wall. Then a sharp whis- per: 316 NATIVE SON “Say, you new guyl” He sat up, wondering what they wanted. “Ain’t you the guy they got for that Dalton job?” His hands clenched. He lay down again. He did not want to talk to them. They were not his kind. He felt that they were not here for crimes such as his. He- did not want to talk to the whites because they were white and he did not want to talk to Negroes because he felt ashamed. His own kind would be too curious about him. He lay a long while, empty of mind, and then he heard the steel door open. He looked and saw a white man with a tray of food. He sat up and the man brought the tray to the cot and placed it beside him. “Your lawyer sent this, kid. You got a good lawyer,” the man said. “Say, can I see a paper?” Bigger asked. “Well, now,” the man said, scratching his head. “Oh, what the hell. Yeah; sure. Here, take mine. I’m through with it. And say, your lawyer’s bringing some clothes for you. He told me to teU you.” Bigger did not hear him; he ignored the tray of food and opened out the paper. He paused, waiting to hear the door shut. When it clanged, he bent forward to read, then paused again, wondering about the man who had just left, amazed at how friendly he had acted. For a fleeting moment, while the man had been in his ceD he had not felt apprehensive, cor- nered. The man had acted straight, matter-of-fact. It was something he could not understand. He lifted the paper close and read: NEGRO KILLER SIGNS CONFESSIONS FOR TWO MURDERS. SHRINKS AT INQUEST WHEN CON- FRONTED WITH BODY OF SLAIN GIRL. ARRAIGNED TOMORROW. REDS TAKE CHARGE OF KILLER’S DE- FENSE. NOT GUILTY PLEA LIKELY. His eyes ran over the paper, lookmg for some clue that would tell him some- thmg of his fate. . . . slayer will undoubtedly pay supreme penalty for his crimes .... there is no doubt of his guilt .... what is doubt- ful IS how many other crimes be has committed .... killer at- tacked at inquest .... Then: FATE 317 Expressing opinions about Communists’ defending the Ne- gro rapist and killer, Mr. David A Buckley, State’s Attorney, said- “What else can you expect from a gang like that? I’m m favor of cleaning them out lock, stock, and barrel I’m of the conviction that if you got to the bottom of red activity in this country, you’d find the root of many an unsolved crime,” When questioned as to what effect the Thomas trial would have upon the forthcoming April elections, in which he is a candidate to succeed himself, Mr, Buckley took his pink carna- tion from the lapel of his mommg coat and waved the report- ers away with a laugh. A long scream sounded and Bigger dropped the paper, jumped to his feet, and ran to the barred door to see what was happening. Down the corridor he saw six white men struggling with a brown-skinned Negro. They dragged him over the floor by his feet and stopped directly in front of Big- ger's ceil door. As the door swung in, Bigger backed to his cot, his mouth open in astonishment. The man was turning and twisting in the white men’s hands, trying desperately to free himself. “Ttlrn me loose! Turn me loose!” the man screamed over and over. The men lifted him and threw him inside, locked the door, and left. The man lay on the floor for a moment, then scram- bled to his feet and ran to the door. “Give me my papers!” he screamed. Bigger saw that the man’s eyes were blood-red; the comers of his lips were white with foam. Sweat glistened on his brown face He clutched the bars with such frenzy that when he yelled his entire body vibrated. He seemed so ago- nized that Bigger wondered why the men did not give him his belongings. Emotionally, Bigger sided with the man. “You can’t get away with it!" the man yelled Bigger went to him and placed a hand on his shoulder. “Say, what they got of yours?” he asked. The man ignored him, shouting, "Til report you to the President, you hear? Bring me my papers or let me out of here, you white bastards! You want to destroy all my evidence! You can’t cover up your crimes! I’ll publish them to the whole world! I know why you’re putting me in jail! The Professor told you to! But he’s not going to get away with it. . . 318 NATIVE SON Bigger watched, fascinated, fearful. He had the sensation that the man was too emotionally wrought up over whatever it was that he had lost Yet the man’s emotions seemed real; they affected him, compelling sympathy. "Come bacJc here!" the man screamed. "Bring me my papers or I’ll tell the President and have you dismissed from ofiSce. ...” What papers did they have of his? Bigger wondered. Who was the president the man yelled about? And who was the professor? Over the man’s screams Bigger heard a voice calhng from another cell, “Say, you new guy!” Bigger avoided the frenzied man and went to the door. “He’s balmy!” a white man said. “Make ’em take ’im outta your cell. He’ll kill you. He went off his nut from studymg too much at the university He was writing a book on how colored people live and he says somebody stole all the facts he’d found. He says he’s got to the bottom of why colored folks are treated bad and he’s going to tell the President and have things changed, see? He’s nutsl He swears that his uni- versity professor had him locked up The cops picked him up this morning in his underwear; he was in the lobby of the Post Office building, waiting to speak to the President . . Bigger ran from the door to the cot. All of his fear of death, all his hate and shame vanished m face of his dread of this insane man tummg suddenly upon him. The man still clutched the bars, screaming. He was about Bigger’? size. Bigger had the queer feeling that his own exhaustion formed a hairline upon which his feelmgs were poised, and that the man’s driving frenzy would suck him into its hot whirlpool. He lay on the cot and wrapped his arms about his head, tom with a nameless anxiety, hearmg the man’s screams m spite of his need to escape them. "You’re afraid of me!” the man shouted. “That’s why you put me in here! But I’ll tell the President anyhow! I’ll tell ’im you make us live in such crowded conditions on the South Side that one out of every ten of us is insanel I’U tell ’im that you dump all the stale foods mto the Black Belt and sen them for more than you can get anywhere elsel I’ll teE ’im you tax us, but you won’t build hospitals! TU teU ’im the schools are so crowded that they breed perverts! I’U tell FATE 319 ’im you hire us last and fire us firstl I’ll tell the President and the League of Nations. . . Then men m other cells began to holler. “Pipe down, you nutl" “Take 'im awayl” “Throw ’im out!” "The hell with you!” “You can’t scare me!” the man yelled. “I know you! They put you in here to watch me!” The men set up a clamor. But soon a group of men dressed in white came running with a stretcher. They un- locked the cell and grabbed the yelling man, laced him in a strait-jacket, flung him onto the stretcher and carted him away. Bigger sat up and stared before him, hopelessly. He heard voices calhng from cell to cell. “Say, what they got of his?” “Nothing! He's nuts!” Finally, things quieted. For the first time since his capture. Bigger felt that he wanted someone near him, something physical to cling to. He was glad when he heard the lock in bis door click. He sat up; si guard loomed over him, “Come on, boy. Your lawyer’s here.” He was handcuffed and led down the hall to a small room where Max stood. He was freed of the steel links on his wrists and pushed mside; he heard the door shut behmd him. “Sit down, Bigger. Say, how do you feel?” Bigger sat down on the edge of the chair and did not an- swer. The room was small A single yellow electric globe dropped from the ceiling. There was one barred window. All about them was profound silence. Max sat opposite Bigger, and Bigger’s eyes met his and fell Bigger felt that he was sit- ting and holding his life helplessly in his hands, waiting for Max to tell him what to do with it; and it made him hate himself. An organic wish to cease to be, to stop living, seized him. Either he was too weak, or the world was too strong; he did not know which. Over and over he had tried to create a world to live in, and over and over he had failed. Now, once again, he was waiting for someone to tell him something; once more he was poised on the verge of action and com- mitment. Was he letting himself in for more hate and fear? What could Max do for him now? Even if Max tried hard and honestly, were there not thousands of white hands to 320 NATIVE SON stop Max? Why not tell him to go home? His lips trembled to speak, to tell Max to leave; but no words came. He felt that even in speaking in that way he would be indicating how hopeless he felt, thereby disrobmg his soul to more shame. “I bought some clothes for you,” Max said. “When they give ’em to you m the morning, put ’em on. You want to look your best when you come up for arraignment.” Bigger was silent; he glanced at Max again, and then away. “What’s on your mind, Bigger?" “Nothing,” he mumbled. “Now, listen, Bigger. I want you to tell me aU about your- self. ...” “Mr. Max, it ain’t no use in you doing nothiugl” Bigger blurted. Max eyed him sharply. “Do you really feel that way, Bigger?” “There am’t no way else to feel.” “I want to talk to you honestly, Bigger. I see no way out of this but a plea of ^ty. We can ask for mercy, for life in prison. . . “I’d rather dief” “Nonsense. You want to live.” “For what?” “Don’t you want to fight this thing?” “What can I do? They got rae.” “You don’t want to die that way, Bigger.” "It don’t matter which way I die,” he said; but his voice choked. “Listen, Bigger, you’re facing a sea of hate now that’s no different from what you’ve faced all your life. And because it’s that way, you’ve got to fight If they can wipe you out, then they can wipe others out, too.” “Yeah,” Bigger mumbled, restmg his hands upon his knees and staring at the black floor. “But I can’t win.” “First of all, Bigger. Do you trust me?” Bigger grew angry. “You can't help me, Mr. Max,” he said, looking straight into Max’s eyes. “But do you trust me. Bigger?" Max asked again. Bigger looked away. He felt that Max was making it very difificult for him to tell him to leave. “I don’t know, Mr. Max." FATE 321 “Bigger, I know my face is white,” Max said. “And I know that almost every white face you’ve met in your life had it in for you, even when that white face didn’t know it. Every white man considers it his duty to make a black man keep his distance. He doesn’t know why most of the time, but he acts that way. It’s the way things are. Bigger. But I want you to know that you can trust me ” “It ain’t no use, Mr. Max.” “You want me to handle your case?” “You can’t help me none They got me.” Bigger knew that Max was trying to make him feel that he accepted the way he looked at things and it made him as self- conscious as when Jan had taken his hand and shaken it that night in the car. It made him live again in that hard and sharp consciousness of his color and feel the shame and fear that went with it, and at the same time it made him hate himself for feeling it He trusted Max. Was Max not taking upon himself a thing that would make other whites hate him? But he doubted if Max could make him see things in a way that would enable him to go to his death. He doubted that God Himself could give him a picture for that now. As he felt at present, they would have to drag him to the chair, as they had dragged him down the steps the night they captured him. He did not want his feelings tampered with; he feared that he might walk into another trap. If he expressed belief in Max, if he acted on that belief, would it not end just as all other commitments of faith had ended? He wanted to be- lieve; but was afraid He felt that he should have been able to meet Max halfway; but, as always, when a white man talked to him, he was caught out in No Man’s Land. He sat slumped in his chair with his head down and he looked at Max only when Max’s eyes were not watching him. "Here; take a cigarette. Bigger.” Max lit Bigger’s and then lit his own; they smoked awhile. “Bigger, I’m your lawyer. I want to talk to you honestly. What you say is in strictest con- fidence. . . .” Bigger stared at Max. He felt sorry for the white man. He saw that Max was afraid that he would not talk at all. And he had no desire to hurt Max. Max leaned forward determinedly. Well, tell him. Talk. Get it over with and let Max go. “Aw, I don’t care what I say or do now. . . “Oh, yes, you dol" Max said qmckly. 322 NATIVE SON In a fleeting second an impulse to laugh rose up in Bigger, and left Max was anxious to help him and he had to die. “Maybe I do care,” Bigger drawled. “If you don’t care about what you say or do, then why didn’t you re-enact that crime out at the Dalton home today?” “I wouldn’t do nothing for them." “Why?” “They hate black folks,” he said. "Why, Bigger?” “I don’t know, Mr. Max.” “Bigger, don’t you know they hate others, too?” “Who they hate?” “They hate trade unions. They hate folks who try to or- ganize. They hate Jan.” “But they hate black folks more than they hate unions,” Bigger said. “They don’t treat union folks hke they do me.” “Oh, yes, they do. You think that because your color makes it easy for them to point you out, segregate you, exploit you. But they do that to others, too. They hate me because I’m trying to help you. They’re writing me letters, caUmg me a ‘dirty Jew.’ ” “All I know is that they hate me,” Bigger said grimly. “Bigger, the State’s Attorney gave me a copy of your con- fession Now, tell me, did you tell him the truth?” “Yeah There wasn’t nothing else to do.” “Now, tell me this, Bigger. Why did you do it?” Bigger sighed, shrugged Ws shoulders and sucked his lungs full of smoke. “I don’t know,” he said; smoke eddied slowly from his nos- trils. “Did you plan it?” “Naw.” “Did anybody help you?” “Naw.” “Had you been thinking about doing something like that for a long time?” “Naw.” “How did it happen?” “It just happened, Mr. Max.” “Are you sorry?” “What’s the use of being sorry? That won’t help me none.” “You can’t think of any reason why you did it?” FATE 323 Bigger was staring straight before him, his eyes wide and shining. His talking to Max had evoked again in him that urge to talk, to tell, to try to make his feelings known. A wave of excitement flooded him. He felt that he ought to be able to reach out with his bare hands and carve from naked space the concrete, solid reasons why he had murdered. He felt them that strongly. If he could do that, he would relax; he would sit and wait until they told him to walk to the chair; and he would walk. “Mr. Max, I don’t know. I was all mixed up. I was feeling so many things at once.” “Did you rape her, Bigger?” “Naw, Mr. Max. I didn’t. But nobody’ll believe me.” “Had you planned to before Mrs. Dalton came into the room?” Bigger shook his head and rubbed his hands nervously across his eyes. In a sense he had forgotten Max was in the room. He was trymg to feel the texture of his own feelings, trying to tell 'what they meant. “Oh, I don’t know. I was feeling a little that way. Yeah, I reckon 1 was. I was drunk and she was drunk and 1 was feel- ing that way.” “But, did you rape her?” “Naw. But everybody’ll say I did. What’s the use? I’m black. They say black men do that. So it don’t matter if 1 did or if I didn’t.” “How long had you known her?” “A few hours.” “Did you like her?” “Like her?” Bigger’s voice boomed so suddenly from his throat that Max started. Bigger leaped to his feet; his eyes widened and his hands lifted midway to his face, trembUng. “No! No! Bigger. . . .” Max said. "Like her? I hated herl So help me God, I hated herl” he shouted. “Sit down, Biggerl” “I hate her now, even though she’s deadl God knows, I hate her right now. . . .” Max grabbed him and pushed him back into the chair. “Don’t get excited. Bigger. Here; take it easy!” Bigger quieted, but his eyes roved the room. Finally, he 324 NATIVE SON lowered his head and knotted his fingers. His lips were slightly parted. “You say you hated her?" “Yeah; and I ain’t sorry she’s dead.” “But what had she done to you? You say you had just met her.” “I don’t know. She didn’t do nothing to me.” He paused and ran his hand nervously across his forehead. “She ... It was . . . Hell, I don’t know. She asked me a lot of questions. She acted and talked in a way that made me hate her. She made me feel like a dog. I was so mad I wanted to cry. . . .” His voice trailed off m a plaintive whimper. He licked his lips. He was caught in a net of vague, associative memory: he saw an image of his little sister, Vera, sitting on the edge of a chair crying because be had shamed her by “looking” at her; he saw her rise and fling her shoe at him. He shook his head, confused. “Aw, Mr. Max, she wanted me to tell her how Negroes live. She got into the front seat of the car where I was. . - “But, Bigger, you don’t hate people for that. She was being kind to you. . . “Kind, hell! She wasn’t kind to me!” “What do you mean? She accepted you as another human being.” “Mr. Max, we’re all split up. What you say is kind ain’t kind at all, I didn’t know nothmg about that woman. All I knew was that they kill us for women like her. We live apart. And then she comes and acts like that to me.” “Bigger, you should have tried to understand. She was act- ing toward you only as she knew how.” Bigger glared about the small room, searching for an an- swer. He knew that his actions did not seem logical and he gave up trying to explain them logically. He reverted to his feelings as a guide in answering Max. “Well, I acted toward her only as I know how. She was rich. She and her kind own the earth. She and her kind; say black folks are dogs. They don’t let you do nothing but what they want. ...” “But, Bigger, this woman was trying to help you]" “She didn’t act like it.” “How should she have acted?” “Aw, 1 don’t know, Mr. Max. White folks and black folks is FATE 325 strangers. We don’t know what each other is thinking Maybe she was trying to be kind; but she didn’t act like it. To me she looked and acted like all other white folks. . . “But she’s not to be blamed for that, Bigger." “She’s the same color as the rest of ’em,” he said defen- sively. “I don’t understand, Bigger. You say you hated her and yet you say you felt like having her when you were in the room and she was drunk and you were drunk. . . “Yeah,” Bigger said, wagging his head and wiping his mouth with the back of his hand. “Yeah; that’s funny, ain’t it?” He sucked at his cigarette. “Yeah; I reckon it was be- cause I knew I oughtn’t’ve wanted to. I reckon it was because they say we black men do that anyhow. Mr. Max, you know what some white men say we black men do? They say we rape white women when we got the dap and they say we do that because we believe that if we rape white women then we’U get rid of the clap. That’s what some white men say. They believe that. Jesus, Mr. Max, when folks says thmgs like that about you, you whipped before you bom. What’s the use? Yeah; I reckon I was feeling that way when 1 was in the room with her. They say we do things like that and they say it to kill us. They draw a line and say for you to stay on your side of the line. They don’t care if there’s no bread over on your side. They don’t care if you die. And then they say things like that about you and when you try to come from behind your line they kill you. They feel they ought to kill you then. Everybody wants to kill you then. Yeah; I reckon I was feel- ing that way and maybe the reason was because they say it. Maybe that was the reason.” ‘You mean you wanted to defy them? You wanted to show them that you dared, that you didn’t care?” “I don’t know, Mr. Max. But what I got to care about? I knew that some time or other they was going to get me for something I’m black. I don’t have to do nothing for ’em to get me. The first white finger they point at me, I’m a goner, see?” “But, Bigger, when Mrs. Dalton came into that room, why didn't you stop right there and tell her what was wrong? You wouldn’t've been in all this trouble then, . , “Mr. Max, so help me God, I couldn’t do nothing when I turned around and saw that woman coming to that bed. Hon- est to God, I didn’t know what I was doing. , , 326 NATIVE SON “You mean you went blank?’* “Naw, naw ... I knew what I was doing, all nght. But I couldn’t help it. That’s what I mean. It was like another man stepped inside of my skin and started acting for me. . . “Bigger, tell me, did you feel more attraction for Mary than for the women of your own race?” “Naw. But they say that. It ain't true. I hated her then and I hate her now." “But why did you kill Bessie?” "To keep her from talking Mr. Max, after killing that white woman, it wasn’t hard to kill somebody else. I didn’t have to think much about killing Bessie. I knew I had to kill her and I did I had to get away. . . “Did you hate Bessie?” “Naw.” “Did you love her?” “Naw. I was just scared. I wasn’t in love with Bessie. She was just my girl. I don’t reckon I was ever in love with no- body I killed Bessie to save myself. You have to have a girl, so I had Bessie. And I killed her.” “Bigger, tell me, when did you start hating Mary?” “I hated her as soon as she spoke to me, as soon as I saw her. I reckon I hated her before I saw her. . . “But, why?" "I told you. What her kind ever let us do?” “What, exactly, Bigger, did you want to do?” Bigger sighed and sucked at his cigarette. “Nothing, I reckon. Nothing. But I reckon I wanted to do what other people do.” “And because you couldn’t, you hated her?” Again Bigger felt that his actions were not logical, and again he fell back upon his feelings for a guide in answering Max’s questions. “Mr. Max, a guy gets tired of being told what he can do and can’t do. You get a little job here and a little job there. You shine shoes, sweep streets; anything. . , . You don’t make enough to live on. You don’t know when you going to get fired. Pretty soon you get so you can’t hope for nothing. You just keep moving all the time, ooing what other folks say. You ain’t a man no more. You just work day in and day out so the world can roll on and other people can live. You know, Mr. Max, I always think of white folks . . .” FA.TE 327 He paused Max leaned forward and touched him. “Go on, Bigger.’’ “Well, they own everything. They choke you off the face of the earth. They hke God. . . He swallowed, closed his eyes and sighed. “They don’t even let you feel what you 1 want to feel. They after you so hot and hard you can only feel what they domg to you. They kill you before you die.” I “But, Bigger, I asked you what it was that you wanted to do so badly that you had to hate them?” “Nothing. I reckon 1 didn’t want to do nothing.” “But you said that people like Mary and her kind never let you do anything.” “Why should I want to do anything? I ain’t got a chance. I don’t know nothing. I’m just black and they make the laws.” “What would you hke to have been?” Bigger was silent for a long time. Then he laughed with- out sound, without movmg his lips, it was three short ex- pulsions of breath forced upward through his nostrils by the heaving of his chest. “I wanted to be an aviator once. But they wouldn’t let me go to the school where I was suppose’ to learn it. They built a big school and then drew a line around it and said that nobody could go to it but those who lived within the hne. That kept all the colored boys out.” “And what else?” “Well, I wanted to be in the army once.” “Why didn’t you join?” “Hell, it’s a Jim Crow army. All they want a black man for is to dig ditches. And in the navy, all I can do is wash dishes and scrub floors,” “And was there anything else you wanted to do?” “Oh, I don’t know. What’s the use now? I’m through, washed up They got me I’ll die.” ‘Tell me the things you thought you’d have liked to do?” “I’d like to be in business. But what chance has a black guy got in business? We ain’t got no money. We don’t own no mines, no railroads, no nothing. They don’t want us to. They make us stay in one Uttle spot. . . “And you didn’t want to stay there’^” Bigger glanced up; his lips tightened. There was a feverish pride in his bloodshot eyes. “I didn’t," he said. 328 NATIVE SON Max Stared and sighed. “Look, Bigger. You’ve told me the things you could not do. But you did something. You committed these crimes. You killed two women. What on earth did you think you could get out of it?” Bigger rose and rammed his hands into his pockets. He leaned against the wall, looking vacantly. Again he forgot that Max was in the room. “I don't know. Maybe this sounds crazy. Maybe they going to bum me in the electnc chair for feeling this way. But I ain’t worried none about them women I killed. For a little while I was free. I was doing something. It was wrong, but I was feeling all right. Maybe God’ll get me for it. If He do, all right. But I ain’t worried I killed ’em ’cause I was scared and mad. But I been scared and mad all my life and after I killed that first woman, 1 wasn’t scared no more for a little while.” “What were you afraid of?” “Everything,” he breathed and buried his face in his hands. “Did you ever hope for anything, Bigger?” “What for? I couldn't get it. I’m black,” he mumbled. “Didn’t you ever want to be happy?” “Yeah; I guess so,” he said, straightening. “How did you think you could be happy?” “I don’t know, I wanted to do things. But everything I wanted to do I couldn’t. I wanted to do what the white boys in school did. Some of ’em went to college. Some of ’em went to the army. But I couldn’t go.” “But still, you wanted to be happy?” “Yeah; sure. Everybody wants to be happy, I reckon.” “Did you think you ever would be?” “I don’t know. I Just went to bed at night and got up in the morning. I just lived from day to day. 1 thought maybe I would be.” “How?" “1 don’t know,” he said in a voice that was almost a moan. “What did you think happiness would be like?” "I don’t know. It wouldn’t be like this.” “You ought to have some idea of what you wanted, Bigger.” FATE 329 “Well, Mr. Max, if 1 was happy I wouldn’t always be wanting to do something I know I couldn’t do.” “And why did you always want to?” “I couldn’t help it. Everybody feels that way, I reckon. And I did, too. Maybe I would’ve been all right if I could’ve done something I wanted to do. I wouldn’t be scared then. Or mad, maybe. I wouldn’t be always hating folks; and maybe I’d feel at home, sort of." “Did you ever go to the South Side Boys’ Club, the place where Mr. Dalton sent those ping-pong tables?” “Yeah; but what the hell can a guy do with ping-pong?” “Do you feel that that club kept you out of trouble?” Bigger cocked his head. “Kept me out of trouble?” he repeated Max’s words. “Naw, that’s where we planned most of our jobs.” “Did you ever go to church. Bigger?” “Yeah; when I was httle. But that was a long time ago." “Your folks were religious?” “Yeah; they went to church all the time.” “Why did you stop going?” “I didn’t like it. There was nothing in it. Aw, aU they did was sing and shout and pray all the time. And it didn’t get ’em nothing. All the colored folks do that, but it don’t get ’em nothing. The white folks got everything.” “Did you ever feel happy in church?” “Naw. I didn’t want to. Nobody but poor folks get happy in church.” “But you are poor. Bigger.” Again Bigger’s eyes lit with a bitter and feverish pride. "I ain’t that poor,” he said, “But Bigger, you said that if you were where people did not hate you and you did not hate them, you could be happy. Nobody hated you in church. Couldn’t you feel at home there?" “I wanted to be happy in this world, not out of it. I didn’t want that kmd of happiness. The white folks like for us to be rehgious, then they can do what they want to with us.” “A little while ago you spoke of God ‘getting yop’ for killing those women. Does that mean you believe in Him?” “I don’t know.” “Aren’t you afraid of what’ll happen to you after you die?” “Naw. But I don’t want to die.” 330 native son “Didn’t you know that the penalty for killing that white woman would be death?” "Yeah; 1 knew it. But I felt like she was killing me, so I didn’t care.” “If you could be happy in religion now, would you want to be?” “Naw. I’ll be dead soon enough. If I was religious, I’d be dead now.” “But the church promises eternal life?” “That’s for whipped folks.” “You don’t feel like you’ve had a chance, do you?” “Naw; but I ain’t asking nobody to be sorry for me. Naw; I ain’t asking that at all. I’m black. They don’t give black people a chance, so I took a chance and lost. But I don’t care none now. They got me and it’s all over.” “Do you feel. Bigger, that somehow, somewhere, or some- time or other you’ll have a chance to make up for what you didn’t get here on earth?” “Hell, naw! When they strap me in that chair and turn on the heat, I’m through, for always.” “Bigger, I want to ask you something about your race. Do you love your people?” “I don’t know, Mr. Max. We all black and the white folks treat us the same.” “But Bigger, your race is doing things for you. There are Negroes leading your people.” "Yeah; 1 know. 1 heard about ’em. They all right, I guess.” “Don’t you know any of ’em?” “Naw,” “Bigger, are there many Negro boys like you?” “I reckon so. All of ’em I know am’t got nothing and ain’t going nowhere.” “Why didn’t you go to some of the leaders of your race and tell them how you and other boys felt?” “Aw, hell, Mr. Max. They wouldn’t listen to me. They rich, even though the white folks treat them almost like they do me. They almost like white people, when it comes to guys like me. They say guys like me make it hard for them to get along with white folks.” "Did you ever hear any of your leaders make speeches?” “Yeah, sure. At election time.” “What did you think of them?” FATE 331 “Aw, I don’t know. They all the same. They wanted to get elected to office They wanted money, like everybody else. Mr. Max, it’s a game and they play it.” “Why didn’t you play it?” “Hell, what do I know? I ain't got nothing. Nobody’ll pay any attention to me. I’m just a black guy with nothing. I just went to grammar school. And politics is full of big shots, guys from colleges.” “Didn’t you trust them?” “I don’t reckon they wanted anybody to tmst ’em. They wanted to get elected to office. They paid you to vote.” “Did you ever vote?” “Yeah; I voted twice. I wasn’t old enough, so I put my age up so I could vote and get the five dollars.” “You didn’t mind selling your vote?” “Naw; why should I?” “You didn’t think politics could get you anything?” “It got me five dollars on election day.” “Bigger, did any white people ever talk to you about labor unions?” “Naw; nobody but Jan and Mary. But she oughtn’t done it. . . . But 1 couldn’t help what I did. And Jan. I reckon I did him wrong by signing ‘Red’ to that ransom note.” “Do you believe he’s your friend now?” “Well, he ain’t against me. He didn’t turn against me today when they was questioning him. I don’t think he hates me like the others. 1 suppose he’s kind of hurt about Miss Daltoa, though.” “Bigger, did you think you’d ever come to this?” “Well, to tell the truth, Mr. Max, it seems sort of natural- like, me being here facing that death chair. Now I come to think of it, it seems like something like this just had to be.” They were silent, Max stood up and sighed. Bigger watched to see what Max was thinkin g, but Max’s face was white and blank. “Well, Bigger,” Max said. “We’ll enter a plea of not guilty at the arraignment tomorrow. But when the trial comes up we’ll change it to a plea of guilty and ask for mercy. They’re rushing the trial; it may be held in two or three days. I’ll tell the judge all I can of how you feel and why. I’ll try to get him to make it life in prison. 'That’s all I can see under the circumstances. I don’t have to teU you how they feel 332 NATIVE SON toward you, Bigger. You’re a Negro; you know. Don’t hope for too much. There’s an ocean of hot hate out there against you and I’m going to try to sweep some of it back. They want your life; they want revenge. They felt they had you fenced oflE so that you could not do what you did. Now they’re mad because deep down in them they believe that they made you do it. When people feel that way, you can’t reason with ’em. Then, too, a lot depends upon what judge we have. Any twelve white men in this state will have already condemned you; we can’t trust a jury. Well, Bigger, I’ll do the best I can.” They were silent. Max gave him another cigarette and took one for himself. Bigger watched Max’s head of white hair, his long face, the deep-gray, soft, sad eyes. He felt that Max was kind, and he felt sorry for him. “Mr. Max, if I was you I wouldn’t worry none. If all folks was like you, then maybe I wouldn’t be here But you can’t help that now. They going to hate you for trying to help me. I'm gone. They got me.” “Oh, they’ll hate me, yes,” said Max. “But I can take it. That’s the difference. I’m a Jew and they hate me, but I know why and I can fight. But sometunes you can’t win no matter how you fight; that is, you can’t win if you haven’t got time. And they’re pressing us now. But you need not worry about their hatmg me for defending you. The fear of hate keeps many whites from trying to help you and your kind. Before I can fight your battle. I’ve got to fight a battle with them.” Max snuffed out his cigarette. “I got to go now,” Max said. He turned and faced Bigger. “Bigger, how do you feel?” “I don’t know, I’m just setting here waiting for ’em to come and tell me to walk to that chair. And I don’t know if I’ll be able to walk or not.” Max averted his face and opened the door. A guard came and caught Bigger by the wrist. “I’ll see you in the morm’ng. Bigger,” Max called. Back m his cell. Bigger stood in the middle of the floor, not moving. He was not stoop-shouldered now, nor were his muscles taut. He breathed softly, wondering about the cool breath of peace that hovered in his body It was as though he were trying to listen to the beat of his own heart. All round him was darkness and there were no sounds. He FATE 333 could not remember when he had felt as relaxed as this before He had not thought of it or felt it while Max was speaking to him; it was not until after Max had gone that be discovered that he had spoken to Max as he had never spoken to anyone in his life; not even to himself. And his talking had eased from his shoulders a heavy burden. Then he was suddenly and violently angry. Max had tricked himi But no. Max had not compelled him to talk; he had talked of his own accord, prodded by excitement, by a curiosity about his own feelings Max had only sat and listened, had only asked questions. His anger passed and fear took its place. If he Wert as confused as this when his time came, they really would have to drag him to the chair. He had to make a, decision; in order to walk to that chair he had to J weave his feelings into a hard shield of either hope or hate, i To fall between them would mean living and dying in a fog | of tear. was balanced on a hairline now, but there was no one to push him forward or backward, no one to make him.Jeel that he had any value or worth — no one but himseJj^He brushed his hands across bis eyes, hoping to untangle the sensations fluttering in his body. He lived in a thin, hard . core of consciousness; he felt time slipping by; the darkness j round him lived, breathed. And he was in the midst of it, wanting again to let his body taste of that short respite of rest he had felt after talking with Max. He sat down on the cot, he had to grasp this thing. Why had Max asked him all those questions? He knew that Max was seeking facts to tell the judge; but in Max’s asking of those questions he had felt a recognition of his life, of his feelings, of his person that he had never encountered before. What was this? Had he done wrong? Had he let himself in for another betrayal? He felt as though he had been caught off his guard. But this, this — confidence? He had no right to be proud; yet he had spoken to Max as a man who had something. He had told Max that he did not want religion, that he had not stayed m his place. He had no right to feel that, no right to forget that he was to die, that he was black, a murderer; he had no right to forget that, not even for a second. Yet he had. He wondered if it were possible that after all everybody in the world felt alike? Did those who hated turn have in 334 NATIVE SON them the same thing Max had seen in him, the thing that had made Max ask him those questions? And what mo ive could Max have in helping? Why would Max risk that white tide of hate to help him? For the first time in his life he had gained a pinnacle of feeling upon which he could stand and I see vague relations that he had never dreamed of If that 1 white looming mountain of hate were not a mountain at all, but people, people like himself, and like Jan — then he was faced with a high hope the like of which he had never thought could be, and a despiair the full depths of which he knew he could not stand to feel. A strong counter-emotion waxed in him, urging him, warmng him to leave this newly seen and newly felt thmg alone, that it would lead him to but another blind alley, to deeper hate and shame. Yet he saw and felt but one life, and that one life was more than a sleep, a dream; life was all life had. He knew that he would not wake up some time later, alter death, and sigh at how simple and foolish his dream had been The life he saw was short and his sense of it goaded him. He was seized with a nervous eagerness. He stood up in the middle of the cell floor and tried to see himself in relation to other men, a thmg he had always feared to try to do, so deeply stained was his own mind with the hate of others for him With this new sense of the value of himself gained from Max’s talk, a sense fleeting and obscure, he tried to feel that if Max had been able to see the man in him beneath those wild and cruel acts of his, acts of fear and hate and murder and flight and despair, then he too would hate, if he were they, just as now he was hating them and they were hating him. For the first time in his life he felt ground beneath his feet, and he wanted it to stay there. He was tired, sleepy, and feverish; but he did not want to lie down with this war raging in him. Blind impulses welled up in his body, and his intelligence sought to make them plain to his understanding by supplying images that would explain them. Why was all this hate and fear? Standing tremblmg in his cell, he saw a dark vast fluid image rise and float; he saw a black sprawling prison full of tiny black cells in which people lived; each cell had its stone jar of water and a crust of bread and no one could go from cell to cell and there were screams and curses and yells of suffering and nobody heard them, for the walls were thick and dark- FATE 335 ness was everywhere. Why were there so many cells in the world? But was this true? He wanted to believe, but was afraid Dare he flatter himself that much? Would he be struck dead if he made himself the equal of others, even in fancy? He was too weak to stand any longer. He sat again on the edge of the cot How could he find out if this feeling of his was true, if others had it? How could one find out about life when one was about to die? Slowly he lifted his hands in the darkness and held them in mid-air, the fingers spread weakly open. If he reached out with his hands, and if his hands were electric wires, and if his heart were a battery giv- ing life and fire to those hands, and if he reached out with his hands and touched other people, reached out through these stone walls and felt other hands connected with other hearts — if he did that, would there be a reply, a shock? Not that he wanted those hearts to turn their warmth to him; he was not wanting that much. But just to know that they were there and warm! Just that, and no more; and it would have been enough, more than enough. And in that touch, response of recognition, there would be union, iden- tity, there would be a supporting oneness, a wholeness which had been ilenied him all his life. Another impulse rose in him, bom of desperate need, and his mind clothed it in an image of a strong blinding sun sending hot rays down anc/he was standing in the midst of a vast crowd of men, white men and black men and all men, and the sun's rays melted away the many differences, the colors, the clothes, and drew what was common and good upward toward the sun. \ . He stretched out ftfll length upon the cot and groaned. Was he foolish in feeling this? Was it fear and weakness that made this desire come to him now that death was near? How could a notion that went so deep and caught up so much of him in one swoop of emotion be wrong? Could he trust bare, naked feeling this way.' But he had; all his life he had hated on the basis of bare sensation. Why should he not accept this? Had he killed Mary and Bessie and brought sorrow to his mother and brother and sister and put himself in the shadow of the electric chair only to find out this? Had he been blind all along? But there was no way to tell now. It was too late. ... ^ He would not mind dying now if he could only find out NATIVE SON 336 what this meant, what he was in relation to all the others that lived, and the earth upon which he stood. Was there some battle everybody was fighting, and he had missed it? And if he had missed it, were not the whites to blame for it? Were they not the ones to hate even now? Maybe. But he was not interested in hating them now. He had to die. It was more important to him to find out what this new tmgling, this new elation, this new excitement meant. He felt he wanted to live now — not escape paying for his crime — but live in order to find out, to see if it were true, and to feel it more deeply; and, if he had to die, to die within it. He felt that he would have lost all if he had to die without fully feeling it, without knowing for certain. But there was no way now. It was too late. . . . He hfted his hands to his face and touched his trembling lips. Naw. . . . Naw. ... He ran to the door and caught the cold steel bars in his hot hands and gripped them tightly, holding himself erect. His face rested against the bars and he felt tears roU down his cheeks. His wet lips tasted salt. He sank to his knees and sobbed: “I don’t want to die, ... I don!t want to cUe. . . Having been bound over to the grand jury and indicted by it, having been arraigned and hailing pled not guilty to the charge of murder and been ordei^d' to trial — all in less than a week. Bigger lay one sunless grSy morning on his cot, staring vacantly at the black steel bars of the Cook County Jail. Within an hour he would be taken to court where they would tell him if he was to live or die, and when. And with but a few minutes between him and the beginning of judg- ment, the obscure longing to possess the thing which Max had dimly evoked in him was still a motive. He felt he had to have it now. How could he face that court of white men without something to sustain him? Since that mght when he had stood alone in his cell, feeling the high magic which Max’s talk had given him, he was more than ever naked to the hot blasts of hate. There were moments when he wished bitterly that he had not felt those possibilities, when he wished Aat he could go again behind his curtain. But that was impossible. He had FATE 337 been lured into the open, and trapped, twice trapped; trapped by being in jail for murder, and again trapped by being stripped of emotional resources to go to his death. In an effort to recapture that high moment, he had tried to talk with Max, but Max was preoccupied, busy preparing his plea to the court to save his life. But Bigger wanted to save his own life. Vet he knew that the moment he tried to put his feelings into words, his tongue would not move. Many times, when alone after Max had left him.(he won- dered wistfully if there was not a set of words whicfi he had in commor^ '''ith_ others^ words which would evoke in others a ^ense of the same fire that smoldered in him ^ ~ He looked out upon the world and the people about him with a double vision: one vision pictured death, an image of him, alone, sitting strapped in the electric chair and waiting for the hot current to leap through his body; and the other vision pictured life, an image of himself standing amid throngs of men, lost in the welter ol their lives with the hope of emerging again, different, pnatraid But so far only the certainty of death was his; only the unabating hate of the white faces could be seen; only the same dark cell, the long lonely hours, only the cold bars remained. Had his will to believe in a new picture of the world made him act a fool and thoughtlessly pile horror upon horror? Was not his old hate a better delense than this agonized uncertainty? Was not an impo.ssible hope betraying him to this end? On how many fronts could a man fight at once? Could he fight a battle within as well as without’ Yet he felt that he could not fight the battle tor his life without first winning the one raging within him. His mother and Vera and Buddy had come to visit him and again he had lied to them, telling them that be was praying, that he was at peace with the world and men But that lie had only made him feel more shame for himself and more hate for them, it had hurt because he really yearned for that certainty ot which his mother spoke and prayed, but he could not get n on the terms on which he felt he had to have it. After they had left, he told Max not to let them come again. A few moments before the trial, a guard came to his cell and left a paper. “Your lawyer sent this,” be said and left. 338 NATIVE SON He unfolded the Tribune and his eyes caught a headline; TROOPS GUARD NEGRO KILLER’S TRIAL. Troops? He bent forward and read; PROTECT RAPIST FROM MOB ACTION. He went down the column: Fearing outbreaks of mob violence. Gov. H. M. O’Dorsey ordered out two regiments of the Illinois National Guard to keep public peace during the trial of Bigger Thomas, Negro rapist and killer, it was announced from Springfield, the capital, this morning. His eyes caught phrases: “sentiment against killer still rising,” “public opinion demands death penalty,” “fear up- rising in Negro sector," and “city tense.” Bigger sighed and stared into space. His lips hung open and he shook his head slowly. Was he not foolish in even listening when Max talked of saving his life? Was he not heightening the horror of his own end by strainipg after a flickering hope? Had not this voice of hatej been sounding long before he was bom; and would it not still sound long after he was dead? He read again, catching phrases: "the black killer b fully aware that he b in danger of going to the electric chair,” “spends most of hb time reading newspaper accounte of his Clime and eating luxurious meab sent to him by Communbt friends,” “killer not sociable or talkative,” “Mayor lauds police for bravery,” and “a vast mass of evidence assembled agamst kdler.” Then: In relation to the Negro’s mental condition, Dr. Calvin H. Robinson, a psychiatric attach6 of the pohce department, de- clared; “There b no question but that Thomas b more alert mentally and more cagy than we suspect Hb attempt to blame the Communists for the murder and kidnap note and his staunch denial of having raped the white girl in^cate that he may be hiding many other crimes.” Professional jisychologists at the University of Chicago point- ed out this morning that white women have an unusual fascina- tion for Negro men. “They think,” said one of the professors who requested that his name not be mentioned in connecUon with the case, “that white women are more attractive than the women of their own race. They just can’t help themselves.” It was said that Boris A. Max, the Negro’s commumstic law- FATE 339 yer, will enter a plea of not guilty and try to free his client through a long drawn-out jury trid. Bigger dropped the paper, stretched out upon the cot and closed his eyes. It was the same thing over and over agam. What was the use of readmg it? “Bigger!” Max was standing outside of the cell. The guard opened the door and Max walked in. “Well, Bigger, how do you feel?" “All right, I reckon,” he mumbled. “We’re on our way to court.” Bigger rose and looked vacantly round the celL “Are you ready?” “Yeah,” Bigger sighed. “I reckon I am.” “Listen, son. Don’t be nervous. Just take it easy.” “Will I be setting near you?” “Sure Right at the same table. I’ll be there throughout the entire trial. So don’t be scared ” A guard led him outside the door. The corridor was lined with policemen. It was silent. He was placed between two policemen and his wrists were shackled to theirs Black and white faces peered at him from behind steel bars He walked stiffly between the two policemen; ahead of him walked six more, and he heard many more walking in back. They led him to an elevator that took him to an underground passage. They walked through a long stretch of narrow tunnel; the sound of their feet echoed loudly m the stillness. They reached another elevator and rode up and walked along a hallway crowded with excited people and policemen. They passed a window and Bigger caught a quick glimpse of a vast crowd of people standing behind closely formed lines of khaki-clad troops. Yes, those were the troops and the mob the paper had spoken of. He was taken into a room. Max led the way to a table. After the handcuffs were unlocked, Bigger sat, flanked by policemen Softly, Max laid his right hand upon Bigger's knee. “We’ve got just a few minutes,” Max said. “Yeah,” Bigger mumbled. His eyes were half-closed; his head leaned slightly to one side and his eyes looked beyond Max at some point in space. "Here,” Max said. “Straighten your tie.” native son Bigger tugged listlessly at the knot. “Now, maybe you’ll have to say something just once, ec. . . “You mean in the courtroom?” “Yes; but I’U . . Bigger’s eyes widened with fear. “Naw!" “Now, listen, son. . . “But I don’t want to say nothing.” “I’m trying to save your life. . . Bigger’s nerves gave way and he spoke hysterically: “They going to kill nael You know they going to kill me. . . .” “But you’ll have to, Bigger. Now, listen. . . .” “Can’t you fix it so 1 won’t have to say nothing?” “It’s only a word or two. When the judge asks how you want to plead, say guilty.” “Will I have to stand up?” “Yes.” “I don’t want to.” “Don’t you realize I’m trying to save your life? Help me just this little bit. , . “I reckon I don’t care. I reckon you can’t save it.” “You mustn’t feel that way. . . .” “I can’t help it.’’ “Here’s another thing. The court’ll be full, see? Just go in and sit down. You’ll be right by me. And let the judge see that you notice what’s going on.” “I hope Ma won’t be there." “I asked her to come. I want the judge to see her,” Max said. "She’ll feel bad.” “All of this is for you, Bigger.” “I reckon I ain’t worth it.” “Well, this thing’s bigger than you, son. In a certain sense, every Negro in America’s on trial out there today.” “They going to kill me anyhow." “Not if we fight. Not if I tell them how you’ve had to live.” A policeman walked over to Max, tapped him lightly on the shoulder, and said, ‘The judge’s waiting.” FATE 341 “AH right,” Max said. “Come on, Bigger. Let’s go. Keep your chin up.” They stood and were surrounded by policemen. Bigger walked beside Max down a hallway and then through a door. He saw a huge room crowded with men and women. Then he saw a small knot of black faces, over to one side of the room, behind a railing. A deep buzzing of voices came to him. Two policemen pushed the people to one side, makmg a path for Max and Bigger. Bigger moved forward slowly, feeling Max’s hand tugging at the sleeve of his coat. They reached the front of the room. “Sit down,” Max whispered. As Bigger sat the hghtning of silver bulbs flashed in his eyes; they were takmg more pictures of him He was so tense in mind and body that his lips trembled. He did not know what to do with his hands; he wanted to put them into his coat pockets; but that would take too much effort and would attract attention. He kept them lying on his knees, palms up. There was a long and painful wait The voices behind him still buzzed Pale yeUow sunshine feU through high windows and slashed the air, He looked about. Yes; there were his mother and brother and sister; they were staring at him. There were many of his old school mates. There was his teacher, two of them. And there were G.H. and Jack and Gus and Doc. Bigger lowered his eyes. These were the people to whom he had once boasted, acted tough; people whom he had once defied. Now they were watching him as he sat here. They would feel that they were nght and he was wrong. The old, hot choking sensation came back to his stomach and throat. Why could they not just shoot him and get it over with? They were going to kill him anyhow, so why make him go through with this? He was startled by the sound of a deep, hollow voice booming and a banging on a wooden table. “Everybody nse, please. . . Everybody stood up. Bigger felt Max’s hand touching his arm and he rose and stood with Max. A man, draped in long black robes and with a dead-white face, came through a rear door and sat behmd a high pulpit-like railing. That’s the judge, Bigger thought, easing back into his seat. “Hear ye, heai' ye. . . Bigger heard the hollow voice 342 NATIVE SON booming again. He caught snatches of phrases: “ . . . this Honorable Branch of the Cook County Criminal Court . , . now in session . . . pursuant to adjournment ... the Hon- orable Chief Justice Alvin C. Hanley, presiding . . Bigger saw the judge look toward Buckley and then to- ward him and Max. Buckley rose and went to the foot of the railing; Max also rose and went forward. They talked a mo- ment to the judge in low voices and then each went back to his seat. A man sitting just below the judge rose and began reading a long paper in a voice so thick and low that Bigger could only hear some of the words. “. . . indictment number 666-983 . , . the People of the State of Illinois vs. Bigger Thomas . . . The Grand Jurors chosen, selected and sworn in and for the said County of Cook, present that Bigger Thomas did rape and inflict sexual mjury upon the body . . . strangulation by hand . . . smother to death and dispose of body by burning same in furnace . , . did with knife and hatchet sever head from body . . . said acts committed upon one Mary Dalton, and contrary to the form of the statute in such case made and provided, against the peace and dignity of the People of the State of Illinots. . . The man pronounced Bigger’s name over and over again, and Bigger felt that he was caught up in a vast but delicate machine whose wheels would whir no matter what was pitted against them. Over and over the man said that he had killed Mary and Bessie; that he had beheaded Mary; that he had battered Bessie with a brick; that he had raped both Mary and Bessie; that he had shoved Mary in the furnace; that he had thrown Bessie down the air-shaft and left her to freeze to death; and that he had stayed on in the Dalton home when Mary’s body was burning and had sent a kidnap note. When the man finished, a gasp of astonishment came from the court- room and Bigger saw faces turning and looking in his di- rection. The judge rapped for order and asked. “Is the defendant ready to enter a plea to this indict- ment?” Max rose. “Yes, Your Honor. The defendant. Bigger Thomas, pleads guilty.” Immediately Bigger heard a loud commotion. He turned his head and saw several men pushing through the crowd toward the door. He knew that they were newspapermen. FATE 343 The judge rapped again for order. Max tried to continue speaking, but the judge stopped him. “Just a minute, Mr. Max. We must have orderl” The room grew quiet. "Your Honor,” Max said, “after long and honest delibera- tion, I have detemrined to make a motion m this court to withdraw our plea of not guilty and enter a plea of guilty. “The laws of this state allow the offering of evidence in mitigation of punishment, and I shall request, at such time as the Court deems best, that 1 be given the opportunity to offer evidence as to the mental and emotional attitude of this hoy, to show the degree of responsibility he had in these crimes. Also, I want to offer evidence as to the youth of this boy. Further, I want to prevail upon this Court to con- sider this boy’s plea of guilty as evidence mitigating his punishment . . .” “Your Honorl” Buckley shouted. “Allow me to fimsh,” Max said. Buckley came to the front of the room, his face red “You cannot plead that boy both guilty and insane,” Buck- ley said. “If you claim Bigger Thomas is insane, the State wiU demand a jury trial. . . .” “Your Honor,” Max said, “I do not claim that this boy is legally msane. I shall endeavor to show, through the dis- cussion of evidence, the mental and emotional attitude of this boy and the degree of responsibihty he had m these crimes.” “That’s a defense of insanity!” Buckley shouted. “I’m making no such defense,” Max said. “A man is either sane or msane,” Buckley said. “There are degrees of insamty,” Max said. “The laws of this state permit the hearing of evidence to ascertain the degree of responsibihty. And, also, the law permits the offer- ing of evidence toward the mitigation of punishment.” “The State will submit witnesses and evidence to establish the legal sanity of the defendant,” Buckley said. There was a long argument which Bigger did not under- stand. The judge called both lawyers forward to the railing and they talked for over an hour. Finally, they went back to their seats and the judge looked toward Bigger and said, “Bigger Thomas, will you nse?” His body flushed hot. As he had felt when he stood over the NATIVE SON 344 bed with the white blur floating toward him; as he had felt when he had sat in the car between Jan and Mary, as he had felt when he had seen Gus coming through the door of Doc’s poolroom — so he felt now constricted, taut, in the grip of a powerful, impelling fear. At that moment it seemed that any action undei heaven would have been preferable to standing. He wanted to leap from his chair and swing some heavy weapon and end this unequal fight. Max caught his arm. “Stand up. Bigger.’’ He rose, holding on to the edge of the table, his knees trembling so that he thought that they would buckle under him. The judge looked at him a long time before speaking. Be- hind him Bigger heard the room buzzing with the sound of voices. The judge rapped for order. “How far did you get in school?” the judge asked. “Eighth grade,” Bigger whispered, surprised at the question. “If your plea is guilty, and the plea is entered in this case,” the judge said and paused, “the Court may sentence you to death,” the judge said and paused again, “or the Court may sentence you to the pemtentiary for the term of your natural life,” the judge said and paused yet again, “or the Court may sentence you to the pemtentiary for a term of not less than fourteen years. "Now, do you understand what I have said?” Bigger looked at Max; Max nodded to him. “Speak up,” the judge said. “If you do not understand what I have said, then say so.” “Y-y-yessuh; I understand,” he whispered. “Then, realizing the consequences of your plea, do you still plead guilty?” “Y-y-yessuh,” he whispered again; feeling that it was all a wild and intense dream that must end soon, somehow. “That's all. You may at down,” the judge said. He sat. “Is the State prepared to present its evidence and wit- nesses?” the judge asked. “We are. Your Honor,” said Buckley, rising and half- facing the judge and the crowd. “Your Honor, my statement at this time will be very brief, There is no need for me to picture to this Court the horrible details of these dastardly crimes. The array of witnesses foi the State, the confession made and signed by the defendant FATE 345 himself, and the concrete evidence will reveal the unnatural aspect of this vile offense agamst God and man more elo- quently than I could ever dare. In more than one respect, I am thankful that this is the case, for some of the facts of this evil crime are so fantastic and unbelievable, so utterly beast-like and foreign to our whole concept of life, that I feel mcapable of communicating them to this Court. “Never in my long career as an officer of the people have I been placed in a position where I’ve felt more unalterably certain of my duty. There is no room here for evasive, the- oretical, or fanciful interpretations of the law.” Buckley paused, surveyed the courtroom, then stepped to the table and lifted from it the knife with which Bigger had severed Mary’s head from her body. “This case is as clean-cut as this mur- derer’s knife, the knife that dismembered an innocent girlt” Buckley shouted. He paused again and lifted from the table the brick with which Bigger had battered Bessie m the abandoned building. “Your Honor, this case is as sohd as this brick, the brick that battered a poor girl’s brains out!” Buckley again looked at the crowd m the court room. “It is not often,” Buckley continued, “that a representative of the people finds the masses of the citizens who elected him to office standing literally at his back, waiting for him to enforce the law. , . .” The room was quiet as a tomb. Buckley strode to the window and with one motion of his hand hoisted it up. The rumbling mutter of the vast mob swept m. The courtroom stirred “Kill ’im now!” “Lynch ’iml” The judge rapped for order “If this is not stopped. I’ll order the room cleared!” the judge said. Max was on his feet. “I object!” Max said. “This is highly irregular In effect, it is an attempt to intimidate this Court.” “Objection sustained,” the judge said “Proceed in a fashion more in keeping with the dignity of your office and this Court, Mr. State’s Attorney.” “I’m very sorry. Your Honor,” Buckley said, going toward the railing and wiping his face with a handkerchief. “I was laboring under too much emotion. I merely wanted to impress the Court with the urgency of this situation. . . .” 346 NATIVE SON “The Court is waiting to hear you plea,” the judge said. “Yes; of course. Your Honor," Buckley said. “Now, what are the issues here? The indictment fully states the crime to which the defendant has entered a plea of guilty. The counsel for the defense claims, and would have this Court believe, that the mere act oi entering a plea of guilty to this indictment should be accepted as evidence mitigating punishment “Speaking for the grief-stricken families of Mary Dalton and Bessie Mears, and for the People of the State of Illinois, thousands of whom are massed out beyond that window waiting for the law to take its course, I say that no such quib- bling, no such trickery shall pervert this Court and cheat the law! “A man commits two of the most horrible murders in the history of American civilization; he confesses; and his counsel would have us believe that because he pleads guilty after dodging the law, after attempting to murder the officers of the law, that his plea should be looked upon as evidence mitigating his punishmenti “I say. Your Honor, this is an insult to the Court and to the intelligent people of this statel If such crimes admit of such defense, if this fiend’s life is spared because of such a defense, I shall resign my office and tell those people out there in the streets that I can no longer protect their lives and property] I shall tell them that our courts, swamped with mawkish sentimentality, are no longer fit instruments to safe- guard the public peacel I shall tell them that we have aban- doned the fight for civilizationl “After entering such a plea, the counsel for the defense indicates that he shall ask this Court to believe that the mental and emotional life of the defendant are such that he does not bear full responsibility for these cowardly rapes and murders. He asks this Court to imagine a legendary No Man’s Land of human thought and feeling. He tells us that a man is sane enough to c ommit a crime, but is not sane enough to be tried for itl Nev« in my life have I heard such sheer legal cynicism, such a cold-blooded and calculated attempt to bedevil and evade the law in my lifcl I say that this shall nat bet “The State shall insist that this man be tried by jury, if the defense continues to say that be is insane. If his plea is FATE 347 simply guilty, then the State demands the death penalty for these black crimes. “At such time as the Court may indicate, I shall offer evidence and put witnesses upon the stand to testify that this defendant is sane and is responsible for these bloody crimes. ...” “Your Honor!” Max called. "You shall have time to plead for your clienti” Buckley shouted. “Let me finish!” “Do you have an objection?” the judge asked, turning to Max. “I do!” Max said. “I hesitate to interrupt the State’s At- torney, but the impression he is trying to make is that I claim that this boy is insane. That is not true. Your Honor, let me state once again that this poor boy. Bigger, enters a plea of guilty ...” “I object!” Buckley shouted. “I object to the counsel for the defendant speaking of this defendant before this Court by any name other than that written in the indictment. Such names as ‘Bigger’ and ‘this poor boy’ are used to arouse sympathy. . . “Sustained,” the judge said. “In the future, the defendant should be designated by the name under which the indictment was drawn Mr. Max, I think you should allow the State’s Attorney to continue.” “There’s nothing further I have to say, Your Honor,” Buck- ley said. “If It pleases the Court, I am ready to call my witnesses.” “How many witnesses have you?” Max asked. “Sixty,” Buckley said. “Your Honor,” Max said. “Bigger Thomas has entered a plea of guilty. It seems to me that sixty witnesses are not needed.” “I intend to prove that this defendant is sane, that he was and is responsible for these fnghtful crimes,” Buckley said. “The Court will hear them,” the judge said. “Your Honor,” Max said. “Let me clear this thing up. As you know, the time granted me to prepare a defense for Bigger Thomas is pitifully brief, so brief as to be without example. This hearing was rushed to the top of the calendar so that this boy might be tried while the temper of the people is white-hot. “A change of venue is of no value now. The same condition NATIVE SON 348 of hysteria exists all over this state. These circumstances have placed me in a position of not doing what I think wisest, but of doing what I must. If anybody but a Negro boy were charged with murder, the State’s Attorney would not have rushed this case to trial and demanded the death penalty. “The State has sought to create the impression that I am going to say that this boy is insane. That is not true I shall put no witnesses upon the stand. / shall witness for Bigger Thomas. I shall present argument to show that his extreme youth, his mental and emotional life, and the reason why he has pleaded guilty, should and must mitigate his punishment. “The State’s Attorney has sought to create the belief that I’m trying to spnng some surprise upon this Court by having my client enter a plea of guilty; he has sought to foster the notion that some legal trick is involved m the offering of evidence to mitigate this boy’s punishment. But we have had many, many such cases to come before the courts of Illinois. The Loeb and Leopold case, for example. This is a regular procedure provided for by the enlightened and progressive laws of our state. Shall we deny this boy, because he is poor and black, the same protection, the same chance to be heard and understood that we have so readily granted to others? “Your Honor, I am not a coward, but I could not ask that this boy be freed and given a chance at life while that mob howls beyond that window. I ask what I must. I ask, over the shrill cries of the mob, that you spare his lifel “The law of Illinois, regarding a plea of guilty to mtirder before a court, is as follows: the Court may impose the death penalty, imprison the defendant for life, or for a term of not less than fourteen years. Under this law the Court is able to hear evidence as to the aggravation or mitigation of the of- fense. The object of this law is to caution the Court to seek to find out why a man killed and to allow that why to be' the measure of the mitigation of the punishment. “I noticed that the State’s Attorney did not dwell upon why Bigger Thomas killed those two women. There is a mob wait-; ing, he says, so let us kill. His only plea is that if we do not kill, then the mob will kill. “He did not discuss the motive for Bigger Thomas’ crime because he could not. It is to his advantage to act quickly, before men have had time to think, before the full facts are known. For he knows that if the full facts were known, if FATE 349 men had time to reflect, he could not stand there and shout for death! “What motive actuated Bigger Thomas? There was no motive as motive is Understood under our laws today, Your Honor. I shall go deeper into this when I sum up It is because of the almost instinctive nature of these crimes that I say that the mental and emotional life of this boy is important in deciding his punishment. But, as the State whets the ap- petite of the mob by needlessly parading witness after witness before this Court, as the State inflames the public mind further with the ghastly details of this boy’s crimes, I shall listen for the State’s Attorney to tell the Court why Bigger Thomas killed. “This boy is young, not only in years, but in his attitude toward life. He is not old enough to vote Living in a Black Belt district, he is younger than most boys of his age, for he has not come in contact with the wide variety and depths of life. He has had but two outlets for his emotions: work and sex — and he knew these in. their most vicious and de- grading forms. “I shall ask this Court to spare this boy’s life and I have faith enough in this Court to believe that it will consent.” Max sat down. The courtroom was filled with murmurs. “The Court will adjourn for one hour and reconvene at one o’clock,” the judge said Flanked by policemen, Bigger was led back into the crowded hall. Again he passed a window and he saw a sprawling mob held at bay by troops. He was taken to a room where a tray of food rested on a table. Max was there, waiting for him. “Come on and sit down. Bigger. Eat something.” “I don’t want nothing.” “Come on. You’ve got to hold up.” “I ain’t hungry.” "Here; take a smoke.” “Naw ” “You want a drink of water?” "Naw ” Bigger sat in a chair, leaned forward, rested his arms on the table and buried his face in the crooks of his elbows. He was tired. Now that he was out of the courtroom, he felt the awful strain under which he had been while the men had NATIVE SON 350 argued about his life. All of the vague thoughts and ex- citement about finding a way to live and die were far from him now Fear and dread were the only possible feelings he could have in that courtroom. When the hour was up, he was led back into court. He rose with the rest when the judge came, and then sat again. “The State may call its witnesses,” the judge said. “Yes, Your Honor,” Buckley said. The first witness was an old woman whom Bigger had not seen before. During the questioning, he heard Buckley call her Mrs. Rawlson. Then he heard the old woman say that she was the mother of Mrs. Dalton, Bigger saw Buckley give her the earring he had seen at the mquest, and the old woman told of how the pair of eamngs had been handed down through the years from mother to daughter. When Mrs. Rawlson was through. Max said that he had no desire to examine her or any of the State’s witnesses. Mrs. Dalton was led to the stand and she told the same story she had told at the inquest. Mr. Dalton told again why he had hired Bigger and pointed him out as “the Negro boy who came to my home to work.” Peggy also pointed him out, saying through her sobs, “Yes; he’s the boy.” All of them said that he had acted like a very quiet and sane boy. Britten told how he had suspected that Bigger knew some- thing of the disappearance of Mary; and said that “that black boy is as sane as I am.” A newspaperman told of how the smoke in the furnace had caused the discovery of Mary’s bones. Bigger heard Max rise when the newspaperman had finished. “Your Honor,” Max said. “I’d like to know how many more newspapermen are to testify?” “I have just fourteen more,” Buckley said. “Your Honor,” Max said. “This is totally unnecessary. There is a plea of guilty here. . . .” “I’m going to prove that that killer is sanel” Buckley shouted. “The Court will hear them,” the judge said. “Proceed, Mr. Buckley.” Fourteen more newspapermen told about the smoke and the bones and said that Bigger acted “just like all other colored boys.” At five o’clock the court recessed and a tray of food was placed before Bigger in a small room, with six FATE 351 policemen standing guard. The nerves of his stomach were so taut that he could only drink the coffee Six o’clock found him back in court The room grew dark and the lights were turned on. The parade of witnesses ceased to be real to Bigger. Five white men came to the stand and said that the handwnting on the kidnap note was his; that it was the same writing which they had found on his "homework papers taken from the files of the school he used to attend ” Another white man said that the fingerprints of Bigger Thomas were found on the door of “Miss Dalton’s room.’’ Then six doc- tors said Bessie had been raped Four colored waitresses from Ernie’s Kitchen Shack pointed him out as the “colored boy who was at the table that night with the white man and the white woman.” And they said he had acted “quiet and sane.” Next came two white women, school teachers, who said that Bigger was “a dull boy, but thoroughly sane." One witness melted into another Bigger ceased to care He stared listlessly At times he could hear the faint sound of the winter wind blowing outdoors. He was too tired to be glad when the session ended. Before they took him back to his cell, he asked Max, “How long will it last?” “I don’t know. Bigger. You’ll have to be brave and hold up." “I wish it was over." “This IS your life, Bigger. You got to fight.” “I don’t care what they do to me. I wish it was over.” The next morning they woke him, fed him, and took him back to court Jan came to the stand and said what he had said at the inquest. Buckley made no attempt to link Jan with the murder of Mary. G.H. and Gus and Jack told of how they used to steal from stores and newsstands, of the fight they had had the morning they planned to rob Blum's. Doc told of how Bigger had cut the cloth of his pool table and said that Bigger was "mean and bad, but sane.” Sixteen policemen pointed him out as “the man we captured, Bigger Thomas.” They said that a man who could elude the law as skillfully as Bigger had was "sane and responsible ” A man from the juvenile court said that Bigger had served three months in a reform school for stealing auto tires. There was a recess and in the afternoon five doctors said that they thought Bigger was “sane, but sullen and contrary.” 352 NATIVE SON Buckley brought forth the knife and purse Bigger had hidden in the garbage pail and informed the Court that the city’s dump had been combed for four days to find them. The bnck he had used to strike Bessie with was shown; then came the flashlight, the Communist pamphlets, the gun, the blackened earring, the hatchet blade, the signed confession, the kidnap note, Bessie’s bloody clothes, the stained pillows and quilts, the trunk, and the empty rum bottle which had been found in the snow near a curb. Mary’s bones were brought in and women in the courtroom began to sob. Then a group of twelve workmen brought in the furnace, piece by piece, from the Dalton basement and mounted it upon a giant wooden platform. People in the room stood to look and the judge ordered them to sit down. Buckley had a white girl, the size of Mary, crawl inside of the furnace “to prove beyond doubt that it could and did hold and bum the ravished body of innocent Mary Dalton; and to show that the poor girl’s head could not go in and the sadistic Negro cut it off.” Using an iron shovel from the Dalton basement, Buckley showed how the bones had been raked out; explained how Bigger had “craftily crept up the stairs during the excitement and taken flight.” Mopping sweat from his face, Buckley said, “The State rests. Your honorl” “Mr. Max,” the judge said. “You may proceed to call your witnesses.” “The defense does not contest the evidence introduced here,” Max said, “I therefore waive the right to call witnesses. As I stated before, at the proper time I shall present a plea in Bigger Thomas’ behalf.” The judge informed Buckley that he could sum up. For an hour Buckley commented upon the testimony of the State’s witnesses and interpreted the evidence, concluding with the words, “The intellectual and moral faculties of mankind may as well be declared impotent, if the evidence and testimony sub- mitted by the State are not enough to compel this Court to impose the death sentence upon Bigger Thomas, this despoiler of women!” “Mr. Max, will you be prepared to present your plea to- morrow?” the judge asked. “I will, Your Honor.” FATE 353 Back in his cell, Bigger tumbled lifelessly onto his cot. Soon it’ll all be over, he thought. Tomorrow might be the last day; he hoped so. His sense of time was gone; mght and day were merged now. The next morning he was awake in his cell when Max came. On his way to court he wondered what Max would say about him. Could Max really save his life? In the act of thinking the thought, he thrust it from him If he kept hope from his mind, then whatever happened would seem natural. As he was led down the hall, past windows, he saw that the mob and the troops still surrounded the court house. The buildmg was still jammed with muttering people. Policemen had to make an aisle for him in the crowd. A pang of fear shot through him when he saw that he had been the first to get to the table. Max was somewhere behind him, lost m the crowd. It was then that he felt more deeply than ever what Max had grown to mean to him. He was defenseless now. What was there to prevent those people from coming across those railings and dragging him into the street, now that Max was not here? He sat, not daring to look round, conscious that every eye was upon him. Max’s presence during the trial had made him feel that somewhere in that crowd that stared at him so steadily and resentfully was something he could cling to, if only he could get at it. There smoldered in him the hope that Max had made him feel in the first long talk they had had. But he did not want to risk trying, to make it flare mto flame now, not with this trial and the words of hate from Buckley. But neither did he snuff it out; he nursed it, kept it as his last refuge. When Max came Bigger saw that his face was pale and drawn. There were dark rings beneath the eyes. Max laid a hand on Bigger’s knee and whispered, “I’m going to do all I can, son.” Court opened and the judge said, “Are you ready to proceed, Mr. Max?” “Yes, Your Honor.” Max rose, ran his hand through his white hair and went to the front of the room. He turned and half-faced the judge and Buckley, looking out over Bigger’s head to the crowd. He cleared his throat. “Your Honor, never in my life have I nsen in court to make a plea with a firmer conviction in my heart. I know 354 NATIVE SON that what I have to say here today touches the destiny of an entire nation My plea is for more than one man and one people Perhaps it is in a manner fortunate that the defend- ant has committed one of the darkest crimes m our memory; for if we can encompass the life of this man and find out what has happened to him, if we can understand how subtly and yet strongly his life and fate are linked to ours — if we can do this, perhaps we shall find the key to our future, that rare vantage point upon which every man and woman in this nation can stand and view how inextncably our hopes and fears of today create the exultation and doom of tomorrow. “Your Honor, I have no desire to be disrespectful to this Court, but I must be honest. A man’s life is at stake. And not only IS this man a cnminal, but he is a black criminal And as such, he comes into this court under a handicap, notwith- standing our pretensions that all are equal before the law. “This man is different, even though his crime differs from similar crimes only in degree. The complex forces of society have isolated here for us a symbol, a test symbol. The prej- udices of men have stained this symbol, like a germ stamed for examination under the microscope. The unremitting hate of men has given us a psychological distance that will enable us to see this tiny social symbol in relation to our whole sick social organism. “I say, Your Honor, that the mere act of understanding Bigger Thomas will be a thawing out of icebound impulses, a dragging of the. sprawling forms of dread out of the night of fear into the light of reason, an unveiling of the uncon- scious ritual of death in which we, like sleep-walkers, have participated so dreamlike and thoughtlessly. “But I make no excessive claims, Your Honor. I do not deal in magic. I do not say that if we understand this man’s life we shall solve all our problems, or that when we have all the facts at our disposal we shall automatically know how to act Life is not that simple. But I do say ^at, if, after I have finished, you feel that death is necessary, then you are makmg an open choice. What 1 want to do is inject into the consciousness of this Court, through the discussion of evidence, the two possible courses of action open to us and the inevitable consequences flowing from each. And then, if we say death, let us mean it;- and if we say life, let us mean that too; but whatever we say, let us know upon what ground PATE 355 we are putting our feet, what the consequences are for us and those whom we judge. “Your Honor, I would have you believe that I am not in- sensible to the deep burden of responsibility I am throwing upon your shoulders by the manner in which I have insisted upon conducting the defease of this boy’s life, and in my resolve to place before you the entire degree of his guilt for judgment. But, under the circumstances, what else could I have done? Night after night, I have lam without sleep, trying to think ot a way to picture to you and to the world the causes and reasons why this Negro boy sits here a self- confessed murderer. How can I, I asked myself, make the picture of what has happened to this boy show plain and powerful upon a screen of sober reason, when a thousand newspaper and magazine artists have aheady drawn it in lurid ink upon a million sheets of public prmt? Dare I, deeply mindful of this boy’s background and race, put his fate in the hands of a jury (not of his peers, but of an alien and hostile racel) whose minds are already conditioned by the press of the nation; a press which has already reached a decision as to his guilt, and m countless editorials suggested the measure of his punishment? “Nol I could notl So today I come to face this Court, re- jectmg a trial by jury, willingly entering a plea of guilty, asking in the light of the laws of this state that this boy’s life be spared for reasons which I believe afiect the founda- tions of our civilization. “The most habitual thing for this Court to do is to take the line of least resistance and follow the suggestion of the State’s Attorney and say, ‘Death I’ And that would be the end of this case. But that would not be the end of this cnmel That is why this Court must do otherwise. “There are times. Your Honor, when reality bears features of such an impellmgly moral complexion that it is impossible to follow the hewn path of expediency There are times when hfe’s ends are so raveled that reason and sense cry out that we stop and gather them together again before we can proceed. “What atmosphere surrounds this trial? Are the citizens soberly mtent upon seeing that the law is executed? That re- tribution IS dealt out in measure with the offense? That the guilty and only the guilty is caught and punished? NATIVE SON 356 “Nol Every conceivable prejudice has been dragged into this case. The authorities of the city and state deliberately in- flamed the public mind to the point where they could not keep the peace without martial law. Responsible to nothing but their own corrupt conscience, the newspapers and the prose- cution launched the ridiculous claim that the Communist Party was in some way linked to these two murders. Only here in court yesterday morning did the State’s Attorney cease implying that Bigger Thomas was guilty of other crimes, crimes which he could not prove. “The hunt for Bigger Thomas served as an excuse to ter- rorize the entire Negro population, to arrest hundreds of Communists, to raid labor union headquarters and workers’ organizations Indeed, the tone of the press, the silence of the church, the attitude of the prosecution and the stimulated temper of the people are of such a nature as to indicate that more than revenge is being sought upon a man who has committed a crime. "What IS the cause of all this high feeling and excitement? Is It the crime of Bigger Thomas? Were Negroes liked yes- terday and hated today because of what he has done? Were labor unions and workers’ halls raided solely because a Negro committed a crime? Did those white bones lying on that table evoke the gasp of horror that went up from the na- tion? “Your Honor, you know that that is not the case! All of the factors in the present hysteria existed before Bigger Thomas was ever heard of. Negroes, workers, and labor unions were hated as much yesterday as they are today. “Crimes of even greater brutality and horror have been committed in this city. Gangsters have killed and have gone free to kill again. But none of that brought forth an indigna- tion to equal this. “Your Honor, that mob did not come here of its own ac- cord! It was incitedl Until a week ago those people lived their lives as\quietly as always. “Who, then, fanned this latent hate into fury? Whose in- terest is that thoughtless and misguided mob serving? “The State’s Attorney knows, for he promised the Loop bankers that if he were re-elected demonstrations for relief would be stopped! The Governor of the state knows, for he has pledged the Manufacturers’ Association that he would FATE 357 use troops against workers who went out on strike! The Mayor knows, for he told the merchants of the city that the budget would be cut down, that no new taxes would be unposed to satisfy the clamor of the masses of the needy! “There is guilt in the rage that demands that this man’s life be snuffed out quickly! There is fear in the hate and impatience which impels the action of the mob congregated upon the streets beyond that window! All of them — the mob and the mob-masters; the wire-pullers and the fright- ened; the leaders and their pet vassals — know and feel that their lives are built upon a historical deed of wrong against many people, people from whose lives they have bled their leisure and their luxury! Their feeling of guiit is as deep as that of the boy who sits here on trial today. Fear and hate and guilt are the keynotes of this drama! “Your Honor, for the sake of this boy and myself, I wish I could bring to this Court evidence of a morally worthier na- ture. I wish I could say that love, ambition, jealousy, the quest for adventure, or any of the more romantic feehngs were back of these two murders If I could honestly mvest the hapless actor in this fateful drama with feelings of a loftier cast, my task would be easier and I would feel con- fident of the outcome The odds would be with me, for I would be appealing to men bound by common ideals to judge with pity and understanding one of their brothers who erred and feh in struggle. But I have no choice m this matter. Life has cut this cloth; not I, “We must deal here with the raw stuff of life, emotions and impulses and attitudes as yet unconditioned by the strivings of science and civilization. We must deal here with a first wrong which, when committed by us, was understandable and inevitable; and then we must deal with the long trailing black sense of guilt stemming from that wrong, a sense of guUt which self-interest and fear would not let us atone. And we must deal here with the hot blasts of hate engendered in others by that first wrong, and then the monstrous and hor- rible crimes flowing from that hate, a hate which has seeped down into the hearts and molded the deepest and most deli- cate sensibilities of multitudes. “We must deal here with a dislocation of life involving millions of people, a dislocation so vast as to stagger the imagination; so fraught with tragic consequences as to make NATIVE SON 358 us rather not want to look at it or think of it; so old that we would rather try to view it as an order of nature and strive with uneasy conscience and false moral fervor to keep it so. "We must deal here, on both sides of the fence, among whites as well as blacks, among workers as well as employ- ers, with men and women in whose minds there loom good and bad of such height and weight that they assume propor- tions of abnormal aspect and construction. When situations like this arise, instead of men feeling that they are facing other men, they feel that they are facing mountains, floods, seas, forces of nature whose size and strength focus the minds and emotions to a degree of tension unusual in the quiet rou- tine of urban life Yet this tension exists within the hmits of urban life, undermining it and supporting it in the same gesture of being “Allow me, Your Honor, before I proceed to cast blame and ask for mercy, to state emphatically that I do not claim that this boy is a victim of injustice, nor do I ask that this Court be sympathetic with him. That is not my object in embracing his character and his cause. It is not to tell you only of suffering that I stand here today, even though there are frequent lynchings and floggings of Negroes throughout the country. If you react only to that part of what I say, then you, too, are caught as much as he in the mire of blind emotion, and this vicious game will roll on, like a bloody river to a bloodier sea. Let us banish from our minds the thought that this IS an unfortunate victim of injustice The very con- cept of injustice rests upon a premise of equal claims, and this boy here today makes no claim upon you If you think or feel that he does, then you, too, are blinded by a feeling as temble as that which you condemn in him, and without as much justification. The feeling of guilt which has caused all of the mob-fear and mob-hysteria is the counterpart of his own hate. “Rather, I plead with you to see a mode of life in our midst, a mode of life stunted and distorted, but possessing its own laws and claims, an existence of men growing out of the soil prepared by the collective but blind will of a hun- dred million people. I beg you to recognize human life draped in a form and guise alien to ours, but springing from a soil plowed and sown by all our .hands. I a^ you to recognize FATE 359 the laws and processes flowing from such a condition, under- stand them, seek to change them. If we do none of these, then we should not pretend horror or surprise when thwarted life expresses itself in fear and hate and crime. “This is life, new and strange, strange, because we fear it; new, because we have kept our eyes turned from it. This is life lived in cramped limits and expressmg itself not in terms of our good and bad, but in terms ot its own fulfillment Men are men and life is life, and we must deal with them as they are; and if we want to change them, we must deal with them in the form in which they exist and have their bemg. “Your Honor, I must still speak in general terms, for the background of this boy must be shown, a background which has acted powerfully and importantly upon his conduct. Our forefathers came to these shores and faced a harsh and wild country. They came here with a stifled dream in their hearts, from lands where their personalities had been denied, as even we have' denied the personality of this boy They came from cities of the old world where the means to sustain life were hard to get or own. They were colonists and they were faced with a difficult choice; they had either to subdue this wild land or be subdued by it. We need but turn our eyes upon the imposing sweep of streets and factories and buildings to see how completely they have conquered. But in conquering they used others, used their lives. Like a miner using a pick or a carpenter using a saw, they bent the will of others to their own. Lives to them were tools and weapons to be wielded against a hostile land and climate. “I do not say this in terms of moral condemnation. I do not say it to rouse pity in you for the black men who were slaves for two and one-half centuries. It would be foolish now to look back upon that in the light of injustice. Let us not be naive, men do what they must, even when they feel that they are being driven by God, even when they feel they are fulfilling the wdl of God Those men were engaged in a struggle for hfe and their choice in the matter was small in- deed. It was the imperial dream of a feudal age that made men enslave others. Exalted by the will to rule, they could not have built nations on so vast a scale had they not shut their eyes to the humanity of other men, men whose lives were necessary for their building. But the mvention and wide- NATIVE SON 360 Spread use of machines made the further direct enslavement of men economically impossible, and so slavery ended. “Let me, Your Honor, dwell a moment longer upon the danger of looking upon this boy in the light of injustice. If 1 should say that he is a victim of injustice, then I would be asking by implication for sympathy; and if one insists upon looking at this boy in the light of sympathy, he will be swamped by a feelmg of guilt so strong as to be indistin- guishable from hate. “Of all things, men do not like to feel that they are guilty of wrong, and if you make them feel guilt, they will try des- perately to justify it on any grounds; but, failing that, and seeing no immediate solution that will set things right without too much cost to their lives and property, tjiey will kill that which evoked in them the condemning sense of guilt. And this is true of all men, whether they be white or black; it is a peculiar and powerful, but common, need, "This guilt-fear is the basic tone of the prosecution and of the people m this case. In their hearts they feel that a wrong has been done and when a Negro commits a crime against them, they fancy they see the ghastly evidence of that wrong. So the men of wealth and property, the victims of attack who are eager to protect their profits, say to their guilty hire- lings, ‘Stamp out this ghost!' Or, like Mr, Dalton, they say, ‘Let’s do something for this man so he won’t feel that way.* But then it is too late. “If only ten or twenty Negroes had been put, into slavery, we could call it injustice, but there were hundreds of thou- sands of them throughout the country. If this state of af- fairs had lasted for two or three years, we coaid say that it was unjust; but it lasted for more than two hundred years. Injustice which lasts for three long centuries and which exists among millions of people over thousands of square miles of territory, is injustice no longer; it is an accomplished fact of life. Men adjust themselves to their land; they create their own laws of being; their notions of right and wrong. A com- mon way of earning a living gives them a common attitude toward life. Even their speech is colored and shaped by what they must undergo. Your Honor, injustice blots out one fonn of life, but another grows up in its place with its own rights, needs, and aspirations. What is happening here today is not injustice, but oppression, an attempt to throttle or stamp out PATE 361 a new form of life. And it is this new form of life that has grown up here in our midst that puzzles us, that expresses it- self, like a weed growing from under a stone, in terms we call crime. Unless we grasp this problem in the light of this new reality, we cannot do more than salve our feelmgs of guilt and rage with more murder when a man, living under such conditions, commits an act which we call a crime. “This boy represents but a tiny aspect of a problem whose reality sprawls over a third of this nation. Kill him! Bum the life out of him! And still when the delicate and uncon- scious machinery of race relations slips, there will be murder again. How can law contradict the lives of millions of people and hope to be administered successfully? Do we believe m magic? Do you believe that by burning a cross you can fright- en a multitude, paralyze their will and impulses? Do you think that the white daughters in the homes of America will be any safer if you kill this boy? Nol I tell you in all solem- nity that they won’t! The surest way to make certain that there will be more such murders is to kill this boy. In your rage and guilt, make thousands of other black men and wom- en feel that the barriers are tighter and higher! Kill him and swell the tide of pent-up lava that will some day break loose, not in a single, blundering, accidental, mdividual crime, but in a wild cataract of emotion that will brook no control. The all-important thing for this Court to remember in decid- ing this boy's fate is that, though his crime was accidental, the emotions that broke loose were already there; the thing to remember is that this boy’s way of life was a way of guilt; that his crime existed long before the murder of Mary Dal- ton; that the accidental nature of his crime took the guise of a sudden and violent rent in the veil behind which he lived, a rent which allowed his feelings of resentment and estrange- ment to leap forth and find objective and concrete form. “Obsessed with guilt, we have sought to thrust a corpse from before our eyes. We have marked oft a little plot of ground and buried it. We tell our souls in the deep of the black night that it is dead and that we have no reason for fear or uneasmess. “But the corpse returns and raids our homesi We find our daughters murdered and burnt! And we say, ‘Kill! Kill!’ “But, Your Honor, I say: ‘Stop! Let us look at what we are doingl’ For the corpse is not dead! It still hves! It has NATIVE SON 362 made itself a home in the wild forest of our great cities, amid the rank and choking vegetation of slums! It has forgotten our language! In order to live it has sharpened its claws! It has grown hard and calloused! It has developed a capacity for hate and fury which we cannot understand! Its movements are unpredictable! By night it creeps from its lair and steals toward the settlements of civilization! And at the sight of a kind face it does not he down upon its back and kick up its heels playfully to be tickled and stroked. No; it leaps to kill! “Yes, Mary Dalton, a well-intentioned white girl with a smile upon her face, came to Bigger Thomas to help him. Mr. Dalton, feeling vaguely that a social wrong existed, wanted to give him a job so that his family could eat and his sister and brother could go to school. Mrs. Dalton, trying to grope her way toward a sense of decency, wanted him to go to school and learn a trade. But when they stretched forth their helping hands, death struck! Today they mourn and wait for revenge. The wheel of blood continues to turn! "I have only sympathy for those kind-hearted, white-haired parents. But to Mr. Dalton, who is a real estate operator, I say now. ‘You rent houses to Negroes in the Black Belt and you refuse to rent to them elsewhere. You kept Bigger Thomas in that forest You kept the man who murdered your daughter a stranger to her and you kept your daughter a stranger to him.’ “The relationship between the Thomas family and the Dalton family was that of renter to landlord, customer to merchant, employee to employer The Thomas family got poor and the Dalton family got rich. And Mr. Dalton, a decent man, tried to salve his feelings by giving money. But, my friend, gold was not enough! Corpses cannot be bribed! Say to yourself, Mr, Dalton, ‘I offered my daughter as a biunt sacrifice and it was not enough to push back into its grave this thing that haunts me.’ “And to Mrs Dalton, I say. ‘Your philanthropy was as tragically blind as your sightless eyesl’ “And to Mary Dalton, if she can hear me, I say; ‘I stand here today trying to make your death mean somethingl’ “Let me, Your Honor, explain further the meaning of Bigger Thomas’ life. In him and men like him is what was in our forefathers when they first came to these strange shores FATE 363 hundreds of years ago We were lucky. They are not. We found a land whose tasks called forth the deepest and best we had; and we built a nation, mighty and feared. We poured and are still pouring our soul into it. But we have told them.: This is a white man’s country!’ ‘They are yet looking for a land whose tasks can call forth their deepest and best. “Your Honor, consider the mere physical aspect of our civilization. How alluring, how dazzling it is! How it excites the senses! How it seems to dangle within easy reach of everyone the fulfillment of happiness! How constantly and overwhelmingly the advertisements, radios, newspapers and movies play upon us! But m thinking of them remember that to many they are tokens of mockery, These bright colors may fill our hearts with elation, but to many they are daily taunts. Imagine a man walking amid such a scene, a part of it, and yet knowing that it is not for him! “We planned the murder of Mary Dalton, and today we come to court and say; ‘We had nothing to do with it I’ But every school teacher knows that this is not so, for every school teacher knows the restnctions which have been placed upon Negro education. The authorities know that it is not so, for they have made it plain in their every act that they mean to keep Bigger Thomas and his kind within ngid limits. All real estate operators know that it is not so, for they have agreed among themselves to keep Negroes within the ghetto-areas of cities. Your Honor, we who sit here today in this courtroom are witnesses. We know this evidence, for we helped to create it. “But the question may be asked, ‘If this boy thought that he was somehow wronged, why did he not go into a court of law and seek a redress of his grievances? Why should he take the law into his own hands?’ Your Honor, this boy had no notion before he murdered, and he has none now, of having been wronged by any specific individuals. And, to be honest with you, the very life he has led has created in hun a frame of mind which makes him expect much less of this Court than you will ever know. “This boy’s crime was not an act of retaliation by an injured man against a person who he thought had injured him. If it were, then this case would be simple indeed This is the case of a man’s mistaking a whole race of men as a part of the natural structure of the umverse and of his acting NATIVE SON 364 toward them accordingly. He murdered Mary Dalton acci- dentally, without thinking, without plan, without conscious motive. But, after he murdered, he accepted the cnme. And that’s the important thing. It was the first full act of his life; it was the most meaningful, exciting and stirring thing that had ever happened to him. He accepted it because it made him free, gave him the possibility of choice, of action, the opportumty to act and to feel that his actions carried weight. “We are dealing here with an impulse stemming from deep down. We are dealing here not with how man acts toward man, but with how a man acts when he feels that he must defend himself against, or adapt himself to, the total natural world in which he lives. The central fact to be understood here is not who wronged this boy, but what kind of a vision of the world did he have before his eyes, and where did he get such a vision as to make him, without premeditation, snatch the life of another person so quickly and instinctively that even though there was an element of accident in it, he was willmg after the crime to say: ‘Yes, I did it. I had to.’ “I know that it is the fashion these days for a defendant to say. ‘Everything went blank to me.’ But this boy does not say that. He says the opposite. He says he knew what he was doing but felt he had to do it. And he says he feels no sorrow for having done it. “Do men regret when they kill in war? Does the personality of a soldier coming at you over the top of a trench matter? “No! You kill to keep from being killed! And after a vic- torious war you return to a free country, just as this boy, with his hands stained with the blood of Mary Dalton, felt that he was free for the first time in his life. “Multiply Bigger Thomas twelve million times, allowing for environmental and temperamental variations, and for those Negroes who are completely under the influence of the church, and you have the psychology of the Negro people. But once you see them as a whole, once your eyes leave the individual and encompass the mass, a new quality comes into the picture. Taken collectively, they are not simply twelve million people; m reality they constitute a separate nation, stunted, stripped, and held captive within this nation, devoid of political, social, economic, and property rights. “Do you think that you can kiU one of them — even if you killed one every day in the year — and make the others so full FATE 365 of fear that they would not kill? Nol Such a foolish policy has never worked and never will. The more you kill, the more you deny and separate, the more will they seek another form and way of life, however blindly and unconsciously. And out of what can they weave a different life, out of what can they mold a new existence, living organically in the same towns and cities, the same neighborhoods wiffi us? I ask, out of what — but what we are and own? “Your honor, there are four times as many Negroes in America today as there were people in the original Thirteen Colonies when they struck for their freedom. These twelve million Negroes, conditioned broadly by our own notions as we were by European ones when we first came here, are struggling within unbelievably narrow limits to achieve that feeling of at-home-ness for which we once strove so ardently. And, compared with our own struggle, they are striving under conditions far more difificult. If anybody can, surely we ought to be able to understand what these people are after. This vast stream of life, damned and muddied, is trying to sweep toward the fulfillment which all of us seek so fondly, but find so impossible to put into words. When we said that men are ‘endowed with certain inalienable rights, among these are life, liberty, and the pursuit of happiness,’ we did not pause to define ‘happiness.’ That is the unexpressed quality in our quest, and we have never tried to put it into words. That is why we say, ‘Let each man serve God in his own fashion.’ “But there are some broad features of the kind of happiness we are seeking which are known. We know that happiness comes to men when they are caught up, absorbed in a mean- ingful task or duty to be done, a task or duty which in turn sheds justification and sanction back down upon their humble labors. We know that this may take many forms: in religion it is the story of the creation of man, of his fall, and of his redemption; compelling men to order their lives in certain ways, all cast in terms of cosmic images and symbols which swallow the soul in fulness and wholeness. In art, science, industry, politics, and social action it may take other forms. But these twdve million Negroes have access to none of these highly crystallized modes of expression, save that of relipon. And many of them know religion only in its more primitive form. The environment of tense urban centers has all but NATIVE SON 366 paralyzed the impulse for religion as a way of life for them today, just as it has for us. ‘‘Feeling the capacity to be, to live, to act, to pour out the spirit of their souls into concrete and objective form with a high fervor bom of their racial characteristics, they glide through our complex civilization like wailing ghosts; they spin like fiery planets lost from their orbits; they wither and die like trees ripped from native soil. “Your Honor, remember that men can starve from a lack of self-realization as much as they can from a lack of bread! And they can murder for it, tool Did we not build a nation, did we not wage war and conquer in the name of a dream to realize our personalities and to make those realized per- sonahties secure! “But did Bigger Thomas really murder? At the risk of offending the sensibilities of this Court, I ask the question in the light of the ideals by which ^ve live! Looked at from the outside, maybe it was murder, yes But to him it was not murder. If it was murder, then what was the motive? The prosecution has shouted, stormed and threatened, but he has not said why Bigger Thomas killed! He has not said why be- cause he does not know. The truth is. Your Honor, there was no motive as you and I understand motives within the scope of our laws today. The truth is, this boy did not kiUl Oh, yes; Mary Dalton is dead. Bigger Thomas smothered her to death. Bessie Mears is dead. Bigger Thomas battered her with a brick in an abandoned building. But did he murder? Did he kill? Listen; what Bigger Thomas did early that Sun- day monung m the Dalton home and what he did that Sun- day mght in that empty building was but a tiny aspect of what he had been doing all his hfe long! He was living, only as he knew how, and as we have forced him to live. The ac- tions that resulted in the death of those two women were as instmctive and inevitable as breathmg or blinking one’s eyes. It was an act of creaiion\ “Let me tell you more. Before this trial the newspapers and the prosecution said that this boy had committed other crimes. It is true. He is guilty of numerous crimes. But search until the day of judgment, and you will find not one shred of evidence of them. He has murdered many times, but there are no corpses. Let me explain. This Negro boy’s entire attitude toward fife is a crime] The hate and fear which we have in- FATE 161 spired in him, woven by our civilization into the very struc- ture of his consciousness, into his blood and bones, into the hourly functioning of his personality, have become the justi- fication of his existence. “Every time he comes in contact with us, he kills! It is a physiological and psychological reaction, embedded in his being. Every thought he thinks is potential murder. Excluded from, and unassimilated in our society, yet longing to gratify impulses akin to our own but denied the objects and chan- nels evolved through long centuries for their socialized ex- pression, every sunrise and sunset make him guilty of subver- sive actions. Every movement of his body is an unconscious protest. Every desire, every dream, no matter how intimate or personal, is a plot or a conspiracy. Every hope is a plan for insurrection. Every glance of the eye is a threat. His very existence is a crime against the stated “It so happened that that night a white girl was present in a bed and a Negro boy was standing over her, fascinated with fear, hating her; a blind woman walked into the room and that Negro boy killed that girl to keep from being dis- co^iexed in a position which he knew we claimed warrants the death penalty. But that is only one side of itl He was im- pelled toward murder as much through the thirst for excite- ment, exultation, and elation as he was through fearl It was his way of living! "Your Honor, in our blindness we have so contrived and ordered the lives of men that the moths in their hearts flutter toward ghoulish and incomprehensible flames! “I have not explained the relationship of Bessie Mears to this boy. I have not forgotten her. I omitted to mention her until now because she was largely omitted from the con- sciousness of Bigger Thomas. His relationship to this poor black girl also reveals his relationship to the world But Big- ger Thomas is not here on trial for having murdered Bessie Mears. And he knows that. What does this mean? Does not the life of a Negro girl mean as much in the eyes of the law as the life of a white girl? Yes, perhaps, in the abstract. But under the stress of fear and flight, Bigger Thomas did not think of Bessie. He could not. The attitude of America to- ward this boy regulated his most intimate dealings with his own kind. After he had killed Mary Dalton he killed Bessie Mears to silence her, to save himself. After he had killed NATIVE SON 368 Mary Dalton the fear of having killed a white woman filled him to the exclusion of everything else. He could not react to Bessie’s death, his consciousness was determined by the fear that hung above him. “But, one might ask, did he not love Bessie? Was she not his girl? Yes; she was his girl He had to have a girl, so he had Bessie But he did not love her Is love possible to the life of a man I’ve described to this Court? Let us see. Love is not based upon sex alone, and that is all he had with Bessie. He wanted more, but the circumstances of his life and her life would not allow it. And the temperament of both Bigger and Bessie kept it out. Love grows from stable relationships, shared experience, loyalty, devotion, trust. Neither Bigger nor Bessie had any of these. What was there they could hope for? There was no common vision binding their hearts together; there was no common hope steering their feet in a common path. Even though they were intimately together, they were confoundingly alone. They were physically de- pendent upon each other and they hated that dependence. Their brief moments together were for purposes of sex. They loved each other as much as they hated each other; perhaps they hated each other more than they loved Sex warms the deep roots of life; it is the soil out of which the tree of love grows. But these were trees without roots, trees that lived by the light of the sun and what chance rain that fell upon stony ground. Can disembodied spirits love? There existed between them fitful splurges of physical elation; that’s all. “Your Honor, is this boy alone m feeling deprived and baf- fled? Is he an exception? Or are there others? There are others. Your Honor, millions of others, Negro and white, and that is what makes our future seem a looming image of vio- lence. The feelmg of resentment and the balked longing for some kind of fulfilment and exultation — in degrees more or less intense and in actions more or less conscious — stalk day by day through this land. The consciousness of Bigger Thomas, and millions of others more or less like him, white and black, according to the weight of the pressure we have put upon them, forms the quicksands upon which the foun- dations of our civilization rest. Who knows when some slight shock, disturbmg the delicate balance between social order and thirsty aspiration, shall send the skyscrapers in our cities toppling? Does that sound fantastic? 1 assure you that it is FATE 369 no more fantastic than those troops and that waiting mob whose presence and guilty anger portend something which we dare not even think! “Your Honor, Bigger Thomas was willing to vote for and follow any man who would have led him out of his morass of pain and hate and fear. If that mob outdoors is afraid of one man, what will it feel if millions rise? How soon will some- one speak the word that resentful millions will understand; the word to be, to act, to live? Is this Court so naive as to think that they will not take a chance that is even less risky than that Bigger Thomas took? Let us not concern ourselves with that part of Bigger Thomas’ confession that says he murdered accidentally, that he did not rape the girl It really does not matter. What does matter is that he was guilty before he killed! That was why his whole life became so quickly and naturally organized, pointed, charged with a new meaning when this thing occurred. Who knows when another ‘accident’ involving millions of men will happen, an ‘accident’ that will be the dreadful day of our doom? “Lodged in the heart of this moment is the question of power which time will unfold! “Your Honor, another civil war in these states is not im- possible; and if the misunderstanding of what this boy’s life means is an indication of how men of wealth and property are misreading the consciousness of the submerged millions today, one may truly come. “I do not propose that we try to solve this entire prob- lem here in this court room today. That is not within the province of our duty, nor even, I think, within the scope of our ability. But our decision as to whether this black boy is to live or die can be made in accordance with what actually exists. It will at least indicate that we see and know] And our seemg and knowing will comprise a consciousness of how inescapably this one man’s life will confront us ten million fold in the days to come. “I ask that you spare this boy, send him to prison for life. What would prison mean to Bigger Thomas? It holds ad- vantages for him that a life of freedom never had. To send him to prison would be more than an act of mercy. You would be for the first time conferring life upon him. He would be brought for the first time within the orbit of our civilization. He would have an identity, even though it be NATIVE SON 370 but a number He would have for the first time an openly des- ignated relationship with the world. The very building in which he would spend the rest of his natural life would be the best he has ever known Sending him to prison would be the first recognition of his personality he has ever had. The long black empty years ahead would constitute for his mind and feelings the only certain and durable object around which he could build a meaning for his life. The other in- mates would be the first men with whom he could associate on a basis of equality. Steel bars between him and the so- ciety he offended would provide a refuge from bate and fear. “I say. Your Honor, give this boy his life. And in making this concession we uphold those two fundamental concepts of our civilization, those two basic concepts upon which we have built the mightiest nation in history — personality and secur- ity — the conviction that the person is inviolate and that wh|ch sustains him is equally so. “Let us not forget that the magnitude of our modem life, our railroads, power plants, ocean liners, airplanes, and steel mills flowered from these two concepts, grew from our dream of creating an invulnerable base upon which man and bis soul can stand secure. “Your Honor, this Court and those troops are not the real agencies that keep the public peace Their mere presence is proof that we are letting peace slip through our fingers. Pub- lic peace is the act of public trust; it is the faith that al( are secure and will remain secure “When men of wealth urge the pse and show of force, quick death, swift revenge, then it is to protect a little spot of private security against the resentful millions from whom they have filched it, the resentful millions in whose militant hearts the dream and hope of security still lives. “Your Honor, I ask in the name of all we are and beheve, that you spare this boy’s life! With every atom of my being, I beg this in order that not only may this black boy live, but that we ourselves may not diel” Bigger heard Max’s last words nng out in the courtroom. When Max sat down he saw that his eyes were tired and sunken. He could hear his breath coming and going heavily. He had not understood the speech, but he had felt the mean- ing of some of it from the tone of Max’s voice. Suddenly he FATE 371 felt that his life was not worth the effort that Max had made to save it. The judge rapped with the gavel, calling a recess. The court was full of noise as Bigger rose The policemen marched him to a small room and stood waiting, on guard. Max came and sat beside him, silent, his head bowed A po- liceman brought a tray of food and set it on the table. “Eat, son,” Max said. “I ain’t hungry.” “I did the best I could,” Max said. “I’m all right,” Bigger said. Bigger was not at that moment really bothered about whether Max’s speech had saved his life or not. He was hug- ging the proud thought that Max had made the speech all for him, to save his life. It was not the meaning of the speech that gave him pride, but the mere act of it. That in itself was something. The food on the tray grew cold. Through a partly opened window Bigger heard the rumbling voice of the mob. Soon he would go back and hear what Buckley would say. Then it would all be over, save for what the judge would say. And when the judge spoke he would know if he was to live or die He leaned his head on his hands and closed his eyes. He heard Max stand up, strike a match and light a cig- arette. “Here; take a smoke, Bigger.” He took one and Ma^ held the flame; he sucked the smoke deep into his lungs and discovered that he did not want it He held the cigarette m his fingers and the smoke curled up past his bloodshot eyes. He jerked his head when the door opened; a policeman looked in. “Court’s opening in two miautesi” “All right,” Max said. Flanked again by policemen, Bigger went back to court He rose when the )udge came and then sat again. “The Court will hear the State,” the judge said. Bigger turned his head and saw Buckley nse. He was dressed in a black suit and there was a tiny pink flower m the lapel of his coat. The man’s very look and bearing, so grimly assured, made Bigger feel that he was already lost What chance had he against a man like that? Buckley licked his lips and looked out over the crowd; then he turned to the judge. “Your Honor, we aU dwell in a land of living law. Law em- 372 NATIVE SON bodies the will of the people. As an agent and servant of the law, as a representative of the organized will of the people, I am here to see that the will of the people is executed firmly and Without delay. I intend to stand here and see that that is done, and if it is not done, then it will be only over my most solemn and emphatic protest “As a prosecuting officer of the State of Illinois, I come be- fore this honorable Court to urge that the full extent of the law, the death penalty — the only penalty of the law that is feared by murderers! — be allowed to take its course m this most important case. “I urge this for the protection of our society, our homes and our loved ones. I urge this in the performance of my sworn duty to see, in so far as I am humanly capable, that the administration of law is just, that the safety and sacred- ness of human life are maintained, that the social order is kept intact, and that crime is prevented and punished. I have no interest or feeling in this case beyond the perform- ance of this sworn duty. “I represent the families of Mary Dalton and Bessie Meats and a hundred million law-abiding men and women of this nation who are laboring in duty or industry. I represent the forces which allow the arts and sciences to flourish in free- dom and peace, thereby enriching the lives of us all. “I shall not lower the dignity of this Court, nor the right- eousness of the people's cause, by attempting to answer the silly, alien, communistic and dangerous ideas advanced by the defense. And I know of no better way to discourage such thinking than the imposition of the death penalty upon this miserable human fiend. Bigger Thomas! “My voice may sound harsh when I say: Impose the death penalty and let the law take its course in spite of the specious call for sympathy! But I am really merciful and sympathetic, because the enforcement of this law in its most drastic form will enable millions bf honest men and women to sleep in peace tonight, to know that tomorrow will not bring the black shadow of death over their homes and lives! “My voice may sound vindictive when I say: Make the defendant pay the highest penalty for his crimesl But what I am really saying is that the law is sweet when it is enforced and protects a million worthy careers, when it shields the infant, the aged, the helpless, the blind and the sensitive FATE 373 from the ravishing of men who know no law, no self-control, and no sense of reason. “My voice may sound cruel when I say: The defendant merits the death penalty for his self-confessed crimes! But what I am really saying is that the law is strong and gracious enough to allow all of us to sit here in this court room today and try this case with dispassionate interest, and not tremble with fear that at this very moment some half-human black ape may bp climbing through the windows of our homes to rape, murder, and burn our daughters! “Your Honor, I say that the law is holy; that it is the foundation of all our cherished values. It permits us to take for granted the sense of the worth of our persons and turn our energies to higher and nobler ends “Man stepped forward from the kingdom of the beast the moment he felt that he could think and feel in security, knowmg that sacred law had taken the place of his gun and knife. “I say that the law is holy because it makes us humani And woe to the men — and the civilization of those men' — who, in misguided sympathy or fear, weaken the stout struc- ture of the law which insures the harmonious working of our lives on this earth. “Your Honor, I regret that the defense has raised the viperous issue of race and class hate in this trial. I sympa- thize with those whose hearts were pained, as mine was pained, when Mr. Max so cynically assailed our sacred cus- toms. I pity this man’s deluded and diseased mind. It is a sad day for American civilization when a white man will try to stay the hand of justice from a bestial monstrosity who has ravished and struck down one of the finest and most delicate flowers of our womanhood “Every decent white man in America ought to swoon with joy for the opportunity to crush with his heel the woolly head of this black lizard, to keep him from scuttling on his belly farther over the earth and spitting forth his venom of deathl “Your Honor, literally I shrink from the mere recital of this dastardly crime. I cannot speak of it without feeling somehow contaminated by the mere telling of it. A bloody crime has that powerl It is that steeped and dyed with re- pellent contagion 1 374 NATIVE SON “A wealthy, kindly disposed white man, a resident of Chicago for more than forty years, sends to the relief agency for a Negro boy to act as chauffeur to his family. The man specifies in his request that he wants a boy who is handi- capped either by race, poverty, or family responsibility. The relief authorities search through their records and select the Negro family which they think merits such aid; that family was the Thomas family, living then as now at 3721 Indiana Avenue. A social worker visits the family and informs the mother that the family is to be taken off the relief rolls and her son placed in private employment. The mother, a hard- working Christian woman, consents In due time the relief authorities send a notification to the oldest son of the family, Bigger Thomas, this black mad dog who sits here today, telling him that he must report for work “What was the reaction of this sly thug when he learned that he had an opportumty to support himself, his mother, his little sister and his little brother? Was he grateful? Was he glad that he was having something offered to him that ten million men in America would have fallen on their knees and thanked God for? “No! He cursed his mother! He said that he did not want to work! He wanted to loaf about the streets, steal from news- stands, rob stores, meddle with women, frequent dives, at- tend cheap movies, and chase prostitutes! That was the re- action of this sub-human killer when he was confronted with the Christian kindness of a man he had never seen! “His mother prevailed upon him, pled with him; but the plight of his mother, worn out from a life of toil, had no effect upon this hardened black thing. The future of his sister, an adolescent school girl, meant nothing to him. The fact that the job would have enabled his brother to return to school was not enticing to Bigger Thomas. “But, suddenly, after three days of persuasion by his mother, he consented. Had any of her arguments reached him at long last? Had he begun to feel his duty toward himself and his family? No! Those were not the considerations that drove this rapacious beast from his den into the openl He consented only when his mother informed him that the relief would cut off their supply of food if he did not accept. He agreed to go to work, but forbade his mother to speak to him within the confines of the home, so outraged was he FATE 375 that he had to earn his bread by the sweat of his brow. It was hunger that drove him out, sullen, angry, still longing to stay upon the streets and steal as he had done before, and for which he had once landed m a reform school “After seeing a movie that Saturday morning, he went to the Dalton home. He was welcomed there with lavish kind- ness. He was given a room; he was told that he would receive extra money for himself, over and above his weekly wages. He was fed. He was asked if he wanted to go back to school and learn a trade. But he refused. His mind and heart — if this beast can be said to have a mind and a heartl — were not set upon any such goals. “Less than an hour after he had been in that house, he met Mary Dalton, who asked him if he wanted to join a union. Mr. Max, whose heart bleeds for labor, did not tell us why his client should have resented that. “What black thoughts passed through that Negro’s schem- ing brain the first few moments after he saw that trusting white girl standing before him? We have no way of knowing, and perhaps this piece of human scum, who sits here today begging for mercy, is wise in not telling us. But we can use our imagination; we can look upon what he subsequently did and surmise. “Two hours later he was driving Miss Dalton to the Loop. Here occurs the first misunderstanding in this case. The general notion is that Miss Dalton, by having this Negro drive her to the Loop instead of to school, was committing an act of disobedience against her family. But that is not for us to judge. That is for Mary Dalton and her God to settle. It was admitted by her family that she went contrary to a wish of theirs; but Mary Dalton was of age and went where she pleased. “This Negro drove Miss Dalton to the Loop where she was joined by a young white man, a friend of hers. From there they went to a South Side cafe and ate and drank. Being in a Negro neighborhood, they invited this Negro to eat with them. When they talked, they included him in their conver- sation. When liquor was ordered, enough was bought so that he, too, could drink. “Afterwards he drove the couple through Washington Park for some two hours. Around two o’clock in the morning this friend of Miss Dalton’s left the car and went to visit some 376 NATIVE SON friends of his. Mary Dalton was left alone in that car with this Negro, who had received nothing from her but kind- ness. From that point onward, we have no exact knowledge of what really happened, for we have only this black cur’s bare word for it, and f am convinced that he is not telling us all. “We don’t know just when Mary Dalton was killed. But we do know this: her head was completely severed from her body! We know that both the head and the body were stuffed into the furnace and burnedl “My God, what bloody scenes must have taken place! How swift and unexpected must have been that lustful and mur- derous attack! How that poor child must have struggled to escape that maddened ape! How she must have pled on bended knee, with tears in her eyes, to be spared the vile touch of his horrible person! Your Honor, must not this infernal monster have burned her body to destroy evidence of offenses worse than rape? That treacherous beast must have known that if the marks of his teeth were ever seen on the in- nocent white flesh of her breasts, he would not have been accorded the high honor of sitting here in this court of law! O suffering Christ, there are no words to tell of a deed so black and awful! “And the defense would have us believe that this was an act of creationl It is a wonder that God in heaven did not drown out his lying voice with a thunderous ‘NO!’ It is enough to make the blood stop flowing in one’s veins to hear a man excuse this cowardly and beastly crime on the ground that it was ‘instinctive’! “The next morning Bigger Thomas took Miss Dalton’s trunk, half-packed, to the La Salle Street Station and prepared to send it off as though nothing had happened, as though Miss Dalton were still alive. But the bones of Miss Dalton’s body were found m the furnace that evening. “The burning of the body and the taking of the half-packed trunk to the station mean just one thing, Your Honor. It shows that the rape and murder were planned, that an at- tempt was made to destroy evidence so that the crime could be carried on to the point of ransom. If Miss Dalton were ac- cidentally killed, as this Negro so pathetically tried to make us believe when he first ‘confessed,’ then why did he bum her FATE 377 body? Why did he take her trunk to the station when he knew that she was dead? “There is but one answer! He planned to rape, to kill, to collect! He burned the body to get nd of evidences of rapei He took the trunk to the station to gam time in which to burn the body and prepare the kidnap note. He killed her because he raped her! Mind you, Your Honor, the central crime here is rapel Every action points toward that! “Knowing that the family had called in private investi- gators, the Negro tried to throw the suspicion elsewhere. In other words, he was not above seeing an innocent man die for his crime. When he could not kill any more, he did the next best thing He lied' He sought to blame the crime upon one of Miss Dalton’s friends, whose political beliefs, he thought, would damn him He told wild lies of taking the two of them, Miss Dalton and her friend, to her room. He said that he had been told to go home and leave the car out in the snow in the driveway all night Knowing that his lies were being found out, he tried yet another scheme. He tried to collect money! “Did he flee the scene when the investigators were at work? No! Coldly, without feeling, he stayed on m the Dal- ton home, ate, slept, basking in the misguided kindness of Mr. Dalton, who refused to allow him to be questioned upon the theory that he was a poor boy who needed protection] “He needed as much protection as you would give a coiled rattler! “While the family was searching heaven and earth for their daughter, this ghoul writes a kidnap note demanding ten thousand dollars for the safe return of Miss Dalton! But the discovery of the bones in the furnace put that foul dream to an end! “And the defense would have us believe that this man acted in fear! Has fear, since the beginning of tune, driven men to such lengths of calculation? “Again, we have but the bare word of this worthless ape to go on. He fled the scene and went to the home of a girl, Bessie Mears, with whom he had long been intimate. There something occurred that only a cunning beast could have done. This girl had been frightened into helping him collect the ransom money, and he had placed m her keeping the money he had stolen from the corpse of Mary Dalton. He NATIVE SON 378 killed that poor girl, and even yet it staggers my mind to think that such a plan for murder could have been hatched in a human brain. He persuaded this girl, who loved him deeply — despite the assertions of Mr. Max, that godless Communist who tried to make you believe otherwise I — as I said, he persuaded this girl who loved him deeply to run away with him. They hid in an abandoned building. And there, with a blizzard raging outside, in the sub-zero cold and darkness, he committed rape and murder again, twice in twenty-four hours! ‘‘I repeat. Your Honor, I cannot understand it! I have dealt with many a murderer in my long service to the state, but never have I encountered the equal of this. So eager was this demented savage to rape and kill that he forgot the only thing that might have helped him to escape; that is, the money he had stolen from the dead body of Mary Dalton, which was in the pocket of Bessie Mears’ dress. He took the ravished body of that poor working girl — the money was in her dress, 1 say — and dumped it four floors down an air-shaft. The doctors told us that that girl was not dead when she hit the bottom of that shaft, she froze to death later, trying to climb out! “Your Honor, I spare you the ghastly details of these murders. The witnesses have told all. “But I demand, in the name of the people of this state, that this man die for these crimes! "I demand this so that others may be deterred from similar crimes, so that peaceful and industrious people may be safe. Your Honor, millions are waiting for your word! They are waidng for you to tell them that jungle law does not prevail m this city! They want you to tell them that they need not sharpen their knives and load their guns to protect themselves. They are waiting, Your Honor, beyond that windowl Give them your word so that they can, with calm hearts, plan for the future 1 Slay the dragon of doubt that causes a million hearts to pause tonight, a million hands to tremble as they lock their doors! “When men are pursuing their normal rounds of duty and a crime as black and bloody as this is committed, they be- come paralyzed. The more horrible the crime, the more stunned, shocked, and dismayed is the tranquil city in which it happens; the more helpless are the citizens before it. FATE 379 “Restore confidence to those of us who stiU survive, so that we may go on and reap the rich harvests of life. Your Honor, in the name of Almighty God, I plead with you to be merciful to us!” Buckley’s voice boomed in Bigger’s ears and he knew what the loud commotion meant when the speech had ended. In the back of the room several newspapermen were scrambling for the door. Buckley wiped his red face and sat down. The judge rapped for order, and said; “Court will adjourn for one hour.” Max was on his feet. “Your Honor, you cannot do this. ... Is it your inten- tion . . . More time is needed. . . . You . . .” “The Court will give its decision then,” the judge said. There were shouts. Bigger saw Max’s lips moving, but he could not make out what he was saying Slowly, the room quieted. Bigger saw that the expressions on the faces of the men and women were different now. He felt that the thing had been decided. He knew that he was to die. “Your Honor,” Max said, his voice breaking from an in- tensity of emotion “It seems that for careful consideration of the evidence and discussion submitted, more time is . . “The Court reserves the right to determme how much tune is needed, Mr. Max,” the judge said. Bigger knew that he was lost. It was but a matter of time, of formality. He did not know how he got back into the little room; but when he was brought in he saw the tray of food still there, uneaten. He sat down and looked at the six policemen who stood silently by. Guns hung from their hips. Ought he to try to snatch one and shoot himself? But he did not have enough spirit to respond positively to the idea of self- destruction. He was paralyzed with dread. Max came in, sat, and lit a cigarette. “Well, son. We’ll have to wait. We’ve got an hour.” There was a banging on the door. “Don’t let any of those reporters in here,” Max told a policeman. “O.K.” Minutes passed. Bigger’s head began to ache with the sus- pense of it. He knew that Max had nothing to say to him and he had nothing to say to Max. He had to wait, that was all; NATIVE SON 380 wait for something he knew was coming. His throat tightened. He felt cheated. Why did they have to have a trial if it had to end this way? “Well, I reckon it’s all over for me now,” Bigger sighed, Speaking as much for himself as for Max. “I don’t know,” Max said. “I know,” Bigger said. “Well, let’s wait ” “He’s makmg up his mind too quick. I know I’m going to die.” “I’m sorry. Bigger. Listen, why don’t you eat?” "I ain’t hungry.” “This thing isn’t over yet I can ask the Governor . . “It ain’t no use They got me.” “You don’t know.” “I know.” Max said nothing. Bigger leaned his head upon the table and closed his eyes. He wished Max would leave him now. Max had done all he could. He should go home and forget him. The door opened. “The judge’ll be ready in five minutes!” Max stood up. Bigger looked at his tired face. “All right, son. Come on ” Walking between policemen. Bigger followed Max back into the court room. He did not have time to sit down before the judge came. He remained standing until the judge was seated, then he slid weakly into his chair. Max rose to speak, but the judge lifted his hand for silence. “Will Bigger Thomas rise and face the Court?” The room was full of noise and the judge rapped for quiet. With tremblmg legs, Bigger rose, feeling m the grip of a nightmare. “Is there any statement you wish to make before sentence is passed upon you?” He tried to open his mouth to answer, but could not. Even if he had had the power of speech, he did not know what he could have said. He shook his head, his eyes blurring The court room was profoundly quiet now The judge wet his bps with his tongue and lifted a piece of paper that crackled loudly in the silence. “In view of the unprecedented disturbance of the public fate 381 mind, the duty of this Court is clear," the judge said and paused Bigger groped for the edge of the table with his hand and clung to It. "In Number 666-983, indictment for murder, the sentence of the Court is that you. Bigger Thomas, shall die on or be- fore midnight of Friday, March third, in a manner prescribed by the laws of this State. "This Court finds your age to be twenty. “The Sheriff may retire with the prisoner.” Bigger understood every word; and he seemed not to react to the words, but to the judge’s face. He did not move; he stood looking up into the judge’s white face, his eyes not blinking. Then he felt a hand upon his sleeve; Max was pulling him back into his seat The room was in an uproar. The judge rapped with his gavel. Max was on his feet, trying to say something, there was too much noise and Bigger could not tell what it was. The handcuffs were clicked upon him and he was led through the underground passage back to his cell. He lay on the cot and something deep down m him said, It’s over now. . . , It’s all over. . . . Later on the door opened and Max came in and sat softly beside him on the cot. Bigger turned his face to the wall. "I’ll see the Governor, Bigger. It’s not over yet. . .” "Go ’way,” Bigger whispered. “You’ve got to . . “Naw. Go ’way. . . .’’ He felt Max’s hand on his arm; then it left. He heard the steel door clang shut and he knew that he was alone. He did not stir; he lay still, feehng that by being still he would stave off feeling and thinking, and that was what he wanted above all right now Slowly, his body relaxed. In the darkness and silence he turned over on his back and crossed his hands upon his chest. His lips moved in a whimper of despair. In self-defense he shut out the night and day from his mind, for if he had thought of the sun’s rising and setting, of the moon or the stars, of clouds or rain, he would have died a thousand deaths before they took him to the chair. To ac- custom his mind to death as much as possible, he made all the world 'beyond his cell a vast gray land where neither NATIVE SON 382 night nor day was, peopled by strange men and women whom he could not understand, but with those lives he longed to mingle once before he went. He did not eat now, he simply forced food down his throat without tasting it, to keep the gnawing pain of hunger away, to keep from feeling dizzy. And he did not sleep; at intervals he closed his eyes for awhile, no matter what the hour, then opened them at some later time to resume his brooding. He wanted to be free of everything that stood be- tween him and his end, him and the full and terrible realiza- tion that life was over without meaning, without anything being settled, without conflicting impulses being resolved. His mother and brother and sister had come to see him and he had told them to stay home, not to come again, to forget him. The Negro preacher who had given him the cross had come and he had driven him away. A white priest had tried to persuade him to pray and he had thrown a cup of hot coffee into his face The priest had come to see other pris- oners since then, but had not stopped to talk with him. That had evoked in Bigger a sense of his worth almost as keen as that which Max had roused in him during the long talk that night. He felt that his making the priest stand away from him and wonder about his motives for refusing to accept the consolations of religion was a sort of recognition of his per- sonahty on a plane other than that which the priest was ordinarily willing to make. Max had told him that he was going to see the Governor, but he had heard no more from him He did not hope that anything would come of it; he referred to it in his thoughts and feelings as something happening outside of his life, which could not in any way alter or influence the course of it. But he did want to see Max and talk with him again. He recalled the speech Max had made in court and remembered with gratitude the kind, impassioned tone. But the meaning of the words escaped him. He believed that Max knew how he felt, and once more before he died he wanted to talk with him and feel with as much keenness as possible what his living and dying meant. That was all the hope he had now. If there were any sure and firm knowledge for him, it would have to come from himself. He was allowed to write three letters a week, but he had FATE 383 written to no one. There was no one to whom he had any- thing to say, for he had never given himself whole-heartedly to anyone or anything, except murder. What could he say to his mother and brother and sister? Of the old gang, only Jack had been his friend, and he had never been so close to Jack as he would have liked. And Bessie was dead; he had killed her. When tired of mulling over his feelings, he would say to himself that it was he who was wrong, that he was no good. If he could have really made himself believe that, it would have been a solution. But he could not convince himself. His feelings clamored for an answer his mind could not give. All his life he had been most alive, most himself when he had felt things hard enough to fight for them; and now here in this cell he felt more than ever the hard central core of what he had lived. As the white mountain had once loomed over him, so now the black wall of death loomed closer with each fleeting hour. But he could not strike out blmdly now; death was a different and bigger adversary. Though he lay on his cot, his hands were groping fumbling- ly through the city of men for something to match the feelings smoldering in him; his groping was a yearning to know. Frantically, his mind sought to fuse his feelings with the world about him, but he was no nearer to knowing than ever. Only his black body lay here on the cot, wet with the sweat of agony. If he were nothing, if this were all, then why could not he die without hesitancy? Who and what was he to feel the agony of a wonder so intensely that it amounted to fear? Why was this strange impulse always throbbing in him when there was nothing outside of him to meet it and explain it? Who or what had traced this restless design in him? Why was this eternal reaching for something that was not there? Why this black gulf between him and the world; warm red blood here and cold blue sky there, and never a wholeness, a oneness, a meeting of the two? Was that it? Was it simply fever, feeling without knowmg, seeking without finding? Was this the all, the meaning, the end? With these feelings and questions the minutes passed. He grew thin and his eyes held the red blood of his body. The eve of his last day came. He longed to talk to Max more than ever. But what could he say to him? Yes; that was NATIVE SON 384 the joke of it He could not talk about this thing, so elusive it was, and yet he acted upon it every living second. The next day at noon a guard came to his cell and poKed a telegram through the bars. He sat up and opened it. BE BRAVE GOVERNOR FAILED DONE ALL POS- SIBLE SEE YOU SOON MAX He balled the telegram into a tight knot and threw it into a comer. He had from now until midnight. He had heard that six hours before his time came they would give him some more clothes, take him to the barber shop, and then take him to the death cell. He had been told by one of the guards not to worry, that “eight seconds after they take you out of your cell and put that black cap over your eyes, you’ll be dead, boy.” Well, he could stand that He had in his mind a plan: he would flex his muscles and shut his eyes and hold his breath and think of absolutely nothing while they were han- dling him. And when the current struck him, it would all be over. He lay down again on the cot, on his back, and stared at the tiny bnght-yellow electric bulb glowing on the ceiling above his head. It contained the fire of death If only those tiny spirals of heat inside that glass globe would wrap round him now — if only someone would attach the wires to his iron cot while he dozed off — if only when he was m a deep dream they would kill him. . . . He was m an uneasy sleep when he heard the voice of a guard. “Thomas! Here’s your lawyer!” He swung his feet to the floor and sat up Max was stand- ing at the bars The guard unlocked the door and Max walked in. Bigger had an impulse to rise, but he remained seated. Max came to the center of the floor and stopped. They looked at each other for a moment. “HeUo, Bigger." Silently, Bigger shook hands with him. Max was before him, quiet, white, solid, real. His tangible presence seemed to belie all the vague thoughts and hopes that Bigger had PATE 385 woven round him in his broodings. He was glad that Max had come, but he was bewildered. “How’re you feeling?” For an answer, Bigger sighed heavily. “You get my wire?” Max asked, sitting on the cot. Bigger nodded “I’m sorry, son ” There was silence Max was at his side. The man who had lured him on a quest toward a dim hope was there Well, why didn’t he speak now? Here was his chance, his last chance He lifted his eyes shyly to Max’s; Max was looking at him Bigger looked off. What he wanted to say was stronger in him when he was alone; and though he imputed to Max the feelings he wanted to grasp, he could not talk of them to Max until he had forgotten Max’s presence Then fear that he would not be able to talk about this consuming fever made him panicky He struggled for self-control, he did not want to lose this driving impulse; it was all he had. And in the next second he felt that it was all foolish, useless, vain. He stopped trying, and in the very moment he stopped, he heard himself talking with tight throat, in tense, involuntary whispers: he was trusting the sound of his voice rather than the sense of his words to carry his meaning, “I’m all right, Mr. Max. You ain't to blame for what’s hap- pening to me. ... I know you did all you could. . . .” Under the pressure of a feeling of futility his voice trailed off. After a short silence he blurted, “I just r-r-reckon I h-had it coming . . He stood up, full now, wanting to talk. His lips moved, but no words came. “Is there anything I can do for you, Bigger?” Max asked softly. Bigger looked at Max’s gray eyes. How could he get into that man a sense of what he wanted? If he could only tell him! Before he was aware of what he was doing, he ran to the door and clutched the cold steel bars in his hands. “I— I ” “Yes, Bigger?” Slowly, Bigger turned and came back to the cot. He stood before Max again, about to speak, his right hand raised. Then he sat down and bowed his head. “What IS It, Bigger? Is there anything you want me to do on the outside? Any message you want to send?” 386 NATIVE SON “Naw,” he breathed. “What’s on your mind?” “1 don’t know.” He could not talk. Max reached over and placed a hand on his shoulder, and Bigger could tell by its touch that Max did not know, had no suspicion of what he wanted, of what he was trying to say. Max was upon another planet, far off in spacei^as there any way to break down this wall of isola- tionwfc>istractedly, he gazed about the cell, trying to re- m,eaiDer where he had heard words that would help himl^e could recall none. He had lived outside of the lives of men. Their modes of communication, their symbols and images, had been denied him. Yet Max had given him the faith that at bottom all men lived as he lived and felt as he felt. And of all the men he had met, surely Max knew what he was trying to say. Had Max left him? Had Max, knowing that he was to die, thrust him from his thoughts and feelings, as- signed him to the grave? Was he already numbered among the dead? His lips quivered and his eyes grew misty. Yes; Max had left him. Max was not a friend. Anger welled in him. But he knew that anger was useless. Max rose and went to a small window; a pale bar of sun- shine fell across his white head. And Bigger, looking at him, saw that sunshine for the first time in many days; and as he saw it, the entire cell, with its four close walls, became crushingly real. He glanced down at himself; the shaft of yellow sun cut across his chest with as much weight as a beam forged of lead. With a convulsive gasp, he bent forward and shut his eyes. It was not a white mountain looming over him now; Gus was not whistling “The Merry-Go-Round Broke Down” as be came into Doc’s poolroom to make him go and rob Blum’s; he was not standing over Mary’s bed with the white blur hovering near; — this new adversary did not make him taut; it sapped strength and left him weak. He summoned his energies and lifted his head and struck out desperately, determined to rise from the grave, resolved to force upon Max the reality of his living. “I’m glad I got to know you before I gol” he said with almost a shout; then was silent, for that was not what he had wanted to say. Max turned and looked at him; it was a casual look, de- void of the deeper awareness that Bigger sought so hungrily. “I’m glad I got to know you, too. Bigger. I’m sorry we have FATE 387 to part this way. But I’m old, son. I’ll be going soon myself. ...” “I remembered all them questions you asked me. . . .” “What questions?” Max asked, coming and sittmg again on the cot. “That night. . . .” “What night, son?” Max did not even knowl Bigger felt that he had been slapped. Oh, what a fool he had been to build hope upon such shifting sand! But he had to make him know! “That mght you asked me to tell aU about myself,” he whim- pered despairingly. “Oh.” He saw Max look at the floor and frown. He knew that Max was puzzled. “You asked me questions nobody ever asked me before. You knew that I was a murderer two times over, but you treated me like a man. . . .” Max looked at him sharply and rose from his cot. He stood in front of Bigger for a moment and Bigger was on the verge of believing that Max knew, understood; but Max’s next words showed him that the white man was stdl trying to comfort him in the face of death. “You’re human. Bigger,” Max said wearily. “It’s hell to talk about things like this to one about to die. . . .” Max paused; Bigger knew that he was searching for words that would soothe him, and he did not want them. “Bigger,” Max said, “in the work I’m doing, I look at the world in a way that shows no whites and no blacks, no civilized and no savages. . . . When men are trying to change human life on earth, those little things don't matter. You don’t notice ’em. They’re just not there. You forget them. The reason I spoke to you as I did. Bigger, is because you made me feel how badly men want to hve. . . .” “But sometimes I wish you hadn’t asked me them ques- tions,” Bigger said in a voice that had as much reproach in it for Max as it had for himself. “What do you mean. Bigger?” “They made me think and thinking’s made me scared a little. ...” Max caught Bigger’s shoulders in a tight grip; then his fingers loosened and he sank back to the cot; but his eyes were still fastened upon Bigger’s face. Yes; Max knew now. 388 NATIVE SON Under the shadow of death, he wanted Max to tell him about life. “Mr. Max, how can I die!” Bigger asked; knowing as the words boomed from his lips that a knowledge of how to live was a knowledge of how to die. Max turned his face from him, and mumbled, “Men die alone, Bigger.” But Bigger had not heard him. In him again, imperiously, was the desire to talk, to tell; his hands were lifted in mid- air and when he spoke he tried to charge into the tone of his words what he himself wanted to hear, what he needed. “Mr. Max, I sort of saw myself after that night. And I sort of saw other people, too.” Bigger’s voice died; he was listen- ing to the echoes of his words in his own mind. He saw amazement and horror on Max’s face. Bigger knew that Max would rather not have him talk like this; but he could not help it. He had to die and he had to talk. “Well, it’s sort of funny, Mr. Max. I ain’t trying to dodge what’s coming to me.” Bigger was growing hysterical. “I know I’m going to get it. I’m going to die. Well, that’s all right now. But really 1 never wanted to hurt nobody. That’s the truth, Mr. Max. I hurt folks ’cause I felt I had to; that’s all. They was crowd- ing me too close; they wouldn’t give me no room. Lots of times I tried to forget ’em, but I couldn’t. They wouldn’t let me. . . .” Bigger’s eyes were wide and unseeing; his voice rushed on: “Mr. Max, I didn’t mean to do what I did. I was trying to do something else. But it seems like I never could. I was always wanting something and I was feeling that no- body would let me have it. So I fought ’em. I thought they was hard and I acted hard.” He paused, then whimpered in con- fession, “But I ain’t hard, Mr. Max. I ain’t hard even a little bit. . . .” He rose to his feet. “But . . , I — I won’t be crying none when they take me to that chair. But I’ll b-b-be feeling inside of me like I was crying. ... I’ll be feeling and thinking that they didn’t see me and I didn’t see them. . . He ran to the steel door and caught the bars in his hands and shook them, as though trying to tear the steel from its concrete moorings. Max went to him and grabbed his shoulders. “Bigger," Max said helplessly. Bigger grew still and leaned weakly against the door. “Mr. Max, I know the folks who sent me here to die hated me; I know that. B-b-but you reckon th-they was like m-me, trying to g-get something like I was, and when I’m dead and FATE 389 gone they’ll be saying like I’m saying now that they didn’t mean to hurt nobody . . . th-that they was t-trying to get something, too, . . . ?” Max did not answer. Bigger saw a look of indecision and wonder come into the old man’s eyes. “Tell me, Mr. Max. You think they was?" “Bigger," Max pleaded. “Tell me, Mr. Max!" Max shook his head and mumbled, “You’re askmg me to say things I don’t want to say. . . “But I want to knowl" “You’re going to die. Bigger. . . .” Max’s voice faded. Bigger knew that the old man had not wanted to say that; he had said it because he had pushed him, had made him say it. They were silent for a moment longer, th^n Bigger whispered, “That’s why I want to know. ... I reckon it’s ’cause I know I’m going to die that makes me want to know. . . Max’s face was ashy, Bigger feared that he was going to leave. Across a gulf of silence, they looked at each other. Max sighed. “Come here, Bigger," he said. He followed Max to the window and saw in the distance the tips of sun-drenched buildings in the Loop. "See all those buildings, Bigger?” Max asked, placing an arm about Bigger’s shoulders. He spoke hurriedly, as though trying to mold a substance which was warm and pliable, but which might soon cool. “Yeah. I see ’em. . . “You lived in one of them once, Bigger. They’re made out of steel and stone. But the steel and stone don’t hold ’em together. You know what holds those buildings up. Bigger? You know what keeps them in their place, keeps them from tumbling down?” Bigger looked at him, bewildered. “It’s the belief of men. If men stopped believing, stopped having faith, they’d come tumbling down. Those buildings sprang up out of the hearts of men, Bigger, Men hke you. Men kept hungry, kept needing, and those buildings kept growing and unfolding. You once told me you wanted to do a lot of things. Well, that’s the feeling that keeps those buildings in their places. ...” “You mean . , . You talking about what I said that night, 390 NATIVE SON when I said I wanted to do a lot of things?” Bigger’s voice came quiet, childlike in its tone of hungry wonder. “Yes. What you felt, what you wanted, is what keeps those buildings standing there. When millions of men are desiring and longing, those buildings grow and unfold. But, Bigger, those buildings aren’t growing any more. A few men are squeezing those buildings tightly in their hands. The build- ings can’t unfold, can’t feed the dreams men have, men like you. , . . The men on the inside of those buildings have begun to doubt, just as you did. They don’t believe any more. They don’t feel it’s their world. They’re restless, like you. Bigger. They have nothing. There’s nothing through which they can grow and unfold. They go in the streets and they stand outside of those buildings and look and won- der. . . .” “B-b-but what they hate me for?” Bigger asked. “The men who own those buildings are afraid. They want to keep what they own, even if it makes others suffer. In order to keep it, they push men down in the mud and tell them that they are beasts. But men, men like you, get angry and fight to re-enter those buildings, to live again. Bigger, you killed. That was wrong. That was not the way to do it It’s too late now for you to . . . work with . . . others who are t-trying to . . . believe and make the world live again. . . . But it’s not too late to believe what you felt, to under- stand what you felt. . . Bigger was gazing in the direction of the buildings; but he did not see them. He was trying to react to the picture Max was drawing, trying to compare that picture with what he had felt all his life. “I always wanted to do something,” he mumbled. They were silent and Max did not speak again until Bigger looked at him. Max closed his eyes. “Bigger, you’re going to die. And if you die, die free. You’re trying to believe in yourself. And every time you try to find a way to live, your own mind stands in the way. You know why that is? It’s because others have said you were bad and they made you live in bad conditions. When a man hears that over and over and looks about him and sees that his life is bad, he begins to doubt his own mind. His feelings drag him forward and his mind, full of what others say about him, tells him to go back. The job in getting people to fight and have faith is in making ^em believe in what FATE 391 life has made them feel, making them feel that their feelings are as good as those of others. “Bigger, the people who bate you feel just as you feel, only they’re on the other side of the fence You’re black, but that’s only a part of it. Your being black, as I told you before, makes it easy for them to single you out. Why do they do that? They want the things of life, just as you did, and they’re not particular about how they get them. They hire people and they don’t pay them enough; they take what people own and build up power. They rule and regulate life. They have things arranged so that they can do those things and the people can’t fight back. They do that to black people more than others because they say that black people are inferior. But, Bigger, they say that all people who work arc inferior. And the rich people don’t want to change things; they’ll lose too much. But deep down in them they feel like you feel, Bigger, and in order to keep what they’ve got, they make themselves believe that men who work arc not quite human. They do like you did, Bigger, when you refused to feel sorry for Mary. But on both sides men want to live; men arc fighting for life. Who will win? Well, the side that feels life most, the side with the most humanity and the most men. That’s why . . , y-you’ve got to b-believe in yourself. Big- ger. . . .” Max's head jerked up in surprise when Bigger laughed. “Ah, I reckon I believe in myself. ... 1 ain’t got nothing else. ... I got to die. . . .’’ He stepped over to Max. Max was leaning against the window. “Mr. Max, you go home. I’m all right. . . . Sounds funny, Mr. Max, but when I think about what you say I kind of feel what 1 wanted. It makes me feel 1 was kind of right, . . .” Max opened his mouth to say something and Bigger drowned out his voice. “I ain’t trying to forgive nobody and I ain’t asking for nobody to forgive me. I ain’t going to cry. They wouldn’t let me live and I killed. Maybe it ain’t fair to kill, and I reckon I really didn’t want to kill. But when I think of why all the killing was, I begin to feel what I wanted, what I am. . . .” Bigger saw Max back away from him with compressed lips. But he felt he had to make Max understand how he saw things now. “I didn’t want to kill!” Bigger shouted. “But what I killed 392 NATIVE SON for, I ami It must’ve been pretty deep in me to make me kiUl I must have felt it awful hard to murder. . . Max lifted his hand to touch Bigger, but did not. “No; no; no. . . . Bigger, not that . . Max pleaded de- spairingly. “What I killed for must’ve been good!’’ Digger’s voice was full of frenzied anguish. “It must have been good! When a man kills, it’s for something. ... I didn’t know I was really alive in this world Until I felt things hard enough to kill for ’em. . . . It’s the truth, Mr. Max. I can say it now, ’cause I’m going to die. I know what I’m saying real good and I kfiow how It sounds. But I’m all right. 1 feel all right when I look at it that way. . . .” Max^s eyes were full of terror. Several tim.es his body moved nervously, as though he were about to go to Bigger; but he stood still. “I’m all right, Mr. Max. Just go and tell Ma I was all right and not to worry none, see? Tell her I was all right and wasn’t crying none. . . .” Max’s eyes were wet. Slowly, he extended his hand. Big- ger shook it. “Good-bye, Bigger,’’ he said quietly. “Good-bye, Mr. Max.” Max groped for his hat like a blind man; he found it and jammed it on his head. He felt for the door, keeping his face averted. He poked his arm through and signaled for the guard. When he was let out he stood for a moment, his back to the steel door. Bigger grasped the bars with both hands. “Mr. Max. . . .” “Yes, Bigger,” He did not turn around. “I'm all right. For real, I am.” “Good-bye, Bigger.” “Good-bye, Mr. Max.” Max walked down the corridor. “Mr. Max!” Max paused, but did not look. “TeU . . . TeU Mister . . . Tell Jan hello. . . .” “All right. Bigger.” “Good-bye!” "Good-bye!” He still held on to the bars. Then he smiled a faint, wry, bitter smile. He heard the ring of steel agtynst steel as a far door clanged shut |
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